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Artículos del 1 al 50 de 116 en la página 1 de 3
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UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser (B-STOCK) UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser (B-STOCK) UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser (B-STOCK) UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser (B-STOCK) UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser (B-STOCK)
Cat: 1009122 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Stacked with up to 20 voices of polyphony, the Super Gemini boasts an immensely powerful sound engine where a performance isn't just a single sound, but an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Spectrally rich digital hardware oscillators of unique construction, decorated with a plethora of expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past. The result is a core- sound that is rich, evolving, engaging and addictive.

Stacked with up to 20 voices of polyphony, each performance is an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Unique spectrally rich digital hardware oscillators, decorated with expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past.

Matching sonic innovation with tactility, the Super Gemini is equipped with a 61-note semi-weighted keybed with polyphonic aftertouch, in addition to a custom engineered ribbon sensor for individual note articulation and a gestural way to explore your sound. With 256 performance and patch slots, 64 interchangeable waveforms and 16 sequences, you can safely store and edit your sounds without concern.

As the second synth in the 'Super' series, the Gemini represents a quantum leap in UDO's technology - building on the acclaimed rich sound pioneered by George Hearn and the Super 6. Adopting a true-stereo Binaural signal path with dual FPGAs and twin effects processors, Gemini will take you on an adventure of spectral dynamics, of glittering frequency and shattering subharmonics, of comfort and discord, expectations and surprises.

Duality in control

Equipped with dual synth-control levels, the Super Gemini gifts you with comprehensive and immediate control over multiple patches/timbral layers, calling out for you to tweak, mold and transform your performances in an unprecedented real-time form. This is a synth that opens new heights of powerful and immediate play.

The power of play

With a total of 20 voices, the option to split and stack patches, each with its own individual arpeggio or sequence, and an uncompromisingly powerful sound engine, the Super Gemini allows you to push sonic boundaries and to explore the acclaimed UDO sound to the fullest.

Inspired by the classics built for today

Super Gemini fuses a state-of-the-art FPGA digital architecture with archetypal voltage-controlled synthesizer technology. This harmonious marriage of old and new encompasses all that is great from the era of classic analogue polyphonic synthesizers, yet in an unparalleled form factor which is immensely powerful, flexible, and reliable.

Binaural synthesis

Employing a true-stereo signal path, the Super Gemini twins its 20 voices to form 10 'super voices'. As a result, the left and right channels, and each of your ears, are assigned a complete synthesizer voice. This empowers UDO's championed warm analogue tone, and enables you to create extremely dynamic spatial sounds.

Unlimited expression

Featuring a custom-designed ribbon controller and a 61-note semi-weighted keyboard with polyphonic aftertouch, the Super Gemini will enhance your musicianship from the first touch, opening up new ways for you to explore and express your sound.

True no-compromise build quality

Forged entirely from aluminium and steel, the Super Gemini is undeniably robust. Equipped with an array of superior quality mechanical controls, the Super Gemini is engineered for reliability and service. As a loyal workmate and companion, this instrument is designed to stand the test of time.
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out of stock $3,518.86
Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder
Notes: A thing of beauty. Teenage Engineering channel the vibes of vintage open-reel tape recorders mashed up with modern tech. A proper all-round recording solution, from voice memos to studio work.

Supplier's Notes:
There are thoughts, ideas and fragments that - for the sake of humanity - we need to record and be able to return to as a reference, as a seed for new thoughts or just to remember another time. TP-7 is built for just that, to record sound, music, interviews and important ideas with zero friction in the highest possible quality. A device engineered in every detail to do only one thing and to do it well. A dedicated piece of hardware for ideas, or just a dirty riff.

The ultra-portable audio recorder. Record and listen back using the internal mic and speaker, or use any number of the 3x two-way jacks for external mics, headsets or other signal sources. Multiple connectivity options include USB-C, MFi and Bluetooth. Instant voice-to-text transcription available via the IOS app. Included in the box: 6.35 mm jack adapter, textile USB-C cable, user guide and reusable plastic storage box.

Intuitive muscle reflex control.

TP-7 fits perfectly in the palm of your hand and lets your fingers naturally adopt the controls. The index finger triggers fast forward and the middle finger rewinds. Your thumb records a memo, the pinky selects the mode. It's a genuinely rewarding experience.

Tape reel sensation.

The centre piece of the TP-7 is the motorized tape reel. A delicately engineered brushed motor with ball bearings, and a highly sensitive hall sensor that lets you virtually grab your recording. the reel is also used for scrubbing, to pause, menu navigation and as gentle visual feedback during playback and recording.

The rocker.

The side-mounted rocker allows you to quickly scrub through your audio.
just press on the top edge to fast forward, and down to rewind. watch the wheel spin around and hear your tracks scrub in 'hyperspeed'.

Transcription hell turned into transcription heaven.

We've all experienced the process of transcribing recorded speech to text by hand. A key feature of the TP-7 is its ability to streamline the process of turning audio into text. simply connect your phone to TP-7 via BLE or USB, open the TP-7 app and press transcribe. Job done!

(* Additional languages, text-to-audio edit and other useful features will be added over time.)

Off the record.

Picture yourself in an interview situation. The reel on the TP-7 is spinning slowly, the bright red record lamp is lit. Both the reel and the lamp indicates that a recording is taking place. The interview is going quite well. The situation gets heated, you're suddenly asked some personal questions. In that moment, you gently place a finger on the reel and pause the recording, allowing you to continue the interview 'off the record'.

The importance of zero friction.
(or how to remove steps from thought to action.)

Let's compare TP-7 to the most common recorder today - the smartphone:
Once you've turned on and unlocked your phone, found the recording app and started recording, you've probably forgotten whatever you had in mind. When recording on TP-7: press the memo button and start talking.

Inputs, outputs and 20 years of ideas.

TP-7 features three stereo two-way jacks to be used as either inputs or outputs, for connecting external mics, headphones, studio monitors, or any other audio equipment like OP-1 field or TX-6, recording with all 6 stereo channels. Use USB-C for multi-channel audio interface, MIDI, data transfer and charging, and BLE and MFi for wireless connectivity. TP-7 also includes a 6.35 mm to 3.5 mm jack adapter. Add to that 128 GB of internal storage and you can preserve 5 minutes of ideas a day for 20 years..

Applications.

Interview

Let you, and your subject, focus on the job at hand. When conducting interviews, TP-7's discreet size and dedicated function makes for an unobtrusive recording device.

Podcast

Whether you're in the studio or out in the field, TP-7's high quality audio is perfect for podcast recording. Connect up to 3 external mics, or use the internal mic in a pinch. Keep an eye on your levels with the VU meter and headphones.

Voice memos

Think out loud, tape does the rest. Let TP-7 capture your thoughts, then convert them into accurate text using the TP-7 app. For professionals, and avid thinkers and writers.

Field recording

Inspiration can strike when you least expect it. With an internal mic, 3x inputs, and a 7 hr rechargeable battery, you can use tape to record samples and demos on the go. Never lose an idea again.

Live performance

Use TP-7 in a live performance or recording scenario. Track all the instruments in your studio, or record your live set when performing. You can even use TP-7 as turntables and TX-6 to mix.

The field system.

TP-7 is part of Teenage Engineering's ultra-portable sound recording and performance system. All battery-powered, rechargeable via USB-C and with full interconnectivity (MIDI and high resolution audio). Compatible with iOS, macOS, and windows it's the most powerful, highest quality, portable system in the world 'as we know it'.

TP-7 specifications

Highlights
3x stereo two-way jack input/output/headset connectors
1x stereo headphones connector with 3.5 to 6.35 mm jack adapter
Internal microphone and speaker
Motorised 'tape reel'
128 GB internal storage
24-bit/96 kHz usb audio interface
Bluetooth low energy
Rechargeable battery
7 hr battery life
64x32 pixel monochrome display
LED VU meters
Companion transcription app

Dimensions and weight
96 mm x 68 mm x 16 mm
170 g / 5.6 oz

Electrical characteristics
Two-way jacks (3.5 mm TRRS)

Stereo input:
Input impedance 9.5 kOhm
Analogue gain 0 - 42 dB
Max level 8 dBu (2 Vrms)
SNR 105 dBA

Headset:
Max level out 2 dBu (1 Vrms)
SNR 110 dBA
Microphone SNR 98 dBA

Headphone output (6.35 mm TRS)
Max level 8 dBu (2 Vrms)
SNR 120 dBA
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 5 in stock $1,366.47
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quote 945809
Erica Synths Syntrx II Analogue Desktop Synthesiser Erica Synths Syntrx II Analogue Desktop Synthesiser Erica Synths Syntrx II Analogue Desktop Synthesiser Erica Synths Syntrx II Analogue Desktop Synthesiser Erica Synths Syntrx II Analogue Desktop Synthesiser
Cat: 877389 Rel: 15 Jun 23 • View all Synthesisers
 
A re-imagination of the legendary Synthi AKS synthesiser
Notes: Updated version of Erica's superb EMS-inspired synth, featuring a powerful dual oscillator synth architecture, piano roll sequencer, modulation matrix and recordable joystick.

Supplier's Notes:
Based on lessons learned from the SYNTRX, Erica Synths decided to create an instrument that would integrate even deeper into contemporary electronic and experimental music setups and cover sonic territory from daunting drones to powerful basslines and glitched noisescapes - the SYNTRX II is a new dark horse for experimental sonic rides.

The SYNTRX II is the culmination of Erica Synths' analogue sound design circuits - two perfectly stable main oscillators with waveshapers, a modulation oscillator with 1V/oct tracking, a versatile multimode filter, supercharged external instrument inputs with an envelope follower, a unique, great-sounding ring modulator, a recordable joystick, built-in piano roll sequencer and stepped modulation sources, all arranged around Erica Synths' signature matrix mixer and topped off with powerful FX on their new DSP platform.

"The SYNTRX 2 is awesome, a very different instrument from V1. My first synths were the VCS3 and the AKS and are still among my favorites today. The Syntrx 2 is pushing the boundaries of possibilities & experimentations much beyond the original analogue version. The Syntrx 2 is an instant classic". - Jean Michel Jarre

Features

Two perfectly stable main oscillators with CV-controlled waveforms
Modulation oscillator with variable waveforms
Highpass and Lowpass filters in series
Free running or gate synced sample and hold circuit
Multi-colour noise generator
DC coupled instrument inputs with signal inversion and envelope follower
Ring modulator of unique design
Looping trapezoid envelope generator and VCA
Two output VCAs
Signal meter with a dedicated audio/CV output
FX section with great sounding Delay and Reverb developed in collaboration with 112db.com
Recordable Joystick
Analogue patch matrix with 3 attenuation levels in each patch point
254 patch memory
Piano roll sequencer and two stepper modulation sources
DIN5 MIDI Input and MIDI Thru
Two assignable outputs
Headphone output
Dimensions: 309mm x 457mm x 115mm (with the joystick in centre position)
Weight: 3.9 kg
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 4 in stock $1,901.27
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quote 877389
Intellijel Cascadia East & West Coast Analogue Semi-Modular Synthesiser
Cat: 940574 Rel: 15 May 23 • View all Synthesisers
 
A synthesist's synthesizer - a well-considered, finely-honed, stand-alone instrument capable of both nuance and bombast.
Notes: Based on Intellijel's extensive Eurorack experience, the Cascadia is a beautiful semi-modular synth which combines East and West coast principles, designed with live performance and real-time tweaking in mind.

Supplier's Notes:
A deep and flexible semi-modular mono synth, it was developed by a team of veteran synth aficionados to be the realization of their collective dream. It is a synthesist's synthesizer - a well-considered, finely-honed, stand-alone instrument capable of both nuance and bombast. You are never more than a slider away from turning sweet into raucous, or a patch cable removed from corrupting the virtuous into the wicked.

To distill Cascadia into a bullet-list of features does not do justice to the sonic possibilities that lurk just behind the panel. Instead, it's best to imagine the potential of two oscillators (one capable of operating at LFO rates; and one with full TZFM and sync capabilities) - each with multiple independent outputs working as both sound and modulation sources. Think about the possibilities of a fully-modulatable, self-oscillating, multimode filter with numerous modes simultaneously available, or the sonic advantages of having both wavefolding and ring modulation built-in. Envision having a pair of fully-configurable envelopes - one, a take on a classic ADSR with an assignable Hold stage; the other, a powerful multimode function generator, which becomes an Envelope, LFO or Burst generator with the flick of a switch. Picture using either MIDI or CV (or both) to drive your sound and modulation; or using the built-in trio of utility LFOs; an additional VCA/LPF/LPG; slew; sample & hold; multipliers, inverter; and mixuverters to refashion it. Ponder the sonic options of bringing in external audio and using it to either modulate or mix into Cascadia's architecture. Speaking of mixing, consider the fully-featured on-board mixer that blends not only all these internal and external sources, but also features multiple types of noise, a sub-oscillator, and soft clipping. And because we wanted Cascadia to be as flexible as possible, we decided not to hamper it with a limited selection of on-board effects but, instead, imbue it with the capability to fully integrate and control external effects devices - allowing you to incorporate your favorite pedals into your own personal playground of signature sounds, anywhere in the signal chain.

Cascadia is a semi-modular synthesizer, meaning that many of its capabilities reveal themselves to the musician without the need to insert a single patch cable. Cascadia's default signal path is well-conceived and deep. But for those willing to dive even deeper, a plethora of new sounds are possible when you start rerouting signals using the many available patch points. And to allow for the ultimate flexibility, these patch points conform to the Eurorack standard, meaning you can expand Cascadia's capabilities through the use of external modules.

Cascadia leverages Intellijel's long commitment to modular synthesis and coalesces it into a single package of sonic possibility. Whether used stand-alone or as part of a larger system, we at Intellijel believe this is the synth to bridge the past to the future; the novice to the pro; the desktop to the eurorack; and you to your musical goals.
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 6 in stock $2,029.71
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quote 940574
Elta Music Solar 42 Microtonal Polyphonic Ambient Machine Semi-Modular Analogue Synthesiser (black) Elta Music Solar 42 Microtonal Polyphonic Ambient Machine Semi-Modular Analogue Synthesiser (black) Elta Music Solar 42 Microtonal Polyphonic Ambient Machine Semi-Modular Analogue Synthesiser (black) Elta Music Solar 42 Microtonal Polyphonic Ambient Machine Semi-Modular Analogue Synthesiser (black)
Cat: 996647 Rel: 12 Mar 24 • View all Synthesisers
 
Microtonal polyphonic ambient machine semi-modular analogue synthesiser
Notes: SOLAR 42 is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music. It gives you the ability to create a multi-layered, massive sound. The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music. It is an improved version of the older SOLAR 50 model. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's "Harmonium" instrument, as well as science fiction film soundtracks.

Solar 42 does not look like a classic synthesiser, which may confuse the user as it looks very complicated. In fact, it is easy to use. It has 8 voices as separate blocks, a mixer with pan and double effector, and various CV blocks.

Features

-Two v/octave VCO voices with different waveform variations, morphing and touch sensitive keypad controller for volt octave voices
-Six drone voices with separate push-button keypad
-Two white noise generators
-Two S&H generators
-Five LFO generators
-5 step sequencer
- Joystick
-Preamp for contact mic + envelope follower
-Stereo mixer with panoramic left and right channels
-Dual analogue 12 dB POLIVOKS filter
-Dual cartridge effector-combiner with CV control
Now you can load a different effect on each channel
-Stereo audio output. Dry audio outputs volt octave voices. External audio input

SOLARs 42 Set

- SOLAR 42
- cartridge kit (12 cartridges) + 1 card OCHRE NEW
- DC 12V 2A power supply
- User manual
- 5 minijack patches
- Sticker pack
- size BOX 67x42x10 cm
- WEIGHT BOX 7 kg

Specifications

-VCO out 10 V ( -5V - +5V)
-EG 0 .... + 8 V
-ENV OUT VOICES 1,2,3,6,7,8 -10 V - + 10 V
-LFOs 0 .. +10V
-Pulser out -10V...+10V
-ENV FOLLOWER 0...+10V, GATE 0...+8V
-JOYSTICK out -10V...+10V
-10...-5...0 left
-5...0...+5 middle
0...+5...+10 right
-S&H -5V...+5V
-VOICE3, 5 modulator out 0....+12V
-5 step seq
CV out 0...+5V
GATE out 0...+10V

Power supply: DC 12V 1A...2A
Weight: 5,4 KG (11,9 lb)
Size: length 49,5 cm x depth 32 cm x height 2,9 cm (5,6 cm height including potentiometer knobs)
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out of stock $1,957.07
SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak)
Cat: 955441 Rel: 08 Mar 24 • View all Synthesisers
 
A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.
Notes: TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.
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 7 in stock $1,457.00
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quote 955441
Future Retro Vectra 29-Keys Hybrid Synthesiser
Cat: 854774 Rel: 12 Mar 24 • View all Synthesisers
 
29-keys hybrid keyboard synthesiser
Notes: Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.

The five LFO's provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO's, complex envelopes, or audio rate oscillators.

OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.
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 8 in stock $1,599.12
Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer Ecler DJ WARM4 4-Channel Analogue Rotary DJ Mixer
Cat: 959310 Rel: 27 Nov 23 • View all Mezcladores para DJ
 
Professional four channel analogue rotary DJ mixer.
Notes: A proper bargain here. Ecler's flagship rotary mixer offers all the benefits of audiophile sound quality and organic, hands-on control at a surprisingly low price point.

Supplier's Notes:
WARM4 is a professional four channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona. Featuring 4 phono/line channels, 2 MIC inputs, classic sharp filters and a 4th order Isolator. WARM4 includes an unique feature, an Analogue Subharmonic Synthesizer selectable per channel, specially designed to generate and reinforce ultra-low frequencies.

Applications

Night Clubs
DJ studios
Itinerant DJ performances

Audio performances

Inputs:

Number of Inputs:
LINE: 4 Stereo Unbalanced Inputs
PHONO: 4 Stereo Unbalanced Inputs
MICRO: 2 Mono Balanced Inputs
FX RETURN: 1 Stereo Unbalanced Input

Connectors type:
LINE 1-2-3-4: RCA STEREO
PHONO 1-2-3-4: RCA STEREO
MICRO 3: XLR3-F
MICRO 4: Combo XLR3F-6.3mm TRS BAL
FX RETURN: RCA STEREO

Inputs Sensitivity nom/Impedance:
LINE: 0dBV/50kO
PHONO: -40dBV/50kO
MICRO: -50dBV/>1kO
FX RETURN: 0dBV/>6kO

PERFORMANCE:

Frequency Response:
LINE: 10Hz#30kHz -1dB
MICRO: 10Hz#25kHz -1dB
PHONO: RIAA i0.5dB
FX RETURN: 10Hz#50kHz -1dB

THD+N:
LINE: <0.004%
MICRO: <0.7%
PHONO: <0.06%
FX RETURN: <0.001%

CMMR:
MICRO: >75dB @ 1kHz

Signal Noise Ratio:
LINE: >105dB
MICRO: >90dB
PHONO: >100dB
FX RETURN: >110dB

Trim control / Tone control Inputs 1-2-3-4:
INPUTS 1-2-3-4: i 15dB
BASS: +10/-30dB
MID: +10/-25dB
TREBLE: +10/-30dB

Trim control / Tone control Isolator:
BASS: +12/-70dB
MID: +12/-40dB
TREBLE: +12/-70dB

Tone Filter cut frequency at -6dB (slope 12dB/oct):
BASS: 200Hz
MID: 200Hz#6.8kHz
TREBLE: 6.8kHz

Isolator cut frequency at -6dB (slope 24dB/oct):
BASS: 300Hz#4kHz
TREBLE: 4kHz

Analogue Subharmonic Synthesizer:
Input selective filter: 50#120Hz
Harmonics synthesis: 25#60Hz
Max Output level: +12dBV

OUTPUTS:

Number of Outputs:
HOUSE: 1 Stereo Balanced Outputs / 1 Stereo Unbalanced Outputs
BOOTH: 1 Stereo Balanced Outputs / 1 Stereo Unbalanced Outputs
HEADPHONE: 2 Stereo Unbalanced Outputs
FX SEND: 1 Stereo Unbalanced
REC: 1 Stereo Unbalanced

Connectors Type:
HOUSE: XLR3-M STEREO / RCA STEREO
BOOTH: XLR3-M STEREO / RCA STEREO
HEADPHONE: Jack Stereo 6.3mm / Jack Stereo 3.5mm
FX SEND: RCA STEREO
REC: RCA STEREO

Outputs Level/Minimum Load:
HOUSE (BAL): 0dBV/600O 1V *(+12dB 4V)
HOUSE (UNBAL): 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (BAL): 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (UNBAL): 0dBV/2.2kO 1V *(+12dB 4V)
REC: 0dBV/10kO
HEADPHONES: 200mO/200O THD 1%
FX SEND: 0dBV/2.2kO

Max Undistorted Output Level:
HOUSE (Electr.BAL): 21dBV (23dBu)
BOOTH (Electr.BAL): 21dBV (23dBu)
HOUSE (UNBAL): 21dBV (23dBu)
BOOTH (UNBAL): 21dBV (23dBu)

MICELLANEOUS
Control Mode: Rotary with Alps Blue Velvet Potentiometers and Alps RK09L potentiometers
Phantom Voltage: 18VDC/5mA Max (Default ON)
Input VU-Meter: LED 12 segments (-38dBV # +10dBV)
House-Mix-Booth VU-Meter: LED 12 segments (-30dBV # +20dBV)
Subharmonic Output VU-Meter: LED 3 Segments (-20dBV / 0dBV / +4dBV)

ELECTRICAL

Power Supply: Internal
AC Mains Voltage: 90-264VAC 47-63Hz
AC Main Connector: 15A IEC inlet connector
Rated power consumption: 39 VA

PHYSICAL
Operating Temperature: -5-C # 45-C / 23-F # 113-F
Operating Humidity: 20 - 90% RH (no condensation)
Storage Temperature: -10-C # 50-C / 14-F # 122-F
Storage Humidit : <90% RH (no condensation)
Operating Humidity: 20 - 90% RH (no condensation)
Installation Options: Desktop or Rack mount with optional accessories
Included Accessories: IEC Cable EU
Dimensions (WxHxD): 34.0 x 8.1 x 37.2 cm / 13.39 x 3.19 x 14.65 in
Weight: 5.32 Kg / 11.73 lb
Shipping Dimensions (WxHxD): 49.5 x 17.5 x 43.5 cm / 19.49 x 6.89 x 17.13 in
Shipping Weight: 6.74 Kg / 14.86 lb

MECHANICAL

Dimensions (without wooden sides) : 400 x 185 x 100mm / 15.7" x 7.2" x 3.9"
Weight : 3.6Kg / 7.94 lbs
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MRP:$1,473.85 SAVE 12%
 2 in stock $1,291.31
Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser
Cat: 975777 Rel: 26 Oct 23 • View all Synthesisers
 
12-voice virtual analogue polyphonic desktop synthesiser
Notes: 12-voice version of Waldorf's Iridium Core, a compact synth from the same range as the Quantum. Running on the Waldorf OS, the Iridium features a versatile selection of Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator synth engines.

Supplier's Notes:
The Core

Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.

Sonic Explorer

Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.

Wave Traveller

The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.

Driven by Inspiration

Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.

Team Player

Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.

Family Member

Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.

Specifications

Compatible with the Waldorf Quantum synth engine
Software: Waldorf Synthesis Platform OS

Oscillators
3 Oscillators each capable of 5 synthesis modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM, AM or Wavetable-position at audio rate)

Dual Stereo Filters per voice
True stereo path Dual Digital Filter with independent modes:
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Analyzer displayed in Filter view
Filter curve animation when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Digital Former
Filter models like State Variable, Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filters, Bit-Crusher, various Drives, Ring-Modulation

Modulators
6 Envelopes
6 LFO
Komplex Modulator (LFO/Envelope combination with user-definable shape and morphing)

Mod Matrix
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Effects
5 slots per layer
Various parallel and sequential routing options
Reverb, Delay, Chorus, Phaser, Flanger, Drive, EQ, Compressor, Tremolo

Performance features
Advanced Arpeggiator
Step-sequencer with up to 64 steps for notes and parameters
2x4 button pads assignable to notes or chords
4 user-assignable potentiometers
6 user-configurable macro buttons
Favourites screen for quick patch recall
XY control on touchscreen
Wheels touchscreen for MIDI controls like mod wheel, pitch bend, aftertouch and velocity
MPE capable

Screen
Industrial-grade highly responsive touch screen with Brightness control
1024x600 pixels

Voices
12 voice polyphony
Duo-timbral
Mono, Legato and Unisono modes

Patches
Over 1700 factory patches
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum and other Iridium variants can be loaded and vice-versa
Category filter for patch list
2.6 GB sample flash memory preloaded with 2 GB factory samples

Connections
Stereo Audio Out: 2x TS jacks
Stereo Audio In: 2x TS jacks
Headphones TRS output with level control
DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included)
USB Type B (device) for MIDI connection to computer
USB Type A (host) for storage media and MIDI devices
MicroSD slot
2 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix
Analogue clock In & Out with clock divider settings

Overall
Sturdy metal case
Dimensions: 346 mm wide by 200 mm depth by 64 mm height (including controls)
Weight: 2.2 kg
External Power Supply: Input 100-240 V / AC 50-60 Hz, Output 12 V DC / 3 A

What's In the Box?
Iridium Core Synthesizer
Two MIDI adapters: mini TRS to DIN sockets
Power Supply
Printed Quick Start Guide
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MRP:$1,784.41 SAVE 23%
 2 in stock $1,366.47
SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak)
Cat: 951312 Rel: 08 Mar 24 • View all Synthesisers
 
A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.
Notes: The kind of instrument Soma Labs do so well: weird but wonderful. Based around 32 complex digital synth algorithms and 12 note velocity- and pressure-sensitive sensors, transposition techniques allow you to play the full range of a grand piano.

Supplier's Notes:
TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.
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 7 in stock $1,471.74
Click for better price!
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quote 951312
Isla Instruments S2400 Desktop Audio Sampler & Sequencer Isla Instruments S2400 Desktop Audio Sampler & Sequencer Isla Instruments S2400 Desktop Audio Sampler & Sequencer Isla Instruments S2400 Desktop Audio Sampler & Sequencer Isla Instruments S2400 Desktop Audio Sampler & Sequencer
Cat: 934991 Rel: 29 Mar 23 • View all Samplers
 
Audio sampler and sequencer.
Notes: Combining vintage sound with modern features, the S2400 draws heavily on the iconic Emu SP1200 to create a new instrument with a distinctive character. One of the best samplers money can buy.

Supplier's Notes:
A legend, reborn.

The S2400 is nothing short of a passion project. Along with a small team of talented Software Engineers, CAD Engineers and revered artists, Isla Instruments have developed a future classic.

The S2400 is a passion project - to recreate the sound of one of the world's most iconic sampling drum machines, and bring it up-to-date with modern features. The result is the very best of old school and new school technology coming together.

Brad has been obsessed with drum machines for many years - owning, repairing, restoring, modifying countless makes and models (see his HR-16 mods on YouTube).

Staying true to form in both sonic characteristics and design aesthetic were the main drivers in the realisation of this project, while bringing the hardware into the 21st Century and keeping the same 'instant gratification' and intuitiveness of its spiritual pre-predecessor at heart.

A machine built for the now and the future.

S2400 Specifications

Sampler / Audio:
16-Bit 48Khz 'Hi-Fi' Sampling/Playback Engine
12-Bit 26Khz 'Classic' Sampling/Playback Engine
Engine type assignable to each of the 32 sample slots
Sample up to 21.5 minutes per slot (Classic / Mono),
5.5 minutes (Hi-Fi / Stereo)
Simultaneous (Full Duplex) playback and record with 8 channel LiveLooping functionality.
On-screen waveform display (slice audio, set loop-points with ease)
128 MB of built-in factory drum kits (from some of our featured beta team)
Independent Headphone output for monitoring (effectively 2 extra channels)
DSP based LP/HP Filtering per track (more FX planned for future)

Sequencer:
Multiple sequence entry methods: Live recording, Step Sequence, Piano Roll GUI, TR x0x Style
32 Stereo Audio Tracks w/ 16 Voice polyphony
32 MIDI Tracks (for sequencing external equipment)
96 PPQN Clock
Per track quantization and swing (including classic mode)
Patterns are up to 100 measures, any time signature
All parameters (level, pitch, envelope, filters) configurable per pattern step
Song mode

Hardware

Bright 128 × 64 pixel OLED display (viewable from any angle)
Ultra High quality Grayhill Optical Data Entry Encoder
8 x 60mm Professional Dual Rail Faders
8 x Dual 'concentric' Pro-Audio rotary pots
Broadcast Equipment grade A/V backlit pushbutton switches
Tactile silicone pads backlit with RGB LEDs
SD Card storage (up to 1TB currently tested)
Classic (OG) input and output analogue filtering circuitry.

I/O

MIDI In/Out/Thru (Standard 5-pin DIN)
2 × 1/4" Stereo Mix Out jacks (psuedo balanced)
8 × 1/4" Individual audio out jacks (psuedo balanced)
4 × 1/4" External input jacks (with adjustable pre-amp modes)
2 × Stereo RCA Line/Phono Inputs (with dual phono pre-amps)
Hi-speed USB 2.0 device port. (USB Audio/MIDI)
USB Host port (connect external USB peripherals, MIDI controllers etc).
3.5mm Clock/trigger in and out jacks (to sync/trigger vintage equipment or modular synths)
Universal Voltage100-250V AC Mains powered.

Physical

Rock Solid 16Ga Cold Rolled Steel enclosure with 6mm Anodised aluminium sidewalls.
Aluminium knobs
Dimensions: (Including knobs, jacks, feet)
Imperial: W18" x D12" x H5" (back) 3" (front)
Metric: W460mm x D310mm x H130mm (back) 80mm (front)
Weight: approximately 13lbs / 6Kgs (metric)

*** Please note: This product does not come with the three-pin PSU kettle leads required, please purchase separately. ***
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 3 in stock $1,841.26
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quote 934991
Alpha Recording System MODEL5000 5-Band Equalizer Alpha Recording System MODEL5000 5-Band Equalizer
Cat: 936519 Rel: 03 Apr 23 • View all Mezcladores para DJ
 
5-band equalizer.
Notes: Simple and straight to the point, ARS's five-band EQ allows you to tweak and adjust the balance of frequencies to get the most from your system. Pristine audiophile sound quality.

Supplier's Notes:
The MODEL-5000 5 Band Equalizer is designed to adjust to all genres of music, and various sound sources such as vinyl, CD and PC.

Source sounds remains lively, while 5 Band Equalizer allowing effective and precise equalization that is not possible with isolators.
Wide Q filter gives instantaneous adjustment.
ARS MODEL-5000 will become your essential item on the site.

* 5 bandwidth of frequencies, HI / HI MID / MID / MID LOW / LOW, are finely level-controlled.
* For the input sources, either RCA unbalanced jacks or XLR balanced jacks (2HOT) can be connected.
* For the output sources, both RCA unbalanced jacks and XLR balanced jacks can be connected simultaneously since both jacks has independent output circuits.
* Knobs have brims on the centre point to easily identified the centre with a little light in the clubs.
* 50 mm width intervals between knobs give smooth operation to improve DJ performance.
* No power switch avoiding accidentally turning power off while playing.
* Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +-1dB 20Hz-20Khz (With no EQ)
Input: RCA Unbalanced Impedance 20K Ohm/ XLR Balanced Impedance 40K Ohm
Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Maximum Output Level: +20 dB
Equalizer Control: 75Hz, 300Hz, 1Khz, 3Khz, 10Khz, 5 Bands
Adjustable Range: i12dB
EQ In/Out Switch: Selector switch on the right side of the front panel.
Power Requirement: US-115V/EU-230V(Selectable)
Power Consumption: 10w
Dimensions: Front Panel 1U (W)482 x (H)44 x (D)195 mm
Front Panel Colour: Black
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MRP:$1,184.34 SAVE 16%
out of stock $1,000.12
Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Synthesiser
Cat: 939891 Rel: 09 Jun 23 • View all Synthesisers
 
A wavetable synthesiser with 24-voice polyphony and 4-part multi-timbral capacity.
Notes: A serious, serious synth. PPG-esque wavetable synthesis with huge 24-voice polyphony, dual analogue filters and four-part multitimbrality. Incredible sound, incredible versatility.

Supplier's Notes:
The 3rd Wave is a powerhouse wavetable synth with 24-voice polyphony and 4-part multi-timbral capability that's like having four independent synthesizers at your fingerprints.

Each of its 3 oscillators per voice can be:

A classic PPG-era wavetable
A high-resolution complex wavetable
An analogue-modelled waveform
Create up to 64 custom wavetables of your own using the built-in Wavemaker. With sample-to-wavetable capability, you can connect an audio source to the audio input and generate a wavetable at the touch of a button.

Classic legacy; modern sound

While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that's a product of its expanded wavetables and warm, organic-sounding analogue filters

It boasts not only a punchy, Dave Rossum-designed 2140 analogue low-pass filter with variable saturation, but a second, SEM-style state-variable filter (low-pass, high-pass, notch, and band-pass) for additional tone-sculpting. Run both filters in series for harmonically complex textures.

4-part; multi-timbral

With 24-voices, the 3rd Wave has enough power for the most note-intensive performances.

And that polyphony really comes into play with its ability to layer up to 4 independent parts or split zones - each with a completely different sound, sequence, and dual effect.

Each stereo part has independent panning, volume, and a dedicated stereo physical output.

Modulation Matrix

The secret weapon of any synth is its mod matrix, and the 3rd Wave doesn't disappoint.

With 16 assignable slots, 12 additional fixed-source slots, 27 sources, and 114 destinations, it has the flexibility of a modular.

And all of this power is per multipart. That means up to 4 independent layers of sound, each with its own mod matrix.

Sequence notes; songs & params

The 3rd Wave's sequencer is an inspiring tool for both composers and sound designers because it is pattern-based and can sequence notes, songs, and parameter changes.

For composing and performing, enter notes and chords in real time with or without quantization for maximum groove and arrange up to 24 patterns of up to 32 measures in length into songs just as easily.

Specs

Sound Engine

3 High-resolution Digital Oscillators Per Voice
64 total user wavetable positions with 48 wavetables that contain 64 waveforms per table (32 legacy PPG waves with room for another 16 of this type)
32 original 8 bit wavetables from the PPG 2 series instruments with room for 16 more user created 8 bit wavetables
7 high-resolution modelled analogue waveforms (sine, saw, triangle, supersaw, pulse, white noise, pink noise)

VCO sync

Linear FM
6-stage wave envelope per oscillator with variable time and position that can be looped
Optional wave flow section that allows for no wavetable as well as no waveform interpolation
Upper wavetable mode as with the original PPG 2 series
Unison mode and chord mode with variable voice count

1 Analogue Low-pass Filter

Dave Rossum designed, classic, 2140 low-pass resonant filter
24 db per octave slope
variable saturation amount
optional resonance compensation

1 State-Variable Filter

12 db per octave slope
Continuously variable between low-pass, notch, and high-pass, operation with optional band-pass mode

4 ADSR+ Delay Envelopes

Filter, Amplifier, plus 2 additional envelopes switchable between exponential and vintage PPG-style response
Freely assignable to multiple modulation destinations

4 Low-Frequency Oscillators

Triangle, sawtooth, reverse sawtooth, square, pulse 1, pulse 2, pulse 3, and random (S&H)
Variable delay
Note reset
Syncable to master clock BPM

2 Digital Effects

BBD, stereo delay, tape delay, chorus, phaser, flanger, distortion pedal, rotating speaker, ring mod, room reverb, hall reverb, super plate reverb - most modelled on famous hardware devices
Syncable to master clock BPM
Parameters modulatable via mod matrix

Wavemaker Tool: Built-In Custom Wavetable Maker

"Sample-to-wave" functionality. Connect an audio source to the 3rd Wave's Audio In port, press "Make Waves" and the synth samples the audio to create a custom wavetable
Samples to convert can also be brought in as a 96 kHz wav file through USB
Store up to 32 custom wavetables
64 waveforms per wavetable
Accepts pitched or un-pitched material as input
96 kHz sampling rate
16-bit resolution
1024 cycles per waveform, converted automatically to cover entire keyboard range
Flexible wave-sampling length
Imports Serum wavetables

Sequencer: Performs both Note and Parameter Sequencing

4 parts per sequence
24 sequences per preset
Up to 32 measures per sequence
Variable quantization resolution per sequence (32nd, 16th, 8th, quarter, half, whole note, or quantization off), that is settable in real time
Variable swing

Arpeggiator: 1 Arp per Multi-part
Up, down, up/down, and assign modes
Variable range (1, 2, or 3 octaves)

Mod Matrix: 16-slot Modulation Matrix Per Multi-Part

16 slot modulation matrix with 27 mod sources and 114 mod destinations
12 additional fixed-source mod paths
Modulation assignment buttons enable quick and easy modulation routing
Mod Matrix runs at audio rates
Sequencer can record and play mod parameter changes in real time

Controls

77 knobs and 39 buttons enable deep, comprehensive editing with minimal menu diving
Pitch and Mod Wheels
Full-sized, five-octave, semi-weighted, premium Fatar keyboard with velocity and aftertouch

Programs

500 factory programs. User rewritable

In/out

4 Stereo outputs (2x 1/4" phone jack per part)
Headphone out (stereo 1/4" phone jack)
MIDI In, MIDI Out, and MIDI Thru
USB port for bidirectional MIDI communication
Audio Input for creating user wavetables from external audio source (1/4" phone jack)
Audio Input can also route audio through the filters, output chain, and effects
Sustain/footswitch input
Volume pedal input
Expression pedal input

Power

1 universal IEC AC power inlet for internal power supply
Operates worldwide on voltages between 100-240v, 50-60 Hz, 65 watts maximum power consumption

Dimensions

Shipping Box Dimensions: 44 x 20 x 13 inches, 35 lbs
Synth Dimensions: 38.5 x 14.25 x 5 inches, 27 lbs
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! low stock $5,219.54
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Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone Teenage Engineering CM-15 Portable Studio Condenser Microphone
Cat: 945838 Rel: 14 Nov 23 • View all Vocal Recording Microphones
 
Portable studio condenser microphone.
Notes: A tiny studio microphone with a large-diaphragm capsule and groundbreaking features.

CM-1; the latest addition to Teenage Engineering's field system.

A versatile studio quality, ultra-portable microphone that comes with a built-in professional SUB-C audio interface with built-in preamp. Add a 3.5 mm jack and a 48v phantom powered mini XLR, and you have a truly one-of-a-kind battery-powered studio microphone.
A rarity in the field.

Large-diaphragm capsules are preferred for professional recording, but are rare within the world of portable equipment. CM-15 features an ESS sabre analogue-to-digital converter, preserving high-fidelity sound and capturing exceptional detail in any recording situation.

Clean, mean and lean mic-machine.

Clean, rich, transparent and natural sound. Period.

Use the gain switch on the back for padding those mean drums, or the other way around. Battery-powered with an integrated audio interface and preamp, cm-15 is always ready to use wherever you like to record. In other words: 'lean operation'.

CM-15 includes a standard 1/4" and 3/8" adapter, making it universally compatible with standard mic stands and tripods.

The included adapter allows for a 90- to 110- tilt, so you can mount the mic onto a boom arm or to better record overheads. Use tripod mini for portable setups (available separately).

Dynamic sound for any occasion.

Teenage Engineering's first microphone also means a unique sound quality to discover.

Rich, transparent and natural, cm-15 captures clear and clean sound for professional audio productions, always ready to set up wherever you like to record.

Pure craftsmanship.

CM-15 is an incredibly versatile microphone, both inside and outside the studio. The large-diaphragm condenser capsule essentially means you get a better signal, so there is less noise and better depth of sound.

Vocal recording

As a directional mic, CM-15 is perfect for the vocal booth, focused on picking up sounds in front of it.

Instrument recording

With the flattest frequency response at a 50 cm distance, CM-15 is perfect for capturing a variety of instruments, including your drum kit.

Interview/podcast

CM-15 is great for podcasts and interviews, where high audio quality and portability is necessary.

Field production

With a compact form factor and 10 hour rechargeable battery, it's a great tool for every 'trip'.

Camera mic

When filming with a video camera, connect CM-15 through the line out to record synced audio directly.

Multi-use connectivity.

CM-15 has multiple outputs that can be used simultaneously:

mini XLR, 3.5 mm jack and USB-C. It can also be powered three ways, through phantom power, battery or USB-C, instantly detecting the right power source for your connected device.

On the bottom side of CM-15, you will find three audio outputs: mini XLR, 3.5 mm jack and USB-C. The built in table stand can be used to rest and angle the microphone on a surface.

CM-15 includes a mini XLR to XLR cable for connecting to your recording console. The 3.5 mm jack can be used with headphones, while USB-C is used for digital audio interface connection, firmware updates and charging.

Technical specifications

CM-15 highlights

1-inch large-diaphragm capsule
10 hour rechargeable battery
48 V phantom power compatible pseudo-balanced mini xlr output
dual mono 3.5 mm jack line output
USB-C class compliant device with high performance
ESS sabre ES9822Q PRO analogue to digital converter

Dimensions and weight

90 mm x 65.5 mm x 19 mm
132 g / 54.6 oz

Audio characteristics

Self noise: 14 dBA

Max SPL for 0.5% THD: 138 dB
USB SNR dBA FS: 120 dB
Polar pattern: supercardioid
Polarity: positive

The field system.

CM-15 is part of Teenage Engineering's ultra-portable sound recording and performance system. All battery-powered, rechargeable via USB-C and with full interconnectivity (MIDI and high resolution audio). Compatible with iOS, macOS, and windows it's the most powerful, highest quality, portable system in the world 'as we know it'.
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 2 in stock $1,078.01
UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition blue) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition blue)
Cat: 950929 Rel: 06 Jul 23 • View all Synthesisers
 
12-voice polyphonic binaural analogue-hybrid synthesiser
Notes: Limited-edition blue version of UDO's incredible binaural Super 6 synth, here in its desktop module format, featuring 12-voice hybrid synth engine combining wavetable oscillators and analogue circuitry.

Supplier's Notes:
The Super 6 Desktop is UDO Audio's fully-featured 12-voice polyphonic, binaural analogue-hybrid synthesizer reimagined in a compact and super-flexible package. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analogue tech. It is flexible, powerful and refined with a gorgeous analogue tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analogue signal path and flexible modulation.

The desktop Super 6 takes everything the Super 6 is famous for and reimagines it in a more compact and super-flexible package. It is VESA compatible for use with widely-available monitor arms/mounts, rack mountable with a 7U footprint, and comes complete with robust retractable feet for a more ergonomic experience in desktop use settings.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

Compact, flexible and ergonomic

Offering the flexible and immediate control, gorgeous analogue sound and unrivalled build quality of the Super 6, but in a more compact package. The Super 6 Desktop is a fully-featured Super 6 analogue-hybrid 12 voice synthesizer, housed in a newly designed all-metal chassis. The Super 6 Desktop also includes ergonomic features such as VESA mount compliance, optional rack ears (7U) and robust flip up feet, as well as a huge 24-voice Super 6 polychain option.

Binaural analogue

Signal path
In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

Massive modulation without menus

Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

Analogue voice architecture

Alongside an analogue amplifier section, the Super 6's main filter is an analogue 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

True no-compromise build quality

An instrument is cherished not just for the way it sounds but for the way it feels to play. UDO Audio have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.
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MRP:$2,051.81 SAVE 13%
out of stock $1,787.57
Arturia MatrixBrute Noir 49-Key Analogue Monophonic Synthesiser (black limited edition) Arturia MatrixBrute Noir 49-Key Analogue Monophonic Synthesiser (black limited edition) Arturia MatrixBrute Noir 49-Key Analogue Monophonic Synthesiser (black limited edition) Arturia MatrixBrute Noir 49-Key Analogue Monophonic Synthesiser (black limited edition) Arturia MatrixBrute Noir 49-Key Analogue Monophonic Synthesiser (black limited edition) Arturia MatrixBrute Noir 49-Key Analogue Monophonic Synthesiser (black limited edition) Arturia MatrixBrute Noir 49-Key Analogue Monophonic Synthesiser (black limited edition)
Cat: 968665 Rel: 15 Sep 23 • View all Synthesisers
 
49-key Black Edition analogue synthesiser with modulation matrix including CV, MIDI and onboard effects.
Notes: Limited-edition black version of Arturia's top-of-the-range monophonic Brute. Ultra-creative matrix-based analogue synth engine with dual multi-mode filters.

Supplier's Notes:
MatrixBrute

Analogue Avant-Garde

MatrixBrute is arguably the most powerful analogue monophonic synthesizer ever! As flexible as a modular system but offering presets, MatrixBrute is a dream machine for everyone interested in creating a sound palette of their own.

When was the last time you felt your heart beating faster?

When was the last time you heard sounds you had never heard before?

When was the last time you met an instrument that truly inspired pleasure and creativity?

MatrixBrute is an outstanding analogue synthesizer. Offering three Brute oscillators, a Steiner-Parker filter and a ladder filter, five analogue effects, and the incredible modulation matrix, it is a massive sonic beast.

Distinction in design

The heart of the MatrixBrute is its unique modulation matrix that allows you to create your own routings. You can invent a sound palette of your own that will be sure to be heard in any mix!

The matrix can also be used to recall your presets. So go on stage, and select any of the 256 presets instantly! No menus or awkward selection screens, everything is at your fingertips.

As if it was not enough, the matrix is also made to program and play sequences. This is no ordinary step-sequencer. With its ability to also be used as a modulation source, sounds evolve in melody and texture, Just the way you want.

Hands-On Heaven

The digital brain for MatrixBrute's analogue heart

The Matrix is where MatrixBrute's analog reactivity and digital precision collide - an advanced architecture unlike any synth before it.

Sound beyond the power
Offering a audio signal path that is 100% analogue, MatrixBrute also features true analogue effects. The MatrixBrute gives you the sonic quality and power of a vast modular synthesizer but with the flexibility of presets along with a great arpeggiator and an advanced sequencer.

What's in the box

Box content:
MatrixBrute unit
Power cable
Instrument dimensions
Size : 33.8 x 17 x 4.2 inches (860 x 432 x 107mm)
Weight : 44lbs (20kg)

Main Features
Analogue Matrix Synthesizer
256 Preset memory locations
Two Analog Exponential VCO's
Saw + UltraSaw
Square + Pulse width
Triangle + Metalizer

Sub
One Analog Linear VCO/LFO
Saw, Square, Triangle, Sine waveforms
LFO time divisions

Key track
VCO 2>1 Hard Sync

Audio Mod
VCO1>2
VCO1 < VCO3> VCO2
VCF 1 < VCO3> VCF 2
VCF1 < Noise> VCF2

Noise Generator
White; Pink ; Red ; Blue noise types
5 input Audio Mixer with Filter routing
Steiner Parker filter with 12+24 db per octave modes
Drive; Brute factor; Low Pass, High Pass, Band Pass, Notch
Ladder filter with 12+24 db per octave modes
Drive ; Brute factor; Low Pass, High Pass, Band Pass

Two LFO's
Sine, Tri, Square, Ramp, Saw, Random, S&H

Three Envelope Generators
Two Attack, Decay, Sustain, Release
One Delay, Attack, Decay, Sustain, Release

External Audio In
16x16 Matrix modulation panel

64 step sequencer
STEP enable, Slide, Accent, Modulation
Save and recall sequence patterns on the fly

Analogue Effects
Stereo delay, Delay, Flanger, Chorus, Analog Reverberator

Arpeggiator
12 CV / Gate Inputs/Outputs

Audio Input, Line or Instrument level

Stereo audio output
MIDI and USB I/O
Pedal inputs for Expression and Sustain
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out of stock $1,734.93
Native Instruments Kontrol S88 MK3 USB MIDI Hammer-Action Keyboard Controller With Polyphonic Aftertouch Native Instruments Kontrol S88 MK3 USB MIDI Hammer-Action Keyboard Controller With Polyphonic Aftertouch Native Instruments Kontrol S88 MK3 USB MIDI Hammer-Action Keyboard Controller With Polyphonic Aftertouch
Cat: 968353 Rel: 11 Oct 23 • View all MIDI keyboards
 
88 hammer-action USB MIDI keyboard controller with polyphonic aftertouch.
Notes: An intelligent keyboard controller in three size options, designed to be at the core of any studio. Virtual instruments meet the real world with seamless Kontakt integration and a high-resolution screen. Plus, polyphonic aftertouch delivers intuitive parameter control across all three models, in combination with weighted, hammer-action keys in the S88. All contained in an overhauled design that looks incredible and is built to last.

Dimensions: 1353 × 347 × 120 mm
Weight: 13.5 kg

Thousands of instruments made real Virtual instruments are brought to life in a genuinely immersive experience. Whatever you're playing, get in-depth control and integration through advanced NKS technology. Find sounds quickly with intuitive on-screen navigation. Then fluidly adjust and play them thanks to intelligent auto-mapping. This unparalleled direct connection means you can play completely real-feeling Kontakt instruments, plus thousands of partner sounds, instruments, and effects, with no interruptions to your workflow.

Polyphonic aftertouch

Take expression one-step further and instinctively control parameters with the slightest pressure on each individual key. Modulate cutoff, pitch, vibrato, and much more without reaching for an extra control. All three models have an industry-leading keybed, developed in collaboration with Fatar to deliver the best possible polyphonic aftertouch experience.

Hardware specification

1 high-resolution colour screen with glass surface (1280 × 480)
CNC machined, bead blasted and anodized aluminum, 8 × encoder caps, 1 × 4D encoder cap, 2 × wheels (pitch and mod)
RGB illuminated pitch and mod wheels
New button-islands that form a continuous dustproof control surface and are grouped by function

Included software
Komplete Select
Komplete Kontrol Software
Stradivari Cello
Guitar Rig LE
Elements Suite
Hypha

System requirements

MIDI 2.0 compatible
Intel Core i5, Apple M1 (and equivalent or higher)
macOS 13 (Ventura) or higher (compatible with macOS 12 in MIDI 1.0 mode)
Windows 10 (latest service pack) or higher
8 GB RAM

An internet connection and a graphics card that supports Direct 3D 11.1 (feature level 11_0) or higher are required to download and activate this product. Once installed and activated, the product can be used offline.
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MRP:$1,188.55 SAVE 10%
out of stock $1,066.59
Alpha Recording System MODEL1100 2-Channel Rotary DJ Mixer (red, 25th anniversary limited edition) Alpha Recording System MODEL1100 2-Channel Rotary DJ Mixer (red, 25th anniversary limited edition) Alpha Recording System MODEL1100 2-Channel Rotary DJ Mixer (red, 25th anniversary limited edition)
Cat: 995339 Rel: 26 Jan 24 • View all Mezcladores para DJ
 
2-channel rotary DJ mixer, 25th anniversary limited edition to 100 units
Notes: Celebrating a quarter of a century for ARS, the Model 1100 gets a red makeover. Same two-channel design with elite audiophile quality. Limited to 50 units worldwide.

Supplier's Notes:
MODEL1100 RED LE Music Mixer

2 channel table top mixer

MODEL1100 RED LE(broadcast mixer) Music Mixer
ARS Anniversary limited edition red face model

ARS MODEL 1100 DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master. Potentiometer and Switch are All ALPS .
A long time in the development phase, this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended.


It is designed with purist ideals with only essential features.

ARS 1100 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-1100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 2 x Phono: 47K Ohm /2 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-2Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.


Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 20w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)220 x (H)250 x (D)100 mm
Front Panel Colour: Red
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 1 in stock $3,424.50
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Alpha Recording System MODEL9500 4-Channel Rotary DJ Mixer (red, 25th anniversary limited edition)
Cat: 995349 Rel: 31 Jan 24 • View all Mezcladores para DJ
 
4-channel rotary DJ mixer, 25th anniversary limited edition to 100 units
Notes: For Alpha Recording Systems' 25th birthday, the Model 9500 gets a limited-edition red paint job. Classic four-channel design with three-band EQ and world-class sound. Limited to 100 units worldwide.

Supplier's Notes:
MODEL9500 Music Mixer

4 channel table top mixer

MODEL9500 (broadcast mixer) Music Mixer STD

ARS MODEL 9500 DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator and 5Band Equalizer on the master.

5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Potentiometer and Switch are All ALPS. A long time in the development phase, this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended.

It is designed with purist ideals with only essential features.

ARS 9500 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso and 5band EQ on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9500 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Wood is a natural material, so there may be unevenness in the wood grain. Thank you for your understanding.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.
5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 30w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)366 x (H)250 x (D)100 mm
model9500BW Unit weight:5400g
AC BOX:1100g
Front Panel Colour: Red
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 1 in stock $3,894.12
Allen & Heath Xone 92 Professional 6-Channel Club/DJ Mixer (B-STOCK) Allen & Heath Xone 92 Professional 6-Channel Club/DJ Mixer (B-STOCK) Allen & Heath Xone 92 Professional 6-Channel Club/DJ Mixer (B-STOCK) Allen & Heath Xone 92 Professional 6-Channel Club/DJ Mixer (B-STOCK)
Cat: 995639 Rel: 01 Jan 90 • View all Mezcladores para DJ
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Still a classic, still a brilliant mixer. Nearly 20 years on the market but sounding just as good as ever, the Xone:92 seems like a bit of a bargain now.

Supplier's Notes:
The industry-standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound. With its solid construction and easy to use interface, the 92 is on the riders of most of the world's top DJs and is a permanent fixture in the booth at many of the biggest superclubs.

The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters. With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ's dream tool.

For those who prefer to blend with rotary faders the Xone:92R is also available.
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MRP:$1,526.49 SAVE 15%
out of stock $1,304.36
Alpha Recording System MODEL9500BW 4-Channel Rotary DJ Mixer (wood side panels) Alpha Recording System MODEL9500BW 4-Channel Rotary DJ Mixer (wood side panels) Alpha Recording System MODEL9500BW 4-Channel Rotary DJ Mixer (wood side panels) Alpha Recording System MODEL9500BW 4-Channel Rotary DJ Mixer (wood side panels) Alpha Recording System MODEL9500BW 4-Channel Rotary DJ Mixer (wood side panels)
Cat: 988075 Rel: 14 Dec 23 • View all Mezcladores para DJ
 
4-channel table top mixer
Notes: Wooden side panel version of ARS's brilliant Model9500 mixer. Four-channel rotary design with unique three-band hybrid iso-EQ plus three-band isolator and five-band master EQ.

Supplier's Notes:
MODEL9500BW Music Mixer

4-channel table top mixer

MODEL9500BW (broadcast mixer) Music Mixer Wood TYPE

ARS MODEL 9500BW DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first?3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator and 5Band Equalizer on the master.

5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Potentiometer and Switch are All ALPS .

A long time in the development phase this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended.

It is designed with purist ideals with only essential features.

ARS 9500 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso and 5band EQ on the master.

The Master Isolators can be boost of cut from +18db ~ .

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ .

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9500 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Wood is a natural material, so there may be unevenness in the wood grain. Thank you for your understanding.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output :RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm

Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~.
5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 30w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)366 x (H)250 x (D)100 mm (WOOD 20MM Thickness)
Model: 9500BW
Unit weight:5400g
ACBOX:1100g
Front Panel Colour: Black
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 1 in stock $3,837.27
Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser
Cat: 956175 Rel: 06 Feb 24 • View all Synthesisers
 
The development of Don Buchla's legendary modular analogue synthesiser.
Notes: Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."
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 2 in stock $5,075.31
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Expressive-E Osmose 49-Key Expressive Polyphonic Synthesiser Expressive-E Osmose 49-Key Expressive Polyphonic Synthesiser Expressive-E Osmose 49-Key Expressive Polyphonic Synthesiser Expressive-E Osmose 49-Key Expressive Polyphonic Synthesiser Expressive-E Osmose 49-Key Expressive Polyphonic Synthesiser
Cat: 920289 Rel: 24 Jul 23 • View all Synthesisers
 
Expressive polyphonic synthesizer with embedded EaganMatrix sound engine.
Notes: Next-gen standalone expressive synthesizer. Add emotion & movement to your music with a simple touch.

Osmose is the new standard for musical expressivity. Use intuitive gestures to control this standalone synthesizer and upgrade your playing & production skills. Press, bend, shake, strum & more to interact with keyboards & electronic sounds in a new organic way. Whether you're a veteran keyboardist, a workflow-oriented producer, a daring sound designer, or anything in between, Osmose will take your musical journey to uncharted places.

Explore new ways to play

Behind the expressivity of Osmose lies a few natural gestures you already know well. Discover how they interact with Osmose and enhance your musicianship from the very first touch.

Design & build quality

Designed in France to stand the test of time and touring with style, Osmose is made of quality components and boasts a high repairability index.

A sound engine by Haken Audio

Made for expressivity by Haken Audio, the EaganMatrix sound engine is at home with FM, virtual analogue, and physical modeling synthesis, as well as everything in-between.

Fun to play

Easy-to-tweak presets, a playful interface, and an innovative keybed make for a fun & refreshing playing experience, for players of all levels.

Osmose's browser has been tailored to make it a hassle-free experience. It offers various filters and sub-filters based on both sound types and colours so you can find the sounds in your head quickly.

Main features:

49 Key MPE keyboard with polyphonic aftertouch
Full-size keys with 3-dimension MPE control
EaganMatrix sound engine by Haken Audio: a digital modular sandbox allowing subtractive, FM and different physical modeling synthesis
24 voices of polyphony
Assignable mod and pitch sliders
500 factory presets
128 user presets
Configuration modes: standalone synthesizer, MPE MIDI Controller, and classic MIDI Controller
Filters and sub-filters for browsing
Customisable sensitivity and velocity curves
Multi-mode MPE arpeggiator and innovative pressure glide feature
Digital stereo effects: select between reverb , mod delay, swept echo,analog echo or LPF and HPF delay
Large colour display
9 push encoders
2 Line outputs: Two 14" TS pseudo balanced line outputs
MIDI input, output, and MIDI-thru
USB MIDI
Separated 14" TRS headphone output on the front panel (with its dedicated volume knob)
2 continuous pedal inputs assignable to macro or sustain: 6.35 mm Jack
Power: External PSU with lockable connector, 12V, 1.5A, center positive
Dimensions (W x H x D): 894 x 316 x 87.5 mm / 35.2" x 12.4" x 3.4"
Weight: 8.3 kg / 18.4 lbs
Includes a software updater for new firmware and library versions
Includes a Mac/PC editor to create and edit sound
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 2 in stock $1,635.97
Analogue Solutions Ample Analogue Patch Pin Matrix Synthesiser Analogue Solutions Ample Analogue Patch Pin Matrix Synthesiser
Cat: 969341 Rel: 11 Sep 23 • View all Synthesisers
 
Analogue patch pin matrix synthesiser with jack sockets, generator style sequencer, touch pads and echo.
Notes: Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.
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out of stock $2,556.07
Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay
Cat: 1001110 Rel: 07 Mar 24 • View all Synthesisers
 
37-key analogue paraphonic synthesiser with modular expansion bay
Notes: Keyboard version of Pittsburgh's superb Taiga synth, combining Moog-style East Coast elements with Buchla-inspired West Coast synthesis. Premium 37-key model with velocity, aftertouch and 24 HP expansion bay.

Supplier's Notes:
Modern Analogue Keyboard with Expansion Bay

Taiga Keyboard is an evolution of the award-winning Taiga synthesizer. Taiga gave users a boundary-smashing suite of unique modern Pittsburgh Modular analogue synthesizer innovations. Now in Taiga Keyboard, that same powerful suite of tools acts as a foundation in this expressive keyboard instrument.

Exploring the larger keyboard format, spreading controls out, and adding larger knobs makes sound sculpting while performing easier than ever. We've also added additional modulation sources, additional controls, a full-size 37 key premium aftertouch-enabled keybed, and a first-of-its-kind, modular expansion bay.

Taiga Keyboard oscillators

Waveforms generated by the three Taiga Keyboard oscillators stretch beyond the basic geometric shapes and sounds associated with analogue synthesis. Taiga Keyboard waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga Keyboard. Dedicated coarse and fine controls deliver maximum flexibility & control over the full range of each oscillator.

The "Pittsburgh Filter"

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga Keyboard's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga Keyboard with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga Keyboard.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga Keyboard sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analogue delay tuned to enhance the source material by repeating it over and over. Echos utilizes a pair of bucket brigade delay chips to produce a classic voltage-controllable analogue delay effect that helps to place the sounds of Taiga Keyboard in a simulated environment.

Open Architecture

Taiga Keyboard has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga Keyboard is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 64 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Modular Expansion Bay

Staying true to our modular roots, we've added a 24hp powered eurorack Modular Expansion Bay that lets you personalize your Taiga Keyboard to your sound and performance needs. Simply remove the metal plate that covers the bay and add eurorack compatible modules. The modular bay helps you make Taiga Keyboard's sound completely your own.

Complete Set of Modular Tools

Taiga Keyboard includes a host of fully modular, analogue, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga Keyboard toolset is deep enough for any type of sonic exploration.

Keybed and additional MIDI control

Taiga Keyboard as its name would suggest, has an integrated 37 key keyboard with aftertouch, as well as pitch bend and modwheel. The keyboard can be used as a separate USB / Din MIDI controller using the Local On/Off modes.


Taiga Keyboard's key range can be easily changed using the dedicated octave up and down buttons that are located adjacent to the pitch bend and modwheel.

Taiga Keyboard features and other info:

Paraphonic synthesizer with unique additive elements
37 note aftertouch equipped keybed with full-sized keys
Fully patchable - use Taiga Keyboard's components as separate modules with external devices or reroute its internal patching.
24hp powered Eurorack Modular Expansion Bay
64 point patch bay for rerouting internal signal flow and integrating external sound and modulation sources
Controllable via MIDI, CV, and integrated pseudo random sequencing mode
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MRP:$1,500.17 SAVE 13%
 2 in stock $1,300.15
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quote 1001110
Buchla LEM218 v3 USB & MIDI Keyboard Controller With Polyphonic Aftertouch
Cat: 980388 Rel: 13 Dec 23 • View all MIDI keyboards
 
29-key USB & MIDI keyboard controller with polyphonic aftertouch
Notes: Buchla's touch-sensitive keyboard updated for the 21st century. Third-generation version offers expressive control for Buchla, MIDI and Eurorack. Iconic.

Supplier's Notes:
Though our lives are dominated by touchscreens, when it comes to music, there's still a lot of magic in capacitive touch control. Don Buchla was one of the first to apply this technology to electronic music in the Buchla 112 module. The non-traditional sounds were controlled with a futuristic interface. This fantastic idea met many iterations in Buchla history: the Music Easel, 400, 700, Thunder, and 223 all employed touch technology.

Buchla USA is proud to present the third iteration of one of the most used touch interfaces, the 218, as the LEM218v3: The 218e version3 Lunar Excursion Module. The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been updated with a new foundation of stable, modern electronics and plenty of inputs and outputs to integrate with your Buchla, MIDI, and Eurorack gear.

Capacitive Magic

The incredible sensitivity and accuracy of the redesigned touch bed means the lightest touch will produce triggers and control voltage for your setup. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience.

As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the LEM218 a uniquely expressive controller for all your synthesizers. The configurable touchstrip adds a fantastic addition for pitch bend or as an additional modulator to patch into your system.

MIDI Polyphony, Velocity & More!

More than just MIDI compatible, the LEM 218 v3 gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel. Send the LEM some MIDI, and it gets converted to voltages and gates for eurorack and Buchla control.

Get More For Your Euro

Even if you don't have any Buchla products, the LEM 218 v3 is designed to work with your Eurorack-compatible gear. Four 3.5mm jacks output 1v/octave pitch, 0-8 volts pressure, touchstrip voltage, and gate outputs for use with Eurorack equipment. Or, combine your Euro with your Buchla instruments. If NATO can do it, so can you. The sound design possibilities will blow your mind.

Arpeggiate

A pulse input allows the arpeggiator to be driven by external inputs and are allowed to interact with the automated notes to make the pattern more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising.

Control

The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control

Set It Up Your Way

Such a unique device will spark many ideas. With easy front panel configuration, you can quickly customize the velocity and pressure sensitivity, MIDI channel, knob behavior, and more. No cumbersome software setups, just simple settings with the keys and knobs, and you're ready to play.
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 1 in stock $1,296.99
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quote 980388
UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser
Cat: 945397 Rel: 20 Nov 23 • View all Synthesisers
 
20-voice dual layer polyphonic binaural analogue hybrid synthesiser with super-wave technology
Notes: Stacked with up to 20 voices of polyphony, the Super Gemini boasts an immensely powerful sound engine where a performance isn't just a single sound, but an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Spectrally rich digital hardware oscillators of unique construction, decorated with a plethora of expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past. The result is a core- sound that is rich, evolving, engaging and addictive.

Stacked with up to 20 voices of polyphony, each performance is an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Unique spectrally rich digital hardware oscillators, decorated with expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past.

Matching sonic innovation with tactility, the Super Gemini is equipped with a 61-note semi-weighted keybed with polyphonic aftertouch, in addition to a custom engineered ribbon sensor for individual note articulation and a gestural way to explore your sound. With 256 performance and patch slots, 64 interchangeable waveforms and 16 sequences, you can safely store and edit your sounds without concern.

As the second synth in the 'Super' series, the Gemini represents a quantum leap in UDO's technology - building on the acclaimed rich sound pioneered by George Hearn and the Super 6. Adopting a true-stereo Binaural signal path with dual FPGAs and twin effects processors, Gemini will take you on an adventure of spectral dynamics, of glittering frequency and shattering subharmonics, of comfort and discord, expectations and surprises.

Duality in control

Equipped with dual synth-control levels, the Super Gemini gifts you with comprehensive and immediate control over multiple patches/timbral layers, calling out for you to tweak, mold and transform your performances in an unprecedented real-time form. This is a synth that opens new heights of powerful and immediate play.

The power of play

With a total of 20 voices, the option to split and stack patches, each with its own individual arpeggio or sequence, and an uncompromisingly powerful sound engine, the Super Gemini allows you to push sonic boundaries and to explore the acclaimed UDO sound to the fullest.

Inspired by the classics built for today

Super Gemini fuses a state-of-the-art FPGA digital architecture with archetypal voltage-controlled synthesizer technology. This harmonious marriage of old and new encompasses all that is great from the era of classic analogue polyphonic synthesizers, yet in an unparalleled form factor which is immensely powerful, flexible, and reliable.

Binaural synthesis

Employing a true-stereo signal path, the Super Gemini twins its 20 voices to form 10 'super voices'. As a result, the left and right channels, and each of your ears, are assigned a complete synthesizer voice. This empowers UDO's championed warm analogue tone, and enables you to create extremely dynamic spatial sounds.

Unlimited expression

Featuring a custom-designed ribbon controller and a 61-note semi-weighted keyboard with polyphonic aftertouch, the Super Gemini will enhance your musicianship from the first touch, opening up new ways for you to explore and express your sound.

True no-compromise build quality

Forged entirely from aluminium and steel, the Super Gemini is undeniably robust. Equipped with an array of superior quality mechanical controls, the Super Gemini is engineered for reliability and service. As a loyal workmate and companion, this instrument is designed to stand the test of time.
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 1 in stock $3,667.78
Technics SL-1210GR2 Direct Drive DJ Turntable System Technics SL-1210GR2 Direct Drive DJ Turntable System Technics SL-1210GR2 Direct Drive DJ Turntable System Technics SL-1210GR2 Direct Drive DJ Turntable System
Cat: 971569 Rel: 19 Oct 23 • View all DJ turntables
 
Direct drive DJ turntable system
Notes: Second-generation version of the updated Technics GR series turntable, now with improved motor control. Black SL-1210 version offers subtle style paired with precise, accurate sound.

Supplier's Notes:
The improved motor-drive circuit centered on the newly developed ?S-Drive (Delta Sigma Drive) thoroughly suppresses any minute vibrations generated from the motor. This is the first stage of Technics' new generation of direct drive turntables that aim for further improvements in sound quality.

Features

New Motor-Drive System, AE-Drive (Delta Sigma Drive)

The AE-Drive is a new system that applies Technics' expertise in PWM signal processing. In addition to reducing high harmonics, the new drive suppresses vibrations from the motor for smoother, more accurate rotation, ensuring a rich reproduction of the music.

The First Stage of The New Generation of Technics' Direct Drive Turntables

Since inventing the world's first direct drive turntable, Technics has continued to work to improve sound quality. It has now developed the ?S-Drive, which suppresses minute vibrations from the motor and improves the electromagnetic conversion accuracy of the cartridge. The first stage of direct drive turntable systems featuring this technology is the SL-1200GR2.

Coreless Direct Drive Motor Achieving Stable Rotation

In 1970, Technics commercialised the world's first direct drive turntable, and the system took the world by storm. Unlike belt drive and other systems, direct drive systems rotate the motor at low speed and directly drive the platter, thus providing numerous advantages, such as the almost complete absence of degradation in S/N ratio due to motor vibration and deceleration mechanisms, as well as high reliability over a long period time because of not requiring parts replacement.

And in 2016, Technics developed the twin-rotor, surface-facing, coreless direct drive motor with rotor magnets placed on both sides, thereby eliminating the rotation irregularity of the motor, referred to as "cogging," which was a unique issue for direct drive systems. This motor was adopted for the SL-1200G, which once again drew a significant response in the hi-fi market. The SL-1200GR2 inherits the same design philosophy with the new development of a single-rotor, surface-facing, coreless direct drive motor, resulting in the elimination of cogging.

Multi-Stage Silent Power Supply

Low-Noise Switching Circuit

Use of a high-speed switching power supply ensures a stable supply capacity and less ripple and humming. Applying a switching power supply to a turntable eliminates the need for a large transformer and countermeasures for the ensuing mechanical vibrations.

A switching frequency of above 100 kHz limits the impact of noise on the music playback bandwidth.

Current Injection Active Noise Cancelling

This technology combines a noise detection device with an error amplifier. It detects residual noise in the power supply and applies an inverse phase current to remove noise components. It removes low frequency noise more effectively than a regulator to ensure a more ideal power supply.

Pursuing Rigidity and Vibration Damping Characteristics

The platter achieves high rigidity and vibration damping characteristics by using a two-layer construction with deadening rubber applied to the entire rear surface of the aluminium die-cast to eliminate the unnecessary resonance that is otherwise relayed to the record, thereby producing clear sound.

To increase the inertial mass and reduce vibration, the shape of the aluminium die-cast portion was optimized by simulation. At 2.5 kg (including the rubber mat), the SL-1200GR2 platter is 0.8 kg heavier than that of the previous SL-1200MK5. Also, the back surface of the platter has strengthening ribs added to improve rigidity. Increasing the surface area of contact with the deadening rubber achieves damping characteristics that are more than twice those of the SL-1200MK5.

Tonearm Achieving High Initial-Motion Sensitivity

The tonearm tracks the rotation of the record and enables reading with high precision, and the tonearm inherited by Technics is the traditionally used static-balance universal S-shaped tonearm, employing an aluminium pipe with excellent light weight and rigidity for the material of the tonearm pipe.

With its gimbal suspension construction, the tonearm bearing section uses a cut-processed housing that employs high-precision bearings, as in the SL-1200G and SL-1200GR. The high initial-motion sensitivity of 5 mg or less is achieved through manual assembly and adjustment by skilled Japanese artisans. This enables the grooves etched into the records to be accurately traced.

In addition, one type of auxiliary weight comes included, and the cartridge can be swapped with a variety of other cartridges to match the music genre or feeling. (Applicable cartridge weight when using the supplied auxiliary weight: 10 - 16.4 g (not including the supplied head shell)

Specs

Size and Weight

Height: 173mm
Width: 453mm
Depth: 372mm
Weight: 11.5kg
*Approx.

Coreless direct drive motor achieving stable rotation
AE-Drive suppresses vibrations from the motor for smoother, more accurate rotation
Low-noise, low-voltage power circuit and a switching power supply
Two-layer platter with high rigidity and vibration damping
Tonearm achieving high initial-motion sensitivity
High-rigidity body and high-damping silicon insulators for smooth sound and isolation from various vibrations

Turntable Section

Drive Method: Direct Drive
Motor: Brushless DC motor
Turntable Speeds: 33-1/3, 45 and 78 rpm
Pitch Adjustment Range: +/-8% and +/-16%
Starting Torque: 2.2 kg/cm
Build-up Characteristics: 0.7 s. from standstill to 33- 1/3 rpm
Braking system: Electronic brake
Wow and Flutter: 0.025%?W.R.M.S.
Turntable Platter: Aluminium diecast
Diameter: 332mm
Weight: Approx. 2.5kg (Including a rubber sheet)

Tonearm Section
Type: Static Balance
Effective Length: 230mm
Overhang: 15mm

Tracking Error Angle
Within 2- 32' (at the outer groove of 30cm(12") record)
Within 0- 32' (at the inner groove of 30cm(12") record)
Offset Angle: 22-
Arm Height Adjustment Range: 0 - 6mm
Stylus Pressure Adjustment Range: 0 - 4g (Direct Reading)
Headshell weight: Approx. 7.6g

Applicable Cartridge Weight Range (without auxiliary weight): 5.6 - 12.0g
3.1 - 9.5g (using cartridge spacer)
14.3 - 20.7g (including head shell)
(with auxiliary weight) 10.0 - 16.4g
7.5 - 13.9g (using cartridge spacer)
18.7 - 25.1g (including head shell)

Cartridge Mounting Dimension: 12.7 mm (1/2") interval
Head Shell Terminal Lug: 1.2mm 4-pin terminal lug

Terminals

Audio Output
PHONO (Pin Jack) x 1
EARTH TERMINAL x 1

General

Power Supply: AC220-240 V, 50/60 Hz

Power Consumption
11 W (ON)
0.3 W (OFF)
Dimensions (W x H x D): 453 x 173 x 372 mm
Weight: Approx. 11.5kg
Operating temperature range: 0C to +40C
Operating humidity range: 35% to 80% RH (no condensation)

Accessories: Turntable, Turntable sheet, Dust cover, EP record adaptor, Balance weight, Auxiliary weight, Cartridge spacer, Head shell, Overhang gauge, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Owner's Manual

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MRP:$1,893.90 SAVE 10%
 3 in stock $1,710.02
IK Multimedia iLoud Precision MTM 2x5" Studio Monitor (single, black) IK Multimedia iLoud Precision MTM 2x5" Studio Monitor (single, black)
Cat: 895406 • View all Studio monitors
 
2x 5" Woofers + 30 mm Tweeter, 175W RMS, Coherent phase & time response, Built-in ARC, X-MONITOR tech
Notes: Studio monitors re-invented. Again.

iLoud Precision series represents another breakthrough in nearfield monitoring from the company that revolutionized compact monitors with iLoud Micro Monitor and iLoud MTM.

Available in a choice of 3 configurations - 2-way 5" or 6.5", and 2 x 5" MTM - these handmade works of sonic art reflect IK's 25+ years of expertise in loudspeaker design and digital signal processing, delivering a level of sonic detail that beats speakers at three times the price, with unique DSP-based features and software workflow enhancements that can't be found anywhere else.

Best-in-class frequency response

Creating mixes that translate perfectly to the outside world, iLoud Precision offers best-in-class frequency response with an extended range of 36 Hz - 30 kHz and a stunning +/- 1 dB accuracy ultra-flat response from 45 Hz to 30 kHz, for precise and uncolored audio throughout the entire listening range.

True linear phase response for unmatched clarity and translation

iLoud Precision leverages its advanced 96 kHz internal DSP system, digital crossover and custom-designed audiophile amplifiers to deliver true linear phase response above 150 Hz (and the very minimum possible phase rotation at low frequencies) for precise stereo imaging, sharp transients, incredibly solid bass and breathtaking detail. The result is a stunningly clear, transparent and revealing sound quality that's absolutely true to life.

Perfect time alignment that eliminates ear fatigue

iLoud Precision also sets a new standard for time coherence, or the precise timing alignment between all the portions of the audio spectrum. Reaching nearly the theoretical ideal performance, iLoud Precision offers the highest level of time accuracy, without sacrificing frequency response. Precise time alignment offers incredibly transient response and frequency balance and eliminates the ear fatigue that can develop over longer listening sessions on lesser monitors. Plus this improves the "readability" of the program and therefore translation.

Built-in acoustic calibration to hear your music and not your room

With iLoud Precision there's less worry about treating your room. Each speaker features built-in calibration based on the acclaimed ARC™ System technology. Just connect the included MEMS measurement microphone and in a few seconds, the iLoud Precisions will tune themselves to any environment from your mixing room to living room

Deep, controlled bass with or without a sub

With bass extension down to 36 Hz at only - 4 dB, iLoud Precision delivers deep, powerful bass that's nevertheless controlled and balanced, with minimum phase rotations. With ARC enabled, in many rooms iLoud Precision can reach as low as 30 Hz, while an adjustable bass roll-off lets Precisions integrate with a sub, for unparalleled low-end performance in any setup, without the need of an external crossover that could degrade sonic performance.

MTM configuration for point source sound

At the top of the range, the iLoud Precision MTM use the midwoofer-tweeter-midwoofer configuration to deliver not only the highest SPL, but also an ultra-precise, point source sound and an incredible stereo field. This means an even more natural, life-like sound, where the speaker cabinets "disappear" and attention can be focused entirely on the music.

Ideal for immersive setups

In addition to self-calibrating to the listening environment, iLoud Precision includes a range of low- and high-frequency management options, including a switchable Full/35/50/65/80 Hz extension to optimize their performance with Atmosr and other immersive setups.

Powerful software control

Extended calibration and custom voicing

The iLoud Precision series introduces X-MONITOR, a newly developed advanced control application for Mac and Windows that assists with ARC calibration and enables extended acoustic and voicing selection and adjustments to fine-tune iLoud Precision to your taste, plus convenient remote access to the settings on the Precision's back panel. The software is plug-n-play via a simple USB connection with no special setup needed.

Iconic studio monitors and popular speaker emulations

Even more exciting, X-MONITOR emulates the frequency and phase response of the most famous studio monitors on the market, as well as popular hi-fi speakers and mobile devices, for a breathtakingly true-to-life experience. Over 20 studio monitor profiles are included, and more will be released in the future, saving you money and space. A single pair of iLoud Precisions with X-MONITOR lets you test a mix on different reference systems quickly, without ever leaving the sweet spot or needing any other speakers.

Fully accessorized
Measurement microphone included

Each iLoud Precision includes a high precision MEMS measurement microphone for the built-in ARC calibration that makes setting up the monitors a breeze.

Isolation pods included

Designed to meet the specific needs of audio professionals and musicians, each iLoud Precision includes a kit of 4 iLoud Isolation Pods. Enjoy enhanced audio clarity, consistency and imaging precision throughout the whole frequency spectrum as these custom pods dramatically reduce the propagation of vibrations between the speaker and supporting surface.

Optional remote control

The optional iLoud Precision Remote Control lets you switch easily between 4 X-MONITOR speaker emulations or custom voicings and assign functions like ARC On/Off, Mute or Dim. And for use with ARC room correction software, the remote can control the measurement/room calibration process from the desk while providing visual feedback on the process status.

Specs

2x5" ultralight coated paper mid-woofer
1.5" high output, low distortion chambered textile dome tweeter
Audiophile, custom-designed Class-D power amplifiers
175 W total RMS power
Max SPL, peak, pair, music, 1 m: 119 dB
Complete DSP controlled system, 96 kHz sampling rate
45 Hz to 30 kHz frequency response +/- 1dB
37 Hz low frequency extension @-4 dB
Phase response: Coherent, 0/+20- max from 150 Hz up
Phase rotation at 100Hz (with high pass filter off): 40- max
Directivity (Vertical - all voices): +/-50-
Directivity (Vertical - Wide Dispersion mode): +65-/-65-
Continuous, long term SPL free field, 1 m distance, one speaker, fullband pink noise: 103.5 dB(A)
Peak SPL free field, 1 m distance, one speaker, fullband pink noise: 109.5 dB(A)
Peak SPL, half space, 1 m distance, one speaker, fullband pink noise: 111.5 dB(A)
Maximum peak SPL, per pair, 1 m distance, music program: 119.5 dB(A)
Crossover frequency: 1.9 kHz
Crossover type: 8th order, linear phase
LF Power amp (short term): 145 W
HF Power amp (short term): 30 W
Power amps distortion at nominal power: 0.005%
Total latency or TOF: 2.5 ms
Adjustable additional delay: 0-10 ms
High pass filter: off, 35, 50, 65, 80 Hz
LF contour: from -10 to +6 dB
Desk contour: from -10 to 0 dB
Mid contour: from -4 to +4 dB
HF contour: from -6 to +6 dB
Sentitivity: -4 dBu / 93 dBSPL
Input gain trim: +/-5 dB
Unit to unit consistency: +/-0.5 dB
Operating temperature (non condensing): from 0 to 35 -C
Coherent time response across the audio spectrum
High performance vented design
Built-in ARC room calibration
X-MONITOR technology
Remote control for X-MONITOR voice selection and measurement process control
X-MONITOR macOS and Windows control software

Dimension and weight
(H x W x D): 442 mm/17.40" x 177 mm/6.96" x 223 mm/8.77"
9.9 kg/21.8 lbs.

Package includes:

1 x iLoud Precision MTM monitor
Power cord
ARC Microphone
ARC Microphone clamp
USB-B to USB-A 2.5 m/8.2 ft. cable
1 x kit of 4 iLoud Isolation Pods
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out of stock $1,263.29
IK Multimedia iLoud Precision 6 6.5" Studio Monitor (single, black) IK Multimedia iLoud Precision 6 6.5" Studio Monitor (single, black)
Cat: 895408 • View all Studio monitors
 
6.5" Woofer + 30 mm Tweeter, 150W RMS, Coherent phase & time response, Built-in ARC, X-MONITOR tech
Notes: Studio monitors re-invented. Again.

iLoud Precision series represents another breakthrough in nearfield monitoring from the company that revolutionized compact monitors with iLoud Micro Monitor and iLoud MTM.

Available in a choice of 3 configurations - 2-way 5" or 6.5", and 2 x 5" MTM - these handmade works of sonic art reflect IK's 25+ years of expertise in loudspeaker design and digital signal processing, delivering a level of sonic detail that beats speakers at three times the price, with unique DSP-based features and software workflow enhancements that can't be found anywhere else.

Best-in-class frequency response

Creating mixes that translate perfectly to the outside world, iLoud Precision offers best-in-class frequency response with an extended range of 36 Hz - 30 kHz and a stunning +/- 1 dB accuracy ultra-flat response from 45 Hz to 30 kHz, for precise and uncolored audio throughout the entire listening range.

True linear phase response for unmatched clarity and translation

iLoud Precision leverages its advanced 96 kHz internal DSP system, digital crossover and custom-designed audiophile amplifiers to deliver true linear phase response above 150 Hz (and the very minimum possible phase rotation at low frequencies) for precise stereo imaging, sharp transients, incredibly solid bass and breathtaking detail. The result is a stunningly clear, transparent and revealing sound quality that's absolutely true to life.

Perfect time alignment that eliminates ear fatigue

iLoud Precision also sets a new standard for time coherence, or the precise timing alignment between all the portions of the audio spectrum. Reaching nearly the theoretical ideal performance, iLoud Precision offers the highest level of time accuracy, without sacrificing frequency response. Precise time alignment offers incredibly transient response and frequency balance and eliminates the ear fatigue that can develop over longer listening sessions on lesser monitors. Plus this improves the "readability" of the program and therefore translation.

Built-in acoustic calibration to hear your music and not your room

With iLoud Precision there's less worry about treating your room. Each speaker features built-in calibration based on the acclaimed ARC™ System technology. Just connect the included MEMS measurement microphone and in a few seconds, the iLoud Precisions will tune themselves to any environment from your mixing room to living room

Deep, controlled bass with or without a sub

With bass extension down to 36 Hz at only - 4 dB, iLoud Precision delivers deep, powerful bass that's nevertheless controlled and balanced, with minimum phase rotations. With ARC enabled, in many rooms iLoud Precision can reach as low as 30 Hz, while an adjustable bass roll-off lets Precisions integrate with a sub, for unparalleled low-end performance in any setup, without the need of an external crossover that could degrade sonic performance.

MTM configuration for point source sound

At the top of the range, the iLoud Precision MTM use the midwoofer-tweeter-midwoofer configuration to deliver not only the highest SPL, but also an ultra-precise, point source sound and an incredible stereo field. This means an even more natural, life-like sound, where the speaker cabinets "disappear" and attention can be focused entirely on the music.

Ideal for immersive setups

In addition to self-calibrating to the listening environment, iLoud Precision includes a range of low- and high-frequency management options, including a switchable Full/35/50/65/80 Hz extension to optimize their performance with Atmosr and other immersive setups.

Powerful software control

Extended calibration and custom voicing

The iLoud Precision series introduces X-MONITOR, a newly developed advanced control application for Mac and Windows that assists with ARC calibration and enables extended acoustic and voicing selection and adjustments to fine-tune iLoud Precision to your taste, plus convenient remote access to the settings on the Precision's back panel. The software is plug-n-play via a simple USB connection with no special setup needed.

Iconic studio monitors and popular speaker emulations

Even more exciting, X-MONITOR emulates the frequency and phase response of the most famous studio monitors on the market, as well as popular hi-fi speakers and mobile devices, for a breathtakingly true-to-life experience. Over 20 studio monitor profiles are included, and more will be released in the future, saving you money and space. A single pair of iLoud Precisions with X-MONITOR lets you test a mix on different reference systems quickly, without ever leaving the sweet spot or needing any other speakers.

Fully accessorized
Measurement microphone included

Each iLoud Precision includes a high precision MEMS measurement microphone for the built-in ARC calibration that makes setting up the monitors a breeze.

Isolation pods included

Designed to meet the specific needs of audio professionals and musicians, each iLoud Precision includes a kit of 4 iLoud Isolation Pods. Enjoy enhanced audio clarity, consistency and imaging precision throughout the whole frequency spectrum as these custom pods dramatically reduce the propagation of vibrations between the speaker and supporting surface.

Optional remote control

The optional iLoud Precision Remote Control lets you switch easily between 4 X-MONITOR speaker emulations or custom voicings and assign functions like ARC On/Off, Mute or Dim. And for use with ARC room correction software, the remote can control the measurement/room calibration process from the desk while providing visual feedback on the process status.

Specs

6.5" ultralight coated paper mid-woofer
1.5" high output, low distortion chambered textile dome tweeter
Audiophile, custom-designed Class-D power amplifiers
150 W total RMS power
Max SPL, peak, pair, music, 1 m: 116 dB
Complete DSP controlled system, 96 kHz sampling rate
45 Hz to 30 kHz frequency response +/- 1 dB
37 Hz low frequency extension @-4 dB
Phase response: Coherent, 0/+20- max from 150 Hz up
Phase rotation at 100Hz (with high pass filter off): 45- max
Directivity (Vertical - all voices): +/-50-
Directivity (Vertical - Wide Dispersion mode): +65-/-50-
Continuous, long term SPL free field, 1 m distance, one speaker, fullband pink noise: 100 dB(A)
Peak SPL free field, 1 m distance, one speaker, fullband pink noise: 106 dB(A)
Peak SPL, half space, 1 m distance, one speaker, fullband pink noise: 108 dB(A)
Maximum peak SPL, per pair, 1 m distance, music program: 116 dB(A)
Crossover frequency: 1.9 kHz
Crossover type: 8th order, linear phase
LF Power amp (short term): 120 W
HF Power amp (short term): 30 W
Power amps distortion at nominal power: 0.005%
Total latency or TOF: 2.5 ms
Adjustable additional delay: 0-10 ms
High pass filter: off, 35, 50, 65, 80 Hz
LF contour: from -10 to +6 dB
Desk contour: from -10 to 0 dB
Mid contour: from -4 to +4 dB
HF contour: from -6 to +6 dB
Sentitivity: -4 dBu / 90 dBSPL
Input gain trim: +/-5 dB
Unit to unit consistency: +/-0.5 dB
Operating temperature (non condensing): from 0 to 35 -C
Coherent time response across the audio spectrum
High performance vented design
Built-in ARC room calibration
X-MONITOR technology
Remote control for X-MONITOR voice selection and measurement process control
X-MONITOR macOS and Windows control software
Handcrafted in Italy

Dimension and weight:
(H x W x D): 353 mm/13.89" x 201 mm/7.91" x 282 mm/11.10"
7.7 kg/17 lbs.

Packaging includes:

1 x iLoud Precision 6 monitor
Power cord
ARC Microphone
ARC Microphone clamp
USB-B to USB-A 2.5 m/8.2 ft. cable
1 x kit of 4 iLoud Isolation Pods
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out of stock $1,052.75
ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required) ARP Odyssey FS Kit 37-Key Duophonic Analogue Syntheiser (no soldering required)
Cat: 930740 Rel: 21 Apr 23 • View all Synthesisers
 
The new ARP Odyssey FS Kit offers enthusiasts the unique opportunity to assemble this iconic synth with no technical knowledge or soldering required.
Notes: Full-scale kit version of the legendary ARP Odyssey, reissued by Korg. Simple DIY assembly with no soldering required, replicating the iconic sound of an analogue classic.

Supplier's Notes:
With switchable sawtooth and square waveforms, pulse width modulation, oscillator sync, ring modulation, and pink or white noise, the sound of the ARP Odyssey is legendary. The new ARP Odyssey FS Kit offers enthusiasts the unique opportunity to assemble this iconic synth with no technical knowledge or soldering required. The kit features the same analogue circuitry as the original ARP Odyssey FS, complete with a full-sized keyboard and the option to switch between filters from all three historical revisions.

The Synth Odyssey

Originally produced by ARP in 1972, this iconic two-oscillator analogue synth can be heard on tracks from Abba, Herbie Hancock, Devo, Jean-Michele Jarre, Ultravox, Jon Lord, Yellow Magic Orchestra and more. With switchable sawtooth and square waveforms, pulse width modulation, oscillator sync, ring modulation, and pink or white noise, the sound of the ARP Odyssey is legendary.

In 2015, ARP's history was thrust into the spotlight with the revival of the ARP Odyssey. This was just the beginning. From the ARP ODYSSEY FS with its full-size keyboard, to the long awaited ARP 2600 FS and ARP 2600 M, ARP synths once again stand at the forefront of the modern music scene.

Build the legacy

Staying true to the ARP Odyssey FS, this build-it-yourself kit uses the same analogue circuitry, preserving the original warm and rich sound. The kit also features the original specs of the Rev. 3 model with a full-size keyboard and a iconic black panel design with orange lettering.

To help simplify assembly, a pictorial guide is included and no technical knowledge (or soldering) is needed! To commemorate the unique experience of building it yourself, it is distinguished from any other ARP Odyssey with its own unique serial number engraved into an elegant metal plate.

Control

The original PPC (Proportional Pitch Control) based on a rubber pad has been reproduced. Press the rubber pad with your finger to control pitch bend or vibrato depth in proportion to the pressure.

A portamento slider and transpose switch are included, and you can even use a switch to select the way in which Rev1 and Rev2/3 of the original ARP Odyssey differ as to whether portamento is applied the moment that you operate the transpose lever.

Connect

The ARP Odyssey FS Kit is a versatile analogue synthesizer with multiple connectivity options. It has both 1/4" jack and XLR outputs, an audio input jack for external processing, and a headphone jack for self-feedback. The instrument also features CV, GATE, and TRIG jacks for sending and receiving analog signals, and includes both 1/4" and mini-size patch cables. Additionally, it has a MIDI IN connector and USB MIDI port for connection to a computer or other MIDI device. The GATE OUT and TRIG IN jacks can be connected to play legato without triggering the EG.

Specs

Keyboard: 37-note (Standard key or Full size key, No velocity sensitivity, No aftertouch)
Maximum Polyphony: 2 voices for duophonic; normally monophonic

Controllers
Transpose Positions: 2 octaves down, normal, 2 octave up
Proportional Pitch Control: b (Pitch down) Pad: about -2 / 3 octave; - (Modulation) Pad; # (Pitch-up) Pad: about +2 / 3 octave

Noise Generator: Noise Spectrum Types (white and pink)

Portamento: Maximum Speed: about 0.01 msec./oct; Minimum Speed: about 1.5 sec./oct

VCO (Voltage Controlled Oscillator)
Waveforms: Sawtooth, Square, Pluse (Dynamic Pluse)
Frequency Range: VCO-1 in low freq. mode, 0.2 Hz - 20 Hz; VCO-1 and VCO-2 (audio range) about 20 Hz - 20 kHz
Warm Up Drift: 1/30 semitone from turn on max
Pulse Width: 50 % - 5 %
Pulse Width Modulation: ADSR, +45 % - LFO, +15 %
Voltage Controlled Response: 1 V/oct
Maximum Frequency Shifts: LFO sin wave, +1/2 oct., LFO square wave, +1.5 oct., ADSR, +9 oct. - S/H, +2 oct.
* VCO-1 is low note priority, VCO-2 is high note priority.

VCF (Voltage Controlled Filter)
Types: Low pass (I: 12 dB/oct., II III: 24 dB/oct.)
Frequency Range: 16 Hz - 16 kHz
Maximum Usable Q: 30
Resonance: 1/2 - self oscillate
Voltage Controlled Response: C3 key (left edge): 0 V, C6 key (right edge) 3 V

VCA (Voltage Controlled Amplifier)
Dynamic Range: 80 dB

Ring Modulator
Type: Digital
Input Signal: VCO-1, VCO-2 (square wave)

Sample & Hold
Command Sources: Keyboard or LFO trigger
Sampled Signals: VCO-1 sawtooth wave and square wave, VCO-2 square wave and pink noise

ADSR Envelope Generator
Attack Time: 5 msec. - 5 sec.
Decay Time: 10 msec. - 8 sec.
Sustain Level: 0 - 100 % or Peak
Release Time: 15 msec. - 10 sec.

AR Envelope Generator
Attack Time: 5 msec. - 5 sec.
Release Time: 10 msec. - 8 sec.

Control Input Jacks
Pedal: 6.3 mm monaural phone jack
Portamento Foot Switch: 6.3 mm monaural phone jack

Audio Output Jacks LOW
Connector: 6.3 mm monaural phone jack
Maximum Output Level: -20 dBu@ 10 k ohm load
Output Impedance: 10 k ohm

Audio Output Jacks HIGH
Connector: XLR connector
Maximum Output Level: +4 dBu@ 1 k ohm load
Output Impedance: 330 ohm

Headphones Jack
Connector: 6.3 mm stereo phone jack
Maximum Output Level: 50 mW + 50 mW@ 33 ohm load
Output Impedance: 10 ohm
* Controllable by volume knob.

External Audio Input (Ext Audio Input) Jack
Connector: 6.3 mm monaural phone jack
Maximum Input Level: -10 dBu
Input Impedance: 22 k ohm
MIDI Connector: IN
USB Connector: Type B

CV IN/OUT Jacks
Keyboard CV (IN/OUT):
1 V/oct.
Connector: 3.5 mm monaural phone jack

GATE IN/OUT Jacks
GATE IN: +3 V (minimum)
GATE OUT: +10 V, key down; 0 V all keys up
Connector: 3.5 mm monaural phone jack

TRIG IN/OUT Jacks
TRIG IN: +3 V pulse min., 10 ?sec. Duration minimum
TRIG OUT: +10 V pulse on key depression, 10 ?sec. Duration
Connector: 3.5 mm monaural phone jack

Power Supply: AC adapter (DC 12V) + power cable
Power Consumption: 7.1 W
Dimensions (W x D x H): 585 x 466 x 163 mm / 23.03" x 18.35" x 6.42"
Weight: 7.3 kg / 16.09 lbs.
Included Items: AC adapter (DC 12V), power cable, phone cable, mini-phone cable
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MRP:$1,788.62 SAVE 41%
 1 in stock $1,051.70
RME FireFace UFX III 188-Channel USB 3.0 MADI Interface RME FireFace UFX III 188-Channel USB 3.0 MADI Interface RME FireFace UFX III 188-Channel USB 3.0 MADI Interface
Cat: 934392 Rel: 21 Apr 23 • View all Audio interfaces
 
188-channel USB 3.0 MADI interface.
Notes: Ultra-high-quality audio interface with unbeatable versatility. Up to 94 channels I/O, 64 MADI channels, DSP and extensive digital options including two optical ADAT I/Os.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
RME Fireface UFX III: The Flagship Multi-channel Interface

The Fireface UFX III is a powerful all-in-one solution for modern recording studios, live audio playback systems and multi-channel location recording rigs, handling up to 188 channels (94 Inputs / 94 Outputs) with ease.

Unprecedented flexibility and compatibility combines with RME's famous low latency hardware and driver designs, guaranteeing flawless operation for any multi-channel recording application, whilst the inclusion of DURec (Direct USB Recording) provides extensive options for backup recordings and stand-alone operation.

The ultimate professional tool for multi-track recording, mixing and mastering, the RME Fireface UFX III is packed with professional features including:

USB 3.0 (full 94 channel I/O Class Compliant; USB-C compatible)
SteadyClock FS
Powerful integrated DSP
TotalMix FX
TotalMix Remote
DURec (Direct USB Recording)
MADI I/O (64 channels)
And support for the Advanced Remote Control USB (sold separately)

Powerful USB 3 Performance

The front panel of the Fireface UFX III provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals, two stereo headphone jacks with +19 dBu output level, MIDI I/O, and a USB port.

In combination with the DURec function (Direct USB Recording), the USB port allows independent recording of selected input and output signals (up to 80 channels) to a connected USB storage medium.

The rear panel reveals the full connectivity of the Fireface UFX III. Besides another MIDI I/O, the two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analogue outputs with line level (including XLR stereo monitor outputs) are available.

With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. Furthermore, the Fireface UFX III offers an optical MADI interface (SC) with 64 bidirectional channels. The Word Clock connectors (BNC) work as additional coaxial MADI input and output if required.

Comprehensive MADI Connectivity

The Fireface UFX III opens the doors to a host of RME and 3rd party digital and analogue I/O solutions.

Expanding your analogue channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.

To further enhance MADI flexibility, the Fireface UFX III boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analogue plus 16 ADAT plus AES), the MADI I/O is still available via RME's integrated hardware mixer TotalMix FX.

Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial.

SteadyClock FS - FemtoSecond Clocking Technology

The RME Fireface UFX III also features RME's latest digital clocking and jitter rejection technology, 'SteadyClock FS'.

Originally developed for RME's award-winning ADI-2 Pro FS range of high-end converters, SteadyClock FS reduces intrinsic jitter to a new all-time low, when converting to and from analogue over all digital formats.

All clock modes provide excellent performance and astonishingly high-quality analogue conversion, allowing you to hear your mix exactly as it is.

What's more, RME's digital format conversion occurs without any loss to the signal, and SteadyClock FS ensures your sonic image will never experience any kind of degradation, ensuring the soundstage is replicated to the fullest depth and clarity.

Powerful Applications for Mixing, Monitoring and Measurement included

The Fireface UFX III comes with the TotalMix FX DSP mixer, offering comprehensive routing and monitoring options for all analogue and digital audio channels, as well as the DIGICheck Analyzer, which allows users to measure and analyze digital audio data feeds (in both directions) with maximum precision.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, including main monitors, submixes, and headphone mixes for musicians.

A free companion app, TotalMix Remote is a network-controllable remote for TotalMix FX, enabling control over interface's hardware mixer and effects from another Mac, PC or iPad, including wirelessly over Wi-Fi.

TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real time.

DC-Coupled Outputs - CV/Gate Voltage Control

Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies.

Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs.

All of the Fireface UFX III's line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers formats) and other studio hardware.

USB 3 Class Compliant Audio

The Fireface UFX III operates in two different modes: driver-based and Class Compliant.

Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions, allowing for Plug 'n' Play operation of the Fireface UFX III. No proprietary drivers are required, the device will be directly recognised when the CC firmware is loaded.

The Fireface UFX III is RME's first audio interface with full USB 3.0 support in Class Compliant Mode. This makes all channels available in driverless operation for Linux, Mac and iPadOS.

An iPad Pro with USB-C can manage up to 94 channels for recording and playback in TotalMix FX for iPad and on system level.

ARC USB Remote Control (sold separately)

The ARC USB is an optional remote control for the Fireface UFX III, along with all other RME devices that use TotalMix FX.

15 user-assignable illuminated buttons, one encoder wheel, and a TS jack (for connecting a foot switch) provide access to all of the most used functions of TotalMix FX.

The ARC USB can be connected directly to the Fireface UFX III via the second USB port on the back of the interface, or directly to a USB port on a Mac or PC.

Operating as a UAC 1 class device, the RME ARC USB is natively compatible with Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX III.

DURec (Direct USB Recording)

DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX III records on USB thumb drives or hard drives with up to 2 TB capacity.

The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks.

Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software.

General Specifications

Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts
Idle power consumption: 19 Watts
Typical power consumption: 22-25 Watts
Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5")
Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")
Total depth: 240 mm (9.4")
Weight: 3 kg ( 6.6 lbs)
Temperature range: +5- up to +50- Celsius (41- F up to 122-F)
Relative humidity: < 75%, non condensing

Included Accessories:

Cable USB 3.0, 1.8 m (6 ft), USB-A/B
Cable USB 3.0, 1.8 m (6 ft), USB-C/B
Optical cable
4 rubber feet, self-adhesive
Power cable
Printed Manual
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MRP:$2,737.15 SAVE 11%
 1 in stock $2,440.28
Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer
Cat: 936488 Rel: 03 Apr 23 • View all Mezcladores para DJ
 
Rackmount 4-channel rotary DJ mixer.
Notes: ARS MODEL 4200 DJ Mixer is a Japanese made, All hand-crafted DJ mixer.
It is the result of a pursuit for pure sound quality.
It is designed with purist ideals with only essential features.
It gives a focus on the role of DJ mixers as the "music mixing tool".

Avoiding all other features that are the source of sound deterioration.
On the rotary faders, Alpha Recording System selected original custom curve to deliver smooth and intricate mixes between 4 Channel - 3 Phono, 5 CD/Line, inputs.
Strikingly smooth operation feel.
Offering thick punchy bass and fine high-frequency sound, an overall sound character of MODEL 4200 is warm and deep.
Simple design, with front panel offered in 2 colours; Silver and Black.

* No power switch avoiding accidentally turning power off while playing.
* Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm

Headphone Monitor Switch: Cue-Mix/Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: Front Panel 2U (W)482.6x(H)88x(D)200 mm
Front Panel Colour: Black
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MRP:$3,041.39 SAVE 13%
out of stock $2,630.82
Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer (silver) Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer (silver)
Cat: 936499 Rel: 03 Apr 23 • View all Mezcladores para DJ
 
Rackmount 4-channel rotary DJ mixer.
Notes: ARS MODEL 4200 DJ Mixer is a Japanese made, All hand crafted DJ mixer.
It is the result of a pursuit for pure sound quality.
It is designed with purist ideals with only essential features.
It gives a focus on the role of DJ mixers as the "music mixing tool".

Avoiding all other features that are the source of sound deterioration.
On the rotary faders, Alpha Recording System selected original custom curve to deliver smooth and intricate mixes between 4 Channel - 3 Phono, 5 CD/Line, inputs.
Strikingly smooth operation feel.
Offering thick punchy bass and fine high-frequency sound, an overall sound character of MODEL 4200 is warm and deep.
Simple design, with front panel offered in 2 colours; Silver and Black.

* No power switch avoiding accidentally turning power off while playing.
* Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm

Headphone Monitor Switch: Cue-Mix/Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: Front Panel 2U (W)482.6x(H)88x(D)200 mm
Front Panel Colour: Silver
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MRP:$3,041.39 SAVE 13%
out of stock $2,630.82
Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer With Crossfader Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer With Crossfader Alpha Recording System MODEL4200 Rackmount 4-Channel Rotary DJ Mixer With Crossfader
Cat: 936504 Rel: 03 Apr 23 • View all Mezcladores para DJ
 
Rackmount 4-channel rotary DJ mixer wth crossfader.
Notes: The successor to the outstanding Model 4100, this updated four-channel, rack-mounted design offers exceptional audiophile sound quality. Hand built in Japan.

Supplier's Notes:
ARS MODEL 4200 DJ Mixer is a Japanese made, All hand-crafted DJ mixer.
It is the result of a pursuit for pure sound quality.
It is designed with purist ideals with only essential features.
It gives a focus on the role of DJ mixers as the "music mixing tool".

Avoiding all other features that are the source of sound deterioration.
On the rotary faders, Alpha Recording System selected original custom curve to deliver smooth and intricate mixes between 4 Channel - 3 Phono, 5 CD/Line, inputs.
Strikingly smooth operation feel.
Offering thick punchy bass and fine high-frequency sound, an overall sound character of MODEL 4200 is warm and deep.
Simple design, with front panel offered in 2 colours; Silver and Black.

* No power switch avoiding accidentally turning power off while playing.
* Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm

Headphone Monitor Switch: Cue-Mix/Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: Front Panel 2U (W)482.6x(H)88x(D)200 mm
Front Panel Colour: Black
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MRP:$3,542.50 SAVE 20%
 1 in stock $2,841.38
Black Corporation Xerxes MK2 8-Voice Polyphonic Analogue Desktop Synthesiser Black Corporation Xerxes MK2 8-Voice Polyphonic Analogue Desktop Synthesiser Black Corporation Xerxes MK2 8-Voice Polyphonic Analogue Desktop Synthesiser
Cat: 938826 Rel: 28 Apr 23 • View all Synthesisers
 
An eight-voice polyphonic analogue synthesiser.
Notes: Updated version of Black Corp's analogue monster. Dual-oscillator design with eight-voice polyphony, full MPE support, stereo analogue chorus and a glorious multi-mode filter.

Supplier's Notes:
XERXES delivers an unmatchable level of warmth through its two digitally controlled analogue oscillators. A multimode analogue filter, white and pink noise generator, 2 ADSR envelopes, 2 sync-able LFOs, unique analogue BBD chorus with 3 modes, full MPE-based polyphonic aftertouch, and complete MIDI control including polyphonic aftertouch and MPE work together to bring a classic analogue sound ready to integrate into modern times. MK2 features an updated VCA section, balanced outputs and high quality audio via USB conversion.

Xerxes produces triangle, saw, square, and PWM waveforms with variable drift controls from each oscillator, sync with variable phase shifting, and ring modulation allowing for complex cross-modulation effects. Each oscillator features an octave switch, bipolar transpose potentiometer +/-7 semitones, a master tuning pot affecting both oscillators, and a detune knob for subtly detuning Oscillator 2 to Oscillator 1. Portamento/Glissando or Glide can be programmed to affect Oscillator 1, 2, or both.

The analogue multimode filter on XERXES offers 24db/oct low pass, 12db/oct high pass modes and a band pass filter mode switchable between 6db/oct & 12db/oct for all kinds of filter characteristics. The filter can also be modulated by the dedicated ADSR envelope, LFO, velocity, and aftertouch (MPE and Polyphonic Aftertouch) allowing for incredibly expressive performance and programming.

XERXES features 6 LFO waveforms: Sine, triangle, saw, ramp, square, and random, plus a dedicated delay control to fade the LFO to the full amount set by the depth knob. Two LFOs are selectable with an A/B switch, each of which can be used to control multiple parameters set by the button switches to control oscillator tuning (A/B/Both) filter cutoff, and amplifier levels (VCF/VCA/Both.) Each of these LFOs also includes a Sync on/off switch.

XERXES features a beautiful, fully-analogue BBD-based chorus with 3 selectable modes, similar to the chorus effect found on the vintage Elka Synthex synthesizer. XERXES MK2 is equipped with stereo 1/4" balanced outputs to take full advantage of the stereo chorusing effect.

Finally, XERXES features full MIDI control and ability to store 128 user presets per bank across 11 banks (Factory, Vintage and 9 user banks) integrating this classic synth concept seamlessly into any studio setup.

Main features:

8-voice polyphonic analogue synthesizer
2 discrete logic DCOs per voice
analogue HP/BP/LP filter
2 LFOs
2 ADSRs
polyphonic velocity and aftertouch
full MPE (MIDI polyphonic expression) support
analogue BBD stereo chorus
4U rack size with detachable rack ears and wood side panels
10 preset banks (x128)

New in Version 2: Updated VCA section, balanced outputs and high quality audio via USB conversion using high resolution DACs.
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out of stock $4,736.33
Rane DJ Four Advanced 4-Channel Stems DJ Controller (B-STOCK) Rane DJ Four Advanced 4-Channel Stems DJ Controller (B-STOCK) Rane DJ Four Advanced 4-Channel Stems DJ Controller (B-STOCK) Rane DJ Four Advanced 4-Channel Stems DJ Controller (B-STOCK) Rane DJ Four Advanced 4-Channel Stems DJ Controller (B-STOCK) Rane DJ Four Advanced 4-Channel Stems DJ Controller (B-STOCK) Rane DJ Four Advanced 4-Channel Stems DJ Controller (B-STOCK) Rane DJ Four Advanced 4-Channel Stems DJ Controller (B-STOCK)
Cat: 939307 Rel: 01 Jan 90 • View all DJ controllers
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Designed for seamless integration with Serato and the Stem-Split feature, the Four is Rane's flagship controller. Clever compatibility options let you add vinyl, CDJs and other controllers like the Rane Twelve or Denon LC6000.

Supplier's Notes:
Designed for creativity, built to last

The FOUR brilliantly combines the latest in performance-focused DJ technology with RANE's tried-and-true build and industry-leading sound quality. The result is a bulletproof, great sounding, feature-packed DJ controller that will unleash exciting new levels of creativity in your DJ sets and livestreams. With never-before-seen features like STEM-SPLIT, Performance Pad OLED displays, and a new dynamic internal FX engine, the FOUR is the world's most advanced 4-channel Stems DJ controller.

Harness the power of Serato stems

RANE and Serato have a long history of creating ground-breaking DJ products together, dating back to the RANE SL1 box in 2004. The RANE FOUR takes this partnership to the next level by melding the industrial-grade build and sound quality of RANE hardware with the powerful new Stems capabilities of Serato DJ software. The result is a next-level DJ controller with unprecedented Serato Stems control. A dedicated Stems Pad Mode, Instrumental and Acapella buttons, and RANE's exclusive STEM-SPLIT feature provide you with the ultimate Stems workflow and experience to fully elevate your creativity as a DJ.

New levels of creative FX

The newly designed internal FX suite features 22 paddle-triggered, fully customizable Main FX and 4 knob-controlled Channel FX for adding flavour and personality to individual Stems elements and tracks. This robust FX suite features traditional FX classics like Reverb and Echo and exhilarating new additions including Scale Down, Recycler, Riser, and more. The Channel FX section offers dynamic, hands-on manipulation of 4 knob-controlled FX including Filter, Filter Roll, Noise, and Flanger. The RANE FOUR also allows you to switch seamless back and forth between the built-in hardware FX and Serato's software FX, providing limitless options for any style of DJing.

Four channels of performance possibility

The 4-channel mixer section features full EQ control and intuitive FX assignment options, plus 2 external Line/Phono inputs for external turntables or decks. The FOUR is DVS-enabled and unlocks both Serato DJ Pro and Serato Pitch 'n Time when connected to laptop running the latest version of Serato. Enhanced Sampler routing options allow you to control the Sampler volume via a dedicated knob, or assign the audio to Channel 4 so that you can layer FX on top of your DJ drops, instruments, and other samples. The quick-access deck selection buttons allow for swiftly switching platter control between software decks, and the FOUR also supports external modular decks like the RANE TWELVE MKII and the Denon DJ LC6000 for a full physical 4-deck mixing experience.

Focus on your performance, not your laptop

The 8 OLED displays above the Performance Pads on each deck offer visual feedback for all pad modes, making it easier than ever to see the function of each pad without having to look at the computer. See Cue, Loop, and Sample names as well as Roll and Loop lengths, beat divisions, Pitch Play tuning, and Stem elements and FX.

The best static platters... ever

The 8.5" capacitive jog wheels were designed to be the smoothest and most accurate static jog wheels available on a DJ controller. A central colour display indicates play head position, BPM, pitch percentage, pitch range, overview waveform with Hot Cue markers, song key, time, loop size, deck selection, Beat Jump length and more.

Trusted Rane quality

The RANE FOUR is the only 4-channel DJ controller built to RANE's rigorous standards. Solid, bulletproof construction, MAG-FOUR crossfader with curve adjustment and channel assignment switches, aluminium FX toggles, and industry-leading sound quality and connections ensure that the RANE FOUR will always perform like a champ, no matter what.

Technical Specifications

Digital Audio

Converters: Cirrus Logic, 24-bit PCM, 48 kHz
Digital Signal Processing: 32-bit, Floating Point, Double precision
Dynamic Range (A-weighted, unity gain): ADC: 113 dB DAC: 113 dB
CD Input to Analog Output: 110 dB
CD Input to USB Output: 113 dB
USB Input to Analog Output: 113 dB

Connections

(2) XLR / 1/4" (6.35 mm) TRS inputs (Mic 1-2)
(2) RCA stereo input pairs (Deck 3-4)
(2) XLR outputs (Main)
(2) 1/4" outputs (Booth)
(1) RCA stereo output pair (Main)
(1) 1/4" (6.35 mm) TRS output (Headphones)
(1) 1/8" (3.5 mm) TRS output (Headphones)
(2) USB Type-B ports
(2) USB Type-B ports

Audio Outputs

Main Outputs (XLR):
Gain Trim: Off to 0 dB
Maximum Output: 8 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Main Outputs (RCA stereo pair):
Maximum Output: 4 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Booth Outputs (1/4"):
Gain Trim: Off to 0 dB
Maximum Output: 8 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Headphone Outputs (1/4"/6.35 mm and 1/8"/3.5 mm TRS):
Maximum Output: 4 Vrms Voltage: (no load)
Output Power: 50 mW (50 ohms)
Dynamic Range (A-weighted): 108 dB

Audio Inputs

Microphone 1/2 (Combo XLR/1/4" [6.35 mm] TRS):
Analog Gain: 25 dB
Maximum Input: 110 mV
Gain Trim: Off to +26 dB (unity at center)
Tone Control: 2-band

Line/Phono Inputs 3/4 (RCA stereo pairs, switchable):

Line: Line
Maximum Input: 4 Vrms
Gain Trim: Off to +12 dB
Tone Control: 3-band, full-cut to +10 dB
THD+N (20 kHz BW @ 1 kHz: 0.004%

Phono: RIAA
RIAA Curve: +/-0.25 dB
Gain (@ 1 kHz): 31.5 dB
Maximum Input (@ 1 kHz): 106 mV
Dynamic Range (A-weighted): 102 dB

Pads: (16) on/off multi-colour back-lit pads (8 per deck, 9 modes each
Wheel Displays: (2) 320 x 240 Colour LCD's
Pad & FX Displays: (9) 128 x 32 Monochrome OLED's
Faders: (1) MAG FOUR tension-adjustable crossfader with contour, (4) Standard channel faders

Power:
Connection: IEC
Voltage: 100-240 V, 50/60 Hz
Consumption: 20 W

Dimensions (width x depth x height):
Dimensions (width x depth x height): 30.8" x 15.9" x 4.2" / 782.32 x 403.8 x 106.6 mm
Weight: 18.25 lbs./8.27 kg
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out of stock $1,326.57
Isla Instruments S2400 Desktop Audio Sampler & Sequencer (B-STOCK) Isla Instruments S2400 Desktop Audio Sampler & Sequencer (B-STOCK) Isla Instruments S2400 Desktop Audio Sampler & Sequencer (B-STOCK) Isla Instruments S2400 Desktop Audio Sampler & Sequencer (B-STOCK) Isla Instruments S2400 Desktop Audio Sampler & Sequencer (B-STOCK)
Cat: 939689 Rel: 29 Mar 23 • View all Samplers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Combining vintage sound with modern features, the S2400 draws heavily on the iconic Emu SP1200 to create a new instrument with a distinctive character. One of the best samplers money can buy.

Supplier's Notes:
A legend, reborn.

The S2400 is nothing short of a passion project. Along with a small team of talented Software Engineers, CAD Engineers and revered artists, Isla Instruments have developed a future classic.

The S2400 is a passion project - to recreate the sound of one of the world's most iconic sampling drum machines, and bring it up-to-date with modern features. The result is the very best of old school and new school technology coming together.

Brad has been obsessed with drum machines for many years - owning, repairing, restoring, modifying countless makes and models (see his HR-16 mods on YouTube).

Staying true to form in both sonic characteristics and design aesthetic were the main drivers in the realisation of this project, while bringing the hardware into the 21st Century and keeping the same 'instant gratification' and intuitiveness of its spiritual pre-predecessor at heart.

A machine built for the now and the future.

S2400 Specifications

Sampler / Audio:
16-Bit 48Khz 'Hi-Fi' Sampling/Playback Engine
12-Bit 26Khz 'Classic' Sampling/Playback Engine
Engine type assignable to each of the 32 sample slots
Sample up to 21.5 minutes per slot (Classic / Mono),
5.5 minutes (Hi-Fi / Stereo)
Simultaneous (Full Duplex) playback and record with 8 channel LiveLooping functionality.
On-screen waveform display (slice audio, set loop-points with ease)
128 MB of built-in factory drum kits (from some of our featured beta team)
Independent Headphone output for monitoring (effectively 2 extra channels)
DSP based LP/HP Filtering per track (more FX planned for future)

Sequencer:
Multiple sequence entry methods: Live recording, Step Sequence, Piano Roll GUI, TR x0x Style
32 Stereo Audio Tracks w/ 16 Voice polyphony
32 MIDI Tracks (for sequencing external equipment)
96 PPQN Clock
Per track quantization and swing (including classic mode)
Patterns are up to 100 measures, any time signature
All parameters (level, pitch, envelope, filters) configurable per pattern step
Song mode

Hardware

Bright 128 × 64 pixel OLED display (viewable from any angle)
Ultra High quality Grayhill Optical Data Entry Encoder
8 x 60mm Professional Dual Rail Faders
8 x Dual 'concentric' Pro-Audio rotary pots
Broadcast Equipment grade A/V backlit pushbutton switches
Tactile silicone pads backlit with RGB LEDs
SD Card storage (up to 1TB currently tested)
Classic (OG) input and output analogue filtering circuitry.

I/O

MIDI In/Out/Thru (Standard 5-pin DIN)
2 × 1/4" Stereo Mix Out jacks (psuedo balanced)
8 × 1/4" Individual audio out jacks (psuedo balanced)
4 × 1/4" External input jacks (with adjustable pre-amp modes)
2 × Stereo RCA Line/Phono Inputs (with dual phono pre-amps)
Hi-speed USB 2.0 device port. (USB Audio/MIDI)
USB Host port (connect external USB peripherals, MIDI controllers etc).
3.5mm Clock/trigger in and out jacks (to sync/trigger vintage equipment or modular synths)
Universal Voltage100-250V AC Mains powered.

Physical

Rock Solid 16Ga Cold Rolled Steel enclosure with 6mm Anodised aluminium sidewalls.
Aluminium knobs
Dimensions: (Including knobs, jacks, feet)
Imperial: W18" x D12" x H5" (back) 3" (front)
Metric: W460mm x D310mm x H130mm (back) 80mm (front)
Weight: approximately 13lbs / 6Kgs (metric)
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out of stock $1,735.31
Reloop Turn X Premium Class Hi-Fi Turntable System Reloop Turn X Premium Class Hi-Fi Turntable System Reloop Turn X Premium Class Hi-Fi Turntable System Reloop Turn X Premium Class Hi-Fi Turntable System Reloop Turn X Premium Class Hi-Fi Turntable System Reloop Turn X Premium Class Hi-Fi Turntable System Reloop Turn X Premium Class Hi-Fi Turntable System Reloop Turn X Premium Class Hi-Fi Turntable System Reloop Turn X Premium Class Hi-Fi Turntable System Reloop Turn X Premium Class Hi-Fi Turntable System
 
Flagship direct-drive turntable with Ortofon 2M Blue cartridge.
Notes: Reloop's Turn X is a quartz-driven, high-end turntable that impresses in more ways than just its sound and premium aesthetics.

Designed with precision from the outset

The Turn X's direct-drive DC motor offers incredibly accurate and consistent speeds. The high torque ensures lightning-fast start-up times and minimal variances of just +/-0.03%. The Turn X excels when operated in full manual mode, where its electronic brake and rotary switch for smooth starting and stopping, which also doubles as a speed selector (33, 45 and 78 RPM), shine.

Balance perfection

A solid aluminium block supports the record player's precision-machined die-cast platter. Its hefty 2.1 kg, 332 mm diameter and 22.5 mm thickness ensure smooth, even movement. The damping rubber coating on the back of the turntable and the rubber mat provide excellent isolation properties and minimise vibrations.

Audiophile tonearm

The statically balanced S-shaped tonearm can be adjusted in height to change the cartridge's azimuth (the angle at which the needle approaches the record) and the record's vertical tracking angle (VTA). The tonearm design guarantees free and fluid movement and optimum cartridge performance.

Crystal clear sound quality

The Turn X has a high-quality Ortofon 2M Blue cartridge pre-installed, ensuring excellent dynamics and sound resolution to satisfy even the most discerning audiophiles. Another highlight: The universal SME connector enables a quick and easy cartridge system change if required.

Design without compromise

In addition to meeting the exacting demands of vinyl enthusiasts, the Reloop Turn X is a true visual showpiece. The record player's sleek design, sophisticated one-button control, and classy piano lacquer finish make it a real eye-catcher.

Sound and nothing but sound

The turntable's solid MDF chassis is exceptionally sturdy and robust, keeping unwanted resonances at bay from the outset. As a bonus, the Turn X is effectively decoupled thanks to the height-adjustable isolator feet.

Attention to detail

Last but not least, the Turn X features a gold-plated high-resolution phono output and a gold-plated ground connector for optimum signal transfer and corrosion resistance. Interference is reduced even further by the power switch's ultra-low noise insulation.

Technical Data

Turntable Section:
Type of turntable: Direct drive, fully manual
Drive: Quartz driven upper-torque direct drive with precision rotation
Motor: DC Motor, 16-Pole, 3-Phase, brushless
Rotation speeds: 33 1/3, 45 & 78 RPM
Starting Torque: More than 4500 g/cm
Start-up time / rpm change: Less than 0.3 sec.
Wow and Flutter: Less than 0.1% WRMS (JIS WTD)
S/N Ratio: More than 60dB (DIN-B)
Breaking System: Electronic brake

Turntable Platter:
Turntable Platter: Aluminium die-cast
305 mm diameter
Weight About 2.1 kg

Tonearm Section:
Type: Static balanced S-Shape
Effective Length: 230 mm
Overhang: 15 mm
Tracking Error Angle: Less than 3 degrees
VTA Adjustment Range: 0-6 mm
Applicable Cartridge Weight: 17 - 25 g (incl. Headshell)
Anti-Skating Range: 0-3 g
Terminals: 1x PHONO Out (gold-plated), 1x GND Earth Terminal

Cartridge:
Type of cartridge: Ortofon 2M Blue
Output voltage at 1000 Hz, 5cm/sec.: 5.5 mV
Channel balance at 1 kHz: 1.5 dB
Channel separation at 1 kHz: 25 dB
Channel separation at 15 kHz: 15 dB
Frequency response: 20-20.000 Hz + 2 / - 1 dB
Tracking ability at 315Hz at recommended tracking force: 80 um
Compliance, dynamic, lateral: 20 um/mN
Stylus type: Elliptical
Stylus tip radius: r/R 8/18 um
Tracking force range: 1.6-2.0 g (16-20 mN)
Tracking force, recommended: 1.8 g (18 mN)
Tracking angle: 20-
Internal impedance, DC resistance: 1.3 kOhm
Internal inductance: 700 mH
Recommended load resistance: 47 kOhm
Recommended load capacitance: 150-300 pF
Cartridge colour, body/stylus: Black/Blue
Cartridge weight: 7.2 g

General:
Power Supply: AC IN 100~240V, 50/60 HZ
Power consumption: 3W
Dimensions: 460(W) x 367.3(D) x 172.6(H) mm
Weight: 10.35 kg
Incl.: dust cover + 2x hinge, rubber mat, power supply cable, RCA cable with grounding connection (gold-plated), Headshell with Ortofon 2M Blue (pre-installed), turntable platter, operation manual & counterweight
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out of stock $1,215.93
AJH Synth MiniMod KeyZ Modular Monosynthesiser AJH Synth MiniMod KeyZ Modular Monosynthesiser AJH Synth MiniMod KeyZ Modular Monosynthesiser AJH Synth MiniMod KeyZ Modular Monosynthesiser AJH Synth MiniMod KeyZ Modular Monosynthesiser AJH Synth MiniMod KeyZ Modular Monosynthesiser AJH Synth MiniMod KeyZ Modular Monosynthesiser AJH Synth MiniMod KeyZ Modular Monosynthesiser
Cat: 944988 Rel: 04 Jul 23 • View all Synthesisers
 
The timeless Model D, reinvented in Eurorack.
Notes: Based on AJH's excellent Eurorack clones of classic Minimoog circuits, the MiniMod KeyZ is a hugely capable synth, packed with vintage character and modern build quality.

Supplier's Notes:
The timeless Model D, reinvented in Eurorack

The AJHSynth MiniMod Keyz synth is an exciting new modular monosynth featuring the much acclaimed MiniMod modules, which recreate the vintage circuitry and sound of the early RA Moog Model D in Eurorack modular format. It functions as a standalone keyboard synthesiser, or can be expanded even further by patching it to other Eurorack modules, with excellent connectivity. These are partnered with the feature-packed Cre8audio Niftykeyz controller keyboard, which has been given a vintage makeover with custom-designed, American Walnut end cheeks. It has a huge specification, including a full size 49 note keybed that outputs Pitch CV's, gate CV's, Velocity and Aftertouch CV, along with a multi mode arpeggiator to give you total control over expression and sound.

MiniMod Modules

The MiniMod Keyz is an absolute powerhouse of a monosynth, with three VCO's, two Shaped sine Sub bass generators, classic 24dB vintage Ladder filter, 6dB & 12dB High Pass VCF, Dual Cascaded VCA, Dual Contour generators, Glide Noise module, Ring modulator, Tap-Tempo VC-LFO and onboard second multi-function modulation LFO.

Glide Noise

Glide with added Up/Both/Down function, including correct glide slope profile, along with Hold function that recreates the "Glide only when key is depressed" behaviour. Noise generator with White, Pink and DC Red noise CV modulation source.

Discrete Transistor VCO x 3

Three Discrete Transistor Core VCO's, much acclaimed analogue design featuring the circuitry of the early and very rare RA Moog oscillator which is often acknowledged as the fattest analogue VCO in Eurorack.

Ring SM

AJH Synth's hugely versatile three-in-one module, with fantastic sounding ring modulator based on the EMS VCS3 discrete transistor design, two Sub bass generators with unique, shaped sine waveforms to add -1 and -2 octave waveforms, and last but not least, a five channel DC coupled vintage Moog CP3 transistor mixer.

Transistor Ladder Filter

The Moog Ladder Filter is renowned for its beautiful creamy sound, and the Transistor ladder Filter from the early Model D was the pinnacle in terms of sound, with its unique overdriven circuitry and roll off of resonance at low frequencies. It has featured on countless recordings over the last 50 years or so.

Low Fat Filter

Voltage controlled High Pass filter with 6dB and 12dB slopes. It can be used standalone, or can be combined with the MiniMod Ladder Filter to create a fully customisable band pass filter, allowing the range of passbands to be cherry-picked rather than fixed.

Discrete Cascaded VCA

The Model D cascaded VCA is an essential part of creating the classic MiniMoog sound, because in addition to it's VCA function, it adds harmonic distortion and further character to the sound. There were three different gain configurations used in Model D, with the very early RA Moog and Musonics models having the highest distortion and most sought after sound, so this is the circuitry that we use here. It is actually two VCA's in series, hence the cascaded label. The second VCA is normally unused, however by patching to the Master IN we can use this second VCA here to control Velocity from the keyboard.

Dual Contour generator

The contour generators play a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when it's used in conjunction with the (near) linear slope of the original VCA, which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, as multiple re-triggering increases the output level. AJH Synth have faithfully reproduced all of these essential characteristics in the MiniMod Contour Generators.

Tap Tempo VC-LFO

A considerable limitation of the Model D was the lack of any LFO's for modulation, so VCO 3 had to be switched from Audio to LFO mode to provide modulation. As the MiniMod synth benefits from a full open modular architecture AJH Synth have added two LFO's, the first being the onboard LFO that is hard wired to the Modulation wheel, and the second and much more powerful addition being the Tap Tempo VC-LFO. Its huge specification includes built in VCA for CV control of modulation amount, tap tempo and CV control of LFO rate, 16 different modulation and random voltage waveforms, each with a unique PWM style twist function. Clock in and out, and CV control of all parameters.

NiftyKeyz controller Keyboard

By combining these MiniMod modules with the Niftykeyz keyboard controller AJH Synth have created a stand alone MiniMod system that gives the huge, rich AJHSynth sound in a stand alone instrument with unrivalled performance capability. The open architecture of the Eurorack system already allows unlimited onboard patching and easy expansion by patching to other external Eurorack cases and modules, but now we can just as easily connect to a DAW, other Midi synths and pro audio equipment. It can also be used as a master controller for a DAW or other Midi sound modules. Needless to say, it lends itself very well to live performance as a standalone monosynth. Here is a list of the main features of this very versatile keyboard controller:

High quality full size 49 key synth action keybed with CV outputs for both Velocity and aftertouch.
Five mode arpeggiator, including swing control, latch and sequencer mode. Range control allows Arpeggiator span to be varied from one to four octaves.
Two mode modulation wheel that can output either a variable CV voltage or control the level of the LFO 1 waveforms.
Internal LFO 1 that can generate Ramp, Saw, Triangle, Square or Random waveforms
Front panel octave switch -1/ 0 / +1 octaves
Transpose up or down in semitones by up to one octave.
Selectable pitch bend range, either +/- 2 semitones or +/- 1 octave.
Clock input and output
Two active multi's for splitting CV and audio signals
Switchable between Gate retrigger or legato (no retrigger when second note is pressed) modes.
Dual outputs, each with 2 x mix jacks, so four signals can be routed to outputs
Aftertouch and expression pedal smoothing adds a glide to slowly increase the effect with time, selectable from 0 to 5 seconds.
Four Pitch CV outs and 4 Gate outs allows four voice modular polyphonic control and keyboard can be split into two zones.
Autochord function

Connectivity:

Works as a fully featured polyphonic Midi controller for DAW or other Midi instruments, with 5 pin Din and class compliant USB sockets
Sustain Pedal input triggers arpeggiator latch function
Expression pedal input, this generates either a 0 to +5V or 0 to +10V range to the Expression CV jack.
Two outputs, both with 1/4" and 3.5mm jacks, and output level controls
Headphone output to full size stereo 1/4" jack, with separate headphone level control.
Midi In with 5 pin Din socket and class compliant USB socket. Incoming Midi Velocity and Aftertouch dataCV jacks, and CC#1 is routed to Modulation CV
Midi out over USB and 5 pin Din allows it to be used as a polyphonic midi controller keyboard fro your DAW or otherMmidi synths, with local off capability.
Generates midi clock from internal arpeggiator and recieves Midi clock in.
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out of stock $2,736.09
Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser Kodamo MASK1 10-Voice Polyphonic Bitmask Synthesiser
Cat: 945441 Rel: 23 May 23 • View all Synthesisers
 
Bitmask synthesiser.
Notes: Unique digital instrument based on bitmask synthesis and resonant filters. Raw and distinctive tones, with notes interacting in unorthodox ways.

Supplier's Notes:
Expressive & Characterful

The Kodamo MASK1 is a musical instrument focused on the interaction between the player and the keyboard. With its exclusive Bitmask engine combined with resonant filters, the MASK1 makes raw, gritty and ethereal sounds that respond in incredible ways to your playing style.

It's not just the notes

Most synths just play the notes you press. Kodamo went a bit further, by looking at how the notes interact with each other. Only by playing the keyboard, you can control when the attacks are triggered, how notes are tied or separated from each other, or if they should keep resonating or stop each other like if they were played on the same string on a stringed instrument. You will discover new ways of playing the keyboard.

Built with love

The MASK1 uses a high quality, 5-octave Fatar keyboard with velocity and aftertouch. It's fully made of painted metal, with two ALPS knobs and 23 KAILH mechanical switches. Everything is assembled in France with high attention to detail. A lot of time was spent on selecting parts and suppliers to balance price and work ethics, while always aiming for the highest quality.

For live and studio players

With its compact size and light weight, the MASK1 will easily fit in your studio and is ideal for gigs. It remembers settings between sessions. With its unique sound, premium keyboard and MIDI connectivity, it can become the main keyboard of your setup.

Explore the sounds

The MASK1 invites you into a zen and relaxed sound exploration. Press a button, turn the knob and listen how the sound changes. The MASK1 is designed to have very few parameters, but well-thought ones. The Bitmask synthesis engine makes rich and warm sounds ranging from classic analogue tones to voice-like formants, glitchy 8-bit noises and ethereal pads. Sounds are fully editable and can be stored in one of the 400 user memory slots. They can be transferred to your computer and shared with other people.

What is Bitmask synthesis?

Bitmask synthesis is the method the MASK1 uses to generate its sound. Internally, oscillators do only have one waveform. Various tones are created by applying what is called a bitmask. This is a technique inherited from computing, which alters a number by masking some of its digits. Here, this technique was adapted to make sound. Bit-masking creates complex wave shapes that are full of harmonics and give the MASK1 its sonic character.

Specifications

Synthesis type: Bitmask, subtractive
Polyphony: 10 voices with optimized allocation
Multitimbrality: 4 parts (5 in layered/split mode)
Oscillators: 2 bitmask per voice with 256 masks each, transpose and detune
Noise: 1 per voice with programmable sample-and-hold frequency
Filter: 1 per voice, two poles (12dB/oct) state variable, self-resonant with pitch tracking and 4 modes (low, high, band pass, notch)
Envelopes: 4 loopable ADSR per voice (osc1, osc2, noise, filter), 3 delta-decay (osc1 mask, osc2 mask, pitch)
LFO: 2 per part with 7 waveforms and noise, delay, decay and 16 destinations
Arpeggiator: 26 patterns with adaptive or fixed chords, latchable, retrig or pitch change modes. Arp do send note events to MIDI out.
Looper: Up to 10000 events, unlimited duration, single track. Records notes, pitch bend, mod wheel, aftertouch and sustain pedal.
Effects: Two stereo effects in series. First effect: chorus, phaser, distortion, bitcrusher, tremolo and ring mod (64 types). Second effect: delay, comb filter, reverb, room simulations and distortion (48 types)
Modulations: Velocity (6 destinations), modulation wheel (16 destinations), aftertouch (16 destinations), LFO1 and LFO2 (16 destinations each)
Play modes: Polyphonic, monophonic, slurred, mono portamento on legato, paraphonic, hybrid poly-mono on legato, slurred paraphonic, mono retrigger, poly retrigger
Split: Configurable split point, balance between voices, transpose, panning and tuning
Layer: Configurable balance between voices, transpose, panning and tuning
Misc: Voice pan spread, polyphonic portamento, keyboard envelope rate scaling
Memory: 120 factory presets, 400 user voices. EEPROM-based (no battery required)
Audio outputs: 2 balanced 1/4" TRS jack, pro audio level with +/-12V internal power supply, 1/4" jack headphones
MIDI: 2 DIN (in, out), class-compliant USB type B, SysEx voice transmit/receive, CC-mapped voice parameters
Keyboard: 61 full-size keys, weighted Fatar action with 6 velocity curves and 6 aftertouch curves
Controls: 23 buttons, 2 rotary encoders, pitch bend wheel, modulation wheel
Display: 4-digit red display
Pedal input: Sustain, 1/4" TS jack, adaptive polarity
Tuning: 400-470Hz. 6 temperaments including arabic tuning.
Size: 89 x 26 x 8cm including knobs and feet.
Weight: 7.5kg
Power: External 12V DC adapter, AC 100-240V in
Chassis: Powder-coated, screenprinted steel. Light grey (RAL 9002) colour
Sides: Black ABS
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 1 in stock $2,069.70
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quote 945441
Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK)
Cat: 945511 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm
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out of stock $1,787.35
Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK)
Cat: 947286 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.
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out of stock $1,854.42
Liquid Sky D-Vices V4-CO & GLITHc Dual 8-Bit Wavetable Oscillator & Expander Modules
Cat: 948610 • View all Synth modules
 
Dual 8-bit wavetable oscillator and expander modules.
Notes: Liquid Sky D-Vices' V4-CO and GLITHc module, sold together.

Stepping into the spotlight first, we have the 8-bit wavetable oscillator "V4CO"

Dual 8 bit wavetable oscillator, each with separate sub bass:
Hard sync;
16 x 16 Waveforms - different for each OSC;
Each module has a base (16 x 6) set and an unique set (16 x 10) of waveforms;
Single outputs for each OSC / SUBOSC and mix output (w/o SUBOSC);
Analogue VCA for each oscillator;
Analogue overdrive controllable via VCA;
Audio / LFO Mode for each OSC;
Waveform shuffle;
REAL 8 BIT Sound;
Detuning Function;
8 Oktaven;
Incl. Quantizer (Chromatic);C
Complex Waveform-LFO;

And its companion, "GLITHc."

A complex glitch lab featuring:
REAL circuit bending (you actually manipulate the internal routing);
Bit-manipulation of:
Individual bits for Wave and Bank select;
Individual bits of actual wavetable;
4 Logic functions: AND/OR/NAND/NOR;
3 mini non consecutive sequencer for:
BANK/WAVE Sequencing;
Manipulating Wavetables;
Multiples;
MIDI + 3 Thru;

Together, they morph the V4CO into a wildly unpredictable glitch lab while also providing MIDI support, various multiples, and an array of other indispensable functions. At the moment GLITHc exclusively functions with the V4CO.
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out of stock $1,100.12
Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser (all black) (B-STOCK) Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser (all black) (B-STOCK) Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser (all black) (B-STOCK) Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser (all black) (B-STOCK) Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser (all black) (B-STOCK) Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser (all black) (B-STOCK) Arturia PolyBrute Noir Analogue 6-Voice Polyphonic Keyboard Synthesiser (all black) (B-STOCK)
Cat: 948884 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box damaged, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Limited-edition murdered-out Noir version of Arturia's mega PolyBrute, with expressive multi-axis Morphee controller and Morph knob to blend between patches.

Supplier's Notes:
PolyBrute Noir is a 61-note polyphonic analogue keyboard, uniting unparalleled expressivity and sound design flexibility with 6 fearsome Brute voices, complete with a limited-edition stealthy black finish. The result is an instrument that lets musicians perform fearlessly, compose with fluidity, and explore sound in perpetual motion.

Limited Noir Edition

A true dark horse in any setup, PolyBrute Noir stylishly conceals its enormous creative potential within a slick black exterior, complete with colorful accents, luxurious dark wooden appointments, and signature ionized parts that'll make anyone look twice.

Massive analogue polyphony

Harness the raw power of analogue with 6 powerful analogue Brute voices, comprising seamless waveshaping VCOS, dual filters, and a tactile array of modulation. Split, layer, and stack PolyBrute's voices for every flavor of analogue polyphony - from beauty to beast.

Morphing: sounds within sounds

Explore sound between the lines with 2 distinct sonic states within each preset, yours to seamlessly morph and navigate between. With a single sweep of the multi-axis Morphee controller and Morph knob, discover endless sweet spots in every patch.

Perform, express

Freely express your musical style and bring your creative ideas to life with PolyBrute's hands-on controls, flexible interface, and premium velocity-sensitive keybed with aftertouch. From the Morphee to the responsive ribbon controller, every aspect of PolyBrute ensures that your sound is an extension of yourself.

Your sound to infinity

Built to satisfy your inner sound explorer, this polysynth comes fully equipped for perpetual patch discovery and sound design. Quickly create modulation connections with the Matrix, color your patch with 3 digital stereo FX engines, and instantly animate any idea with musical sequencing and effortless arpeggiation.

Included Software:

PolyBrute Connect

Arturia MIDI Control Center
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out of stock $2,013.38
Squarp Instruments Hapax Professional Standalone Sequencer (B-STOCK) Squarp Instruments Hapax Professional Standalone Sequencer (B-STOCK) Squarp Instruments Hapax Professional Standalone Sequencer (B-STOCK) Squarp Instruments Hapax Professional Standalone Sequencer (B-STOCK) Squarp Instruments Hapax Professional Standalone Sequencer (B-STOCK)
Cat: 949388 Rel: 01 Jan 90 • View all Sequencers
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A true MIDI powerhouse, based around a 128-pad matrix and 16-track MIDI sequencer with slick programming workflow and Ableton-style pattern mode for live performance.

Supplier's Notes:
Professional standalone sequencer

Genuine centerpiece of a setup, it offers every tool needed to compose songs in the studio and perform them on stage. From vintage to modern synths, from modular systems to your favourite DAW, Hapax can sequence and synchronize all your gear, while bringing you carefully crafted tools, designed for maximizing creativity.

The midi powerhouse.

Up to a million notes and events

16 tracks per project, 8 patterns per track.

Thanks to its dual-processor architecture, Hapax can record and transform tremendous amounts of data in no time, without a hitch.

Express yourself.

MPE compatibility

Hapax is the first hardware sequencer that fully supports MIDI Polyphonic Expression. Record the finest gestures, slides and articulations of your playing, without compromising quality.

Around the clock performance.
Dual-project architecture



Hapax can handle two separate and independent projects, that can be played simultaneously. This lets you compose or load an entire project while the first one is already playing, enabling endless sets and seamless transitions.

Dawless is more.

Hapax offers broad connectivity options for perfect integration in any setup.

Adaptive workflow.
Several ways to write music
Writing a melody: use a polyphonic or MPE track and take advantage of the advanced step sequencer to quickly lay down notes or edit your live recording.

Composing a beat: control up to 8 different instruments with a single track. The drum sequencer is tailored for very easy rhythm writing and jamming.

Real-time midi effects.

Bring your synths to life

Hapax embeds multiple real-time, polyphonic, non-destructive midi effects, as well as project-wide assignable LFOs. Each parameter of these effects can be automated in the dedicated mode, and processed in the mod matrix, which provides even more ways of routing and modulating.

Powerful composition tools.

Algorithms

Powerful tools for offline note transformation and generation, right at your fingertips. Harmonically invert your motive, generate a controlled-random counter-melody, slowly ramp up the velocities, emphasize every fifth 8th note...

Hi-res recording

Hit the red button, and record from the encoders and 128 pads of Hapax, external midi instruments (included MPE controllers) or any incoming analogue signal, at a high resolution of 192 ppqn. Looper style recording, count-down and metronome options, punch-in mode, you'll certainly find the options that best suit your workflow.

Time elasticity

Each track has an elasticity value which changes its playback speed, expressed in percentage of BPM. Quickly double or halve the speed of a track, or create slightly shifted tracks that will slowly drift out of phase with each other.

Fluid editing

Using hardware should never get in the way of creative flow. The undo/redo button lets you go back in time as needed, thanks to its extensive history. Additionally, the snapshot function enables you to save the state of a pattern and recall it with a single press. Together with dedicated copy, paste and delete buttons, Hapax offers a complete toolbox for the prompt editing of your tracks.

Harmony, simplified

For fast and intuitive chord building, the chord live mode brings harmonic capabilities to anyone, with or without deep theoretical knowledge. With its colourful interface, the chord mode displays a synesthetic melding of hearing, vision and touch.

Simple by design.

Trimmed to perfection

Squarp designed Hapax from the ground up, deconstructing everything you thought you knew about sequencing- aiming for a high-end product, with dual arm processors for computation power and a rugged yet minimalist housing.

As music-making should remain an enjoyable process, dedicated buttons were over key combinations and imagined a clear-cut interface as well as a simple architecture. Squarp have striven to minimize the importance of screens for live performing, but the dual grayscale display helps keeping track of things in a studio context.

Hapaxos
Evolving firmware.
The Hapax Operating System has been written with extra care, prioritizing stable and fast operations. New features and parameters will be added regularly.

Specifications
Model name: Hapax
Hardware: 128 RGB MATRIX pads
52 clic pads
9 sturdy clickable encoders
2 OLED greyscale displays
SD card for saving projects
CPU: dual ARM design
RAM: 32MiB
Housing: machined aluminium 2mm
Housing (back): unibody ABS

Sequencer
Dual Sequencer (2 Projects)
16 tracks per project
8 patterns per track

Input
2× midi in (DIN + TRS)
2× CV in [-5V to +5V] (16bit)
Stereo pedal (footswitch)

Output
4× midi out (3× DIN + TRS)
4× CV out [-5V to +5V] (16bit)
4× GATE out [+5V]

Bidirectional I/O
USB Host (link a controller)
USB Device (link a computer)
Power supply: 15V, 1.2A, 18W (included)
Dimensions: 358 × 206 × 48 mm
Weight: 1.855 kg
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out of stock $1,123.29
UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (limited edition white) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (limited edition white) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (limited edition white) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (limited edition white) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (limited edition white)
Cat: 950918 Rel: 06 Jul 23 • View all Synthesisers
 
12-voice polyphonic binaural analogue hybrid synthesiser.
Notes: Limited edition white version of UDO's powerhouse binaural synth. 49-key, 12-voice model with ultra-high-end sound courtesy of digital oscillators and pristine analogue signal path.

Supplier's Notes:
The Super 6 is a 12-voice polyphonic, binaural analogue-hybrid synthesizer. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analogue tech. It is flexible, powerful and refined with a gorgeous analogue tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analogue signal path and flexible modulation.

Although UDO's first production synthesizer, the Super 6 is a result of many years of hard work and numerous iterations of development. Our mission with the Super 6 has been to harmonise what we love about archetypal electronic instrument design with modern, novel synthesis technologies that excel at generating spatially dynamic results.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.
Binaural analogue

Signal path

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

Massive modulation without menus

Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

Inspired by the classics, built for today

The Super 6 is an instrument that is borne of a long-held passion for synthesizers. In designing the Super 6 we wanted to create an instrument that feels familiar at first glance, but offers new and inspiring opportunities when delving deeper. The layout and aesthetic is an homage to some of the classic synthesizers that have inspired us for many years - the instrument's features and capabilities bring these ideas firmly into the 21st century.

Analogue voice architecture

Alongside an analogue amplifier section, the Super 6's main filter is an analogue 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

True no-compromise build quality

An instrument is cherished not just for the way it sounds but for the way it feels to play. We have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.
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out of stock $2,419.22
RME FireFace 802 FS 60-Channel 192 kHz High-End USB 2.0 Audio Interface RME FireFace 802 FS 60-Channel 192 kHz High-End USB 2.0 Audio Interface RME FireFace 802 FS 60-Channel 192 kHz High-End USB 2.0 Audio Interface
Cat: 951257 Rel: 12 Jul 23 • View all Audio interfaces
 
60-channel 192 kHz high-end USB 2.0 audio interface
Notes: Upgraded FS version of the Fireface 802 features improved digital connectivity and DC-coupled analogue outputs. Same TotalMix DSP, high-end pre-amps and low-latency conversion as the original version.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, designed for users who require stability and ultra-low latency operation, as well as an unrivalled professional feature set.

Alongside 60 channels (30 inputs / 30 outputs) of analogue and digital I/O, the Fireface 802 FS benefits from newly developed analogue and digital circuitry with improved performance, as well as a host of professional features.

Like all RME audio interfaces, the Fireface 802 FS benefits from TotalMix FX, RME's digital high-end mixer and signal router. Driven by powerful DSP with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller, TotalMix FX offers powerful, flexible control of all audio channels.

The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 FS from the iPad, without any computer. The easy-to-use app includes metering for all 60 channels plus effects bus, different setup screens, and complete control of all features.
A high-end recording, mixing and mastering solution, the RME Fireface 802 FS is packed with professional features including:

DC-Coupled Outputs
SteadyClock FS
Class Compliant Operation
Powerful integrated DSP
TotalMix FX
TotalMix Remote
Support for the Advanced Remote Control USB (sold separately)

Enhance Your Recording Setup - Discover Unmatched Flexibility

The Fireface 802 FS benefits from ultra-low latency operation thanks to RME's renowned USB driver technology and driver stability. SteadyClock FS jitter suppression, individually switchable reference levels for all inputs and outputs and identical operation on Windows PC and Mac completes the package.

The Fireface 802 FS is based on a newly developed analogue and digital board. While the analogue board offers DC-coupled analogue outputs as well as new AD and DA converters, the digital board also enables interesting new features thanks to updated high-tech components.

The front panel of the Fireface 802 FS provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals and two stereo headphone jacks with +17 dBu output level, to provide high volumes even with hi-impedance headphones.

The rear panel reveals the full connectivity of the Fireface 802 FS. As well as MIDI and Word Clock I/O, the Fireface 802 FS is equipped with two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analogue line-level inputs and outputs.

With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. Users will also find a USB A port for connecting directly the optional ARC USB, offering tactile control of TotalMix FX.

Professional High-Transparency Preamps

The Fireface 802 FS features four crystal-clear preamps with ultra-low latency converters, using the classic technology of the OctaMic II, a high-end preamp providing supreme sonic quality.

All four preamps deliver extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response, providing a premium solution for transmitting and amplifying any audio input exactly as it is heard, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.

The four inputs on the front use balanced XLR/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required. Each channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.

The Fireface 802 FS continues RME's tradition of designing full-featured, flexible and expandable audio systems. Adding additional preamplifiers or more analogue inputs is easily done via the dual ADAT optical I/Os on the rear.

SteadyClock FS - FemtoSecond Clocking Technology

The RME Fireface 802 FS also features RME's latest digital clocking and jitter rejection technology, 'SteadyClock FS'.

Originally developed for RME's award-winning ADI-2 Pro FS range of high-end converters, SteadyClock FS reduces intrinsic jitter to a new all-time low, when converting to and from analogue over all digital formats.

All clock modes provide excellent performance and astonishingly high-quality analogue conversion, allowing you to hear your mix exactly as it is.

What's more, RME's digital format conversion occurs without any loss to the signal, and SteadyClock FS ensures your sonic image will never experience any kind of degradation, ensuring the soundstage is replicated to the fullest depth and clarity.

Powerful Applications for Mixing, Monitoring and Measurement included

The Fireface 802 FS comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DigiCheck Analyzer allowing to measure and analyse the digital data feed in both directions with maximum precision.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

The additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.

General Specifications

Power supply: Internal switching PSU, 100 - 240 V AC, 30 Watt
Idle power consumption: 15 Watts
Typical power consumption: 22 Watts
Dimensions including rack ears (WxHxD): 483 x 44 x 242 mm (19" x 1.73" x 9.5")
Dimensions without rack ears (WxHxD): 440 x 44 x 235 mm (17.3" x 1.73" x 9.3")
Weight: 2.8 kg ( 6.2 lbs)
Temperature range: +5- up to +50- Celsius (41- F up to 122-F)
Relative humidity: < 75%, non condensing
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MRP:$1,894.95 SAVE 11%
 2 in stock $1,682.55
Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances Denon DJ Prime 4+ 4-Deck Standalone DJ Controller For Computer-Free DJ Performances
Cat: 951248 Rel: 28 Jun 23 • View all DJ controllers
 
4-deck standalone DJ controller For computer-free DJ performances
Notes: High-end standalone system from Denon. Four-deck design with 10.1-inch touchscreen, Serato and Virtual DJ support and top-quality sound. All powered by Denon's excellent Engine DJ OS.

Update September 2023: Serato is introducing plug-and-play support from Serato DJ Pro for the Denon DJ PRIME 4+. Along with the update, excitingly, customers get to unlock this subscription for free; no cost involved!

Supplier's Notes:
Prime 4+

The world's most advanced DJ system just got even better

*** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements


Proven performance, elevated

The PRIME 4+ brings a fresh new look and next-level features to the legendary proven performance power of the PRIME 4. The world's most powerful, advanced standalone DJ system is now better than ever with a new refined look, unrivalled streaming music accessibility, new dynamic FX options, 10% larger jog wheel surface, and the ever-expanding performance features of Engine DJ including the industry's first standalone Stem separation (Stems beta starts summer 2023).

Designed for the working DJ

Made by working DJs, for working DJs. The PRIME 4 + combines the powerful creative possibilities of 4 standalone decks with unmatched professional features and rugged build quality to ensure solid DJ performances night after night and gig after gig. The 2 independent microphone mixer sections ensure that you and your MC or guests always sound their absolute best, thanks to dedicated EQ, volume, and FX controls and automatic talkover options. While commanding the main dancefloor, you can also send a secondary mix or playlist to a separate lounge or cocktail area using the Independent Zone Output, upping your flexibility and value as a working professional DJ.

Easily handle any request

Confidently approach any event or gig knowing that you are 100% prepared to tackle any guest request. With support for more music streaming partners than anyone else on the market, including Amazon Music Unlimited, the PRIME 4+ allows instant access to over 100 million tracks across all genres. The lightning-fast on-board analysis buffers streaming tracks into internal memory, ensuring uninterrupted playback of streaming tracks from any Wi-Fi source or cell phone hotspot.

Enhanced dynamic FX suite

The PRIME 4+ boasts over 25 fully customizable Main FX and 4 dynamic, knob-controlled Sweep FX so that you can unleash your full creative mixing potential. The 2 dedicated Main FX sections feature dedicated OLED displays, knobs, and buttons to dial in and manipulate the frequency, parameters, beat divisions, and wet/dry mix of the selected FX. To add even more drama and excitement to your sound, the 4 Sweep FX can be automatically engaged by turning the Sweep FX knob on each channel and can even be layered with the Main FX for endless immersive FX combinations. The expressive Touch FX transforms the 10.1" touchscreen into an XY controller that puts live FX manipulation literally at your fingertips!

Unparalleled integrated lighting control

Confusing DMX lighting programming and cumbersome controls are now a thing of the past. The Prime 4+ makes it easy to set up and execute an immersive, impressive lighting experience for any event or gig. With the on-board power of Engine Lighting, you have full access to customized or automatic light shows for saved or streaming tracks. Plus, you'll have full control over colour, dimming, chase sequence, moving head position, strobe, blackout, and even on/off control over cold spark fountains, dry ice machines, and haze or fog.

First ever standalone Stems integration

The original PRIME 4 made creative laptop-free DJing a reality. Now, the PRIME 4+ brings the insane creative power of Stems to a standalone DJ controller for the first time ever! Exclusive to the PRIME 4+, the brand-new Stems separation allows you to isolate the vocals or instrumental with the tap of a finger. The power of the multi-core processor of the PRIME 4+ combined with the formidable Engine DJ OS finally makes laptop free on-board Stems analysis a reality! (Stems beta starts summer 2023)

Technical specifications

Connections

Audio Outputs

(2) XLR outputs (master left/right, balanced)
(1) RCA output pair (master left/right, unbalanced)
(2) XLR outputs (booth left/right, balanced)
(2) XLR outputs (zone left/right, balanced)
(1) 1/4" (6.35mm) stereo output (headphones)
(1) 1/8" (3.5mm) stereo output (headphones)

Audio Inputs

(2) RCA input pairs (line-level, unbalanced)
(2) RCA input pairs (phono- or line-level, unbalanced)
(2) XLR+1/4" (6.35mm) input

Other

(4) USB ports (for USB drives, 5V, 1A)
(1) USB port (to computer)
(1) Ethernet port
(1) IEC power cable input

Audio Main Outputs

Frequency Response: 20 Hz - 20 kHz +/- 1 dB
Dynamic Range: > 117 dB (A-weighted)
Signal-to-Noise Ratio: > 93 dB (A-weighted)

Headroom

Line Input: > 15 dB
Mic Inputs: > 20bB
Outputs: > 20 dB
Channel Separation: < -90 dB (1 kHz, unity)

T.H.D.

Line/Phono: < 0.01% (1 kHz, unity)
Microphone: < 0.02% (1 kHz, unity)

Analogue Input

Microphone: -40 dBu (unity) / -60 dBu (minimum)
Line: +15dBV (minimum) / 0dBV (maximum)

Analogue Output

Main, Balanced: +20 dBu (maximum) / +4 dBu (unity)
Main, Unbalanced: +20 dBu (maximum) / 0 dBu (unity)
Zone, Balanced: +24 dBu (maximum) / +4 dBu (unity)
Booth: +24 dBu (maximum) / +4 dBu (unity)
Headphone Output: < 150 mW

Power

Connection: IEC
Voltage: 100-240VAC, 50/60Hz
Consumption: 38W~39W

Dimensions (width x depth x height)

Width x Depth x Height: 28.68 x 19.56 x 4.08" / 5728.47 x 496.82 x 103.63mm

Weight

21.34 lb./ 9.7kg
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 1 in stock $2,315.00
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quote 951248
Erica Synths Perkons HD-01 Drum Machine & Synthesiser (B-STOCK) Erica Synths Perkons HD-01 Drum Machine & Synthesiser (B-STOCK) Erica Synths Perkons HD-01 Drum Machine & Synthesiser (B-STOCK) Erica Synths Perkons HD-01 Drum Machine & Synthesiser (B-STOCK) Erica Synths Perkons HD-01 Drum Machine & Synthesiser (B-STOCK) Erica Synths Perkons HD-01 Drum Machine & Synthesiser (B-STOCK) Erica Synths Perkons HD-01 Drum Machine & Synthesiser (B-STOCK)
Cat: 953392 Rel: 01 Jan 90 • View all Drum machines
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Erica's flagship drum machine is a thing of beauty. Hybrid four-voice architecture with digital sound engines feeding into analogue filters and overdrive. Beautiful design, brutal sound. A creative and original instrument.

Supplier's Notes:
It's rather sudden- the bolt of lightning strikes quickly, but the roar follows behind, as if giving one time enough to inhale. Finally, it strikes your ears like the skies breaking apart and in all its magnificence it rides the wind. PERKONS - a deity of old known by many names and also by ours on the eastern coast of the Baltic Sea - THUNDER, lord of the skies. Erica Synths proudly present our newest creation - PERKONS (THUNDER) - a drum machine and synthesizer that will change your approach to electronic rhythm synthesis - an instrument which bears the weight of a storm beneath its sturdy casing.

PERKONS features four sonically versatile hybrid voices (digital sound engine + analogue multimode filter with overdrive) and a sequencer with simultaneous control over all four percussion tracks.

Each voice has 3 sound engine modes, a HP/BP/LP filter and 8 controls for nuanced sound design, including an internal BBD FX send. All voice parameter settings can be saved as KITS. To add dynamics to the performance, parameter automation is implemented and a modulation LFO can be assigned to all parameters.
For a real thunderstorm, integration with external gear is considered - each voice has a dedicated velocity-sensitive trigger input, individual output and FX send and return with 6.3mm jack sockets, along with extensive MIDI implementation. All voices are summed and run through a built-in optical compressor and master overdrive.

PERKONS HD-01 is a unique live performance and sound design instrument that tears down the borders between drum machine, synthesizer and drone instrument. Time to ride the skies!

Features:

4 hybrid voices (digital sound engine and analogue multimode filter with overdrive)
8 controls per voice
Velocity sensitive trigger inputs for drum pads
Individual voice outputs
Individual sends and returns
64 kit and 64 pattern memory + additional memory on the SD card
Built-in bucket brigade delay and optical compressor
Modulation LFO with morphing waveforms; up to 8 modulation destinations per voice
4 track sequencer, 4 time divisions and 4 time multiplications per track
Per-step ratchets and probabilities
4 shuffle algorithms
MIDI IN and MIDI OUT
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out of stock $1,660.19
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