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People also bought...
Tangible Waves AE Modular MS20 FILTER Module (synth module)
Cat: 786479 Rel: 19 Oct 20 • View all Synth modules
Filter module
Notes: The famous MS 20 filter for AE modular!
This adaptation of the filter used first in Korg's MS-20 synth for AE modular offers control knobs for cutoff frequency, resonance and CV attenuator. Two signal inputs for different signal levels control the "drive" of the module. Compared to the wasp filter this filter has a significant self resonance and also a very quick response to changes in the cutoff frequency.
The filter type is switchable between lowpass and highpass (LP/HP switch).
… Read moreThis adaptation of the filter used first in Korg's MS-20 synth for AE modular offers control knobs for cutoff frequency, resonance and CV attenuator. Two signal inputs for different signal levels control the "drive" of the module. Compared to the wasp filter this filter has a significant self resonance and also a very quick response to changes in the cutoff frequency.
The filter type is switchable between lowpass and highpass (LP/HP switch).
1 in stock $51.07
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Tangible Waves AE Modular 2-Row 16x2 Standard Modular Synthesiser Case (black/red) (synth module case)
Cat: 786514 Rel: 19 Oct 20 • View all Synth Module Accessories
2-row 16x2 wide case
Notes: The 2-row rack for AE modular is 16 units wide with 2 rows; the MASTER module consumes 2 units so you have 30U remaining for other modules.
Via a joint kit (not included) another case of this width (either one-row or two-row) can be attached at a free angle; the bus is connected via a short connector cable between both cases.
The sides are made of red acrylic, all other parts are of wood fibre board (MDF), black painted.
Dimensions: 41.3 x 21.7 x 4.5 cm (width x depth x height)
… Read moreVia a joint kit (not included) another case of this width (either one-row or two-row) can be attached at a free angle; the bus is connected via a short connector cable between both cases.
The sides are made of red acrylic, all other parts are of wood fibre board (MDF), black painted.
Dimensions: 41.3 x 21.7 x 4.5 cm (width x depth x height)
1 in stock $56.52
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Cat: 719670 Rel: 02 Sep 19 • View all Synth modules
Dual attack/decay envelope
Notes: 2ENV is a dual attack - decay envelope; it can be switched between full sustain (the output remains at full level as long as the GATE input is on) and zero sustain (for percussive envelopes). Another switch (SLOW/FAST) allows selecting the time range.
For manual triggering there is a button for each envelope.
CV control: Both attack and decay time can be CV controlled; the CV "multiplies" the time by 1...approx. 8 times.
… Read moreFor manual triggering there is a button for each envelope.
CV control: Both attack and decay time can be CV controlled; the CV "multiplies" the time by 1...approx. 8 times.
1 in stock $57.29
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Cat: 719701 Rel: 02 Sep 19 • View all Synth modules
Dual hybrid oscillator
Notes: The 2OSC/d module contains two 1V/octave hybrid oscillators. Each of them features:
- One frequency knob plus a range switch +2 octaves
- CV input (1V / octave)
- PWM input
- SYNC input
- Sawtooth/Square/Sub-octave output
The pulsewith knob controls either the pulsewidth of the first oscillator (with the second one having a fixed pulsewidth), or via a switch the second oscillator is also controlled by the pulsewidth knob. Both oscillators can be pulsewidth-modulated independently by their PWM inputs.
The module is designed as a hybrid digital/analogue module; the oscillator frequencies are determined digitally and are therefore quite stable and have a good tracking; the output wavefom itself is created analogue. It's a new idea/concept that I have implemented here; the design causes the waveform to get a bit gritty at higher frequencies (but not "digital noise") - it's the character of this thing!
… Read more- One frequency knob plus a range switch +2 octaves
- CV input (1V / octave)
- PWM input
- SYNC input
- Sawtooth/Square/Sub-octave output
The pulsewith knob controls either the pulsewidth of the first oscillator (with the second one having a fixed pulsewidth), or via a switch the second oscillator is also controlled by the pulsewidth knob. Both oscillators can be pulsewidth-modulated independently by their PWM inputs.
The module is designed as a hybrid digital/analogue module; the oscillator frequencies are determined digitally and are therefore quite stable and have a good tracking; the output wavefom itself is created analogue. It's a new idea/concept that I have implemented here; the design causes the waveform to get a bit gritty at higher frequencies (but not "digital noise") - it's the character of this thing!
2 in stock $59.89
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Tangible Waves AE Modular PHASER 4-Stages Vactrol Phaser Module (phase shifter synth module)
Cat: 904429 Rel: 14 Mar 23 • View all Synth modules
A vactrol phaser with 4 stages.
Notes: The PHASER module runs the signal through a chain of all pass filters, which brings a very distinctive sound when the filter stages are modulated. Well known is this sound by many pieces of electronic music in the 70's and 80's; especially with the SOLINA as audio source you get this unique spacey sound known from these days. With a switch you can select 4 or 8 stages; more stages make the modulation more deep and intense.
The module has a low-frequency LFO onboard, an external modulation CV can be used also as modulation source.
… Read moreThe module has a low-frequency LFO onboard, an external modulation CV can be used also as modulation source.
1 in stock $76.47
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Tangible Waves AE Modular ADSR Module (synth module)
Cat: 944300 Rel: 14 Feb 24 • View all Synth modules
A classic four-stage envelope module.
Notes: The classic ADSR envelope with CV control for all parameters
The ADSR module offers the classic four-stage envelope (Attack, Decay, Sustain, Release) that is not only loopable (patch the end output into gate input) but also accepts CV control over each of the stages! For the time values (A, D, R) the value set by the knob can be increased to five times the duration by the corresponding CV value. For the Sustain value the knob and CV value are simply added.
… Read moreThe ADSR module offers the classic four-stage envelope (Attack, Decay, Sustain, Release) that is not only loopable (patch the end output into gate input) but also accepts CV control over each of the stages! For the time values (A, D, R) the value set by the knob can be increased to five times the duration by the corresponding CV value. For the Sustain value the knob and CV value are simply added.
1 in stock $57.29
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AE Modular CVADDER-HQ Precision CV Adder Module (synth module)
Cat: 944306 Rel: 15 Feb 24 • View all Synth modules
A precision adder module especially for adding 1V/octave (pitch-controlling) CVs.
Notes: The CVADDER-HQ is a precision adder especially for adding 1V/octave (pitch-controlling) CVs. This makes it possible e.g. to transpose a sequence. Compared to general purpose CV mixers (like POLAMIX), this module does the summing of the CVs very precise (within a few millivolts), so the desired pitch is not affected.
The module offers four CV inputs where three of them are summed, and the CV at the fourth input is subtracted - meaning "transposition downwards".
This module also allows transposing the incoming CV by one or two octaves or a variable offset by buttons.
A separate output provides the voltage of the internal transposition (+1, +2 octaves / free).
If the transposition buttons are not necessary and you prefer to have a dual precision adder, take a look at the 2CVADD-HQ module.
… Read moreThe module offers four CV inputs where three of them are summed, and the CV at the fourth input is subtracted - meaning "transposition downwards".
This module also allows transposing the incoming CV by one or two octaves or a variable offset by buttons.
A separate output provides the voltage of the internal transposition (+1, +2 octaves / free).
If the transposition buttons are not necessary and you prefer to have a dual precision adder, take a look at the 2CVADD-HQ module.
1 in stock $51.59
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Cat: 944313 Rel: 13 Feb 24 • View all Synth modules
An analogue shift register module.
Notes: The CVSHIFTER module is the AE version of the well-known analogue shift register modules that are around in the modular world since a long time. It works like this: The CV input is sampled with each trigger input signal and this CV is sent to the CV 1 output; at the same time, all CV outputs 1-4 are shifted by one.
Compared to the "classic" circuits, this module is digital based and therefore doesn't suffer from drift as some analogue ASRs and S&Hs do. The result is, that you can e.g. control the pitch of up to four oscillators which is a first step into polyphony.
The CVSHIFTER module offers three modes:
Classic: Each trigger shifts the CV outs by one position, the new CV goes to output CV 1
Cycle: Each trigger sends the CV to the next output channel, restarting at out 1; additionally a gate signal at the according output.
Random: The CVs are sent in random order to one of the four outputs, plus a gate at the according output.
… Read moreCompared to the "classic" circuits, this module is digital based and therefore doesn't suffer from drift as some analogue ASRs and S&Hs do. The result is, that you can e.g. control the pitch of up to four oscillators which is a first step into polyphony.
The CVSHIFTER module offers three modes:
Classic: Each trigger shifts the CV outs by one position, the new CV goes to output CV 1
Cycle: Each trigger sends the CV to the next output channel, restarting at out 1; additionally a gate signal at the according output.
Random: The CVs are sent in random order to one of the four outputs, plus a gate at the according output.
1 in stock $52.36
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Tangible Waves AE Module Kuzmin Filter Module (filter synth module)
Cat: 967228 Rel: 19 Feb 24 • View all Synth modules
Kuzmin filter module.
Notes: The module was named Kuzmin Filter in the past as a tribute to the developer of the Polivoks, Vladimir Kuzmin. For certain reasons, the module will now be called GRUNGE Filter (due to the sound), with the circuitry remaining unchanged.
The Polivoks was a Russian synth that was produced between 1982 and 1990.This module is the AE version of the filter that gave the Polivoks a unique, rough sound.
Beyond the basic design, this filter offers some additional features:
Two different resonance characteristics, hard and soft
An FM function, that adds the input signal to the modulation of the filter
An optional overdrive for the output, making the sound even more rough and untamed.
… Read moreThe Polivoks was a Russian synth that was produced between 1982 and 1990.This module is the AE version of the filter that gave the Polivoks a unique, rough sound.
Beyond the basic design, this filter offers some additional features:
Two different resonance characteristics, hard and soft
An FM function, that adds the input signal to the modulation of the filter
An optional overdrive for the output, making the sound even more rough and untamed.
1 in stock $58.58
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Tangible Waves AE Modular Spring Reverb Complete Set (effect/reverb synth module+tank/cable)
Cat: 967241 Rel: 19 Feb 24 • View all Synth modules
Spring Reverb module with reverb tank and cable.
Notes: Unique, vintage reverb sound.
The SPRINGREVERB module brings the unique sound of this quite old (introduced in the 60's) technique for creating reverbs to the AE modular.
The reverb works by sending the audio signal to a set of 3 springs; at the other end of the springs the sound is picked up by a transducer, converting the mechanical movement of the springs back into an electrical signal. When the audio signal arrives at the end of the springs, the waves are reflected several times; these reflections create the reverb sound.
The spring "tank" (a metal box containing the springs and transducers, size approx. 24 x 9 x 3.5 cm) is connected externally by a cable.
The product contains all components: The module itself, the spring tank and the connection cable.
Note: The sound of a spring reverb is quite unique and has a strong vintage character; if you are looking for a more "clean", natural sounding reverb please take a look at the MULTIFX module.
… Read moreThe SPRINGREVERB module brings the unique sound of this quite old (introduced in the 60's) technique for creating reverbs to the AE modular.
The reverb works by sending the audio signal to a set of 3 springs; at the other end of the springs the sound is picked up by a transducer, converting the mechanical movement of the springs back into an electrical signal. When the audio signal arrives at the end of the springs, the waves are reflected several times; these reflections create the reverb sound.
The spring "tank" (a metal box containing the springs and transducers, size approx. 24 x 9 x 3.5 cm) is connected externally by a cable.
The product contains all components: The module itself, the spring tank and the connection cable.
Note: The sound of a spring reverb is quite unique and has a strong vintage character; if you are looking for a more "clean", natural sounding reverb please take a look at the MULTIFX module.
1 in stock $86.33
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Technics Pitch Slider For SL-1200/SL-1210 Mk2 DJ Turntables (silver) (turntable pitch slider)
Cat: 705756 Rel: 04 Oct 18 • View all DJ Turntable Parts | Replacement Parts
Replacement pitch control for SL1200 & 1210 Mk2 turntables
Notes: - Fits SL1200 / 1210 Mk2
- Genuine Technics replacement part
- Part number: SFDZ122N11-2
… Read more- Genuine Technics replacement part
- Part number: SFDZ122N11-2
5 in stock $56.78
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Teenage Engineering PO-24 Office Pocket Operator Noise Percussion Drum Machine & Sequencer (drum machine/sequencer)
Cat: 599822 Rel: 03 Feb 16 • View all Drum machines
Pocket-sized percussion/drum machine
Notes: We can't get enough of Teenage Engineering's quirky little Pocket Operators. The PO-24 is an oddball classic, specialising in office-themed percussion. Weird and wonderful stuff as usual from the innovative Swedish brand.
Supplier's notes:
Noise percussion drum machine and sequencer, with parameter locks, solo functionality and punch-in effects.
All pocket operator models perfectly complement each other. From drum machine, bass and lead synthesisers to noise percussion, the six unique units allow you to start a pocket band. Use them separately or connect them together, the choice is yours.
Use the built-in speaker for instant sound, connect a pair of headphones for detailed personal listening, or hook up a speaker system and the club will go boom!
Pocket operators are designed on a single multiple-layer circuit board using high quality components. They all share a compact and durable form factor.
By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.
Optional extras:
Add the silicone pro case to protect your pocket operator and get anti-slip feet, neck strap, battery protection and pro feel buttons. Use the SP-10 display protection to protect the LCD screen, and start a jam sync session with your friends using the MC-3 mini cables.
… Read moreSupplier's notes:
Noise percussion drum machine and sequencer, with parameter locks, solo functionality and punch-in effects.
All pocket operator models perfectly complement each other. From drum machine, bass and lead synthesisers to noise percussion, the six unique units allow you to start a pocket band. Use them separately or connect them together, the choice is yours.
Use the built-in speaker for instant sound, connect a pair of headphones for detailed personal listening, or hook up a speaker system and the club will go boom!
Pocket operators are designed on a single multiple-layer circuit board using high quality components. They all share a compact and durable form factor.
By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.
Optional extras:
Add the silicone pro case to protect your pocket operator and get anti-slip feet, neck strap, battery protection and pro feel buttons. Use the SP-10 display protection to protect the LCD screen, and start a jam sync session with your friends using the MC-3 mini cables.
1 in stock $81.40
People also bought...
Teenage Engineering PO-32 Tonic Pocket Operator Drum Machine & Sequencer (drum machine/sequencer)
Cat: 638396 Rel: 05 May 17 • View all Drum machines
Drum synthesiser and sequencer with parameter locks, punch-in effects and unlimited sounds with microtonic VST through data transfer.
Notes: I'm the operator with my pocket calculator. Which is actually a drum machine. Cult classic digital beatbox which integrates really nicely with the Sonic Charge MicroTonic plugin.
Supplier notes:
Drum synthesizer and sequencer with para-meter locks, punch-in effects and unlimited sounds with micro-tonic VST through data transfer.
Unlimited sounds:
PO-32 is the first pocket operator which allows unlimited sounds. in addition to the 16 preset sounds, you can use sonic charge micro-tonic VST to craft your own unique sounds and transfer them wirelessly to PO-32 with the built-in microphone, or alternatively by using a cable.
Upgraded hardware platform:
PO-32 has a built-in microphone for transferring and receiving data over sound. it also has a removable lock tab for write protection of patterns. the hanger strength is increased for extra durability, and on the backside of unit there are some useful combo reminders.
New pro-case:
CA-X silicone pro-case is the best companion for PO-32. with an updated design, this case includes a hole for microphone, anti-slip feet, neck strap, battery protection and pro feel buttons. it is also compatible with all pocket operator models.
… Read moreSupplier notes:
Drum synthesizer and sequencer with para-meter locks, punch-in effects and unlimited sounds with micro-tonic VST through data transfer.
Unlimited sounds:
PO-32 is the first pocket operator which allows unlimited sounds. in addition to the 16 preset sounds, you can use sonic charge micro-tonic VST to craft your own unique sounds and transfer them wirelessly to PO-32 with the built-in microphone, or alternatively by using a cable.
Upgraded hardware platform:
PO-32 has a built-in microphone for transferring and receiving data over sound. it also has a removable lock tab for write protection of patterns. the hanger strength is increased for extra durability, and on the backside of unit there are some useful combo reminders.
New pro-case:
CA-X silicone pro-case is the best companion for PO-32. with an updated design, this case includes a hole for microphone, anti-slip feet, neck strap, battery protection and pro feel buttons. it is also compatible with all pocket operator models.
3 in stock $82.95
People also bought...
Teenage Engineering PO-16 Factory Pocket Operator Lead Synthesiser & Sequencer (synthesiser/sequencer)
Cat: 560993 Rel: 05 May 15 • View all Synthesisers
Melody synthesiser and sequencer with parameter locks, punch-in effects, arpeggio and chord play styles.
Notes: Melody synthesizer and sequencer with parameter locks, punch-in effects, arpeggio and chord play styles.
Pocket operators are cleverly designed on a single circuit board. By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.
Experience a fresh new way to create music using your thumbs. With its pocket size, its animated graphics, real synthesizer engines, sync, punch-in effects, built-in speaker, alarm clock and impossibly low price, making electronic music has never been this much fun!
… Read morePocket operators are cleverly designed on a single circuit board. By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.
Experience a fresh new way to create music using your thumbs. With its pocket size, its animated graphics, real synthesizer engines, sync, punch-in effects, built-in speaker, alarm clock and impossibly low price, making electronic music has never been this much fun!
1 in stock $72.58
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Teenage Engineering TX-6 Field Bag (small) (studio mixer bag)
Cat: 932157 Rel: 07 Mar 23 • View all Recording Studio Accessories
Small bag with front pocket to fit field mixer and any cables or smaller items.
Notes: Small bag with front pocket to fit field mixer and any cables or smaller items. hook-and-loop secures the strap so it can be worn in a variety of ways: cross body, over the shoulder or on the waist.
The belt loop can be used to fix to the field belt strap.
Shell fabric is tear and abrasion resistant, nylon 66. Treated with fire retardant, and backed with PU for a 3000 mm water repellent rating.
Hardware is custom designed aluminium alloy 7075-T6.
Dimensions: 120 mm x 95 mm x 30 mm
… Read moreThe belt loop can be used to fix to the field belt strap.
Shell fabric is tear and abrasion resistant, nylon 66. Treated with fire retardant, and backed with PU for a 3000 mm water repellent rating.
Hardware is custom designed aluminium alloy 7075-T6.
Dimensions: 120 mm x 95 mm x 30 mm
2 in stock $53.26
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The OZ Tapes (reissue) (milky clear vinyl 2xLP + booklet with obi-strip)
Cat: DRFT 03C2. Rel: 05 Dec 22
Psych/Garage Rock
Review: Formed in 1967 at Kyoto's Doshisha University, Les Rallizes Denudes were pioneering in the same way as The Velvet Underground, but their music remained a cult concern through a lack of official releases and a spread of bootlegged recordings. Fronted by enigmatic singer Takashi Mizutani, they presented an untamed noise-rock approach before the genre existed, fusing furious blasts of intensity, psychedelia and free jazz with melodic, folk informed passages. On this reissue, we're taken back to their time playing at shortlived but seminal rock club OZ, which captures this incendiary, little known group as their musical might was growing.
… Read more in stock $56.78
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Tesseract Modular Tex Mix 4 Mono Channels Expandable Mixer Module (mixer/VCA synth module)
Cat: 797284 Rel: 07 Dec 20 • View all Synth modules
Synth module
Notes: This is a 4 mono channels expansion. Several of these modules can be added to provide more channels. Every channel features:
- Mono input
- Vactrol Gate (plug a CV into the GATE IN to modulate the volume of a channel, just like a classic VCA. When nothing is plugged in the GATE IN, the gate is normalled to fully open)
-SEND A control (switchable PRE/POST, in PRE mode the signal is present regardless to the channel volume control but only if the channel switch is in ON position)
-SEND B control (post-fader)
-PAN control (only affects the master bus)
-VOLUME control (affects the master, cue and POST sends, does not affect PRE-fader send)
-ON/OFF/CUE switch: ON - channel is routed to the master bus
OFF - channel is muted
CUE - channel is routed to the cue bus
13 mA +12V
8 mA -12V
… Read more- Mono input
- Vactrol Gate (plug a CV into the GATE IN to modulate the volume of a channel, just like a classic VCA. When nothing is plugged in the GATE IN, the gate is normalled to fully open)
-SEND A control (switchable PRE/POST, in PRE mode the signal is present regardless to the channel volume control but only if the channel switch is in ON position)
-SEND B control (post-fader)
-PAN control (only affects the master bus)
-VOLUME control (affects the master, cue and POST sends, does not affect PRE-fader send)
-ON/OFF/CUE switch: ON - channel is routed to the master bus
OFF - channel is muted
CUE - channel is routed to the cue bus
13 mA +12V
8 mA -12V
1 in stock $95.39
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Tesseract Modular Tex Mix 4 Stereo Channels Expandable Mixer Module (mixer synth module)
Cat: 797287 Rel: 07 Dec 20 • View all Synth modules
Synth module
Notes: This is a 4 stereo channels expansion. Several of this modules can be added to get more stereo channels. Every channel features:
Stereo input (L works as mono in)
SEND A control (switchable PRE/POST, in PRE mode the signal is present regardless to the ON/OFF/CUE switch position and channel volume control)
SEND B control (post-fader)
PAN control (only affects the master bus)
VOLUME control (affects the master, cue and POST sends)
ON/OFF/CUE switch: ON- channel is routed to the master bus
OFF- channel is muted
CUE- channel is routed to the cue bus
15 mA +12V
15 mA -12V
… Read moreStereo input (L works as mono in)
SEND A control (switchable PRE/POST, in PRE mode the signal is present regardless to the ON/OFF/CUE switch position and channel volume control)
SEND B control (post-fader)
PAN control (only affects the master bus)
VOLUME control (affects the master, cue and POST sends)
ON/OFF/CUE switch: ON- channel is routed to the master bus
OFF- channel is muted
CUE- channel is routed to the cue bus
15 mA +12V
15 mA -12V
1 in stock $95.39
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Tesseract Modular DABS Dual A/B Switch Module (switch/utility synth module)
Cat: 887796 Rel: 21 Sep 22 • View all Synth modules
Dual AB Switch
Notes: Dual AB Switch
The A/B Switch selects between A and B and the middle position of the switch is a "mute", works with any kind of signal (cv or audio) and is bidirectional.
This is an utility module that was made for switching stereo signals, but other uses are possible:
Select between 2 stereo sources.
Select between 2 stereo destinations.
Bypass control for mono signal processing.
Routing control for a single signal.
Panel is reversible so it can be mounted with the switches on the right or left.
This module does not draw any power.
Size: 8 HP
12 mm deep
… Read moreThe A/B Switch selects between A and B and the middle position of the switch is a "mute", works with any kind of signal (cv or audio) and is bidirectional.
This is an utility module that was made for switching stereo signals, but other uses are possible:
Select between 2 stereo sources.
Select between 2 stereo destinations.
Bypass control for mono signal processing.
Routing control for a single signal.
Panel is reversible so it can be mounted with the switches on the right or left.
This module does not draw any power.
Size: 8 HP
12 mm deep
1 in stock $78.80
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Tesseract Modular UFO 8 Low Frequency Oscillation Module (LFO synth module)
Cat: 974272 • View all Synth modules
8 triangle low frequency oscillations module - 4HP.
Notes: 8 triangle LFOs with relative frequencies and CV control.
Output voltage is +/- 5.25v (10.5Vpp).
Upper LFO is the fastest and lower is the slowest one. The frequency ratio between LFOs is approx 3/2 (or 1.5), being at max speed the upper 13.5Hz and the lower one 1Hz .
The frequency range with the potentiometer is 80-90%.
Negative voltages present at the CV input will stop the oscillation of all LFOs, but the potentiometer it's an offset, which means that will act as a manual frequency control and will also set the voltage range for the CV input, allowing negative voltages when set to max.
Dimensions: 4 HP
25 mm deep
… Read moreOutput voltage is +/- 5.25v (10.5Vpp).
Upper LFO is the fastest and lower is the slowest one. The frequency ratio between LFOs is approx 3/2 (or 1.5), being at max speed the upper 13.5Hz and the lower one 1Hz .
The frequency range with the potentiometer is 80-90%.
Negative voltages present at the CV input will stop the oscillation of all LFOs, but the potentiometer it's an offset, which means that will act as a manual frequency control and will also set the voltage range for the CV input, allowing negative voltages when set to max.
Dimensions: 4 HP
25 mm deep
Pre-orders at Juno
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VARIOUS
Stone Techno Series 2022: Triclinic (180 gram translucent vinyl 4xLP box set limited to 300 copies)
Cat: T3R 007. Rel: 19 Jan 23
Techno
Review: The Stone Techno Series from The Third Room aims to pay homage to the historic coalmines at the Zollverein, Europe's largest complex of the sort. Techno's links to heavy industry are often duly noted in the press, but the likening of techno to the extraction of raw materials is not so much - which is what lends the music on this compilation a special character. With contributions from the likes of Perc, Lokier, Kink, James Ruskin, Luke Slater and Adiel, techno is lent a softer and more natural-mineral edge - as if the fast pummelling of the kick drum were caused by repetitive geological processes, not heavy pistonry or machine tools. That's all thanks to its use of samples recorded directly at the mines at Ruhr. All this complements an upcoming festival at the site, at which many of the featuring artists will play.
… Read moreIntérprete: Perc
in stock $81.91
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Review: As recently as this year with his Floating Points collaboration, Pharoah Sanders has proven to be in excellent form. Which is all the more remarkable given the length of his career. Oe of the early highlights was the 1981 classic, Rejoice, which explored a more mellow sound than previous works. The record is rife with superb improvs a la late 50s John Coltrane as well as fine turns from top players including pianists Joe Bonner and John Hicks, bassist Art Davis and drummers Elvin Jones and Billy Higgins. Bobby Hutcherson adds some start vibes work and that helps the album to hold your attention closely throughout.
… Read more in stock $53.92
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Live At Club Mozambique (remastered) (mono) (limited gatefold green vinyl 2xLP (indie exclusive))
Cat: 810074423236. Rel: 06 Dec 23
Jazz
Review: Grant Green's Live at Club Mozambique is getting a first ever and long overdue issue on vinyl courtesy of a new partnership between Third Man Records and Blue Note Records called the 313 Series Partnership in recognition of the fact it will focus on seminal jazz talents from Detroit, whose zip code is 313. The record was recorded live on January 6th and 7th, 1971 at Club Mozambique and showcases Green's extensive foundatiosn in r&b. When added to his next level mastery of bebop and a style that always favoured expressiveness over technical expertise and you have an enthralling listen.
… Read moreIntérprete: Craig Charles Funk And Soul
in stock $57.03
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Review: A live album by the American jazz guitarist Grant Green, Live At Club Mozambique - you guessed it - was recorded at the Club Mozambique in Detroit, on the night of January 6-7, 1971. Not released until 2006, and not to be confused with the Lonnie Smith album of the same name, the LP ended up as a means for longer-serving fans to recall Green's funk-oriented style in the late stage of his career. Renowned as an album that flaunts Green's sheer passion, poured into instrumental spectacle alone - the passion of playing - it's heard backed by a stellar band, including Houston Person on tenor saxophone, Ronnie Foster on organ and Idris Muhammad on drums.
… Read more in stock $54.70
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TIE Studio TX26 Mobile Digital Recorder (handheld digital recorder)
Cat: 966843 Rel: 11 Sep 23 • View all Portable audio recorders | Handheld recorders
Handheld digital recorder.
Notes: Professional mobile digital recorder for perfect shots "on the road"
Recording your own concert or conference call, recording professional sound during interviews or preserving the ambient sounds of your favourite place: the application examples of handheld recorders are extremely versatile and have absolute justification even in the age of high-end smartphones.
The user interface of the Mobile Digital Recorder is optimized for simple and fast operation. The main functions such as recording, playback, cancelling, noise suppression, sound split. In addition to recording with the internal microphone, an external microphone (not included) can also be used.
Recordings can be made in mono or 2-track stereo at 32Kbps, 64Kbps, 128Kbps, 192Kbps, 512Kbps, 768Kbps, 1024Kbps and 1536Kbps, with 512kbps as the default. The user has an Auto Gain function and eight effect preset modes at his disposal, including rock, funk, hip hop and jazz.
The clear folder structure and an encryption function for the recordings make the management of your own recordings clear and secure. The Mobile Digital Recorder can be operated via the integrated lithium-ion battery or directly USB bus-powered.
The internal storage capacity is 8 GB. In addition, flash cards are supported.
Properties:
Mobile digital recorder with metal housing
Recording formats: MP3, WMA, WAV, OGG, APE, MPC, AIFF, FLAC
8GB internal memory + MicroSD card slot
Dynamic noise cancellation ensures high-quality recordings
Up to 580 hours of recording time
Supports line-in recording (phone, smartphone calls, etc.)
Voice
Automatic storage when the battery is low
A-B loop points, real-time monitoring
Two microphone capsules - also suitable for recording over longer distances
1.8" TFT colour display
Intelligent folder structure
Rechargeable lithium polymer battery
Battery life: up to 10 hours
Incl. USB connection cable and lavalier microphone
… Read moreRecording your own concert or conference call, recording professional sound during interviews or preserving the ambient sounds of your favourite place: the application examples of handheld recorders are extremely versatile and have absolute justification even in the age of high-end smartphones.
The user interface of the Mobile Digital Recorder is optimized for simple and fast operation. The main functions such as recording, playback, cancelling, noise suppression, sound split. In addition to recording with the internal microphone, an external microphone (not included) can also be used.
Recordings can be made in mono or 2-track stereo at 32Kbps, 64Kbps, 128Kbps, 192Kbps, 512Kbps, 768Kbps, 1024Kbps and 1536Kbps, with 512kbps as the default. The user has an Auto Gain function and eight effect preset modes at his disposal, including rock, funk, hip hop and jazz.
The clear folder structure and an encryption function for the recordings make the management of your own recordings clear and secure. The Mobile Digital Recorder can be operated via the integrated lithium-ion battery or directly USB bus-powered.
The internal storage capacity is 8 GB. In addition, flash cards are supported.
Properties:
Mobile digital recorder with metal housing
Recording formats: MP3, WMA, WAV, OGG, APE, MPC, AIFF, FLAC
8GB internal memory + MicroSD card slot
Dynamic noise cancellation ensures high-quality recordings
Up to 580 hours of recording time
Supports line-in recording (phone, smartphone calls, etc.)
Voice
Automatic storage when the battery is low
A-B loop points, real-time monitoring
Two microphone capsules - also suitable for recording over longer distances
1.8" TFT colour display
Intelligent folder structure
Rechargeable lithium polymer battery
Battery life: up to 10 hours
Incl. USB connection cable and lavalier microphone
1 in stock $61.44
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TIE Studio TX26 Mobile Digital Recorder (B-STOCK) (handheld digital recorder)
Cat: 993785 Rel: 01 Jan 90 • View all Portable audio recorders | Handheld recorders
B-STOCK: Box damaged, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***
Professional mobile digital recorder for perfect shots "on the road"
Recording your own concert or conference call, recording professional sound during interviews or preserving the ambient sounds of your favourite place: the application examples of handheld recorders are extremely versatile and have absolute justification even in the age of high-end smartphones.
The user interface of the Mobile Digital Recorder is optimized for simple and fast operation. The main functions such as recording, playback, cancelling, noise suppression, sound split. In addition to recording with the internal microphone, an external microphone (not included) can also be used.
Recordings can be made in mono or 2-track stereo at 32Kbps, 64Kbps, 128Kbps, 192Kbps, 512Kbps, 768Kbps, 1024Kbps and 1536Kbps, with 512kbps as the default. The user has an Auto Gain function and eight effect preset modes at his disposal, including rock, funk, hip hop and jazz.
The clear folder structure and an encryption function for the recordings make the management of your own recordings clear and secure. The Mobile Digital Recorder can be operated via the integrated lithium-ion battery or directly USB bus-powered.
The internal storage capacity is 8 GB. In addition, flash cards are supported.
Properties:
Mobile digital recorder with metal housing
Recording formats: MP3, WMA, WAV, OGG, APE, MPC, AIFF, FLAC
8GB internal memory + MicroSD card slot
Dynamic noise cancellation ensures high-quality recordings
Up to 580 hours of recording time
Supports line-in recording (phone, smartphone calls, etc.)
Voice
Automatic storage when the battery is low
A-B loop points, real-time monitoring
Two microphone capsules - also suitable for recording over longer distances
1.8" TFT colour display
Intelligent folder structure
Rechargeable lithium polymer battery
Battery life: up to 10 hours
Incl. USB connection cable and lavalier microphone
… Read moreProfessional mobile digital recorder for perfect shots "on the road"
Recording your own concert or conference call, recording professional sound during interviews or preserving the ambient sounds of your favourite place: the application examples of handheld recorders are extremely versatile and have absolute justification even in the age of high-end smartphones.
The user interface of the Mobile Digital Recorder is optimized for simple and fast operation. The main functions such as recording, playback, cancelling, noise suppression, sound split. In addition to recording with the internal microphone, an external microphone (not included) can also be used.
Recordings can be made in mono or 2-track stereo at 32Kbps, 64Kbps, 128Kbps, 192Kbps, 512Kbps, 768Kbps, 1024Kbps and 1536Kbps, with 512kbps as the default. The user has an Auto Gain function and eight effect preset modes at his disposal, including rock, funk, hip hop and jazz.
The clear folder structure and an encryption function for the recordings make the management of your own recordings clear and secure. The Mobile Digital Recorder can be operated via the integrated lithium-ion battery or directly USB bus-powered.
The internal storage capacity is 8 GB. In addition, flash cards are supported.
Properties:
Mobile digital recorder with metal housing
Recording formats: MP3, WMA, WAV, OGG, APE, MPC, AIFF, FLAC
8GB internal memory + MicroSD card slot
Dynamic noise cancellation ensures high-quality recordings
Up to 580 hours of recording time
Supports line-in recording (phone, smartphone calls, etc.)
Voice
Automatic storage when the battery is low
A-B loop points, real-time monitoring
Two microphone capsules - also suitable for recording over longer distances
1.8" TFT colour display
Intelligent folder structure
Rechargeable lithium polymer battery
Battery life: up to 10 hours
Incl. USB connection cable and lavalier microphone
1 in stock $57.09
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Tiptop Audio Z Rails 104HP Synth Module Mounting Rails (pair, black) (synth module mounting rails)
Cat: 595801 Rel: 19 Jan 16 • View all Studio Rack Accessories
Mounting rails for Eurorack modular synthesiser format - 104HP
Notes: Z-Rails are mounting rails for the Eurorack modular synthesizer format and are designed to be used for professional and DIY case mounting assemblies.
Z-Rails are sold in sets of two (2) aluminium, clear or black anodized rails, each containing a nickel-plated brass threaded strip with 3mm threads using 5.08mm spacing. The racks are easy to install into any frame using two (2) M4 screws, one for each side of the individual Z-Rails.
… Read moreZ-Rails are sold in sets of two (2) aluminium, clear or black anodized rails, each containing a nickel-plated brass threaded strip with 3mm threads using 5.08mm spacing. The racks are easy to install into any frame using two (2) M4 screws, one for each side of the individual Z-Rails.
1 in stock $52.36
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Cat: 595826 Rel: 19 Jan 16 • View all Synth Module Accessories
4HP power supply module for Eurorack format systems
Notes: The microZEUS is a 4HP power supply module for Eurorack format synthesizers. It is the smallest and most powerful power supply available for its size.
uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.
The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.
… Read moreuZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.
The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.
3 in stock $87.09
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Tiptop Audio ZVERBZ The Spatial Card Bundle For Z-DSP Module (bundle of 70's, 80's & 90's card) (SD cards)
Cat: 794121 Rel: 21 Oct 20 • View all Synth Module Accessories
Card bundle for Z-DSP module
Notes: ZVERBZ is a collection of new stereo reverb algorithms for the Z-DSP. They range from typical reverbs to more complex effects that combine delay and pitch shifting with reverb. The effects are grouped by decades based on either the era an algorithm was introduced or the time when the effect was most popular. This variety of reverbs covers small to epic size spaces with the addition of shimmering, feedback tunneled pitch shifting, tape delay drivers, gated reverbs and a lot more. Analog clocking of the DSP chip and CV over the parameters enables even more experimentation. This is a collection inspired by the best from the past right at your fingertips.
Please note: The Z-DSP module is not included with this purchase- it is for demonstration purposes only.
… Read morePlease note: The Z-DSP module is not included with this purchase- it is for demonstration purposes only.
1 in stock $78.80
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Cat: 693139 Rel: 02 Jul 18 • View all Synth Module Accessories
Delay/reverb expansion card for the TipTop Audio Z-DSP Digital Signal Processor
Notes: Mariana Trench is an FDN card for the Z-DSP. Feedback Delay Networks (FDNs) are built around multiple delays which are connected to their inputs thanks to a feedback matrix designed for its stability and lossless properties. FDN can mimic the recursive process of sound waves bouncing back and forth in an acoustic space. They were first suggested for artificial reverberation by Michael Gerzon (1971) and later John Stautner and Miller Puckette (1982) introduced four-channel FDN reverberator with general stability conditions.
FDN can also be used as a special case of digital waveguides, they can be tuned, or also used as complex delays. The Mariana Trench Z-DSP cartridge is designed to explore these more unusual sides of the FDN algorithms. Mariana Trench Z-DSP cartridge is designed by Christophe Duquesne Anckorage - Haken Audio developement team - La Voix du Luthier.
… Read moreFDN can also be used as a special case of digital waveguides, they can be tuned, or also used as complex delays. The Mariana Trench Z-DSP cartridge is designed to explore these more unusual sides of the FDN algorithms. Mariana Trench Z-DSP cartridge is designed by Christophe Duquesne Anckorage - Haken Audio developement team - La Voix du Luthier.
1 in stock $76.72
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Tiptop Audio BD808 Analogue Bass Drum Generator Module (light grey) (drum synth module)
Cat: 590416 Rel: 09 Nov 15 • View all Synth modules
Analog bass drum snythesizer module - 4HP wide
Notes: Introducing the BD808, part of our new series of drum modules that brings analog percussion into the modular synth world, instantly turning your system into a self-contained music machine. Its small size, minimalist design, and modern production methods have allowed us to bring the world's most famous bass drum sound generator back at a very low cost. The real thing is here again.
The BD808 is the Roland TR-808's Bass Drum circuit adapted for use in Eurorack format and tuned to sound like a machine that comes fresh off the original 80's assembly line. The adaptation to modular format has allowed us to add some special features like independent Accent levels, a high-powered gain stage, dual-input pulse-shaper, and extended decay - all without compromising the signature sound of the TR-808.
A widely used technique with TR-808 machines is to run the drum sounds through outboard amplifiers to add gain and then pass the sound through just about anything to generate additional harmonics caused by clipping and distortion. In the BD808, we have already included this high-powered output gain stage capable of producing signals up to 20Vpp, extending from the original palette of sounds and allowing you to get an assorted array of harmonized bass drums ranging from sharp attacks to crushed tones using this simple yet effective technique! On the inputs, we have also designed a dual pulse-shaper circuit so you can trigger your BD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This saves you the need to shape the pulses sent to the module and ensuring the same stable sound at its peak power, regardless of differences in your pulse source.
All these little, but unique, features make integrating this legendary sound generator into your modular easy, unleashing the power of real analog drums and making those speaker cones shake.
… Read moreThe BD808 is the Roland TR-808's Bass Drum circuit adapted for use in Eurorack format and tuned to sound like a machine that comes fresh off the original 80's assembly line. The adaptation to modular format has allowed us to add some special features like independent Accent levels, a high-powered gain stage, dual-input pulse-shaper, and extended decay - all without compromising the signature sound of the TR-808.
A widely used technique with TR-808 machines is to run the drum sounds through outboard amplifiers to add gain and then pass the sound through just about anything to generate additional harmonics caused by clipping and distortion. In the BD808, we have already included this high-powered output gain stage capable of producing signals up to 20Vpp, extending from the original palette of sounds and allowing you to get an assorted array of harmonized bass drums ranging from sharp attacks to crushed tones using this simple yet effective technique! On the inputs, we have also designed a dual pulse-shaper circuit so you can trigger your BD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This saves you the need to shape the pulses sent to the module and ensuring the same stable sound at its peak power, regardless of differences in your pulse source.
All these little, but unique, features make integrating this legendary sound generator into your modular easy, unleashing the power of real analog drums and making those speaker cones shake.
1 in stock $95.39
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TipTop Audio FSU - Distort/Glitch/SOS/Error Codes Card Bundle For Z-DSP Module (black) (synth module cards)
Cat: 914077 Rel: 12 Dec 22 • View all Synth Module Accessories
FSU is heavily on the experimental side. Like our FSU FX module the FSU cards for Z-DSP takes in audio and F#@% S#$^#^ UP.
Notes: FFSU is heavily on the experimental side. Like our FSU FX module the FSU cards for Z-DSP takes in audio and F#@% S#$^#^ UP. The first three cards are Distort, Glitch and Sound on Sound a creative set for turning any input signal into something entirely different. But in addition to those three card we have included a bonus fourth card, a re-issue of Error Codes, one of the very first cards released to the public by a third party DSP programmer, Rolf Wohrmann, who is now Waldorf Music CTO. The card's last algorithm has been altered by our own Chris Clepper to make it match the current version of the Z-DSP as well as the older ones.
FSU Bundle: Distort
This bank distorts the incoming audio in various ways from emulations of analogue tape and fuzz distortion to ring mod and frequency shifting.
Important Note! All of the programs in this bank are designed to work with the Mix set to 100% wet (full clockwise). Interesting effects can also be made with varying amounts of dry signal mixed in as well.
FSU Bundle: Glitch
This bank of algorithms uses a variety of delay and pitch techniques to introduce glitches and warp the sound.
Most of these work best with 100% wet output (Mix knob at full clockwise) to get the maximum glitchy effects. When the dry is mixed in they can also create types of chorus, delay and tremolo effects as well.
FSU Bundle: SOS
The key to using these programs is to only grab shorter chunks of sound which can be done manually, but an envelope generator (AR, ADSR) can help with controlling and triggering what is recorded.
At the highest Fidelity there is only 1 second of memory but lowering the DSP clock increases the recording time and changes the pitch of the recording. Fidelity is pretty critical to these effects.
These programs need to be set to 100% wet mix for maximum effects.
FSU Bundle: Error Codes (Free Card w/ FSU Bundle)
Error Codes is a reissue of one of the first commercially available cards for the Z-DSP, and is included as a bonus set of audio mangling effects to complement the FSU bundle.
… Read moreFSU Bundle: Distort
This bank distorts the incoming audio in various ways from emulations of analogue tape and fuzz distortion to ring mod and frequency shifting.
Important Note! All of the programs in this bank are designed to work with the Mix set to 100% wet (full clockwise). Interesting effects can also be made with varying amounts of dry signal mixed in as well.
FSU Bundle: Glitch
This bank of algorithms uses a variety of delay and pitch techniques to introduce glitches and warp the sound.
Most of these work best with 100% wet output (Mix knob at full clockwise) to get the maximum glitchy effects. When the dry is mixed in they can also create types of chorus, delay and tremolo effects as well.
FSU Bundle: SOS
The key to using these programs is to only grab shorter chunks of sound which can be done manually, but an envelope generator (AR, ADSR) can help with controlling and triggering what is recorded.
At the highest Fidelity there is only 1 second of memory but lowering the DSP clock increases the recording time and changes the pitch of the recording. Fidelity is pretty critical to these effects.
These programs need to be set to 100% wet mix for maximum effects.
FSU Bundle: Error Codes (Free Card w/ FSU Bundle)
Error Codes is a reissue of one of the first commercially available cards for the Z-DSP, and is included as a bonus set of audio mangling effects to complement the FSU bundle.
1 in stock $78.80
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TipTop Audio True Stereo - Stereo Echo/Stereo Mod/Stereo Pitch/Stereo Filter Card Bundle for Z-DSP Module (black) (synth module cards)
Cat: 914078 Rel: 12 Dec 22 • View all Synth Module Accessories
A full dual processing, with true stereo separation accomplished by using the DSP processor chip as two separate lanes.
Notes: A full dual processing, with true stereo separation accomplished by using the DSP processor chip as two separate lanes. This card bundle contains four cards, each cover a different territory but all share the concept of dual parallel processing for a true stereo in stereo out effects. These are great for cascading stereo effect modules with the Z-DSP to maintain and enhance the full stereo image. Use it with modules with stereo outs or ins, or use each channel with a different source like two VCOs for spatial experiments.
True Stereo Bundle: Stereo Echo
These delay programs work in true stereo and include BBD, Digital and Tape models for your stereo sources. More advanced programs have modulation, cross feedback or diffusion for more creative.
True Stereo Bundle: Stereo Mod
A group of 8 classic modulation effects that maintain the stereo image of the source.
True Stereo Bundle: Stereo Pitch
This card has a set of programs that use pitch shifting to add depth to the stereo source and include a selection of delay with pitch algorithms too.
True Stereo Bundle: Stereo Filter
A collection of digital models of analog low, high and band pass filters plus a few with internal modulations like Sample and Hold and envelope following.
… Read moreTrue Stereo Bundle: Stereo Echo
These delay programs work in true stereo and include BBD, Digital and Tape models for your stereo sources. More advanced programs have modulation, cross feedback or diffusion for more creative.
True Stereo Bundle: Stereo Mod
A group of 8 classic modulation effects that maintain the stereo image of the source.
True Stereo Bundle: Stereo Pitch
This card has a set of programs that use pitch shifting to add depth to the stereo source and include a selection of delay with pitch algorithms too.
True Stereo Bundle: Stereo Filter
A collection of digital models of analog low, high and band pass filters plus a few with internal modulations like Sample and Hold and envelope following.
1 in stock $78.80
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TipTop Audio MIXZ Dual Audio/CV/Gate Mixer Module With MixBus (black) (drum/mixer synth module)
Cat: 914511 Rel: 13 Dec 22 • View all Synth modules
Dual audio, CV and gate mixer module with TipTop MixBus - 10HP
Notes: MIXZ is a multi-channel mixing module for mixing audio, CV, and gate signals with excellent linear response and low noise. Balancing a clear visual layout and multiple mixers in a small footprint makes the MIXZ easy to use in a variety of configurations within a modular synth. Its high-quality analog mixing circuitry makes for a great sounding mixer with plenty of headroom, providing a smooth, organic merge of dynamics and excellent separation of mixing sections and channels. MIXZ has three sections:
Mixer A: a low-noise, 4-channel mixer with independent gain control for each channel.
Mixer B: a low- noise, 4-channel mixer with master gain control.
MixBus: a multi-channel mixer that mixes signals from modules utilizing the Tiptop MixBus.
Mixer A and B can be configured as either two independent, 4-channel mixers or as a single 8-channel mixer. If the output of Mixer A is not in use, then Mixer A will be routed internally to Mixer B forming the 8-channel mixer.
Tiptop MixBus is a new method we have developed to mix audio signals through the Eurorack power bus board without patch cables. A little bit of magic, eh? Although this technique is not ideal for a low-noise mix, we found it to be useful for some applications, including mixing our drum modules, which all have a MixBus-enabled output. The result is that your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch. This will save you time and frees up cables for repatching sound again and again, while keeping the channels of MIXZ free to bring other signals into the mix.
Combining the MixBus with Mixer A and B, the MIXZ sums dozens of channels in only 10HP.
Dimensions:
10 HP
36 mm deep
Current draw:
14 mA +12V
14 mA -12V
… Read moreMixer A: a low-noise, 4-channel mixer with independent gain control for each channel.
Mixer B: a low- noise, 4-channel mixer with master gain control.
MixBus: a multi-channel mixer that mixes signals from modules utilizing the Tiptop MixBus.
Mixer A and B can be configured as either two independent, 4-channel mixers or as a single 8-channel mixer. If the output of Mixer A is not in use, then Mixer A will be routed internally to Mixer B forming the 8-channel mixer.
Tiptop MixBus is a new method we have developed to mix audio signals through the Eurorack power bus board without patch cables. A little bit of magic, eh? Although this technique is not ideal for a low-noise mix, we found it to be useful for some applications, including mixing our drum modules, which all have a MixBus-enabled output. The result is that your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch. This will save you time and frees up cables for repatching sound again and again, while keeping the channels of MIXZ free to bring other signals into the mix.
Combining the MixBus with Mixer A and B, the MIXZ sums dozens of channels in only 10HP.
Dimensions:
10 HP
36 mm deep
Current draw:
14 mA +12V
14 mA -12V
1 in stock $97.47
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Tiptop Audio MISO Mix Invert Scale Offset Multi-Purpose Utility Module (white) (CV modulation/mixer/utility synth module)
Cat: 725794 Rel: 15 Apr 19 • View all Synth modules
10HP Eurorack CV modulator module
Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.
MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.
At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.
There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.
MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.
… Read moreMISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.
At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.
There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.
MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.
1 in stock $92.55
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Tiptop Audio Time Fabric Pitch Shift ZDSP Cartridge (ZDSP cartridge)
Cat: 605234 Rel: 19 May 16 • View all Recording Studio Accessories
Pitch shift ZDSP cartridge
Notes: "It f*cks with the fabric of time" Tony Visconti describing Pitch Shifting to Brian Eno and David Bowie in 1976. That not so subtle description does quite neatly sum up what the Pitch Shift programs on the 'Time Fabric' card do!
Pitch shifting in the Z-DSP uses a technique called 'rotating tape head' delay lines named after pioneering tape based experiments in Germany in the 1960s. The tape heads move at speeds independent of the tape playback path and two heads are crossfaded to make a continuous output capable of beautiful pitched delay effects, harmonization and smooth reverbs.
These pitch shifting algorithms are much like the earliest digital pitch shifters released. Sounds similar to the Eventide H910, AMS 15-80 (with Pitch board) and Publison DHM 89 can be achieved. These programs are intended more for pure effects rather than the complex multiple harmony lines later devices and plugins became known for producing. Chords from single VCOs can easily be made using the 'Interval' programs on the card though.
Using a Z3000 to clock the Z-DSP, complete chaos from the delay lines and pitch shifting emerges, creating great and unexpected new sounds. Modulating the stereo pair of analog VC-Feedbacks animates the time and distance of the pitch shift opening up these algorithms for additional control from CV and audio signal alike.
… Read morePitch shifting in the Z-DSP uses a technique called 'rotating tape head' delay lines named after pioneering tape based experiments in Germany in the 1960s. The tape heads move at speeds independent of the tape playback path and two heads are crossfaded to make a continuous output capable of beautiful pitched delay effects, harmonization and smooth reverbs.
These pitch shifting algorithms are much like the earliest digital pitch shifters released. Sounds similar to the Eventide H910, AMS 15-80 (with Pitch board) and Publison DHM 89 can be achieved. These programs are intended more for pure effects rather than the complex multiple harmony lines later devices and plugins became known for producing. Chords from single VCOs can easily be made using the 'Interval' programs on the card though.
Using a Z3000 to clock the Z-DSP, complete chaos from the delay lines and pitch shifting emerges, creating great and unexpected new sounds. Modulating the stereo pair of analog VC-Feedbacks animates the time and distance of the pitch shift opening up these algorithms for additional control from CV and audio signal alike.
1 in stock $56.52
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TipTop Audio MIX7 7-Channel Analogue Summing Mixer Module (black) (mixer/utility synth module)
Cat: 974817 Rel: 13 Oct 23 • View all Synth modules
7-channel analogue summing mixer module - 3HP
Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.
MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analog summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.
The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analog mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.
Each input is labeled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.
At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
Dimensions:
3 HP
43 mm deep
Current draw:
25 mA +12V
20 mA -12V
… Read moreMIX7 gives ability to sweeten your mix with more headroom using the power of low noise analog summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.
The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analog mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.
Each input is labeled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.
At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
Dimensions:
3 HP
43 mm deep
Current draw:
25 mA +12V
20 mA -12V
1 in stock $72.99
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Review: Ionnalee's 2018 debut album "Everyone Afraid To Be Forgotten" was superb, so hopes are high for the artist's similarly minded sequel. "Remember The Future" is a little bolder, shinier and more upbeat than its predecessor, though stylistically it still sounds like a 21st century update of Kate Bush's distinctive early '80s sound circa "The Dreaming" and "Hounds of Love". It's a dreamy, ethereal and otherworldly take on electronic pop that's always alluring and often memorable. The album's plentiful highlights include "Some Body", the superb Zola Jesus collaboration "Matters" - a deep, bubbly and intoxicating affair - and "Mysteries Of Love", an echoing, Royksopp-produced cover of a song from David Lynch and Angelo Badalamenti's "Blue Velvet" movie soundtrack.
… Read more in stock $57.81
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Tonar Misty Record Clamp (clear) (record clamp)
Cat: 660310 Rel: 24 Apr 18 • View all Vinyl Record Weights | Turntable Weights
Plate record clamp by Tonar - clear
Notes: Tonar Misty Record-Clamp - 'foggy' transparent. The Tonar Misty plate clamp is the perfect alternative if a "plate puck" is too heavy for your turntable.
… Read more2 in stock $50.56
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Tonar Misty Record Clamp (blue) (record clamp)
Cat: 660311 Rel: 12 Feb 18 • View all Vinyl Record Weights | Turntable Weights
Plate record clamp by Tonar - blue
Notes: Tonar Misty Record-Clamp - transparent blue. The Tonar Misty plate clamp is the perfect alternative if a "plate puck" is too heavy for your turntable.
… Read more 1 in stock $59.37
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Tonar Crystal Hi-Fi Turntable Mat (single) (hi-fi turntable mat)
Cat: 584326 Rel: 12 Aug 15 • View all Turntable Accessories
Crystal turntable mat for ultra clear sound and excellent separation
Notes: Crystal turntable mat is lighter and harder than aluminum and coated with a special technique. It helps produce a crystal clear sound with excellent separation.
… Read more1 in stock $97.47
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Tonar Vinyl Record Stabiliser Clamp Weight (black, 760g) (vinyl record weight)
Cat: 567704 Rel: 25 Mar 15 • View all Vinyl Record Weights | Turntable Weights
760g brass record weight for imporoving playback of warped records, and reducing vibrations through turntable platter
Notes: Any vibrations in the record during playback will be picked by the cartridge and will be reproduced by the amplifier and speakers causing muddy sound, distortion and reduced detail. In order to avoid record vibrations you must make sure that the contact between the record and the platter is as perfecrt as possible.The tonar record clamp presses the record flat against the platter. Put the record on the turntable and then put the clamp on the spindle, press down & turn the knob to tighten. The weight of the clamp is minimal so it can be used on any record player with a fixed spindle.
Also many older manufactured records are warped to varying degrees, this causes big problems for the diamond stylus of the cartridge to track the grooves properly. The stylus pressure fluctuates as the stylus moves up and down while trying to track the warps. With bad results: muddy sound reproduction with distortions and if the turntables drive isn't really strong... audible flutter. In some cases the stylus may actually loose contact with the groove causing a hissing sound. Using the Tonarclampit will press the record onto the turntable platter, and the problematic surface will be flattened while you play the record causing a dramatic improvement of the reproduced sound on old records.
Take care that the platter bearing of your turntable is able to accept the additional weight of 760 g. If in any doubt please consult your record player instructions or your dealer before buying or using this weight.
760 grams Brass weight
Covered with black enamel for protection
Measurements: 78 mm x 25 mm
Base covered with felt to protect the record label
… Read moreAlso many older manufactured records are warped to varying degrees, this causes big problems for the diamond stylus of the cartridge to track the grooves properly. The stylus pressure fluctuates as the stylus moves up and down while trying to track the warps. With bad results: muddy sound reproduction with distortions and if the turntables drive isn't really strong... audible flutter. In some cases the stylus may actually loose contact with the groove causing a hissing sound. Using the Tonarclampit will press the record onto the turntable platter, and the problematic surface will be flattened while you play the record causing a dramatic improvement of the reproduced sound on old records.
Take care that the platter bearing of your turntable is able to accept the additional weight of 760 g. If in any doubt please consult your record player instructions or your dealer before buying or using this weight.
760 grams Brass weight
Covered with black enamel for protection
Measurements: 78 mm x 25 mm
Base covered with felt to protect the record label
2 in stock $60.40
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Tonar Vinyline MC/MM Phono Pre Amplifier (220V power supply) (phono preamp)
Cat: 567752 Rel: 24 Mar 15 • View all Phono Preamps
Stereo MM/MC phono preamplifier with external power supply unit
Notes: The Tonar Vinyline 4189 is a stereo MM/MC phono amplifier with external power supply unit.
… Read more1 in stock $95.81
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Tonar H-Flip Hyper Elliptical Hi-Fi Stylus For H-Flip Cartridge (single) (replacement hi-fi stylus)
Cat: 899846 Rel: 22 Sep 22 • View all Turntable Styluses | Hifi Styluses
Elliptical replacement stylus
Notes: Tonar 3600 H-Flip Replacement Stylus. The stylus features a special hyper elliptical diamond.
… Read more1 in stock $82.95
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Tonar Banana DJ Cartridge & Stylus (DJ cartridge/stylus)
Cat: 309170 Rel: 09 Mar 12 • View all DJ cartridges
Professional disco cartridge
Notes: A stylus that meets the high demands of DJs.
The special heavy-duty suspension of the headshell and the spherical diamond guarantee reliable tracking. An integrated weight ring creates heaviness thus allowing high bearing strength.
The design allows easy installation on all drives with SME-Disco Connection: Tighten the plug in screw cap on the tone arm, adjust contact pressure and even the professional record no bounds are set.
… Read moreThe special heavy-duty suspension of the headshell and the spherical diamond guarantee reliable tracking. An integrated weight ring creates heaviness thus allowing high bearing strength.
The design allows easy installation on all drives with SME-Disco Connection: Tighten the plug in screw cap on the tone arm, adjust contact pressure and even the professional record no bounds are set.
2 in stock $89.69
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TouellSkouarn Sil Kontrolet Low Pass Voltage-Controlled Filter Module (filter synth module)
Cat: 950759 Rel: 19 Jun 23 • View all Synth modules
Low pass voltage-controlled filter (VCF) module - 6HP.
Notes: The Touellskouarn "Sil Kontrollet" eurorack module is a LowPass voltage-controlled filter (VCF) The filter is a 12dB per octave low-pass filter that can be self-oscillated, this way it can produce a sine wave with V/Oct tracking capability. This filter has a unique and distinctive sound, characterized by its aggressive resonance and its ability to self-oscillate. Cutoff can be CV controlled. The module is 6HP wide and is made with quality components such as Nichicon/Panasonic caps and alpha pots.
Power consumption: 20mA at +12V and 20mA at -12V
HP : 6
… Read morePower consumption: 20mA at +12V and 20mA at -12V
HP : 6
1 in stock $91.24
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TouellSkouarn Eread Jedonian TRS To 2x Mono Mini Jack & 1V/Oct-Hz/V Converter Utility Module (utility synth module)
Cat: 895199 Rel: 05 Oct 22 • View all Synth modules
Quad splitter module
Notes: The Touellskouarn Eread Jedonian is a quad splitter from TRS to 2x mono mini jack combined with a bidirectional Hz/V converter. Additionally it offers V-Trig to S-Trig conversion.
The Hz/V standard works with Korg MS and old Yamaha CS among others.
… Read moreThe Hz/V standard works with Korg MS and old Yamaha CS among others.
1 in stock $79.01
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VARIOUS
Praise Poems Volume 8: A Journey Into Deep Soulful Jazz & Funk From The 1970s (2xLP + insert + MP3 download code)
Cat: TRLP 9103. Rel: 03 Feb 22
Funk
Review: Tramp's Praise Poems series has given rise to many majestic moments of funk, with the best of each release often finding their way on their own 7"s. The eighth volume sure has many tracks worth of that treatment, starting with the driving jazz of 'A Perfect Day' from Bobby Cole and then taking in high speed 60s workouts from Helmut Pistor's Big Rock Jazz Band and more Americana styled cuts like 'If You're So Smart' from Gemini. Elsewhere are more sentimental thinkers from The Menagerie, and a particular highlight from Ron & Sally Price with their gorgeously lo-fi and aching 'California Feeling.'
… Read more in stock $51.33
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Transient Modules 1F Voltage Controlled Switch Module (white) (switch synth module)
Cat: 804240 Rel: 03 Jun 21 • View all Synth modules
Voltage controlled switch module
Notes: The 1F is a voltage controlled switch, intended to be 'one friend' for your sequencer. Its design has been specially focused on working with sequences, by giving them some randomness, applying transpositions or constant variation over time. For this, 0.1% tolerance resistors have been used to achieve exact unitary gains for precision summing of the v/oct signals. More detailed info on the demo video.
Technical specifications:
4HP.
27 mm depth.
Consumption: 15mA +12V; 10mA -12V
… Read moreTechnical specifications:
4HP.
27 mm depth.
Consumption: 15mA +12V; 10mA -12V
1 in stock $52.01
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Transient Modules 2M Dual Three Channel Mixer Module (white) (dual & stereo/mixer synth module)
Cat: 804245 Rel: 03 Jun 21 • View all Synth modules
Dual three-channel mixer
Notes: The 2M is a dual three channel mixer in 6 HP with volume controls over all the inputs as well as the final output. As its design has been specially focused on audio applications, the input potentiometers are audio-taper type while the output ones are linear. Low distortion / high quality audio operational amplifiers have been selected in order to achieve clean audio mixing, but is also DC-coupled, so it can perform CV signal mixing as well. Great for a small system, allowing for submixes or even stereo mixing.
Technical specifications:
6HP.
38 mm depth.
Consumption: +/-12V 20mA
… Read moreTechnical specifications:
6HP.
38 mm depth.
Consumption: +/-12V 20mA
2 in stock $75.84
