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Notes: Zoom H1essential - 32-Bit Float Recording for All

The World's Easiest Recorder, Just Got Easier

With the push of a button the H1essential captures perfect audio for musicians, podcasters, filmmakers, and content creators. Simply hit record and discover the power of 32-bit float.

32-Bit Float Magic

With 32-bit float recording, you never have to adjust levels. The H1essential captures every nuance of your sound ensuring high-quality audio with every take

The First Handy Recorders with Accessibility

The Essential Series was designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

Loud and Clear

The onboard X/Y microphones capture clean audio up to 120 dB SPL, equivalent to the sound of a high-performance engine.

The Perfect Practice Companion for Musicians

Musicians can use the H1essential to record every rehearsal, a great way to improve your playing. Features like overdubbing and playback-speed-adjustment are great for writing and practicing.

Sound Makes the Scene

The H1essential is great for filmmakers. Record and send audio directly to your camera or use it to record sound effects to complete your scene.

For Storytellers

Podcasters can mount the H1essential on a tripod for sit down conversations or use 'mono mode' for on-the-go interviews.

Big Features, Small Package

The H1essential has advanced features such as overdubbing, pre-record, auto record, and playback speed adjustment.

Features

32-bit float recording: perfect audio with no need to set gain
120 dB SPL 90 degree XY Mics
Records up to 96kHZ sample rate
New OLED Display
Overdubbing, auto record, pre-record and timer functions
USB Microphone Function
Audio guidance function for the blind and visually impaired
10 hours of battery life on 2 AAA Batteries or USB-C Bus power

Specs

Inputs

Built-in mic: 90 degree XY stereo format
Directionality: Unidirectional
Sensitivity: -37 dB/1 Pa at 1 kHz
Maximum sound pressure input: 120 dB SPL

MIC/LINE IN jack

Connector: Stereo mini jack
Input impedance: 2 kO or more
Plug-in power: 2.5 V

Built-in mic
90 degree XY stereo format
Directionality: Unidirectional

Outputs

PHONE / LINE OUT jack
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32O load)
Output impedance: 10 O or less
Built-in speaker Type: 20 x 30mm oval dynamic speaker
Practical maximum output: 250mW

Recorder
Recording formats:
WAV
44.1/48/96 kHz, 32-bit Float
Stereo / Mono
BWF and iXML formats supported

Recording media
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification

Display
OLED: 128 x 64

USB
Connector: USB Type-C (Use a USB cable that supports data transfer.)
USB Mic: USB 2.0 High Speed
48 kHz, 24-bit
File transfer: USB 2.0 High Speed

Power

2 AAA batteries Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17: DC 5 V/1 A
USB bus power is supported.

Estimated continuous operation time using batteries

Alkaline batteries: About 10 hours
NiMH batteries (800 mAh): About 9 hours
Lithium batteries: About 18 hours
Stereo recording, 48kHz/32-bit float, no headphones, Power Save 1min
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.

Power consumption: 5 W maximum
Dimensions: 53.9 mm (W) × 136.6 mm (D) × 29.0 mm (H)
Weight (including batteries): 92 g
Note: 0 dBu = 0.775 Vrms

Notes: Diode Chaos is a 3hp analog chaotic low frequency voltage generator Eurorack Module available as Eurorack DIY Kit, PCB and Panel, or Built Module.

It is a unique module because it has never existed as an electronic music instrument until now. The module is based on a circuit from a paper called "A simple chaotic circuit with a light-emitting diode" written by Volos, Wang, Jafari, and Kapitaniak.

Diode Chaos produces 3 phases of interrelated morphing voltages including a chaotic trigger out. The range is 20-30 seconds a cycle up to audio rate, although only the X out and TRIG out go up to audio rate. The frequency is controlled by the RATE knob. Each output exhibits different behavior at different rate settings. X,Y, and Z outs like to stay in the 4vpp range although at different RATE settings the outs can reach 10vpp. The TRIG out chaotically releases 0-10v triggers although sometimes it will spit out smaller voltage peaks.

LED soldermask windows provide constant display of positive and negative voltage crossings.

Differences between chaos and random(some quoted and summarized material from Ian Fritz's site):

Chaos is "highly irregular, but still contained within a finite region (the "strange attractor")"

Chaos occurs in 3 dimensions.

Chaos needs a non-linear element (with Diode Chaos the nonlinear element is a red LED, and the chaos is directly visible and useable at the TRIG out).

Notes: The Triple Cap Chaos(C^3 Chaos) is a 2hp analog, chaos based, noise oscillator, pseudo ring modulator/harmonics generator, and audio mangler Eurorack module available as a DIY Eurorack kit, PCB and Panel, or built.

It is a unique module, like the Diode Chaos, because it has never existed as a musical instrument until now. There is also no other module to my knowledge that can do exactly what the Triple Cap can do. The circuit(with several modifications) is based on the paper "Simple Autonomous Chaotic Circuits" by J.C. Sprott and Jessica R. Piper. As opposed to the Diode Chaos that generates control voltage this module focuses on the audio rate.

The "Emanate" potentiometer controls the coarser overall spectrum of the chaos, from lots of activity counter clock wise up to less chaos and more of a steady oscillation. The "Width, CV ATT" potentiometer can be thought of as more of a fine control for the chaos/oscillator. When something is inserted into the "CV" in the voltage normalization from the width knob is broken and the potentiometer now acts as an attenuator for the incoming cv. The Triple Cap is not a traditional volt per octave exponential VCO, and has a sort of narrow frequency range to exploit the chaotic behavior.

It expects a +5v to -5v max signal in to modulate the chaos. The "IN" jack is an A.C. coupled input for audio in, although cv and audio can work for both the "CV" in jack and "IN." The "IN" will interfere and interact with the onboard chaotic oscillator depending on the frequency of the input, which may take some experimentation. It can create ring mod ish sounds, to added harmonics, to almost bit crushed sounds depending on the "X" or "Y" output. The "X" output is a more windy noisy sinusoidal based output and the "Y" output is more squared off and aggressive, harsher sounding output.

Some quirks about the Triple Cap: The "X" output can offset negatively or positively a little bit depending on the pot settings, but both outputs tend to stay around 10vpp. With the "Emanate" and "Width" pots all the way up the typical frequency will be around 150hz although some will reach 200hz at this setting. With the "Emanate" pot full counter clock wise "Width" pot full clock wise the frequency will be around 250hz. It is possible to send signals into the triple cap that can bring it out of the desired range causing the oscillation to cut out.

The Triple Cap has a double sided panel. meaning one side has the classic graphics and the other is Soulless with less graphics.

Notes: The Entropy Expander is a 3hp Analog Random Voltage Generator that expands upon the features of the Entropy Euroack Module. Available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

The Entropy+Expander packs together some of the most random voltage options in 6hp. It provides a controllable "Glide"(slew) out for the S/T\H, a comparator with a controllable rate("Thrsh") of random gates("Rand Gate") out with an input to compare other waveforms(Comp In, inserting a cable into here breaks the white noise normalization), and high pass filtered white noise resulting in approximate "Blue noise" (+3db/octave) and "Violet noise"(+6db/octave) outs.

The unique part of the circuit is a voltage controlled A/B switch thats normalled to the "Rand Gate" out that's switching between the S/T\H out(left Blue led window)and Infra out(right Red led window), the Glide control also effects the S/T\H coming out of the switch so you can get really random results from the "Entropy Out." Inserting a cable into "Switch CV In" breaks the random gate normalization and lets you toggle between A/B(left S/T\H out and right Infra out, indicated by the led windows) with your own gate or trigger.

There is a jumper on the pcb to select if you want glide on the s/t\h at, Entropy out, or un-slewed operation. There is also a trimmer for setting the amplitude of the incoming signal at "Comp In" which sets the frequency range of random gates. This may have to be adjusted depending on your Entropy version.

The random gate range can also be set up more as a noise oscillator by turning the pcb trim(clockwise) up or it can be set so random gates are extremely slow(trim counter clockwise) with minutes between random gates.

Notes: The Dual VCA is a 2hp 2 channel Analog VCA and Mixer Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It is a DC coupled OTA(LM13700) Dual Linear VCA based on the same fabled design of the VnIcursal VCA. The 2 VCAs are summed together so it can be used as a voltage controlled mixer at the "SUM OUT" or all 3 outs can be used separately and simultaneously. 5 volts into the CV in will provide unity gain, anything above 5 volts can clip the input.

Notes: - Works as a messenger style bag or a backpack
- Space for cables and AC adapter
- Built-in loop for attaching the bag to a suitcase handle

*Photographed Reface unit NOT included*

Notes: Warna is a very useful utility module that helps you to manage control voltages in the system. Crammed in just 6 hp, there are five normalled sections: two buffered mults, two inverters, and a summing mixer. Each multiple routes the input signal to separated outputs without loss in voltage. Warna is designed for unity gain - if you apply a specific voltage to any input, it remains the same on the respective outputs. Inverters are hardwired to mults and invert the polarity of the signal applied to them. Both mults are also normalled to the mixer section via inputs. Patching anything to these inputs breaks the normalization.

The top and the bottom section both are buffered 1-in-4 multiples. The input can be inverted with a switch, i.e. its polarity will be changed by 180 degrees. Four inverted copies are then available at the outputs, meaning you can use these two sections as inverter. Bi-polar LEDs display whether the signal is positive or negative: yellow = negative, red = positive. The centre section is a four-input summing stage with amplification factor 1, a so-called unity-gain mixer. The multiples are normalized to the mixer which can be deactivated by patching.

Notes: Poti II expander notable features:

- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
- 4HP
- +10/-0mA from Batumi II

Notes: Featuring the AS3360 IC (based on the classic CEM3360 IC), this linear response VCA (Voltage Controlled Amplifier) is suitable for both audio and CV signals.

It would also be the ideal match with a modulation source such as an exponential envelope generator.

Specifications

Format: Eurorack
Width: 8hp
Depth: approx. 25mm
Power consumption:
+12V: 30mA
-12V: 30mA
+5V: 0mA

Notes: This mixer has three DC-coupled inputs, making it perfect for mixing both audio or CV signals from sources such as VCOs, LFOs and envelopes etc.

Each channel features a unity-gain, linear attenuator.

Specifications

Format: Eurorack
Width: 8hp
Depth: approx. 25mm
Power consumption:
+12V: 10mA
-12V: 10mA
+5V: 0mA

Notes: This mixer has six DC-coupled inputs, making it perfect for mixing both audio or CV signals from sources such as VCOs, LFOs and envelopes etc.

Each channel features a unity-gain, linear attenuator.

Specifications

Format: Eurorack
Width: 12hp
Depth: approx. 25mm
Power consumption:
+12V: 10mA
-12V: 10mA
+5V: 0mA

Notes: This module is a four-quadrant multiplier that produces distinct alien and bell type sounds.

It features standard carrier (X) and modulator (Y) inputs; each with their own attenuator.

The balance and offset of the output signal is also adjustable.

Specifications

Format: Eurorack
Width: 5hp
Depth: approx. 40mm
Power consumption:
+12V: 20mA
-12V: 20mA
+5V: 0mA

Notes: Attenuverter (AV) is one of Wavefonix's most versatile modules; allowing the polarity of an input source such as an envelope or a ramp wave from an LFO to be inverted.

Additionally, an offset voltage between approximately -10V to +10V can be applied to the input source. The module can also act as an independent CV source when there is no input.

Specifications

Format: Eurorack
Width: 5hp
Depth: approx. 25mm
Power consumption:
+12V: 30mA
-12V: 20mA
+5V: 0mA

Notes: Wavefonix's Logarithmic Attenuator (AT) features three logarithmic unity-gain attenuators; especially suitable for attenuating audio signals. However, it can also be used to attenuator CV signals.

It is also a passive module; meaning that no power is required for it to function.

Specifications

Format: Eurorack
Width: 5hp
Depth: approx. 15mm
+12V: 0mA
-12V: 0mA
+5V: 0mA

Notes: This mixer has three AC-coupled channels, each with a logarithmic unity-gain attenuator; suitable for mixing audio signals from modules such as VCOs etc.

Specifications

Format: Eurorack
Width: 8hp
Depth: approx. 25mm
+12V: 20mA
-12V: 20mA
+5V: 0mA

Notes: Wooden side cheeks for The Vermona DRM1 (any mark).

If you would like to use those instruments as desktop unit you do cover the rack mount wholes with these nice wood sides, the unit feels much more handable and robust while packaging and using it in your live set.

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It let's you safely store your digital controller (such as the Native Instruments S3/ S4 MK3/ S2 MK3 or Pioneer DDJ-REV1/ 400 or Numark Mixtrack Pro FX) in the main compartment. The UDG Controller Sleeve is available in 3 sizes: Medium, Large & Extra Large skilfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight 1,70 kg / 3.74 lbs
Outer Dimensions (W x H x D): 56.5 x 37 x 18 cm | 22.2 x 14.5 x 7.1 inch
Inner Dimensions (W x H x D): 54 x 34 x 9 cm | 21.3 x 13.4 x 3.5 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits:

NI Traktor Kontrol S3, S2 MK3, S4 MK3, S5, S2 MK2, S4 MK2, Komplete Kontrol S25
Pioneer DDJ-REV1, DDJ-400, DDJ-RB, DDJ-SB3, DDJ-SB2, DDJ-SB, Toraiz SP-16
Numark Mixtrack Pro FX, Mixtrack Platinum FX, NVII/ NV, Mixtrack Pro II, Mixtrack Quad, Mixtrack Pro
Reloop Beatmix 2 MK2, Beatpad 2, Terminal Mix4, Terminal Mix 2
Denon DJ Prime Go, MC6000MK2, MC4000, MC3000, MC2000
Akai MPC Live II, MPC Renaissance, APC-40 MKII, MPK225, MPD232
Novation AFX, Nocturn 25, Launchkey 25, Impulse 25, 25SL MK2
Hercules DJControl Inpulse 300, Universal DJ, DJControl Jogvision/ Air+/ Air+S/ Wave, DJConsule 4-MX, DJConsole RMX 2
Korg Minilogue, Taktile 25
American Audio VMS 5/ VMS 4
Behringer CMD Studio 4A
Allen & Heath Xone 4D
Livid OHM 64
Arturia Origin Desktop
M-Audio Xponent, Axiom 25
Mixars Primo
Gemini G4V DJ, GMX, Slate 4/ 2
Roland DJ 202, JP-8080
Stanton SCS.4DJ
American Audio VMS 4 / 5
Vestax VCI-380, VCI-400DJ, VCM 600
or similar size controllers

Notes: A Digital DJ looking for a professional, durable case solution for your Akai MPC One+ controllers? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Akai MPC One+ controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Color: Black
Weight: 0,56 kg / 1.232 lbs
Outer Dimensions (W x H x D): 38.3 x 28.6 x 6.7 cm | 15.1 x 11.2 x 2.6 inch
Inner Dimensions (W x H x D): 37.3 x 27.6 x 5.7 cm | 14.6 x 10.8 x 2.2 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior

Extra's:
Heavy-duty handle
Convenient carry handle
Easy grip zipper puller

Fits: Akai MPC One+, Akai MPC One, power adapter & extra cables

Please note: The Akai MPC One Controller is not included in this purchase, it is shown for demonstration purposes only.

Notes: A Digital DJ looking for a professional, durable case solution for your Akai Force? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Akai Force, these cases are perfect for the travelling DJ that needs to protect their equipment.

Notes: A professional guitarist/ musician looking for a professional, durable case solution for your Universal Audio OX Amp Top Box? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Universal Audio OX Amp Top Box, these cases are perfect for the travelling guitarist/ musician that needs to protect their equipment.

Specifications

Colour: Black
Weight: 1,40 kg / 3.08 lbs
Outer Dimensions (W x H x D): 42.5 x 28.8 x 15.0 cm | 16.7 x 11.3 x 5.9 inch
Inner Dimensions (W x H x D): 38.5 x 23.4 x 14.0 cm | 15.1 x 9.2 x 5.5 inch
Material: Durashock moulded EVA foam

Protection:

Water repellent laminated nylon exterior
Black soft fleece interior

Extras

Heavy duty handle
Easy grip zipper puller

Fits

Universal Audio OX Amp Top Box

Notes: A digital DJ looking for a professional, durable case solution for your Ableton Push 3? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Ableton Push 3, this case is perfect for the travelling DJ that needs to protect their equipment.

Specifications

Colour: Black
Weight: 0,90 kg / 1.98 lbs
Outer Dimensions (W x H x D): 42.4 x 40.7 x 6.1 cm | 16.7 x 16.0 x 2.4 inch
Inner Dimensions (W x H x D): 38.4 x 32.2 x 4.5 cm | 15.1 x 12.7 x 1.8 inch
Material: Durashock moulded EVA foam

Protection:

Covers main material 600D polyester with 5 mm EVA durashock moulded body
Water repellent laminated nylon exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Extra space for cables
Heavy duty handle
Easy grip zipper pulls

Fits

Ableton Push 3 + extra cables

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It let's you safely store your digital controller (such as the NI S8 or Pioneer DDJ-RX/SX3) in the main compartment. The UDG Controller Sleeve is available in 2 sizes: Medium & Large skillfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight: 2,40 kg / 5.28 lbs
Outer Dimensions (W x H x D): 73.0 x 43.0 x 14.0 cm | 28.7 x 16.9 x 5.3 inch
Inner Dimensions (W x H x D): 71.0 x 40.0 x 11.5 cm | 27.6 x 15.7 x 4.5 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits:
Pioneer DDJ-FLX6, DDJ-1000SRT, DDJ-800, DDJ-1000, DDJ-RX, DDJ-SX3, DDJ-SX2, DDJ-SX, DDJ-RR, DDJ-SR2, DDJ-SR, DDJ-S1, DDJ-T1, DDJ-Ergo
Pioneer XDJ-RR, XDJ-R1, XDJ-Aero
NI Traktor Kontrol S3, Traktor Kontrol S8
Denon DJ MC7000
Numark NS4FX, NS6II, Mixtrack Platinum/ Pro 3, Mixdeck Quad, 4Trak, N4
Reloop Mixon 8 Pro, Mixon 4, Touch, Terminal Mix 8, Beatmix 4
Roland DJ-505
or similar size controllers

Notes: The 1F is a voltage controlled switch, intended to be 'one friend' for your sequencer. Its design has been specially focused on working with sequences, by giving them some randomness, applying transpositions or constant variation over time. For this, 0.1% tolerance resistors have been used to achieve exact unitary gains for precision summing of the v/oct signals. More detailed info on the demo video.

Technical specifications:

4HP.

27 mm depth.

Consumption: 15mA +12V; 10mA -12V

Notes: The 2M is a dual three channel mixer in 6 HP with volume controls over all the inputs as well as the final output. As its design has been specially focused on audio applications, the input potentiometers are audio-taper type while the output ones are linear. Low distortion / high quality audio operational amplifiers have been selected in order to achieve clean audio mixing, but is also DC-coupled, so it can perform CV signal mixing as well. Great for a small system, allowing for submixes or even stereo mixing.

Technical specifications:

6HP.

38 mm depth.

Consumption: +/-12V 20mA

Notes: The Touellskouarn Eread Jedonian is a quad splitter from TRS to 2x mono mini jack combined with a bidirectional Hz/V converter. Additionally it offers V-Trig to S-Trig conversion.

The Hz/V standard works with Korg MS and old Yamaha CS among others.

Notes: The Touellskouarn "Sil Kontrollet" eurorack module is a LowPass voltage-controlled filter (VCF) The filter is a 12dB per octave low-pass filter that can be self-oscillated, this way it can produce a sine wave with V/Oct tracking capability. This filter has a unique and distinctive sound, characterized by its aggressive resonance and its ability to self-oscillate. Cutoff can be CV controlled. The module is 6HP wide and is made with quality components such as Nichicon/Panasonic caps and alpha pots.

Power consumption: 20mA at +12V and 20mA at -12V

HP : 6

Notes: Mariana Trench is an FDN card for the Z-DSP. Feedback Delay Networks (FDNs) are built around multiple delays which are connected to their inputs thanks to a feedback matrix designed for its stability and lossless properties. FDN can mimic the recursive process of sound waves bouncing back and forth in an acoustic space. They were first suggested for artificial reverberation by Michael Gerzon (1971) and later John Stautner and Miller Puckette (1982) introduced four-channel FDN reverberator with general stability conditions.

FDN can also be used as a special case of digital waveguides, they can be tuned, or also used as complex delays. The Mariana Trench Z-DSP cartridge is designed to explore these more unusual sides of the FDN algorithms. Mariana Trench Z-DSP cartridge is designed by Christophe Duquesne Anckorage - Haken Audio developement team - La Voix du Luthier.

Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.

MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.

Notes: Introducing the BD808, part of our new series of drum modules that brings analog percussion into the modular synth world, instantly turning your system into a self-contained music machine. Its small size, minimalist design, and modern production methods have allowed us to bring the world's most famous bass drum sound generator back at a very low cost. The real thing is here again.

The BD808 is the Roland TR-808's Bass Drum circuit adapted for use in Eurorack format and tuned to sound like a machine that comes fresh off the original 80's assembly line. The adaptation to modular format has allowed us to add some special features like independent Accent levels, a high-powered gain stage, dual-input pulse-shaper, and extended decay - all without compromising the signature sound of the TR-808.

A widely used technique with TR-808 machines is to run the drum sounds through outboard amplifiers to add gain and then pass the sound through just about anything to generate additional harmonics caused by clipping and distortion. In the BD808, we have already included this high-powered output gain stage capable of producing signals up to 20Vpp, extending from the original palette of sounds and allowing you to get an assorted array of harmonized bass drums ranging from sharp attacks to crushed tones using this simple yet effective technique! On the inputs, we have also designed a dual pulse-shaper circuit so you can trigger your BD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This saves you the need to shape the pulses sent to the module and ensuring the same stable sound at its peak power, regardless of differences in your pulse source.

All these little, but unique, features make integrating this legendary sound generator into your modular easy, unleashing the power of real analog drums and making those speaker cones shake.

Notes: Z-Rails are mounting rails for the Eurorack modular synthesizer format and are designed to be used for professional and DIY case mounting assemblies.

Z-Rails are sold in sets of two (2) aluminium, clear or black anodized rails, each containing a nickel-plated brass threaded strip with 3mm threads using 5.08mm spacing. The racks are easy to install into any frame using two (2) M4 screws, one for each side of the individual Z-Rails.

Notes: The microZEUS is a 4HP power supply module for Eurorack format synthesizers. It is the smallest and most powerful power supply available for its size.

uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.

The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.

Notes: "It f*cks with the fabric of time" Tony Visconti describing Pitch Shifting to Brian Eno and David Bowie in 1976. That not so subtle description does quite neatly sum up what the Pitch Shift programs on the 'Time Fabric' card do!

Pitch shifting in the Z-DSP uses a technique called 'rotating tape head' delay lines named after pioneering tape based experiments in Germany in the 1960s. The tape heads move at speeds independent of the tape playback path and two heads are crossfaded to make a continuous output capable of beautiful pitched delay effects, harmonization and smooth reverbs.

These pitch shifting algorithms are much like the earliest digital pitch shifters released. Sounds similar to the Eventide H910, AMS 15-80 (with Pitch board) and Publison DHM 89 can be achieved. These programs are intended more for pure effects rather than the complex multiple harmony lines later devices and plugins became known for producing. Chords from single VCOs can easily be made using the 'Interval' programs on the card though.

Using a Z3000 to clock the Z-DSP, complete chaos from the delay lines and pitch shifting emerges, creating great and unexpected new sounds. Modulating the stereo pair of analog VC-Feedbacks animates the time and distance of the pitch shift opening up these algorithms for additional control from CV and audio signal alike.

Notes: ZVERBZ is a collection of new stereo reverb algorithms for the Z-DSP. They range from typical reverbs to more complex effects that combine delay and pitch shifting with reverb. The effects are grouped by decades based on either the era an algorithm was introduced or the time when the effect was most popular. This variety of reverbs covers small to epic size spaces with the addition of shimmering, feedback tunneled pitch shifting, tape delay drivers, gated reverbs and a lot more. Analog clocking of the DSP chip and CV over the parameters enables even more experimentation. This is a collection inspired by the best from the past right at your fingertips.

Please note: The Z-DSP module is not included with this purchase- it is for demonstration purposes only.

Notes: A full dual processing, with true stereo separation accomplished by using the DSP processor chip as two separate lanes. This card bundle contains four cards, each cover a different territory but all share the concept of dual parallel processing for a true stereo in stereo out effects. These are great for cascading stereo effect modules with the Z-DSP to maintain and enhance the full stereo image. Use it with modules with stereo outs or ins, or use each channel with a different source like two VCOs for spatial experiments.

True Stereo Bundle: Stereo Echo

These delay programs work in true stereo and include BBD, Digital and Tape models for your stereo sources. More advanced programs have modulation, cross feedback or diffusion for more creative.

True Stereo Bundle: Stereo Mod

A group of 8 classic modulation effects that maintain the stereo image of the source.

True Stereo Bundle: Stereo Pitch

This card has a set of programs that use pitch shifting to add depth to the stereo source and include a selection of delay with pitch algorithms too.

True Stereo Bundle: Stereo Filter

A collection of digital models of analog low, high and band pass filters plus a few with internal modulations like Sample and Hold and envelope following.

Notes: MIXZ is a multi-channel mixing module for mixing audio, CV, and gate signals with excellent linear response and low noise. Balancing a clear visual layout and multiple mixers in a small footprint makes the MIXZ easy to use in a variety of configurations within a modular synth. Its high-quality analog mixing circuitry makes for a great sounding mixer with plenty of headroom, providing a smooth, organic merge of dynamics and excellent separation of mixing sections and channels. MIXZ has three sections:

Mixer A: a low-noise, 4-channel mixer with independent gain control for each channel.
Mixer B: a low- noise, 4-channel mixer with master gain control.
MixBus: a multi-channel mixer that mixes signals from modules utilizing the Tiptop MixBus.

Mixer A and B can be configured as either two independent, 4-channel mixers or as a single 8-channel mixer. If the output of Mixer A is not in use, then Mixer A will be routed internally to Mixer B forming the 8-channel mixer.

Tiptop MixBus is a new method we have developed to mix audio signals through the Eurorack power bus board without patch cables. A little bit of magic, eh? Although this technique is not ideal for a low-noise mix, we found it to be useful for some applications, including mixing our drum modules, which all have a MixBus-enabled output. The result is that your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch. This will save you time and frees up cables for repatching sound again and again, while keeping the channels of MIXZ free to bring other signals into the mix.

Combining the MixBus with Mixer A and B, the MIXZ sums dozens of channels in only 10HP.

Dimensions:
10 HP
36 mm deep

Current draw:
14 mA +12V
14 mA -12V

Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analog summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analog mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labeled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Dimensions:
3 HP
43 mm deep

Current draw:
25 mA +12V
20 mA -12V

Notes: Professional mobile digital recorder for perfect shots "on the road"

Recording your own concert or conference call, recording professional sound during interviews or preserving the ambient sounds of your favourite place: the application examples of handheld recorders are extremely versatile and have absolute justification even in the age of high-end smartphones.

The user interface of the Mobile Digital Recorder is optimized for simple and fast operation. The main functions such as recording, playback, cancelling, noise suppression, sound split. In addition to recording with the internal microphone, an external microphone (not included) can also be used.

Recordings can be made in mono or 2-track stereo at 32Kbps, 64Kbps, 128Kbps, 192Kbps, 512Kbps, 768Kbps, 1024Kbps and 1536Kbps, with 512kbps as the default. The user has an Auto Gain function and eight effect preset modes at his disposal, including rock, funk, hip hop and jazz.

The clear folder structure and an encryption function for the recordings make the management of your own recordings clear and secure. The Mobile Digital Recorder can be operated via the integrated lithium-ion battery or directly USB bus-powered.

The internal storage capacity is 8 GB. In addition, flash cards are supported.

Properties:

Mobile digital recorder with metal housing
Recording formats: MP3, WMA, WAV, OGG, APE, MPC, AIFF, FLAC
8GB internal memory + MicroSD card slot
Dynamic noise cancellation ensures high-quality recordings
Up to 580 hours of recording time
Supports line-in recording (phone, smartphone calls, etc.)
Voice
Automatic storage when the battery is low
A-B loop points, real-time monitoring
Two microphone capsules - also suitable for recording over longer distances
1.8" TFT colour display
Intelligent folder structure
Rechargeable lithium polymer battery
Battery life: up to 10 hours
Incl. USB connection cable and lavalier microphone

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Professional mobile digital recorder for perfect shots "on the road"

Recording your own concert or conference call, recording professional sound during interviews or preserving the ambient sounds of your favourite place: the application examples of handheld recorders are extremely versatile and have absolute justification even in the age of high-end smartphones.

The user interface of the Mobile Digital Recorder is optimized for simple and fast operation. The main functions such as recording, playback, cancelling, noise suppression, sound split. In addition to recording with the internal microphone, an external microphone (not included) can also be used.

Recordings can be made in mono or 2-track stereo at 32Kbps, 64Kbps, 128Kbps, 192Kbps, 512Kbps, 768Kbps, 1024Kbps and 1536Kbps, with 512kbps as the default. The user has an Auto Gain function and eight effect preset modes at his disposal, including rock, funk, hip hop and jazz.

The clear folder structure and an encryption function for the recordings make the management of your own recordings clear and secure. The Mobile Digital Recorder can be operated via the integrated lithium-ion battery or directly USB bus-powered.

The internal storage capacity is 8 GB. In addition, flash cards are supported.

Properties:

Mobile digital recorder with metal housing
Recording formats: MP3, WMA, WAV, OGG, APE, MPC, AIFF, FLAC
8GB internal memory + MicroSD card slot
Dynamic noise cancellation ensures high-quality recordings
Up to 580 hours of recording time
Supports line-in recording (phone, smartphone calls, etc.)
Voice
Automatic storage when the battery is low
A-B loop points, real-time monitoring
Two microphone capsules - also suitable for recording over longer distances
1.8" TFT colour display
Intelligent folder structure
Rechargeable lithium polymer battery
Battery life: up to 10 hours
Incl. USB connection cable and lavalier microphone

Notes: This is a 4 mono channels expansion. Several of these modules can be added to provide more channels. Every channel features:
- Mono input
- Vactrol Gate (plug a CV into the GATE IN to modulate the volume of a channel, just like a classic VCA. When nothing is plugged in the GATE IN, the gate is normalled to fully open)
-SEND A control (switchable PRE/POST, in PRE mode the signal is present regardless to the channel volume control but only if the channel switch is in ON position)
-SEND B control (post-fader)
-PAN control (only affects the master bus)
-VOLUME control (affects the master, cue and POST sends, does not affect PRE-fader send)
-ON/OFF/CUE switch: ON - channel is routed to the master bus
OFF - channel is muted
CUE - channel is routed to the cue bus

13 mA +12V
8 mA -12V

Notes: Dual AB Switch

The A/B Switch selects between A and B and the middle position of the switch is a "mute", works with any kind of signal (cv or audio) and is bidirectional.

This is an utility module that was made for switching stereo signals, but other uses are possible:

Select between 2 stereo sources.

Select between 2 stereo destinations.

Bypass control for mono signal processing.

Routing control for a single signal.

Panel is reversible so it can be mounted with the switches on the right or left.

This module does not draw any power.
Size: 8 HP
12 mm deep

Notes: 8 triangle LFOs with relative frequencies and CV control.

Output voltage is +/- 5.25v (10.5Vpp).

Upper LFO is the fastest and lower is the slowest one. The frequency ratio between LFOs is approx 3/2 (or 1.5), being at max speed the upper 13.5Hz and the lower one 1Hz .

The frequency range with the potentiometer is 80-90%.

Negative voltages present at the CV input will stop the oscillation of all LFOs, but the potentiometer it's an offset, which means that will act as a manual frequency control and will also set the voltage range for the CV input, allowing negative voltages when set to max.

Dimensions: 4 HP
25 mm deep

Notes: I'm the operator with my pocket calculator. Which is actually a drum machine. Cult classic digital beatbox which integrates really nicely with the Sonic Charge MicroTonic plugin.

Supplier notes:
Drum synthesizer and sequencer with para-meter locks, punch-in effects and unlimited sounds with micro-tonic VST through data transfer.

Unlimited sounds:

PO-32 is the first pocket operator which allows unlimited sounds. in addition to the 16 preset sounds, you can use sonic charge micro-tonic VST to craft your own unique sounds and transfer them wirelessly to PO-32 with the built-in microphone, or alternatively by using a cable.

Upgraded hardware platform:

PO-32 has a built-in microphone for transferring and receiving data over sound. it also has a removable lock tab for write protection of patterns. the hanger strength is increased for extra durability, and on the backside of unit there are some useful combo reminders.

New pro-case:

CA-X silicone pro-case is the best companion for PO-32. with an updated design, this case includes a hole for microphone, anti-slip feet, neck strap, battery protection and pro feel buttons. it is also compatible with all pocket operator models.

Notes: Small bag with front pocket to fit field mixer and any cables or smaller items. hook-and-loop secures the strap so it can be worn in a variety of ways: cross body, over the shoulder or on the waist.

The belt loop can be used to fix to the field belt strap.
Shell fabric is tear and abrasion resistant, nylon 66. Treated with fire retardant, and backed with PU for a 3000 mm water repellent rating.
Hardware is custom designed aluminium alloy 7075-T6.
Dimensions: 120 mm x 95 mm x 30 mm

Notes: The famous MS 20 filter for AE modular!

This adaptation of the filter used first in Korg's MS-20 synth for AE modular offers control knobs for cutoff frequency, resonance and CV attenuator. Two signal inputs for different signal levels control the "drive" of the module. Compared to the wasp filter this filter has a significant self resonance and also a very quick response to changes in the cutoff frequency.

The filter type is switchable between lowpass and highpass (LP/HP switch).

Notes: The 2-row rack for AE modular is 16 units wide with 2 rows; the MASTER module consumes 2 units so you have 30U remaining for other modules.

Via a joint kit (not included) another case of this width (either one-row or two-row) can be attached at a free angle; the bus is connected via a short connector cable between both cases.

The sides are made of red acrylic, all other parts are of wood fibre board (MDF), black painted.

Dimensions: 41.3 x 21.7 x 4.5 cm (width x depth x height)

Notes: 2ENV is a dual attack - decay envelope; it can be switched between full sustain (the output remains at full level as long as the GATE input is on) and zero sustain (for percussive envelopes). Another switch (SLOW/FAST) allows selecting the time range.

For manual triggering there is a button for each envelope.

CV control: Both attack and decay time can be CV controlled; the CV "multiplies" the time by 1...approx. 8 times.

Notes: The 2OSC/d module contains two 1V/octave hybrid oscillators. Each of them features:

- One frequency knob plus a range switch +2 octaves
- CV input (1V / octave)
- PWM input
- SYNC input
- Sawtooth/Square/Sub-octave output

The pulsewith knob controls either the pulsewidth of the first oscillator (with the second one having a fixed pulsewidth), or via a switch the second oscillator is also controlled by the pulsewidth knob. Both oscillators can be pulsewidth-modulated independently by their PWM inputs.

The module is designed as a hybrid digital/analogue module; the oscillator frequencies are determined digitally and are therefore quite stable and have a good tracking; the output wavefom itself is created analogue. It's a new idea/concept that I have implemented here; the design causes the waveform to get a bit gritty at higher frequencies (but not "digital noise") - it's the character of this thing!

Notes: Channel extender for MIXCONSOLE.

This module extends the MIXCONSOLE module with three additional channels; the channel level can be controlled via CV here, too. If no CV is attached, the level knob works as usual volume control.

Notes: This is a variant of the standard red/black racks for AE modular with wooden front and sides.

Same as with the standard cases, via a joint kit (not included) another case of this width (either one-row or two-row, standard or wooden type) can be attached at a free angle; the bus is connected via a short connector cable between both cases.

The sides, front and back are made of real-wood veneer covered MDF.