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Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK)
Cat: 1008910 Rel: 01 Jan 90 • View all Effects pedals
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.

Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.


General Specifications
SAMPLE RATE

44.1 kHz
FREQUENCY RESPONSE

20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO

> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD

0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION

24-bit
INPUT

1/4" Unbalanced (Tip-Sleeve)
OUTPUT

1/4" Unbalanced (Tip-Sleeve)
CONTROLS

Level, Tone
TRUE BYPASS

Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH

4.75" (120mm)
HEIGHT

1.75" (44mm)
WIDTH

2.875" (73mm)
WEIGHT

0.36 lb. (163g)
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MRP:$146.33 SAVE 15%
 1 in stock $124.30
Boss OC-5 Octave Effects Pedal Boss OC-5 Octave Effects Pedal Boss OC-5 Octave Effects Pedal
Boss OC-5 Octave Effects Pedal (pitch/frequency effects pedal)
Cat: 996380 Rel: 16 Feb 24 • View all Effects pedals
 
Octave effects pedal
Notes: The New Standard in Octave Pedals

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

OC-5 Octave Sound Tryout

Get interactive with our custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.

High-Octane Octave Performance

Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal.

Classic Tones with Vintage Mode

Introduced in 1982, the OC-2 was the world's first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp's warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The OC-5's Vintage mode brings you the OC-2's iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colours.

Enhanced Poly Mode

The OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it's even possible to isolate the octave effect to the bottom note in a chord-just turn the Range knob to the "Lowest" setting.

Extended Range with Octave Up

Another cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated +1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads.

Guitar/Bass Switch and Direct Out

The OC-5 lets you instantly optimize the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it's easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or audio interface.

Specifications

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls:
Pedal switch, GUITAR/BASS switch, VINTAGE/POLY switch, DIRECT LEVEL knob, +1OCT knob, -1OCT knob, -2OCT/RANGE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22), AC adaptor (PSA series: sold separately)

Current Draw: 60 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately) AC adaptor: PSA series

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb
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MRP:$151.60 SAVE 12%
 2 in stock $133.70
AIAIAI TMA-2 Studio XE Preset Modular Studio Headphones
Cat: 959420 Rel: 08 Nov 23 • View all Studio headphones
 
Modular studio headphones with balanced sound, high isolation PU leather earpads, and weighing only 190g.
Notes: AIAIAI's affordable XE range might just offer the best value studio headphones around. Balance S01 drivers and comfortable E04 ear pads are paired with a slim headband for great sound at a reasonable price.

Supplier's Notes:
Modular studio headphones.

Balanced and detailed sound
Enhanced comfort over-ear cushions
High sound isolation
Weighing only 190g
Modular headphone design

Modular studio headphones with highly detailed sound and full bass extension, balanced for music production. Comfortable PU leather over-ear earpads provide high isolation, reducing surrounding noise when creating on the go. Weighing only 190g for enhanced comfort over extended periods of time.

Balanced detailed sound

Critically acclaimed sound stage specifically designed for studio use with a clear and highly detailed sound representation.

The speaker unit contains a bio-cellulose diaphragm made from bacterial cellulose, an organic compound grown using certain types of bacteria. The precision-grown diaphragm from bio-cellulose is stiffer, lighter, and stronger than regular PET speaker units, allowing the sound-producing diaphragm to vibrate without the levels of distortion found in other speakers.

Each of these qualities results in more accurate and detailed sound from the speaker with the ability to retain clarity of sound at high volumes.

With a minimal and lightweight construction of only 190g, the TMA-2 Studio XE is ideal for the flexible, versatile and dynamic workflow of modern music makers.

Lightweight & comfortable

High grade over-ear memory foam cushions covered in resilient and soft PU leather, for enhanced comfort during long creation sessions or live performances. The over-ear cushion design provides high sound isolation when creating in noisy environments.

Headband made from high grade nylon combined with durable PU leather earpads, results in a total headphone weight of only 190g.

In the box

S01 . Balanced sound - Bio-diaphragm

Engineered with a 40mm speaker diaphragm made from stiff bio-cellulose to reduce distortion and increase transparency. Tuned for a balanced, accurate sound. Balanced sound - Bio-diaphragm.

H01 . Slim - PU foam

Slim and lightweight polycarbonate headband with soft, durable PU foam padding.

E04 . Over ear - PU leather

Soft over-ear memory foam cushions covered with PU leather. The thickness and materials provide better comfort and excellent isolation. Adding a low end boost for a warmer sound with powerful dynamics.

C05 . Straight - 1.5m - Adapter

Straight black 1.5m thermo plastic cable with soft touch surface. Comes with 1/4 to 1/8 screw-on adapter.

Headphones for life

As a music creator, you need headphones that can keep up with your evolving needs and styles. These TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

By investing in this modular headphone system, you're not just buying headphones - you're investing in a long-term solution that evolves with your music. This reduces electronic waste while ensuring that you always have the optimal headphones just for you.

Diaphragm: Bio-cellulose
Driver diameter: 40 mm
Impedance: 32 Ohm
Magnet: High-grade Neodymium
Max power: 100 mW
Rated power: 40 mW
Resonance freq: 80 Hz
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 3 in stock $124.22
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quote 959420
Doepfer A-105-2 24dB Low Pass (SSI-Type) Filter Module (silver)
Cat: 973741 Rel: 14 Nov 23 • View all Synth modules
 
24dB SSI low pass filter - 4HP.
Notes: Module A-105-2 is a voltage controlled low pass filter with 24dB/octave slope.

It is the successor of the A-105 which had to be discontinued because the obsolete SSM2044 filter circuit. The A-105-2 is based on the SSI2144 which is in turn the successor circuit of the SSM2044. The features of both modules are nearly the same. The main difference is the clearly reduced front panel width of the A-105-2 (4HP instead of 8HP) and the associated changes of the controls and sockets positions. In addition the A-105-2 is equipped with 2 audio inputs.

The module has these controls and in/outputs available:

Control Frequ: manual frequency control
Control FCV2: attenuator for the frequency control voltage applied to socket FCV2
Control Q: manual resonance control
Control QCV: attenuator for the resonance control voltage applied to socket QCV
Control Input 1 Level: attenuator for the audio input signal applied to socket Input 1
Socket Input 1: audio input 1 (with attenuator)
Socket Input 2: audio input 2 (without attenuator)
Socket FCV1: frequency control voltage 1 (without attenuator, about 1V/oct scale)
Socket FCV2: frequency control voltage 2 (with attenuator)
Socket QCV: resonance control voltage (with attenuator)
Socket Out: audio output
Technical notes:

Frequency range: about 15Hz ... 15 kHz
Resonance up to self oscillation
Max. input voltage at Input 2 without clipping/distortion: about 15Vpp
Max. output voltage without clipping/distortion: about 15Vpp
The signals of both inputs are mixed before they are processed by the filter. This saves an external mixer for small setups.
Depth: 45 mm

HP : 4
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 2 in stock $103.16
Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition) Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition) Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition) Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition)
Cat: 977991 Rel: 20 Nov 23 • View all Effects pedals
 
Overdrive effects pedal
Notes: The ODR-1 30th Anniversary Overdrive - Limited Gold Sparkle Edition commemorates three decades since the pedal's introduction in 1993.

Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for 30 years. To celebrate this milestone, Nobels have produced a very special gold sparkle finish edition and added a new versatile and convenient Bass Cut Pot for more even more tonal flexibility.

Limited to 5000 units worldwide, each pedal is numbered and includes a certificate, a sticker, a special plectrum and features the original ODR-1 front cover design.

The top selling ODR-1 pedal has developed its own almost cult following since it was first designed and engineered way back in the eighties. At NAMM 2020, the pedal was upgraded to the now current ODR-1BC model. With the addition of a (much-requested) bass cut switch to help tame low end (if needed for humbuckers etc.) as well as newly developed power circuitry for enhanced headroom, it makes the pedal way more versatile for the modern age.

However, in celebration of three decades of Natural Overdrive, the ODR-1 30th Anniversary Overdrive now features an even more useful and convenient variable Bass Cut Pot, based on feedback from musicians around the world. It also retains all the other upgraded features from the BC model such as higher headroom and Glow-in-the-Dark knobs, as well as Nobels' Spectrum control- one of the most important ingredients of the original pedal's success.

The very special gold sparkle finish makes this edition look as stunning as it sounds and only a limited number of ODR-1 30th Anniversary Overdrive pedals will be released, just 5000 worldwide.

So grab a piece of legendary overdrive history while you can!
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MRP:$146.33 SAVE 12%
! low stock $129.29
Rode NT1 Signature Series Studio Condenser Microphone Rode NT1 Signature Series Studio Condenser Microphone Rode NT1 Signature Series Studio Condenser Microphone Rode NT1 Signature Series Studio Condenser Microphone Rode NT1 Signature Series Studio Condenser Microphone
Cat: 976059 Rel: 07 Nov 23 • View all Vocal Recording Microphones
 
Studio condenser microphone, SM6 shockmount & 6m XLR cable
Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring the stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with RODE's industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

NT1 Signature Series User Guide

Discover everything you need to know about using your NT1 Signature Series studio condenser microphone in this comprehensive user guide, including how to attach and mount your microphone, pop filter and shock mount, and how to connect and power your NT1 Signature Series.

Compatible Accessories
XLR Cable
PSA+1
SM6

Specifications
Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100?
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection; 3-pin XLR

Weight (grams): 313

Dimensions (millimetres)

Length: 52
Width: 52
Height: 189


What's in the Box

1 x NT1 Signature Series
1 x SM6
1 x XLR Cable
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MRP:$167.39 SAVE 16%
 7 in stock $140.01
ESI M4U eX High Performance USB 3.0 MIDI Interface With Automatic I/O Detection ESI M4U eX High Performance USB 3.0 MIDI Interface With Automatic I/O Detection ESI M4U eX High Performance USB 3.0 MIDI Interface With Automatic I/O Detection
Cat: 895981 Rel: 26 Jan 24 • View all Audio interfaces
 
High performance USB 3.0 MIDI with automatic I/O detection
Notes: M4U eX is a compact and yet extremely powerful USB 3.0 MIDI interface with 8 MIDI ports.

Each of the 8 ports can either be used as a MIDI input or as a MIDI output, replacing not only traditional MIDI interfaces like it's popular predecessor models with 4 inputs and 4 outputs, but providing also other possible configurations. For instance, you can use up to 8 outputs at a time or up to 8 inputs, or 6 outputs and 2 inputs - to name some examples. And the best feature? This is all handled automatically, simply based on your connection to other MIDI inputs or MIDI outputs and each automatic input / output configuration is displayed via colored LEDs on the front panel.

M4U eX is not only one of the worlds first USB 3.0 MIDI interfaces, it also includes a USB 3.0 hub with 3 connectors for other USB equipment like software dongles or USB keyboards and others. This can literally turn this device into the central hub for your MIDI and USB musical instrument devices. The class compliant device can be bus powered or if needed for other USB devices, be powered by the included DC power supply.

The Windows 7 / 8.1 / 10 / 11 and macOS compatible device provides not only perfect timing and the highest low latency performance of any MIDI interface in it's class on the market today, it can even be used fully standalone without a computer: different operation modes allow you to route input to output signals, merge MIDI signals or use M4U eX as a MIDI thru box. These modes can be selected with the push of a button when needed.

If the 8 ports are not enough, you can connect multiple units to the computer at one time - plus there is also the larger M8U eX available, with 16 ports.

Features/specifications

USB 3.0 MIDI interface
100% class compliant, works without the installation of a driver
USB bus powered
8 MIDI ports, 4 on the front and 4 on the back
Automatic input and output detection, each port works as a MIDI input or MIDI output
Standalone operation possible
Can be used as MIDI Thru box in standalone mode to send one MIDI signal to 7 outputs
Can be used as MIDI merger in standalone mode to merge 7 MIDI signals to a single output
3-port USB 3.0 hub with external 5V DC power supply to power USB devices (power supply included)
Multiple units can be used with one computer at a time
Downwards compatible to USB 2.0 with a USB 2.0 legacy mode
Optional ESI MIDI Port driver for multi device / multi client operation under Windows available
Dimensions roughly 17.5cm x 12.0cm x 4.5cm
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 2 in stock $121.86
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Neuzeit Instruments WarpEx Expander Module For Warp
Neuzeit Instruments WarpEx Expander Module For Warp (expander/MIDI/synth voice synth module)
Cat: 968803 Rel: 19 Oct 23 • View all Synth modules
 
Expander module that adds polyphony and MIDI to Warp.
Notes: WarpEx is an expander module that adds polyphony and MIDI to Warp.

- 4-Voice polyphony
- MIDI input and MIDI Thru
- MPE compatibility (MIDI polyphonic expression)
- Dedicated trigger and V/Oct inputs for each voice
- Illuminated pushbutton to quickly toggle between the MIDI voice modes: Mono, Poly and MPE.

Inputs:

- +/- 8 Volts (V/OCT)
- 0.0 Volts to +5.0 Volts (TRIG and MIDI)
- Overvoltage protection on all jacks.
- 4 TRIG Inputs: Gate inputs for Voices 1-4
- 4 V/Oct Inputs: CV input for pitch of voices 1-4 (i 8V, up to low audio rate ~100Hz)
- 1 MIDI In: Input Type-A for Midi signals. Use provided MIDI-to-DIN adapters.
- Button Toggles between MIDI voice modes: Red = Mono, Blue = Poly, Purple = MPE (Poly)

Outputs:

- Midi-Thru, 5v signal

WarpEx is fully managed by the Warp master

Scope of delivery:

Module, 3mm screws, ribbon cable for connection to Warp, 2 Midi-to-Din adapters Type A

Power consumption: Warp powers this expander via the included grey bus cable
Depth: 30mm
HP : 4
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 1 in stock $117.39
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Befaco Voltio Manual Voltage Source Module Befaco Voltio Manual Voltage Source Module
Cat: 981224 Rel: 07 Dec 23 • View all Synth modules
 
Manual voltage source module - 6HP
Notes: An accurate Manual Voltage Source.

Voltio fits somewhere between a music tool and a piece of electronics lab gear.

It generates voltages equivalent to all the notes on the 12-tone equal temperament scale throughout a ten-octave range, with an intuitive two-knob interface.

The Precision Adder In, lets you sum Voltio's Out with external voltages.

Additionally, the front panel banana connectors let you plug standard multimeter probes for hands-free operation on electronics lab.

Use it to transpose Oscillators and sequences in a musical way or as a reference to calibrate your analogue gear.

Features:

Easily adjust your oscillators in known intervals.
Transpose Musical phrases from sequencers, arpeggiators, or any other notes source.
Calibrate oscillators and filters on your DIY projects or during analogue gear maintenance.

Specs:

Current needs: +12V: 35mA, -12V: 15mA
Width: 6 HP
Depth: 30mm including power connector
Designed, kits prepared and assembled in Barcelona.
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Boss RC-1 Loop Station Effects Pedal Boss RC-1 Loop Station Effects Pedal
Cat: 996011 Rel: 19 Feb 24 • View all Effects pedals
 
Loop station effects pedal
Notes: The BOSS RC-1 is Boss' simplest and most user-friendly Loop Station ever, and it's a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they've been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.

On the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! The stereo in/out jacks can be used with stereo effects and amplifiers. Additionally, they allow you to connect stereo instruments, such as synthesizers. Other convenient features include battery and AC power, as well as flexible external footswitching capabilities. The RC-1 is an especially great partner to start enjoying looping!

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Maximum Recording Time: Approximately 12 minutes

Controls: Pedal switch, LEVEL knob
Indicators: CHECK indicator, LOOP indicator

Connectors:
INPUT A (MONO) jack: 1/4-inch phone type, INPUT B jack: 1/4-inch phone type, OUTPUT A (MONO) jack: 1/4-inch phone type, OUTPUT B jack: 1/4-inch phone type, STOP/UNDO jack: 1/4-inch TRS phone type, DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 430 g / 1 lb
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Boss DD-8 Digital Delay Effects Pedal Boss DD-8 Digital Delay Effects Pedal Boss DD-8 Digital Delay Effects Pedal
Cat: 996038 Rel: 29 Feb 24 • View all Effects pedals
 
Digital delay effects pedal
Notes: Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything-more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colours from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there's no better delay stomp than the DD-8.

Equipped with a diverse selection of delays, the DD-8 packs impressive sonic range into one small pedal. Clean digital delays, vintage analogue and tape types, and modulation echo are available, plus specialty delays like shimmer and reverse. There's a new Warm type for softer echo tones, and a +RV type that blends delay and reverb together. Warp is perfect for dynamic ambient textures, while the new GLT type is great for glitchy rhythmic effects.

Everything sounds bigger and better in stereo, and the DD-8 delivers with full stereo I/O support and your choice of three output modes. The default independent mode provides linked parallel delays on the left and right channels, allowing you to maintain the true balance of stereo input sources in the effect sound. There's also a panning mode for ping-pong delay effects, and a wide stereo mode for enhanced spatial depth.

The DD-8's extensive real-time delay options help bring your music to life. You can tap in tempos with the onboard pedal switch, and control the Warp and GLT modes for unique expressive effects. Adding one or two footswitches unlocks more creative possibilities, like on-demand tap tempo, extended looper control, and a cool Twist effect for soaring echo sounds. Alternately, an expression pedal can be used for continuous control of level, feedback, or delay time-or all of them at once.

Having a looper on your pedalboard is a handy thing-it's great for practice, checking sounds at gigs, and creating on-the-fly backing while performing. The DD-8's looper mode has you covered, so you don't have to take up precious space with a dedicated pedal. All looper functions can be controlled with the onboard switch, providing all-in-one operation. But if you prefer to work with extended controls, just connect one or two footswitches to operate the looper's stop and clear functions externally.

The DD-8's inputs and outputs have smart functionality, allowing you to set the pedal for any application simply by connecting cables in different ways. A variety of mono and stereo connections are supported, including discrete dry and effect outputs for wet/dry setups. It's even possible to defeat the dry signal entirely, perfect for delay-only blending in a parallel effects loop.

Analog-Classic analogue BBD delay sound.
Standard-Clear digital delay.
Tape-Vintage tape-based delay sound.
Warm-Digital delay with a softer sound.
Reverse-Backwards delay for cool psychedelic effects and other unique tones.
+RV-Digital delay with reverb added.
Shimmer-Pitch-shifted delay for lush, shimmering textures.
Mod-Digital delay with modulation added on the repeats.
Warp-Unique delay with expressive pedal control. Holding the pedal switch increases feedback and level, allowing you to create ambient swell effects.
GLT-Newly developed delay mode that creates glitchy machine-gun effects when the pedal switch is pressed. Adjust the Feedback and Time knobs for a wide variety of sounds.
Loop-Loop recorder with overdub capability and up to 40 seconds of recording time with mono input (20 seconds with stereo input).

Specifications

Nominal Input Level: -20 dBu
Input Impedance1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT-A(MONO)/INPUT-B jack: 1/4-inch phone type
OUTPUT-A(MONO)/OUTPUT-B jack: 1/4-inch phone type
TEMPO/EXP jack: TRS 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 100 mA

Expected battery life under continuous use
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb
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 1 in stock $144.22
Boss RV-6 Reverb Effects Pedal Boss RV-6 Reverb Effects Pedal
Boss RV-6 Reverb Effects Pedal (time effects pedal)
Cat: 996376 Rel: 19 Feb 24 • View all Effects pedals
 
Reverb effects pedal
Notes: Infinite inspiration, ready to play

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

Simply Great-Sounding Reverbs

Packing the latest BOSS DSP and updated algorithms, the RV-6 gives you eight highly musical reverb effects in one compact pedal. Add body and depth to your core tone with standards like Room, Hall, and Plate, dial up swirling richness with the Modulate setting, or surf it up with a vintage-style Spring reverb. Dynamic mode automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won't turn your tone to mud. And modern players will love the new Shimmer and Reverb + Delay modes.

Dialled-In Sounds at Your Command

The RV-6 makes getting high-quality reverb sounds with your guitar quick and easy- just select a sound mode, tweak the knobs to taste, and play. But while its operation is simple, the RV-6's sound is rich and sophisticated. Under the hood, each mode includes a huge array of detailed reverb parameters, all perfectly tuned for guitar by the BOSS engineers with direct input from many pro players and sound engineers. Even as you adjust the selected mode with the Time and Tone knobs, many parameters are simultaneously adjusted inside to create the ideal voicing for every setting.

Analogue Dry Tone and Versatile I/O

While the RV-6's reverb effects are high-tech digital, you can rest assured that your straight guitar tone always remains pure analogue as the effect is blended in. Convenient auto-switching jacks let you integrate with any pedal chain, with support for mono, mono-to-stereo, and stereo-to-stereo operation. And by plugging into the B input only, the RV-6 outputs a 100-percent wet sound, great for working with more complex rigs that employ parallel processing chains and mixers. There's also a jack for connecting an optional expression pedal, allowing you to control the effect level in real time as you play.

Reverb Modes

+DELAY - This is reverb combined with delay. The synergistic effect provides rich reverberation.
SHIMMER- This reverb is distinctive for its sparkling high-frequency range. It produces fantasy-like reverberation wrapped in spacious overtones.
DYNAMIC- This reverb automatically sets the depth of the effect according to your performance. It produces deep reverberation without blurring the overall shape of your playing.
ROOM- This reverb simulates the reverberation of a room. It produces warm reverberation.
HALL- This reverb simulates the reverberation of a hall. It produces clear and spacious reverberation.
PLATE- This simulates a plate reverb (a reverb unit that uses the vibration of a metal plate). It produces metallic-sounding reverberation with an extended high-frequency range.
SPRING- This simulates a spring reverb built into a guitar amp.
MODULATE- This reverb adds modulation to hall reverb, producing extremely good-feeling reverberation.

Specifications


Reverb Modes:

8 modes- HALL, PLATE, ROOM, SPRING, MODULATE, +DELAY, SHIMMER, DYNAMIC
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E.LEVEL knob, TONE knob, TIME knob, MODE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors: INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, EXP jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Expression Pedal: BOSS FV-500H, FV-500L, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb
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 1 in stock $146.29
Morphor Distortion LED Based Distortion Module Morphor Distortion LED Based Distortion Module Morphor Distortion LED Based Distortion Module
Morphor Distortion LED Based Distortion Module (distortion/effect synth module)
Cat: 946950 Rel: 19 Oct 23 • View all Synth modules
 
Compact module with three different distortion levels in 4HP.
Notes: The Morphor Distortion - LED Based module is a compact and characterful analogue clipping distortion module. Loosely based on the legendary MXR distortion circuit this module is perfect for adding some extra crunch to your patches.

With CV-controlled gain setting, three distortion modes and a dry/wet mixing control, this module gives you lots of options to spice up your sound without taking up too much space. Internally the clipping is performed by LEDs which are also shown in the front of the module, so you can see your sound getting destroyed with your own eyes.

Weight: 53 g
Dimensions: 128.5 × 20 × 40 mm
Width: 4 HP
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quote 946950
Zoom G3n Multi-Effects Processor Pedal Zoom G3n Multi-Effects Processor Pedal Zoom G3n Multi-Effects Processor Pedal
Zoom G3n Multi-Effects Processor Pedal (multi-effects processor pedal)
Cat: 630202 Rel: 07 Feb 24 • View all Effects pedals
 
Multi-effects processor pedal
Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.
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MRP:$156.86 SAVE 11%
 1 in stock $139.49
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quote 630202
Herzlich SFXI Stereo FX Integrator Module
Herzlich SFXI Stereo FX Integrator Module (external/preamp/attenuator/dual/stereo synth module)
Cat: 958808 Rel: 30 Oct 23 • View all Synth modules
 
Stereo FX integrator module - 4HP.
Notes: You've been up all night in a bidding war on eBay to win a prized 80s rack effect unit - you can't wait to add some serious cheese to your tracks, and the sound of gated reverbs ring in your ears. Your heart pounds, and your pulse rises to crescendo as you win the auction! But there is one problem: your Eurorack system runs way too hot to simply plug straight into your stereo FX units. Your heart sinks, as you realize there is not much you can do that doesn't involve a lot of messing around with complicated and weird mono modules. That is, until now: introducing the Herzlich SFXI.

The Stereo FX Integrator was designed in response to my own need: owning several cool stereo FX units, and having no easy way to integrate them with an easy send and return, in my Eurorack system. Attenuate your Eurorack signals down to line level, or even all the way down to instrument level, and get a nice, clean boost back up to modular levels, with this dead simple and highly useful device from the R&D department at Herzlich Labs.

You can even use it to integrate external stereo line level signals into your Eurorack, which is both nice and convenient, and also useful. Finally, you have an easy way to get the sound of your JV1080 into your Clouds.

The scientists have been working overtime to produce this unit, and were fed extra rations of maize and millet gruel just to bring you this circuit. Every SFXI sold will grant the poor souls at Herzlich Labs another serving of maize and millet gruel. Please think of the poor scientists at Herzlich Labs.

Dimensions
4 HP

Current Draw
30 mA +12V
30 mA -12V
0 mA 5V
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quote 958808
Noise Engineering Sinc Defero 4-Channel Buffered Attenuator & Multiple Module With LEDs (black)
Cat: 942751 Rel: 22 Feb 24 • View all Synth modules
 
Buffered quad attenuator module with LEDs in 4HP.
Notes: Yep, it's an attenuator. With a fancy name! And LEDs!

Sinc Defero's inputs are circularly normalled, too, so you can use it as a mult by leaving inputs unpatched.

Features:

Size and power:

4HP Eurorack
+12v: 45mA
-12v: 40mA
Sinc - from Old English sinc for "treasure" and Greek clastic for "easily removable"

Defero - from Latin for "sloping down"

"Portable treasure reduction"

What's in the box:

Module
Power cable
To reduce excess materials, screws will no longer be included with Noise Engineering's modules beginning in 2023.
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MRP:$152.65 SAVE 12%
 1 in stock $134.74
Presonus Eris Studio 5 Active 5.25" High-Definition Near Field Studio Monitor (single) (B-STOCK) Presonus Eris Studio 5 Active 5.25" High-Definition Near Field Studio Monitor (single) (B-STOCK) Presonus Eris Studio 5 Active 5.25" High-Definition Near Field Studio Monitor (single) (B-STOCK)
Cat: 1007473 Rel: 01 Jan 90 • View all Studio monitors
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Building on the reputation of its award-winning predecessors, the Erisr Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response that reproduces every detail in your recordings with a natural sound unparalleled in its class. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.

The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response and wide 100-degree horizontal dispersion to create a broader sweet spot. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction. An elegant new enclosure design improves the waveguide performance so you'll hear the finest details in your mix.

The woven-composite low-frequency driver offers Eris' signature tight, clear bass with plenty of punch. Its 80W of biamped power make the Eris Studio 5 more efficient than previous designs. The ported enclosure maximizes bass response and allows the Eris Studio 5 to reach down to an astonishing 48 Hz - without a subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything.

Features

5.25-inch woven composite low-frequency driver
1-inch, ultra-low mass, silk-dome, high frequency driver
Crossover Frequency, 3.5 kHz
100- x 60- EBM waveguide provides a sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
80W, Class AB dual amplification
48 Hz to 20 kHz frequency response
102 dB Peak SPL (@ 1 meter)
Acoustic Tuning Controls:
Acoustic Space (Flat, -2 dB, -4 dB)
High Frequency (+/-6 dB, center 10 kHz, continuously variable)
Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)
Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Inputs:
XLR and 1/4-inch TRS balanced rear-panel inputs
RCA unbalanced rear-panel inputs

Protection:
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
Power Saver mode (engages after 40 minutes)

Set up your studio monitors for your room.

Erisr Studio 5 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonus studio monitors, the Eris Studio 5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10kO

Performance

Peak SPL: 102 dB (@ 1 meter)

Speakers
Crossover frequency: 3.5 kHz
Coverage pattern: 100 degree (H) x 60 degree (V)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA

Power amplifier type: Class AB

Measurements

Dimensions: 11.50 x 8.00 x 8.80 in

Product depth: 8.78" (22.3 cm)
Product height: 11.5" (29.2 cm)
Product width: 8" (20.32 cm)
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MRP:$167.39 SAVE 21%
 1 in stock $132.28
CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand CoverUp Pro Triple Tier Synthesiser Desktop Stand
Cat: 959691 Rel: 15 Nov 23 • View all Recording Studio Accessories
 
A triple tier stand for 3 synthesisers 20cm width and 7cm height.
Notes: This stand its part of a new concept in COVERUP. With differents parts, you can use to put on multiple synths, including big devices, until now, not possible with the other stands.

You can configure your setup with you like more, with two big devices, or three medium devices. Easy to ensamble, very light to move from your studio to live. Just you need 1 minute to arm and start to playing.

Your setup of synthesizers and studio equipment can change permanently and with it also the position on the work table.

Taking this into account, CoverUp developed a 3-level support, which can be set up in different ways depending on the number of machines that we are going to place and their size.

In the triple stand configuration (using all 4 parts), 3 20cm machines can be placed. deep and a maximum height of 7cm.

This space is enough for much of the hardware available today.

The triple bracket parts are assembled with screws (included) using a universal socket that holds them together firmly.

In turn each part can be used as a simple support. It is only enough to separate the parts by removing the screws and use each part as it suits us.

Each part has rubber feet underneath, so that the support does not slip and is firmly supported.

Both halves of the triple support are linked with wooden rods at various points to give it lateral stability.

The design contemplates space for the rear connectors of each equipment, so that none of them are obstructed by the support.

Measures:
Depth: 58cm
Height: 41cm
Width: 34cm
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Tags: Stands
 2 in stock $143.70
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quote 959691
Presonus Eris Studio 5 Active 5.25" High-Definition Near Field Studio Monitor (single) Presonus Eris Studio 5 Active 5.25" High-Definition Near Field Studio Monitor (single) Presonus Eris Studio 5 Active 5.25" High-Definition Near Field Studio Monitor (single)
Cat: 960769 Rel: 26 Sep 23 • View all Studio monitors
 
Active 5.25" high-definition near field studio monitor.
Notes: Building on the reputation of its award-winning predecessors, the Erisr Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response that reproduces every detail in your recordings with a natural sound unparalleled in its class. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.

The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response and wide 100-degree horizontal dispersion to create a broader sweet spot. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction. An elegant new enclosure design improves the waveguide performance so you'll hear the finest details in your mix.

The woven-composite low-frequency driver offers Eris' signature tight, clear bass with plenty of punch. Its 80W of biamped power make the Eris Studio 5 more efficient than previous designs. The ported enclosure maximizes bass response and allows the Eris Studio 5 to reach down to an astonishing 48 Hz - without a subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything.

Features

5.25-inch woven composite low-frequency driver
1-inch, ultra-low mass, silk-dome, high frequency driver
Crossover Frequency, 3.5 kHz
100- x 60- EBM waveguide provides a sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
80W, Class AB dual amplification
48 Hz to 20 kHz frequency response
102 dB Peak SPL (@ 1 meter)
Acoustic Tuning Controls:
Acoustic Space (Flat, -2 dB, -4 dB)
High Frequency (+/-6 dB, center 10 kHz, continuously variable)
Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)
Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Inputs:
XLR and 1/4-inch TRS balanced rear-panel inputs
RCA unbalanced rear-panel inputs

Protection:
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
Power Saver mode (engages after 40 minutes)

Set up your studio monitors for your room.

Erisr Studio 5 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonus studio monitors, the Eris Studio 5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10kO

Performance

Peak SPL: 102 dB (@ 1 meter)

Speakers
Crossover frequency: 3.5 kHz
Coverage pattern: 100 degree (H) x 60 degree (V)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA

Power amplifier type: Class AB

Measurements

Dimensions: 11.50 x 8.00 x 8.80 in

Product depth: 8.78" (22.3 cm)
Product height: 11.5" (29.2 cm)
Product width: 8" (20.32 cm)
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quote 960769
Der Mann Mit Der Maschine R2M/R2C Controller Remote Connection Modules For Droid Master (pair)
Cat: 971155 Rel: 06 Nov 23 • View all Synth modules
 
R2M/R2C: two controller remote connection modules for the Droid Master - 2HP each.
Notes: R2M is module 1 of a pair of two 2 HP modules that allow you to connect a chain of controllers to your DROID master through a standard 3.5 mm stereo cable (sometimes also called aux-cable).

The usual idea is that you put all your DROID controllers into a skiff case and mount your DROID master, X7 and G8 into another case, together with all your fancy Eurorack sound modules.

R2C is module 2 of a pair of two 2 HP modules that allow you to connect a chain of controllers to your DROID master through a standard 3.5 mm stereo cable (sometimes also called aux-cable).

The usual idea is that you put all your DROID controllers into a skiff case and mount your DROID master, X7 and G8 into another case, together with all your fancy Eurorack sound modules.

While you could do this with the typical 6-pin ribbon connector (e.g. the 80 cm version that we offer), using the R2M/R2C combination has some serious advantages:

The connection cable can be almost arbitrary long (20 m have been tested and works perfectly).

Since the connection is done on the front of the modules, you can quickly disconnect your skiff for the purpose of travelling to a gig.

You can use a standard 3.5 mm stereo TRS cable for the connection.

These modules are not just passive connectors but contain special driver ICs that transform the electronic voltage levels, which run in the 6-pin ribbon, to something more stable and reliable that is fit for longer distances in a more hostile environment.

The controllers do not receive their power from the master but from the R2C module, which has a power connector and a voltage regulator for that purpose. Each chain of the R2C module provides the same power to its controller chain as the master does (it contains the identical voltage regulator). That means that you can connect up to 32 controllers (!) to one R2C.

Another nice thing: The R2M/R2C combination allows for two of these master / controller connections in parallel. That means that you can have two masters being attached to their individual controller chains. That does not mean, that each of the masters can access each of the controllers at the same time, however. Both master / controller connections work completely separately.

Package contents:
* one R2M module
* one R2C module
* one Eurorack power cable for the R2C
* two 6-pin ribbon cables for connecting the R2M to two masters
* two 3.5 mm stereo TRS cables, approx.. 1.2 m
* 4 red M3 screws for mounting the two modules
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quote 971155
Stomp Wizard Cosmic Echo Analogue-Sounding LoFi Delay Effects Pedal Stomp Wizard Cosmic Echo Analogue-Sounding LoFi Delay Effects Pedal Stomp Wizard Cosmic Echo Analogue-Sounding LoFi Delay Effects Pedal Stomp Wizard Cosmic Echo Analogue-Sounding LoFi Delay Effects Pedal
Cat: 971611 Rel: 04 Mar 24 • View all Effects pedals
 
Analogue-sounding LoFi delay effects pedal.
Notes: The Cosmic ECHO is an analogue-sounding LoFi delay that will work with just about anything you plug into it.

The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 momentary switches, Zone and Warp.

Dark, rich sounds with the analogue vibe of a tape echo.

Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

Delay length: 30ms-1,250ms

3 knobs: Feedback, Mix and Rate. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.

Warp button: Momentary pushbutton switch that gives a bright, "small speaker" tone.

Zone button: Momentary pushbutton switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Zone amount can be adjusted by an internal trim pot.

Pedal may have a slight volume drop.

Great for shoegaze, surf rock, ambient and experimental sounds.

Pedal uses a 125B case

Dimensions (L x W x H): 4 7/8" x 2 5/8" x 2 3/16" (124mm x 67mm x 56mm).

Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included).
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quote 971611
Feedback VCF2600 Classic Resonant Filter Module Feedback VCF2600 Classic Resonant Filter Module Feedback VCF2600 Classic Resonant Filter Module Feedback VCF2600 Classic Resonant Filter Module
Cat: 972051 Rel: 27 Oct 23 • View all Synth modules
 
Resonant filter module - 8HP.
Notes: This filter is based on the classic 2600 from the seventies and uses the LM3900 Norton opamp chip.

It has an audio inputs, two CV ins and an audio out.

You can control audio input level, CV levels, frequency cutoff and resonance.

It has a beautiful sound and it can go from relatively clean to dirty and screamy depending on audio signal level and resonance.

Tech specs:

- 8HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 7mA , -12V 13mA
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 1 in stock $105.27
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quote 972051
Electro-Harmonix Pico Triboro Bridge Digital Overdrive/Distortion/Fuzz Effects Pedal Electro-Harmonix Pico Triboro Bridge Digital Overdrive/Distortion/Fuzz Effects Pedal Electro-Harmonix Pico Triboro Bridge Digital Overdrive/Distortion/Fuzz Effects Pedal Electro-Harmonix Pico Triboro Bridge Digital Overdrive/Distortion/Fuzz Effects Pedal
Cat: 972467 Rel: 12 Oct 23 • View all Effects pedals
 
Digital overdrive, distortion and fFuzz effects pedal.
Notes: Bridging the worlds of overdrive, distortion, and fuzz in a sub-compact pico chassis!

The EHX Pico Triboro Bridge is a tri-mode drive box with a wide range of tonal possibilities. Featuring Overdrive, Distortion, and Fuzz modes, it bridges any gap in your gain. With a powerful EQ, input contouring, and a pico-sized footprint, the Triboro Bridge can be your tonal keystone or a welcome change from the routine drive.

Starting with Overdrive mode, the gain spectrum ranges from low to mid with an open voicing that can be used as a light always on drive or a solo boost. Engage the Triboro's Distortion mode for additional gain-staging for a tone from crunchy rhythms to fully saturated leads. Transform the pedal into something completely different with the Fuzz mode's over-the-top gain, Gate and Low Pass Filter.

The Triboro Bridge controls features Volume and Gain knobs to control the overall output and saturation of the tone. In Overdrive and Distortion modes, the Treble and Bass knobs act as a Baxandall EQ for simple yet effective tone shaping. In Fuzz mode the Treble knob is now the gate more, controlling the Fuzz's noise gate threshold, and the Bass knob controls a Low Pass Filter for extreme tonal variations. Additionally, the Triboro Bridge features an Input Contouring EQ which can be applied to your tone at the input, for a more modern, sculpted tone in all modes.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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quote 972467
Electro-Harmonix Pico Rerun Digital Tape Delay Effects Pedal Electro-Harmonix Pico Rerun Digital Tape Delay Effects Pedal Electro-Harmonix Pico Rerun Digital Tape Delay Effects Pedal Electro-Harmonix Pico Rerun Digital Tape Delay Effects Pedal
Cat: 972470 Rel: 12 Oct 23 • View all Effects pedals
 
Digital vintage tape-style delay effects pedal.
Notes: Vintage tape-style delay smaller than a cassette player!

Tape delay is loved for its warmth and charming imperfections compared to pristine digital delays. Their preamps could be pushed to saturation and, over time, the tape in vintage delay units would degrade causing a signature warble loved by many. These signature elements are captured and packed into Electro-Harmonix's Pico Rerun tape delay. Based off the tape delay algorithm found in the Canyon Delay & Looper, the Rerun gives vintage vibes with modern features.

The Rerun features a simple control set and tap tempo for ease of use in any situation. BLEND sets the wet/dry blend. DELAY adjusts the delay time from 8ms to 3s. SAT adds tape saturation and distortion for added crunch to only the wet signal, keeping your dry signal unaffected by the added distortion. FDBK sets the level of repeats from 1 to infinite for runaway oscillation. You can also press and hold the footswitch to engage infinite repeats in an instant. The FLUTTER mode switch toggles between low, medium, and heavy modulation effects ranging from slight chorusing to seasick thickness.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. Additionally, the Rerun also features selectable Tails bypass allowing echoes to continue after putting the pedal into bypass.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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quote 972470
Electro-Harmonix Pico Oceans 3-Verb Digital Reverb Effects Pedal Electro-Harmonix Pico Oceans 3-Verb Digital Reverb Effects Pedal Electro-Harmonix Pico Oceans 3-Verb Digital Reverb Effects Pedal Electro-Harmonix Pico Oceans 3-Verb Digital Reverb Effects Pedal
Cat: 972472 Rel: 11 Oct 23 • View all Effects pedals
 
Digital reverb effects pedal.
Notes: Ultra-compact ambience featuring the spacious sounds of Spring, Plate and Hall Reverb!

The EHX Pico Oceans 3-Verb is an ultra-compact reverb pedal packed with the essentials of ambience with plenty of flexibility and control. This Pico-sized reverberator adds the huge sounds of Spring, Plate, and Hall reverb to any pedalboard while using minimal space. Adjustable decay time, pre-delay / spring length, and tone make the Oceans 3-verb able to create a plethora of spacious sounds.

SPRING - pays homage to the classic Fenderr 6G15 tube spring reverb
PLATE - the lush, warm reverb that got its name as it was originally created by a large metal plate
HALL - the rich reverberant sound of a grand concert hall

A comprehensive control set allows for tailored sound to any setup. BLEND adjusts from 100% dry to 100% wet. TIME controls the decay time of the reverb. DELAY/SPRING sets the pre-delay time in PLATE and HALL mode or selects between 3 springs lengths in SPRING mode. The TONE control adjusts the overall brightness of the reverb from bright and airy to warm and smoky.

Additionally, TAILS bypass can be selected so the reverb continues to decay after the pedal is switched to bypass. This allows for a more natural sounding decay when turn the reverb off. Infinite Reverb can be achieved by maxing out the TIME control in both PLATE or HALL mode or by pressing and holding the footswitch. This creates a building ambient soundscape until you release the footswitch.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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MRP:$165.28 SAVE 11%
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quote 972472
Electro-Harmonix Pico Canyon Echo Digital Delay Effects Pedal Electro-Harmonix Pico Canyon Echo Digital Delay Effects Pedal Electro-Harmonix Pico Canyon Echo Digital Delay Effects Pedal Electro-Harmonix Pico Canyon Echo Digital Delay Effects Pedal
Cat: 972473 Rel: 11 Oct 23 • View all Effects pedals
 
Digital delay effects pedal.
Notes: Flexible digital delay in the world's smallest Canyon!

The EHX Pico Canyon Echo takes the digital delay from the award-winning Canyon Delay and Looper and plates it up as a single serving echo unit. Starting with a crystal clean delay, the Canyon Echo is a sweetly simple delay with 3 seconds of delay time. Don't let the size fool you, this canyon is deep! Add filtering, tap tempo, and a feedback knob capable of infinite repeats and this little echo is up to most time bending tasks.

The Canyon Echo features a BLEND knob to get the perfect wet/dry mix. The DELAY knob sets the delay time from 8ms to 3s. FEEDBACK is adjustable from 1 repeat to infinite repeats for endless delay washes and pads. Turn the FILTER knob past noon and it's a High Pass Filter while below noon it is a Low Pass Filter.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. The tempo can then be subdivided from a quarter note to a dotted eight note to an eighth note with the TAP DIV button. Additionally, the Canyon Echo also features selectable Tails bypass so echoes continue after putting the pedal into bypass.

The Canyon Echo also features a new style of Infinite Repeats where a single delay is repeated and the input is taken out of the delay path. This makes the pedal function like a micro tape looper that can be played over without new delays being created. The micro loop can also be manipulated into warped sound effects by adjusting the DELAY knob.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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MRP:$160.02 SAVE 18%
 2 in stock $131.59
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quote 972473
Electro-Harmonix Pico Attack Decay Digital Reverse Tape Effects Pedal Electro-Harmonix Pico Attack Decay Digital Reverse Tape Effects Pedal Electro-Harmonix Pico Attack Decay Digital Reverse Tape Effects Pedal Electro-Harmonix Pico Attack Decay Digital Reverse Tape Effects Pedal
Cat: 972480 Rel: 12 Oct 23 • View all Effects pedals
 
Digital reverse tape effects pedal.
Notes: Seductive swells and reverse tape effects push the envelope on any pedalboard!

The original Attack Decay Tape Reverse Simulator is known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes, and bowed instrument effects. In 2019 the digital Attack Decay reissue was released, and now the Pico Attack Decay gives us volume envelope effects in a simplified, compact package.

The Pico Attack Decay allows you to dial in volume swells and decays, both in Mono mode-one volume envelope for all notes you play-and the revolutionary Poly mode where each note to has its own volume envelope creating cascading swell effects and leads with agile attack smoothing. With intuitive functionality and simple controls, the Pico Attack Decay opens up creative avenues for any player interested in pushing the (volume) envelope.

The Pico Attack Decay is both powerful and simple with four knobs and a mode button that let you create a wide variety of effects. The ATTACK knob sets the swell or fade-in speed of the volume envelope while the DECAY knob sets the fade-out speed of the volume envelope. Set the ATTACK higher for languid volume swells. Set the DECAY higher for artificially staccato notes for synth-like punches. SENS adjusts the threshold for triggering the envelope. VOL controls the overall output volume. A hidden BLEND control allows you to blend wet and dry signals for even more flexibility in tone.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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MRP:$146.33 SAVE 14%
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quote 972480
Doepfer A-105-2v 24dB Low Pass (SSI-Type) Filter Vintage Edition Module (black)
Cat: 973745 Rel: 14 Nov 23 • View all Synth modules
 
24dB SSI low pass filter module - 4HP.
Notes: Module A-105-2V is a voltage controlled low pass filter with 24dB/octave slope.

It is the successor of the A-105 which had to be discontinued because the obsolete SSM2044 filter circuit. The A-105-2 is based on the SSI2144 which is in turn the successor circuit of the SSM2044. The features of both modules are nearly the same. The main difference is the clearly reduced front panel width of the A-105-2 (4HP instead of 8HP) and the associated changes of the controls and sockets positions. In addition the A-105-2 is equipped with 2 audio inputs.

The module has these controls and in/outputs available:

Control Frequ: manual frequency control
Control FCV2: attenuator for the frequency control voltage applied to socket FCV2
Control Q: manual resonance control
Control QCV: attenuator for the resonance control voltage applied to socket QCV
Control Input 1 Level: attenuator for the audio input signal applied to socket Input 1
Socket Input 1: audio input 1 (with attenuator)
Socket Input 2: audio input 2 (without attenuator)
Socket FCV1: frequency control voltage 1 (without attenuator, about 1V/oct scale)
Socket FCV2: frequency control voltage 2 (with attenuator)
Socket QCV: resonance control voltage (with attenuator)
Socket Out: audio output
Technical notes:

Frequency range: about 15Hz ... 15 kHz
Resonance up to self oscillation
Max. input voltage at Input 2 without clipping/distortion: about 15Vpp
Max. output voltage without clipping/distortion: about 15Vpp
The signals of both inputs are mixed before they are processed by the filter. This saves an external mixer for small setups.
Depth: 45 mm

HP : 4
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Doepfer A-147-5 Quad VCLFO Module (silver)
Cat: 973756 Rel: 14 Nov 23 • View all Synth modules
 
Quad VCLFO module - 4HP.
Notes: Module A-147-5 contains four voltage controlled low frequency oscillators (VCLFO) with triangle waveform outputs. All LFOs share a common frequency control. Each of the LFOs 2, 3 features a Delta control which is used to shift the frequency of the LFO in question up or down. With the Delta controls at center positions the frequencies of all LFOs are roughly the same. To control the frequencies by external control voltages four CV inputs are available which follow roughly the 1V/oct standard.

The module has these controls and in/outputs available:

Control F: manual control of the frequency for all four LFOs
Control Delta F2, F3 and F4: manual control of the frequency shift up/down for the LFO in question
Sockets CV 1...4: Frequency control voltage inputs (normalled from top to bottom)
Sockets with triangle symbol 1...4: triangle outputs
LEDs: visual displays of the triangle outputs (red = positive, yellow = negative output voltage)

Application examples:

Generation of four triangle modulation signals with a common frequency control for all LFOs and individual controls for the frequency deviation of each LFO, manually adjustable and controllable by external control voltages
Generation of modulation signals for polyphonic FM/PWM applications. For this the four CV inputs are connected to the same control voltages which are used to control the frequencies of the corresponding VCOs. That way each LFO follows the frequency of the associated VCO with the possibility to control the frequency of all VCOs (control F) and the frequency deviations (Delta F controls). For the simultaneous modulation depth control the Quad VCA module A-130-4 is recommended.
Generation of complex modulation signals by summing up the outputs (e.g. by means of a mixer module A-138n / A-138i / A-138j)

Technical notes:

The level of the triangle outputs is about +/-5V (10Vpp)
The manually adjustable frequency ranges from about 0.025 Hz (about 40 seconds) to about 50 Hz with the delta controls of LFOs 2, 3 and 4 about center position
The frequency deviations adjusted by the delta controls are about +/-1:5. Example: with 1 Hz in center position the frequency shift ranges from about 0.2 Hz in position -5 to about 5 Hz in position +5 (1 Hz/5 = 0.2 Hz, 1 Hz*5 = 5 Hz).
The manual frequency controls and the control voltage inputs have an exponential control behavior
With external control voltage the max. frequency is about 150 Hz, the minimum frequency
The scale of the CV inputs is roughly 1V/oct (not adjustable)
The CV inputs are normalled from top to bottom. Provided that only socket CV1 is patched CV1 controls the frequencies of all four LFOs.
When each CV input is patched to it's own control voltage each LFO is controlled individually by it's own CV. In this case CV1 controls only the frequency of LFO1.
Internally the rectangle outputs are available at four terminals (typ level +/-10V or 20Vpp). If required they can be wired to four sockets of a DIY breakout module made by the user, 1k protection resistors are recommended to avoid short circuits. If lower levels are required passive attenuators (voltage dividers) may be used.
Internally is even an (unbufferd) triangle sum signal available. For this each of the four triangle outputs is simply connected to the sum output terminal via a 47k resistor. This output has high impedance and should be buffered or amplified to avoid level drop when the load changes (e.g. by means of an A-180-3 or A-180-4 or A-183-3).
By changing the values of the capacitors in the LFO circuits even other frequency ranges are possible (e.g. Quad VCO to form kind of a cloud VCO). Pay attention that the accuracy of the CV input scales is not sufficient for precise 1V/oct VCO applications. The 1V/Oct scales cannot be adjusted and the circuits are not temperature compensated.

Dimensions
4 HP
45 mm deep
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 1 in stock $100.00
Doepfer A-147-5v Quad VCLFO Vintage Edition Module (black)
Cat: 973760 Rel: 14 Nov 23 • View all Synth modules
 
Quad VCLFO module - 4HP.
Notes: Module A-147-5v contains four voltage controlled low frequency oscillators (VCLFO) with triangle waveform outputs. All LFOs share a common frequency control. Each of the LFOs 2, 3 features a Delta control which is used to shift the frequency of the LFO in question up or down. With the Delta controls at center positions the frequencies of all LFOs are roughly the same. To control the frequencies by external control voltages four CV inputs are available which follow roughly the 1V/oct standard.

The module has these controls and in/outputs available:

Control F: manual control of the frequency for all four LFOs
Control Delta F2, F3 and F4: manual control of the frequency shift up/down for the LFO in question
Sockets CV 1...4: Frequency control voltage inputs (normalled from top to bottom)
Sockets with triangle symbol 1...4: triangle outputs
LEDs: visual displays of the triangle outputs (red = positive, yellow = negative output voltage)

Application examples:

Generation of four triangle modulation signals with a common frequency control for all LFOs and individual controls for the frequency deviation of each LFO, manually adjustable and controllable by external control voltages
Generation of modulation signals for polyphonic FM/PWM applications. For this the four CV inputs are connected to the same control voltages which are used to control the frequencies of the corresponding VCOs. That way each LFO follows the frequency of the associated VCO with the possibility to control the frequency of all VCOs (control F) and the frequency deviations (Delta F controls). For the simultaneous modulation depth control the Quad VCA module A-130-4 is recommended.
Generation of complex modulation signals by summing up the outputs (e.g. by means of a mixer module A-138n / A-138i / A-138j)

Technical notes:

The level of the triangle outputs is about +/-5V (10Vpp)
The manually adjustable frequency ranges from about 0.025 Hz (about 40 seconds) to about 50 Hz with the delta controls of LFOs 2, 3 and 4 about center position
The frequency deviations adjusted by the delta controls are about +/-1:5. Example: with 1 Hz in center position the frequency shift ranges from about 0.2 Hz in position -5 to about 5 Hz in position +5 (1 Hz/5 = 0.2 Hz, 1 Hz*5 = 5 Hz).
The manual frequency controls and the control voltage inputs have an exponential control behavior
With external control voltage the max. frequency is about 150 Hz, the minimum frequency
The scale of the CV inputs is roughly 1V/oct (not adjustable)
The CV inputs are normalled from top to bottom. Provided that only socket CV1 is patched CV1 controls the frequencies of all four LFOs.
When each CV input is patched to it's own control voltage each LFO is controlled individually by it's own CV. In this case CV1 controls only the frequency of LFO1.
Internally the rectangle outputs are available at four terminals (typ level +/-10V or 20Vpp). If required they can be wired to four sockets of a DIY breakout module made by the user, 1k protection resistors are recommended to avoid short circuits. If lower levels are required passive attenuators (voltage dividers) may be used.
Internally is even an (unbufferd) triangle sum signal available. For this each of the four triangle outputs is simply connected to the sum output terminal via a 47k resistor. This output has high impedance and should be buffered or amplified to avoid level drop when the load changes (e.g. by means of an A-180-3 or A-180-4 or A-183-3).

By changing the values of the capacitors in the LFO circuits even other frequency ranges are possible (e.g. Quad VCO to form kind of a cloud VCO). Pay attention that the accuracy of the CV input scales is not sufficient for precise 1V/oct VCO applications. The 1V/Oct scales cannot be adjusted and the circuits are not temperature compensated.

Dimensions
4 HP
45 mm deep
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 1 in stock $113.68
Steinberg Cubase Artist 12 Upgrade From Cubase AI 12 Music Production Software (B-STOCK)
 
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Cubase Artist is focused purely on music creation and production, with a wealth of dedicated tools for composing, songwriting, recording and mixing. Its cutting-edge audio technology was developed through decades of music software expertise and is based on the same technologies used and appreciated by leading musicians around the world. Cubase Artist inspires musicians from any genre with instantly accessible features, exciting instruments and effects and a next generation mixing environment. Write songs, record band demos, create beats and mix your music using the acclaimed Cubase audio and mixing engine.

Award-winning 64-bit floating-point Steinberg audio engine with up to 192 kHz
Unlimited number of audio/MIDI/Instrument tracks
Complete effect suite with over 70 high-end audio and MIDI VST effect processors
Four outstanding VST Instruments with over 2.500 included instrument sounds, HALion Sonic SE 3, Groove Agent SE 5, Padshop 2 and Retrologue 2
NEW: Improved MIDI Remote controller integration
NEW: FX Modulator - advanced, multi-effect modulation
NEW: Improved AudioWarp with phase-coherent multi-track warp
NEW: Scale Assistant in VariAudio
NEW: Audio to MIDI chords
NEW: Verve - a beautifully atmospheric felt piano.
Native Apple silicon support
And many more.

Cubase 12 also features the new Steinberg Licensing system, which means the Steinberg USB eLicenser is not required anymore.

Operating systems (Windows): 64-bit Windows 11 (version 21H2 or higher), 64-bit Windows 10 (version 21H2 or higher)
Operating systems (Mac): macOS Monterey, macOS Big Sur
Apple silicon-based Mac: Native App
CPU minimum (Windows): rIntel Core™ i5 (4th Generation) or AMD Ryzen™
CPU minimum (Mac): rIntel Core™ i5 (mid 2013 or later) or Apple silicon
CPU cores: 4 or more
RAM minimum: 8 GB
Hard disk free space (full installation): 70 GB
Display resolution minimum at 100% UI scaling: 1440 x 900
Graphics minimum (Windows): Graphics card with native Windows 10 support
(Microsoft Basic Display Driver is not recommended)
Graphics recommended (Windows): AMD R or RX series and later or
NVIDIA Series 700 and later
Graphics (Mac): Graphics card with Metal support
Graphics (GPU memory): 4 GB or higher for 4k displays

System requirements

OS compatible audio hardware
ASIO-compatible audio hardware is recommended for low-latency performance.
An internet connection is required for activation, account setup and personal/product registration. A download is required for the installation.
Note: This software version does not support 32-bit plug-ins. VST 2 plug-ins only run in Rosetta 2 mode on Apple silicon-based Mac computers. Cubase does not
support VST 2 when running natively on Apple silicon Macs.
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 1 in stock $112.11
Electro-Harmonix Spruce Goose Analogue Overdrive Effects Pedal Electro-Harmonix Spruce Goose Analogue Overdrive Effects Pedal Electro-Harmonix Spruce Goose Analogue Overdrive Effects Pedal Electro-Harmonix Spruce Goose Analogue Overdrive Effects Pedal
Cat: 977361 Rel: 06 Nov 23 • View all Effects pedals
 
Analogue overdrive effects pedal
Notes: Liftoff with the EHX Spruce Goose Overdrive!

Liftoff with the EHX Spruce Goose Overdrive, an elevated take on a Bluesbreakerr-style OD with a smooth, rich breakup that retains clarity and dynamics. The Spruce Goose soars with a host of new features including a LIFT switch accessing 3 input gain settings, additional output, and expanded EQ to send you tone flying! From meaty boost to smooth singing leads, the Spruce Goose steers your tone into a variety of inspiring and musical directions.

The engine of the Spruce Goose is an overdrive circuit renowned for its natural breakup and amp-like response. This circuit is then elevated to new heights by the LIFT switch which selects between 3 levels of input gain. LIFT effectively works as an input boost, goosing the front end of the drive circuit hitting harder and producing a more compressed, saturated tone while still retaining its dynamic feel and transparent tone. GAIN and VOL knobs adjust for exact drive and output levels. EQ of the pedal consists of a TREBLE knob for taming topping and an active BASS knob to cut or boost bass frequencies. BASS is especially helpful for adding girth to single coil guitars or tightening the low end on warmer humbucker guitars.

The Spruce Goose also features mechanical relay true bypass switching with latching and momentary action. Tap the footswitch for a normal latching toggle or press and hold the footswitch for a momentary blast of gain and boost! Great for stepping out in front of the mix for pulling quick lick or moment of sonic chaos.

All trademarks are the property of their respective owners.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 20mA
Year Released: 2023
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TipTop Audio Forbidden Planet Analogue Filter Module (white) (B-STOCK)
Cat: 978013 Rel: 01 Jan 90 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Welcome to the Forbidden Planet, an all analogue multi-mode filter design influenced by the 1975 Steiner-Parker Synthacon model. Control the Forbidden Planet manually or through CV and take the sound of your Eurorack into new orbits.

Forbidden Planet has three filter input jacks: High Pass, Low Pass and Band Pass. The High Pass section is this module's signature sound - a crisp sharp-cut with no residue, designed to add High Pass filtering capability to Tiptop Audio's wide range of Eurorack modules. Send a throbbing kick drum through the High Pass section and filter out the rumbling lows while maintaining the pulse of the beat. The Bandpass is clear and useful in isolating a pie-slice-range-of-frequencies while cutting off the low and highs, great for accurate sound design or sculpting audio into that sweet spot. The Low Pass is an airy classic 12db two-pole analogue slope ideal for monophonic synth patches and filtering down to the essential low-end bass we all love.

The Forbidden Planet Resonance utilizes an internal feedback path which can sound smooth or aggressive depending on the knob setting. At a low setting, it emphasizes the cut-off harmonics, at middle settings it begins to self-oscillate, and towards maximum setting it forms interesting tones and all sorts of chopped grainy bits of self-oscillation perfect for entering into a sci-fi world.

The Forbidden Planet is an impressive multi-mode analogue filter which adds a broader filter spectrum to the Tiptop Audio modular family and unlocks forbidden creative possibilities in a small package.
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 1 in stock $110.54
DOD Chthonic Fuzz Effects Pedal DOD Chthonic Fuzz Effects Pedal DOD Chthonic Fuzz Effects Pedal
DOD Chthonic Fuzz Effects Pedal (distortion effects pedal)
Cat: 979767 Rel: 01 Feb 24 • View all Effects pedals
 
Fat, corpulent, fudgy, sludgy, fuzz effects pedal
Notes: The Chthonic Fuzz (pronounced: Thawnic) creates fat, corpulent, fudgy, sludgy, fuzz tones that pair perfectly with single-coil, P90, gold-foil, and De-Armond style pickups. It also works great with PAF-style humbuckers, but this fuzz was designed with brighter guitars and amps in mind.

Starting with a beloved a single-knob '70's fuzz circuit, DOD experimented with adding a subtle tone control (Lustre), and then a separate gain control (Fuzz). This yielded a simple yet powerful fuzz with an earthy, dark flavour. Straight-up transistor clipping using a pair of 2N2222 transistors allows guitar volume knob clean-up like other classic fuzzes, but the Chthonic comes from a different dimension. Think of it as a kind of Colorsound Overdriver from an alternate universe.

The Chthonic's Kraken/Cthulhu graphics are courtesy of the same artist that did the Carcosa Fuzz art. The Chthonic is a psychotic dizygotic dark companion to the Carcosa Fuzz.

Darker fuzz designed for brighter guitars and amps
Subtle tone control retains pick attack throughout entire range
Excellent clean-up with guitar volume knob
Lightweight all aluminium chassis
Crisp blue LED
True Bypass
11.88 cm (L) x 6.68 cm (W) x 5.71 cm (H)
0.453 kg.
Power Supply 9V Alkaline Dry Battery orPS200R Power Supply
Manufacturer Warranty: 1 Year
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Walrus Audio Canvas Tuner Pedal Walrus Audio Canvas Tuner Pedal Walrus Audio Canvas Tuner Pedal Walrus Audio Canvas Tuner Pedal Walrus Audio Canvas Tuner Pedal Walrus Audio Canvas Tuner Pedal Walrus Audio Canvas Tuner Pedal
Cat: 980077 Rel: 13 Nov 23 • View all Effects pedals
 
Flexible hi-end tuner pedal with rich graphics LCD display in full colour
Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.
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 3 in stock $147.38
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quote 980077
Winterbloom Micronova Power Supply
Winterbloom Micronova Power Supply (modular case power supply)
Cat: 982881 Rel: 05 Jan 24 • View all Synth Module Accessories
 
100x30mm power supply for modular case
Notes: The tiny but mighty Eurorack power supply. Winterbloom's love letter to DIYers is perfect for custom cases.

Micronova is a miniature 100x30mm power supply with a big soul. It can provide up to 18W of power for your modules and multiple units can be easily daisy chained to power larger systems.

Despite being adorably small, Micronova provides lots of flexibility for custom case builds. It can be powered through an attached DC barrel jack, screw terminals, or through an optional front entry panel.

Micronova is equipped with two Eurorack power headers that can be expanded using a busboard or flying bus cable.

Micronova also has critical safety features including reverse polarity protection, a resettable polyfuse, and over-current shutdown.

A suitable AC-DC power adapter is required.

A tiny 100mm x 30mm board with M3 mounting holes
Provides +12V @ 1A, -12V @ 300mA, and +5V @ 500mA
Includes two 16-pin Eurorack power headers
Requires a 15V to 20V center positive DC power supply
Multiple units can be daisy chained
Reverse-polarity, over-current, and over-temperature protection
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 1 in stock $136.85
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quote 982881
AMP Electronics Expandoor Expansion Module For AMP Devices
Cat: 980235 Rel: 21 Nov 23 • View all Synth modules
 
Expander module - 10HP
Notes: Expandoor

The Expandoor gets you quickly and simply using AMP's Melody Oracle, Star Song, or Touch Tones (as well as other possible future devices) as a CV and Gate controller. It outputs Eurorack-compatible CV and GATE signals, transforming your AMP device into a versatile and novel modular synth sequencer or controller. The Expandoor can be used as a standalone tabletop box, or mounted in a 3U 10HP rack space.

Three independent GATE outputs:

Just as the three "Register" zones on your AMP device gate the audio for the three octaves of the built-in synthesizer, there are three corresponding gate outputs on the Expandoor. The 1/8" jacks labelled "BS" "LH" and "RH" output ~11V DC gate signals whenever those zones are gating "ON" on your AMP device.

CV output, tuners and LED indicators:

The jack labelled "CV" outputs a tuned set of CV values (0-11V), tuned independently but correspondingly, to the set of tuners on your AMP device. The row of multi-turn tuners on the front panel allow fine tuning of each CV state. One tuner is active at a time, depending on the state of the "INTERVAL" zones on your AMP device. The active tuner is conveniently indicated in real time via lights found to the right of the tuners. The indicator lights serve a second function of showing you which tuner on the controlling AMP device is also active in parallel.

AMP LINK jacks

The AMP LINK jack on the bottom left of the front panel (with the arrow pointing IN) connects your controlling AMP device into the EXPANDOOR. Use only shielded CAT 5 or CAT 6 cables and connectors (the correct cables will have metal end connectors). The AMP LINK jack on the right outputs a signal identical to the input, allowing chaining of multiple Expandoors and/or Wave Expanders. Do not plug more than one AMP controlling device into a single Expandoor simultaneously, or damage to the devices could occur.

Each controlling device requires its own Expandoor or Wave Exapnder, but multiple expansion modules can be chained from one controlling device. One potential benefit to chaining expansion modules is the ability to output multiple tuned, corresponding but independent, CV channels. Meaning multiple sets of harmonic values could be tuned and accessed at the command of the single controlling AMP device, or accessed via other modules in your system.

Tech specs:

Input: AMP LINK via shielded CAT5 or CAT6 cable
Power: 12V DC Supplied via AMP LINK
Outputs: 3 Gate (~11V unipolar), 1 CV (variable 0-11V unipolar)
Tuners: 8 multi-turn fine tuners for CV, with indicator lights
Size: 3U 10HP (approximately 5.25" H x 2" W x 1.5" D)
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quote 980235
NANO Modules EXP4 4-Channel Expander Module
Cat: 982037 Rel: 04 Dec 23 • View all Synth modules
 
Expander module for Performance Mixer -
Notes: The EXP4 is an Expander module designed specifically for the Performance Mixer.

. Stereo Outputs for each channel (post VCA).
. CV control for each channel's MUTE function.
. CV AUX for the Stereo Channels.

Included with the EXP4 are a power cable and a 16-pin ribbon cable for easy connection to the Performance Mixer

Dimensions 4HP - 20×128,5mm
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 1 in stock $110.53
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KMA Machines Stereo ABY Switcher Effects Pedal KMA Machines Stereo ABY Switcher Effects Pedal KMA Machines Stereo ABY Switcher Effects Pedal KMA Machines Stereo ABY Switcher Effects Pedal KMA Machines Stereo ABY Switcher Effects Pedal
Cat: 983954 Rel: 02 Jan 24 • View all Guitar Footswitch Pedals
 
Passive Stereo ABY pedal, with active switching
Notes: ABY Stereo; Consistent Stereo Connectivity

"To A and B or not to B, in Stereo - that is the question."
Enrico Shakespeare, ye-olde scribe of Berlin

There's nothing new about ABY boxes. They're a very commonly used accessory and a staple part of many setups out there. But if they are so common, then why is it so difficult to find one in a stereo format that's well built, noise-free AND affordable?

So, KMA made a killer stereo ABY switcher to use in the workshop. In the process it was found to be so useful, it has been made available to the world too in a pedal format.

Whether you're looking to switch or combine your stereo input signal between two separate destinations or switch or combine two separate stereo input signals into a single output, the KMA Machines STEREO ABY pedal is a dependable little helper for your tonal quest. Created with a focus on durability, reliability, simplicity and hassle-free operation, this passive ABY switcher also features True Bypass active silent relay-based soft switching to reduce mechanical noise and unwanted pops and clicks when in use. So, all you have to do is choose your path and perform!

KMA's STEREO ABY features a fully passive design for the best signal integrity, along with True Bypass active silent relay-based soft switching. While that might be a hell of a wordy mouthful, what it means practically is that the audio signal itself is entirely untouched and without any colouration. Plus, you can use the device in either direction, for sending to different sets of amps or effects or for switching inputs/ instruments/devices into your chain.

However, the actual switching is taken care of by reliable and sturdy soft switches as a separate active circuit. By employing this switching technology, mechanical noise is greatly reduced, as is the risk of those pesky loud c
licks and pops that have plagued so many boards and has haunted so many musicians, since the inception of ABY boxes.

The bears eyes also light up - how awesome is that!? Okay, besides just looking cool and fulfilling boyhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs actually serve a practical purpose; to quickly and easily show you what signal path you've selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B.

This neat accommodating Stereo device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply. In addition, without tooting our own horn too much, it just looks awesome. All helping to make it feel right at home amongst the artistic landscape that is your pedalboard. What's not to like?

So, will you choose A, B or both? With the KMA Machines ABY Stereo, the fate of your signal is in your hands!
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MRP:$114.75 SAVE 12%
 1 in stock $101.38
Sound Machines LP1 Lightplane Module (B-STOCK)
Cat: 990210 Rel: 01 Jan 90 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A LS1lightstrip but in THREE fat dimensions!

A matrix of awesome and a powerful and unique CV controller for your system.

LP1lightplane is an expanded, tri-dimensional LS1 lightstrip. The same functions are exposed on either axis plus pressure (z) for three times the fun!
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 1 in stock $139.99
Electro Harmonix Operation Overlord Allied Stereo Overdrive Effects Pedal (B-STOCK) Electro Harmonix Operation Overlord Allied Stereo Overdrive Effects Pedal (B-STOCK) Electro Harmonix Operation Overlord Allied Stereo Overdrive Effects Pedal (B-STOCK)
Cat: 990507 Rel: 01 Jan 90 • View all Effects pedals
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


An advanced, feature laden, stereo overdrive and distortion pedal with a broad range of options and controls. With the Operation Overlord - whether you play keyboards, guitar, bass or pretty much any electronic instrument - dialling in great drive sounds is fast and fool-proof. Active, Treble, Mid and Bass controls, a foot-switchable Boost mode and a dry blend deliver superlative sound shaping. It even features two independent channels for use with stereo setups. Whatever your rig, the Overlord is your indispensable ally.
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MRP:$180.02 SAVE 28%
 1 in stock $128.77
EarthQuaker Devices Blumes Low Signal Shredder Effects Pedal EarthQuaker Devices Blumes Low Signal Shredder Effects Pedal EarthQuaker Devices Blumes Low Signal Shredder Effects Pedal EarthQuaker Devices Blumes Low Signal Shredder Effects Pedal EarthQuaker Devices Blumes Low Signal Shredder Effects Pedal EarthQuaker Devices Blumes Low Signal Shredder Effects Pedal
Cat: 990530 Rel: 16 Jan 24 • View all Effects pedals
 
Low signal shredder effects pedal
Notes: The Blumes is an overdrive based on the Plumes circuit that is ideal for bass players and all purveyors of low-end. While embodying the key characteristics and features of the Plumes, EQD went ahead and modified this circuit with double the gain and a deeper bass response to retain all the low end.

At lower gain settings, you'll get all of the crunchy tone you love about the original, but once you get above noon on the Gain control, that's where the similarities stop.

This all-analogue tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all its own. And thanks to its +/- power supply it utilizes bipolar power, which gives you more dynamics, clarity, and all the headroom you could ever desire. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge.

And much like the Plumes, this pedal offers three different clipping options for your desired low end face melting needs.

The Blumes features EarthQuaker Devices relay-based "soft touch" Flexi-Switch Technology for both momentary and latching footswitch operation as well as a very low 25mA current draw.

Each and every Blumes is built one-at-a-time by delightful little hands in Akron, Ohio; the charred, black heart in the heart of it all...
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 1 in stock $117.90
UDG Ultimate Pick Foam Ableton Push 3 Flightcase UDG Ultimate Pick Foam Ableton Push 3 Flightcase UDG Ultimate Pick Foam Ableton Push 3 Flightcase UDG Ultimate Pick Foam Ableton Push 3 Flightcase UDG Ultimate Pick Foam Ableton Push 3 Flightcase UDG Ultimate Pick Foam Ableton Push 3 Flightcase UDG Ultimate Pick Foam Ableton Push 3 Flightcase UDG Ultimate Pick Foam Ableton Push 3 Flightcase UDG Ultimate Pick Foam Ableton Push 3 Flightcase UDG Ultimate Pick Foam Ableton Push 3 Flightcase UDG Ultimate Pick Foam Ableton Push 3 Flightcase
Cat: 992003 Rel: 09 Jan 24 • View all Recording Studio Accessories
 
Flightcase designed to fit the Ableton Push 3
Notes: UDG have further fined-tuned what was already a great design concept of a flight case into one specially for the most discerning creative performers. Constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam, which allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for Ableton Push 3 and creating another slot beside for cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Case Ableton Push 3 is designed to keep your Ableton Push 3 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.

Specifications

Colour: Black
Weight: 5,50 kg / 12.1 lbs
Outer Dimensions (W x H x D): 39.0 x 50.0 x 16.5 cm | 15.3 x 19.7 x 6.5 inch
Inner Dimensions (W x H x D): 38.0 x 49.0 x 15.5 cm | 14.9 x 19.3 x 6.1 inch
Material: Aluminium

Protection: Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding & egg-crate foam on lid
Two side strong butterfly lock
Rubber feet at the bottom for support in standing

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Pick & pluck foam with two separate layers

Fits

Ableton Push 3, power adapter, extra cables
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KRK Rokit RP4 G3 Active Studio Monitor Speaker (single, black with yellow cone) (B-STOCK) KRK Rokit RP4 G3 Active Studio Monitor Speaker (single, black with yellow cone) (B-STOCK) KRK Rokit RP4 G3 Active Studio Monitor Speaker (single, black with yellow cone) (B-STOCK)
Cat: 993911 Rel: 01 Jan 90 • View all Studio monitors
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


KRK's ROKIT 4 G3 powered studio monitor offers professional performance and accuracy for recording, mixing, mastering and playback. The system consists of a 1" soft dome tweeter and 4" glass-Aramid composite woofer. It delivers high frequencies up to 35kHz, vocal clarity and extended bass response.

The proprietary bi-amped, class A/B amplifier grants SPL up to 102dB. The ROKIT waveguide is designed to ensure detailed imaging in the listening position. The front-firing bass port reduces boundary coupling to allow flexible positioning in the room while the engineered surface reduces diffraction distortion.

Multiple input connections ensure the ROKIT 4 G3 will easily integrate in any system configuration.

The ROKIT 4 is the most compact solution of the KRK ROKIT series, perfect to fit smaller rooms and any desktop application.
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 1 in stock $108.67
BOSS SL-2 Slicer Effects Pedal BOSS SL-2 Slicer Effects Pedal BOSS SL-2 Slicer Effects Pedal
BOSS SL-2 Slicer Effects Pedal (modulation effects pedal)
Cat: 996671 Rel: 16 Feb 24 • View all Effects pedals
 
Slicer effects pedal
Notes: Fresh-Sliced Inspiration

Envelop your music in vibrant rhythmic energy with the SL-2 Slicer, an inspiring creative tool filled with colourful sonic grooves. This BOSS original chops your sound into unique percussive patterns-including many processed with internal filters and effects-and provides multiple output options that bring grooves to life across the stereo field.

Evolved from the legacy SL-20 Slicer, the SL-2 offers expanded capabilities while shrinking the size to the pedalboard-friendly BOSS compact format. Instantly elevate performances with 88 onboard patterns and tap into more via the BOSS Tone Studio app. Grab the knobs to tweak audio slices on the fly and sync to songs with tap tempo and MIDI. Fun and easy to use, the SL-2 brings fresh musical power to all types of creators, from guitarists and keyboardists to loop performers, DJs, beatmakers, and beyond.

Compact Audio Adrenaline

The SL-2 brings massive sonic groove muscle to the compact pedal format. Modern DSP takes the BOSS Slicer engine further than ever before, delivering rich, animated sounds via single and dual paths chained with multiple internal effects. Eight pattern types-each with 11 variations-will keep you armed with creative firepower for a long time. When you're ready for more, connect to BOSS Tone Studio over USB to audition and load alternate patterns into the pedal and organize memory setups for different songs.


Pre-Loaded Pattern Types:

Single (1 and 2)-Rhythmic patterns that use a single Slicer effect.
Dual (3 and 4)-Rhythmic patterns that use two Slicer effects.
Tremolo (5)-Patterns with a traditional tremolo effect.
Harmonic (6)-Rhythmic patterns with pitch-shifting effects.
SFX (7 and 8)-Rhythmic patterns with different effects applied.

Shape Your Groove

With the SL-2's efficient interface, you can dial in sophisticated textures in seconds. Use the Attack control to shape the edge of the waveform for everything from hard-chopped slices to soft, fluttering movements. Then tweak the waveform's length with the Duty control, going from sharp, percussive transients to longer, fuller audio blocks. Adjust the tempo with the dedicated knob or hold the pedal switch to engage tap tempo mode for hands-free control. And with the Balance knob and +/-12 dB of output level adjustment, you always have complete control of the mix.


Set the Stage

The SL-2 dishes up loads of impressive sounds with a standard mono setup. But things get even better when using the two outputs and seven different output modes. Send direct and effect sounds to different destinations for recording and performance. Or surround yourself and listeners in animated movement using a variety of stereo and 3D processing options. You can also feed the SL-2 with your favourite stereo pedals to bring further magic to your grooves.


Stereo Output Modes:

Fixed (Default)-Sends the same direct/effect mix to both outputs.
EFX/Direct-Sends the effect sound to Output A and the direct sound to Output B.
Random-A stereo effect that randomly outputs the Slicer sound to the left, right, or center.
Ping-Pong-A stereo effect that alternately sends the Slicer sound to Output A or Output B.
Auto-A stereo effect that smoothly pans the Slicer sound between Output A and Output B.
3D Cross-Advanced spatial processing moves the Slicer sound in left/right and forward/back patterns in 3D space.
3D Rotation-Advanced spatial processing rotates the Slicer sound in 3D space.


Expand Your Creative Flow

With its generous external control options, the SL-2 flows with your creative needs. Plug in an external footswitch to instantly tap in the tempo or engage the effect with momentary presses. Or connect an expression pedal to control knob parameters or the overall level as you perform. With the TRS MIDI input, you can sync your SL-2 grooves to a drum machine, DAW, or any other device that sends MIDI clock. It's also possible to control expression, tempo, and bypass functions via MIDI CC messages.


Specifications
Sample Rate: 48 kHz

AD Conversion
24 bits + AF method
AF method (Adaptive Focus method)
This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.

DA Conversion: 32 bits
Patterns: 88
Nominal Input Level: INPUT A (MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A (MONO), INPUT B: +7 dBu
Input Impedance: INPUT A (MONO), INPUT B: 1 MO
Nominal Output Level: OUTPUT A (MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A (MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A (MONO), OUTPUT B: 1 kO
Recommended Load Impedance: OUTPUT A (MONO), OUTPUT B: 10 kO or greater
Bypass: Buffered bypass
Controls: TYPE knob, VARIATION knob, ATTACK knob, DUTY knob, TEMPO knob, BALANCE knob, Pedal switch
Indicator: CHECK indicator (Used for indication of Tempo and check battery)

Connectors:
INPUT A (MONO) jack
INPUT B jack
OUTPUT A (MONO) jack
OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
MIDI IN jack: Stereo miniature phone type
USB port: USB B
Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22, commercially available), AC adaptor (PSA series: sold separately)
Current Draw95 mA

Expected battery life under continuous use: Alkaline: Approx. 2.5 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Dry battery (9 V, 6LR61 or 6LF22)

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb
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 1 in stock $127.61
Boss Cube-10GX 10W Guitar Amplifier Boss Cube-10GX 10W Guitar Amplifier Boss Cube-10GX 10W Guitar Amplifier Boss Cube-10GX 10W Guitar Amplifier
 
Guitar amplifier
Notes: Customizable tones for jamming and practice

With its impressive sound, built-in effects, and the ability to swap COSM amp types via a free app for iOS and Android devices, the CUBE-10GX is the perfect small amp for jamming, bedroom practice, and recording. Built to the respected CUBE standard, the CUBE-10GX delivers big, full tones with its custom 8-inch speaker and heavy-duty cabinet design. Clean, Crunch, and Lead amp types come ready to play from the factory, but you can easily switch them out from your favourite mobile device. The CUBE KIT app includes multiple amps to choose from, including vintage classics, ultra-heavy gain machines, and even amps for bass and acoustic-electric guitar. The compact CUBE-10GX also includes options for shaping your tones even further with three-band EQ and onboard chorus, delay, and reverb effects.

Big Sound, Compact Package

Packing versatile amp sounds, simple-yet-powerful tone controls, and high-calibre effects, the CUBE-10GX is ideal for both beginning guitarists and experienced players looking for a great sounding small amp. Renowned CUBE construction quality provides rich, full sound and maximum durability, with a custom-designed 8-inch speaker, ultra-rigid cabinetry, heavy-duty corner protectors, and more. From bedroom practice to jamming with friends to tracking in the studio, the CUBE-10GX delivers top-shelf guitar tones wherever you play.

Easily Customize Amp Types from Your Smart Phone or Tablet

Out of the box, the CUBE-10GX comes ready to rock with Clean, Crunch, and Lead COSM amp types. But that's just where the fun starts-using the CUBE KIT app for iOS and Android devices, you can load up those three slots with a variety of different amp types and adapt the sound of the CUBE-10GX for the music you like to play! Available as a free download, CUBE KIT includes seven additional COSM amp types to cover any style, from jazz to classic rock to high-gain metal. For enhanced versatility, there are even amp types designed for bass and acoustic-electric guitar. Simple and intuitive to use, CUBE KIT makes it easy to customize the CUBE-10GX's sound in seconds.

Three-Band EQ, Built-in Effects, and More

The CUBE-10GX is equipped with Bass, Middle, and Treble controls for fine-tuning your tone, plus three high-quality effects. Chorus, delay, or reverb can be dialled up easily with a single intuitive knob, and the reverb section offers plate and retro spring variations for a wide range of sound. Via the rear-panel Aux In jack, you can plug in a music player or smart phone and riff along with your favourite tunes. There's also a Rec Out/Phones jack, which mutes the onboard speaker and provides a direct output complete with COSM speaker modeling. This is a great feature for quiet practice with headphones, and also for tracking the CUBE-10GX's pro COSM tones directly into your favourite recording devices.

Specifications

Maximum Power Output: 10 W
Nominal Input Level (1kHz)INPUT: -10 dBu (1 M ohm), AUX IN: -10 dBu
Speaker: 20 cm (8 inches)
Controls: POWER switch, AMP TYPE switch (CLEAN, CRUNCH, LEAD), GAIN knob, VOLUME knob, BASS knob, MIDDLE knob, TREBLE knob, EFFECT knob (CHORUS, DELAY, REVERB, SPRING)
Indicator: AMP TYPE

Connectors:
INPUT jack: 1/4-inch phone type
AUX IN jack: Stereo miniature phone type
REC OUT/PHONES jack: Stereo miniature phone type

Power Supply: AC adaptor (DC 5.7 V)
Current Draw: 700 mA
Accessories: Owner's manual, AC adapter

Size & weight

Width: 346 mm / 13-5/8 inches
Depth: 179 mm / 7-1/16 inches
Height: 317 mm / 12-1/2 inches
Weight: 4.7 kg / 10 lbs. 6 oz.
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 1 in stock $134.74
Boss Katana-Mini 7W Guitar Amplifier Boss Katana-Mini 7W Guitar Amplifier Boss Katana-Mini 7W Guitar Amplifier Boss Katana-Mini 7W Guitar Amplifier
 
7W guitar amplifier
Notes: Serious Rock DNA forged into a compact, battery-powered amp

BOSS Katana amps have received accolades from guitarists everywhere for their fantastic sound and feel, onboard effects, and great value. Now, the Katana-Mini makes serious Katana tone accessible in a small, go-anywhere amp that runs on batteries. Offering sound quality that far exceeds other amps in its class, this miniature powerhouse features an authentic multi-stage analogue gain circuit for big, expressive sound, plus a traditional analogue EQ and an onboard tape-style delay. Ultra-compact and travel-ready, the Katana-Mini delivers inspiring Katana tone anywhere you want to play.

Unlike typical small, battery-powered guitar amps that offer so-so sound quality, the Katana-Mini produces big, full tone that inspires you to plug in and play for hours at a time. BOSS's comprehensive design approach includes a custom speaker, advanced hardware, refined circuitry, and special component selection, which all work together to produce maximum sound quality in a minimum footprint. The amp also incorporates BOSS's decades of research in energy efficient design, providing class-defying power and punch from only six AA-size batteries.

Inspiring Tones, Ready to Rock

The Katana-Mini's all-analogue input circuitry includes multiple gain stages that drive three classic sound settings, offering the same cascaded gain approach found in high-end amp designs. This is what gives the Katana-Mini its satisfying tone and quick, interactive feel, with distortion that's easily controlled with input volume and picking strength. Inspired by BOSS's flagship Waza amp, the Katana-Mini's Brown setting delivers expressive, high-gain tones rich with harmonics, perfect for heavy riffs and soaring solos. Crunch provides overdrive that's ideal for rock rhythms and bluesy leads, while Clean offers up crisp, sparkling tones with punchy dynamic response.

Analogue Tone Stack and Onboard Delay

In contrast to the limited EQs found in other small amps, the Katana-Mini comes equipped with a genuine three-band analog tone stack. This provides natural sound shaping via familiar bass, mid, and treble controls, just like the tone stack in a full-size stage amp. In addition, you can enhance your sound further with the Katana-Mini's cool tape-style delay. Using the dedicated time and level knobs, it's simple to dial in everything from subtle reverb-like ambience to long, warm delay repeats.

Jam at Home or Grab and Go

Thanks to the Katana-Mini's advanced-yet-compact design, you can plug into serious guitar tone any time and any place. Weighing just under three pounds, it sits easily on a tabletop or shelf at home. And with the integrated handle and battery operation, it's easy and convenient to grab the amp and play anywhere you want, indoors or out. With the aux input, you can even plug in your smartphone and jam along with your personal music library or tracks streamed from the web. And for private practice and recording situations, you'll want to take advantage of the phones/recording output, which features special cabinet voicing for real mic'd amp tone.

Specifications

Rated Power Output: 7 W
Nominal Input Level: INPUT: -10 dBu (1 M ohm), AUX IN: -10 dBu (20 k ohm)
Speaker: 10 cm (4 inches)
Controls: POWER switch, TYPE switch

GAIN knob: VOLUME knob

[EQUALIZER]
BASS knob
MIDDLE knob
TREBLE knob

[DELAY]
TIME knob
LEVEL knob
Indicators: POWER

Connectors
INPUT jack: 1/4-inch phone type
AUX IN jack: Stereo miniature phone type
PHONES/REC OUT jack: Stereo miniature phone type
DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 6, Rechargeable Ni-MH battery (AA, HR6) x 6, or
AC adapter (sold separately)
Current Draw: 350 mA

Expected battery life under continuous use:
Alkaline battery: Approximately 7 hours
Rechargeable Ni-MH battery: Approximately 9 hours (When using batteries having a capacity of 2500 mAh.)
* This can vary depending on the capacity of the batteries and the conditions of use.
Accessories: Owner's manual, Alkaline battery (AA, LR6) x 6
Option (sold separately): AC adaptor (PSB series)

Size & weight

Width: 230 mm / 9-1/16 inches
Depth: 116 mm / 4-5/8 inches
Height: 181 mm / 7-1/8 inches
Weight (including battery): 1.2 kg / 2 lbs 11 oz
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MRP:$135.80 SAVE 22%
 1 in stock $105.65
Morphor LFO - Dual Analogue 2-Channel Low Frequency Oscillator Module
Cat: 1000406 Rel: 20 Feb 24 • View all Synth modules
 
Analogue 2-channel low frequency oscillator module - 6HP
Notes: The Morphor LFO - Dual is a slim (6 HP) dual LFO. Each channel features analogue triangle, square, sine, saw and inverted saw outputs and a cycle reset input.

Frequency ranges:

Low: 0.005 - 1.5 Hz
Med: 1.5 - 425 Hz
High: 15 - 4250 Hz

Features

100% analogue
Dual channel
Triangle wave output
Square wave output
Sine wave output
Saw output
Inverted saw output
Cycle reset input
Low/Med/High frequency selector

Specifications

Panel width: 6 HP
Panel height: 3 U
Module depth: 25 mm
Current draw: 12 V : 22 mA | -12 V : 22 mA | +5 V : 0 mA
Dimensions: 128.5 x 30.3 x 25 mm
Weight: 71 g
Power Socket : 10-pin
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 1 in stock $114.75
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Morphor Envelope - Dual ADSR Analogue 2-Channel Envelope Generator Module
Cat: 1000411 Rel: 19 Feb 24 • View all Synth modules
 
Analogue 2-channel envelope generator module - 6HP
Notes: The Morphor Envelope - Dual ADSR is a slim (6 HP) dual envelope generator. Each channel features standard ADSR (Attack, Decay, Sustain, Release) analogue circuitry, providing the classic, rich envelope shaping tools essential for any modular enthusiast. It features separate control knobs for the attack, decay, sustain and release parameters, two independent channels for versatile envelope shaping and each channel comes equipped with gate, re-trigger, output, and an inverted output.

On the back of the module you can find tiny switches for each channel to change the overall length of the complete envelope:
Short: 5 ms - 30 s
Med: 25 ms - 60 s
Long: 60 ms - 200 s (=3.3 min)

Features

100% analogue
Dual channel
Attack length control
Decay length control
Sustain level control
Release length control
Inverted output
Re-trigger

Specifications

Panel width: 6 HP
Panel height: 3 U
Module depth: 40 mm
Current draw: 12 V : 32 mA | -12 V : 32 mA | +5 V : 0 mA
Dimensions: 128.5 x 30.3 x 40 mm
Weight: 111 g
Power Socket : 16-pin
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 2 in stock $114.75
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UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD
Notes: Want to take more of your gear with you when travelling? UDG presents the UDG Creator Wheeled MIDI Controller Case Black 22" to bring you the perfect solution for flying and travelling with MIDI controller, laptop and any additional hardware.

UDG Creator Wheeled MIDI Controller Case Black 22" means more equipment with no compromise on convenience and protection. Featuring protective padded compartments and padded secure strap. It's the only trolley gear bag available that is large enough to house controllers such as the Pioneer DDJ-FLX4/ REV1/ 200/ 400/ SB3 or NI Traktor S3/ S2 MK3/ S4 MK3. Made of tough, durable black exterior & interior material, sturdy in-line wheels for easy transport and mobility with paddings in all the right places for the ultimate carrier of your valuable equipment.

Specifications
Colour: Black
Weight: 3,90 kg / 8.58 lbs
Outer Dimensions (W x H x D): 67.6 x 43.0 x 25.0 cm | 26.6 x 16.9 x 9.8 inch
Inner Dimensions (W x H x D): 56.0 x 36.0 x 10.5 cm | 22.0 x 14.2 x 4.1 inch
Material: Water resistant Ballistic Nylon 1680D

Protection:

Padded compartment for controller or mixer with padded secure strap
Padded compartment for up to 17" laptop
Padded pocket for up to 9.7" tablet and small accessories
Smooth rolling in-line wheels with high quality in-line skate bearings

Extras

Includes removable paddings to fit various controllers
Rear-access pocket for magazine/document
Retractable handle with 2 stage internal trolley system
Additional cable pouch
Soft padded carry handle

Fits:

Pioneer DDJ-FLX4, DDJ-REV1, DDJ-200, DDJ-400, DDJ-SB3, DDJ-RB, DDJ-SB2, DDJ-SR2, DDJ-RR, DJS-1000,
CDJ-3000, DJM-900NXS2,
NI Traktor S3, S2 MK3, S4 MK3, S5, S4 MK2, S2 MK2, Komplete Kontrol A25, Maschine Studio,
Denon DJ Prime Go, MC3000, MC4000, MC6000 MK2,
Reloop Elite, Beatmix 2 MK2, Beatpad MK2, Terminal Mix 4/ 8,
Akai MPC Live II, APC 40, MPK 25,
Novation AFX, Peak, Nocturn 25, Remote SL MK II, Zero SL MK II,
Numark Mixtrack Platinum FX, Mixtrack Pro FX, Mixtrack, Mixtrack II/ III, Mixdeck Express, Mixtrack Platinum, Mixtrack Pro/ II/ III, NV II,
American Audio Encore 2000, VMS4, VMS5,
Roland TR-808, TR-909, DJ-707M, TR-8, TR-8S, DJ-202, System-1,
Rane Twelve, Seventy-Two, Seventy,
Gemini G2V, G4V, GMX,
M-Audio Exponent,
Hercules DJControl Inpulse 500 DJControl Jogvision, DJControl Inpulse 300,
Korg Minilogue XD,
up to 17" laptop, up to 9.7" tablet, audio interface, books and magazines
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MRP:$157.91 SAVE 13%
 2 in stock $136.60
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or call +44 20 7424 1960
quote 1002013
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