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Notes: The Channel 2 is derived from the second channel of our Super Duper 2-in-1 pedal. This is a small footprint pedal that covers the range from unity gain line buffer, to a light transparent overdrive. Think of it as the second channel on your amp, or as a line buffer, or as a boost that adds sparkle.

Power supply is not included.

*For audio demo, please visit - https://soundcloud.com/zvex-effects

Notes: The Go-Everywhere Audio Interface:
The U-22 is the essential mobile recording and performance interface, with an innovative 2-in/2-out ultra-portable design that makes it easy to connect to a laptop or an iPad and create great-sounding audio anywhere.
The interface features a high-performance, low-noise mic preamp so you can record vocals, instruments, and more with pristine sound quality at resolutions up to 24-bit/96 kHz. The U-22 delivers the same excellent sound as our U-44 and U-24, with an even more compact form factor.

Innovative Handy Design:
The U-22 can be bus-powered via USB and its compact form factor is perfect for use with a laptop or iPad. The innovative design provides quick access to connectors, knobs, and controls for effortless setup and operation.

Pristine Recording and Playback:
The U-22 features a single high-performance, low-noise mic preamp is the same as our acclaimed H6 Handy Recordersiwith less than -120 dBu EIN, as well as recording and playback at resolutions up to 24-bit/96 kHz. You can also use the U-22 as a studio-quality headphone amp and listen to your favorite music in full fidelity.

Get Connected:
The U-22's XLR/TRS combo input can be used to record with a microphone or line-level source, with 48V phantom power, and Hi-Z support for connecting a guitar or bass. The U-22 is also equipped with a mini stereo input so you can record an iPad, mixer, or other portable audio device.

Power Your Live Performance:
The U-22 is the perfect audio companion for musicians who incorporate digital audio processing or pre-recorded sound elements into their live performances. Connect your interface to a laptop or iPad, pull up software effects or a looper, and send your processed signal to a mixer or the house PA via RCA stereo outputs.

Zero-Latency Monitoring:
For zero-latency recording and mixing, the U-22's direct monitoring switch allows you to hear your signal before it passes through the computer. Separate RCA output jacks and an independent headphone output provide multiple options for monitoring.

Package includes:

- U-22 Audio Interface
- Operation Manual
- USB 2.0 Cable

Notes: The U-24 is a compact, 2-in/4-out audio interface that provides all of the essential tools you need for recording and performing with high resolution, 24-bit/96 kHz audio - anywhere you go. Get incredible sound quality thanks to high-quality, low-noise preamps - the same ones found on the acclaimed H5 and H6 Handy Recorders. Connect to your PC, Mac, or iPad via USB and record mics, instruments, and more. The U-24 delivers the same great sound as our U-44 interface, with a more streamlined feature set.

The Go-Everywhere Interface:
The bus-powered U-24 packs all the essential tools into a compact form factor that fits in the palm of your hand. Record with mics, instruments, and more at home or on the go - the U-24 is iPad* compatible and small enough to take anywhere. It can even run on just two AA batteries for recording in the most remote locations.
* Requires 2 AA batteries or optional AC adapter for power, plus an Apple iPad Camera Connection Kit or Lightning-to-USB Camera Adapter for connection to iPad.

Pristine Recording and Playback:
Inspired by our Zoom H-series recorders, the U-24 is equipped with high-performance, low-noise mic preamps (-119.5 dB EIN) that enable recording and playback at resolutions up to 24-bit/96 kHz. You can also use U-24 as a studio-quality headphone amp and listen to your favourite music in full fidelity.

Get Connected with the U-24:
The U-24 is equipped with an essential collection of inputs and outputs for streamlined recording. Two combo inputs with independent gain knobs and multi-colour level indicators allow you to connect mics, keyboards, mixers, and more. 48V phantom power can be supplied to both inputs, and input 1 supports Hi-Z for connecting guitars, basses, or other passive instruments. MIDI input and output jacks allow you to use devices like keyboards, controllers, synthesizers, and drum machines.
Separate TRS and RCA output jacks provide multiple options for connecting DJ mixers, monitors, and other gear. Finally, an independent headphone output with dedicated volume control gives you complete flexibility while monitoring.

Your Mix, Your Way:
The U-24 has flexible monitoring options for dialling in the perfect mix with zero latency. Balance the cue and main out signals when you're DJ'ing, or create a mix of click track and main out signals during live performances. Each connector and knob is strategically positioned for fast access, so you can set up and control the U-24 with ease.

Create More with Your U-24:
Includes Ableton Live 9 Lite - When you combine the U-24 with Ableton Live 9 Lite, you have everything the modern music creator needs. Record your tracks quickly and intuitively, enhancing them with studio-quality effects like EQ, compression, reverb, delay, chorus, filter, and more.

Notes: Zoom's MS-70CDR MultiStomp Chorus/Delay/Reverb Pedal is the first of its kind. It offers the power of a multi effects pedal and flexibility of an amp modeler in a single stompbox design. With 86 classic chorus, delay and reverb effects types, an easy to use interface, auto chromatic tuner and versatile power options, guitar players will be astonished with how much this pedal offers.

The MS-70CDR's compact, easy to use design features a large LCD, single footswitch and analog style cursor keys/parameter knobs. Together, they allow you to easily control the pedal's 86 diverse effects types, including some of the world's most popular chorus, delay and reverb pedals (SuperCho, AnalogDly, Spring, etc.), as well as create and store up to 50 of your own sounds.

For added versatility and convenience, the MS-70CDR also houses an auto chromatic tuner with smooth, real-time response with precise tuning and accuracy. The pedal's display also makes the Tuner easy to see on a dark stage. In addition, the MS-70CDR can operate on three different power sources: AC adaptor (sold separately), USB bus power or two AA alkaline batteries (included) for up to seven hours of continuous mono input use and 5 hours of continuous operation when using the stereo input.

Enjoy the world's first single stompbox multi effects pedal dedicated to chorus, delay and reveb: the MS-70CDR MultiStomp Chorus/Delay/Reverb Pedal from Zoom.

Notes: ZOOM MS-50G MULTISTOMP
Zoom's MS-50G MultiStomp guitar pedal combines the power of a multi-effects device and the flexibility of an amp modeler in a single compact stompbox. With its 55 custom guitar effects and amp models, an easy-to-use interface, onboard chromatic tuner and versatile power options, you'll be surprised at how much the MS-50G has to offer.


FEATURE LIST
100 guitar effects and amp models, including modulation, equalization, delay, and reverb
Up to 6 effects can be used simultaneously, in any order
50 memory locations for the storage of user-created patches
30 preset patches
Patch cycling
Onboard chromatic tuner supports all standard guitar tunings, including open and drop tunings
Tap Tempo for synchronization of delay times or modulation rates
Auto Save function for automatic saving of all patch parameters
14" input jack (both active and passive instruments supported)
Dual 14" output jacks
Backlit LCD with contrast control for easy viewing in low-light environments
USB port for power and firmware updates
Lightweight and small enough to fit in your gig bag
Easily integrated into any existing pedalboard
Runs on 2 AA batteries, with alkaline battery life of up to 7 hours
Optional AC adapter

DYNAMICS/ FILTER
Shape and control your sound with these 25 compressors, equalizers, and filters, plus Zoom's Noise Reduction (ZNR) algorithm, designed to remove noise during pauses while still maintaining your instrument's natural tone.

OVERDRIVE / DISTORTION
he MS-50G's 32 boosters, overdrives, and fuzz tones include simulations of the BOSS OD-1, DS-1, and Metal Zone, as well as the Ibanez TS808, MXR Distortion+, Matchless Hot Box, Electro-Harmonix Big Muff, and Pro Co Rat.

AMP
The 22 amp models provided here include emulations of classic and contemporary tube and solid-state amplifiers from manufacturers like Fender, Marshall, Mesa Boogie, Two Rock, Diezel, and ENGL, each with its own distinct cabinet modeling that can be used to further alter the tonal quality.

MODULATION / SPECIAL EFFECTS
You'll find 39 different modulation and special effects here, all specially crafted for guitar. These include phasing, flanging, chorusing, tremolo, vibrato, detuning, octave dividing, and pitch shiftingieven an intelligent harmonizer that plays along in key.

DELAY / REVERB
The MS-50G's cutting-edge DSP microchip performs 32-bit floating-point calculations, giving it the ability to create sophisticated studio-quality effects such as the 29 rich, dense reverbs and realistic spatial simulations found here. These allow you to place your guitar in natural-sounding spaces such as rooms and halls or to add delays of up to 4 seconds.

DOWNLOAD AND MANAGE EFFECTS WITH EFFECT MANAGER
MS-50G's firmware Version 3.0 offers you a broader selection of tools and effects than ever before. Firmware V3.0 lets you download MS-50G Effect Manager which is a Mac and Windows app that gives you access to a complete list of effects available in the Zoom StompShare App. With the new Effect Manager, you can view, download, and delete effects to customize the MS-50G to your liking. Plus, the latest firmware now gives you the ability to choose from 72 additional effects.

FULL-FEATURED AND EASY TO USE
The MS-50G's intuitive design allows easy navigation in both live and studio settings and makes creating, saving, and rearranging effects a breeze. Its input jack accepts signal from both passive and active guitars, and dual line-level output jacks enable you to record the MS-50G's many sounds in stereo. You can use up to 6 effects simultaneously and arrange them in any order you likeieven bring individual effects in and out of the chain as desired.

POWER TO SPARE
The MS-50G runs on just 2 AA batteriesieither alkaline or rechargeable NiMHiand powers up automatically when a connector is inserted into its input jack. A Power Management function automatically turns the pedal off if unused for extended periods. Battery life is up to 7 hours with alkaline batteries, allowing you to use the MS-50G with confidence from rehearsal to the main stage. Alternatively, the MS-50G can be powered from an AC adapter (sold separately) or via USB.
Specifications
Instrument class
Instrument classElectric Guitar Multieffects
Version
VersionUK Version
Options
Instrument connectionYes
StompboxYes
Amp ModelingNo
Microphone connectionNone
incl. expression pedalNo
incl. power supplyNo
Battery mode possibleYes
USBYes
Phantom power supplyNo
Headphone jackNo
MIDI I/ONo
LooperNo
Harmony functionNo
Auto CorrectNo
Expression pedal connectionNo
Line outYes

Notes: Turn your favorite iOS device into a field recorder by plugging in a Zoom iQ6 - the world's first stereo X/Y microphone with a Lightning connector. Capture the sound of concerts, interviews, meetings and lectures with precision and full fidelity, then share your creations with the world.

The compact and lightweight iQ6 allows you to create high-quality recordings wherever you go. Whether it's a podcast on the fly, an impromptu concert or a sound effect you want to incorporate into your next video, you can count on your iQ6 to capture the moment with superior audio.

The iQ6 features two high quality unidirectional condenser microphones in an X/Y configuration - the same ones used in our world-famous H4n Handy Recorder. X/Y stereo recording is a great way to cover a wide area while still capturing sound sources in the center with clarity and definition. You can even change the mic angle from 90 degrees for a tightly focused image to 120 degrees for immersive wide-angle stereo.

The iQ6's large analog-type MIC GAIN wheel and three-segment level LEDs ensure that you'll always get great audio in every environment - from quiet meetings to loud concerts - with crystal clarity and no signal overload. The iQ6's dedicated headphone jack - which doubles as a line output - enables direct monitoring during both recording and playback.

The iQ6 comes with an extended Lightning connector and removable spacer that allows it to be used with most iPhone, iPad and iPod cases. Simply plug your iQ6 in and start making great-sounding stereo recordings!

Zoom's Handy Recorder app, available for free from the iTunes App Store, provides a wealth of tools for your iQ6 and iOS device. In addition to offering onscreen level metering, it enables you to set the iQ6 headphone volume, as well as adding an automatic recording function - handy for capturing the sound of meetings, speeches, and other situations where you don't want to miss a thing. Choose linear PCM format for the highest quality sound or AAC format to conserve storage space, then apply compression, EQ and reverb effects to your recordings. Handy Recorder even allows you to email your files to friends and to upload them to SoundCloud for sharing with the world.

Take your creations to a whole new level with the iQ6. It works not only with Apple's Voice Memo and Garageband, but with most apps that support input from an external microphone. Use the iQ6 with voice recognition apps to add high-quality audio; with streaming apps to broadcast live performances; and with music apps to record vocals and instruments in full range stereo.

The optional WSU-1 Universal Windscreen reduces wind noise while remaining acoustically transparent. Not only with the iQ6, but it can be used with other Zoom Handy Recorders and Handy Video Recorders.

Compatible devices:
iPhone 5, iPhone 5s, iPhone 5c, iPod touch (5th generation), iPad (4th generation), iPad Air, iPad mini, iPad mini with Retina display

Notes: The H1N-VP; The world's most popular recorder now includes everything.

More value for creators

The H1n is loved by musicians, podcasters and filmmakers because of its incredible audio, ease of use and small size. Now the H1n-VP includes a padded shell case, micro USB cable, AD-17 Power Adapter and foam windscreen, offering creators more value than ever before.

Zoom's flagship sound

The H1n is the ultimate take-anywhere recorder for every creator's gear bag. Its X/Y microphones capture high-quality stereo sound, supporting up to 24-bit/96 kHz.

Just press record

One-touch button controls make it simple to record songs, audio-for-film, lectures, podcasts and more. Its monochromatic 1.25" LCD display is easy to read even in the brightest lighting conditions.

Get loud

An advanced onboard limiter offers distortion-free recording up to 120 dB SPL-- the same volume as a jet engine during take off. A low-cut filter helps eliminate pops and unwanted low frequency rumble.

Unlimited overdubbing

The H1n is the perfect song-writing companion, allowing you to build compositions and layer audio with the overdub function.
Transcription made easy


The H1n playback speed adjustment helps you transcribe music, interviews and other types of recordings without altering pitch.

Don't miss the moment

You can set the H1n to auto-record, pre-record and use the self-timer to make sure you always capture the moment.

Mark and sync

The built-in tone generator makes it easy to calibrate your H1n and camera audio levels.

A closer look

Maximum Capacity

The H1n is battery-powered and offers up to 10 hours of recording time. Put it in your pocket, toss it in your backpack, or mount it to a camera - the H1n travels wherever you do.

What's in the box

Here's what you get:

H1n Handy Recorder
Windscreen
AD-17 AC adapter
USB cable
Padded-shell case

Features of the H1n:

One-touch button controls
1.25" monochrome LCD display
Intuitive menus for easy operation
Stereo X/Y 90-microphones handle up to 120 dB SPL
Stereo 1/8" Mic/Line In mini phone jack
Stereo 1/8" Phone/Line Output jack with dedicated volume control
Limiter button for input signal up to 120 dB SPL
Playback Speed Control, Voice Emphasize Filter, and Stereo Bounce functions
Auto-Record, Pre-Record, and Self-Timer functions
Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
Tone generator for filmmaking use with DSLR and video cameras
Records directly to SD and SDHC cards up to 32 GB
Micro USB port for data exchange to and from computer and use as an audio interface
Runs on only 2 standard AAA alkaline, Lithium, or NiMH rechargeable batteries, or AC adapter (AD-17)
Up to 10 hours of operation with alkaline batteries

Specs

Simultaneous playback tracks: 2
Simultaneous recording tracks: 2
Functions: Lo-cut Filter, Limiter,Test Tone,Slate-Tone,Voice Emphasize Filter, Playback Position Skipping, Playback Speed Control, A-B Repeat, Auto REC Level, Marker, Auto-Record, Pre-Record, Self-Timer, Overdubbing
Recording formats: .wav: 44.1 kHz/16-bit, 48 kHz/16-bit, 48 kHz/24-bit, 96 kHz/24-bit; A/D conversion: 24-bit, 128x oversampling; D/A conversion: 24-bit, 128x oversampling
Signal processing: 32-bit
Recording media: microSD/microSDHC cards (Class 4 or higher, up to 32 GB
Display: 1.25" monochrome LCD (96 × 64)
Built-in stereo mic: Unidirectional condenser, 90- XY stereo format
Gain: Up to +39 dB
Maximum sound pressure level: 120 dB SPL
Inputs: 1/8" stereo phone jack, Rated input level: Up to -39 dBm, Input impedance: 2 kO, Plug-in power supported (2.5 V)
Built-in speaker: Built-in 500 mW mono speaker
Output impedance: 8 O
Outputs: 1/8" stereo phone jack (combined line/headphones) Rated output level: 20 mW + 20 mW into 32O load
Output impedance: 10 kO or more
USB: Micro USB port
Mass storage class operation: USB 2.0 high speed
Audio interface operation: 44.1/48kHz sampling rate, 16-bit depth, 2-in/2-out
Transfer method: asynchronous
Power requirements: 2 AAA batteries (alkaline, nickel-metal hydride rechargeable, or lithium)
AC adapter (ZOOM AD-17): DC 5V/1A
USB bus power
Battery life (alkaline batteries): Approximately 10 hours (continuous recording time using built-in mic, 44.1 kHz/16-bit)
Dimensions: 1.9 in (W) x 5.4 in (D) x 1.2 in (H) / 50 mm (W) × 137.5 mm (D) × 32 mm (H)
Weight: 0.13 lbs / 60 g (without batteries)

Notes: Creators everywhere are using Zoom Handy Recorders to capture sound and sample audio like never before. The new H1n is the ultimate take-anywhere recorder for every creator's gear bag. The H1n's X/Y microphones capture high-quality stereo sound, supporting up to 24-bit audio at sampling rates of 44.1, 48, or 96 kHz in WAV and various MP3 formats.

With the H1n, Zoom have redesigned the user experience. One-touch button controls make it simple to record songs, audio-for-film, lectures, podcasting, and more. And its new monochromatic 1.25" LCD display is easy to read even in the brightest lighting conditions. An advanced onboard limiter offers distortion-free signal up to 120 dB SPL, cleanly recording the loudest of bands. A low-cut filter also helps eliminate pops and unwanted low frequency rumble. The overdub function lets you add layers of audio, allowing for richer and fuller sounding recordings.

The H1n's Playback Speed Control lets you transcribe music, interviews and other types of recordings without altering pitch. You can also set the H1n to auto-record, pre-record, and self-time, making sure you always capture the moment. New tone generator makes it easy to calibrate your H1n and camera audio levels.

An 1/8" stereo mic/line input lets you record with your external microphones or other sound sources, and supplies plug-in power (2.5 volts). Connect headphones via the 1/8" headphone output with dedicated volume control. You can also use the H1n's built-in speaker to listen to your recordings. The H1n's USB port provides a digital output of the stereo mix and allows data to be sent to and from your computer. It also allows the H1n to be used as a USB microphone and a microSD card reader.

The Zoom H1n comes with free download licenses for Steinberg's Cubase LE music production software and WaveLab LE audio editing software.

Notes: Zoom H1essential - 32-Bit Float Recording for All

The World's Easiest Recorder, Just Got Easier

With the push of a button the H1essential captures perfect audio for musicians, podcasters, filmmakers, and content creators. Simply hit record and discover the power of 32-bit float.

32-Bit Float Magic

With 32-bit float recording, you never have to adjust levels. The H1essential captures every nuance of your sound ensuring high-quality audio with every take

The First Handy Recorders with Accessibility

The Essential Series was designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

Loud and Clear

The onboard X/Y microphones capture clean audio up to 120 dB SPL, equivalent to the sound of a high-performance engine.

The Perfect Practice Companion for Musicians

Musicians can use the H1essential to record every rehearsal, a great way to improve your playing. Features like overdubbing and playback-speed-adjustment are great for writing and practicing.

Sound Makes the Scene

The H1essential is great for filmmakers. Record and send audio directly to your camera or use it to record sound effects to complete your scene.

For Storytellers

Podcasters can mount the H1essential on a tripod for sit down conversations or use 'mono mode' for on-the-go interviews.

Big Features, Small Package

The H1essential has advanced features such as overdubbing, pre-record, auto record, and playback speed adjustment.

Features

32-bit float recording: perfect audio with no need to set gain
120 dB SPL 90 degree XY Mics
Records up to 96kHZ sample rate
New OLED Display
Overdubbing, auto record, pre-record and timer functions
USB Microphone Function
Audio guidance function for the blind and visually impaired
10 hours of battery life on 2 AAA Batteries or USB-C Bus power

Specs

Inputs

Built-in mic: 90 degree XY stereo format
Directionality: Unidirectional
Sensitivity: -37 dB/1 Pa at 1 kHz
Maximum sound pressure input: 120 dB SPL

MIC/LINE IN jack

Connector: Stereo mini jack
Input impedance: 2 kO or more
Plug-in power: 2.5 V

Built-in mic
90 degree XY stereo format
Directionality: Unidirectional

Outputs

PHONE / LINE OUT jack
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32O load)
Output impedance: 10 O or less
Built-in speaker Type: 20 x 30mm oval dynamic speaker
Practical maximum output: 250mW

Recorder
Recording formats:
WAV
44.1/48/96 kHz, 32-bit Float
Stereo / Mono
BWF and iXML formats supported

Recording media
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification

Display
OLED: 128 x 64

USB
Connector: USB Type-C (Use a USB cable that supports data transfer.)
USB Mic: USB 2.0 High Speed
48 kHz, 24-bit
File transfer: USB 2.0 High Speed

Power

2 AAA batteries Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17: DC 5 V/1 A
USB bus power is supported.

Estimated continuous operation time using batteries

Alkaline batteries: About 10 hours
NiMH batteries (800 mAh): About 9 hours
Lithium batteries: About 18 hours
Stereo recording, 48kHz/32-bit float, no headphones, Power Save 1min
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.

Power consumption: 5 W maximum
Dimensions: 53.9 mm (W) × 136.6 mm (D) × 29.0 mm (H)
Weight (including batteries): 92 g
Note: 0 dBu = 0.775 Vrms

Notes: The Zoom G1X FOUR features over 70 effects and amp models, looper and drum machine. Plus, access ZOOM Guitar Lab's additional library of downloadable effects. Plug in and be amazed!

X is for Xpression:
The G1X FOUR comes with ZOOM's expression pedal, which provides control over effects such as volume, wah, delay and pitch.

Sounds That Inspire:
The pedal has more than 60 traditional and boutique effects, including ring modulator, pitch-shifting delay and even sitar simulation.

Your Favourite Amps & Cabinets:
With 13 classic amps and cabinets like Fender, Marshall, Orange and more, the G1 series brings big stage sound wherever you go.

You'll Love The Free Guitar Lab Software:
With ZOOM Guitar Lab, explore an endless world of artist patches, effects and more. And with its ability to manage and backup all of your patches, you can experiment and create endless combinations.

Drums Included:
Play along with 68 great-sounding rhythm patterns in different time signatures, including 4/4, 3/4 and more.

Stay Looped In:
The built-in looper can record up to 30 seconds of playing, allowing you to create dynamic, multi-part arrangements.

Auto Patch Backup:
Your patches and level settings are instantly backed up when using the Auto Save function, ensuring you never lose your latest creation.

Perform Live:
Seamlessly switch up your sounds during live shows using either of 2 performance modes.

PRESELECT mode lets you jump from patch to patch without affecting the patch your currently playing.

STOMP mode lets you turn individual effects on and off with the tap of your foot.

Off the Floor:
The G1X FOUR control panel is also designed for hands-on, desktop use. Dial in tones and adjust level settings with absolute precision to craft your perfect sound.

Power Options:
The G1X FOUR runs on just four AA batteries. Alternatively, it can be powered using the optional Zoom AD-16 AC adapter or via USB bus power.

Notes: The Zoom G1 FOUR features over 60 effects and amp models, looper and drum machine. Plus, access ZOOM Guitar Lab's additional library of downloadable effects. Plug in and be amazed!

Sounds That Inspire:
The pedal has more than 60 traditional and boutique effects, including ring modulator, pitch-shifting delay and even sitar simulation.

Your Favourite Amps & Cabinets:
With 13 classic amps and cabinets like Fender, Marshall, Orange and more, the G1 series brings big stage sound wherever you go.

You'll Love The Free Guitar Lab Software:
With ZOOM Guitar Lab, explore an endless world of artist patches, effects and more. And with its ability to manage and backup all of your patches, you can experiment and create endless combinations.

Drums Included:
Play along with 68 great-sounding rhythm patterns in different time signatures, including 4/4, 3/4 and more.

Stay Looped In:
The built-in looper can record up to 30 seconds of playing, allowing you to create dynamic, multi-part arrangements.

Auto Patch Backup:
Your patches and level settings are instantly backed up when using the Auto Save function, ensuring you never lose your latest creation.

Perform Live:
Seamlessly switch up your sounds during live shows using either of 2 performance modes.

PRESELECT mode lets you jump from patch to patch without affecting the patch your currently playing.

STOMP mode lets you turn individual effects on and off with the tap of your foot.

Off the Floor:
The G1 FOUR control panel is also designed for hands-on, desktop use. Dial in tones and adjust level settings with absolute precision to craft your perfect sound.

Power Options:
The G1 FOUR runs on just four AA batteries. Alternatively, it can be powered using the optional Zoom AD-16 AC adapter or via USB bus power.

Notes: The Zoom EXH-6 is a dual XLR/TRS combination adapter for the Zoom H6 digital audio recorder. Connecting the EXH-6 to the plug in port on the H6 provides a total of 6 inputs. With this adapter in place Zoom claim the H6 to be the smallest six-track recorder on the planet.

The two XLR/14" (TRS) combo sockets support both mic and line level audio enabling connection to external dynamic microphones as well as mixer (and other playback devices) outputs. Each socket features an independent gain control and -20dB pad switch (for dealing with higher sound pressure levels). Unlike the four XLR/14" (TRS) sockets on the main H6 unit the EXH-6 sockets do not provide phantom power.

Notes: AMS-24 - For One or More Musicians

Flip the switch

The AMS-24 and AMS-44 feature our innovative Music / Streaming Switch.

When switched to Music mode, you can record into your DAW with expanded input and output routing options.

When switched to Streaming mode, all inputs are combined into a single signal so you can easily stream without needing additional complicated software.

Record & stream with ease

AMS Audio Interfaces are designed for musicians who want to record music with their DAW or easily livestream on platforms like YouTube and Twitch, without all the typical complications.

AMS-24 | 2-In, 4-Out

The AMS-24 is perfect for solo streams and multi-instrument sessions. It features two XLR/TRS combo inputs along with Zoom's low-noise preamps. Also included are two headphone outputs and two TRS outputs for external monitors.

Quick control

With their onboard hardware switches, the AMS-24 and AMS-44 are designed to simplify common streaming challenges without the need for additional software.

Little switch, big streams

Toggle from recording to livestreaming with the Music / Streaming Switch. When in Music mode, each input acts independently with individual gain control. It also sends separate mixes to each headphone output.

When in Streaming mode all inputs are combined into one signal to work seamlessly with your streaming software.

Onboard monitoring

Use the Direct Monitor Switch to send the input signal directly to your headphones while routing the same signal to your DAW or streaming software.

Loop it back

The Loopback Switch combines the input audio with playback from your computer and routes it to your streaming software. This is perfect for adding background music to your stream or singing live with an instrumental track.

Mic/line guitar

Switch Input 1 from mic or line level to guitar level (Hi-Z).

Stereo link

Links two inputs for stereo recording or streaming and allows you to control both inputs with one gain knob.

Phantom power

Provides +48V phantom power for condenser microphones.

Power options

All three AMS interfaces can be powered from your PC or Mac via USB-C. Use external power when working from a tablet or mobile phone.
Additionally, the AMS-24 can also use two AA batteries.

Plug it in...

Use the AMS Series on any device thanks to its support for Mac and PC, along with iOS and Android devices.

...And perform

The AMS Series is designed to integrate seamlessly with commonly used software, apps and platforms.

In Streaming mode, connect with your audience by streaming to popular platforms like YouTube, Facebook, Twitch, Instagram and Patreon.

In Music mode, record with software like Adobe Audition, Pro Tools, Cubase and GarageBand.

What's in the box

AMS-24 USB Audio Interface
USB-C Cable
Quick Tour

Technical Specifications

Input and Output Channels

Number of input channels: Mono (MIC/LINE): 2
Number of output channels: Stereo (TRS): 1
Stereo (PHONES): 2

Connectors

Input 1-2 - Type: XLR/TRS combo jacks
(XLR: 2 HOT, TRS: TIP HOT)
Input gain: -8 - +58 dB / -8 - +50 dB (when set to GUITAR)
Input impedance: XLR: 2.7 kO
TRS: 18 kO / 330 kO (when set to GUITAR)
Maximum input level: XLR: +6 dBu
TRS: +22 dBu / +8.5 dBu (when set to GUITAR)
Phantom: +48 V

OUTPUT A (standard phone jacks)
Type: TRS phone jacks (impedance balanced)
Maximum output level: +10 dBu (at 0 dBFS)
Output impedance: 100 O

OUTPUT A-B (headphone jacks) - Type: 3.5mm stereo mini jacks
30 mW + 30 mW (32 O load)
Output impedance: 10 O

USB: USB Type-C (audio interface function)
Use a USB cable that supports data transfer. USB bus power is supported.
DC 5V - USB Type-C (for power supply)

Frequency Response

44.1 kHz: 1 dB (20 Hz - 20 kHz)
96 kHz: 1.5 dB (20 Hz - 40 kHz)
Equivalent Input Noise: -120 dBu or less (IHF-A) at +58dB/150O input

Audio Interface
Input and output channels
Recording: 2 channels
Playback: 4 channels
Sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz
Bit depth 24-bit
Interface: USB 2.0
Class: USB Audio Class 2.0

Power:
2 AA batteries (alkaline, lithium, or rechargeable NiMH)
AC adapter (ZOOM AD-17): DC 5 V/1A
USB bus power is supported.
Rated Current
USB/AC adapter (5 V): 380 mA
Batteries (2.4 V): 470 mA

Estimated continuous operation time using batteries
44.1 kHz, 48 V off, with 32O headphone load
Alkaline batteries: about 4 hours
NiMH batteries (1900 mAh): about 5.5 hours
Lithium batteries: about 11 hours
The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They could vary greatly according to use conditions.
Power Consumption: 5 W maximum

Dimensions: 94.5 mm (W) × 74.0 mm (D) × 46.0 mm (H)
Weight (unit only): 134 g
Weight (including batteries): 180 g

Notes: For Solo Musicians

AMS-22 | 2-In, 2-Out

Perfect for mobile recording or streaming, the AMS-22 includes an XLR/TRS combo input, plus a stereo line in. It also includes a headphone output and 2 TRS outputs for external monitors.

Quick Control

With onboard hardware switches, the AMS-22 is designed to simplify common streaming challenges without the need for additional software.

Onboard Monitoring

Use the Direct Monitor Switch to directly send the input signal to your headphones while routing the same signal to your DAW or streaming software.

Loop It Back

The Loopback Switch combines the input audio with playback from your computer and routes it to your streaming software. This is perfect for adding background music to your stream or singing live with an instrumental track.

Power Options

All three AMS interfaces can be powered from your PC or Mac via USB-C. Use external power when working from a tablet or mobile phone.

Plug it in...

Use the AMS Series on any device thanks to its support for Mac and PC, along with iOS and Android devices.

...And perform

The AMS Series is designed to integrate seamlessly with commonly used software, apps and platforms.

In Streaming mode, connect with your audience by streaming to popular platforms like YouTube, Facebook, Twitch, Instagram and Patreon.

In Music mode, record with software like Adobe Audition, Pro Tools, Cubase and GarageBand.

What's in the box

AMS-22 USB Audio Interface
USB-C Cable
Quick Tour

Technical Specifications

Input and Output Channels

Number of input channels - Mono (MIC/GUITAR): 1
Stereo (LINE IN): 1
Number of output channels - Stereo (TRS): 1
Stereo (PHONES): 1

Connectors

MIC/GUITAR - Type: XLR/TRS combo jack
(XLR: 2 HOT, TRS: TIP HOT)
Input Gain: +8 - +54 dB (MIC) / +8 - +54 dB (GUITAR)
Input impedance: XLR: 2 kO (MIC)
TS: 1 MO (GUITAR)
Maximum input level: XLR: +0.6 dBu (MIC)
TS: +11 dBu (GUITAR)
Phantom power: +48 V

OUTPUT (standard phone jacks - Type: TRS phone jacks (impedance balanced)
Maximum output level: -2 dBu (at 0 dBFS)
Output impedance: 100 O
OUTPUT (headphone jack) - Type: 3.5mm stereo mini jack
20 mW + 20 mW (32 O load)
Output impedance: 10 O
USB: USB Type-C (audio interface function)
Use a USB cable that supports data transfer. USB bus power is supported.
DC 5V: USB Type-C (for power supply)
LINE IN Type: 3.5mm stereo mini jack
Input impedance: 20 kO
Maximum input level: +1.5 dBu
Frequency Response: 44.1 kHz: +0/-2 dB (20 Hz - 20 kHz) - 96 kHz: +0/-3 dB (20 Hz - 40 kHz)
Equivalent Input Noise: -120 dBu or less (IHF-A) at +54dB/150O input

Audio Interface

Input and output channels: Recording: 2 channels
Playback: 2 channels
Sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz
Bit Depth: 24-bit
Interface: USB 2.0
Class: USB Audio Class 2.0

Power: AC adapter (ZOOM AD-17): DC 5 V/1A - USB bus power is supported.
Rated Current: USB bus power / DC 5 V power supply: 170 mA
Power Consumption: 1.8 W maximum
Dimensions: 68.0 mm (W) × 57.7 mm (D) × 46.0 mm (H)
Weight (unit only): 85 g
Note: 0 dBu = 0.775 Vrms

Notes: Quality stereo mic designed for Android devices, offering versatile options for field recording, interviewing, podcasting or video capture. Includes built-in LED level meter and foam wind shield.

Supplier notes:
The Am7 is the perfect audio companion for your Android device. Ideal for music videos, video podcasts, vlogging and more, the Am7 makes your videos sound as good as they look.

Choose either a 90- standard stereo, 120- for a wider sonic image, or Mid-Side for a custom stereo image.

The Am7 mic position can be rotated to align with your camera to capture audio while recording video. When recording only audio, rotate the mic to the audio position, and point your phone like a mic to the sound you want to record.

The Am7 can also shoot in selfie mode*, allowing you to be in the center of the action.

Adjust your input level, with a large front-facing MIC gain knob and LED level meters. Use the headphone jack for monitoring your audio before, during, and after recording.

Available on Google Play, the Zoom Handy Recorder App allows you to record, edit, and share audio from your Android. Upload your creations directly to Soundcloud* or Google Drive.

Package Includes:

Am7 Stereo Microphone
Foam Windscreen
Operation Manual

SPECS:

TYPE: Mid-side (M-S) stereo mic (90-/120-/M-S)
MAXIMUM INPUT SOUND PRESSURE: 120 dBspl
INPUT GAIN: +3 - +43 dB
AUDIO QUALITY: 44.1 kHz/16 bit, 48 kHz/16 bit
POWER: Powered by the connected device
CONNECTOR: USB Type-C connector
Stereo mini jack (combined headphone/line level output)
DIMENSIONS: 54.5 (W) x 57.2 (D) x 26.5 (H) mm
WEIGHT: 31.8 g

Notes: ***B-STOCK: Box opened, product in perfect working order***


Quality stereo mic designed for Android devices, offering versatile options for field recording, interviewing, podcasting or video capture. Includes built-in LED level meter and foam wind shield.

Supplier notes:
The Am7 is the perfect audio companion for your Android device. Ideal for music videos, video podcasts, vlogging and more, the Am7 makes your videos sound as good as they look.

Choose either a 90- standard stereo, 120- for a wider sonic image, or Mid-Side for a custom stereo image.

The Am7 mic position can be rotated to align with your camera to capture audio while recording video. When recording only audio, rotate the mic to the audio position, and point your phone like a mic to the sound you want to record.

The Am7 can also shoot in selfie mode*, allowing you to be in the center of the action.

Adjust your input level, with a large front-facing MIC gain knob and LED level meters. Use the headphone jack for monitoring your audio before, during, and after recording.

Available on Google Play, the Zoom Handy Recorder App allows you to record, edit, and share audio from your Android. Upload your creations directly to Soundcloud* or Google Drive.

Package Includes:

Am7 Stereo Microphone
Foam Windscreen
Operation Manual

SPECS:

TYPE: Mid-side (M-S) stereo mic (90-/120-/M-S)
MAXIMUM INPUT SOUND PRESSURE: 120 dBspl
INPUT GAIN: +3 - +43 dB
AUDIO QUALITY: 44.1 kHz/16 bit, 48 kHz/16 bit
POWER: Powered by the connected device
CONNECTOR: USB Type-C connector
Stereo mini jack (combined headphone/line level output)
DIMENSIONS: 54.5 (W) x 57.2 (D) x 26.5 (H) mm
WEIGHT: 31.8 g

Notes: The Triple Cap Chaos(C^3 Chaos) is a 2hp analog, chaos based, noise oscillator, pseudo ring modulator/harmonics generator, and audio mangler Eurorack module available as a DIY Eurorack kit, PCB and Panel, or built.

It is a unique module, like the Diode Chaos, because it has never existed as a musical instrument until now. There is also no other module to my knowledge that can do exactly what the Triple Cap can do. The circuit(with several modifications) is based on the paper "Simple Autonomous Chaotic Circuits" by J.C. Sprott and Jessica R. Piper. As opposed to the Diode Chaos that generates control voltage this module focuses on the audio rate.

The "Emanate" potentiometer controls the coarser overall spectrum of the chaos, from lots of activity counter clock wise up to less chaos and more of a steady oscillation. The "Width, CV ATT" potentiometer can be thought of as more of a fine control for the chaos/oscillator. When something is inserted into the "CV" in the voltage normalization from the width knob is broken and the potentiometer now acts as an attenuator for the incoming cv. The Triple Cap is not a traditional volt per octave exponential VCO, and has a sort of narrow frequency range to exploit the chaotic behavior.

It expects a +5v to -5v max signal in to modulate the chaos. The "IN" jack is an A.C. coupled input for audio in, although cv and audio can work for both the "CV" in jack and "IN." The "IN" will interfere and interact with the onboard chaotic oscillator depending on the frequency of the input, which may take some experimentation. It can create ring mod ish sounds, to added harmonics, to almost bit crushed sounds depending on the "X" or "Y" output. The "X" output is a more windy noisy sinusoidal based output and the "Y" output is more squared off and aggressive, harsher sounding output.

Some quirks about the Triple Cap: The "X" output can offset negatively or positively a little bit depending on the pot settings, but both outputs tend to stay around 10vpp. With the "Emanate" and "Width" pots all the way up the typical frequency will be around 150hz although some will reach 200hz at this setting. With the "Emanate" pot full counter clock wise "Width" pot full clock wise the frequency will be around 250hz. It is possible to send signals into the triple cap that can bring it out of the desired range causing the oscillation to cut out.

The Triple Cap has a double sided panel. meaning one side has the classic graphics and the other is Soulless with less graphics.

Notes: The Skew-Fade LFO is a 3hp Analog Low Frequency Oscillator Eurorack Module capable of a plethora of waveforms, available as a DIY Eurorack Kit, PCB and Panel, or Built.

It has three rate settings ranging from 3 minutes and 30 seconds a cycle up to audio range at 20 hz. Triangle waves can be skewed between ramps and saws, and square waves pulse width can be adjusted from inverted triggers to triggers. The LFO's unique feature is voltage controlled cross fading through the ("Fade C.V." in) between square/shark tooth\sine waveforms provided at the "Fade Out." All outs are also influenced by the skew knob resulting in many complicated and asymmetrical possibilities at the "Fade Out." It can even be self patched(ie triangle or square into fade cv) for an extended pallet of waveforms. The "Fade C.V." in expects a bipolar voltage 10vpp to fade from square to sine with the fade pot at noon position. Bicolor led provides constant display of positive and negative voltage crossings.

Notes: The Push VCA is a 2hp 2 Channel DC Coupled Mute Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It features 2 independent unity gain DC coupled VCAs with led push button mutes. A mix of both channels is available at the sum, but all outputs are available simultaneously. The newest version has normalizations to +5v, so with nothing plugged into the ins voltage can be toggled on and off at the outputs and up to 10 volts can be output at the sum. At checkout specify if you want latching or momentary push buttons. led button color may vary between red and yellow. but it will always be 2 of the same color.

Notes: Minimix is a Simple 2hp 3 Channel Unity Gain Audio or Control Voltage Mixer Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

Version 2 adds jumper selectable AC or DC coupling and linear or logarithmic operation for each channel. The newly revised MiniMix is now all through hole and aimed more to the beginner solderer. There is also a trimmer on the PCB to increase the master gain up to 2 or more for all 3 channels.

The module ships with a black and white reversible pcb panel.

Notes: The MinEq is a 2hp simple 3 Band Equalizer Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It provides boost or cut control over the Low, Mid and High frequency bands of an audio input. The circuit is capable of up to 20vpp~ of boost(with a 10vpp signal) and attenuation down to 1-2vpp depending on the input. The frequency bands are centered near 50Hz(Low), 1kHz(Mid), and 10kHz(High). The circuit is AC coupled and will invert the input. With all the potentiometers at noon, the MinEq passes the signal relatively unaltered. The only SMD component is the IC.

Notes: The Entropy Expander is a 3hp Analog Random Voltage Generator that expands upon the features of the Entropy Euroack Module. Available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

The Entropy+Expander packs together some of the most random voltage options in 6hp. It provides a controllable "Glide"(slew) out for the S/T\H, a comparator with a controllable rate("Thrsh") of random gates("Rand Gate") out with an input to compare other waveforms(Comp In, inserting a cable into here breaks the white noise normalization), and high pass filtered white noise resulting in approximate "Blue noise" (+3db/octave) and "Violet noise"(+6db/octave) outs.

The unique part of the circuit is a voltage controlled A/B switch thats normalled to the "Rand Gate" out that's switching between the S/T\H out(left Blue led window)and Infra out(right Red led window), the Glide control also effects the S/T\H coming out of the switch so you can get really random results from the "Entropy Out." Inserting a cable into "Switch CV In" breaks the random gate normalization and lets you toggle between A/B(left S/T\H out and right Infra out, indicated by the led windows) with your own gate or trigger.

There is a jumper on the pcb to select if you want glide on the s/t\h at, Entropy out, or un-slewed operation. There is also a trimmer for setting the amplitude of the incoming signal at "Comp In" which sets the frequency range of random gates. This may have to be adjusted depending on your Entropy version.

The random gate range can also be set up more as a noise oscillator by turning the pcb trim(clockwise) up or it can be set so random gates are extremely slow(trim counter clockwise) with minutes between random gates.

Notes: Entropy is a 3hp analog random voltage and noise generator Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built.

It features sample/track and hold normalled to white noise with a toggle switch for selecting sample (switch right position) or track (switch left position) and hold function. There is also a PCB trimmer(at the top of the motherboard) to adjust the spread(gain) of random voltages out from "scalar" (low gain, counter clock wise) to large interval jumping(high gain, clock wise). All analog white, pink, and brown (red) noise 10vpp~(dependent on lower PCB trim). Smooth (infra red) random cv out at 10vpp with 2 range settings from wiggly with (more events, switch in left position) to almost random rise and fall envelope behavior (less events, switch in right position). White noise pcb trimmer sets the amplitude of the noise which in turn influences the rate of the infra out. LED solder mask windows indicate positive(red) and negative(blue) voltage crossings.

Notes: The Dual VCA is a 2hp 2 channel Analog VCA and Mixer Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It is a DC coupled OTA(LM13700) Dual Linear VCA based on the same fabled design of the VnIcursal VCA. The 2 VCAs are summed together so it can be used as a voltage controlled mixer at the "SUM OUT" or all 3 outs can be used separately and simultaneously. 5 volts into the CV in will provide unity gain, anything above 5 volts can clip the input.

Notes: Diode Chaos is a 3hp analog chaotic low frequency voltage generator Eurorack Module available as Eurorack DIY Kit, PCB and Panel, or Built Module.

It is a unique module because it has never existed as an electronic music instrument until now. The module is based on a circuit from a paper called "A simple chaotic circuit with a light-emitting diode" written by Volos, Wang, Jafari, and Kapitaniak.

Diode Chaos produces 3 phases of interrelated morphing voltages including a chaotic trigger out. The range is 20-30 seconds a cycle up to audio rate, although only the X out and TRIG out go up to audio rate. The frequency is controlled by the RATE knob. Each output exhibits different behavior at different rate settings. X,Y, and Z outs like to stay in the 4vpp range although at different RATE settings the outs can reach 10vpp. The TRIG out chaotically releases 0-10v triggers although sometimes it will spit out smaller voltage peaks.

LED soldermask windows provide constant display of positive and negative voltage crossings.

Differences between chaos and random(some quoted and summarized material from Ian Fritz's site):

Chaos is "highly irregular, but still contained within a finite region (the "strange attractor")"

Chaos occurs in 3 dimensions.

Chaos needs a non-linear element (with Diode Chaos the nonlinear element is a red LED, and the chaos is directly visible and useable at the TRIG out).

Notes: The Nexus contains nearly 2 GB and over 650 samples of cutting edge sounds in stunning 24bit audio. The Nexus is more than just a simple drum & bass library and can be used in almost any modern music genre including film and television production. Almost every possible mood is presented to the user in this library ranging from fast paced hard hitting drum riffs through to piano atmospheres that convey a spine tingling feeling of emotion.

All Nexus tracks have been carefully crafted and wherever possible, the samples have been broken down into individual elements allowing the user to maximize the sonic palette available. All the loops are sample-accurate at 170bpm in an 8 bar structure which allows total flexibility to mix & layer together any combination of sounds which helps facilitate endless sonic fusions. The sounds are mastered to a high quality and include enough passion to satisfy the demands of any media project where inspired & moving output is the key.

This library goes so much further than mere genre. The Nexus is about excitement, about passion and about a creative force that has produced some of the best sounds to hit the street in a long time. The Nexus library will give you with the edge required to help provide the statement and impact needed in a saturated market of hum-drum sounds.

Although it is clear that there is a number of very good sample library titles available that have been produced & published, the Base Predator adopted the view that there was room for some serious improvement of the current format and content of these existing libraries. Welcome then to the inspiration behind the Base Predator's Nexus volume 1. The advantage of the format chosen by the Base Predator is clear, same quality, same length and same bpm. No more searching or time warping & no more frustration. 670 breathtaking originals that are propagated and fused by the sonic talents of the highly acclaimed producer, the Base Predator. Become part of the next revolution with the no compromise formula of Nexus volume 1. Here's looking forward to the second release in the Nexus line up. One thing is for sure, this library sets standards in this competitive market and is a hard act to follow.

www.youtube.com/watch?v=ofQe4mcyoz8

Notes: Padded carry/storage case designed specifically to fit the compact Yamaha MG82 and Yamaha MG102 mixing desks.

Notes: Yamaha SCMG1620 gives you a 'tough as nails' armour padded soft case designed specifically for the MG range of mixing desks. The newly designed Yamaha SC-MG1620 padded case offers storage, protection and transportation for large MG series mixers.

Branded with the Yamaha logo, SCMG1620 features additional storage in the form of a separated front pouch ideal for storing leads and power adaptors and ensuring those all important accessories are always to hand.

Notes: This official Yamaha kit allows you to rackmount the EMX6 or EMX7 PA Head/Powered Mixers.

If you want to mount the Yamaha EMX5 and EMX7 Powered Mixers in a 19-inch rack, you can do so with the RK-EMX7 rack mount kit! It comes complete with everything you need to get the job done.

Notes: - Works as a messenger style bag or a backpack
- Space for cables and AC adapter
- Built-in loop for attaching the bag to a suitcase handle

*Photographed Reface unit NOT included*

Notes: If you're playing the super cool MX49, you undoubtedly know about how great it sounds and how easy it is to use. So why not complete the MX49 experience with a padded bag that's custom built for the MX49. The MX49 gives you a safe, secure place to keep your MX49 when in transit.

Plus, there's a roomy external zippered pocket for your accessories, a padded handle, and comfortable padded backpack style shoulder straps.

Get a Yamaha MX49 Gig Bag and travel in style!

Notes: High-grade monitor headphones that deliver a balanced sound faithful to the source. Perfect for in the studio, music production at home, or for personal listening. Great portability thanks to the folding arm and 250g light weight hardware designing.

It takes a true original to become an industry standard, and since their inception Yamaha's NS-10M studio monitor speakers have become a mainstay of professional studios the world over, renowned for their legendary accuracy. From the NS-10M to the MSP and HS Series, Yamaha has remained faithful to a design philosophy focused on delivering the sonic accuracy that provides sound professionals with the perfect platform upon which to develop and establish their own signature sound. MT Series studio monitor headphones remain true to this fundamental concept, delivering precision sound reproduction that meets the demanding requirements of today's professional studio and monitoring applications. With unmatched fidelity in a sturdy yet stylish design, and the durability to hold up to the rigors of the road, Yamaha's MT Series headphones offer a level of comfort you'll be thankful for after long hours in a critical listening environment.

Drivers:
MT5 headphones feature custom drivers equipped with CCAW voice coils and powerful neodymium magnets. Made from aluminium wire coated in highly conductive copper, these lightweight yet powerful drivers provide a wide frequency response of 20 Hz-20 kHz, and deliver flat and high-resolution sound that meets the demands of professional monitoring.

Other acoustic components:
From the arms to the ear cups, all acoustic components in MT5 headphones have been designed to deliver the accurate sound possible by completely eliminating extraneous resonance.

Design:
MT5 headphones feature a sleek, stylish design with a closed-back, circumaural configuration that provides a comfortable fit and excellent isolation.

Ear pads:
MT5 headphones are equipped with large ear pads for an extremely comfortable fit. Smooth synthetic leather and low-resistance cushions that absorb excess vibrations provide stress-free wearability and high levels of isolation - ideal for studio recording and live mix monitoring.

Wearability:
A three-dimensional arm pivot construction and highly adjustable slider length allows the angle of the ear pads to fit the shape of the wearer's head perfectly, helping to alleviate fatigue when working for extended periods. MT5 headphones also feature moveable earcups, allowing single-ear monitoring when required.

Connectivity:
MT5 headphones have been designed to make users aware of the cable without being hindered by it, while providing enough length for monitoring applications where mobility is a consideration. The detachable straight 3 metre cable come equipped with a corrosion-resistant gold-plated stereo mini-plug and a gold-plated 6.3 mm stereo adaptor.

Notes: High-grade monitor headphones that deliver a balanced sound faithful to the source. Perfect for in the studio, music production at home, or for personal listening. Great portability thanks to the folding arm and 250g light weight hardware designing.

It takes a true original to become an industry standard, and since their inception Yamaha's NS-10M studio monitor speakers have become a mainstay of professional studios the world over, renowned for their legendary accuracy. From the NS-10M to the MSP and HS Series, Yamaha has remained faithful to a design philosophy focused on delivering the sonic accuracy that provides sound professionals with the perfect platform upon which to develop and establish their own signature sound. MT Series studio monitor headphones remain true to this fundamental concept, delivering precision sound reproduction that meets the demanding requirements of today's professional studio and monitoring applications. With unmatched fidelity in a sturdy yet stylish design, and the durability to hold up to the rigors of the road, Yamaha's MT Series headphones offer a level of comfort you'll be thankful for after long hours in a critical listening environment.

Drivers:
MT5 headphones feature custom drivers equipped with CCAW voice coils and powerful neodymium magnets. Made from aluminium wire coated in highly conductive copper, these lightweight yet powerful drivers provide a wide frequency response of 20 Hz-20 kHz, and deliver flat and high-resolution sound that meets the demands of professional monitoring.

Other acoustic components:
From the arms to the ear cups, all acoustic components in MT5 headphones have been designed to deliver the accurate sound possible by completely eliminating extraneous resonance.

Design:
MT5 headphones feature a sleek, stylish design with a closed-back, circumaural configuration that provides a comfortable fit and excellent isolation.

Ear pads:
MT5 headphones are equipped with large ear pads for an extremely comfortable fit. Smooth synthetic leather and low-resistance cushions that absorb excess vibrations provide stress-free wearability and high levels of isolation - ideal for studio recording and live mix monitoring.

Wearability:
A three-dimensional arm pivot construction and highly adjustable slider length allows the angle of the ear pads to fit the shape of the wearer's head perfectly, helping to alleviate fatigue when working for extended periods. MT5 headphones also feature moveable earcups, allowing single-ear monitoring when required.

Connectivity:
MT5 headphones have been designed to make users aware of the cable without being hindered by it, while providing enough length for monitoring applications where mobility is a consideration. The detachable straight 3 metre cable come equipped with a corrosion-resistant gold-plated stereo mini-plug and a gold-plated 6.3 mm stereo adaptor.

Notes: Yamaha SCEMXCUBE gives you a 'tough as nails' armour padded soft case designed specifically for the EMX range of powered mixers. The newly designed Yamaha SG-EMXCUBE padded case offers storage, protection and transportation for EMX series mixers.

Branded with the Yamaha logo, the SCEMX-CUBE features additional storage in the form of a separated front pouch ideal for storing leads and power adaptors and ensuring those all important accessories are always to hand.

Notes: Warna is a very useful utility module that helps you to manage control voltages in the system. Crammed in just 6 hp, there are five normalled sections: two buffered mults, two inverters, and a summing mixer. Each multiple routes the input signal to separated outputs without loss in voltage. Warna is designed for unity gain - if you apply a specific voltage to any input, it remains the same on the respective outputs. Inverters are hardwired to mults and invert the polarity of the signal applied to them. Both mults are also normalled to the mixer section via inputs. Patching anything to these inputs breaks the normalization.

The top and the bottom section both are buffered 1-in-4 multiples. The input can be inverted with a switch, i.e. its polarity will be changed by 180 degrees. Four inverted copies are then available at the outputs, meaning you can use these two sections as inverter. Bi-polar LEDs display whether the signal is positive or negative: yellow = negative, red = positive. The centre section is a four-input summing stage with amplification factor 1, a so-called unity-gain mixer. The multiples are normalized to the mixer which can be deactivated by patching.

Notes: Sopot is a compact utility module handy when the need arises to sum multiple stereo and mono sound sources (up to four signals for each section). It is a triple summing mixer featuring three signal adding sections with the middle one optionally fed to the top and bottom ones. The contribution of the middle section is switchable between 0%, 50%, and 100%. Each of the summing sections is built with high quality audio opamps and features a soft clipping circuit for nice saturation. Gain can be optionally reduced to -12dB in order to allow summing of hot signals.

Dimensions
6 HP
30 mm deep

Current Draw
30 mA +12V
20 mA -12V

Notes: Poti II expander notable features:

- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
- 4HP
- +10/-0mA from Batumi II

Notes: Poti is a simple but very useful breakout expander for the Batumi quadruple LFO module by Xaoc Devices. Its panel provides an immediate access to the Batumi functions originally selected by the cluster of jumpers on the back of the module: Reset/Sync mode option and selection of the assignable waveform.

Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.

Notes: Hel is a simple, universal expander for polyphonic oscillator modules from Xaoc Devices, such as Odessa. It allows to freely control up to five voices of polyphony via individual Volt/octave inputs.

Features

Five voice CV inputs (0 to 5V)
The inputs are scaled in V/oct
The inputs are quantized in a chromatic scale (every change of 1/12 V corresponds to a semitone)

Technicals details

3hp, skiff friendly
Current draw: +20mA / -0mA

Expandability

Hel is a great companion to the Odessa (sold separately), and other planned Xaoc oscillators.

Notes: Bytom is a simple - yet very useful - utility module that allows you to combine various trigger/gate signal sources to obtain interesting rhythmic events, useful for sequencing, modulation and patch automation purposes. It can also be used for summing control voltages of a positive polarity. The module consists of three independent sections. Each one can process up to four signals fed to its inputs. All three sections can be normalled into one 12-signal combination via the manual switches. Either the upper or lower section can be combined with the middle section to form an 8-signal combination. Summed signals of two or three sections will appear on the middle section's output socket. The individual outs on upper and lower units remain active even when combined with the middle section.

Notes: S.P.O. is a polarizing scaler and offset generator.

Up to two inputs can be summed into a single scaler/offset generator.

The offset generator provides a DC voltage source for shifting signals into the positive or negative voltage region.

The scaler provides a means of attenuating and polarizing (inverting) the applied signal. S.P.O. works with audio and control voltages (CV).

Notes: A companion module to the Arpitecht,Triad sends out three static voltages to be used with three oscillators in order to create chords underneath your Arpeggios. Triad connects to the back of the Arpitecht via included ribbon cable and will adhere to the scale and transpose information set by it's master.

Triad knob and CV input set different combinations so your chord can be completely unique, while still in key with your arpeggio. Inversion switch and CV input allow you to select three different chord voicings easily.

Controls:

- Triad Knob: Selects the 3-note combination sent via CV. Becomes an offset with CV.
- Inversion Switch: Selects which inversion of the chord the Triad will play. Set at 0 for use with CV as it will "take over".

Jacks:

- Note 1,2,3: CV outputs for use with 1V/Oct inputs on 3 oscillators
- New: This output sends a trigger each time a new chord is made/selected
- Inv: CV input for the inversion selection. Accepts 0V to +5V
- Thresholds for 1st and 2nd inversions are 1.25V and 2.5V respectively
- Triad: CV input for Triad selection. Accepts 0V to +5V.

Other:

- Size: 4HP
- Connector: 20 pin ribbon cable

Notes: This module gives you mute control over each channel of the Perfomance Mixer including the master Aux Sends and even the two extra stereo channels provided by the PM Channels Expander.

Also adds voltage control over the Aux Send level for the first 4 channels on the Performance Mixer.

All action happens on release.

Combo button: Hold down and select multiple channels to mute upon release.

Notes: The 6 HP Invert Offset module creates an easy way to modify control voltages for other modules in your system.

The Invert Offset consists of two identical channels. Signal applied to the In jack is vertically offset by the knob, additionally a CV signal may be applied to offset the signal vertically.

The +Out jack puts out a non-inverted signal with the specified offset. The -Out jack puts out an inverted signal with the same offset as the +Out.

The Offset CV input allows you to mix two signals together, Offset will never be inverted, while the signal at the In jack will be inverted based on the selected output.

There is also a sum output (1+2) that takes the non-inverted outputs and adds them together. Also there is a comparator gate output that is on if the channel 1 output is more positive than channel 2.

Notes: Clear and simple, the way a mult should be.

Three channel buffered multiple. Each channel has a dual color LED indicating Green for a positive voltage, and Red for a negative voltage. Each channel is normaled to the next channel for a total of nine outputs from one input.

3 Channels
Dual Color LED for +/- voltage
Each channel normalled to the next for a total of nine outputs

Specs:

Power: +12V = 30mA; -12V = 30mA
Size: 4HP
Depth : 25mm

Notes: Precision buffered multiple in 1U format

Hydrogen is a dual 1-to-4 precision buffered multiple. It works exceptionally well with both CV and audio signals and the beautiful blue and red LEDs give you immediate feedback on the signals passing through.

Unlike some other so-called "precision" mults out there, Hydrogen features high-quality, low-offset, low-drift op-amps. You'll have a hard time finding another mult on this level.

The second mult is normalled to the first, so you can operate it as a 1-to-8 multiple if needed. Need more? Check out Hydrogen's big sister Helium.

Dimensions:
14 HP
Available in all 1U formats

Current Draw:
20 mA +12V
20 mA -12V
0 mA 5V

Notes: Out of the box, Big Honking Button will give you a nice "HONK!" every time you press that delicious button. However, the fun doesn't stop there. You can easily connect this module to your computer with a standard USB cable (the USB port is on the bottom of the module) and it'll show up as a tiny external drive. You can then put your own samples onto it and even customize its behaviour.

Big Honking Button is a fun, simple way to add a flexible little sampler to your setup.

Because the Biog Honking Button runs CircuitPython you can customize quite a lot about it- you could turn it into a random gate generator, for example. You can load multiple samples and have the CV in select between samples, or just play a random sample. There's lots of possibilities here & there's several examples in the user guide.

Customization is super easy thanks to the way CircuitPython works. You just connect a standard USB cable to your computer and to the USB port on the bottom of the module and it'll show up as a small external drive. From there, you can edit code.py and change how it works as well as load up new samples. It's basically a little computer that has a gate in, a gate out, a -5 to +5v ADC input, and a -10 to +10 audio output with 10 bits of resolution.

Specs:

Size: 8hp

Audio out

Gate in (the sample is triggered by the button or gate in)

Gate out (comes from the button or gate in)

Pitch CV in (-5v to +5v)*

8MBj flash storage for code & samples

Reversible panel so you can put the button at the bottom if you need to

+12v 25mA, -12v 5mA

100% open source hardware & software

* Modules made before 2021 have 2MB of storage and a pitch CV range of -2v to +2v. Post-2021 boards are labeled v5 or above.

Notes: ONE2FIVE is a 1x5 MIDI THRU module that splits one MIDI signal into five MIDI signals for different MIDI connection types.

Use it to group your MIDI distribution into one module and avoid cable converters and external MIDI distributors.

It can accept DIN-5, TRS Type A and B as inputs (You can choose between them with a 3 position switch in the front panel)

It has 3xDIN-5 outputs and 2xTRS outputs (each of this two outputs has a rear switch to choose between TRS Type A or TRS Type B).

Notes: A simple Theremin like the Distant Voices Theremin became famous mainly due to Jimmy Page, who has been using this weird instrument on stage for the most of his career. The pole antenna is not the best choice for theremins - a plate antenna is much more sensitive - but the show design has been defined by Jimmy.

Also this is not meant to play melodies as much as it is meant to produce a nice spectrum of horrifying sounds and noises.

Technical details:

Black plastic box

Width: 17 cm

Including all operating parts

Height: 8 cm without antenna

Depth: cca 6 cm

cca 60 cm antenna

Weight including 9V battery: cca 230 g