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Notes: ***B-STOCK: Box opened, product in perfect working order***


Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - 8 to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.

Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!

Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.

Notes: The PSU11 power supply is required for proper operation in your part of the world, and one of a wide range of power supplies offered by Behringer specifically for your device.

Notes: If you're looking for the ideal way to express yourself, or have ever dreamed of being a famous producer... Then podcasting is the answer and the Behringer Podcastudio bundle has everything you need to make high quality podcasts and home recordings - and it works with your PC or Mac computer!

Go on air straight out of the box with this fantastic Podcastudio recording package. It comes with a studio grade USB audio interface as well as comprehensive DAW and podcasting software. The package also includes a professional 5 input mixer with 2 band British EQ, high quality headphones and a dynamic broadcast style microphone plus cable.

Become part of the global broadcast revolution and let the world listen to you!

The included Tracktion 4 software puts the fun back into the creative process. This powerful, yet easy to use music production software is unlike anything you've seen before, putting everything you'll need on your desktop, on a single screen without the sea of drop down and hidden menus common to most other DAWs. And Tracktion doesn't limit the number of tracks you can record, or the number of effects you can use. In fact, the only limitation is your Mac or PC computer's processing power. Recording and editing couldn't be easier; simply drag, drop, cut, copy or paste. Once your magnum opus is finished, share it with other "Tracktioneers" so they can listen, collaborate and edit.

Tracktion features:

Native FX plugins ranging from dynamics to modulation, reverb and more
Support for available third party AU, VST and VSTi plugins
Mix Automation
Safe Record
Loop Recording
64bit, 192KHz Mix Engine
Audio Clip manipulation
MIDI Editor
Filters - Volume / Pan, Level Meter, 4 Band EQ, Aux Send & Return and FX
Export to a variety of formats such as .wav, .aif, and .mp3

Notes: The amazing PMP550M Powered Mixer packs tremendous power (2 x 250 Watts dual mono), while maintaining an incredible power-to-weight ratio. These mixers employ high-efficiency Class-D technology and a state-of-the-art switch-mode power supply, which significantly reduces weight and heat.

The 5 channel PMP550M features 5 high-quality mic preamps (2 of which also accept ULM Digital Wireless Microphones, available separately) and a 1/8" Aux Input for playing music from your smart devices. For that extra professional touch, Behringer added a Klark Teknik 24-bit Multi-FX processor with 25 presets including studio-class reverbs, delays, pitch shifter and various multi-effects, plus a 7-band stereo graphic EQ with our proprietary FBQ Feedback Detection System - for the ultimate in feedback-free performance.

Thanks to Behringer's revolutionary Class-D amplifier technology, they are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency - and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The powerful PMP550M is the very model of simple, but stunning performance - with 2 x 250-Watt dual mono outputs, for a combined total of 500 Watts. Whether the center of attention happens to be a speech at the company picnic, an impromptu acoustic jam at the coffee house, or the men's choir at a special event - the PMP550M can handle it all with ease! This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.

Klark Teknik is recognised worldwide as one of the most prestigious British audio companies, with a 40-year pedigree and even a TEC Lifetime Achievement Award to back it up. The Company has designed and manufactured products for world-class artists, and their legendary DN780 reverb processor is considered by leading audio engineers around the world as the industry standard. Check out their website to learn more about Klark Teknik's legendary heritage.

Behringer is proud to incorporate custom-engineered Klark Teknik effects into their products. Featuring 100 world-class presets to choose from including reverb, chorus, flange, delay, pitch shift and many other amazing effects, Klark Teknik created the 24-bit, studio-grade effects engine for Behringer - to give your performance that truly professional finishing touch.

For more than 20 years, Behringer has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!

Get wireless-ready with the built-in, dedicated connectivity of our Ultralink ULM Series wireless microphone system (to be ordered separately). Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM's digital, license-free 2.4 GHz frequency spectrum.

The ULM wireless system combines professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Just plug in the ULM receiver "dongle", and instantly you have an exceptional wireless mic system. Freeing you from cables is the simply easy way to own the stage.

Use the convenient 1/8" TRS connector to feed in external stereo signals from your smartphone, mp3 player or tablet. Powered outputs on these mixers are the standard 1/4" TS variety.

Small events call for the simply-superb and lightweight PMP550M (9.9 lbs/4.5 kg) easy to use 5-channel, 500-Watt powered mixer. The PMP550M is the most efficient and affordable powered mixer for the job, and can even be used as a pure analog mixer - or a pure power amplifier. With its high-quality mic preamps, Klark Teknik 24-bit Multi-FX processor, ULM Wireless Microphone connectivity, and 7-band graphic EQ with Behringer's FBQ Feedback Detection System - the PMP550M makes it easier than ever to lend exceptional sound quality to all kinds of public performances.

Notes: Love your pedal chain? Rather than tossing your effects and their individual power adapters into a duffel bag after a gig, keep them safe - and ready to rock at a moment's notice - with the Behringer PB1000.

This pedal board makes hooking up twelve 2.5" x 4.5" pedals as easy as hooking up just one (of course, if you're using pedals that aren't 2.5" x 4.5", the snug foam padding can be cut to accommodate pedals of varying shapes). The PB1000 includes 1/4" patch cables, so you can leave your pedals connected to one another, ready to pass signal even when you're transporting them. It also comes with 1 x 12 daisy chain cabling so that when you plug in the 1.7 A power adapter, all your pedals receive power. Meanwhile, all cabling remains safe and free of strain. Failure is almost guaranteed when you're dealing with a rat's nest of loose cabling, but with the PB1000, your effects chain is always safe and organized.

Connect your guitar, bass or keyboard to the single 1/4" input in the upper right corner of the board. A pair of 1/4" From Effects jacks in the upper left corner allow you to connect stereo effects, and two 1/4" Output To Amp jacks send a left and right stereo signal to up to two amps.

When it is time to load out, just unplug the power supply, disconnect your guitar and amp, put the lid back on the PB1000 and slide the locking latches back into place. The high-impact plastic casing will protect your pedals from the rigors of the road.

Notes: The Behringer U-Control UMX610 is a controller keyboard with a control section for a wide range of applications. The UMX gives you independent control of hardware synthesisers, sound module and effects devices. You can just use the UMX to operate sequencing software or computer plug-ins from a convenient remote location.The UMX Series controllers provide total flexibility and tremendous ease of use, allowing you to realise your ideas intuitively with 61 full size, velocity-sensitive keys, 10 programmable MIDI controllers plus 8 user-set buttons.

Plug and play your software instruments or MP3 tracks and run them straight into your sound system with the included USB/audio interface. Or simply record your stereo tracks on your Windows or Mac PC. Compose and record with XT Softwares's energyXT Compact Behringer Edition. This amazing DAW (Digital Audio Workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings.

The UMX610 ships with Tracktion audio production software to get you creating music straight out of the box!

Notes: The A500 reference amplifier is the ideal choice for recording studios, post-production suites, or anyone seeking audiophile-grade performance without the audiophile-grade sticker shock.

Professional audio engineers around the world are impressed by the A500's performance and surprised by its affordability. Capable of delivering 2 x 300W into 4 Ohms or 600W into 8 Ohms bridged, the A500 has enough headroom to always keep you on the safe side. Advanced convection-type cooling technology ensures stable, noise-free operation, while its servo-controlled design can drive virtually any passive speaker.

A precise level meter and clip indicators are provided for accurate performance monitoring. Input connections are provided in the form of balanced XLR and 1/4" TRS connectors, as well as unbalanced RCA sockets, ensuring you have loads of input options. Plus, the speaker outputs give you the choice between professional touch-proof binding posts and 1/4" TS connectors.

To ensure years of trouble-free operation, Behringer use only Toshiba or Fairchild high-power transistors that are known for their rock-solid reliability. In addition, an independent thermal overload protection system, with LED indicators for each channel, automatically protects both your amplifier and your speakers. Last but not least, Behringer use tough, high-current toroidal transformers for absolute reliability and the lowest possible noise interference.

Audiophile-grade performance, ultra-reliable and undeniable affordability, the Behringer A500.

www.youtube.com/watch?v=RWj5CUl7rio

Notes: Make sure every cable in your arsenal is in good working order with the invaluable Behringer cable tester CT100. This incredibly portable audio solution is a must-have for sound engineers and musicians alike.

The CT100 accepts every type of cable you might use in a recording or live performance situation: XLR, mono and TRS jack (1/4", 1/8", TT), RCA and even MIDI. Choose from three modes: cable test mode, installed cable tester mode and tone mode. The CT100 can check for continuity, intermittency, phantom power presence and grounded shields. Because this handy tool runs on 2 x AA batteries, you can carry it in your pocket and be ready to troubleshoot at a moment's notice.

The cable tester CT100 is the smart, portable and unbelievably affordable way to ensure your next show or recording session runs smoothly.

Notes: Few things are more essential to recording or live performance than dynamic microphones. The Behringer XM8500 microphone has the crucial features and durability to come through for your sound again and again.

Dynamic mics have several advantages that make them ideal for live vocal applications and for recording amplified instruments. They're robust, resistant to moisture and can achieve high gain before feedback. The XM8500's cardioid pickup pattern captures the source signal, such as a guitar amplifier or vocalist, while shunning off-axis sound.

The XM8500 provides an amazing frequency response of 50Hz to 15 kHz and includes a 2-stage pop filter to minimize breath and pop noises. And with its tough metal construction and sturdy steel windscreen, you can count on it to come through after countless gigs and studio applications. We've even included a rugged hard case with a mic clip and stand adapter.

Notes: The cardioid-diaphragm B-1 microphone is a home recording enthusiast's dream come true. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy.

Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-1 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its 1.0" capsule, it captures sound with incredible realism and sensitivity. It boasts a wide frequency response from 20Hz to 20 kHz, enhanced by a pronounced presence boost. With its excellent transducer and gold-plated XLR output, the B-1 truly delivers on the promise of noise-free transmission. The B-1 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-1 is built to be your go-to condenser mic for years to come. Its tough, nickel-plated brass body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its foam-padded, aluminum carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

Notes: Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-2 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its pressure gradient transducer and shock-mounted 1.0" gold-sputtered dual-diaphragm capsule, the B-2 delivers an open, transparent sound with excellent transient response. It boasts a frequency response from 20Hz to 20 kHz with just a slight boost in the presence range. It has 2 selectable pickup patterns: omni for capturing sound in all directions; and cardioid for picking up your source signal while rejecting off-axis sound. With its excellent transducer and gold-plated XLR output, the B-2 is very neutral sounding and truly delivers on the promise of noise-free transmission.

The B-2 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-2 is built to be your go-to condenser mic for years to come. Its tough, nickel-plate brass body can withstand all the rigors of those late-night recording marathons. And with its aluminum foam-padded carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

Notes: the Behringer Xenyx QX1202USB mixer stands at the top of it's class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, the next generation Xenyx QX1202USB mixer can handle your live gigs as well as providing the state of the art tools to make stunning, professional quality recordings. Select models feature dedicated, "wireless-ready" integration for our new ULM Series USB microphones, making them the first of their kind in the industry. Along with their built in USB/audio interfaces, "one-knob" mono channel compressors and Klark Teknik FX engines (available on select models), XENYX Q Series USB mixers come with all the recording and editing software you'll need to turn your computer into a complete, high-performance recording studio.

Notes: The Behringer Xenyx Q1202USB Mixer stands at the top of it's class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next generation Xenyx Q1202USB mixer can handle your live gigs as well as provide the state of the art tools to make stunning, professional quality recordings.

Ask professional sound engineers what their favorite piece of external processing gear is and the response will be virtually unanimous "dynamic compression". This limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate sound techs have difficulty mastering. Our "one knob" compression is available on all mono channels and is easy to operate, even for entry level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity.

The state of the art Xenyx mic preamps are a tremendous step in the evolution of audio technology and they can easily hold their own, even when compared to expensive, boutique style mic preamps. Xenyx preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10Hz to well above 200KHz. As a result, Xenyx mixers provide such transparent, crystal clear performance that you just might think someone upgraded your microphones while you weren't looking.

The British consoles of the '60s and '70s changed the sound of rock and roll. These legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our Xenyx mixers is based on that very same circuitry, allowing you to process signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

There was a time when the recording process called for lots of specialised gear, which meant the average musician had to buy time at a recording studio, which can be expensive! But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. Thanks to the built in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software...

Because you'll want to take full advantage of your Xenyx Q Series mixers' recording and podcasting potential, Behringer put together a massive software download at www.behringer.com that includes Audacity, Podifier, Juice, Podnova and Golden Ear. You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plugins, turning your computer into a complete home based or mobile recording studio.

Notes: The Behringer Xenyx Q802USB Mixer stands at the top of it's class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next generation Xenyx Q802USB mixer can handle your live gigs as well as provide the state of the art tools to make stunning, professional quality recordings.

The 8 input, 2 bus Xenyx Q802USB has two phantom powered Xenyx mic preamps, making it possible to use up to two dynamic and/or studio grade condenser mics. Onboard 3-band British EQ makes it easy to fine tune any input signal and is available on both the mic and stereo channels. Another feature exclusive to the Q802USB is an FX send control per channel, allowing you to use an external effects processor to add the finishing touch to your performance or recording. RCA CD/Tape I/O comes standard on all Xenyx mixers.

Ask professional sound engineers what their favorite piece of external processing gear is and the response will be virtually unanimous "dynamic compression". This limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate sound techs have difficulty mastering. Our "one knob" compression is available on all mono channels and is easy to operate, even for entry level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity.

The state of the art Xenyx mic preamps are a tremendous step in the evolution of audio technology and they can easily hold their own, even when compared to expensive, boutique style mic preamps. Xenyx preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10Hz to well above 200KHz. As a result, Xenyx mixers provide such transparent, crystal clear performance that you just might think someone upgraded your microphones while you weren't looking.

The British consoles of the '60s and '70s changed the sound of rock and roll. These legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our Xenyx mixers is based on that very same circuitry, allowing you to process signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

There was a time when the recording process called for lots of specialised gear, which meant the average musician had to buy time at a recording studio, which can be expensive! But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. Thanks to the built in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software...

Because you'll want to take full advantage of your Xenyx Q Series mixers' recording and podcasting potential, Behringer have put together a massive software download (at www.behringer.com) that includes Audacity, Podifier, Juice, Podnova and Golden Ear. You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plugins, turning your computer into a complete home based or mobile recording studio.

No matter what your audio mixing needs are, Behringer Q802USB Mixer provides the performance and features to take your talent to the next level, at a price that's sure to amaze you. try it today!

Notes: The Behringer Xenyx Q502USB Mixer stands at the top of it's class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next generation Xenyx Q502USB mixer can handle your live gigs as well as provide the state of the art tools to make stunning, professional quality recordings.

Got a solo gig at the local coffee shop, or just need to make a quick public announcement? Simple sound calls for the simply excellent Xenyx Q502USB, the 5 input, 2 bus mixer with everything you need for incredible sound. Thanks to onboard phantom power, Q502USB's Xenyx mic preamp can handle dynamic, as well as a studio grade condenser mic. Elegant in its simplicity, the British style, 2 band EQ provides warm and musical tone correction. The Q502USB also sports RCA CD/Tape I/O, handy for playing break music or for recording your set.

Ask professional sound engineers what their favorite piece of external processing gear is and the response will be virtually unanimous "dynamic compression". This limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate sound techs have difficulty mastering. Our "one knob" compression is available on all mono channels and is easy to operate, even for entry level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity.

The state of the art Xenyx mic preamps are a tremendous step in the evolution of audio technology and they can easily hold their own, even when compared to expensive, boutique style mic preamps. Xenyx preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10Hz to well above 200KHz. As a result, Xenyx mixers provide such transparent, crystal clear performance that you just might think someone upgraded your microphones while you weren't looking.

The British consoles of the '60s and '70s changed the sound of rock and roll. These legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our Xenyx mixers is based on that very same circuitry, allowing you to process signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

There was a time when the recording process called for lots of specialised gear, which meant the average musician had to buy time at a recording studio, which can be expensive! But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. Thanks to the built in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software...

Because you'll want to take full advantage of your Xenyx Q Series mixers' recording and podcasting potential, we've put together a massive software download at www.behringer. com that includes Audacity, Podifier, Juice, Podnova and Golden Ear. You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plugins, turning your computer into a complete home based or mobile recording studio.

No matter what your audio mixing needs are, Behringer Q502USB Mixer provides the performance and features to take your talent to the next level, at a price that's sure to amaze you. try it today!

Notes: The compact X1204USB mixer takes the 1204USB up a notch, providing all the same great features, plus our new 24 bit, dual engine FX processor, with 16 editable, studio grade presets including reverb, chorus, flanger, delay, pitch shifter and multi effects. User definable parameters include reverb time and brilliance, delay room size and repetitions, modulation depth and speed, and much more. Time based functions can be addressed via a handy tap button. The most recent parameter settings are always stored in memory.
the Xenyx X1204USB mixer is designed to handle your live gigs, and they provide the state of the art tools you need to make stunning, professional quality recordings. Along with their built in USB/audio interfaces, Xenyx X1204USB comes with all the recording and editing software you'll need to turn your computer system into a complete, high performance home recording studio.

The Xenyx mic preamps represent a major step in the evolution of audio technology, and they can easily hold their own when compared to the most expensive stand alone mic preamps. Xenyx preamps offer a staggering 130dB of dynamic range, with a bandwidth that extends from below 10Hz to well above 200KHz.

The British consoles of the '60s and '70s changed the sound of rock and roll. These legendary mixing desks soon have become the envy of engineers and producers all over the world. The channel EQ on Behringer's Xenyx mixers is based on that very same circuitry, allowing you to prcess signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

Ask professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous "dynamic compression". This limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs have great difficulty mastering. Our "one knob" compression is available on all mono channels and is easy to operate, even for entry level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity.

The Xenyx X1204 also features our new 24 bit dual engine FX processor, with 16 editable, studio grade presets including reverb, chorus, flanger, delay, pitch shifter and multi effects. Complete with a highly accurate input meter, these effects can be altered to your personal taste via the parameter control. Time based functions can be entered manually by pressing the tap button in tempo with the music.

There was a time when the recording process called for lots and lots of expensive gear, which meant the average musician had to buy time at a recording studio-and that time was pricey indeed. But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. This is where the Xenyx X1204USB comes in. Thanks to the built in, bi-directional stereo USB audio interface, you can connect any of these mixers directly to your PC or Mac computer via a single USB cable. Now any signal source you connect to the mixer can be recorded directly to your hard drive. Which brings us to software...

No matter what your audio mixing needs are, the Behringer Xenyx X1204USB mixer provides the performance and features that can take your talent to the next level, at a price that is sure to amaze you. Try one today!

Notes: Be it bone simple rock or classic folk, the XENYX 1202FX gives mind blowing voice to intimate performances with an internal 24 bit FX processor. It's simple, lightweight and just waiting to make you sound amazing.

The 12 input, 2 bus XENYX 1202FX has four XENYX mic preamps with +48 V phantom power, making it possible to use four dynamic or condenser microphones. The three band British EQs on each channel are famous for warm, musical sound. Simple, high quality controls make it possible to create beautiful mixes with minimal technical expertise.

Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.

Add some digital trickery to your sound using the internal FX processor. It gives you 100 excellent effects presets for delay, reverb and other time-tested favorites. You can also connect an outboard device via an auxiliary send with stereo returns.

The XENYX 1202FX is the compact, crowd pleasing way to turn a small performance with multiple vocalists into an unforgettable experience. Keep it organic, or decorate your mix with warm, 24 bit effects. The XENYX 1202FX puts real sonic sorcery at your fingertips.

Notes: From basic rock to rootsy folk, the Xenyx 1002FX lends immeasurable vibe to intimate performances with an internal 24 bit FX processor. It's light, easy to use and waiting to make your next performance three dimensional.

The 10 input, 2 bus Xenyx 1002FX has two Xenyx mic preamps with +48V phantom power, making it possible to use two dynamic or condenser microphones. The three band British EQ is famous for its warm, musical sound. Simple, high quality controls make it possible to create beautiful mixes with minimal technical expertise.

The Xenyx 1002FX has 10 inputs and a FX send control for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility.

Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.

Add some digital trickery to your sound using the internal FX processor. You can also connect an outboard device to apply additional effects to any channel.

Weighing in at just 2.3 pounds, the Xenyx 1002FX is the portable, practical way to turn a small performance with two vocalists into a mesmerizing event. Keep it casual, or dress it up in a 24 bit digital ball gown - with the Xenyx 1002FX, anything is possible

Notes: From bare bones rock n' roll to a mellow folk ensemble, the 10 input, 2 bus Xenyx 1002 can give an intimate performance the vibe it needs to sound great in the crowd as well as on record. It's simple to transport, simple to use and simply essential.

The Xenyx 1002 has two Xenyx mic preamps with +48V phantom power, making it possible to use two dynamic or condenser microphones. The 3 band British EQ ensures warm, musical sound. Simple controls with rich musicality make it possible to create beautiful mixes with minimal technical expertise.

Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.
FX Send

Add some outboard digital magic to your sound using the FX SEND. Simply connect an outboard device to apply effects such as reverb or delay.

Weighing in at just 2.3 pounds (1.05 kg), the Xenyx 1002 is the portable, practical way to turn a small performance with two vocalists into an arresting sonic spectacle.

Notes: The RX1602 is an incredibly versatile 16 channel line mixer that works perfectly for monitoring multi track recording projects, submixing multiple keyboards, sub mixing samplers or mixing a small live set up. Its simple interface and intuitive features make it an invaluable addition to any recording enthusiast's or live performer's arsenal.

The Eurorack Pro RX1602 can mix just about anything into a delicious sonic puree. If you're a keyboardist with more keyboards than pairs of socks, the RX1602 can submix all your inputs into a single stereo signal, saving you valuable inputs on your main mixer. Or, if you work frequently with hardware samplers in the studio, you can save yourself a load of time by submixing your sampler's outputs with the RX1602. This mixer also makes monitoring your home recordings a breeze. Just hook it up to your PC equipped with recording software or a multi track recorder to quickly and easily create a tasty monitor mix. If a one person band is more your style, the RX1602 provides the perfect solution for mixing down a mic preamp along with a keyboard. From there, you need only send a single signal to the house's main mixer.

Behringer's X1602 comes equipped with all the necessary features to create the right mix for your sound. The 16 high headroom inputs (8 stereo, 8 mono) can be used for individual line level instruments or component outputs. The ULN (Ultra Low Noise) design's high headroom means you can run up to 16 hot inputs without clipping, whilst assuring that there won't be any extra noise added by the mixer.

Each channel has its own balance and level controls, as well as illuminated double function "mute" buttons with "clip" LEDs to help you avoid distortion. You also get highly accurate dual 7 segment LED level meters and an individual level control for left and right main mix signals. For further flexibility, the Monitor/FX signal is assignable to headphones. It all adds up to transparent, crystal clear audio performance.

Notes: Our compact signal distribution wizard has helped countless musicians and engineers solve diverse problems, whether as a splitter, line mixer or level conditioner.

Regardless of your application, the Behringer MX882 keeps your signal paths short and clean. And its multiple matching amplifiers allow you to convert home recording level to professional level and vice versa.

Notes: Capable of handling input levels up to 600 watts, the Behringer Eurolive VS1220F floor monitor delivers exceptional sound quality. The powerful 12" long excursion driver cranks out big tone in the bottom end and mid range, while the wave guide mounted electro dynamic high frequency drivers output crisp, detailed highs. The VS1220F's wide frequency bandwidth and extensive dynamic range make it ideal for a multitude of stage monitor applications.

In order to produce tight, deep bass, a floor monitor has to move lots of air. Behringer's Eurolive loudspeakers accomplish this by using powerful, long excursion low frequency drivers that are handmade in their own factory. While some companies are content with using off the shelf drivers, at Behringer they custom design each low frequency driver to perfectly match each application. The VS1220F features an extremely powerful 12" long excursion low frequency driver in a tuned enclosure, providing rich, tight bass all the way down to 55 Hz.

High frequency content can make or break a performance. Too much and the sound becomes brittle and obnoxious, too little and it sounds muddy and poorly defined. The VS1220F's specially designed high frequency transducers, mounted in a proprietary elliptical wave guide, deliver natural sounding high end in an ultra wide dispersion pattern.

The Behringer VS1220F floor monitor has been optimised for maximum reliability through the integrated overload protection circuitry, ensuring ultimate high frequency driver protection. Designed to stand up to the rigors of the road, the VS1220F is built to look and sound great, even after years of rugged abuse.

Notes: Thanks to Behringer's revolutionary amplifier technology and internal switch mode power supplies, The Eurolive B210D loudspeaker provides a much better power to weight ratio than competing active speakers. Put simply, you get all the power without the back breaking weight. And the sound quality of these lightweight loudspeakers exceeds that of Behringer's extremely popular Eurolive B212A and B215A systems.

Due to their high efficiency design, they crank out200 of the cleanest, punchiest audio watts you've ever heard from a compact loudspeaker system. The integrated sound processor provides total system control, along with dependable protection of the low frequency and high frequency transducers, thanks to the built in active high pass filter, which virtually eliminate distortion - even at extreme operating levels.

In addition, all four models feature an ultra low noise mic/line input with level control and a dedicated 2 band EQ (bass/treble) for easy control.

Notes: The Behringer 1C-BK two way monitors merge stunningly accurate sound reproduction with neo classic design. They are the ideal choice for fixed installations, such as stereo and surround applications, home recording studios, restaurants, as well as audio and video production suites.

These 100 watt passive two way loudspeakers derive their great sound from their powerful 5.5" cellulose cone woofers and high resolution 0.5" tweeters. The internal crossover provides auto overload tweeter protection, and the high precision components and design ensure absolute phase linearity. The result is full power, ultra linear frequency response ranging from 60Hz all the way up to 23KHz.

Place the 1C-BK in bookshelves, on desktops or hang them from the rafters. You'll find dozens of applications for these great sounding little speakers.

Notes: Get even more mind expanding power for your keyboard, bass, guitar or vocals with the Virtualizer 3D FX2000 Effects Processor. This amazing rack unit has 71 incredible new algorithms, including true studio grade stereo and 3D effects that will add a head spinning new dimension to your sound, both live and in the studio. The FX2000 employs Behringer RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user addressable high and low EQ and wave adaptive virtual room reverb algorithms.

Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.

Reverbs include: Cathedral, gold plate, small hall, room concert, stage, spring reverb, ambience and early reflections.

Specialty reverbs: Gated reverb and reverse reverb

Delays include: Stereo delay, tape echo and ping pong

The Behringer FX2000 has some of the best sounding reverb and delay programs, but that's not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a leslie simulation.

Modulation and Pitch Shifter FX: Stereo flanger, vintage flanger, jet stream flanger, stereo chorus, analog chorus, vintage chorus, ultra chorus, stereo phaser, vintage phaser, dual phaser, leslie, pitch shifter, vibrato, tremolo and auto panning.

Dynamic FX: Compressor, expander, gate, analog compressor/limiter, ultramizer, denoiser, de-esser and wave designer.

Psychoacoustic FX: Exciter, enhancer, ultra bass, stereo imager, ultra wide and binauralizer.

Filter/EQ FX: Auto filter, LFO filter, parametric EQ and graphic EQ

The FX2000 is also equipped with distortion, amplifier and speaker simulation including: Vocal distortion, tube distortion, guitar amp,tri fuzz, speaker simulation, ring modulator, and lo-fi.

Special FX: Vinylizer, sampler, vocoder, voice canceler and resonator.

Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.

FX Combinations include: Chorus & reverb, flanger & reverb, leslie & reverb, pitch & reverb, delay & reverb, tremolo & reverb, phaser & reverb, chorus & delay, flanger & delay, pitch & delay and tremolo & delay

Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.

Notes: The awesome MINIMIX MIX800 is one powerful karaoke machine, which means you can now impress all your friends with your amazing vocal prowess! The incomparable MIX800's revolutionary Voice Canceller circuitry effectively eliminates the vocals from virtually any connected stereo source including tapes, CDs, mp3s - while retaining most of the background musical elements. The spotlight is calling to you like never before!

Two's a Party:
Thanks to its integrated 24-bit/40 kHz digital echo/reverb processor, the MIX800 ensures ultimate vocal enhancement. We've included 2 independent mic channels with Level controls and Clip indicators for perfect level adjustment. A dedicated 2-band EQ provides for awesome vocal enhancement and sound shaping, plus there's an accurate 6-digit LED output meter for precise level indication. And to sweeten everything, we've included your choice of state-of-the-art digital Reverb or Echo to add that professional finishing touch to your legendary performance.

Built for a Lifetime of Enjoyment:
Long-term reliability and outstanding sound performance is guaranteed, thanks to our use of ultra-low-noise audio operational amplifiers, high-quality potentiometers and premium-grade illuminated switches. As an added bonus, all MINI Series models can be stacked one atop the other, creating an ultra-compact signal processing solution. We saved the best part for last; you can record your performance to your favourite device via the MIX800 convenient output connectors - and share it with your friends who couldn't make it to the party!

Sound Value:
When the party just can't go on without you, the MIX800 is always there to make any occasion an event - and it's so very, very affordable! Check out the sensational MINIMIX MIX800 at your local BEHRINGER dealer, or get yours online today!

Notes: The Behringer CX2310 2 way stereo/3 way mono crossover features absolute precision, state of the art circuitry, with superior grade components, ultra low noise op amps and balanced inputs and outputs. Additionally, the CX2310 provides an independently adjustable subwoofer output, effectively providing an extra low frequency band, which is adjustable from 10 Hz to 235 Hz.

When a sound system is tuned properly, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX2310 crossover's accurate signal processing protects critical loudspeaker components and improves overall system efficiency.

Chances are if you're reading this, you already know what a crossover is and you know that you need one. But if you are new to multi way PA systems, here is a brief overview.

Speakers convert electrical signals into sound waves. And no matter how well a speaker is designed and made, it simply cannot reproduce the entire audio spectrum all by itself. Low frequency sounds tend to push a speaker to its maximum, making it impossible for that same speaker to reproduce the treble content with the sound quality it deserves. That is why high quality sound systems use multiple speakers (woofers and tweeters) to share the work. When the woofer (usually the larger speaker) does all the heavy lifting, the tweeter can easily handle the high frequency stuff. Three and four way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range they are best suited to. It is the crossover's function to divide these tasks between the various transducers.

The CX2310 provides two modes of operation: 2 way stereo, for left and right lows and highs; and 3 way mono, for lows, mids and highs. In either mode, there is an additional output provided for a mono subwoofer with its own frequency range and level controls. This extra feature effectively turns the CX2310 into a stereo 2 way + mono 1 way, or a mono 4 way frequency crossover. The subwoofer signal is presented in mono, since people tend to perceive really low bass frequencies as coming from all directions.

By using 1% metal film resistors, along with other extremely tight tolerance components, the CX2310 is able to guarantee surgically precise frequency selection with incredibly low thermal noise. State of the art, ultra low noise op amps ensure super quiet operation. CX3400's elegant LED matrix shows at a glance which operation mode is selected and which controls are active.

All of the inputs and outputs accept balanced and unbalanced XLR connections. The inputs feature 25Hz Low Cut filters for low frequency driver protection. Mute and phase invert switches are provided for each frequency range, making troubleshooting an entire loudspeaker system a breeze.

Notes: The Behringer Ultra DI Pro DI800 is a professional mains/phantom powered 8 channel active DI box. If you need a rack mountable DI unit with enough inputs to accommodate everyone on stage or in the studio, plug into the DI800.

Direct Injection (DI) boxes make it possible to connect guitars, basses and keyboards (as well as other line level devices) to audio mixers and recorders. They are absolutely essential for proper impedance matching and to maintain signal integrity. Behringer active DIs feature "buffered" inputs that won't degrade the source signal like passive DI boxes can. Balanced signals leaving the DI800 are extremely low impedance (typically less than 680 ohms), and far less susceptible to noise and interference.

When it comes right down to it, all DI boxes do the same thing, right? Yes, but the DI800 does much more than just "bass guitar in, mic level signal out." It really is a highly versatile input signal toolkit.

Here are just two special features that differentiate the DI800 from most standard DI boxes:
- You'd like to connect your guitar amp's speaker output to your mixer? Not a problem, the DI800 features a -30dB attenuation switch, allowing you to connect to speaker outputs (up to 3,000 Watts!) and convert them to balanced XLR outs.
- Got a weak incoming signal? The DI800 has a +20dB switch, which really comes in handy for boosting low-level input signals.

Of course, the DI800 provides a link output for easy connection to other equipment, such as onstage amplifiers and monitor consoles. Servo balanced performance guarantees ultra flat frequency response, and the gold plated XLR output connectors provide reliable, low noise operation. Per channel ground lift switches eliminate ground loop hum problems. The DI800 does everything a standalone DI can do - times eight!

Unlike their passive counterparts, active DI boxes require a power source to make their internal electronics work. The DI800 provides two power options: 120 - 240 V~ from the nearest wall outlet or power strip, or 18 to 48V DC from your mixer's phantom power supply.

Notes: The DI4000 gives you four 1st class DI channels in one rack space.

With two inputs (XLR and 1/4" TRS), a balanced output (XLR) and a 1/4" link output per channel, up to 40dB of switchable input attenuation and up to 20dB of gain, the DI4000 is equipped to deal with virtually any input signal, while our OT-1 output transformers ensure clean, powerful output.

Notes: With the DI100, you can rest assured that your sound source will reach the console balanced and noise free. Behringer's take on the all important active DI box gives you functionality, durability and incredible sound at a remarkable price.

Plug into the DI100's balanced 1/4" TRS or XLR input, then send a signal to your console via the balanced XLR output. You can even plug your guitar or bass amp's speaker output into the DI100, which can handle ratings of up to 3,000 Watts and still deliver a perfect signal. It also features a 1/4" link jack to send your signal to an on stage amplifier.

The DI100 also has a switchable attenuation pad, allowing input levels of up to +50dB. There is also a ground lift switch to eliminate noise associated with ground loops. The DI100 also features Behringer's renowned OT-1 output transformer.

Notes: Whether you're recording or on stage, you need a great DI (direct injection) box to get your guitar sound to the console with full dynamics and power. The Ultra G GI100 active DI box gives you all the full rock glory of a cranked 4x12 cabinet at a fraction of the weight and floor space.

The Behringer GI100 works like a standard DI box. You can use it to tap into your amplifier's speaker outputs, even high powered rigs with ratings of up to 3,000 Watts. Or, just plug your guitar directly into the GI100, switch on the realistic 4x12 cabinet simulation designed by renowned engineer Juergen Rath, and you've got rock royalty sized tone in a package the size of a cheeseburger! You may never mic your speakers again!

The DI100 sounds amazing, and it comes equipped to meet the most common needs of gigging and recording, as well as the travel in between. There's a ground lift switch that eliminates typical ground loop problems, and when phantom power is connected, this DI box automatically shuts off the internal battery. The DI100 is housed in cool looking red aluminum and features stackable, oversized rubber corners.

The DI100 goes way beyond the typical abilities of a DI box to give you the sound and performance you'd expect from a super charged vintage half stack, plus enough power to have your audience wondering where you hid the amp. Introduce your axe to the guitar loving DI100.

Notes: The Ultra DI DI600P is a passive DI (direct injection) box for connecting a guitar, bass or keyboard directly to your mixer. With the DI600P as your go between, impedance matching problems become a thing of the past, and long cable runs will not sacrifice all of your precious tone.

With its parallel 1/4" in and out jacks, Behringer's DI600P allows you to plug in your instrument and send the same signal to your onstage amplifier, while the XLR Output sends a balanced signal to your mixer. A ground lift switch eliminates hum associated with ground loops and our high performance transformer provides the ultimate in signal integrity.

Just flip the Inst/Amp switch and the DI600P can easily accommodate either the low level signal of a high impedance mic or guitar (inst mode), or the speaker output of a guitar amplifier (amp mode). Even if your amp cranks out as much as 3,000 Watts, you get a perfect signal every time!

Notes: The Behringer Ultra DI DI400P is a passive DI (Direct Injection) box for connecting a guitar, bass or keyboard directly to your mixer. With the DI400P as your go between, impedance matching problems become a thing of the past, and long cable runs will not sacrifice all of your precious tone.

With its parallel 1/4" in and out jacks, the DI400P allows you to plug in your instrument and send the same signal to your onstage amplifier, while the XLR Output sends a balanced signal to your mixer. A ground lift switch eliminates hum associated with ground loops and our high performance transformer provides the ultimate in signal integrity.

The Ultra DI DI400P is compact and we house it in a tough, road ready metal case. This means the DI box will give you great sound gig after gig, session after session. And thanks to its low price, you can afford to outfit the entire band!

Notes: Whether you're recording or performing, it's important to keep AC hum out of the mix. No matter the quality of the venue's wiring, the BEHRINGER HD400 Hum Destroyer eliminates AC hum quickly and reliably.

The HD400 features two channels that can eliminate hum in two mono signals or one stereo signal. Try putting it between a stereo mixer and your power amps for a squeaky clean sound free of AC hum. It breaks ground loops safely while maintaining the highest sound quality. It can even convert unbalanced signals into balanced without any signal degradation.

Notes: When a specific frequency, or range of frequencies, reaches too high a level, feedback occurs - that all too familiar squeal or howl you get when the mic is too close to the speaker. Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. That's why feedback typically gets louder and louder the longer it's allowed to occur. Needless to say, this kind of feedback is very undesirable.

This is where the FBQ800's feedback detection system really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need to do is lower the illuminated slider until the LED blinks out - and there you have it, feedback problem solved!

With its 9 frequency bands, you easily fine tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12dB (and that's a lot!).

Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as floor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.

Raising and lowering specific frequency bands can improve the frequency response of any room's acoustics. For instance, if the room you're in is "bass heavy", lowering the 63Hz and 125Hz faders can help eliminate an overall "boomy" or "muddy" sound. Likewise, gently boosting the 8KHz and 16KHz sliders can add sparkle to a somewhat "dark" or "dull" mix. Are the vocals getting lost in the mix? Raising the level of the 1KHz slider can help bring them out.

Speaking of headroom, FBQ800's 6 digit LED I/O meters and level control are provided for precise level maintenance. Long term reliability is ensured, thanks to high quality illuminated faders and switches, and our ultra low noise audio operational amplifiers provide outstanding sonic performance. In addition, all Mini Series components can be stacked to create an ultra compact signal processing solution.

Notes: The Behringer Sonic Ultramizer SU9920 stereo sound enhancement processor gives your music an added dimension that will make your performances pop! This processor is the ultimate sound improvement tool for home recording studios, DJ systems, keyboard racks and web casting, plus 5.1 and hi fi setups.

The SU9920 provides increased clarity and punchy bottom end to your sound system. It improves the natural brightness through harmonic enhancement and adds density to the low frequencies through phase compensation. Dedicated low contour and process controls for each channel enable fast and easy setup. Once you experience what the SU9920 can do, it will become your go to sound enhancement tool.

The SU9920 is ideally suited for use in all live sound applications, providing noticeable improvement to signal quality and bringing out the very best in your sound system, whether you're mixing a duo in a coffee house, or dialing a massive outdoor concert.

In a studio environment, the Sonic Ultramizer is ideal for enhancing the sound of your mastering recordings. The SU9920 can give your music the professional polish of high quality productions in just a few simple steps. Even if you primarily work with a digital audio workstation, you can perform final mastering with the SU9920 and an external recorder.

In addition to being great for use with stereo signals, the Sonic Ultramizer is also ideal for use with individual signals, such as guitar, keyboards or bass. Just connect the SU9920 into the signal path, or use your amp's effects loop, for sound with more presence, fullness and punch. Since the SU9920 can be run in stereo or dual mono, you can even use one side for the bass, the other for a keyboard or guitar.

All inputs and outputs accept balanced XLR as well as balanced and unbalanced 1/4" connections. Both the 1/4" and XLR outputs can be used in parallel, when two outputs are required.

The SU9920 boasts stellar frequency response from 25Hz to 50KHz. The Process control provides a boost of up to +12 dBu at 5 kHz. The Low Contour filter is capable of +12 dBu at 50 Hz.

Notes: The Sonic Exciter SX3040 stereo sound enhancement processor gives your music the additional dimension you've been looking for. This processor is the ultimate sound improvement tool for home recording studios, DJ systems, keyboard racks, web casting plus 5.1 and hi fi setups.

The SX3040 provides increased clarity and punchy bottom end to your sound system. It improves the natural brightness through harmonic enhancement and adds density to the low frequencies through phase compensation. Dedicated drive, tune and mix controls for each channel enable fast and easy setup as well as ultimate sound improvement.

Fasten your seat belt and take off with a new sound dimension!

Notes: Thanks to it's intelligent learn mode, the Behringer FBQ100 can automatically equalize your PA and protect your sound system from feedback. Behringer's search algorithm ensures feedback frequencies are attenuated within a fraction of a second, using narrow 1/60 octave single shot filters. The remaining filters automatically take action as required, adjusting only the specific frequencies causing the feedback, so your music stays powerful and alive.

The adjustable mic preamp, with switchable +48V phantom power and ultra low noise technology, guarantees noise free, ultra musical sound. You can choose professional studio (+4dB) or microphone output level, so the FBQ100 can be directly connected to the mic input of a recording device. Virtually any type of signal can be connected and converted.

Delay lines are required to compensate for time variations resulting from speaker positioning in large venues. The FBQ100's delay can be adjusted in meters, feet or milliseconds. The maximum delay time of 2.5 seconds corresponds to a distance of 850 meters. Combining several FBQ100s with the optional rack mount kit puts a complete professional loudspeaker management system at your fingertips.

Like a sonic Swiss army knife, you'll want the FBQ100 close at hand for all your gigs and studio engagements. In fact, you'll want several, which is why they are sized to fit five across your rack.

Notes: Dismantling a stage after a gig, or putting your studio back in order, is much easier when cables are organized. Behringer's Ultrapatch Pro PX3000 helps you conserve space in the studio or on stage, protect your cables and keep them orderly and tangle free.

This 48 point patchbay features high quality, fully balanced 1/4" TRS jacks. The multi functional PX3000 is the ideal way to gain control over the cable runs in your studio. Crawling around under your desk searching for cables will become a thing of the past.

PX3000's three modes are user assignable via the top panel switches and function as follows:

Normal - Interconnects the two rear jacks of one channel; inserting a plug into one of the front jacks interrupts the connection of the rear jacks
Half Normal - Interconnects the two rear jacks of one channel; inserting a plug into the lower front jack interrupts the connection of the rear jacks
Thru - Interconnects each rear jack with its corresponding front jack

The Behringer Ultrapatch Pro PX3000 makes it easy to stay organised and conserve space. Plug into this incredibly useful audio solution and see how it streamlines your stage and studio. Your knees will thank you!

Notes: Tubes can really warm up a signal fast, giving it increased depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver a far superior sound. A true audiophile 2-channel Mic/Line preamplifier, the ULTRAGAIN PRO MIC2200's hand-selected 12AX7 vacuum tube gives everything from microphones to acoustic or bass guitars that vintage tube vibe in a dependable and highly-affordable package. The onboard fully parametric EQs provide unparalleled tonal characteristics, allowing you to sculpt instrument and vocal sounds with the ultimate precision and musicality.

The MIC2200 is perfect for studio and live applications. The balanced 1/4" TRS and gold-plated XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 tube with for superior tube character and low-noise operation. The MIC2200 is ideally-suited for use with standard digital recorders and sound cards, imbuing signals with the warmth, presence and classic tube-compression that will bring your digital tracks to life.

The incredible MIC2200's controls consist of: switches for +48 V phantom power, Phase Reverse, Lo Cut, EQ Frequency range and EQ In/Out; plus Mic Gain, Lo Cut Frequency, Octave Bandwidth, Level and Output knobs. A 12-segment LED meter provides accurate monitoring of output levels. And when used as a high-end DI (Direct Injection) box in the studio or on the stage, the MIC2200 delivers flawless performance and outstanding signal integrity. For further tone conditioning, the MIC2200 features a fully parametric EQ with adjustable centre Frequency, Bandwidth and Level per channel. Both channels also feature independent phase reverse switches for maximum versatility.

Notes: If you're tracking more than one musician at a time, or if everyone in a group wants to listen to a playback, you need a monitor distribution system. The compact, flexible AMP800 can power up to 8 pairs of headphones and up to 2 different stereo mixes.

The Behringer AMP800 features 4 totally independent stereo high power amplifier sections, each with dual outputs. You can use the phones level control plus the accurate 6 digit LED output meter per channel for easy level monitoring. There are 2 balanced stereo main inputs with independent level and balance controls for individual mixes, selectable for all 4 of the headphone amplifiers.

If you must accommodate more than 8 listeners, a parallel link output enables cascading of several AMP800s. Long term reliability is guaranteed thanks to high quality potentiometers and illuminated switches, and Behringer's ultra low noise audio operational amplifiers provide outstanding sound performance. In addition, all Mini Series Behringer models can be stacked to create an ultra compact signal processing solution.

Notes: The ultra compact MicroMon MA400 is the ideal personal monitor mixer for the performer who always asks for "more me".

The MA400 features XLR thru jacks and provides superb noise free operation. Just connect your mic to the mic input and send a line from the mic thru to your main mixer. You can even use studio grade condenser mics, as the MA400 will pass +48V phantom power, if your mixer is so equipped. The phones jacks accept both 1/4" and 1/8" headphone and earbud connections, making the MA400 ideal for hardwired IEM (in ear monitor) applications, such as singing drummers and keyboardists. The MA400 comes with a dedicated 12V DC power supply and an LED to indicate when it is powered up.

Capable of stereo or mono operation, the MA400 is a powerful little mixer that allows you to control two independent sources, a microphone and the monitor feed from your main mixer. Simply adjust the mon level control to a comfortable setting and then dial in all the "me" you want with the mic level control.

Notes: Whether you're recording, mixing or mastering, the Composer Pro-XL MDX2600 gives you total dynamic control.

It includes all of the features you would expect from a reference class compressor - plus a voice adaptive de-esser, a new dynamic enhancer, authentic tube emulation and much more. These are some of the indispensable tools for producing clean, consistent audio with virtually no loss in signal quality.

Notes: The Behringer Powerplay P16 system is the easy, affordable way to give your musicians and vocalists what they really want... "more me!"

P16-M Personal Mixer lets each performer take control of what they hear, allowing the engineer to concentrate on providing the audience with the best possible listening experience. Fast and easy to set up, a basic system can be installed and configured in a matter of minutes and the system can be expanded to adapt to changing needs.

The P16-M's simple user interface makes it easy for even non techies to dial in the perfect monitor mix. For example, let's say the electric guitar is too loud in the lead vocalist's mix; they simply press the corresponding channel button and turn the volume control to lower the guitar level in their mix. They can also adjust pan, EQ and much more. All of these adjustments can be made without affecting anyone else's personal mix.

The Powerplay P16 puts total control of the monitor system where it belongs - in the hands of the performers, freeing up the engineer to sculpt the perfect front of house mix.

Notes: The P16-MB mounting bracket for the Behringer P16-M Digital Personal Mixer attaches to standard microphone, music or drum stands.

High quality components and exceptionally rugged construction ensure long life and a reliability.

Notes: Now you can have a veritable truckload of classic guitar amps and speaker cabinets (480 virtual combos) at your beck and call, thanks to the incredible V-AMP 3 - and you won't need a truck to take it with you! Loaded with 32 amplifier and 15 speaker cabinet models, plus 16 classic stereo effects, the V-AMP 3 puts out so much authentic sound, that you can almost feel the heat from the glowing tubes. And if you play multiple instruments, such as bass, guitar and keyboards, the V-AMP 3 is the ideal amp - thanks to its ultra-wide frequency response and world-class effects processor.

Any Classic You Like:
The V-AMP 3's 32 amp models are organized into four groups: Clean, Blues, Metal and Rock. Just twist the dedicated dial to plug into unbelievably-authentic simulations of iconic electric guitar sounds from the 1950s to today. When you select an amp model, a speaker cabinet model is automatically selected. But if you'd prefer a different model, just go to Edit > Cabinets, then use the Bank Up/Down buttons to navigate through all the available options. Just like on other instrument amps, you've got a 3-band EQ (Bass, Mid, Treble), plus Gain, Volume and Master volume dials - and a state-of-the-art, onboard independent Reverb processor for that perfect finishing touch to your tone. Additionally, when you hold down the Tap button, the Treble dial doubles as a Presence control to top-off your tone.

Effective FX:
The V-AMP 3 gives you flanger, chorus, reverb, delay and 12 other beautiful digital effects to apply to your sound. Adjust the level in the mix via the Effects dial. To adjust parameters, you can rhythmically press the Tap button to alter delay times or LFO speeds, or hold it down and twist the Effects control to access feedback or depth settings. You can even access an additional Wah Wah effect by using a MIDI control pedal, such as the BEHRINGER FCB1010, or use the included footswitch to select different presets using the included footswitch during your live performances. The FX processor in the V-AMP 3 is all about giving you the ultimate control of artistic expression.

Stunning in the Studio:
The V-AMP 3 features several configurations that make it an invaluable asset in the studio. Access the configuration menu by pressing the B and D buttons at the same time. Then use Bank Up/Down buttons to select a configuration. When using headphones, the V-AMP 3 switches into Studio Mode 1 (S1). This stereo mode works well for both monitoring and recording with effects, amp and speaker modelling. It doesn't apply the additional 3-band EQ to the signal, but most recording programs come with their own EQ. In Studio Mode 2 (S2), the V-AMP 3 sends a signal with amp and speaker simulation, but only the right output has effects. You can either record both left and right outputs to separate tracks - or record the "dry" left output while monitoring the right output.

Stellar on Stage:
The V-AMP 3 has three live configurations. Live Mode 1 is the best choice for running the outputs directly to the mixer, because it applies amp and speaker simulation, effects and an additional 3-band EQ. Live Mode 2 allows you to run the V-AMP 3 into the FX return inputs of 2 different amps. This configuration lets the amplifier's natural speaker sound to go unaltered, since the amps would be mic'd to get the sound to the house mixer, and having a dedicated monitor would be less important. In Live Mode 3, you can send the left output to an amp's FX return for onstage volume, while the right output is fed to the main mixer.

Notes: The Hellbabe HB01 is unlike any wah you've ever stepped on, offering a tremendous array of tone sculpting options. You get everything from old school wah to the most up to date sounds, all in one mesmerizing effects pedal. The Hellbabe will add new dimension and depth to your artistic expression.

First of all, the Behringer Hellbabe's heel down range control provides low frequency adjustment that can be swept from 440Hz down to 250Hz, making the HB01 the ideal companion for either guitar or bass. For custom tailoring the toe down frequency range, the Hellbabe features a fine control, allowing you to adjust the frequency sweep as high as 2.2KHz.

It is also possible to dial in a powerful volume boost (up to +15dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal like effects.

Unlike anything else on the market, the HB01 uses no mechanical pots or switches, which significantly reduces on wear and tear. But that's not all that separates this pedal from the pack; it also features a spring back pedal mechanism with resistance adjustment. And thanks to our ultra bright LED indicators you'll always know when it's on and when the volume boost is activated. You can power this bad boy with a 9V battery or our PSU-SB DC power supply (not included).

Notes: The VINTAGE TUBE MONSTER VT999 effects pedal has that full-tone roar of a tube engine under its hood, letting you take off with anything from warm blues overdrive to heavy distortion. Add to this the excellent build quality and true-bypass wiring, and you begin to see just how monstrous this pedal really is!

You can have it all:
This high-quality stomp box has the warm sound of a hand-selected 12AX7 vacuum tube. In addition, the VT999 offers an integrated and switchable noise gate with adjustable threshold that keeps your signal noise-free. The VT999 provides the ultimate in distortion-laced tone shaping, with an onboard 3-band EQ and dedicated Gain and Master output level control.

True-bypass Switches:
The brilliant status LED tells you when the VT999 is activated, and the top-quality on/off switch allows for true mechanical bypass when the effect is not in use, so your tone stays completely intact. VT999's dedicated power supply comes with it, so you're ready to rock right-out-of-the-box!

Value:
With the VINTAGE TUBE MONSTER VT999 defining the ultimate tube-distortion tone, your guitar playing will definitely be kicked into monster overdrive! Check out the VT999 at your local dealer today, or grab yours online.

Notes: Our authentic V-Tone modelling technology recreates 3 of the most sought after classic guitar amps, with 3 gain modes and 3 mic placements for a total of 27 possible configurations. You get a truckload of great amps in one convenient stomp box, allowing you to go from clean or crunch to super fat distortion in a flash.

Operation is simple - simply choose the type of amp, from the smooth Calif (Californian), the bright, punchy TWED (Tweed), or the BRIT (British) with its incredible sustain and aggressive mids. Then select the gain mode, CLN (clean), HOT or HI G (high gain). Lastly, choose the mic placement from the three available selections. This feature is a Behringer exclusive, allowing you to place the virtual mic in any of three positions:

(OFF X) - At the edge of the speaker cone, producing a smoother, softer sound with less midrange content
(CNTR) - Positioned at the centre of the cone, for more upper mids and beefy low end
(CLSIC) - Slightly in front of the cabinet, for high midrange content with tons of definition

We've also included a dedicated drive control, for adjusting the amount of gain. This control effectively mimics the amount of push applied to the output stage of a tube amplifier, from a gentle nudge to full out, tube melting overdrive. Further tone shaping is provided by a highly musical 2 band EQ.

The GDI21 can be used for direct recording output, with speaker simulation or, when used in bypass mode, as a superb active DI box. A 1/4" output jack is provided for connecting to your amp and the gold plated, balanced XLR connector will link you cleanly to the front of house console. Ground loop problems are non-existent, thanks to the onboard ground lift switch.

Notes: When you're ready to go beyond the boundaries of brutality, you have to throw some serious weight to get the job done. That's when you break out the Heavy Distortion HD300.

In addition to providing loads of devastating distortion, this little sonic warhead allows you crank up the bottom end and the gain, to lay waste to everything in your path.

With its dedicated gain boost, distortion, tone, bottom and level control, you can dial in a trademark sound all your own. The blue status LED tells you when this pedal is activated, and the rock solid on/off switch maintains outstanding signal integrity in bypass mode.

You can power this behemoth with either a 9 V battery or a PSU-SB DC power supply (not included)