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Notes: Superb value for money with this hugely popular model from the ever-reliable Audio-Technica. A little smaller and a lot cheaper than the excellent M50X model, but with similarly clear, balanced performance.

Supplier's Notes:

The high-performance ATH-M40x professional headphones are tuned flat for incredibly accurate audio monitoring across an extended frequency range.

Your studio experience is enhanced with superior sound isolation and swiveling earcups for convenient one-ear monitoring. Engineered with pro-grade materials and robust construction, the M40x excels in professional studio tracking and mixing, as well as DJ monitoring.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It let's you safely store your digital controller (such as the NI S8 or Pioneer DDJ-RX/SX3) in the main compartment. The UDG Controller Sleeve is available in 2 sizes: Medium & Large skillfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight: 2,40 kg / 5.28 lbs
Outer Dimensions (W x H x D): 73.0 x 43.0 x 14.0 cm | 28.7 x 16.9 x 5.3 inch
Inner Dimensions (W x H x D): 71.0 x 40.0 x 11.5 cm | 27.6 x 15.7 x 4.5 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits:
Pioneer DDJ-FLX6, DDJ-1000SRT, DDJ-800, DDJ-1000, DDJ-RX, DDJ-SX3, DDJ-SX2, DDJ-SX, DDJ-RR, DDJ-SR2, DDJ-SR, DDJ-S1, DDJ-T1, DDJ-Ergo
Pioneer XDJ-RR, XDJ-R1, XDJ-Aero
NI Traktor Kontrol S3, Traktor Kontrol S8
Denon DJ MC7000
Numark NS4FX, NS6II, Mixtrack Platinum/ Pro 3, Mixdeck Quad, 4Trak, N4
Reloop Mixon 8 Pro, Mixon 4, Touch, Terminal Mix 8, Beatmix 4
Roland DJ-505
or similar size controllers

Notes: The microZEUS is a 4HP power supply module for Eurorack format synthesizers. It is the smallest and most powerful power supply available for its size.

uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.

The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.

Notes: Full-range overdrive for a wide, sculptable tone!

The EHX Crayon Full-Range Overdrive is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds going from a suggestion of dirt to full-on distortion and is equally impressive all by itself or when driving another overdrive pedal.

Full-range overdrive with a lush, rich, warm tone
Independent Bass and Treble controls
True Bypass for maximum signal path integrity
Compact pedalboard-ready pedal
9V battery included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply:9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 10mA
Year Released: 2015

Notes: We can't get enough of Teenage Engineering's quirky little Pocket Operators. The PO-24 is an oddball classic, specialising in office-themed percussion. Weird and wonderful stuff as usual from the innovative Swedish brand.

Supplier's notes:
Noise percussion drum machine and sequencer, with parameter locks, solo functionality and punch-in effects.

All pocket operator models perfectly complement each other. From drum machine, bass and lead synthesisers to noise percussion, the six unique units allow you to start a pocket band. Use them separately or connect them together, the choice is yours.

Use the built-in speaker for instant sound, connect a pair of headphones for detailed personal listening, or hook up a speaker system and the club will go boom!

Pocket operators are designed on a single multiple-layer circuit board using high quality components. They all share a compact and durable form factor.

By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.

Optional extras:
Add the silicone pro case to protect your pocket operator and get anti-slip feet, neck strap, battery protection and pro feel buttons. Use the SP-10 display protection to protect the LCD screen, and start a jam sync session with your friends using the MC-3 mini cables.

Notes: Enigma Expander for micro Turing Machine (Alan)

An expander for After Later's Alan module (a smaller version of the Turing Machine) that enables you to manipulate the stepped CV sequence. This enables you to create a different, yet related sequence to the main Alan output.

The module comes with the required cable to connect to the main module. Our black and gold panel is designed to complement Alan, Aftter Later's micro version of the Turing Machine.

The module comes with a 1 year warranty.

Notes: Morcom Expander for micro Turing Machine (Alan)

An expander for After Later's Alan module (a smaller version of the Turing Machine) that exposes the pulse outputs from the main Alan module. You get 7 seven random outputs and then 4 that are derived from other 7 outputs. When 1 and 2 are high then the 1+2 outputs is high. You can get some great rhythmic effects using these in conjunction with the main stepped CV output.

The module comes with the required cable to connect to the main module. The panel is designed to compliment Alan, After Later's micro version of the Turing Machine.

The module comes with a 1 year warranty.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod60 Unpowered is 60HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.

Notes: Module A-183-9 is a simple power supply for up to four devices which can be powered via USB (e.g. keyboards, smartphones). An LED shows is the +5V are present.

The module has no USB function but provides only the +5V supply for USB devices.

A control LED shows if the +5V are present.

Note: The module requires an A-100 case with built in power supply A-100PSU3. Only this A-100 supply has the required +5V available. We do not recommend the usage of an older A-100 case with A-100PSU2 as this would require the +5V adapter A-100AD5 and the max. current would be limited to 100mA.

Notes: The CTRL Case MPC ONE is custom designed to a hold the new AKAI MPC ONE and is a very lightweight and convenient solution to carry your sampling workstation well protected to your next studio or live session. Crafted from rigid Durashock molded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize audio cables and accessories.

FITS:
Akai MPC One

SPECS
Outer measures: 32 x 32 x 13,5 cm
Inner measures: 28 x 28 x 10 cm
Weight: 0,8 kg

Notes: The Meris MIDI I/O is a MIDI-TRS control interface which opens up unlimited control capabilities for up to four Meris pedals. The interface offers remote control, the saving of multiple presets offline and much more, all via your favourite MIDI controller device - even wirelessly via Bluetooth.

Finished in stylish black paintwork, it allows control of all your Meris pedal's parameters via MIDI and can control up to 4 separate pedals, using different MIDI channels.

MIDI I/O supports MIDI input and output from all Meris pedals and therefore allows unlimited offline preset saving and loading, so you can recall all your preset creations and with the amount of control each Meris pedal gives you, this is a hugely valuable feature.

Using a wireless Bluetooth/MIDI dongle and the MIDI I/O also can allows full control of all parameters of your Meris pedal via your iPhone with a suitable MIDI controller app, when using a suitable Bluetooth MIDI adapter (like Yamaha's MD-BT01 or similar). The interface has MIDI in and out activity status LEDs so you can keep tabs on what's sending and receiving MIDI.
As a bonus, the Meris MIDI I/O is also compatible with pedals from other companies like Empress and Chase Bliss*.

9V DC center-negative, 10mA, 2.1mm jack

Dimensions 3.7" wide, 2.6" deep, 1.5" tall

Weight 6.4 ounces

Includes 1 Flat 11" TRS cable. (No power supply included.)

Notes: The Old Blood Noise Endeavors Expression Slider is a fader for use with any pedal that has an Old Blood style expression input (see details below). Simply use a TRS cable to plug the Expression Slider into the Expression input and use the slider as you would a knob or expression pedal. Suggested uses: strap it to your mic stand to adjust your favorite setting without bending down, keep it at your studio console to control a parameter while tracking, use the indicators to mark your favorite settings, or simply replace a knob control with a slider because let's face it: sliders are cool. Unsuggested uses: Unintended excess weight from use with foot while standing may cause damage to the device. Read: Don't use your foot.

Details: the Expression Slider uses a TRS jack with tip connected to the wiper of a 100K slider. Old Blood Noise confirmed that it works with all their other products, as well as pedals from Chase Bliss, Meris, Earthquaker Devices, Empress, Montreal Assembly, Strymon, EHX, and Boss. It will not work with TS style expression inputs such as Line6 without an additional TRS splitter cable.

Notes: Today's mobile devices make it easier than ever to share your music with the world. From Instagram live-streams to YouTube videos, SoundCloud playlists and more, social media and smartphones have become a key aspect of how many musicians get heard and connect with fans.

iRig Stream makes it easier than ever to share, letting you connect instruments, mixers and more to your iPhone, iPad, Android device and Mac/PC, with convenient features designed just for use on today's most popular platforms. Whether it's mono or stereo, live playing or an existing mix, iRig Stream gets you connected to all your favourite apps, so you can start connecting with listeners instantly.

Get connected:

iRig Stream makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC - even the latest devices.

2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth & drum machine setups, and more. Whether you're looking to stream your DJ set, record band practice, jam along with your favourite song, or even host a podcast, iRig Stream lets you connect a massive range of gear.

Sound your best:

iRig Stream offers 24-bit, 48 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform you'll wind up on. And adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly

Make your voice heard:

iRig Stream offers a unique headphone / microphone jack, wired just like your smartphone, so you can listen and talk over the stereo input simultaneously.

The mic input is mixed into the stereo inputs, to ensure it works with any app, and offers adjustable volume. Best of all, it works with most headphones with a built-in mic*, and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre, giving you a wide range of options for any situation.

Designed for apps:

If you're ever tried streaming or sharing audio on social media, you know many apps only support mono signals - so iRig Stream offers a mono/stereo switch to compensate. Stereo passes both inputs as left & right channels, and mono mixes them together to a single channel, ensuring you won't lose anything panned to one side.

iRig Stream also offers a loopback function that lets you mix the output of your device with the incoming signal. Load up a backing track in your favourite music app, jam along on your instrument, then send both signals together to a video or live-stream - all on one device!

Comprehensive compatibility:

iRig Stream works with any app that records or streams audio or video, so you'll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video recording app. Record, trim, edit and share, right from your device.

Built to go and to last:

iRig Stream is compact enough to slip into the pocket of your backpack, so it's ideal for use on the go. It runs off your device's battery, so there's no batteries to run out mid-show, but can also charge your device with an optional power supply, to keep you going for extended sessions.

Includes:

- iRig Stream interface
- Lightning to mini-DIN connection cable (60cm/23.62")
- USB C-Type to mini-DIN connection cable (60cm/23.62")
- USB A-Type to mini-DIN connection cable (60cm/23.62")

Notes: Module A-196 contains a so-called phase locked loop (PLL). The basic PLL system is shown in the sketch at the bottom of this page. A PLL consists of three parts: voltage-controlled oscillator (VCO), phase comparator (PC), and low-pass filter (LPF). All parts are normally connected to form a closed-loop frequency-feedback system.

This is how a PLL works: The output of the internal VCO (linear CV control, rectangle output) is compared with an external signal (e.g. the rectangle output of a A-110 VCO) in the so-called phase comparator (PC). The output of the phase comparator is a digital signal (low/high/tristate) that indicates if the frequency resp. phase difference of the two input signals is negative, zero or positive. The output of the phase comparator is processed by a low pass filter (LPF) to generate a smooth voltage that is used to control the frequency of the internal VCO. The 3 units VCO, PC and LPF form a feedback loop that works like this: The control voltage (output of the LPF) increases as long as the external frequency is higher than the frequency of the internal VCO und stops increasing when both frequencies become identical. The control voltage decreases as long as the external frequency is lower than the frequency of the internal VCO und stops decreasing when both frequencies become identical.

But there are some stumbling blocks: Different types of phase comparators with advantages and disadvantages can be made. Some phase comparators e.g. even lock at harmonics, i.e. if the two frequencies to be compared are integer multiples. But for some applications this can be used to create interesting effects. The A-196 contains 3 different types of phase comparators: PC1 is a simple exclusive OR, that even locks at harmonics. PC2 is a so-called RS flipflop and PC3 a more complex digital memory network. The user can select one of the three phase comparators with a 3-position switch. When PC2 is used a LED displays the "locked" state, i.e. when the frequency of the internal VCO is identical to the external frequency.

Special attention has to be directed to the frequency of the LPF. To obtain a smooth control voltage for the VCO the frequency of the LPF has to be much smaller than the lowest frequency of the internal or external audio signal. Otherwise the frequency of the internal VCO will jitter or wobble around the correct frequency. But for special effects this frequency jitter can be used intentionally. Example: frequencies in the range 50Hz...1kHz have to be processed with the PLL. Therefore the frequency of the LPF has to be about 10Hz or even less. Such a low frequency of the LPF causes a noticeable slew of the internal VCO. When the frequency of the external signal jumps e.g. between 500Hz and 1kHz it takes about 0.1 second until the internal VCO reaches the new frequency (like portamento). So one has to find a compromise between frequency jitter and portamento. But these remarks are valid only for the "ideal" working PLL. As the A-196 is used in a musical environment the "problems" and disadvantages with jitter and slew time lead to additional musical applications like portamento effects, wobbling frequencies or harmonic locking according to the type of frequency comparator and time constant of the PLL low pass filter. Instead of the internal manually controlled low pass filter the voltage controlled slew limiter A-171 can be used to obtain voltage control of this parameter. Normal audio filters (e.g. A-120, A-121) cannot be used for this job as the minimum frequency is to high (down to a few Hz or even less necessary) and the signal has to be DC coupled due to the low frequencies. Audio filters are normally AC coupled.

Another very important application of a PLL is frequency multiplication in combination with an external frequency divider. For this the output of the PLL-VCO is processed through an external frequency divider (e.g. A-163, A-160, A-161, A-115) before it is fed to In1 of the phase comparator. In this case the frequency of the PLL-VCO will be a multiple of the master frequency. E.g. if the A-163 is used and adjusted to dividing factor 5 the frequency of the PLL-VCO will be 5 times the frequency of the master VCO. Consequently, frequency division (A-163) leads to frequency multiplication with the PLL circuit. In combination with the PLL low pass frequency several effects can be realized (frequency multiplication with portamento or wobbling). The frequency multiplication can even be used to drive a graphic VCO. If your graphic VCO e.g. has 8 steps (e.g. A-155) and you use a frequency divider with factor 8 in the PLL feedback the output of the graphic VCO has the same frequency as the master VCO. Another application is the generation of pseudo-harmonics (not real harmonics as only rectangle waves are available) or clock generation for switched-capacitor filters.

Notes: The mmT is an optional 3HP expander which connects directly to the expand socket on the rear of the mmMidi using supplied cable.
It maps the third configured MIDI channel key presses to corresponding trigger/gate outputs as shown on the mmT front panel.
It's useful for controlling drum modules and in particular the ALM Squid Salmple.

Dimensions
3 HP
38 mm deep

Current Draw
30 mA +12V
0 mA -12V

Notes: Module A-145-4 is a simple quad LFO (Low Frequency Oscillator). Not a very "exciting" module, just a bread-and-butter device and a simple demon for work. Virtually in every modular system several LFOs are required for modulation purposes. The module contains four simple LFOs with the waveforms triangle and rectangle. A dual colour LED (red = positive / yellow = negative output voltage) indicates the triangle output of each LFO. The frequency range can be chosen for each LFO individually by means of a jumper between about 50 Hz ... 0.04 Hz (about 20 seconds, jumper removed) and about 2Hz ... 0.002 (about 8 minutes, jumper installed).

The module can be treated as a slimmed version of the quad LFO A-143-3 as it has similar features available. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is less than one third of the A-143-3. The module is primarily planned for applications where only limited space is available. The functional difference compared to the A-143-3 are the missing sawtooth outputs and frequency range switches.

Notes: Compact and simple four-input mixer module from Uncle Dieter. Linear pots make it suited to mixing CV signals but it can also handle audio. Mixed signal hard-wired to two sockets.

Supplier notes:
Module A-138n is a simple four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator available. The output is twice available (two sockets, hard-wired like a multiple).

HP : 4

Notes: Duatt is a dual-channel active/buffered attenuverter and summing mixer. Each channel has a knob, which can function as a unipolar attenuator or a bipolar attenuverter, depending on the setting of its corresponding two-position polarity switch. It's a versatile and super handy utility module that will find its way into almost any patch you make!

Each input is normalled to a built-in +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 V or -5 to +5 V depending on the position of the channel polarity switch.

Channel A's output is normalled into the output of channel B for mixing duties, and channel A has a 2x voltage multiplier switch, allowing you to double the voltage sent into Channel A.

Notes: A-138s is a simple but useful 4-in-2 mixing tool. It has four inputs available. Each input is equipped with an attenuator (Level) and a panning control that is used to distribute the signal to the left and right output. Beyond stereo mixing it is equally suited to create variable parallel routings. For example: Any of the four inputs may be routed in variable intensity to feed two filters.

You may regard the A-138s as a smaller version of the A-138m Matrix Mixer.

Inputs and outputs are DC coupled, i.e. the module can be used for the mixing of control signals too.

- 3U Eurorack module, 8 HP wide, 30 mm in depth
- Power consumption: 10 mA at +12 V and 10 mA at -12 V

Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.

Notes: It's all about the things you connect to the The Field Kit! To get you started, Koma Elektronik have decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

The Expansion Pack contains:

- 2 x Contact Microphones: Use these contact microphones to pick up vibration or sound, they are an amazing versatile input source
- 1 x Electro-Magnetic Pickup: This guy is good at picking up changes in magnetic fields, you can use it to amplify a string like a guitar pickup or amplify a spinning motor
- 1 x Solenoid push-pull motor: Use the solenoid to hit things, together with the DC Interface the solenoid can make anything rhythmical and percussive
- 1 x DC motor: The Motor can be used to rotate things or as a noisy oscillator together with the Electro-Magnetic Pickup
- 1 x small speaker: Use the speaker to listen to the main mix or as a sound source and to feedback sounds
- 3 x patch cables Always handy to have around to patch up different parts of your Field Kit... and a bunch of little objects to play with (little springs, marbles)

The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

Notes: Module A-151 (Quad Sequential Switch) is like an electronic four-position rotary switch.

It includes trigger and reset inputs, four in/outputs, and a common out/input. Each time a pulse is received at the trigger input socket, the common out/input is connected to the next in/output. After the fourth in/output, the next trigger makes it step back to the first again, and so on. A positive pulse at the reset input switches the out/input immediately back to the first in/output. Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Four LED's indicate the active in/output (ie. the one that is connected to the out/input at any particular time).

Notes: If you need the production power of FL Studio, but don't need to deal with audio recording or audio clips, then FL Studio Fruity Edition 20 will fit the bill. FL Studio Fruity Edition 20 gives you full access to a powerful piano roll editor, which lets you sequence and arrange your virtual instruments to your heart's desire. It also gives you access to FL Studio's powerful step sequencer, 18+ virtual instruments, and over a dozen built-in effects and processors. Add to that unlimited tracks, VST and DXi instrument support, and full automation capabilities, and you'll be hard pressed to find another electronic music production system that offers as much value as Image Line's FL Studio Fruity Edition.

What you can do with FL Studio Fruity Edition 20:

- Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula-based control of links.

- Record & play MIDI input recording from keyboards, drum pads and controllers.

- Sequencing and arranging with pattern and linear workflow possible.

- Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.

- Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favourite plugins and applications.

- Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.

- Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano rolls in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.

- Determine your own project design - In FL Studio 20, you decide how your project will be laid out, including multiple 'Arrangements'. Unlike the competition, FL Studio 20's Playlist is a totally flexible and virtually unbounded workspace where - Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.

- The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL's proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

- Effects - What about effects? FL Studio 20 includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process.

Notes: Great for generating random voltages from white noise, arpeggios from sawtooth waves, and downsampling audio signals.

Notes: Module A-138n is a simple four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator available. The output is twice available (two sockets, hard-wired like a multiple).

The module is the slim version of module A-138a and offers nearly the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-138a. The module is primarily planned for applications where only limited space is available. The only functional difference compared to the A-138a is the missing attenuator for the (dual) output.

Notes: Erica Pico VC EG is versatile looping AD/ASR envelope generator with voltage control over attack and decay times. It has automatic Trigger/Gate detection, as well as "drone mode" - at full CW setting of the Decay knob, the envelope is full open. In the LOOP mode you can re-trigger envelopes for even more interesting modulations.

Features

AD/ASR envelope
Automatic Trigger/Gate detection
Manual and voltage control over
Attack and Decay time
Manual trigger button
Input protection against over-voltage
Protection against reverse PSU connection
Output amplitude 0V - 10V
Attack time 5ms - 1s
Decay time 5ms - 50s
CV level (Full span) -5V - +5V
Power consumption +17MA, -13MA
Module width 3 HP
Module depth 35 mm

Notes: Compact format audio mixer with 4 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.

Notes: I'm the operator with my pocket calculator. Which is actually a drum machine. Cult classic digital beatbox which integrates really nicely with the Sonic Charge MicroTonic plugin.

Supplier notes:
Drum synthesizer and sequencer with para-meter locks, punch-in effects and unlimited sounds with micro-tonic VST through data transfer.

Unlimited sounds:

PO-32 is the first pocket operator which allows unlimited sounds. in addition to the 16 preset sounds, you can use sonic charge micro-tonic VST to craft your own unique sounds and transfer them wirelessly to PO-32 with the built-in microphone, or alternatively by using a cable.

Upgraded hardware platform:

PO-32 has a built-in microphone for transferring and receiving data over sound. it also has a removable lock tab for write protection of patterns. the hanger strength is increased for extra durability, and on the backside of unit there are some useful combo reminders.

New pro-case:

CA-X silicone pro-case is the best companion for PO-32. with an updated design, this case includes a hole for microphone, anti-slip feet, neck strap, battery protection and pro feel buttons. it is also compatible with all pocket operator models.

Notes: Module A-134-2 contains two identical voltage controlled crossfader units.

Each unit has two voltage controlled amplifiers (VCAs) with opposite control behaviour available. The outputs of the two VCAs are mixed together to obtain a common output. The behaviour of the control voltage inputs can be chosen with an internal jumper:

Symmetrical mode: If the corresponding jumper is not set both VCAs of the crossfader have the same 50% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. A negative CV has the opposite result. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about -2.5....+2.5V. This mode is useful for bidirectional (i.e. positive and negative) control voltages, for example LFO or joy stick (adjusted to 0V CV in centre position).

Asymmetrical mode: If the corresponding jumper is set VCA2 is fully closed and VCA1 has full 100% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about 0...+5V. A negative CV has no function in this mode. This mode is useful for unidirectional (i.e. only positive) control voltages, for example ADSR, ribbon controller or Theremin control voltage.

The CV input of the upper unit (CV1) is normalled to the CV input of the lower unit (CV2). I.e. if no plug is inserted to CV2 the CV input of the upper unit (CV1) also controls the lower unit.

The second signal input of the upper unit (In1B) is normalled to the first signal input of the lower unit (In2A). I.e. if no plug is inserted into In2A the signal In1B is used as the first signal input of the second unit.

As the inputs and outputs are DC coupled the module can be used for both audio and control voltage signal processing.

Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.

Notes: The CE22 is a professional multi-band enhancer/exciter designed for various applications.

This unit combines 2 processors to align the phase and focus of bass frequencies, improve the response of mid-high frequencies and add harmonic content to any "dull" sounding audio.

The surround processor utilises the phase alignment engine to give a greater perceived width to the stereo field.

Notes: Introducing the PULSE Case for the Make Noise 0-Coast and 0-CTRL, which can store two Make Noise modules in one very convenient case. Analog Cases have included two cutouts in the case to transport the power supplies below the modules, and the included mesh pocket gives you plenty of space for storing patch cables. Of course, this case can also fit the new Make Noise Strega as well, so your mobile modular performance options are almost limitless!

The PULSE Case for the dual Make Noise instruments is made with durable EVA plastic, the same lightweight material used for football helmets and surfboards. With a PULSE Case, you can toss these synths in your backpack and take it anywhere to jam. Inside the top lid, there's a mesh pocket for storing patch cables, so that you can keep everything for your jam together in one place.

The PULSE Case for the Make Noise 0-Coast and 0-CTRL is molded to the exact dimensions of the semi-modular instruments, so you won't have to worry about the analog components getting damaged when you take your synths on the road.

Specifications

Perfect fit for the Make Noise 0-Coast and 0-CTRL
Made from lightweight and durable EVA material
Internal storage pocket for cables
Custom-molded and die-cut interior
High-quality black velvet lining
Exterior: (15 x 8.82 x 3.31) Inches

Notes: Theremin module for generating a variable control voltage by approaching/removing hand to/from an antenna.

The distance range is about 30 cm. Additionally the module is equipped with a Gate output with adjustable threshold level. To simulate the original Theremin two A-178, a VCO (e.g. A-110) and a linear VCA (e.g. A-130 or A-132) are required. But of course the A-178 can be used to control other functions in the A-100 (e.g. filter frequency, modulation depth and/or speed, tempo, attack/decay time and so on).

The CV output voltage of the A-178 can range - according to the setting of the front panel controls - from -10V...+10V.

The gate output switches from 0V to about +10V.

Power consumption: 60mA at +12V and 20mA at -12V

Depth: 40mm

HP : 8

Notes: Small and stylish audio interface with two microphone/line inputs and stereo speaker outputs. Includes a bundle of free software to get you started recording music, podcasts or radio shows.

Supplier's Notes:
Capture your microphones and instruments and start recording audio directly to your computer with EVO 4's intuitive feature set. Combining leading tech specs with incredible performance and sound quality, EVO 4 is the perfect interface for beginners and pros alike.

Made for the smart creative, EVO 4 will deliver a powerful recording solution no matter your artform.

Whether recording your latest track, producing a beat, or creating a podcast, get your ideas down fast with EVO 4's advanced and versatile feature set.

Building on Audient's 20+ years of audio design experience, EVO 4 gives you unrivalled audio quality on your desktop.

EVO 4's innovative technical design ensures you will get professional quality recordings from the start.

Get the most from your microphones with the clean, warm and accurate EVO preamps - offering 58dB of gain range.

Hear your recordings more accurately than ever with 113dB of dynamic range.

Plug your guitar or bass straight in through the JFET instrument input and start recording instantly.

Make sure you capture everything perfectly with Smartgain mode. Start playing or singing and Smartgain mode will automatically set the level of your microphones. You can even perfectly match and adjust gain to both channels simultaneously.

Control your speakers, headphones and channels all from one knob.

Make effortless recordings with ultra-low latency monitoring.

Individually switch phantom power on/off for each channel and give your microphones the power they need to perform.

Set levels and activate features from your computer

Take control of EVO 4's hardware with the EVO Control app. Quickly set and monitor your levels, mute microphones or even activate Smartgain straight from your computer.

Control recording sessions on the fly

Effortlessly adjust levels, mute mics and set volume

Dedicated input metering

Connecting a set of headphones to the headphone port will automatically mute your monitors, making switching between loudspeaker monitoring and headphone monitoring quick and seamless.

Compatible with all major audio software and plugins, EVO 4 comes bundled with a collection of professional software, giving you everything you need to start recording.

Plug in and power EVO 4 directly from your computer via USB and start recording on the go, whenever inspiration strikes.

Audio Loop-back enables you to record your computer audio at the same time as your microphones. Ideal for podcasters and streamers.
Record your computers audio
Record guest Skype/video calls
Record gaming audio

EVO 4's audio loopback feature can be configured via its own dedicated audio loopback mixer software, enabling you to combine audio sources and quickly route them between software.

Minimalist layout. Innovative Engineering. Modern aesthetics. EVO 4 has been designed to last and look at home on your desktop.

Notes: Arturia MiniFuse 1 is a portable 1 in / 2 out audio interface audio interface designed to work for you, whatever your style. Record your vocals, guitar, podcast, or produce your track at the highest studio quality. A complete software bundle with instruments, recording software, and effects is included - recording and producing has never been easier.

MiniFuse comes from the award winning Arturia AudioFuse line of studio audio interfaces. Class-compliant & Bus-powered means you can plug in and go, and you won't need an additional power supply as it's USB powered. Recording has never been easier.

MiniFuse 1 fits right into your setup with a straightforward set of ins and outs. Its single combo input lets you easily connect either XLR or 1/4" jack cables. Plug into your computer with quick & compact USB-C compatibility. Finally, connect USB devices like your MIDI keyboard with the additional USB hub socket.

For audiophiles, MiniFuse boasts a 110db dynamic range and a class-leading equivalent input noise of -129dB. For everyone else, that means that every recording you make sounds incredible, with rich dynamics, clear noise-free signal, and studio-grade quality - you can't go wrong.

Break the mold and take your studio on the go. MiniFuse is not only compact and lightweight; its rugged aluminium casing can handle the mobile producer's lifestyle. Put it in your bag, get out there, and find the sound you've been looking for.

Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place

Keep your creativity fresh and your inspiration flowing with step-by-step music production tutori-als, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge.

Arturia FX

Colour your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus.

Ableton Live Lite

Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse.

Analog Lab Intro

Instantly add inspiring sounds from Arturia's award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds.

Auto-Tune Unlimited 3-months free subscription

Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favorite voice tuning plugin.

GUITAR RIG 6 LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones.

Splice Creator Plan

3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Huge software bundle includes: Ableton Live Lite, Analog Lag Intro, 4 x Arturia FX, Auto-Tune 3-month subscription, GUITAR RIG 6 LE, Splice 3-month subscription, and more...

Included Software

Ableton Live Lite: For your recording and mixing needs

Analog Lab Intro: Classic and modern synthesizer and keyboard sounds

4 x Arturia FX: A world-class preamp, plate reverb, tape echo and chorus effects

Auto-Tune Unlimited: 3-month subscription to the leading pitch tuning software

GUITAR RIG 6 LE for guitar amplification emulations and guitar

Line Inputs
Input impedance: 16kO
Maximum input level: +22dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.05dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)
Instrument Input
Input impedance: 1MO on Tip
Maximum input level: +11.5dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -91dB typical (un-weighted)
Microphone Preamps
Input impedance: 2.5kO
Maximum input level: +9dBu
Gain range: 56dB
Equivalent Input Noise (EIN): -129dB typical (A-weighted)
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)
Speakers
Output impedance: 94O
Maximum output level: +12dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 107.5dB typical (A-weighted)
THD+N @ 1kHz: -101dB typical (un-weighted)
Phones
Output impedance: 10O
Maximum output level: +11.4dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 104dB

Notes: The perfect lightweight travel case for your Digitakt or Digitone! Just zip it up and go make music anywhere. Analog Cases' durable PULSE cases are designed for mobile electronic musicians.

Description:

PULSE cases are made from molded EVA that holds its shape and provides excellent protection. This case is designed to hold the Digitakt or Digitone along with its power supply, and it also includes a nylon mesh compartment for holding your cables.

Specifications:

Perfect fit for your Digitakt or Digitone + cables

Versatile and lightweight

Spacious and comfortable handle

High quality Analog Cases logo zipper puller

Interior dimensions: 10.25 x 7.25 x 2.75 inches

Notes: This PULSE case was designed with one thing in mind: keeping your MicroKorg / MicroKorg XL+ in good condition and working properly. There's no need to settle for a generic gig bag. This is the one you've been waiting for!

Description:

This lightweight and user-friendly case is custom molded to the exact dimensions of the MicroKorg / MicroKorg XL+. Its rigid exterior will provide excellent protection for your synth.

Made with high-quality, durable materials, this case features a velvet-lined interior that will give you peace of mind when traveling with your MicroKorg. And this case also has a spacious interior pocket for storing your cables.

Specifications:

Perfect fit for your Korg MicroKorg / MicroKorg XL+

Separate compartment for holding cables

High-quality, premium handle designed for comfort

Extra-large premium zipper

Interior dimensions: 22 x 9 x 3.75 inches

Exterior dimensions: 23.75 x 11 x 3.75 inches

Notes: The ultimate case for your 16" or 15" MacBook Pro! Compatible with the 2022, 2021 or 2020 16" MacBook Pro, or the 2016-2019 15" MacBook Pro.

The Analog Cases PULSE MacBook Pro Case has been carefully designed to the unique needs of highly mobile creative professionals. If you demand the highest level of protection for your MacBook Pro, our PULSE Case will deliver.

The case features a die-cut EVA foam insert that is custom-fitted to the exact dimensions of both the 16" / 15" MacBook Pro. In the unfortunate event of any falls, the EVA material is shock-resistant and will absorb the blow to prevent any damage to your laptop.

A spacious storage area underneath the laptop has a dedicated compartment for your charger, plus two other large compartments that are a perfect fit for many popular external hard drives such as LaCie or Western Digital. The upper lid of this case features two additional storage pockets for your cables and accessories.

This case also features a super-soft velvet interior lining, ballistic nylon exterior, comfortable and ergonomic handle, and our signature sleek and minimalist aesthetics.

Description

Whether you're a music producer, photographer, video editor, or podcaster, you'll appreciate the serious protection, versatile storage options, and compact design of our rigid molded case.

The PULSE MacBook Pro case is the ONLY case that features a die-cut EVA foam insert that is custom-fitted to the exact dimensions of the 16" or 15" MacBook Pro.

As a creative professional, your external hard drive, battery packs, and cables are just as important as your laptop itself. That's why this case has been designed for maximum versatility and storage capacity. A spacious storage area underneath your MacBook Pro has a dedicated compartment for your charger, plus two other large compartments.

And that's not all. The upper lid of this case features two additional storage pockets for your cables and accessories, which are separated by a padded divider to keep everything organized and protected. The storage pockets can be securely sealed with a velcro strap to ensure that your gear remains in place during travel.

Specifications

Die-cut EVA foam insert customized to the exact dimensions of the 16" or 15" MacBook Pro

3 dedicated storage compartments for accessories that measure:
- 12" x 3.3" x 1.1"
- 7.2" x 3.2" x 1.1""
- 3.7" x 3.2" x 1.1"

2 interior storage pockets, each measuring 15.4" x 8.3"

Exterior case dimensions: 18.75" x 12.5" x 3.25"
Interior case dimensions: 16.4" x 11" x 3"
Weight: 3.4 lbs

Notes: Enter a galaxy of rich and vibrant delays. The Dreadbox Nostalgia 3 Stage Delay is a superb effect module that can give you amazing results in moments. Delay is a true staple in the effects world and it can take your modular music to the next level via just a few cables.

The Dreadbox Nostalgia 3 Stage Delay is ideal for a range of modular music styles, from ambient to acid house. This 10HP module fits snugly in your system and has enough CV control to keep even the most avid patcher satisfied.

117 mA +12V
25 mA -12V
35 mm deep
10HP

Notes: MoCo is a fully passive monitor controller that helps you to provide perfect control over the playback volume of your studio monitors.

"Fully passive" means that there are no active components involved, that could in any way alter the audio signal - keeping the maximum sound quality level for your studio monitors. MoCo provides two separate stereo inputs (one with balanced 1/4" TRS connectors, one with both unbalanced RCA and unbalanced 1/8" TRS connectors) and two separate stereo outputs (one with balanced XLR connectors, one with balanced / unbalanced 1/4" TRS plus unbalanced 1/8" TRS connectors). MoCo does not change your signals from unbalanced to balanced: what goes in, goes out!

Via one switch you can select the input signal and with separate buttons, each output can be enabled. Also there is a switch that changes the monitor signal to mono and you can mute the playback audio signal quickly at the touch of a button. A quick swap of the left and right audio signal channels is also possible. And of course, the stylish big knob in the center of MoCo controls the actual playback volume.

Features/specifications

2x mono balanced 1/4" TRS input (input A)
2x mono unbalanced RCA input (input B)
1x stereo unbalanced 1/8" mini jack input (input B)
2x mono balanced XLR output (output A)
2x mono balanced / unbalanced 1/4" TRS output (output B)
1x stereo unbalanced 1/8" mini jack output (output B)
Selected high quality potentiometer for passive volume control
A/B input selection switch
L/R switch to swap left & right audio channels
Independent A and B buttons to enable and disable the outputs
Mono downmix button (mixes left to right channel and right to left channel)
Mute button to mute output signal instantly
Approx. dimensions: 164 mm (length), 130 mm (width), 55 mm (height)

Notes: The Nektar SE49 USB MIDI controller keyboard has all the features you need to start making music with your computer. It is compatible with any MIDI music software, sports a full-size keyboard with velocity, includes all the performance controls you'd expect and even has Nektar DAW control features. Simply plug the supplied USB-cable in and go: Capture your ideas while they are fresh!

PLAY - THE ACTION:
The keys are a keyboard controller's most important feature. So we made sure that the SE49 has keys that are fun and expressive to play: Its synth-action keybed has 49 velocity-sensitive full-size keys with a defined and firm feel. And as everyone has their own playing style and preferences, we have included a choice of 4 different velocity curves (plus 3 fixed ones) so you can adjust the keyboard response to your needs.

PERFORM - THE PERFORMANCE CONTROLS:
No matter if you want to play a complex solo in the style of Herbie Hancock or are just trying to make an EDM wobble bass more lively by adding modulation: the SE49's large Pitch Bend and Modulation Wheels will get you there. They have a tight grip and offer just the right resistance. For piano-style sustain effects, you can connect a switch or pedal to the foot switch socket on the back of the SE49.

BUTTON UP - THE CONTROLS:
Four buttons and one MIDI-assignable fader to the left of the keys make the SE49 even more flexible: Shift the keyboard up or down -3/+4 octaves with multi-coloured LED indicators showing the exact status. Or transpose the keys +/- 12 semitones with the transpose buttons right below.

CUSTOM MIDI ASSIGNMENTS:
Take control a notch further: Most soft- and hardware products with MIDI have their parameters assigned to so-called MIDI CC messages. This lets you do cool things such as changing filter cutoff, panning, effects bypass or any other parameter that has a MIDI CC assigned to it from a hardware control on your SE49.

Simply set the MIDI Fader, Modulation Wheel or foot switch pedal to control the MIDI CC message you want. Your assignments are stored over power cycling, so next time you can continue where you left off right away.

CONTROL YOUR DAW:
How about getting a better workflow without any of this nerdy stuff? How about transport control, level mixing and track selection directly from the SE49? Take control of your DAW's most important functions with our Nektar DAW Integration software! Of course, the SE49 works with any MIDI software, but with custom Nektar DAW Integration you can do even more: Use the Transpose buttons for track or patch change, always have the currently selected track's volume assigned to the fader and turn the Octave and Transpose buttons into Play, Stop, Record and Rewind buttons. How's that for giving the mouse a break?

Nektar DAW Integration for SE25 currently supports Bitwig, Cubase, Garageband, Logic, Nuendo, Digital Performer, Mixcraft, Reason, Reaper, Sonar and Studio One. (In order to take advantage of Nektar DAW Integration, you need to register your SE25 and download the integration files from your user account.)

GET CONNECTED - SETUP & iOS:
SE49 keyboards are USB class compliant and don't require a driver to operate. Installation and connection is easy; just plug the keyboard in to a USB port on your computer. You can also connect an Impact SE49 keyboard to an iOS device using the optional Apple USB camera connection kit. A 1/4? input jack allows you to add a foot switch pedal for sustain or sending MIDI messages.

CAPTURE YOUR IDEAS - BITWIG 8-TRACK INCLUDED:
You can start producing, performing, and designing sounds like a pro from day one with the included Bitwig 8-Track DAW. It includes over 50 software instruments and effects for use on up to 8 audio or MIDI project tracks, and you can use any 3rd party VST plug-ins you might own, too. The 'Bitwig Essentials Package' comes as part of this package as well, featuring a highly versatile handpicked selection of loops, clips and samples, to make it even easier to get you started.

Notes: Want some distorted drums or thicken up the final mix but you are short in rack space? Pico Drive is the answer! Pico Drive is combined wavefolder overdrive module that features manually adjustable Gain and Drive level, CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping.

Features:
Manual Gain and Drive controls
CV control over Gain and Drive
Wavefolder
Output signal limiter
Input and output protection against undesired overvoltage

Technical specifications:
Audio output level: -5...+5V
CV level (full span): -5V - +5V
Power consumption: 29mA @ +12V, 29mA @ -12V
Module width: 3HP
Module depth: 35mm

Notes: Plastic dust cover for Soma Laboratory Cosmos.

Notes: Soft case for Soma Laboratory Cosmos.

Notes: This is a new revision of one of ADDAC's first modules, back from 2010.

Now more compact in 6hp and with an Offset CV input.

The incoming signal amplitude is controlled by a [GAIN] attenuverter circuit allowing to attenuate the signal as well as invert its phase.
A back jumper can set the maximum gain amount to either x1 (unity gain) or x10. DIY modifications can be made by changing its resistors.
After the Gain an offset can be added to the signal, displacing the signal up or down (-5V to +5V) this can be adjusted using the [OFFSET] knob and CV input

When using no input using the [OFFSET] knob and CV input will generate an output between -5V and +5V.

Tech Specs:

6HP
2.5 cm deep
40mA +12V
40mA -12V

Notes: Realizing matching gaps in the market and their friends' workflows, Old Blood Noise Endeavors unveils their newest utility device, the MIDI to Expression Translator (MTET). MTET is a simple device for complex workflows.

It receives MIDI CC messages and turns them into expression outputs, allowing players to unlock MIDI control over their expression-enabled devices.

Where once there was only a foot, now there is envelope control, LFO control, snapping to preset positions: any MIDI shape can express an OBNE (or similar) device.

Language is hard: let's start at the start. Communication is complex, beautiful a real thorn in our sides. Many languages, dialects, standards. Some similar, some vastly different. A linear sweep, a barrage of Bits.

Music, of course, is meant to be the universal language, but Old Blood Noise Endeavors' devices don't see it that way.

The MIDI To Expression Translator (MTET) does exactly what it says on the tin. It receives MIDI messages from external MIDI devices and uses those MIDI messages to create four separate Expression outputs for use with external expression enabled devices.

MTET uses a 50k digital pot, wired for TRS connection with the tip active (connected to the wiper). It is assumed the external expression-enabled unit will apply to the sleeve and reference voltage to the ring. It is configured to communicate with other devices using this standard. Its primary purpose is to interface with Old Blood Noise Endeavors pedals and serve as a communicator between them and a MIDI controller. However, it will work with many other units that use the same expression setup as OBNE.

Notes: MOOER, a leading music gear company, is proud to announce the release of Micro Looper II, a powerful and compact loop pedal that provides an impressive 480 minutes of recording time spread across three saving banks.

Featuring three saving banks and 16 slots per bank, the Multi-Saving-Slot Micro Looper Pedal offers users up to 480 minutes of recording time, with each slot providing up to 10 minutes. The pedal also includes unlimited recording layers, allowing musicians to easily create complex and layered loops.

With its AUTO REC function, the Micro Looper II automatically starts recording as soon as an input signal is detected, making it easy to capture spontaneous musical ideas without having to press any buttons.

Specifications:

Number of saving slots: 48
Maximum recording capacity of each slot:10 minutes
Sample rate/sample depth: 44.1kHz/24bit
Input: 1/4'' mono audio jack (impedance value: 470k ohm)
Output: 1/4'' mono audio jack (impedance value: 100 ohm)
Power requirements: 9V 120mA, centre negative (it is recommended to use the isolated power supply to avoid unexpected noise)
Dimensions: 93.5(D) × 42 (W) × 52mm (H)
Weight: 157g
Accessories: Owner's manual

Notes: Introducing the Ergonomic Studio Stand for Ableton Push 3: a game-changer in the world of music production. Designed with your comfort and productivity in mind, this stand is the ultimate solution for those seeking a more immersive and ergonomic music-making experience.

Crafted with precision, the stand offers a sleek and sturdy design that seamlessly integrates with your Ableton Push 3 controller. By elevating your controller to an optimal height and angle, it eliminates the strain on your wrists and neck, allowing you to focus on your creativity without any discomfort.

One of the standout features of this stand is its ability to enhance your visual experience. With a specially designed screen mount, it brings the Ableton Push 3's display closer to your line of sight, ensuring crystal-clear visibility of every detail. No more squinting or straining your eyes to read parameters or follow your music-making process. The screen becomes an extension of your creativity, effortlessly accessible at all times.

The stand's ergonomic design also promotes a more organized and efficient workspace. Its integrated cable management system keeps your cables neat and tangle-free, reducing clutter and allowing you to concentrate fully on your music production. Additionally, the stand's robust construction ensures stability, even during intense sessions, guaranteeing a secure and reliable platform for your Ableton Push 3.

Whether you're a professional music producer or an aspiring artist, the Ergonomic Studio Stand for Ableton Push 3 offers unparalleled comfort and convenience. It enhances your workflow, minimizes physical strain, and maximizes your creative potential. Take your music production to new heights with this exceptional accessory that is both stylish and functional.

Upgrade your studio setup today and revolutionize the way you create music with the Ergonomic Studio Stand for Ableton Push 3. Experience comfort, visual clarity, and an improved working environment that will elevate your musical journey to new levels of excellence.

Notes: The Charge Case is a handy charging case for the Wireless GO II. It accommodates both transmitters and the receiver and features an integrated battery that facilitates three full recharges for up to 30 hours of continuous use. With a rugged enclosure and zip system, it is also perfect for protecting the Wireless GO II when in transit or storage.

Notes: NANOPATCH M is a tiny and incredibly versatile patch bay, with mini jacks sockets on both the rear and the top panel. It is ideal for connecting to instruments and a mixer when used in conjunction with NANOPATCH X.

It also works with CV, so can be used as a breakout box for semi-modular synths with outputs in hard-to-reach places (e.g. Moog Grandmother) and devices that output CV over TRS sockets (e.g. MPC ONE).

Dimensions: 76 mm x 70 mm x 22 mm (not including sockets and feet)

Mini jack sockets on the back panel makes it easy to connect to eurorack systems and small instruments such as Korg Volcas.

3.5 mm to 6.35 mm cables can be used when connecting to equipment with 1/4" sockets.

Using standard eurorack cables, easily patch signals from a NANOPATCH M through effects connected to a NANOPATCH X (and back again).

How It Works

Rear sockets labelled 1/2, 3/4, 5/6 and 7/8 can be used for either mono or stereo signals. For example, if a TRS cable is plugged into rear socket 1/2, the left and right channels will break out to sockets 1 and 2 on the top panel. If another cable is plugged into rear socket 2, rear sockets 1 and 2 will correspond to sockets 1 and 2 on the top panel, both in mono.

Normalling

Channels 1-4 can be full-normalled to channels 5-8 using DIP switches located on the side of the NANOPATCH M.

This allows a signal to pass through from instrument to mixer without the need for any patching. When a patch cable is inserted into either socket of a normalled pair, the connection is broken, allowing for custom routing of the signal.

Typical Setup

A typical setup would be to have four instruments connected to channels 1-4 and four mixer channels connected to channels 5-8.

Connections to the mixer could either be made with four separate mono cables (utilizing the sockets on the side) or with two insert cables (as in the diagram).