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Review: Kiria Records is back here with the fifth release by Zenk, which is a melodic but sci-fi tech house EP that starts with the jittery beats of 'Oniromantic'. Rigid synth sequences and slivery metal hits give it a future feel while 'Khubaba' gets more tight and kinetic and abstract. The more tough and pumping 'Nefertiti' is another carefully interwoven mix of sinewy synths, hiccuping effects and warped bass that is topped with a sensuous female vocal and 'Nefertiti' (Costin RP remix) then gets zoned out and trippy with a more balmy sense of synth soul.

Review: Everyone's favourite low-res poly-rendered rave organism DJ Plant Texture returns to their fave label Ilian Tape for their least forgiving, least fluffy and most wayside-thrown techno EP yet. Contrasting to their earlier lo-fi MPC workouts and electro freak-shows, the best of which were also released on the Amsterdam imprint, Plant Texture here switches things up, offering up four jackbooted 4x4 techno bits so menacing that they verge on a dastard take on the Brummy school. An obsession with rhythm and percussive texture rears its head; A-siders 'DDrumz' and 'Mechanical Bongos' are truly intrigued by the drum, revelling in pure, circular samply bongo and timbalero repetition; the theme continues on B-sider 'Dubbish', which only does so much as add a scopeout dub chord stab to the mix, yet still sounds sick; 'Let The Machine Speak (Jazz Mix)', finally, seems to hold the work of fellow techy rhythmusoidal geek Machinedrum firmly in mind, seeming to cleverly parody the artist's Ninja Tune/Vapor City IDM era with a jeering nu-footwork-jazz half-smile.

Review: Los Angeles-based Canadian-American experimentalist Claire Rousay has made a name for herself due to her unique approach to post-rock-inflected ambience built off of primitive DIY field recordings captured on a Zoom H5 Handy Recorder, resulting in a curious form of emo musique concrete or "emo-ambient". Following on from a myriad of collaborations, projects, and singles, Sentiment marks her first full-length to put her usually hidden voice front and centre; utilising auto-tune to craft emotive hyper-folk musings delivered with androgynous hues. Described as a "meditation of the poignant emotional terrains of loneliness, nostalgia, sentimentality, guilt, and sex"; Rousay uses fractured narratives and one-way conversations to deliver painfully relatable, often uncomfortable musings, smothered beneath layers of droning reverb, monotonous acoustic plucking, and everyday sounds almost too familiar to pinpoint. The end result is the musical equivalent to our inner monologue at its lowest ebb, nattering incessantly while the world moves on around us, while sonically, it's the culmination of all Rousay's experimentation thus far, yet simultaneously more fearless and fragile.

Review: Mansun's The Dead Flowers Reject, originally conceived as an insurance policy against label rejection of their experimental album Six, emerges as a hidden gem in the band's discography. Recorded concurrently with Six, this album offers a slightly less eccentric selection of songs, showcasing a more conventional sequencing approach. Frontman Paul Draper describes it as possibly his favorite Mansun album, capturing the band's live essence. Fans will relish the opportunity to experience this essential piece of Mansun's legacy in its full glory. Mansun's influence on the late 90s British music scene is undeniable, and The Dead Flowers Reject adds another layer to their iconic status. With its newfound availability on vinyl, this album solidifies its place as a crucial component of Mansun's innovative journey.

Review: French outfit Chateau Flight have spent two years in the studio making music, playing around and experimenting and now the fruits of that work are presented on this new album La Folie Studio. It is full of the sound of analogue machines conversing and the artists themselves speaking through their darkened basslines or eerie pads. Occult worlds are crafted, ambient soundscapes are cooked up and leftfield cosmic explorations occur throughout a journeying album full of a wide range of emotions. This lovely record features guests on the odd track such as Johnny Nash on guitar, Cosmic Neman mumbling on 'Mange', John Cravache playing 'his special organ" and Bony Bikaye singing on 'Esika Molimo Ezali'. It's an occult world of left of centre sound that will keep you coming back for more.

Review: Following on from their 1980 debut full-length No Questions Asked, the very next year would see Los Angeles based punk legends The Flesh Eaters unveil what many a fan considers to be, not only their magnum opus but one of the finest punk experiments ever contributed to the scene. A Minute To Pray, A Second To Die purposefully eschewed the breakneck pace of the expanding hardcore scene to channel outsider influences from the likes of swampy, Bayou-inflected roots rock to spasmodic jazz dirges to blues-laden malevolence. With depraved B-movie horror tales of violence and religious scandal; ultimately weaving a lyrical tapestry of the underbelly of LA, punk poet prophet Chris Desjardins immortalised himself as a commanding vocal presence with the type of penmanship to hypnotise, disgust and enthral.

Review: Celebrating the tentth anniversary of their debut album Atlas, Australian trio RUFUS DU SOL revisits the groundbreaking release with this new special edition on limited white & blue vinyl with slipmat and other bonus goodies included. Atlas marked a defining moment for the group, and showcase their unique blending of electronic, indie, and dance elements into a captivating and widescreen new sound. The album's timeless tracks like 'Innerbloom' and 'Desert Night' captured audiences worldwide with their emotive melodies and hypnotic rhythms. The anniversary edition offers fans a chance to rediscover these beloved tracks alongside new remixes and unreleased material, reaffirming RUFUS DU SOL's status as pioneers of electronic music and their enduring influence on the genre.

Review: Tape Reworks Vol. 2 is the new 12" remix edition of the 2021 album Tape Works Vol. 1 (2021), by the UK's leading musique concrete ensemble Langham Research Centre. With the latter album following up the introductory Tape Works Vol. 1 (2017), which recollected the group's earliest experiments, the second album focused entirely on more recent, original splicings, cuttings and respoolings of the former modernist statement. Now, in turn, come two new remixes of the project by Kara Lis Coverdale and Beatriz Ferreyra, the former of 'Movable Fields' and the latter of 'Nachholbedurfnis'. Coverdale's version is an arresting, looming abstraction, capturing a sense of cosmic loneliness through exoplanetary whistles and deep subs gleaned from the original album's pickups of brutalist buildings; Ferreyra's is jerkier and stranger in palate, utilising glassy transitional sound effects and rapid, sped-up-slowed-down warbles.

Review: Polish party vibes courtesy of Riffz. 'Twilight Rhythm' brings the ephemeral rave feels with its big airy pads and big sweeping jazzy breaks. It's in good company; 'Why' asks all the hard questions over some tightly rolled drums and dank, slimy aesthetics, 'Second Thoughts' switches up the drums into a much fresher, cosmic brew while 'Game Over' (with Subreachers) closes on a poignant, thoughtful note. Deep jungle perfection.

Review: Rarely do garage and jungle ever hear any kind of fusion, but more than several perfect examples can be heard on this latest collab EP between Amy Dabbs and Coco Bryce. The second in their collaborative 'Slightly Involved' series, in which they set out to interpret each other's tracks and production techniques, the likes of 'Decipher' and 'Lust Issues' immediately pique the ears as sweet, engaging fidgeters, not backing down from the emotive swing endemic to the former genre while also playing up the pace of the latter. The A-side's listless synthetic pangs are matched in vibe by the B's comparatively by-the-book, dreamatic dolphinny junglisms, with 'Banshee' going ham on the slice-ups and 'Still You See' oscillating between string-laden suspense and light, downtown sunday-midafternoon breaks.

Review: Old Clarty pants Spooks switches up his brand for a new heavy hitting series of club jams. Kicking off with 001, there's a very distinctive bite to this ghost's bark as he goes in on the heavier tear-out vibes with 'Shark Attack'. Deeper into his ocean we plunge as 'Quiet Storm' sucks us down into the sand and 'Sitting Bull' flips for an upbeat early 2000s breakbeat garage type of mission. 'Gas Mark' brings this bloodclart bake-off to a tasty but very messy finish. Sheesh what a set. Spooky never misses but this is some serious Bizzle even for him. Essential.

Review: The latest reissued compilation of 4 Skins' greatest works contains the hits and misses of the band at the height of the oi! era, which evolved in tandem with their breakout success and helped them along more than a fair little. From the opening jump of 'One Law For Them' and 'Evil', twin charges of unrelenting chant-punk and brawly sonic brashness, to the latter-siders 'A.C.A.B.' and 'I Don't Wanna Die', as well as a second Bumper Session of 'Evil', this retrospective harks back to a distinct early 80s subculture - as well as a band who, in their concern for police brutality and social injustice, defy common misconceptions of skinheads as all bad.

Review: Public Possession welcomes back Aroma Pitch for another four tracker that bares all their usual hallmarks - namely lots of warm analogue sounds that unite everything from driving to Balearic beats via big room nu-disco and playful in-between sounds. 'Millennium Surfer' opens with a wash of gently twirling synth arps and 80s drums, there is a fantastically bubbling bassline and dubby feel to 'Balearic Shift', while 'Staub Groove' is a more thumping house cut with weird synth textures. Without doubt it is closer 'Areal Earth (dub)' that wins the EP with its ethereal pads, dreamy vibes and smooth dub house low end.

Review: Vinyl Fanatiks latest deep dive into British dance music's rave-era past takes us back to 1993 and an early EP from Dave 'Aquasky' Wallace under the Rave Doctor alias. All four tracks were originally released - minus titles - on Stu J's influential Adrenalin Records imprint via the 'I' EP, which in recent years has become something of an in-demand item amongst collectors. Now fully remastered, the tracks sound as rushing and energetic as ever, with Wallace flitting between sub-heavy 4/4 breakbeat hardcore (the thumping 'Live With The Hardcore'), blistering breakbeat hardcore ('Shake Your Rump', which features a typical-for-the-period chords-and-sped-up-vocals breakdown), proto-jungle insanity from the 'jungle-tekno' period ('Annihilating Rhythm') and an 'Apache' break-driven slab of sub-heavy breathlessness ('Ruff In The Jungle', with its jangling pianos and hands-aloft approach).

Review: Roberto Zanetti was also known as Savage and was a producer who was beloved among Italo disco enthusiasts. His work in the 80s helped to define the genre and this is one of the tracks he turned out that had a particular resonance. The outstanding production from 1987 is as likely to captivate dancefloors across Europe now as it was back then. It became a secret weapon for many DJs the first time around and here makes a special return with a reissue that features a bonus remix by Alex "A" and Patrick Delay, which was originally released in 1988 in Hong Kong.

Review: Anyone familiar with Tokyo, Japan's predominantly instrumental math-rock prodigies Toe, should already be clued into the fact that the member's prolific nature prevents them from resting on their creative laurels for long, with each full-length they drop bookended by an EP. 2005's debut LP The Book About My Idle Plot On A Vague Anxiety was followed by the 2006 EP New Sentimentality, while after 2009's outstanding For Long Tomorrow came The Future Is Now in 2012. At the time of writing, 2018's aptly titled Our Latest Number currently sits as the group's most recent EP; sandwiched in between 2015's sonically transformative Hear You and 2021's latest output DOKU-EN-KAI. Furthering the experimentation of its preceding full-length, the EP strays from their signature twinkling, mathy noodles and emotive shoegazing, and instead embraces elements of minimalism and trip-hop, whilst expanding their acoustic-driven nu-jazz flourishes, and even sprinkling some ethereal vocals into the mix.

Review: Japanese math/post-rock outfit Toe have become renowned for their virtuosic blend of jazzy, hyper-technical math-rock blended with emo shoegazing and tropical Balearic vibes. Originally released in 2006 as follow up to the band's 2005 debut full-length The Book About My Idle Plot On A Vague Anxiety, and beginning their trend of intersplicing each album cycle with an EP, New Sentimentality offers up four lengthy cuts running the sonic gamut of almost every water they wade within. Trading off noodling twinkles with acoustic pluckings, while abrasive jazz drum-fills clatter over the weaving gentle cacophonies, this is what happens when the emo kids become the new prog nerds.

Review: For their latest deep dive into Italo-disco history, ZYX Records have enlisted the help of Guiseppe "Joey" Mauro - an Italian producer, songwriter and keyboardist whose career stretches right back to 1984. His "Italo-disco legends" selection is heavy on his own work - no bad thing given his credentials - and contains a wealth of material that has never appeared on CD before. Highlights are plentiful, with our picks including Mauro and Ventura's sparkling and uplifting 'You & I', Italowarriors' throbbing and colourful crew cut, 'The Warrior (120 Italo Version)', the bubbly cheeriness of 'Crazy (Classic Mix Version)' by Malcolm & The Bad Girls, and the effortless Italo funkiness of Raf Coney's 'Horsepower'.

Review: This Best Of The Morwells album originally landed back in 1981 but has not degraded in any way over the ensuring 40+ years. It is a superb collection of vocal roots that first came on the American label Nighthawk Records and might be best known for standout hits like 'In God We Trust' and 'Africa' as well as 'Educate Your Mind.' The lyrics muse on plenty of still relevant socio-political topics while riding on nice deep rhythms with earthy drums and meandering leads. The band went on to become well-regarded and prolific session musicians in Jamaica and you might well have heard of them... none other than The Roots Radics.

Notes: The Yamaha Seqtrak, a pioneering instrument in the realm of music composition and performance, has swiftly become an almost indispensable resource for artists and producers worldwide.

Acknowledging its pivotal role and the strong demand for reliable protection, Decksaver are delighted to present this cover, specially tailored for the Yamaha Seqtrak. This cover is meticulously fashioned from superior materials, offering precision-engineered defence against dust, spills, and unexpected impacts, thus ensuring the longevity of your device and preserving its pristine condition.

This Decksaver cover is custom-made to match the unique shape of the Seqtrak perfectly, ensuring a tight fit that encompasses all critical parts, including buttons, sliders, screens, and ports. Its robust design provides substantial protection while still permitting unobstructed access to all the device's functions and connections.

This feature is vital for seamless integration into your workflow, whether you're in the studio, on stage, or storing the device. This cover serves as a dependable guardian, keeping your Seqtrak ready for any creative endeavour you embark on.

Opting for this Decksaver cover for your Yamaha Seqtrak is more than just choosing protection; it represents a commitment to preserving the instrument's longevity and operational integrity. Held in high regard by musicians and producers, this cover is an essential ally for anyone committed to protecting the integrity and efficiency of their Seqtrak. It enables users to pursue their artistic ambitions with increased confidence and peace of mind, assured that their equipment is thoroughly safeguarded.

Weight: 0.14 kg
Length: 35 cm
Width: 10 cm
Height: 2.9 cm

Material: Smoked clear polycarbonate.

Notes: Enhance the resilience and sophistication of your Teenage Engineering EP-133 K.O.II with our tailor-made Decksaver protective cover. Recognising that your K.O.II is more than merely a device, but an integral part of your musical voyage, it warrants the utmost in care and protection. The Decksaver cover is poised to provide precisely that, serving as a formidable protector against external hazards.

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The Decksaver cover delivers total protection for every control and feature of your EP-133. Whether you're producing beats in the studio, performing live, or concocting sounds on the go, this cover is your indispensable shield against abrasions, bumps, and contamination. Embrace the liberty of creativity, reassured by the knowledge that your instrument is securely guarded by the Decksaver armour.

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The Decksaver lid for the EP-133 K.O.II is more than a mere protective accessory; it signifies your dedication to your music. It offers the reassurance that your instrument is consistently safeguarded, allowing you to concentrate on broadening your musical boundaries. Let the Decksaver cover be a companion on your musical journeys, ensuring your K.O.II is always primed for the next auditory adventure.

Dimensions

Weight: 0.16 kg
Length: 18.1 cm
Width: 24.5 cm
Height: 3.3 cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Review: The Mars Volta's debut album remains one of the band's creative high-points. After the post-hardcore rush of At The Drive-In burst into flames, few could have dreamed something as ambitious and progressive as De Loused In The Comatorium could have emerged. The clue's in the word progressive, as Cedric Bixler-Zavala, Omar Rodriguez-Lopez and Jeremy Ward pooled their resources (with some bass assistance from Flea) to create long, spiralling narratives around the concept of Cerpin Taxt, the comatose hero of this nebulous story. Still sounding visionary 20 years later, it was the start of an exciting new chapter for a band truly unlike any other.