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Artículos del 101 al 150 de 770 en la página 3 de 16
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2hp
Cat: 638778 Rel: 21 Feb 17 • View all Synth modules
 
Full featured two stage envelope generator module
Notes: EG is a full featured two-stage envelope generator. In addition to a colossal range from 3ms to 11 minutes per stage, EG features the ability to switch between linear and exponential curves on the fly, a built-in attenuator, and CV over attack and decay. Boasting more features than modules five times its size, EG can fill any envelope-sized gap in your system.
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 1 in stock $81.71
2hp
Cat: 686016 Rel: 04 May 18 • View all Synth modules
 
Rhythmic pattern generator
Notes: Euclid is a rhythmic pattern generator based on ideas originally presented by Euclid, the Greek mathematician. The Euclidean algorithm can be adapted to create rhythms by taking the total number of active steps in a sequence, and then distributing them across the entirety of the pattern.

This creates cyclical rhythms that are immediately musical and can be used for everything from EDM to IDM. Bring your patches full circle with Euclid.
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 1 in stock $94.28
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quote 686016
2hp
Cat: 680015 Rel: 12 Mar 18 • View all Synth modules
 
Random voltage generator & gate source
Notes: Rnd is a random voltage generator and random gate source with an internal clock.

The quantized and smooth outputs are completely independent, and each feature an attenuator to fine tune the output voltage between 0V and 10V. This allows for a musically useful range to be defined. When externally clocked, random gates erupt from the gate output.

Great for modulation and chaotic rhythmic events, Rnd is a universal solution for adding unpredictability to your system.
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 1 in stock $89.04
2hp
Cat: 635864 Rel: 30 Dec 16 • View all Synth modules
 
Multi-scale pitch quantizer
Notes: Tune is a multi-scale pitch quantizer. It features 11 scales ranging from chromatic to octatonic with everything in between. In addition, the bias control allows the user to transpose the melody to a different octave or starting note.

This functionality opens up every musical mode for each of its 11 scales and provides a performable control for transforming melodies on the fly.
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 1 in stock $90.09
Notes: The Allen & Heath Xone DB4 Carry Bag is a flightcase designed for Allen & Heath Xone DB4 DJ mixer.
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 1 in stock $63.90
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quote 440255
Cat: 745086 Rel: 09 Sep 19 • View all MIDI keyboards
 
Smart, versatile controller with 25 high quality keys, travel-friendly features & powerful software included - black & white edition
Notes: A new controller keyboard from Music tech pioneers Arturia that excites both new users and experienced professionals alike. MicroLab is a small-scale MIDI keyboard with smart design features that you can take anywhere.

THE KEYS:

MicroLab features the same professional slim-keys as their industry standard KeyStep controller. The keybeds found on budget controllers are often not very inspiring, but the 25 expressive, velocity-sensitive keys on MicroLab are simply a joy to play. The hold button gives you instant sustain, and by holding the shift key, you can access the "Chord" mode, letting you program in a chord and replay with just one finger.

THE FEATURES:

The rubberized shell protects MicroLab from and bumps and scrapes when you're on the move, and also features a recess that perfectly fits the USB cable, letting you store or pack it easily. MicroLab also includes capacitive mod and pitch controls that work in the same way that touchscreens do, these also let you swipe through and select presets with a tap. You can also quickly switch MIDI channels via the dedicated knob and numbered keys.

THE SHAPE:

Arturia have designed this controller to work with you, and not get in the way. Because the cable is recessed, you can push it right up against other gear in your studio without cables getting in the way. It's the width of the average plane and train tray table, and the shell stops it from sliding around. The keys are also recessed slightly into the body, nothing sticks out, so there's nothing to catch when you slip it into your backpack.

THE SOFTWARE:

MicroLab includes 3 great software titles for free:

- Analog Lab Lite - Explore 600 fantastic presets taken from Arturia's award-winning V Collection series. Analog and digital synths, classic organs and pianos.
- UVI Grand Piano Model D - A beautifully sampled Steinway for you to play using MicroLab's expressive, velocity-sensitive keys.

Bitwig Studio 8-Track - A powerful and innovative software studio to record, sequence, and mix your tracks. Make music right out of the box.
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 More than 10 in stock $77.48
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quote 745086
Cat: 567650 Rel: 26 Mar 15 • View all Hi-fi styluses
 
Replacement JNP100 stylus with spherical tip and aluminium alloy cantilever
Notes: Replacement JNP100 stylus with spherical tip and aluminium alloy cantilever.

Fits MP100 cartridge.
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 1 in stock $56.56
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quote 567650
Notes: Dust cover specifically designed to fit Reloop RP7000 and RP8000 turntables, plus RP7000 MK2 and RP8000 MK2.
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 2 in stock $51.34
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quote 522281
Cat: 562944 Rel: 06 Mar 15 • View all Phono preamps
 
Professional phono preamp for providing amplification and RIAA equalisation for MM cartridges with SMD circuitry
Notes: Today, many amplifiers do not have a specific phono cartridge input. Phono Box E is an ideal phono preamplifier for these hifi systems.

Phono Box E accepts MM cartridges and offers an audiophile music experience at an entry-level price. Advanced circuitry and SMD construction keep noise and distortion at a surprisingly low level.

A built-in internal shielding and an outboard DC power supply leave no risk for external interference. Because of its small casing, Phono Box E can be placed near the turntable. Input and output sockets are gold-plated for preservation of quality.

Phono Box E can be connected easily to a line-input (AUX etc) of your amplifier.
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 1 in stock $50.28
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quote 562944
Cat: 584257 Rel: 15 Apr 16 • View all Synth modules
 
Envelope generator synthesiser module - 4HP wide
Notes: 'Pip Slope' is an envelope generator. It supports both Attack/Decay and Attack/Sustain/Decay type functions with both direct and voltage control of Attack and Decay times. Envelopes can be automatically looped and the function curve type changed between exponential and linear.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~50ma
Size: 4 HP
Depth: 32mm (including power header)
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 4 in stock $92.18
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quote 584257
Cat: 584248 Rel: 15 Apr 16 • View all Synth modules
 
Dual channel stepped voltage source and adder synth module - 6HP wide
Notes: 'Beast's Chalkboard' is dual channel stepped voltage source and adder for your eurorack modular synthesizer system. It primarily is intended as a dual octave switcher for VCO's but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.

Technical Specifications:

Supply: +/-12V (Reverse voltage & polyfuse protection)
Current Draw: ~30ma
Size: 6 HP
Depth: 22mm (including power header)
Offset Error: +/- 10mV
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 7 in stock $99.52
Cat: 699277 Rel: 29 Oct 18 • View all iOS & Android accessories
 
Recording interface/breakout box with Lightning connector for iOS devices
Notes: The SC6-L is a simple input/output breakout box with Lightning connector to connect directly to iOS devices. With two TRRS inputs and one stereo headphone output, the SC6-L connects to any TRRS devices, including two smartLav+ microphones and headphones for direct monitoring and playback. Optimised to be used with the RODE Reporter app, the user can enable/disable direct monitoring, alter boost gain, and choose between summed stereo and dual mono. These features can be retained by the SC6-L allowing users to use the SC6-L with other apps, such as the Camera, GarageBand, Voice Memos, etc.
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 1 in stock $63.37
Cat: 716922 Rel: 29 Jan 19 • View all Synth modules
 
Dual crossfader module for voltage controlled morphing between two audio or CV signals
Notes: Module A-134-2 contains two identical voltage controlled crossfader units.

Each unit has two voltage controlled amplifiers (VCAs) with opposite control behaviour available. The outputs of the two VCAs are mixed together to obtain a common output. The behaviour of the control voltage inputs can be chosen with an internal jumper:

Symmetrical mode: If the corresponding jumper is not set both VCAs of the crossfader have the same 50% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. A negative CV has the opposite result. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about -2.5....+2.5V. This mode is useful for bidirectional (i.e. positive and negative) control voltages, for example LFO or joy stick (adjusted to 0V CV in centre position).

Asymmetrical mode: If the corresponding jumper is set VCA2 is fully closed and VCA1 has full 100% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about 0...+5V. A negative CV has no function in this mode. This mode is useful for unidirectional (i.e. only positive) control voltages, for example ADSR, ribbon controller or Theremin control voltage.

The CV input of the upper unit (CV1) is normalled to the CV input of the lower unit (CV2). I.e. if no plug is inserted to CV2 the CV input of the upper unit (CV1) also controls the lower unit.

The second signal input of the upper unit (In1B) is normalled to the first signal input of the lower unit (In2A). I.e. if no plug is inserted into In2A the signal In1B is used as the first signal input of the second unit.

As the inputs and outputs are DC coupled the module can be used for both audio and control voltage signal processing.
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 2 in stock $69.14
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quote 716922
Cat: 714707 Rel: 22 Jan 19 • View all Synth modules
 
4HP Eurorack module consisting of four buffer circuits for control voltages
Notes: Module A-180-4 is a fourfold CV buffer. Buffers are required if the control voltage coming from a CV source shows a voltage drop in case of changing loads or due to other reasons a buffering is required.

For the lower three units the input is normalled to the output of the above unit. That way the module can work as 1-in-4 buffered multiple provided that no signals are applied to the inputs of the three lower units.

Typical applications:

- Buffering the outputs of voltage controlled switches (e.g. A-150-1, A-150-8, A-151, A-152). Comment: in case of bidirectional switches it's not possible to integrate the buffers into the switching module because the direction is not known (i.e. which terminal of the switch is working as input and which as output). All electronic switches suffer from a small residual restistance that may cause a small voltage drop without buffering. This may become a problem especially when VCOs are controlled by the switched voltages.
- Buffering of CV interfaces, quantizers, slew limiter, S&H/T&H, sequencer etc. when VCOs are controlled by the CV (provided that the module in question does not feature a buffered output)
- Buffered multiple (similar to A-180-3)
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 1 in stock $51.07
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quote 714707
Cat: 731951 Rel: 11 Jun 19 • View all Synth modules
 
Quad passive switch - 4HP
Notes: A-182-2 is a simple passive module that contains four changeover switches, which are used to connect or disconnect the sockets of the corresponding socket triplet:

- In the upper position of the switch the upper socket of the corresponding socket triplet is connected to the centre socket
- In the lower position of the switch the lower socket of the corresponding socket triplet is connected to the centre socket
- In the centre position of the switch the sockets are not connected

Each unit of the module can be used to switch between two signals or to interrupt/connect a signal. In the last case the third socket of the triplet is not used.

The module is fully passive and both audio or control signals can be switched.
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 2 in stock $57.61
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quote 731951
Cat: 682314 Rel: 26 Mar 18 • View all Synth modules
 
Vactrol based combination of resonant 12dB lowpass filter and/or VCA - inspired by the Buchla 292
Notes: A Low Pass Gate (LPG) can be a low pass filter, a VCA or a combination of both. This means both the harmonic content and volume can be controlled simultaneously which resembles the behaviour of many instruments: the louder, the more harmonics.

The A-101-2's mode of operation is set with a switch: left position is low pass, right is VCA and the combo mode is in the centre. Alternatively, you can activate the modes with gate signals which is the reason for two gate inputs; this is very interesting in combination with clock dividers or trigger sequencers.

- Gate 1 high & gate 2 low = low pass mode
- Gate 1 low & gate 2 high = VCA mode
- Both Gate 1 & 2 high = combo mode

The A-101-2 has an aggressive sound, compared to other LPGs and its resonance goes up to self-oscillation which not many LPGs offer. The oscillation is rather dirty and far from being a sine wave.

3U Eurorack module, 8HP wide, 50mm deep.
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 1 in stock $98.47
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quote 682314
Cat: 577791 Rel: 10 Jul 19 • View all Synth modules
 
VCA with exponential response for low level sensitivity - 8HP
Notes: Module A-131 provides voltage-controlled amplification. For audio signals, you would normally use the exponential VCA (A-131), and for control voltages, the linear VCA (A-130). It doesn't always have to be that way, though.

The amount of amplification the VCA's provide is determined by the voltage at the CV input, and the position of the gain control, which sets the overall gain in the system.

The VCA has two audio inputs, each with an attenuator. They are amplified by an amount determined by the combination of the gain and the two CV controls.
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 1 in stock $72.28
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quote 577791
Cat: 560441 Rel: 04 Feb 15 • View all Effects pedals
 
Sub octave generator effects pedal with true bypass feature for maximum signal path integrity
Notes: Get down! Generates deep, phat bass tones one octave below the notes you play. Two separate smoothing filters enable you to tailor your sub-octave signal to the exact bass sound you desire, separating the Octave Multiplexer from other octave devices.

Run your vocals through it and sound just like Ike Turner. This is a monophonic device and works only on single notes.
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 1 in stock $77.53
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quote 560441
Cat: 577762 Rel: 06 Jun 19 • View all Synth modules
 
4 channel mixer - 8HP
Notes: Module A-138 is a four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator, and there's a master attenuator, so that the mixer can be used at the end of the audio chain - i.e. it can be used to interface directly with an external mixer, amplifier, etc.

The A-138a version features potentiometers with linear response, so especially suitable for control voltage mixing.
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 2 in stock $55.52
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quote 577762
Cat: 577745 Rel: 29 Nov 17 • View all Synth modules
 
Two sample & hold units in one module for generating stepped random voltages or slicing signals
Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.
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 5 in stock $62.85
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quote 577745
Cat: 716920 Rel: 29 Jan 19 • View all Synth modules
 
Voltage-controlled panning module consisting of 2 linear VCA's - 8HP
Notes: A-134-1 is a voltage controlled universal panning and/or crossfader module. If the module is used a voltage controlled Panning device one audio signal is panned to two different outputs. If the module is used a voltage controlled Crossfader two audio signals are mixed to one common output. The module enables even compositions of both functions.

The module contains two linear high quality VCAs (made with CEM3381/PA381 until April 2013, SSM2164 from May 2013). VCA2 works in the opposite direction of VCA1 i.e. the more VCA1's loudness increases the more VCA2's loudness decreases. The panning or crossfading is adjusted with a control knob (manual control) and by two external control voltages, one equipped with an attenuator. Suitable control voltage sources are e.g. LFOs (A-145, A-146, A-147), envelope signals (A-140, A-141, A-142, A-119), random (A-118), Theremin (A-178) or a voltage coming from a MIDI-to-CV-Interface (A-190, A-191). The panning/crossfading is displayed with 2 LEDs.

A-134-1 has an audio input with attenuator for each VCA. If the audio input of VCA2 is not used the audio input of VCA1 is connected with audio in of VCA 2, i.e. the sockets are "normalled". The module has three audio outputs: Left Output (VCA1), Right Output (VCA2) and Mix. For Panning applications the outputs Left Out and Right Out are used. If the module is used as a Crossfader the Mix Output functions as output.

Module A-134-1 enables voltage controlled stereophonic panning effects (one audio signal distributed to two outputs), crossfading effects (two audio inputs mixed to one audio output with voltage controlled loudness proportion) and combinations of both effects.
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 1 in stock $81.71
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quote 716920
Cat: 684460 Rel: 23 Apr 18 • View all Synth modules
 
Two independent voltage controlled switches in one module - 4HP
Notes: Module A-150 (Dual VCS) contains two separate voltage-controlled switches.

Each switch has a control voltage input, a common Out / Input, and two In / Outputs. The switches are bi-directional: they can work in both directions, so can connect one input to either of two outputs, or either of two inputs to one output. Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Two LEDs show which in / output is active (i.e. which is connected to the common out / input).
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 2 in stock $56.57
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quote 684460
Cat: 731939 Rel: 11 Jun 19 • View all Synth modules
 
Voltage controlled 12dB/octave filter - 8HP
Notes: Module A-121-3 is functionally nearly identical to module A-121-2. Only the distances between the controls and sockets are smaller and rubberized, small rotary knobs are used. Therefore the front panel width is only 4HP compared to 8HP of the A-121-2. In the first place it is planned for applications where only limited space is available. The only functional difference compared to the A-121-2 is the missing attenuator for the resonance CV input CQ.

These are the most important features of the module:

- Voltage-controlled multi-mode filter with a cut-off slope of -12 dB / octave (identical to the filter of the Dark Energy II/III but has been expanded by the voltage controlled resonance feature)
- Four simultaneous outputs are available, each with different characteristics: low-pass (LP), high-pass (HP), band-pass (BP) and notch (N)
- Manual control Frequ. for the cut-off frequency of the filter (the cut-off frequency determines the point at which the respective filter effect appears)
- Two inputs for frequency control by means of external control voltages (frequency modulation, e.g. by ADSR or LFO):
- Control voltage input CV1 without attenuator, about 1V/octave sensitivity
- Control voltage input CV2 with attenuator FCV2 for the adjustment of the modulation depth of input CV2
- Frequency range about 10Hz ... 20kHz
- Manual control Q for the resonance of the filter
- Control voltage input CQ without attenuator for voltage control of the resonance
- Resonance up to self-oscillation, in which case the module will behave like a sine wave oscillator even without audio input signal
- Audio input In with attenuator Level for the adjustment of the filter input level (beyond about pos. 5 clipping/distortion occurs with typical A-100 audio levels)
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 1 in stock $93.23
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quote 731939
Cat: 745775 Rel: 10 Sep 19 • View all Synth modules
 
Two sample & hold units in one module for generating stepped random voltages or slicing signals
Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.
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 1 in stock $67.04
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quote 745775
Cat: 671592 Rel: 29 Nov 17 • View all Synth modules
 
12dB multi-mode filter based on classic SEM filter circuitry
Notes: Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self oscillation in contrast to most of the other filters of the A-100 system. The module generates a distorted audio signal if the level control is set to about 50% (i.e. centre position) or more with A-100 standard signals like VCOs.

Inputs: Audio In, CV1 In without attenuator, CV2 In with Polarizer
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio Attenuator, CV2 Polarizer, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the Wasp filter module A-124. But the sound of both filters is very different! We will publish no separate user's manual for the A-106-5 but a combined manual for both A-106-5 and A-124. The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer)

Width: 8HP / 40.3mm
Depth: 55mm (Measured from the rear side of the front panel)
Current: +12V: +30mA, -12V: -20mA
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 3 in stock $84.86
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quote 671592
Cat: 706834 Rel: 12 Dec 18 • View all Synth module accessories
 
20HP metal enclosure for Eurorack modules with built-in power supply
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod20 is 20HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod20 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
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 3 in stock $84.85
Cat: 731940 Rel: 11 Jun 19 • View all Synth modules
 
Compact two-channel VCA - 4HP
Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output
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 2 in stock $75.42
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quote 731940
Cat: 666749 Rel: 16 Oct 17 • View all Pedal boards and accessories
 
Lightweight pedalboard with 2 independently adjustable platforms - includes soft case
Notes: The TF pedalboard series is MOOER's latest instalment to their extensive range of unique pedalboard solutions. It's double platform configuration allows the shape to be easily transformed to accommodate different pedal layouts. The TF pedalboards are designed with both practicality and beauty in mind so you can create the setup you want, keep everything neat and tidy and have a pedal board which looks great!

- TF16: 490 x 285 x 86mm
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 1 in stock $72.29
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quote 666749
Cat: 716933 Rel: 29 Jan 19 • View all Synth modules
 
Generates four phase shifted copies of a VCO signal applied to the audio input
Notes: Module A-137-2 is another version of a wave multiplier. In contrast to the A-137-1 Wave Multiplier I, the A-137-2 generates four phase-shifted copies of a VCO signal applied to the audio input. The four shifted signals are added to the original signal to obtain a fat sound similar to five independent VCOs. The phase shifting is made by a simple circuit that works only for sloped signals like sawtooth, triangle or sine, but not for rectangles or pulses.

The audio input signal (typically a sawtooth, triangle or sine wave from a VCO) is compared with a slowly varying control voltage (CV Shift In). The output of the comparator is a rectangle wave with variable pulse width. When the output of the comparatur is added to the input signal (a sawtooth in the example) with the correct level relation between both signals one obtains a phase shifted sawtooth. The left picture shows the incoming sawtooth wave on top. The two horizontal dashed lines (blue and orange) indicate two different comparison levels. Below the incoming sawtooth the two resulting comparator outputs (rectangle waves) and the two resulting shifted sawtooth waves are shown. It is not a "real" phase shift but an algebraic function. But the result is virtually the same. One could obtain the same function even with several comparator modules A-167 and mixers A-138a/b or polarizing mixers A-138c. But this would require a lot of modules.

The module has available four manual shift controls and four control voltage inputs with attenuators for the four internal shifting circuits. Typical sources for these inputs are LFOs, VCLFOs, random voltages, envelope generators, sequencers or other control voltage sources. Internally eight single outputs are available at single pins: the four shifted signals and in addition four rectangle outputs. A corresponding breakout module with eight sockets is in the planning stage and will be released provided that there are sufficient inquiries. The original signal and the four shifted signals are equipped with internal jumpers. If external toggle switches are used instead of the jumpers each of the 5 signals can be turned on/off individually.

The audio input is equipped with an attenuator to adjust the level for the right summation of the original and the comparator signals (as described above).
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 2 in stock $76.47
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quote 716933
Cat: 658044 Rel: 21 Jul 17 • View all Effects pedals
 
Performance Series expression pedal with dual-output design
Notes: Dual-output expression pedal featuring the Electro Harmonix advanced polymer construction that yields roadworthy pedals with a significant weight savings.

The Dual Expression Pedal's dual-output design gives hands-free control of two devices from a single source. Each expression output has independent range and reverse plus a polarity switch for maximum compatibility with a wide range of gear. Two six foot TRS cables are included.
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 1 in stock $72.29
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quote 658044
Cat: 693156 Rel: 20 Jun 18 • View all Effects pedals
 
Digital multi modulation pedal with 11 different algorithms
Notes: MOD FACTORY MKII contains 11 algorithms straight out of Mooer's award-winning MOD FACTORY PRO. All the usual suspects are there, such as Chorus, Flange, Trem and Phase, but it also sports a cool new low-bit effect and ring modulator that have proven very popular with the PRO version.

The signal to noise ratio has been greatly improved over the original and your guitar tone will remain full and present when you turn the pedal on. To enhance the experience even further, real-time tap tempo and acceleration functions have been added and can be accessed via the soft touch, momentary footswitch.

MOD FACTORY MKII also has an option for SERIES/PARALLEL. The SERIES/PARALLEL switch toggles between serial and parallel internal signal chain routing. This effectively provides 2 very different sounds from each modulation type.
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 2 in stock $61.81
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quote 693156
Cat: 725503 Rel: 12 Apr 19 • View all Synth module accessories
 
Portable, compact enclosure that turns Eurorack modules into table-top instruments
Notes: The Pod40X Unpowered is 40HP with 2" (51mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.
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 1 in stock $69.14
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quote 725503
Cat: 745791 Rel: 10 Sep 19 • View all Synth modules
 
Simple & effective voltage-controlled frequency divider - 8HP
Notes: Module A-163 is a voltage controlled audio frequency divider. The frequency of the input signal (preferably the rectangle output of a VCO) is divided by an integer factor N (N = 1, 2, 3, 4 ... up to 32). N can be adjusted manually and modulated with an external control voltage (e.g. from LFO, ADSR, Random, MIDI-to-CV, Theremin, Light-to-CV, analogue sequencer) with attenuator. The control input has polarizing function, i.e. the manually adjusted dividing factor can be modulated upwards or downwards. The basic idea of a polarizer is described in the modules A-133 Voltage Controlled Polarizer and A-138c Polarizing Mixer.

The output waveform is rectangle with 50% duty cycle. Unlike the A-115 with fixed dividing factors (2, 4, 8, 16) the dividing factor of the A-163 is voltage controlled and can be any integer value between 1 and about 20 (but only one output). In contrast to A-113 the dividing factor of the A-163 is voltage controlled and the output waveform is rectangle (the A-113 has 4 sawtooth outputs with 4 adjustable but not voltage controlled dividers).
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 1 in stock $75.43
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Cat: 589492 Rel: 09 Dec 15 • View all Synth modules
 
Buffered multiple synthesiser module with LED indicators - 3HP wide
Notes: The Buff Mult is a buffered multiple with LED indicators to show positive and negative voltages. Using wide bandwidth opamps, it functions as a dual 1-to-3 or a single 1-to-6 mult for audio, video, or CV signals.
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 1 in stock $68.10
Cat: 731938 Rel: 10 Jun 19 • View all Synth modules
 
Noise/random generator - 4HP
Notes: Module A-118-2 is the slim version of module A-118-1 and offers essentially the same features as the A-118-1. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-118-1. The module is primarily planned for applications where only limited space is available. The functional difference between A-118-1 and A-118-2 is the additional T&H/S&H unit which is not included in the A-118-1.

The module generates the signals white noise, coloured noise, continuous random voltage and stepped random voltage (derived from the continuous random voltage by means of a S&H/T&H unit).

The noise signal is generated 100% analogue by amplification of the noise of a transistor. White and coloured noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is derived from the coloured noise signal by low pass filtering. Consequently the settings of the controls for the coloured noise (Blue, Red) affect the behaviour of the random voltage! A dual colour LED (red = positive / yellow = negative output voltage) indicates the continuous random voltage.

The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal (= continuous random voltage) as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal (= continuous random voltage) is sampled at the rising edge of the Clock signal.

For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. It does not work with slowly changing continuous CV signals. Another dual colour LED (red = positive / yellow = negative output voltage) indicates the stepped random voltage.
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 3 in stock $75.42
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Cat: 452717 Rel: 17 Apr 12 • View all Keyboard bags & covers
 
Bag designed for the Little Phatty and Sub 37
Notes: Designed to protect your prized instrument. The Moog Little Phatty Gig Bag will give you the confidence to transport it freely and safely.

The Moog Little Phatty Gig Bag is made of heavy-duty nylon material, with double-stitched construction. With padded interior and exterior pockets for extra storage, the gig bag manages your musical gear with ease.

Shoulder strap, backpack straps and an easy to carry handle offers flexibility when traveling. Also, the bag is specifically sized for the Little Phatty, has 3/ 4" foam all around and contains internal velcro straps to keep it from sliding.
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 2 in stock $89.04
Cat: 519786 Rel: 12 Feb 14 • View all Studio headphones
 
Monitor headphones with 40mm drivers
Notes: Craaazy value. Little brothers to the cult classic ATH-M50X, these are really nice headphones at an even nicer price. Great for studio use but the neat folding design makes them suitable for portable listening too.

Supplier notes:
With enhanced audio clarity and sound isolation, the ATH-M30x professional monitor headphones are tuned for highly detailed audio.

Featuring strong mid-range definition, these versatile monitoring headphones are ideal in a variety of situations. Designed primarily for studio tracking and mixing, they offer added features for increased portability, making them a great choice for field recording.
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 1 in stock $60.24
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Cat: 705160 Rel: 12 Dec 18 • View all DJ cartridges
 
Dual moving magnet stereo cartridge
Notes: The AT-XP series cartridges provide a high quality sound for vinyl DJ's. Offering all the features of a DJ cartridge, but with a Hi-fi sound, the XP series are perfect for the stage and club DJ who prioritises sound quality.

- Audiophile DJ cartridge equipped with a conical stylus
- VM dual magnet construction
- Durable robust design for high-quality specialist DJ playback
- Signal output level and output impedance characteristics suited for professional DJ applications
- Carbon fibre-reinforced ABS cantilever and nylon wire suspension ensure precise tracking
- Compatible with the replacement styli ATN-XP5 and ATN-XP7 for an upgrade
- Configuration as single cartridge (AT-XP3), Replacement Stylus (ATN-XP3) and as headshell bundle together with the headshell AT-HS6BK available (AT-XP3/H)
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 2 in stock $51.57
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quote 705160
Moog Mother 32 Gig Bag (equipment case)
Cat: 590222 Rel: 11 Jan 17 • View all Keyboard bags & covers
 
Padded soft case for the Moog Mother 32
Notes: The Mother-32 gig bag is a custom-sewn soft case designed specifically to protect your Mother-32 Semi-Modular analog synthesizer from the collisions of day to day travel. It features a snug, fully cushioned internal storage compartment for one Mother-32, an adjustable divider for nesting a power adapter, a large exterior pocket for patch cable storage and a padded handle for portability.
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 1 in stock $61.81
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Cat: 714252 Rel: 12 Dec 18 • View all DJ styluses
 
Replacement stylus for AT-XP7 cartridge
Notes: - Elliptical bonded stylus
- Tapered aluminium cantilever
- Durable design for DJ application
- Tracking Force Range: 2.0 to 4.0 g
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 2 in stock $93.43
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quote 714252
Cat: 695400 Rel: 09 Jul 18 • View all DJ cartridges
 
Stereo cartridge & stlyus with half-inch elliptical bonded tip
Notes: The AT-XP5 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulphide (PPS)/glass fibre body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 5.5 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.
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 2 in stock $75.23
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Cat: 719475 Rel: 05 Feb 19 • View all DJ cartridges
 
Dual moving magnet stereo cartridge with headshell
Notes: Audiophile DJ cartridge mounted on AT-HS6BK headshell.

The AT-XP series cartridges provide a high quality sound for vinyl DJ's. Offering all of the features of a DJ cartridge, but with a Hi-fi sound, the XP series are perfect for the stage and club DJ who prioritises sound quality.

- Audiophile DJ cartridge AT-XP3 pre-mounted on the AT-HS6BK headshell
- VM dual magnet construction
- Durable robust design for high-quality specialist DJ playback
- Carbon fibre-reinforced ABS cantilever and nylon wire suspension ensure precise tracking
- Compatible with the replacement styli ATN-XP5 and ATN-XP7 for an upgrade
- Configuration as single cartridge (AT-XP3), Replacement Stylus (ATN-XP3) and as headshell bundle together with the headshell AT-HS6BK available (AT-XP3/H).
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 3 in stock $75.21
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quote 719475
Cat: 695691 Rel: 09 Jul 18 • View all DJ headphones
 
Professional over-ear headphones featuring newly designed 40mm drivers
Notes: Audio-Technica's PRO5X headphones are proper all-rounders, just as happy in the DJ booth as they are in the studio. Plenty of people like them for general listening too. Cult favourites for good reason.

Supplier notes:
Audio-Technica updates the PRO5 line with the ATH-PRO5X professional DJ monitor headphones. Featuring lightweight, sturdy construction and two interchangeable, locking cables - a 1.2 m - 3.0 m (3.9' - 9.8') coiled cable and 1.2 m (3.9') straight cable - the ATH-PRO5X headphones are designed to stand up to professional DJ use.

The PRO5x headphones are equipped with newly developed 40 mm drivers capable of handling 1,500 mW of input power, giving you extremely accurate sound reproduction that remains distortion-free even at high volume. And the soft, durable earpads fit comfortably over the ears to provide excellent sound isolation.
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 1 in stock $84.33
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Cat: 483441 Rel: 27 Feb 13 • View all Studio power supplies
 
19" rackmount 230V 10 AMP power conditioner
Notes: The Samson PowerBrite PB10 Rackmount Power Conditioner and distribution unit. Protect your gear and organise your power distribution.

The Samson PowerBrite PB10 is a 19" rackmount power conditioner that makes the perfect addition to any rack case. The PB10 is loaded with 9 IEC outlets (8 rear and 1 front panel). The PB10 features a 10-amp circuit breaker, surge protection, peak voltage clamping and RFI/EMI filtering to provide clean, uninterrupted power. The front panel houses 2 x LED lamps with dimmer control for rack illumination. The Powerbrite PB10 also has a gooseneck lamp included for lighting the rear of your rack case.
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 1 in stock $89.04
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Cat: 481808 Rel: 07 Feb 13 • View all Vocal microphones
 
USB studio microphone for computer recording
Notes: The Meteor Mic is the universal solution for recording music on your computer. Perfect for your home studio, Meteor Mic is also ideal for Skype, iChat or voice recognition software. With Meteor Mic, you can make incredible recordings that are out of this world.

Producing rich audio recording for any application, the Meteor Mic has one of the largest condenser diaphragms (25mm) of any USB mic available. Its cardioid pickup pattern, smooth frequency response and 16bit, 44.1/48kHz resolution give you professional audio results no matter what you're recording.

The Meteor Mic's chrome-plated body includes a fold-back leg design that looks amazing on your desktop. And the legs adjust to the optimal position for any recording application from acoustic guitars to vocals or speech.

A stereo 1/8" headphone output for no latency monitoring and headphone volume knob give you complete control. A microphone mute switch gives you audio privacy while video conferencing. We've integrated a mic stand adapter into the bottom so you can mount the Meteor Microphone on a boom or desktop stand.

Since there's no need for drivers, you can start recording right out of the box on any computer. And the Meteor Mic is compatible with most computer-based digital audio workstations. A USB cable and carry pouch are also included.
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 4 in stock $73.08
Cat: 649672 Rel: 09 May 17 • View all Hi-fi styluses
 
Replacement stylus designed to fit the current Goldring 1006 phono cartridge
Notes: Goldring D06 stylus is designed to fit the current Goldring 1006 phono cartridge, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.
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 1 in stock $98.47
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quote 649672
Dead Moon: The Book (limited 2xLP + 300 page book)
Cat: 682505 Rel: 18 Apr 19 • View all Books
 
2xLP containing Dead Moon greatest hits collection + 300 page, full colour hardback book
Notes: Dead Moon were a DIY band, active for 19 years. Singer and guitarist Fred Cole was playing music since the early 1960's - beginning his career as "Deep Soul Cole - the white Stevie Wonder", then joining the psychedelic garage rock band the Lollipop Shoppe / The Weeds. In the 70's and early 80's Fred and Toody Cole played in various punk, country and hard rock bands. In the late 1980's, they formed Dead Moon with Andrew Loomis. This band went on to become mythic and legendary. They lived by a DIY code built around superstitions and avoidance of conventional music industry pitfalls. Their story is completely unique amongst the pantheon on rock bands - a group who never sold out, never gave in and built a legacy of art and community piece by piece in a sustainable way almost unheard of. The book is a tribute to their unique aesthetic, unbelievable twisted path of a story, and roll as pioneers of the Portland music scene.

The book tells the entire Dead Moon saga in the words of the band itself. Just the voices of Fred, Toody and Andrew. It includes a complete illustrated discography of everything Fred, Toody and Andrew have released, song lyrics, and TONS of band photos, flyers, and weird ephemeral stuff. Lots of it has never been seen by the greater public. The package also includes 2 LP's of the "best of" Dead Moon - lovingly remastered from the original tapes. Very sturdy construction.
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 1 in stock $96.24
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quote 682505
Cat: 542407 Rel: 28 Aug 14 • View all Studio monitors
 
Multimedia monitors with professional sound quality and features in a compact design, acoustic pads and cables included
Notes: Built using only premium, high-performance components and featuring convenient front-panel controls, Mackie Creative Reference Multimedia Monitors deliver professional sound quality and features perfect for work, play and everything in between.

You might be creating professional multimedia one minute and streaming video the next. With Creative Reference Multimedia Monitors, you get the best of both worlds. Studio-quality design and performance in an extremely compact design with smart features perfect for creatives of any level.

Creative Reference monitors deliver a combination of high-quality components and professional build quality that is typically only found on more expensive studio monitors. From the studio-quality sound of the premium drivers to the rich, natural sound enhanced by the all-wood cabinet design, these monitors are professional in every way.

After all, when creating media, it's critical that your audio translate accurately across the myriad of speakers people will use to listen. Even if you don't create media, you want to hear exactly what the product intended. Hear every nuance and detail in a complete full-range experience that only studio monitors can provide.

Let's face it... a lot of workspaces are cramped. Maybe you work at home, maybe you like to work remotely or maybe you sit for hours a day in a tiny editing suite. Either way, great-sounding monitors that don't eat up a ton of desk space would be ideal. The extremely small footprint of Creative Reference monitors is perfect for the modern workspace. They are very compact, but they don't sacrifice a bit on performance.

There's nothing worse than getting some cool new gear only to realize you have to head back to the store to get the cables you need to make it all work. That's why Creative Reference monitors come with absolutely everything you need to get started working or playing right out of the box... and then some. Here's what's included:

- 1/8" to stereo RCA cable for connecting your computer's audio output directly to the monitors
- 1/8" to 1/8" cable for connecting your smartphone right into the front of the monitors
- 6' speaker-to-speaker cable to connect the left/right speakers together
- (2) Professional-grade isolation pads that minimize unwanted bass buildup and allow you to tilt the monitors up or down a bit for more focused listening

Unique to the line is a left/right speaker placement switch that lets you decide which side of your workspace has the volume control. Sometimes you just feel more comfortable reaching up to change the volume with a specific hand. Mackie is the first to solve this issue. Maybe it's because there are so many ambidextrous people here...something in the Seattle water.

It's also fantastic for home studios, where you can be forced to put the powered monitor on a particular side due to where the power outlet is. Either way, you don't want to sacrifice proper stereo imaging due to personal preferences or space limitations.

There are also some great front-panel features that make Creative Reference monitors ideal for creative professionals and media junkies.

The front panel volume knob also allows you to turn the monitors off, which is better than reaching around back each time you use them. There's even a lit power ring around the knob to let you know when the monitors are ready to rock (or jazz, or whatever it is you're into).

An auxiliary input is perfect for connecting your smartphone or other media device to audition previous mixes or other comparison media. Plus, if you want to quickly watch the latest video your friend shared on Twitter, you can just plug in and enjoy.

A dedicated headphone out provides the opportunity to quickly listen to a different source, which is great for any professional. Plugging in phones defeats the speakers for truly silent work and you can quickly adjust levels with the main volume knob.

***Now with Pro Tools First (including The Musician Collection) upon registration***
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 1 in stock $92.56
Cat: 732852 Rel: 27 Sep 19 • View all Synth modules
 
Ring modulator with internal oscillator
Notes: Erica Pico Ring is a balanced modulator (quadrant multiplier) circuit to create bell-like, metallic or robotic sounds. It has built-in sine-wave modulation oscillator for more versatility.
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 1 in stock $95.33
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Cat: 641960 Rel: 27 Feb 17 • View all Synth modules
 
Simple attack-release envelope with voltage controlled clamp
Notes: The Sinclastic Empulatrix was inspired by the simple - yet remarkably clever - envelopes used in the cymbals of the TR-808. These envelopes are simple exponential decays that are applied to the signal via clamping rather than the more typical scaling. For binary signals such as a square wave a clamping VCA will sound like a typical VCA. For analog signals it will add a clipping effect that gets stronger as the envelope decays.

The Sinclastic Empulatrix has knobs for control of attack and release.

The envelope is controlled by a gate input that determines the timing of the envelope. The envelope is also scaled by the voltage of the gate so it can be used to control the amplitude of the envelope.

The clamping VCA section of the Sinclastic Empulatrix has a simple input and output. It is DC-coupled so is suitable for control voltages and can be used without the envelope generator by turning the attack and release fully counter-clockwise and driving the gate with an analog CV.

This module can also be used as an asymetric slew: the envelope output will track the gate input but will be slewed by the attack and release times based on relative voltage.

Size: 4HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 15 mA
Draw -12: 25 mA
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 1 in stock $85.90
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