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Review: KC

Review: American r&b and funk band Tower of Power hail from Oakland, California and have had several lead vocalists, the most notable being Lenny Williams. Their most successful album was their self-titled third long player in 1973 - the first Williams featured on. It went gold in the US and has their most well-known single 'So Very Hard to Go' alongside plenty of other silky soul sounds that go from the downbeat and string-laced wallowings of 'Will I Ever Find A Love?' to the more funky and upbeat grooves of 'Get Yo' Feet Back On The Ground.'

Review: Idris Muhammad, a prominent American jazz drummer and bandleader, has left an indelible mark on contemporary music as one of its most sampled drummers. His 1976 album House Of The Rising Sun likely fuelled this reputation, thanks to Muhammad's impeccable rhythmic precision. Renowned for his tight, rubbery style, Muhammad's mastery shines through in the six long jazz-funk tracks on the LP. Each piece showcases his unwavering commitment to the craft, delivered with ultra-crisp quality. Despite his acclaim, it's doubtful Muhammad ever faced flying cymbals during his illustrious career, a testament to his undeniable skill and professionalism.

Review: In 1982 L.J. Reynolds released his second solo album Travelin', which was a split production between Reynolds and Don Davis. This classic soul album includes "Trust In Me", "Say You Will" and "Call Me", the latter being written by Aretha Franklin. Travelin' features guest performances by Bernie Worrell and William "Bootsy" Collins. A classic soul album for your ears' sultrier side.

Review: Harold Orozco Rengifo was a driving force in the new wave of beat-driven rock and funk that swept through Colombia in the late 60s and early 70s, which took some influence from US and British rock and gave it an unmistakable injection of Latin flair. One of his most treasured projects is Harold Y Su Banda, responsible for one sole record of funky perfection in 1975. Evolucion is a digger's delight, featuring the kind of universal but also incredibly geo-specific grooves that add so much depth and breadth to a set. There's a good reason why this is considered one of the best records of the 1970s.

Review: The backstory to this one is great. It starts in 1978 when a New York producer was in need of some studio musicians to lay down some fast and funky rhythms for a band he was working with, The Imperials. Minneapolis talents Andre Cymone and Prince Rogers Nelson duly stepped up and recorded 'Fast Freddy The Roller Disco King'. An album from the Imperials was set to follow but it never did, leaving us with this one majestic cut. It's soul-drenched and cosmic disco with a killer vocal back with a more leggy and slow-motion cosmic wonder, 'I Just Wanna Be Your Lovin' Man.'

Review: Eddie Harris was an iconic American jazz musician who revolutionised the genre by introducing the electrically amplified saxophone. With a prolific career spanning over 50 albums, Harris seamlessly blended jazz with funk, earning Grammy Award nominations for two of his groundbreaking records. Among them, the 1983 release People Get Funny..s' stands out. Featuring tracks like 'People Get Funny When They Get A Little Money' and 'La Carnival' which exemplify his signature jazz-funk fusion with captivating vocals and scatting, it las has other gems like 'Silver Plated,' which showcase a more traditional jazz-hard-bop style. Accompanied by talented musicians like drummer Carl Burnett, electric pianist William S. Henderson III, and bassist Larry Gales, this limited edition release of People Get Funny... is pressed on translucent pink vinyl.