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Notes: The Charge Case is a handy charging case for the Wireless GO II. It accommodates both transmitters and the receiver and features an integrated battery that facilitates three full recharges for up to 30 hours of continuous use. With a rugged enclosure and zip system, it is also perfect for protecting the Wireless GO II when in transit or storage.

Notes: NANOPATCH M is a tiny and incredibly versatile patch bay, with mini jacks sockets on both the rear and the top panel. It is ideal for connecting to instruments and a mixer when used in conjunction with NANOPATCH X.

It also works with CV, so can be used as a breakout box for semi-modular synths with outputs in hard-to-reach places (e.g. Moog Grandmother) and devices that output CV over TRS sockets (e.g. MPC ONE).

Dimensions: 76 mm x 70 mm x 22 mm (not including sockets and feet)

Mini jack sockets on the back panel makes it easy to connect to eurorack systems and small instruments such as Korg Volcas.

3.5 mm to 6.35 mm cables can be used when connecting to equipment with 1/4" sockets.

Using standard eurorack cables, easily patch signals from a NANOPATCH M through effects connected to a NANOPATCH X (and back again).

How It Works

Rear sockets labelled 1/2, 3/4, 5/6 and 7/8 can be used for either mono or stereo signals. For example, if a TRS cable is plugged into rear socket 1/2, the left and right channels will break out to sockets 1 and 2 on the top panel. If another cable is plugged into rear socket 2, rear sockets 1 and 2 will correspond to sockets 1 and 2 on the top panel, both in mono.

Normalling

Channels 1-4 can be full-normalled to channels 5-8 using DIP switches located on the side of the NANOPATCH M.

This allows a signal to pass through from instrument to mixer without the need for any patching. When a patch cable is inserted into either socket of a normalled pair, the connection is broken, allowing for custom routing of the signal.

Typical Setup

A typical setup would be to have four instruments connected to channels 1-4 and four mixer channels connected to channels 5-8.

Connections to the mixer could either be made with four separate mono cables (utilizing the sockets on the side) or with two insert cables (as in the diagram).

Notes: Module A-130-4 contains four linear VCAs with a common level control section for all four VCAs. It can be used for all applications of simultaneous amplitude/level control of up to four different audio or CV signals. A-130-4 is the replacement of the no longer available module A-132-2. Compared to the A-132-2 the width has been reduced from 8HP to 4HP.

The module has these controls and in/outputs available:

Control Man.: manual control of the amplification
Control CV: attenuator for the control voltage applied to socket CVo socket Input 1
Sockets In 1...4: VCA inputs 1...4
Sockets Out 1...4: VCA outputs 1...4

Application examples:

simultaneous amplitude/level control of up to four different audio or CV signals
polyphonic application 1: simultaneous control of the frequency modulation depth of 4 VCOs (Quad-LFO A-145-4 or Quad-VCLFO A-147-5 > A-130-4 > FM inputs A-111-4)
polyphonic application 2: simultaneous control of the pulsewidth modulation depth of 4 VCOs (Quad-LFO A-145-4 or Quad-VCLFO A-147-5 > A-130-4 > PWM inputs A-111-4)
simultaneous control of quadrophonic signals

Technical notes:

The maximum amplification for each VCA is about 1 ("Man." control fully CW). Even with an external control voltage applied to the CV input the maximum amplification is limited to 1.
The module is equipped with two internal connectors (pin headers with 4 pins each). Pin header #1 can be used to normalize the four inputs to other modules (e.g. Quad LFO A-145-4 or A-147-5, Quad ADSR A-143-2). Pin header #2 can be used to connect the four outputs to other modules.
The max. level at the VCA inputs without clipping/distortion is about 20Vpp or +/-10V.

Dimensions
4 HP
45 mm deep

Notes: Unleash your musical prowess and dive into the boundless realm of creativity with the Roli Seaboard Rise 2. Along with the Rise 49, these innovative MIDI controllers redefine the art of expression, so it's crucial to protect their unparalleled touch-sensitive surfaces and cutting-edge technology from the trials of the music-making journey.

Introducing the Seaboard Decksaver cover, the ultimate shield tailored exclusively for your Seaboard Rise 2 or Rise 49. Precision-crafted to perfection, this cover is your ticket to unbridled inspiration while preserving the brilliance of your musical masterpiece.

With this perfectly formed Decksaver lid, you can bid farewell to worries about dust, spills, scratches, and accidental impacts when your gear is not in use. Crafted from top-grade polycarbonate, this robust shield ensures your Seaboard stays immaculate, untouched by the wear and tear of everyday use.

Designed with unwavering attention to detail, the custom-fit mould effortlessly envelopes your Seaboard, leaving all controls and connectors readily accessible. Whether you're composing in the studio or performing on stage, this Decksaver cover ensures your creative flow remains unhindered.

Each Decksaver design undergoes rigorous testing to meet Decksaver's stringent quality standards, assuring you of the utmost reliability and longevity.

Join the league of musical virtuosos who trust Decksaver to protect their instruments. Elevate your musical experience, knowing that your Seaboard Rise 2 & Rise 49 is safeguarded by the industry's finest cover.

Choose Decksaver, choose perfection, and choose to embark on a musical odyssey that transcends boundaries with the Roli Seaboard Rise 2 & Rise 49 Decksaver cover. Elevate your passion for music and preserve the essence of your Seaboard in style - a symphony of limitless possibilities awaits!

Fits

Seaboard Rise 2
Seaboard Rise 49

Dimensions

Weight: 0.9 kg
Length: 84.3 cm
Width: 21.6 cm
Height: 3.2 cm

Material: Smoked clear polycarbonate.

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
24HP wide

Notes: The Midas M32R, celebrated for its superior audio quality and comprehensive control features, has established itself as a crucial element in both live sound and studio settings. In acknowledgement of its vital role in audio production and owing to the high demand for effective protection, Decksaver are pleased to present the cover for the Midas M32R.

Crafted from robust, high-grade polycarbonate, this cover is specifically designed to protect your M32R from dust, liquid spills, and accidental impacts, ensuring that your mixer remains in optimal condition.

This Decksaver cover is precision-engineered to snugly fit the Midas M32R, offering a precise, form-fitting shield over all the mixer's knobs, faders, and controls, whilst conveniently allowing for cable connections. This thoughtful design is the result of an in-depth understanding of the needs of audio professionals, facilitating ease of use for those requiring quick, efficient setup and breakdown.

Ideal for use in the demanding environments of live sound, busy recording studios, or for protective storage, this cover acts as a reliable barrier, preserving both the functionality and the aesthetic appeal of your M32R.

Opting for the Decksaver cover for your M32R is more than just a precautionary measure; it signifies a commitment to preserving the longevity and performance of an integral piece of your audio equipment. Highly regarded by industry professionals and sought after by audio enthusiasts, this cover is an indispensable accessory for anyone committed to maintaining their Midas M32R in prime condition, ready for any audio challenge or creative endeavour.

Dimensions

Weight: 1.04 kg
Length: 48.5 cm
Width: 63.5 cm
Height: 1.6 cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: The Kenton Merge 4 can merge the data from up to 4 separate MIDI sources (e.g. Master keyboards or controllers) into a single MIDI data stream which appears at both of the MIDI out sockets. It features 4 opto-isolated MIDI inputs and 2 MIDI outputs.

The Kenton Merge 4 is powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-region power supply

Notes: The microKEY series are a compact family of USB MIDI keyboards featuring the velocity-sensitive Natural Touch mini-keyboard; acclaimed on instruments such as the microKORG XL and microARRANGER. In addition to the existing 37-key model, the lineup has been expanded with the addition of a supremely portable 25-key model, and a 5-octave 61-key model providing the space to play freely with both hands.

Bundled software and discount coupons are more generous than ever; the 61-key model even comes with a license for the Korg Legacy Collection. The microKEY is the ideal USB MIDI keyboard for the musician who wants to assemble a convenient and compact music production system.

The microKEY25 features excellent portability, allowing you to enjoy playing and producing with a great-feeling keyboard even when you're away from home. It features an expressive Joystick, as traditionally found on larger controllers, and provides simultaneous control of multiple parameters at the same time, along with control of the built-in tempo-synced arpeggiator function. That's not all; the microKEY25 can be powered directly from your iPad via the Camera Connection Kit, and it can be immediately used to control MIDI-capable apps such as Korg's iMS-20. The microKEY25 also includes a download code for FREE Korg M1Le software, giving you all of the preset sounds and all of the PCM waveforms of the original M1, and a browser/search function that makes it easy to find that perfect sound.

Also included are licenses for Applied Acoustics Systems' Strum Acoustic Session, Lounge Lizard Session, and Ultra Analog Session as well as a license for Toontrack's software drum sound module EzDrummer Lite, and a discount coupon for Ableton's Live, Live Suite, and Live LE DAW software, widely popular for its sophisticated functionality.

Notes: 1/4" TRS to 1/4" TRS

This snake is designed to interconnect pro audio gear with balanced phone jacks. It is ideal for use with mixing consoles and patch bays. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4" TRS to 1/4" TRS

Notes: A sophisticated noise gate that can tame a single pedal or an entire effects loop! The Silencer's three-control layout provides precise fine-tuning to fit your system, axe and playing style. Threshold adjusts how much level is required to open the noise gate and allow a signal to pass thru. Reduction regulated the degree to which the gated signal is reduced and is variable between -70dB and +4dB. Release controls how long the gate remains open after the signal drops below the Threshold. Release time is variable between 8ms and 4 seconds.

I/O includes 1/4" Input, Output, Send and Return jacks. The footswitch selects whether The Silencer is engaged or in bypass mode; buffered bypass allows the effects loop to remain in your signal path when the gate is bypassed. A built-in AC jack accepts a standard power supply like the EHX 9.6DC unit (optional) and the pedal comes with a 9V battery.

Conquer noise with The Silencer!

Notes: The Buff Mult is a buffered multiple with LED indicators to show positive and negative voltages. Using wide bandwidth opamps, it functions as a dual 1-to-3 or a single 1-to-6 mult for audio, video, or CV signals.

Notes: Introducing the BD808, part of our new series of drum modules that brings analog percussion into the modular synth world, instantly turning your system into a self-contained music machine. Its small size, minimalist design, and modern production methods have allowed us to bring the world's most famous bass drum sound generator back at a very low cost. The real thing is here again.

The BD808 is the Roland TR-808's Bass Drum circuit adapted for use in Eurorack format and tuned to sound like a machine that comes fresh off the original 80's assembly line. The adaptation to modular format has allowed us to add some special features like independent Accent levels, a high-powered gain stage, dual-input pulse-shaper, and extended decay - all without compromising the signature sound of the TR-808.

A widely used technique with TR-808 machines is to run the drum sounds through outboard amplifiers to add gain and then pass the sound through just about anything to generate additional harmonics caused by clipping and distortion. In the BD808, we have already included this high-powered output gain stage capable of producing signals up to 20Vpp, extending from the original palette of sounds and allowing you to get an assorted array of harmonized bass drums ranging from sharp attacks to crushed tones using this simple yet effective technique! On the inputs, we have also designed a dual pulse-shaper circuit so you can trigger your BD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This saves you the need to shape the pulses sent to the module and ensuring the same stable sound at its peak power, regardless of differences in your pulse source.

All these little, but unique, features make integrating this legendary sound generator into your modular easy, unleashing the power of real analog drums and making those speaker cones shake.

Notes: Ear-Pleasing sound:
Designed for musicians and performers who demand mobility without compromising audio quality, the HP2 personal headphone amplifier is a great choice for driving wired in-ear monitors (IEMs), as well as headphones. PreSonus HP-series headphone amplifiers have long been popular for their loud, clean, clear sound and roadworthy built quality. The new HP2 delivers these qualities in an easily affordable, stereo device so you'll hear every note and beat clearly wherever your music takes you.

One for the road:
Portable and compact, the HP2 gives you all you need to drive your headphones or in-ears without complicating your setup. It sports two XLR line-level inputs and one stereo 1/8-inch headphone output with volume control. Operation can be switched between stereo and mono, and a Pan knob is provided. Like all PreSonus gear, it's built to take the rigors of life on the road. And it mounts on a microphone stand or clips to your belt. Simple, easy to use, built to travel, has the right features, sounds great. That's how we roll at PreSonus.

Power all night long:
When you're playing an extra long show or two shows back-to-back, having to stop and change batteries on your headphone amp is a hassle you don't need. No worries! HP2 stands for "Has Power 2 Spare." The HP2 can be powered with an external DC power supply or a nine-volt battery that lasts more than seven hours and includes an LED battery indicator. So you can play those extra-long gigs and hear your monitor mix perfectly - all night long.

Notes: The EHX 45000 Foot Controller makes everything faster and easier by delivering hands free operation of the key functions of the 45000 Multi-Track Looping Recorder. Choose a new track or loop without missing a beat. Get instant access to up to 100 loops per SDHC card. Record and Play new loops with ease.

The Foot Controller receives power from the 45000 and connects to it with a standard mono guitar cable. It's a must have!

The 45000 Foot Controller allows you to use your 45000 remotely, with your feet!
Provides instant access of up to 100 loops per SDHC card
Gives you access to Track Select, Record, Play, Loop Up and Loop Down
Large dual digit display indicates the 45000's current loop number
The Foot Controller obtains all of its power from the 45000 using a standard 1/4 guitar cable
No power required

Specifications:
Circuit: Digital
Audio: Mono
Dimensions (in): 5.75 x 4.75 x 2.5
Year Released: 2013

Notes: Classic mid-focused symmetrical overdrive with the edge of NYC!

The EHX East River Drive is a JRC4558 IC based pedal that's as bold as New York City. Symmetrical overdrive adds edge and gain without compromising tone. Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix. No matter how hard you drive it, you're always in control. True bypass and tone that is absolutely unflinching at a musician-friendly price!

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 6mA
Year Released: 2013

Notes: We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound!

The EHX Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!

Crushing distortion
Singing sustain with attitude
Compact, rugged nano enclosure
True bypass
Adjustable tone
9V battery included

Specifications:
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
3mA
Year Released
2013

Notes: Delivers overdrive and distortion with impact, and the modern player in mind!

The EHX OD Glove provides a rich, overtone laden sound that doesn't get muddy. Responsive controls that take you from sparkling, clean boost through brown crunch and all the way to thick, saturated hi-gain. Advanced features like Tone Shift and selectable 9 or 18V internal voltage for surgical sound sculpting.

Versatile MOSFET overdrive/distortion
Tone Shift switch
Selectable 9V or 18V internal voltage
True bypass
Tough, compact die-cast chassis
9V battery included

SPECIFICATIONS
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
12mA
Year Released
2013

Notes: Transparent overdrive with great touch and response!

Tone aficionados kept telling Mike Matthews about a pedal that had achieved a lot of buzz because it was only obtainable at an exorbitant price. That pedal was the Klon Centaur.

A believer in bringing great tools to starving musicians, Mike tasked his trusty team to create an affordable alternative, and that is how the EHX Soul Food Transparent Overdrive was cooked up.

Its circuitry features boosted power rails to provide abundant headroom and increased definition. Best of all, you don't have to be a rock star to own one!

Transparent overdrive
Boosted power rails for extended headroom and definition
Super responsive
Compact, rugged design
Selectable true bypass or buffered bypass modes
Power adapter included

Specifications

Circuit: Analogue
Bypass: Selectable True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 22mA
Year Released: 2013

Notes: Unlock more tonal possibilites from the legendary fuzz than ever before!

The EHX Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch i or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam. Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker.

The Wicker switch opens up 3 high frequency filters providing a sustain that is raspy and defined
The Tone switch completely removes the tone control, providing you with a devastating broadband Big Muff slam!
With the Wicker switch off and the Tone switch on, you have the original Big Muff Pi
True bypass
9V battery included

SPECIFICATIONS
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
5mA
Year Released
2008

Notes: The same silky smooth violin-like sustain and creamy tone as the Big Muff Pi, in a compact die-cast box!

The EHX Little Big Muff Pi is identical to our Big Muff Pi but smaller. We took the classic Big Muff circuit and simply shrunk it without any change to the sweet violin-like sustaining sound. This little brother displays its heritage proudly.

Tough and compact die-cast chassis
9V battery included

SPECIFICATIONS
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
4mA
Year Released
2006

Notes: Vintage tremolo and panning with Wave Form and Shape control!

The EHX Stereo Pulsar Stereo Tap Tremolo generates vintage tremolo and panning that will fill any venue with rhythmic stereo energy. Its Wave Form switch allows you to change the modulation from triangle to square form. The Wave Shape control allows you to control transitions from negative to positive saw tooth or adjust pulse width. This all means you can create any type of stereo tremolo from pure vintage to ones never heard before.

Stereo outputs
Tough and compact die-cast chassis
9V battery included

Specifications

Circuit: Analogue
Bypass: Buffered Bypass
Audio: Stereo
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 17mA
Year Released: 2007

Notes: Large sized spring reverb tank, Accutronics 9BB2C1B with 3×2 springs and medium decay (1.75 - 3 seconds).

Notes: Natural bass overdrive and clean boost for the tone conscious! Enhance the original sound of your instrument and amp while retaining the essential character.

The EHX Bass Soul Food dives deeper than the original Soul Food, retaining even more low frequecies while adding warmth and growl to your original tone.

Its gain stage, treble control and signal path are optimized for bass guitar and guitarists wanting extended low frequency response. An adjustable clean blend assures an articulate, full tone while boosted power rails deliver extended headroom.

EHX Founder and President, Mike Matthews, stated: "Our Soul Food put 'Klon-like' transparent overdrive into the hands of players at an unprecedented price point. Now we want to bring that to bass guitarists and guitar players who want more low-end definition. The Bass Soul Food delivers a wide range of overdrive and clean boost sounds, and has plenty of volume to assert your place in the mix. It will give your tone a lift in all the right places!"

Selectable true or buffered bypass modes and a switchable -10dB pad for active instruments complete the package.

Specifications

Circuit: Analogue
Bypass: Selectable True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 22mA
Year Released: 2015

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It let's you safely store your digital controller (such as the Native Instruments S3/ S4 MK3/ S2 MK3 or Pioneer DDJ-REV1/ 400 or Numark Mixtrack Pro FX) in the main compartment. The UDG Controller Sleeve is available in 3 sizes: Medium, Large & Extra Large skilfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight 1,70 kg / 3.74 lbs
Outer Dimensions (W x H x D): 56.5 x 37 x 18 cm | 22.2 x 14.5 x 7.1 inch
Inner Dimensions (W x H x D): 54 x 34 x 9 cm | 21.3 x 13.4 x 3.5 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits:

NI Traktor Kontrol S3, S2 MK3, S4 MK3, S5, S2 MK2, S4 MK2, Komplete Kontrol S25
Pioneer DDJ-REV1, DDJ-400, DDJ-RB, DDJ-SB3, DDJ-SB2, DDJ-SB, Toraiz SP-16
Numark Mixtrack Pro FX, Mixtrack Platinum FX, NVII/ NV, Mixtrack Pro II, Mixtrack Quad, Mixtrack Pro
Reloop Beatmix 2 MK2, Beatpad 2, Terminal Mix4, Terminal Mix 2
Denon DJ Prime Go, MC6000MK2, MC4000, MC3000, MC2000
Akai MPC Live II, MPC Renaissance, APC-40 MKII, MPK225, MPD232
Novation AFX, Nocturn 25, Launchkey 25, Impulse 25, 25SL MK2
Hercules DJControl Inpulse 300, Universal DJ, DJControl Jogvision/ Air+/ Air+S/ Wave, DJConsule 4-MX, DJConsole RMX 2
Korg Minilogue, Taktile 25
American Audio VMS 5/ VMS 4
Behringer CMD Studio 4A
Allen & Heath Xone 4D
Livid OHM 64
Arturia Origin Desktop
M-Audio Xponent, Axiom 25
Mixars Primo
Gemini G4V DJ, GMX, Slate 4/ 2
Roland DJ 202, JP-8080
Stanton SCS.4DJ
American Audio VMS 4 / 5
Vestax VCI-380, VCI-400DJ, VCM 600
or similar size controllers

Notes: Wooden side cheeks for The Vermona DRM1 (any mark).

If you would like to use those instruments as desktop unit you do cover the rack mount wholes with these nice wood sides, the unit feels much more handable and robust while packaging and using it in your live set.

Notes: The KMI MIDI Expander enables you to use KMI gear such as SoftStep, 12 Step and QuNeo to control your MIDI hardware devices with 5-pin MIDI DIN connectors.

Plug in your MIDI devices to the KMI MIDI Expander and you're ready to send and receive MIDI data with or without a computer.

Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Notes: Build upon the legacy of our famous nEar05 models, the new aktiv 05 near field reference monitor take professional level 5" near field monitoring speakers for the entry level to yet another level.

The monitor boasts an ultra-flat low frequency response with its newly designed larger silk dome tweeter and the top quality kevlar 5" driver delivers unparalleled punch in the low-mid frequency - a major improvement over the paper and polypropylene drivers used in most comparable products. ESI was the first vendor using kevlar for studio monitors in this price range as material inside the low frequency driver. Other vendors have since copied our idea, however there is much more to excellent sound of aktiv 05. A new tuning of all components by our engineers in Germany and the use of the completelely new crossover design, turn aktiv 05 into yet another milestone in the ESI studio monitor legacy.

Optionally an aktiv 05 based monitoring system can be expanded with a subwoofer like our aktiv 10s. aktiv 05 is the perfect alternative to our higher end uniK 05+ reference monitor if you are on a budget.

Features
2-way powered speaker / active studio monitor speaker
5" kevlar curved cone (magnetic shielding type) as LF driver
1" silk dome tweeter as HF driver
output power 60W (HF 30W, LF 30W), 85W AC consumption power
magnetically shielded for desktop operation
input connections: XLR / TS1/4" combo connector, balanced / unbalanced input
input impedance: 23.3 kOhm balanced, 13.3 kOhm unbalanced
input sensitivity: 75mV@1Watt, 415mV@30Watt
frequency response: 50Hz - 20kHz
crossover frequency: 2.5 kHz
SPL: 88dB +/- 3dB
operating voltage: AC100-240V 50/60Hz, with 115V / 230V AC selection switch
blue power LED on the front
standby function, can be turned on and off (only models sold in certain countries)
dimensions: 250mm (H) x 176mm (W) x 200mm (D)
weight: ca. 4.5kg

Notes: The floor stand comes with a cast iron base with an anti-vibration rubber ring. The height of the stand is adjustable from 870 to 1565 mm. It weighs 5.4 kg and its base diameter is 250 mm. Available in black color. Packed in a single cardboard box.

Stand plates which are designed to fit the Iso-Pod stand are recommended to use with this product. Please note, that we don't recommend using this product with the 8331 monitor.

Length min.
870 mm
Length max.
1565 mm
Width
250 mm

Notes: The 990 remains one of the industry's most ground-breaking home studio recording microphones. The first high quality condenser microphone to come into reach of working musicians, the 990 has a FET preamp and a large diaphragm for truly professional sound quality in both digital and analog recordings. This revolutionary condenser microphone continues to astound artists with its silky, high end and tight, solid low and midrange reproduction.

FET based design with transformer balanced output for a variety of applications.

Vintage body style with champagne finish.

Includes custom shockmount, mic stand adapter & carrying case.

Technical specifications:

Type: Pressure gradient condenser microphone
Capsule: 6 micron gold-sputtered
Frequency response
20 Hz - 20 kHz
Polar pattern: Cardioid
Sensitivity: 15mV/Pa
Max SPL for .5% THD: 130 dB
Impedance: 200 ohms
Equivalent noise level: 20 dB (A-weighted IEC 268-4)
Power requirements: Phantom power 48V (+- 4V)

Size and weight
60mm x 130mm / 2.36 in. x 5.11 in
544.3g / 1.2 lbs

Metal finish: Champagne

In the box:

MXL 990 Mic
Custom Shockmount
Mic Stand Adapter
Carrying Case

Notes: The 770 is a high-quality multipurpose condenser mic that vocalists gravitate to for its solid low-frequency response and clear high end. To achieve this we use a high-quality FET pre-amp and transformerless balanced output for a wide dynamic range and low noise. The 770 features include a low-frequency roll-off to reduce unwanted rumbling and a -10db pad to facilitate a wide variety of sound sources. The 770 comes with a shock mount to reduce mechanical vibrations and a rugged carrying case. The 770 is a perfect combination of quality, flexibility, and value for both professional and home recording studios.

Multipurpose workhorse microphone equally at home in a studio or streaming/podcasting setup
Low-frequency roll-off and -10db pad for a variety of sources
Neutral voicing provides the clarity needed for critical audio applications

Technical specifications:

Type: Condenser microphone
Capsule: 22mm gold-sputtered capsule
Frequency response: 20 Hz - 20 kHz
Polar pattern: Cardioid
Sensitivity: 15mV/Pa
Impedance: 150 ohms
Attenuation switch: 0dB, -10dB
High pass filter: 6dB/octave @ 150Hz
Equivalent noise level: 20 dB (A-weighted IEC 268-4)
Max SPL for .5% THD: 137 dB
S/N Ratio: 74 dB (Ref. 1 Pa A-weighted)
Power requirements: 48V phantom power

Size and weight:
59mm x 158mm / 2.32 in. x 6.22 in.
453.59g / 1lb

Metal finish: Black with black grill
Included accessories: MXL case | MXL 70 shock mount

In the box:

MXL 770 Mic
Carrying Case
High Isolation Shockmount

Notes: The 2hp Buff is a buffered multiple capable of splitting an input signal to multiple outputs. Due to its active architecture, inputs retain their full integrity as they are copied to multiple destinations. One input signal can be copied to six outputs, or two inputs can be copied to three outputs each. The Buff is especially great for splitting pitch or audio signals where signal integrity is critical. Keep your signals in shape with Buff.

Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.

MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.

Notes: The Field Kit Sensor Pack A consists of 5 sensors:

- Button/Jack
- Electret Microphone
- Light Sensor
- Temperature Sensor
- Ball Switch
- 2 x Dupont 3 contact cable to connect the Sensors to the Field Kit

Button/Jack:

This is rather a utility tool than an actual sensor. It allows you to either use a pushbutton or any CV-Signal (0- 5V) as a signal source. You can select to either use the button or any signal connected to the jack input with the jumper located right next to pin-header. The voltage present at the output upon a button press can be selected with the two jumpers next to the button. The button and jack can be used with both the ANALOG IN and the DIGITAL IN of the Field Kit's Sensor Interface.

Electret Microphone:

The electret microphone provides a simple solution to use your surroundings as a sample source. The board features a little trimmer to adjust the gain of the microphone pre-amplifier. Use a little screwdriver to adjust the gain according to the printing on the sensor board. It's preferable to adjust the signal level with the trimmer first and only use the level pot of the analog signal interface as a second adjustment stage. The electret microphone has an omnidirectional directivity and is capable of capturing the whole frequency spectrum from 20 to 20000 Hz. The electret microphone is best be used with the ANALOG IN of the Field Kit's Sensor Interface.

Light Sensor:

The light sensor will change the output voltage depending on the light intensity. The spectral sensitivity is similar to the human eye, covering the full spectra of visible light, with a peak at 570nm (green/yellow). The change of the voltage according to the light intensity can be set with the three jumpers on the board. Set those jumpers according to printing on the board. The light sensor can be used with the ANALOG IN and the DIGITAL IN of the Field Kit's Sensor Interface.

Temperature Sensor:

The temperature board features two output modes: a continuous CV or a trigger.

CV Mode: The board will output a continuous voltage in range 0 - 5 V depending on the measured temperature and scaled to the set lower and upper temperature limit.

Trigger Mode: The board will generate a trigger whenever the measured temperature rises above the set upper limit temperature. LED 1 will blink whenever a trigger is generated. The sensor covers a temperature range from -55-C to +125-C.

Ball Switch:

The ball switch consists of a little bouncy ball jumping around in a container connecting two contacts and thus acts like a switch. In contrary to a normal push button, which has very well defined states, the switching of a ball switch is more similar to a percussion shaker. There are two resting-positions which define a certain state of the switch: the board is lying flat on the table with its bottom facing the table: the switch is open the board is lying flat on the table with its top facing the table: the switch is closed. The voltage assigned to those states can be set with the two jumpers on the board. Refer to the printing on the board to identify the position that suits your needs. The ball switch can be used with the ANALOG IN and the DIGITAL IN of the Field Kit's Sensor Interface.

Notes: USB Audio-Interface for all cases: With two build-in Microphone-Preamps with Phantom Power and a complete 16 Bit/48 kHz Stereo Instrument/Line Interface this class compliant USB Audio Interface is very easy to use. Fully USB powered, with fast Windows ASIO drivers and adjustable headphone output the Audiolink III gives you all the recording possibilities you will ever need. New: The two XLR/TRS combo inputs on the front side.

Works driverless with Mac OS/X, Windows XP SP2, Windows Vista, Windows 7, 8 and Windows 10

ASIO driver for Windows XP/Vista/Win7/Win8 and Windows 10 for download available

Inclusive: free Miditech software bundle (download versions): Toontrack EZ Mix 2 lite, Magix Samplitude Pro X2 Silver, Makemusic Finale Notepad, Ik Multimedias Amplitube CS, Magix Independence free, Waldorf Edition LE and Imagelines Poizone Synthesizer

Notes: The famous MS 20 filter for AE modular!

This adaptation of the filter used first in Korg's MS-20 synth for AE modular offers control knobs for cutoff frequency, resonance and CV attenuator. Two signal inputs for different signal levels control the "drive" of the module. Compared to the wasp filter this filter has a significant self resonance and also a very quick response to changes in the cutoff frequency.

The filter type is switchable between lowpass and highpass (LP/HP switch).

Notes: The 2-row rack for AE modular is 16 units wide with 2 rows; the MASTER module consumes 2 units so you have 30U remaining for other modules.

Via a joint kit (not included) another case of this width (either one-row or two-row) can be attached at a free angle; the bus is connected via a short connector cable between both cases.

The sides are made of red acrylic, all other parts are of wood fibre board (MDF), black painted.

Dimensions: 41.3 x 21.7 x 4.5 cm (width x depth x height)

Notes: MOOER has entered into the realm of portable multi-effects processors. The PE100 is a pocket sized, desk top unit which contains everything the guitarist needs tightly wrapped up within a small sleek shell. A full range of amp models, a myriad of effects and stompboxes, a precision tuner, drum patterns and metronomes.

It's dual output jacks make it ideal for connection to amp, hi-fi, headphones or direct to a mixer or computer for direct recording. Super easy to program, small enough to slip into your pocket and powered by a small DC power adapter or by battery. The PE100 is perfect for the guitarist on the go.

Notes: IsoAcoustics introduce the next evolution of their specialized line of speaker stands for the audio professional, music hobbyist, audiophile, and music lover. The new ISO Series of speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.

With a lower profile and new contemporary design, the ISO Series of stands positions your studio closer to the supporting surface or meter bridge, and the new redesigned isolators moves the acoustic performance another step forward.

IsoAcoustics ISO Series speaker stands are built with a unique, patented isolation technology that provides a high degree of isolations and manages the speaker's energy to deliver authentic, uncoloured sound. This next generation of speaker stands effectively eliminates energy transfer into the supporting surfaces. Bass becomes tighter, overall imaging is enhanced and your speakers are enabled to perform to their full potential. Following the same design philosophy as the ISO-L8R Series, these isolation stands provide 14 variations of height and tilt adjustment to optimize the placement and performance of studio monitors by getting the tweeters in the correct alignment with the listening position.

Whether you're a pro mixing in the studio - a musician creating in a home project environment - or an audiophile who appreciates every nuance of music and sound - you'll hear and appreciate the difference with the ISO Series speaker stands. It's simply the best investment you can make for superior audio.

ISO-130:

Designed for smaller speakers and studio monitors. These stands provide 14 variations of height and tilt to optimize speaker placement and performance. Isolate your studio monitors from the supporting surface and allow them to breathe so they can deliver the clearest and most accurate sound possible.

5.1"x6"/13x15cm Short: 2.7"/8cm Tall: 8"/20.3cm 20 lbs/9kg

Notes: Engineered specifically for the Native Instruments Kontrol S61 MK2 Keyboard Controller. Custom moulded to fit the contours of the S61 MK2 whilst leaving USB connections in place, the Kontrol S61 MK2 can sit ready for operation. Super durable polycarbonate shell protects delicate keys during transportation and slides straight into a flight case or controller bag for maximum protection. Don't go losing your keys.

Notes: The 2M is a dual three channel mixer in 6 HP with volume controls over all the inputs as well as the final output. As its design has been specially focused on audio applications, the input potentiometers are audio-taper type while the output ones are linear. Low distortion / high quality audio operational amplifiers have been selected in order to achieve clean audio mixing, but is also DC-coupled, so it can perform CV signal mixing as well. Great for a small system, allowing for submixes or even stereo mixing.

Technical specifications:

6HP.

38 mm depth.

Consumption: +/-12V 20mA

Notes: Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for nearly 30 years. In fact, this top selling pedal has developed its own almost cult following since it was first designed and engineered in the eighties.

When the original circuit was developed, there seemed to be countless overdrives on the market that had what many people describe as a 'nasal' tone, but Nobels worked hard on creating a very 'open' sounding pedal that works with you and your amplifier. The result was the ODR-1, German engineering at its finest with stacks of resistors and capacitors forming very precise filters and signal shaping, giving you a pedal that responds to your dynamics and adds texture to your tone in a very natural, musical way - all while allowing the character of your guitar to be fully retained.

Step forward to 2020 with the latest model ODR-1BC.

With numerous requests from the pedal community and professional players worldwide, Nobels have added the option of an internal Bass Cut switch under the battery cover to help tame your low end if needed. In standard mode though, you still get the full frequency response of the original that is perfect for warming up single coils etc. In addition, the internal power circuitry has been increased to allow for 9-18 V capability to provide extra headroom, if your playing styles and tone goals require it. These new features haven't altered the fundamental tone and vibe, but have increased the versatility of the pedal massively for modern rigs.

With the drive control, the distortion can be easily adjusted from almost clean to maximum drive. The circuit also works very well with your guitar's volume control, so by backing off the volume you can clean up your tone. The tonal range is controlled by the Spectrum control tone pot with mid-click and fluorescent pointers on the Glow-in-the-Dark knobs. Turn the knob clockwise and it increases the bass and treble at the same time, while turning it counter clockwise has the opposite effect. The midrange stays untouched in either direction, to ensure a transparent yet warm tone wherever the Spectrum knob is placed.

Notes: The ODR-mini delivers creamy, natural overdrive - Everything from pushed clean amp tones to gain filled stacks! It has the same tones as its legendary brother - the ODR-1. You'll love the warm mid-gain tones for rock and blues, and the screaming hard rock sounds from the ODR-1 Mini. Plus the mini features true-bypass switching, the SPECTRUM pot with mid-click, fluorescent pointers on the "GitD" - knobs (Glow-in-the-Dark). Guaranteed to be a BIG part of your sound while a small part of your pedal board.

Electr. stab. power supply 9-18 Volt DC, with min. 100 mA, 2.1 mm plug, center negative, (optional)

Effect-Type: Overdrive
Analogue
Mono/Stereo: Mono In, Mono Out
Control: Drive, Tone, Level
Bypass Modus: True Bypass
9-18 Volt, center negative
Consumption 25 mA
Dimensions (BxLxH / mm): 42 x 93 x 50
Weight: 175 gr
Country of origin: China
Solid metal housing
Low current consumption
inkl. tape

Notes: The all-new GEM-05USB mixer makes audio routing easy. Equipped with Bluetooth streaming, USB playback, customizable sound, and a 5-input 2-bus mixer. The GEM-05USB brings state-of-the-art professional-quality audio on the go, giving you all the controls you need. This mixer fuses a user-friendly interface with premium sound. Bluetooth streaming for playback from any compatible device. State of the art mic preamp with phantom power plus 2 Band EQ with dedicated volume control. Customize your sound with dedicated delay FX control. Headphone out with dedicated volume control.

Notes: The all-new GEM-08USB mixer makes audio routing easy. Equipped with Bluetooth streaming, USB playback, customizable sound, and a 8-input 2-bus mixer. The GEM-08USB brings state-of-the-art professional-quality audio on the go. Giving you all the controls you need. This mixer fuses a user-friendly interface with premium sound. Bluetooth streaming for playback from any compatible device. State of the art mic preamps with phantom power & 3 Band EQ with dedicated volume control. Customize your sound with dedicated delay FX control. Headphone out with dedicated volume control.

Notes: Z-Rails are mounting rails for the Eurorack modular synthesizer format and are designed to be used for professional and DIY case mounting assemblies.

Z-Rails are sold in sets of two (2) aluminium, clear or black anodized rails, each containing a nickel-plated brass threaded strip with 3mm threads using 5.08mm spacing. The racks are easy to install into any frame using two (2) M4 screws, one for each side of the individual Z-Rails.

Notes: You're a visionary videographer, an intrepid journalist, a dedicated podcaster. And when you're out in the field, you want to be able to record high-quality audio for your projects with the hands-free convenience of a lavalier microphone, and you want to do it without breaking the bank.

That's where iRig Mic Lav comes in, it's an ultra-affordable and compact professional-quality mobile lavalier microphone for iPhone, iPad, iPod touch and Android.

iRig Mic Lav is chainable. That means it can double your recording power by letting you easily chain up to two iRig Mic Lav's to the same device. Each iRig Mic Lav captures high-quality audio thanks to its omnidirectioinal condenser capsule and foam pop shield. And recording convenience is taken to the next level thanks to its on-board headphone monitoring output, secure mounting clip, generous cable length and durable roadworthy design. And best of all, you can have all these premium features at a price as small as the device itself.

Portable performance:
iRig Mic Lav gives you the power to record great sounding audio anytime and anywhere. Designed to meet the exacting demands of broadcast professionals, its omnidirectional condenser capsule lets you capture a 30Hz - 16kHz frequency range of crystal-clear audio from all directions. It comes with a foam pop filter to eliminate vocal plosives, wind noises and other unwanted sounds. And like all good lavalier microphones, it comes with a durable mounting clip that you can easy mount on a t-shirt, lapel or other material for dependable and secure hands-free recording. Just clip it on, and you'll be ready to go.

Effortless monitoring:
Capturing great audio in the field requires more than just superior microphone technology. To get the best sound, you have to be able to monitor your source as its being recorded. Not all lavalier microphones come with on-board monitoring, but iRig Mic Lav does. In fact, among major brands, it's the first mobile lavalier microphone to offer this feature.

It comes with a combo 1/8" TRRS port that can be used to output audio to your favorite pair of headphones. Just set the toggle switch next to the port to "monitor" and plug in your headphones, and you'll be on your way to recording effortlessly amazing audio.

Chainable power:
There's a saying that goes something like, "two heads are better than one."

The same can be said for microphones - when you're out in the field, sometimes you need to record more than one person.

iRig Mic Lav lets you chain and record with up to two iRig Mic Lav's on the same device thanks to the same dual-purpose 1/8" TRRS port used for headphone monitoring.

Simply set the toggle switch to "input," and then plug a second iRig Mic Lav in to record with two microphones.

To monitor a dual iRig Mic Lav setup, you just need to set the switch on the second iRig Mic Lav's jack to 2monitor," and then you'll be able to plug in your headphones.

Go mobile:
You never know what mobile device you'll have accessible while you're out conducting that next heated interview or spontaneous Youtube video. This can be a problem if a microphone is specifically made for one type of device. Fortunately, you'll never have that problem when iRig Mic Lav is in your pocket. It outputs its sound via an analog 1/8" TRRS output jack, and it captures the same high-quality audio no matter whether it's plugged into an iPhone or an Android device with a compatible TRRS input jack compliant with the CTIA/AHJ wiring standard.

In other words, with iRig Mic Lav you can make quality recordings anytime, anywhere and on any mobile device.

Presenting with Power:
Pair iRig Mic Lav with VocaLive or EZ Voice and an iLoud portable speaker, and you'll have the perfect "hands-free" portable PA system that you can easily fit in a briefcase or backpack for trade shows, small group gatherings and other mobile presentations.

Powered up with apps:
With iRig Mic Lav, you're ready to record right out of the box thanks to its powerful suite of included apps. You get iRig Recorder FREE for iPhone, iPad and iPod touch and Android, a straightforward audio capture app that is great for everything from recording journalistic interviews to making podcasts while on the go (and everything in between).

VocaLive is an expandable, powerful effects processor and multi-track recording app that's perfect for adding a creative touch to audio. EZ Voice for iPhone, iPad and Android is a streamlined and easy-to-use app loaded with vocal effects that make it easy to practice and record over any song stored in your device's music library.

Notes: Macro Power S8 is a pedal power supply with eight output power supply jacks, equipped with vary functions input voltage switch, independent output power jacks, over-current protection and adjustable output. It was designed to meet users needs and offer convenient and pure experiences.

Output power jacks: From left to right
One adjustable voltage output power jack, can choose output voltage from 9V/12V/15V/18V. The output current is 200mA.
Three independent output power jacks, each lines output voltage is 9V, and the output current is 200mA.
Four parallel output power jacks, each lines output voltage is 9V. And support the whole 400mA power needs that the four lines parallel into an independent output power jack.

Notes: Channel extender for MIXCONSOLE.

This module extends the MIXCONSOLE module with three additional channels; the channel level can be controlled via CV here, too. If no CV is attached, the level knob works as usual volume control.

Notes: This is a variant of the standard red/black racks for AE modular with wooden front and sides.

Same as with the standard cases, via a joint kit (not included) another case of this width (either one-row or two-row, standard or wooden type) can be attached at a free angle; the bus is connected via a short connector cable between both cases.

The sides, front and back are made of real-wood veneer covered MDF.