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Notes: The 0HP Butt0n from Mystic Circuits is a deceptively useful yet simple entry into the 0HP modular line. Two buttons that work in tandem to create a variety of switching behaviours. Use either the latching or momentary button to activate or deactivate two connected signals. Some clever routing also allows the latching button to change the momentary button from normally open to normally closed. Similar signal paths to Mystic Circuits' 0ttenuator module allow both channels to be used separately, two signals to be mixed together or one signal to be sent to two destinations.

Notes: Dont let the name fool you, this module is quite a bit more than just an envelope. ePatch in a gate and your output will behave as a normal sustain- release envelope, staying high while the gate is high and slowly decaying once it goes low. Patch in audio and you have an envelope follower, extracting amplitude data from whatever signal is coming in. Patch in any positive control voltage and you have a slew, adding glide whenever the incoming voltage falls. All three modes boast voltage control over the release/ response time and can use the on board input mult to either daisy chain multiple envelopes or to extract amplitude data from an audio input and then send the audio somewhere else. Possibly Mystic Circuits' most useful 0HP module yet.

Whether you need some extra utilities for your studio behemoth or you need to save space on the road, 0HP gives you options. Mystic Circuits' modules come as a small circuit board mounted to a colorful piece of laser cut plexiglass, with a small chance to get one of Mystic Circuits' fabulous rare colours. With a robust line of modules planned in the future, full DIY kits and an open hardware licence we aim to make modular synthesis accessible and fun for the veteran and new user alike.

Notes: An audio filter in a tiny package! A blend between Mystic Circuits' "AND - gate" and their "Vactrol Low Pass Gate" circuits, the cutoff frequency can be modulated at audio rate. It also features a voltage controlled clipping circuit which allows for further wave shaping. The response of this circuit is much faster than that of the Vactrol Low Pass Gate, so it will react to very plucky envelopes and even triggers.

Whether you need some extra utilities for your studio behemoth or you need to save space on the road, 0HP gives you options. Mystic Circuits' modules come as a small circuit board mounted to a colorful piece of laser cut plexiglass, with a small chance to get one of their fabulous rare colors. With a robust line of modules planned in the future, full DIY kits and an open hardware license we aim to make modular synthesis accessible and fun for the veteran and new user alike.

Review: The Music For Memory label has invented its own little scene over the course of the last decade. It's a mature and moving world where modern classical, ambient, downtempo, Balearic and plenty of in between sounds all come together in soothing harmony. To mark the occasion of its tenth release, the label has put together this superb double album overview of what it does - all the usual artists you would expect feature from Joan Biblioni to Jonny Nash to Gigi Masin and it all adds up to a perfectly escapist collection from this top draw label who sadly lost co-founder Jamie Tiller earlier in the year.

Review: Jamie Webster's 10 For The People perfectly encapsulates the Liverpool singer-songwriter's heartfelt narratives and soulful melodies. Released in 2021, the album is a poignant exploration of working-class tales and social commentary, blending folk and rock influences. Known for his association with football culture, Webster's tracks like 'This Place' and 'Living for Yesterday' resonate with authenticity meaning that 10 For The People not only showcases the artist's lyrical prowess but also solidifies his place as a voice for the people. His album is a sincere and evocative musical offering that speaks to the experiences and struggles of us all.

Review: Frost and Einzelkind's Pressure Traxx captures the evolution of minimal tech house over the past ten years, as the rigour of functional 4/4 gave way to different rhythms and motifs from the wider dance music lexicon. It was a smart move which helped reinvigorate the scene, and while they didn't do it on their own they absolutely fuelled the fire. Ten years in, their label is certainly due a retrospective which stretches out over eight sides of next-level workouts for long blends and marathon sets. The cast of characters hardly needs explaining - from Tobias and Villalobos to Edward and John Dimas, the quality never lets up and in one smartly arranged box set you're going to be gifted with the finest minimal in recent circulation.

Review: French label D3 - which when pronounced in French sounds like their word for Detroit - is a decade old and celebrates the milestone with a special three-part EP series. As has always been the case over that 10 year period, the sounds it serves up are deep and housey. This various artists affair kicks off with AsTreJinkins' slow and propulsive 'Terror' before some nice airy and live sounding broken beats from New Digital Fidelity. Moroka picks up the pace with some hi-tek soul that sounds straight from the Motor City and Byron The Aquarius shows off his mastery of the keys again with a dreamy deep cut 'Tua Su Ra'. Nico Lahs shuts down with a heavyweight beatdown in the form of 'It's Spelled BARI.'

Review: The French deep house label D3 Elements is now a decade old and to mark the occasion it has assembled a superb three part EP series featuring plenty of talents both new and old. The second EP kick off with some Japanese stylings from Koizumi Yukiko and his piano laced bongo workout '526'. Taelue sets off on a deep and heavy bassline pulse that will make floors march and Nemanja Krstic's 'Aquae Sulis' brings some jazzy chord work and bubbling funk bass for a nice heartfelt vibe. Gnork shuts down with a skittish, stripped back broken beat that makes this another diverse offering.

Review: The third and final EP from the ten year anniversary series by French label D3 Elements is another one that offers a wide range of excellent grooves. To kick off, Jason Hogans takes us into woozy late night territory with muffled leads and lazy breaks, then Zopelar heads for the cosmos on his radiant synth laced house offering 'Resolution.' Malik Hendricks keeps it low key and slow with his intimate basement sounds on 'Green Mango' then Meftah rebuilds on a dusty Theo Parrish tip with 'Maha Shatki.' Damar Davis offers pure cosmic deep house lushness on closer 'Kiss In The Dark.'

Review: You will probably know by now that Detroit's Filthiest is Julian Shamou, aka 313 Bass Mechanics amongst many other names. He is a music-making machine who deals mostly with electro on a wide range of labels. It is French crew Casa Voyager who tap him up here for an immersive full-length that finds him expanding his sound to take in moments away from the heart of a peak-time dancefloor amongst plenty of his usual weaponry. There are smooth electro vocal cuts, crunchy and sleazy ghetto cuts and soulful almost jungle rollers for deeper workouts making for his most complete work yet.

Notes: The 1010music line of stereo breakout cables are designed to connect 2 mono audio signals to a single stereo TRS 3.5 mm minijack plug. The slim plug caps fit side by side with other cables in compactly spaced input jacks, like those on the 1010music bluebox. These cables may have been designed for the bluebox, but they have a wide variety of uses with other gear as well.

Each of these cables has a male TRS stereo 3.5mm minijack plug on one end and two female TS mono 3.5 mm minijack plugs on the other end. They are 15 cm/6 in long with the 1010music logo printed on the plug caps.

This stereo breakout cable connects two 3.5mm female mono TS minijack plugs to the left and right channels of one 3.5 mm stereo TRS minijack plug. Red and black end caps on the female end differentiate the left and right channels. Each cable is 15 cm/6 in long and has slim metal caps with the 1010music logo.

Specifications:
15 cm / 6 in long
one 3.5 mm male stereo TRS to two 3.5 mm female mono TS
Nickel / 24K Gold plated connector
Highly flexible PVC / TPE Jacket Materials
Rohs, UL, CE, and FCC approved

Notes: The 1010music line of stereo breakout cables are designed to connect 2 mono audio signals to a single stereo TRS 3.5 mm minijack plug. The slim plug caps fit side by side with other cables in compactly spaced input jacks, like those on the 1010music bluebox. These cables may have been designed for the bluebox, but they have a wide variety of uses with other gear as well.

Each of these cables has a male TRS stereo 3.5mm minijack plug on one end and two female TS mono 3.5 mm minijack plugs on the other end. They are 15 cm/6 in long with the 1010music logo printed on the plug caps.

This stereo breakout cable connects two 3.5mm female mono TS minijack plugs to the left and right channels of one 3.5 mm stereo TRS minijack plug. Red and black end caps on the female end differentiate the left and right channels. Each cable is 15 cm/6 in long and has slim metal caps with the 1010music logo.

Specifications:
15 cm / 6 in long
One 3.5 mm male stereo TRS to two 3.5 mm female mono TS
Nickel / 24K Gold plated connector
Highly flexible PVC / TPE Jacket Materials
Rohs, UL, CE, and FCC approved

Notes: The 1010music line of stereo breakout cables are designed to connect 2 mono audio signals to a single stereo TRS 3.5 mm minijack plug. The slim caps fit side by side with other cables in compactly spaced input jacks, like those on the 1010music bluebox. These cables may have been designed for the bluebox, but they have a wide variety of uses with other gear as well.

Each of these cables has a male TRS stereo 3.5mm minijack plug on one end and two male TS mono 3.5 mm minijack plugs on the other end. They are 1.4 m/4.5 ft long with the 1010music logo printed on the plug caps.

This stereo breakout cable connects two 3.5mm male mono TS minijack plugs to the left and right channels of one 3.5 mm male stereo TRS minijack plug. Red and black end caps on the split end differentiate the left and right channels. Each cable is 1.4 m/4.5 ft long and has slim metal caps with the 1010music logo on all plugs.

Specifications:
1.4 m/4.5 ft long
one 3.5 mm male stereo TRS to two 3.5 mm male mono TS
Nickel / 24K Gold plated connector
Highly flexible PVC / TPE Jacket Materials
Rohs, UL, CE, and FCC approved

Notes: The 1010music line of stereo breakout cables are designed to connect 2 mono audio signals to a single stereo TRS 3.5 mm minijack plug. The slim caps fit side by side with other cables in compactly spaced input jacks, like those on the 1010music bluebox. These cables may have been designed for the bluebox, but they have a wide variety of uses with other gear as well.

Each of these cables has a male TRS stereo 3.5mm minijack plug on one end and two male TS mono 6.35 mm plugs on the other end. They are 1.4 m/4.5 ft long with the 1010music logo printed on the 3.5mm minijack plug caps.

This stereo breakout cable connects two 6.35 mm male mono TS plugs to the left and right channels of one 3.5 mm male stereo TRS minijack plug. Red and black caps on the 6.35 mm end differentiate the left and right channels. Each cable is 1.4 m/4.5 ft long and has slim metal caps with the 1010music logo on the 3.5 mm plug.

Specifications:
1.4 m/4.5 ft long
one 3.5 mm male stereo TRS to two 6.35 mm male mono TS
Nickel / 24K Gold plated connector
Highly flexible PVC / TPE Jacket Materials
Rohs, UL, CE, and FCC approved

Notes: Second-generation version of 1010's outstanding Bitbox sampler module, featuring improved processing power, higher-quality touchscreen and new effects.

Supplier's Notes:
Next Generation Sampling Module for Eurorack

The bitbox mk2 is a follow up to 1010's successful bitbox module. Do more with bitbox mk2's more powerful processor and improved touch screen. This module has all of the features of the original bitbox and adds effects and mixing capabilities that take advantage of the faster and more powerful processor.

Sample Playback

Play up to 24 polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger samples streaming directly from the microSD card
Configure 16 sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Use MIDI for polyphonic playback of samples or slices
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer
Sample Modes

Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode
External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Trigger each pad independently through a dedicated gate input
Use MIDI to trigger pads via a note per pad
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode - no need to look up CC numbers
Module Features
Use the 3.5" diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Fill out your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Select Flipped UI mode to mount the unit with the screen on the bottom and use the screen, knobs, buttons, and CV jacks as you normally would

When you purchase a bitbox mk2, you will receive:

a bitbox mk2 Eurorack module
a microSD card with with a bank of demo presets and samples loaded on it
a Eurorack power cable
a bitbox mk2 Quick Start guide
a MIDI Adapter

Technical Specs

Supports 1 and 2 channel WAV files with 16, 24 or 32-bit resolution at any sample rate (48kHz preferred)
26 HP
Module dimensions including knobs: 5.25" x 5"x 1.75"
Depth behind front panel with ribbon cable: 1.25"
+12V: 400mA
-12V: 0mA
5V: 0mA
24-bit ADC and DAC

Inputs and Outputs

Connect up to 8 CV modulators to control numerous sample parameters
Trigger each of the 16 pads with a dedicated gate input
Record through the dedicated stereo audio input pair
Use CV to keep time through the dedicated clock input
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Route the audio from each pad out to one of 2 stereo audio output pairs or any of the corresponding single channels
Inputs and outputs are DC coupled so you can record and play out CV signals

Notes: Eurorack version of 1010's superb Bluebox. Vast power in 30 HP, with the ability to mix, record and play back in mono and stereo, hook up to a computer over USB for stereo I/O and run effects, all with CV control.

Supplier's Notes:
The bluebox Eurorack edition is the new Eurorack mixer with effects and multichannel recording/playback based on the award-winning bluebox desktop mixer. With the Eurorack edition's USB-C EXT port, you can send 2 channels of audio to and from your computer. Plus, you can control up to 6 mix settings with the 6 CV inputs. Whether recording your Eurorack jams, using it to play stems as backing tracks, or a combination of both - bluebox Eurorack edition will rock your rack!

Connect your eurorack, sampler, drum machine, and synthesizer outputs to 12 mono, 3.5 mm inputs and map them to 12 mono tracks or 6 stereo tracks - all with independent control for recording and playback. Connect your computer to the USB C port to send and receive two channels of audio.

The bluebox Eurorack edition is the ultimate in compact mixing, effects, recording, and playback for Eurorack. Smack it in your rack and hit the road with a self-contained, electronic music powerhouse!

When you purchase a bluebox Eurorack edition, you will receive:

a bluebox Eurorack edition 30 HP Eurorack module
A microSD card with bluebox firmware and pre-loaded project files
two Eurorack power cables
a bluebox Eurorack edition Quick Start guide
two MIDI Adapters

Technical Specs

Dimensions & Power
30 HP
Module dimensions including knobs: 6" x 5"x 1.6"
Depth behind front panel with ribbon cable: 1.0"
Requires the +5V rail which may not be present
on some older racks.
Uses 500-850mA at +5V (depending
on screen brightness), 320 mA at +12V, and 82mA at -12V
Requires two power connections
Capabilities
12 mono tracks, 6 stereo tracks or something in between
Connect to TRS or USB C MIDI for beat syncing effects
Lots of headroom with support for Eurorack levels up to +/-5V inputs and outputs
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
Durable aluminum faceplate
Stream 2 channels of audio in and out over USB C

Inputs and Outputs
12 mono 3.5 mm TS inputs
2 independently controlled 3.5 mm TS output pairs that can be used as 4 mono outputs
1 stereo 3.5 mm headphone output
6 CV Inputs
1 USB C MIDI Device port
1 TRS MIDI Input
1 TRS MIDI Output
1 USB C Ext jack for streaming audio
3.5" touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons

Notes: A 4 ft Type B MIDI Adapter

This cable enables you to connect MIDI devices that use standard MIDI cables to the stereo minijacks that use the Type B standard. The adapter cable has a male stereo minijack at one end, and a male 5 pin DIN MIDI connector on the other, and is 1.42 meters/4' 8" long. It is also useful as a converter for connecting to other MIDI devices that use a different mapping of MIDI signals to the stereo minijacks.

Early 1010music music products use the Type B mapping of MIDI signals to stereo minijacks. Bitbox mk2 and bitbox micro can use mini TRS Type A or Type B for MIDI inputs. Bitbox micro uses Type B for MIDI outputs.

The diagram to the right shows the numbering of the pins on a MIDI connector and the labels of the connection components of a stereo minijack. Type B products are compatible with cables that use the following mapping of MIDI signals between female MIDI connectors and stereo minijacks.

Notes: Part of 1010's excellent Nanobox series, the Tangerine is a tiny powerhouse sampler. A fresh new approach to sampling, from one-shots to loops, all the way through to four-hour recordings.

Supplier's Notes:
Sweet and Tangy Sampling

The nanobox | tangerine delivers powerful sampling in an ultra portable form factor. With this nanobox, you can add recording, sample playback, clip launching, slicing, and musically intelligent looping capabilities to your desktop or travel rig. With an intuitive touch screen interface, nanobox | tangerine makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via MIDI. Load multi-sample banks with over 500 samples for amazing instrument reproduction. Tweak your configurations to get them just right, then save them to multiple presets for future reuse.

Top features

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card

Play multi-sample banks with up to 16 velocity layers and 576 WAV files loaded in one preset

Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, or new recordings

Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio

Trigger samples with the touch screen or MIDI input as one shots or melodic notes

Control how samples start and stop by choosing from one-shot, toggle, gate and piano (New!) launch modes

Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, and MIDI note and channel mapping

Quickly and easily use MIDI mapped controls for more tactile access to common parameters

Record up to 16 sequence layers per preset.

Get into the groove with a fast, fluid, and intuitive workflow

Make music anywhere thanks to a compact and nearly indestructible design

Recording Capabilities

Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

What is Included:
nanobox | tangerine - Compact Streaming Sampler
MicroSD card with 85 presets and over 1500 wav files
Colour matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, CC mappings to common parameters, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.
2" touch screen, 2 knobs and 4 buttons in a 3.75" x 3" x 1.5" package

Additional information

Weight: 0.65 lbs
Dimensions: 7.75 × 4.85 × 2.25 in

Notes: Use this cable to connect your Bluebox to a data source and a power source at the same time. This will allow you to stream audio over USB. The cable has a USB B male connection on one end and two USB B female connections on the other end: red for power and black for data.

Stream Audio Over USB with Bluebox

If you bought a Bluebox for desktop before September 2023, this handy adapter will make it easier to connect your device to a computer. New firmware allows you to send audio from the bluebox to the computer and back.

The adapter splits the power from the USB signal to help avoid noise from your computer. It also enables you to power the device separately in case your computer or hub is not suitable for the demanding power requirements of the Bluebox.

Connect the male end to the USB Power port on your Bluebox. Then connect your bluebox USB B power cable to the red female jack, and a USB B data cable to the black female jack and you are ready to stream audio.

Specs

Length: 3.25", 8.25 cm

Weight: 1.2 oz, 34 grams
Dimensions: 6.5 × 2.5 × 0.75 in

Review: The mysterious London-based music collective Sault are in the process of reissuing their latest five albums on vinyl, in full, after they were simultaneously released as a humongous free digital download in late 2022. Among them comes '11', their latest project which was exclusively made available via said password-protected link and was intended as the reddest part of this quintuplet offering to God. Each album cut a distinctive oeuvre, and '11' was undeniably the funkiest, centring on the chops of the collective's in-house producer Inflo. Peak states such as 'Higher' pack raw Rhodes, knife-edge vocals and envy-inducing talents into a cinematic, soul-feeding addition to the mystery stew, while downtimers such as 'Envious' and 'River' hear the album grow increasingly boxy and heartfelt.

Review: The legendary Razor-N-Tape keeps up its always busy release schedule here with a debut offering from Hiatt dB. The San Antonio born artist offers up a sizzling six track mini album that joins the dots between the worlds of funk, house, acid, breaks, disco and boogie. It's a steamy affair, too, with 'When The Night Is Right' soon making its mark and luring you to make some sensuous moves. There is loose limbed funk on the title track, spaced out boogie beats on 'First On The Floor' and low slung slow motion house sleaze on 'Take The Low Roads Home' amongst other gems.

Review: Ryuichi Sakamoto is making a very welcome return here with his first solo album since 2017's async. Milan Records are releasing 12 in January to coincide with the venerated Japanese composer's 71st birthday, and the timing is poignant given the album draws from musical sketches created while Sakamoto battled for two and a half years with cancer. Sakamoto himself describes reaching for his synths as a kind of therapeutic response to a big operation, and so the music carries an added depth of personal experience from one of the most profound ordeals a person can go through.

Review: This is a CD verison of Ryuichi Sakamoto's very welcome return to the fray. It is his first solo album since 2017's async. Milan Records have released 12 in January to coincide with the venerated Japanese composer's 71st birthday, and the timing is poignant given the album draws from musical sketches created while Sakamoto battled for two and a half years with cancer. Sakamoto himself describes reaching for his synths as a kind of therapeutic response to a big operation, and so the music carries an added depth of personal experience from one of the most profound ordeals a person can go through.