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Cat: 718920 Rel: 23 Apr 19
 
Expansion module for Zadar - 3HP
Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.
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 8 in stock $54.80
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Cat: 673868 Rel: 12 Jan 18
 
Versatile audio mixer module - 6HP
Notes: Mixup is a versatile, expandable audio mixer for Eurorack format. It has eight inputs (6 on the front panel) and two outputs. Inputs 1 and 2 are single-channel mono inputs, each with its own mute switch and level control; Input 3 is a dual-channel stereo input with a shared mute and level control; and input 4 is an auxiliary unity-gain, non-mutable stereo input.

Using bus connectors on the back panel, you can chain multiple Mixups together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing around larger systems.

Because Mixup is designed specifically for audio (and not for CV mixing), it uses AC-coupled circuitry (which reduces the potential for 'pops' when muting and unmuting audio), and it uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.
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 6 in stock $89.58
Cat: 584253 Rel: 15 Apr 16
 
Compact utility synthesiser module for interfacing guitar effects with eurorack modular system - 4HP wide
Notes: The 'S.B.G' is a compact utility module intended for the interfacing of guitar effect pedals with your eurorack modular system.

It provides both attenuation and amplification of audio signals for level matching together with a crossfade control to conveniently adjust the wet/dry mix of a processed signal. The module also offers regulation of outgoing CV signals for safer use of pedal expression inputs.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~30ma
Size: 4 HP
Depth: 22mm (including power header)
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 1 in stock $91.69
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quote 584253
Cat: 671564 Rel: 29 Nov 17
 
12dB multi-mode filter with unique classic circuitry, based on the filter from the 70s EDP Wasp synth
Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA
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 9 in stock $82.04
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Cat: 673008 Rel: 13 Dec 17
 
Compact three channel utility module for every patch - 6HP
Notes: The 321 includes the most useful functions we always need in every patch, to edit and combine dynamically the signals in use.

It is composed of three identical sections, the red, yellow and green, where each of those is capable of scaling any signal, from 0 up to 2 times (+6dB), flip its phase, and apply a DC offset, allowing to shift your audio or CV up or down.

In case no signals are connected to the section input, the offset may act as a CV source too.

The three sections are then summed together into two independent summing stages: the top right jack outputs the sum of all three sections, while the top left outputs the sum of the unconnected sections only (semi-normalled).

The 321 is entirely DC coupled, allowing the process of control voltages as well as audio signals.

In case CV's or audio signals are particularly hot, the two 6dB attenuators, one per each summing section might be helpful to reduce exactly by 50% the incoming signals.
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 2 in stock $88.53
Cat: 569591 Rel: 10 Apr 15
 
Multiples and mixing utilities synth module, 4HP size
Notes: Links provides 3 utility functions focused on signal distribution and mixing.

1:3 is a 3-output buffered multiple, with an offset error < 0.1%. It is useful for distributing the voltage from a CV output with a large protection resistor to several modules - particularly VCOs.

2:2 is a 2-input summer with unity gains. The sum of the two input channels is distributed to 2 outputs.

3:1 is a 3-input mixer with a gain of 1/3 for each channel (averager). It is particularly suitable for rapidly mixing audio sources such as oscillators, for which a unity gain mixer would have caused clipping.

A 2-color output monitoring LED is available for each of these functions.
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 6 in stock $56.91
Cat: 684462 Rel: 22 May 18
 
Electronic switch with up to four steps - 4HP
Notes: Module A-151 (Quad Sequential Switch) is like an electronic four-position rotary switch.

It includes trigger and reset inputs, four in/outputs, and a common out/input. Each time a pulse is received at the trigger input socket, the common out/input is connected to the next in/output. After the fourth in/output, the next trigger makes it step back to the first again, and so on. A positive pulse at the reset input switches the out/input immediately back to the first in/output. Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Four LED's indicate the active in/output (ie. the one that is connected to the out/input at any particular time).
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 4 in stock $59.01
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quote 684462
Cat: 731949 Rel: 10 Jun 19
 
Quad low frequency oscillator - 4HP
Notes: Module A-145-4 is a simple quad LFO (Low Frequency Oscillator). Not a very "exciting" module, just a bread-and-butter device and a simple demon for work. Virtually in every modular system several LFOs are required for modulation purposes. The module contains four simple LFOs with the waveforms triangle and rectangle. A dual colour LED (red = positive / yellow = negative output voltage) indicates the triangle output of each LFO. The frequency range can be chosen for each LFO individually by means of a jumper between about 50 Hz ... 0.04 Hz (about 20 seconds, jumper removed) and about 2Hz ... 0.002 (about 8 minutes, jumper installed).

The module can be treated as a slimmed version of the quad LFO A-143-3 as it has similar features available. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is less than one third of the A-143-3. The module is primarily planned for applications where only limited space is available. The functional difference compared to the A-143-3 are the missing sawtooth outputs and frequency range switches.
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 1 in stock $75.88
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quote 731949
Cat: 673007 Rel: 22 Dec 17
 
Mixer/buffered signal distributor module - 6HP
Notes: The 333 is a summing and distribution module for Eurorack modular systems.

It is composed of three identical sections, the red, yellow and green, each of those featuring three inputs summing amplifier with three independently buffered outputs.

Derived directly from the CGM creative mixer series, the sum section is DC coupled, allowing the sum of control voltages as well as audio signals.

With an extremely low tolerance in both sum and output sections, it is suitable also for summing quantized voltages like the ones coming out from the quantized outputs of the SAPEL.

In case CVs or audio signals are particularly hot, the 6dB attenuator might be helpful to reduce exactly by 50% the incoming signals.

Red and yellow output are also normalled to the 1st jack socket of the yellow and green input: in this way this module can also work as a 1 to 9 buffered multiple.
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 4 in stock $89.58
Cat: 643383 Rel: 27 Mar 17
 
Utility module featuring Clock, Random Pulse, Analog Noise, Sample/Hold & Slew
Notes: Noise Random Tools comprises a collection of useful utility blocks that you could use in many of your patches - Clock, Random Pulse, Analog Noise, Sample and Hold, and Slew.

Features:

- Clock and Random pulse source with adjustable rate
- Analog pink and white noise source with very accurate spectrum
- Analog sample / track and hold with very low droop
- Analog slew with adjustable slew rate
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 3 in stock $99.07
2hp
Cat: 667366 Rel: 31 Oct 17
 
Rhythmic pattern generator
Notes: Euclid is a rhythmic pattern generator based on ideas originally presented by Euclid, the Greek mathematician. The Euclidean algorithm can be adapted to create rhythms by taking the total number of active steps in a sequence, and then distributing them across the entirety of the pattern.

This creates cyclical rhythms that are immediately musical and can be used for everything from EDM to IDM. Bring your patches full circle with Euclid.
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 2 in stock $86.42
2hp
Cat: 635858 Rel: 30 Dec 16
 
Clock divider/multiplier module
Notes: Div is a 2 channel, voltage controlled clock divider and multiplier. Incoming clock signals can be multiplied or divided by a factor of 16 with a multitude of values in between.

CV inputs provide external control of the current clock rate, allowing for the creation of dynamic rhythms from a single clock signal.
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 2 in stock $92.74
2hp
Cat: 638776 Rel: 21 Feb 17
 
Random sequence generator module
Notes: TM is a probabilistic random sequence generator based on the research of Alan Turing. His Turing machine was a mathematical model of computation that could, in theory, create any output based on a set of instructions and input variables. In a similar way, the TM chooses random values for steps in a sequence based on the user's probability settings. By manipulating probability and sequence length, the module can generate an infinite number of sequences. Whether you're looking for a controlled random source, or an evolving melody generator, TM has you covered.
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 1 in stock $86.42
Cat: 688779 Rel: 11 Jul 18
 
Stereo headphone driver output - 2HP
Notes: The 'HPO' is an affordable super slim and skiff friendly no frills stereo headphone driver output for your modular synthesiser. Includes a volume control and ability to double up a mono signal into stereo. A great use for that left over 2hp in a skiff or larger system.

Give loved ones, friends and acquaintances a break from your musical 'genius', the HPO offers a solitary cell for focused creativity impregnable from undeserving non-believers.
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 5 in stock $61.12
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Cat: 648930 Rel: 25 May 17
 
Expander module for Pamela's New Workout - 4HP
Notes: Pexp-1 is an expander module for Pamela's NEW Workout offering additional dedicated fixed clocked outputs.

Extend Pam as a master to clock external gear with a super solid MIDI & Din Sync dedicated clock outputs.

Use extra fixed jack clocked gate outputs to free up Pamela outputs for more exotic modulation duties.

Connects to, and powered by, expander header on rear of Pamela's NEW Workout. Only a single expander is supported at any time.
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 5 in stock $99.07
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quote 648930
Cat: 731938 Rel: 10 Jun 19
 
Noise/random generator - 4HP
Notes: Module A-118-2 is the slim version of module A-118-1 and offers essentially the same features as the A-118-1. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-118-1. The module is primarily planned for applications where only limited space is available. The functional difference between A-118-1 and A-118-2 is the additional T&H/S&H unit which is not included in the A-118-1.

The module generates the signals white noise, coloured noise, continuous random voltage and stepped random voltage (derived from the continuous random voltage by means of a S&H/T&H unit).

The noise signal is generated 100% analogue by amplification of the noise of a transistor. White and coloured noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is derived from the coloured noise signal by low pass filtering. Consequently the settings of the controls for the coloured noise (Blue, Red) affect the behaviour of the random voltage! A dual colour LED (red = positive / yellow = negative output voltage) indicates the continuous random voltage.

The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal (= continuous random voltage) as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal (= continuous random voltage) is sampled at the rising edge of the Clock signal.

For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. It does not work with slowly changing continuous CV signals. Another dual colour LED (red = positive / yellow = negative output voltage) indicates the stepped random voltage.
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 3 in stock $75.88
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quote 731938
Koma Elektronik Field Kit Expansion Pack (expansion/accessory pack)
Cat: 663392 Rel: 26 Oct 17
 
Expansion pack for the Koma Elektronik Electro Acoustic Workstation
Notes: It's all about the things you connect to the The Field Kit! To get you started, Koma Elektronik have decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

The Expansion Pack contains:

- 2 x Contact Microphones: Use these contact microphones to pick up vibration or sound, they are an amazing versatile input source
- 1 x Electro-Magnetic Pickup: This guy is good at picking up changes in magnetic fields, you can use it to amplify a string like a guitar pickup or amplify a spinning motor
- 1 x Solenoid push-pull motor: Use the solenoid to hit things, together with the DC Interface the solenoid can make anything rhythmical and percussive
- 1 x DC motor: The Motor can be used to rotate things or as a noisy oscillator together with the Electro-Magnetic Pickup
- 1 x small speaker: Use the speaker to listen to the main mix or as a sound source and to feedback sounds
- 3 x patch cables Always handy to have around to patch up different parts of your Field Kit... and a bunch of little objects to play with (little springs, marbles)

The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!
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 3 in stock $60.07
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quote 663392
Cat: 637403 Rel: 05 Jun 17
 
6HP Eurorack stereo headphone amp/line out module with stereo 1/4" headphone amplifier output & dual-mono 1/4" line-level outputs
Notes: The best way to get sound out of a modular. Outs is a dual independent output module featuring a stereo 1/4" headphone amplifier output and dual mono 1/4" line level outputs.

Left and Right inputs are available. If only the left input is used, it is sent to both the Left and Right outputs.
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 1 in stock $93.81
Cat: 708032 Rel: 29 Oct 18
 
Seven channel mixer with classic analogue sound - 3HP
Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
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 2 in stock $88.53
Cat: 687873 Rel: 01 May 18
 
Unique contact microphone & amplifier, based on Tom Whitwell's open-source module - 4HP
Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.
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 9 in stock $88.53
Cat: 643381 Rel: 27 Mar 17
 
Lo-fi digital reverb effect unit
Notes: Digiverb is a lo-fi reverb effect unit that uses an Accutronic digital reverb "tank" module. The sound is somewhere between a virtual spring reverb and a dense multi tap delay but the effect is quite musical and interesting.

Use the Digiverb as a simple and fun way to add some extra dimensions to your patches!
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 2 in stock $75.88
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quote 643381
2hp
Cat: 680015 Rel: 12 Mar 18
 
Random voltage generator & gate source
Notes: Rnd is a random voltage generator and random gate source with an internal clock.

The quantized and smooth outputs are completely independent, and each feature an attenuator to fine tune the output voltage between 0V and 10V. This allows for a musically useful range to be defined. When externally clocked, random gates erupt from the gate output.

Great for modulation and chaotic rhythmic events, Rnd is a universal solution for adding unpredictability to your system.
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 1 in stock $89.58
2hp
Cat: 638777 Rel: 21 Feb 17
 
Voltage controlled burst generator & trigger delay module
Notes: Brst is a voltage controlled burst generator and trigger delay. Upon receipt of a gate signal, Brst will output a stream of triggers. Knobs and CV inputs give the user control over speed and the number of repetitions. Whether you're generating bouncing balls, crafting IDM drum beats, or humanizing a clock signal, Brst will prove an indispensable addition to your rack.
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 2 in stock $73.77
2hp
Cat: 686006 Rel: 04 May 18
 
Four stage linear envelope module with two expressive ranges
Notes: ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.
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 1 in stock $93.80
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2hp
Cat: 686016 Rel: 04 May 18
 
Rhythmic pattern generator
Notes: Euclid is a rhythmic pattern generator based on ideas originally presented by Euclid, the Greek mathematician. The Euclidean algorithm can be adapted to create rhythms by taking the total number of active steps in a sequence, and then distributing them across the entirety of the pattern.

This creates cyclical rhythms that are immediately musical and can be used for everything from EDM to IDM. Bring your patches full circle with Euclid.
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 1 in stock $86.42
2hp
Cat: 680016 Rel: 12 Mar 18
 
Compact voltage controlled LFO featuring 8 waveforms
Notes: LFO is a voltage controlled low frequency oscillator. 8 waveforms are available with smooth morphing between each, allowing for complex and unique patterns.

In addition to sine, triangle, sawtooth, and square waveforms on the primary output, four alternate waveforms are accessible simultaneously via the secondary waveform output. The alternate waveforms have been designed with modulation in mind and provide an innovative voltage source to use on filters, oscillators, and everything else.

Animate your modulations with LFO.
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 2 in stock $95.90
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quote 680016
2hp
Cat: 638778 Rel: 21 Feb 17
 
Full featured two stage envelope generator module
Notes: EG is a full featured two-stage envelope generator. In addition to a colossal range from 3ms to 11 minutes per stage, EG features the ability to switch between linear and exponential curves on the fly, a built-in attenuator, and CV over attack and decay. Boasting more features than modules five times its size, EG can fill any envelope-sized gap in your system.
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 1 in stock $82.20
2hp
Cat: 635864 Rel: 30 Dec 16
 
Multi-scale pitch quantizer
Notes: Tune is a multi-scale pitch quantizer. It features 11 scales ranging from chromatic to octatonic with everything in between. In addition, the bias control allows the user to transpose the melody to a different octave or starting note.

This functionality opens up every musical mode for each of its 11 scales and provides a performable control for transforming melodies on the fly.
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 1 in stock $87.47
Cat: 584257 Rel: 15 Apr 16
 
Envelope generator synthesiser module - 4HP wide
Notes: 'Pip Slope' is an envelope generator. It supports both Attack/Decay and Attack/Sustain/Decay type functions with both direct and voltage control of Attack and Decay times. Envelopes can be automatically looped and the function curve type changed between exponential and linear.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~50ma
Size: 4 HP
Depth: 32mm (including power header)
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 4 in stock $92.74
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quote 584257
Cat: 738617 Rel: 10 Jul 19
 
Versatile module that can also be used as a modulation device - 8HP
Notes: Module A-140-1 is an envelope generator, and, since it puts out control voltages, counts as one of the modulation devices in a modular system. As soon as the gate input receives sufficient voltage, the ADSR generates a variable voltage, changing in time, called an envelope. This varying voltage is output in normal (positive) and inverted form, and can be used, eg. for voltage controlled modulation of a VCO, VCF, or VCA, or for processing other modules' inputs and outputs.

The shape of the envelope is governed by four parameters: Attack, Decay, Sustain and Release.

The envelope is started (triggered) by a gate signal either from the INT.GATE voltage on the system bus, or, if a signal is put into it, from the gate input socket.

The envelope can also be re-triggered, i.e. start from scratch again, each time a trigger signal is sensed at the Retrig. input socket, when the gate is still open.

Module A-140 has available a three-position toggle switch to select one of three time ranges. The time ratios for the three ranges are about 1 : 20 : 1000. The absolute Attack times are about:

20uS ... 100ms (switch position L)
400uS ... 2s (switch position M)
20ms ... 120s (switch position H)
The Decay and Release times are about 3-4 times more. Because of the exponential slope and the gradual asymptotic approach to the zero level the exact specification of the decay and real times is a bit difficult.

The voltage ranges of the ADSR outputs are about 0 ... +8V for the two normal outputs and 0 ... -8V for the inverted output.

In combination with the Comparator module A-167 a free-running "ADSR-LFO" can be realized.
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 1 in stock $75.39
Cat: 731940 Rel: 11 Jun 19
 
Compact two-channel VCA - 4HP
Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output
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 2 in stock $75.88
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quote 731940
Cat: 716922 Rel: 29 Jan 19
 
Dual crossfader module for voltage controlled morphing between two audio or CV signals
Notes: Module A-134-2 contains two identical voltage controlled crossfader units.

Each unit has two voltage controlled amplifiers (VCAs) with opposite control behaviour available. The outputs of the two VCAs are mixed together to obtain a common output. The behaviour of the control voltage inputs can be chosen with an internal jumper:

Symmetrical mode: If the corresponding jumper is not set both VCAs of the crossfader have the same 50% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. A negative CV has the opposite result. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about -2.5....+2.5V. This mode is useful for bidirectional (i.e. positive and negative) control voltages, for example LFO or joy stick (adjusted to 0V CV in centre position).

Asymmetrical mode: If the corresponding jumper is set VCA2 is fully closed and VCA1 has full 100% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about 0...+5V. A negative CV has no function in this mode. This mode is useful for unidirectional (i.e. only positive) control voltages, for example ADSR, ribbon controller or Theremin control voltage.

The CV input of the upper unit (CV1) is normalled to the CV input of the lower unit (CV2). I.e. if no plug is inserted to CV2 the CV input of the upper unit (CV1) also controls the lower unit.

The second signal input of the upper unit (In1B) is normalled to the first signal input of the lower unit (In2A). I.e. if no plug is inserted into In2A the signal In1B is used as the first signal input of the second unit.

As the inputs and outputs are DC coupled the module can be used for both audio and control voltage signal processing.
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 2 in stock $69.55
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quote 716922
Cat: 692504 Rel: 18 Jun 18
 
18dB low pass filter based on a modified Moog cascade - 8HP
Notes: Module A-103 is a voltage controlled low pass filter with 18dB/octave slope. The circuit is based on a modified transistor ladder (Moog ladder) and is a reproduction of the legendary TB303 filter.

As for the rest the A-103 is identical to the A-120 Moog low pass filter (same controls, inputs/outputs) only the filter sound is different.
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 2 in stock $79.04
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quote 692504
Cat: 589492 Rel: 09 Dec 15
 
Buffered multiple synthesiser module with LED indicators - 3HP wide
Notes: The Buff Mult is a buffered multiple with LED indicators to show positive and negative voltages. Using wide bandwidth opamps, it functions as a dual 1-to-3 or a single 1-to-6 mult for audio, video, or CV signals.
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 1 in stock $68.51
Cat: 671592 Rel: 29 Nov 17
 
12dB multi-mode filter based on classic SEM filter circuitry
Notes: Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self oscillation in contrast to most of the other filters of the A-100 system. The module generates a distorted audio signal if the level control is set to about 50% (i.e. centre position) or more with A-100 standard signals like VCOs.

Inputs: Audio In, CV1 In without attenuator, CV2 In with Polarizer
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio Attenuator, CV2 Polarizer, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the Wasp filter module A-124. But the sound of both filters is very different! We will publish no separate user's manual for the A-106-5 but a combined manual for both A-106-5 and A-124. The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer)

Width: 8HP / 40.3mm
Depth: 55mm (Measured from the rear side of the front panel)
Current: +12V: +30mA, -12V: -20mA
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 3 in stock $87.47
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quote 671592
Cat: 577745 Rel: 29 Nov 17
 
Two sample & hold units in one module for generating stepped random voltages or slicing signals
Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.
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 5 in stock $63.23
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quote 577745
Cat: 716933 Rel: 29 Jan 19
 
Generates four phase shifted copies of a VCO signal applied to the audio input
Notes: Module A-137-2 is another version of a wave multiplier. In contrast to the A-137-1 Wave Multiplier I, the A-137-2 generates four phase-shifted copies of a VCO signal applied to the audio input. The four shifted signals are added to the original signal to obtain a fat sound similar to five independent VCOs. The phase shifting is made by a simple circuit that works only for sloped signals like sawtooth, triangle or sine, but not for rectangles or pulses.

The audio input signal (typically a sawtooth, triangle or sine wave from a VCO) is compared with a slowly varying control voltage (CV Shift In). The output of the comparator is a rectangle wave with variable pulse width. When the output of the comparatur is added to the input signal (a sawtooth in the example) with the correct level relation between both signals one obtains a phase shifted sawtooth. The left picture shows the incoming sawtooth wave on top. The two horizontal dashed lines (blue and orange) indicate two different comparison levels. Below the incoming sawtooth the two resulting comparator outputs (rectangle waves) and the two resulting shifted sawtooth waves are shown. It is not a "real" phase shift but an algebraic function. But the result is virtually the same. One could obtain the same function even with several comparator modules A-167 and mixers A-138a/b or polarizing mixers A-138c. But this would require a lot of modules.

The module has available four manual shift controls and four control voltage inputs with attenuators for the four internal shifting circuits. Typical sources for these inputs are LFOs, VCLFOs, random voltages, envelope generators, sequencers or other control voltage sources. Internally eight single outputs are available at single pins: the four shifted signals and in addition four rectangle outputs. A corresponding breakout module with eight sockets is in the planning stage and will be released provided that there are sufficient inquiries. The original signal and the four shifted signals are equipped with internal jumpers. If external toggle switches are used instead of the jumpers each of the 5 signals can be turned on/off individually.

The audio input is equipped with an attenuator to adjust the level for the right summation of the original and the comparator signals (as described above).
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 2 in stock $76.93
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quote 716933
Cat: 716920 Rel: 29 Jan 19
 
Voltage-controlled panning module consisting of 2 linear VCA's - 8HP
Notes: A-134-1 is a voltage controlled universal panning and/or crossfader module. If the module is used a voltage controlled Panning device one audio signal is panned to two different outputs. If the module is used a voltage controlled Crossfader two audio signals are mixed to one common output. The module enables even compositions of both functions.

The module contains two linear high quality VCAs (made with CEM3381/PA381 until April 2013, SSM2164 from May 2013). VCA2 works in the opposite direction of VCA1 i.e. the more VCA1's loudness increases the more VCA2's loudness decreases. The panning or crossfading is adjusted with a control knob (manual control) and by two external control voltages, one equipped with an attenuator. Suitable control voltage sources are e.g. LFOs (A-145, A-146, A-147), envelope signals (A-140, A-141, A-142, A-119), random (A-118), Theremin (A-178) or a voltage coming from a MIDI-to-CV-Interface (A-190, A-191). The panning/crossfading is displayed with 2 LEDs.

A-134-1 has an audio input with attenuator for each VCA. If the audio input of VCA2 is not used the audio input of VCA1 is connected with audio in of VCA 2, i.e. the sockets are "normalled". The module has three audio outputs: Left Output (VCA1), Right Output (VCA2) and Mix. For Panning applications the outputs Left Out and Right Out are used. If the module is used as a Crossfader the Mix Output functions as output.

Module A-134-1 enables voltage controlled stereophonic panning effects (one audio signal distributed to two outputs), crossfading effects (two audio inputs mixed to one audio output with voltage controlled loudness proportion) and combinations of both effects.
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 1 in stock $82.20
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quote 716920
Cat: 745775 Rel: 10 Sep 19
 
Two sample & hold units in one module for generating stepped random voltages or slicing signals
Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.
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 1 in stock $67.45
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quote 745775
Cat: 684460 Rel: 23 Apr 18
 
Two independent voltage controlled switches in one module - 4HP
Notes: Module A-150 (Dual VCS) contains two separate voltage-controlled switches.

Each switch has a control voltage input, a common Out / Input, and two In / Outputs. The switches are bi-directional: they can work in both directions, so can connect one input to either of two outputs, or either of two inputs to one output. Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Two LEDs show which in / output is active (i.e. which is connected to the common out / input).
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 2 in stock $59.01
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quote 684460
Cat: 745791 Rel: 10 Sep 19
 
Simple & effective voltage-controlled frequency divider - 8HP
Notes: Module A-163 is a voltage controlled audio frequency divider. The frequency of the input signal (preferably the rectangle output of a VCO) is divided by an integer factor N (N = 1, 2, 3, 4 ... up to 32). N can be adjusted manually and modulated with an external control voltage (e.g. from LFO, ADSR, Random, MIDI-to-CV, Theremin, Light-to-CV, analogue sequencer) with attenuator. The control input has polarizing function, i.e. the manually adjusted dividing factor can be modulated upwards or downwards. The basic idea of a polarizer is described in the modules A-133 Voltage Controlled Polarizer and A-138c Polarizing Mixer.

The output waveform is rectangle with 50% duty cycle. Unlike the A-115 with fixed dividing factors (2, 4, 8, 16) the dividing factor of the A-163 is voltage controlled and can be any integer value between 1 and about 20 (but only one output). In contrast to A-113 the dividing factor of the A-163 is voltage controlled and the output waveform is rectangle (the A-113 has 4 sawtooth outputs with 4 adjustable but not voltage controlled dividers).
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 1 in stock $79.05
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quote 745791
Cat: 577770 Rel: 06 Jun 19
 
Low frequency oscillator featuring 5 different waveforms - 8HP
Notes: Module A-145 is a low frequency oscillator, which produces cyclical control voltages in a very wide range of frequencies. Five waveforms are available: sawtooth, inverted sawtooth, triangle, sine and square wave.

The LFO can be used as a modulation source for any number of modules - for instance modulating the pulse width or frequency of a VCO, modulation of the cut-off frequency of a VCF, or amplitude modulation with a VCA.

A three-way switch lets you select three frequency ranges, spanning from one cycle every several minutes at the lowest, to moderate audio frequency at the highest (about 4-5 kHz).

The LFO signal can also be synchronised, via the reset input.
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 1 in stock $63.77
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quote 577770
Cat: 553616 Rel: 19 Nov 14
 
Audio mixer synth module
Notes: Very small 6 to 1 input audio mixer with linear Pots
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 1 in stock $72.72
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quote 553616
Cat: 686661 Rel: 30 Apr 18
 
Compact envelope generator with selectable AD & ASR modes - 3HP
Notes: Erica Pico Envelope Generator brings you straight-forward AR/ASR linear or logarithmic envelope generator and LFO in 3HP module.
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 1 in stock $60.17
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quote 686661
Cat: 641960 Rel: 27 Feb 17
 
Simple attack-release envelope with voltage controlled clamp
Notes: The Sinclastic Empulatrix was inspired by the simple - yet remarkably clever - envelopes used in the cymbals of the TR-808. These envelopes are simple exponential decays that are applied to the signal via clamping rather than the more typical scaling. For binary signals such as a square wave a clamping VCA will sound like a typical VCA. For analog signals it will add a clipping effect that gets stronger as the envelope decays.

The Sinclastic Empulatrix has knobs for control of attack and release.

The envelope is controlled by a gate input that determines the timing of the envelope. The envelope is also scaled by the voltage of the gate so it can be used to control the amplitude of the envelope.

The clamping VCA section of the Sinclastic Empulatrix has a simple input and output. It is DC-coupled so is suitable for control voltages and can be used without the envelope generator by turning the attack and release fully counter-clockwise and driving the gate with an analog CV.

This module can also be used as an asymetric slew: the envelope output will track the gate input but will be slewed by the attack and release times based on relative voltage.

Size: 4HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 15 mA
Draw -12: 25 mA
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 1 in stock $86.42
Cat: 676568 Rel: 19 Jun 18
 
4-channel mute for audio & CV signals
Notes: Muta Jovis is a 4HP switchable quad mute. The inputs are circularly normalled so a single input can be sent (and muted) to up to four outputs. Switches and LEDs that indicate channels that are outputting signal leave no doubt about the state of each channel. MJ was designed with gates/triggers in mind.

Size: 4HP Eurorack
Depth: 0.8 Inches
Power: 2x5 Eurorack
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 2 in stock $71.67
Cat: 637039 Rel: 22 Mar 17
 
Dedicated switch module for Minimod, VCF/VCA gain jumper settings, plus 6-way multiple - dark edition
Notes: AJH Synth have had quite a few customers asking if we can make the gain jumpers on the MiniMod VCF and VCA modules accessible from the front panel, so this 2HP module aims to address this.

The Gain Switch Multi has two switches which connect to the gain jumpers on the VCA and VCF. Switch "up" is the same as having the gain jumper in place, switch "down" is the same as removing the jumper, and gives higher gain.

Using these switches gives a similar effect to the old "headphone out to external input" trick on the original Model D but with a much wider overdrive range, particularly from the VCA.

As an added bonus, AJH Synth have also included a six way passive multi.
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 1 in stock $72.72
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quote 637039
Cat: 634773 Rel: 15 Dec 16
 
9 input/9 output pin matrix synth module - 24HP wide
Notes: The MTX9 presents a new take on an old classic - the pin matrix, famously incorporated into EMS and Maplin synthesizer designs. The MTX9 provides 9 inputs and 9 outputs to be patched to one another, whilst allowing for passive splitting of one input to several outputs and averaging summation of several inputs to one output (or more).

Each component of the matrix has been designed to use standard parts - the pins are 2mm banana test plugs and all cards of the matrix are easily replaceable. Whilst the matrix is currently passive, an active expander card will be available from FSS soon. The MTX9 is supplied with a dry-wipe marker and 10 banana pins as standard, with spares available from FSS.
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 2 in stock $93.81
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quote 634773
Cat: 746964 Rel: 17 Sep 19
 
Synth module featuring two separate voltage processors
Notes: The upper voltage processor features four inputs which are mixed and inverted at the output. Inputs 2 and 4 have their own attenuator. Input 2 is normalised to a positive fixed voltage source, which may be attenuated, and appears inverted at the output, useful for applying negative offsets.

The lower voltage processor features two inputs which are mixed and inverted at the output. Input 2 has its own attenuator. Input 2 is normalised to a negative fixed voltage, which may be attenuated, and appears inverted at the output, useful for applying positive offsets.
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 2 in stock $87.48
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quote 746964
Cat: 690758 Rel: 27 Feb 19
 
VCA module with dedicated controls for Volume, Drive & CV input attenuation
Notes: The DTA is a low-cost, yet high quality VCA made by Manhattan Analog. The circuit was designed as a back end for monophonic synthesiser voices. If clean sound doesn't feel right in a particular moment, you can add a decent amount of dirt using the module's drive stage.

The DTA features a signal input, followed by a VCA. The circuit's volume can be adjusted manually and via CV inputs. One of the control voltage channels comes equipped with an attenuator. Thanks to an adjustable drive stage, the sound character can be varied from clean to crisp and dirty.
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 1 in stock $89.58
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