Review: Following his recent strong turn on Cocktail D'Amore, Jules Etienne makes a trip back to Apersonal Music with more of that island groove for the smoothest slack-wearers in town. "Free As A Man" is a beautifully laid back but funky offering that speaks to all kinds of good times. Jex Opolis turns in a remix of the track that has a little more bite to suit the later demands of the dancefloor. "Don't Wanna Talk About It" sees Etienne linking up with Disco D and winding all kinds of slick strutting business into his sound, and then "Rhythm For The Garden" heads off into wonderful tribal percussion that serves as a handy tool for DJs who want to get some rich drum sounds into their set.
Review: Stephen Laubner never fails to deliver the goods, whether on his own label Something or elsewhere. Having recently popped up on The Untold Stories, this time around he's dropping his uniquely crusty compositions on Synthetic Gold. After a quietly disconcerting ambient opening, the leftfield grind of "The Taphead" pushes an uncompromising agenda of ragged bass and an unrelenting groove. "October Sunrise" by way of contrast is a more intimate, sweet natured affair. "Syntax Error" too taps into the softer side of Laubner's craft in a most mesmerizing of ways, but for the die hard fans fear not, there's also plenty of locked groove loops included to keep you tripping into infinity.
Review: Having sprung into action with the Sol Explorer EP on Girasole, William Caycedo is back with a new selection of jams on the ever-developing SlapFunk. As the label's remit for minimal house and techno broadens, we're treated to low slung leftfield beats on "Booty Call" before the peppier broken beat groove of "Ain't No Joke". "Creepin'" and "G Groove" head into more familiar territory for SlapFunk fans, but there's still space for the crisp, laid back funk of "Tales From The West" and the off-kilter jazzy vibes of "Yes We Do" thrown in for good measure.
Review: Building on the momentum of the strong reissue programme undertaken at Thule Records HQ, Thor returns to the fray with some new productions that add a new chapter to the story of Icelandic techno. This limited run of Decay appropriately comes on marbled grey vinyl. Of course, the unique atmosphere the label carved out in the 90s has been left intact - the dubby processing and icy melodies abound throughout, creating utterly immersive techno and house variations in the process. "Insanity Dub" has a live feel to its drum set which injects a curious disco energy into the mix, while "Rusty Flashback" takes things in a subtle tech house direction. "Garden Of Corrosion" stands apart with its slender sound palette, placing the emphasis on groove and swing, while "Pepper Jones" ramps the dub techno exploration up to 11. If you love the sound of Thule, you're going to love this.
Review: The singles accompanying Mr C's celebrated return to the album format keep on coming, this time drafting in some noted names to deliver remixes of "Ripple Effect". First up is Marc Houle who employs some of his trademark creepy bass tones to underpin a purposeful, driving slice of darkside party music. Noel Jackson is equally on edge with his version, although it's a more stripped down and sped up affair that borders on electro in its sense of tightly wound urgency. Chloe gets the run of the B-side to lay down a more varied remix that uses some punchy disco elements to create a more light hearted outlook on Mr C's original jam.
Review: The Finale Sessions Select series finds Michael Zucker steering his label into new, techy pastures with a host of esteemed guests on board. For this fourth round, he's called upon Kai Alce and Reggie Dokes to stand alongside him in demonstrating exactly what's great about contemporary house and techno. Alce is up first with "Scene 2", bringing a bubbly, sleek confection of machine soul to the table. Zucker gets things rolling along steady with the heady trip of "Summer Time", and then Reggie Dokes sends the record drifting off on a wonderfully crooked tip with "Running".
Review: Dutch producer Larry De Kat has been spotted delivering an album to Lazare Hoche and sliding his wares onto SlapFunk and Dungeon Meat alike, but his Katnip label it the one to watch for some of his most personal wares. This new release finds him purring his way through downtempo, soul-inflected selections that open out a whole new dimension to this talented, versatile producer. Juno's vocals are the icing on a particularly funky cake on "Do For Love", while "So Damn Fine" is an instrumental beat worthy of D'Angelo (sadly not included). The jazzy licks pour out of this release like honey - Larry De Kat just upped his game yet again and we strongly advise you to take heed.
Review: Manni Dee might be best known for his upfront techno tackle on Perc Trax and the like, but he's also been quietly building up a separate identity as Nuances, and it's a world away from his dancefloor output. Following on from some choice album appearances on Bastakiya Tapes, it's up to Tabernacle to give the project its first outing on wax. While Tabernacle can have some range in their sound, this finds the label plunging wholeheartedly into ambient climes. Heavily processed textures and delicate chimes all feed into a truly evocative atmosphere loaded with significance. Ignore the familiar name behind the music - this is an album deserving attention all on its own.
Review: Asad Rizvi's bountiful archive of names and tunes continues to yield more fruit, this time in the shape of his Asadinho alias on regular haunt RvS. The bleeps cut through the shuffling drums on the Silverlining Mix of "When We Come To It" in a flurry of late night tech house finery. The original mix of the track is a tougher, slower twist with a straight-ahead groove but plenty of funk drizzled in between the joints. "Koppaitch" spreads itself across the B-side with a sizzling disco groove and more of those mean-tempered synths that project a dark and seedy side to Rizvi's many-sided musical dice.
Review: Emotional Response reach out to another fine selection of sonic voyagers to take Brain Machine's excellent Peaks LP to task, leading in with the warm discoid undulations of Rollmottle who refigures "To The Stars" as a gentle, groovy warm-up joint. Die Wilde Jagd takes on "Mercury Ripples" and fashion a bombastic breaks jam out of it, and Merrick Adams pushes "Alpha Moon" into a curious but ultimately cosmic space somewhere beyond the titular lunar body. Cass takes the prize with the bittersweet synth tones that course through the two-part remix of "Nexus Vox".
Review: The fifth instalment of the Hoxton Records story turns to Alan Castro, who has already had a busy year appearing on the likes of For Club, STAMP and Soundterasse. The vibe is stripped down and unhinged on this record, with lead track "El Avion De La Mentira" unfurling in a strange tapestry of samples, found sounds and off kilter synth rubs strapped to a crafty set of drums. Modebaku delivers a more streamlined version of the track that keeps things freaky, but much more linear than the wayward original. "Sequela" on the flip is no slouch in the adventurous department either, with swathes of modulating tones and wild sonic matter flinging around a funky shuffle, which Ted Amber then dutifully bolsters with a rubbery b-line on his more functional but still daring version.
Review: Finale Sessions welcomes Anaxander to join label main man Michael Zucker for another one of those impeccable trips through top shelf deep house. Anaxander gets busy with "Stabs Of Love", a truly ear nagging piece that cuts through the glut of soundalike productions to say something truly special. Meanwhile his "Heart 2 Heart" resides on the B2, presenting a lighter, more playful cut peppered with pattering bongos and sprightly keys. Zucker gets into a slightly off kilter funk on "Greater Is He" before dropping into a perfect bump on "Lost Without You", putting some swing into dub house and making it sound natural.
Review: "Dj Sounds presents Captured, a 3 track EP for the house heads. Lazy is a ready-to-go exercice, easy to spin and fresh house track in its most classical yet very personal form, Captured is an intense Detroit oriented synth jam and Dj Beats is a short drum track reminding of the beat of track 1. That 001 is for the Djs who care about a fresh record of House. And those who like to dance."
Review: Hong Kong based label Fragrant Harbour has thus far supported work from choice leftfield beat candidates such as General Ludd, Fulbert and Renart, and this time turns its attentions to international outfit LPZ. There's a modernist, UK-leaning style to their brand of mutant techno, focusing on crooked, moody rhythms that sup from the same font as Livity Sound et al. "Triangular" crashes and bangs its drums through blissful pads before "Heliopolis" pushes the kick to the foreground and dives into more meditative depths. "In Flames" rides some dreamy breakbeat tones and "Luminescence" rounds the EP off with another crafty pairing of off-centre beats and soundsystem-ready tones.
Review: London's Sugarhouse crew have already made some waves with their first two releases, and now the gang are back with round three of their soul-drenched deep house adventures. This time it's Maurice Jnr and Seb Miguel teaming up for three crucial jams, each with something different to say. "Deebo's Quest" is rich with aqueous pad tones and a slick set of drums that shuffle just the way you want it, while "Science Of Life" takes a distinctly Detroit-influenced approach that wouldn't sound out of place on Mahogani Music. That leaves it to "Lovin' U" to round the EP out with a warm, upbeat roller for those who like their house loaded with passion.
Review: Uber always knows the right kind of moody, heads down Balearic throb to get stone-cold chillers nodding their heads in approval, and so it goes on this latest transmission from Wawawiwas. "Sadness Of Being" is a perfect introduction to this duo, with the dub tropes turned up to full and the bassline grooves as slinky as they come. In between the heavy delay and reverb there's a real sense of stride about this track, which Max Essa capitalises on when dropping the more beat driven remix on the B side. The broad premise of the original remains intact, with just a little more emphasis on the synthy side of things.
Review: AntiDEEPressant is here to bring some positivity to your life by way of subliminal house music from the outer reaches. Vincent Inc is just the ticket to help deliver the good news, and his Abstract Life EP is loaded with soul-enriching vibes to get you through times of hardship. "Panic In Cosmos" is a fluttering, meditative melter that will coat your ears in honey on the way down, while "Rayskoye Mesto" takes an equally submerged approach that drifts further away from conventional beats into a beautifully executed, heavy-lidded excursion. "Mechta" sports a few more conventional house tropes, but keeps things varied and interesting just the same, and then "Jazz Night" rounds the EP off with some cracked piano lilt and soul infusions to cradle you on the way to the run out groove.
Review: Arvid Whetman has plenty going for him at the moment. As Sexazoid he's dropping all kinds of off-kilter machine beats on excellent labels like Born Free, while as Your Planet Is Next he builds on appearances on Junk Yard Connections, Waving Hands, Opal Tapes, Studio Barnhus and Klasse to deliver this chirpy four-tracker to Acid Waxa. From the twee vocals to the playful synths and straight up drums, this is club music crafted for an immediate hit. Whetman makes this approach work magnificently though, liberally applying his musical personality to lo-fi deep house and roughshod acid, with "Heartbreaker" being a firm favourite thanks to its fulsome 303 bassline and hooky vocal mantras.
Review: Hailing from Knoxville, Tennessee, Saint Thomas LeDoux makes his vinyl debut here with the ever-essential Finale Sessions. The label alone should give you an idea of the vibe on this record, where Detroit-inspired deep house with soul, flair and grit gets steered in intriguing new directions. So it goes on LeDoux's first outing, kicking off with the dazzling chord trickery of "Me Time" before "Feels Like" nestles down into a broken beat groove sprinkled with gorgeous arpeggios. "Raw Meat" takes a dramatic turn into a more global, percussive sound world with stunning results, and then "Grief" simmers things down with a home-listening cut loaded with craft FX processes and a jazzy demeanor to offset the artistic distortion.
Review: Seixlack has been wobbling around many a label since first surfacing on Bliq and 777 in 2015, and their grubby, wonky approach to hardware house music sounds just right on DJ Haus' House Crime label. As is customary with House Crime, you get a whopping double pack of jams to chew on here, and the mood veers from the blown out dream-dance of "Computer Cosmos" to the bunker-dwelling deviant electro blips of "Asa-Delta". With lo-fi distortion guiding the way throughout, Seixlack demonstrates how to use production attitude to bind together disparate moods into one cohesive assault on prim and proper house music. This is gutter-dwelling groove music with a whole lot of heart.
Review: Three years in, Blackhall & Bookless' Jaunt label is becoming a serious force for forward thinking, fractured techno exploration. On this split EP with Chad, the duo take the A-side and present two different versions of "Links". The "Battle rework" is a tense and dramatic tumble through dub techno soundscapes, while the "Bleak remix" pares the elements down to a more focused, minimalist thrum. Chad presents a wholly different vibe on the flip, using rich, warm synthesiser tones to draw you in to "Afters", and then Scenery regular ASOK takes up remix duties on the track with an immersive version that borders on breakbeat.
Review: In the third (and last) part of "So Many Ways Remixed" series we have yet another special set of heavyweights, delivering their own reinterpretations of Lay-Far original album tracks. Please welcome Kaytronik, D-Malice, Phil Asher and Red Rack'Em!
Kaytronik aka Karizma opens the EP with his Rub of "Yes You Can". Frankly speaking, from the very beginning of the project we were expecting something special from the Baltimore-based house guru, but the final result surpassed it all for us - what you're about to hear is a very soulful and deep dance number but with power and grit to shake large festival dance floors! Get ready!
On A2 the pro-active afro-house aficionado D-Malice (Defected, Soul Candi, DM.Recordings) delivers a percussion-heavy banger that will make you swing in no time. You know where it all began, don't you?!
The UK house legend Phil Asher kicks off the Side B with a remix of "Can't Deny", featuring Yannah Valdevit and Souled. Strong dance grooves is what Phlash has always been notorious for - this remix is another vivid example of the principle! Ain't no need to question the authority.
Last but not least we have the old pirate Red Rack'Em, delivering his trademark deep & dirty house sound with hints of Detroit and dub techno influences. A perfect soundtrack for a midnight voyage on a ghost ship or a basement party, maybe. Aye!
Review: De Grey launched last year with a 12" from Webstarr, and now it follows up with the raw, rough and ready sound of Jack Angle. "Week-End" is a lithe, percussive beast of a track that matches bloated kicks with glassy hits for a tracky but distinctive end result. "6PNHHPE" is a looped up, off-kilter affair that sports an industrial techno thread but heads into stranger territory with ease. "Stablilizer" is a more balanced, melodic affair but again those distinctive metallic tones pervade the mix and inject some real character into Angle's music. "Selta" takes this approach and whips it up into the most lively, peak-time minded belter on the whole record, sneakily tucked away on the B2.
Review: UK techno stalwart Steve Bicknell's Lost Recordings series must be one of the longest running in dance music; the Lost and Cosmic founder has been putting out previous unheard material from his early '90s heyday on and off since 2004. There are few surprises on this 10th edition, but plenty of slamming, no-holds-barred grooves. The hissing, spacey, cymbal-heavy "Track 3" is particularly trippy, while there's a gnarled, ragged intensity about the pulsating heaviness of "Track 1". Arguably best of all, though - ambient interlude "Track 2" aside - is "Track 4", an eerie techno shuffler built around a wonky, off-key electric piano loop and fizzing percussion.
Review: Hailing from Hong Kong and more commonly found recording as S.Y., this release is the first music the producer has put out as Dopamine Rider, and it's certainly a record that thrives on unpredictable rushes of chemicals to the brain, making it a perfect fit on Discos Capablanca. "$ LFO" sports a techno framework of sorts, but it's really a vessel for strange ripples of FX and one-shot tones, but then "Personal FX" ramps up the freakiness with some atonal machine whirring that sounds like it's been wrenched from an errant modular system. "John Cage Is My Homeboy" is positively delicate in comparison, but it's by no means straight laced, and "Sai Ying Pun" finishes this adventurous EP off with a strange drum track that adds a little spice to the DJ tool format.
Review: After appearances in the last 12 months across World Unknown, Let's Play House, Endless Flight and Futureboogie, Geordie trouble starters Last Waltz add Tusk Wax to their canon of labels with the first of two releases. The usual hand stamped, individually numbered, weighty 180g vinyl factors are present and correct yet there's still room for the concluding chapter in the sleeve. The thrusting, lusting "Glamour Things" isn't shy, pairing motorboat arpeggios with satisfyingly weighty drums, whilst the detuned "Tipping the Gulf" tumbles along with a certain lopsided glee. An accompanying Jamie Blanco remix ramps up the original's lead synths with decidedly epic cosmic results, whilst "Beholden (Part 1)" sees Last Waltz play with the work of Foals in calming, cosmic fashion.
Review: P-Balans continues to shed light on the more unusual underbelly of the Romanian scene, taking a few cues from the dominant minimal scene but adding plenty of analogue weirdness into the mix to provide a genuine alternative for those who like a little more spice in their sauce. On this release Khidja and Delusion Men team up for some off-kilter trips into subversive danceability, starting with the subtle, wavey acid of "Strayed" before cartwheeling into the spooky delights of "Recurrent Weakness". The ghoulish theme gets ramped up to 11 on "Ghost Caravan", where a deathly slow beat carries all kinds of undead synth work, and then Borusiade takes "Recurrent Weakness" to task with a pinging, plunging remix for the end of days.
Review: After initial outings from phile and Ptwiggs, the Deep Seeded crew welcome phile member Barking into the fold for another excursion into crooked techno from the outer realm. There's a lingering sense of industrial malaise emanating out of "Singularity" thanks to some dense signal processing, while "Clay Passage" pings off into a strange but utterly accomplished trip into Fourth World techno that packs a serious rhythm without the need for obvious drum lines. "Pathos" matches malevolent beats and tones with dominant ambience to create a proper push 'n' pull of a track, and then "Prone" rounds the EP off with some gutsy analogue demolition for the broken techno and electro crowd to get wild to.
Review: Nathan Melja drew some favourable attention with choice outings on Mister Saturday Night, Black Opal and Technicolour, but now he's steering his own label Dream Real as a vessel for his wayward but warm sonics. This second release keeps the psyched out tone of his previous work intact, offering up four jams of illustrious synth work and fractured beats for the adventurous souls out there. "Ignore" is a vaporous cut of stuttering drums and fuzzy chord shapes, while "Steam" sports a more clearly defined rhythmic pulse for the deepest house heads. "Raindrops" cools things down to a downtempo lilt, and then "That F Sound" nudges towards a leftfield techno domain that Melja ably makes his own.
Review: The Sugarhouse label hits its fifth outing with one of the core members of the collective, Roy Rozell. For the first time Rozell is at the helm on his own, and he sounds completely at ease twisting out refined deep house meanderings for the soulful crowd. "Last Time Around" has a resplendent amount of live key flexing going on, and all the while a loose and limber rhythm section rolls out underneath. "Easy Easy" maximises on plastic trumpet tones and lets them freestyle over the top of a sunkissed, smoked out groove. "100 Percent" takes over the B side with pan pipe moods and synthetic string swells aplenty, making for a truly atmospheric deep house jam.
Review: The third release for Let's Play House offshoot, Room Service, is another fully-loaded four-tracker, a live grenade to be launched at dancefloors around the world. The originals here are by the Organ Grinder, the Welsh producer known for his hefty house bangers for labels like 4 Lux, Heist, and, recently, LPH itself (he remixed Jacques Renault's "The Fake Out" last year).
Review: A slice of cyclopean, baltic Techno served by Grad U, well known for his Greyscale/Redscale project and releasing on labels like Knowone, Neurotron or Echocord. He delivers an obscure trip through the 7th Chapter of the story, Warfare, the decisive battle between clones and humans for the reign of planet earth...no one is safe. This is a vinyl-only release and limited.
Review: Italian duo Concret are the latest signings to Wonder Stories, following up previous releases for Toy Tonics and others to make their debut appearance on vinyl. The crisply produced, modern originals sit somewhere in between disco-infused house music and bombastic electronica in the Moderat vein, while the remixes throw a few more stylistic twists into the mix. Rodion brings a bold, bleepy analogue vibe to his version of "Ritorno", while Timothy Heretic Clerkin gets a little acidic in his revision of "Andata", rounding out a strong EP of maximal dance music for the modern age.
Review: Following initial appearances on Bahnsteig 23, Jonny 5 returns on the Pleasure Wave label with more of that well-travelled, groovesome voodoo for all manner of sonic wayfarers. "Apocalypse" in particular is a stunning piece of tom-powered menace, but it's quickly offset by the bubbling cosmic delights of "Electronix". "Firedance" on the B-side channels some righteous 80s industrial and synth pop tropes to create it's own kind of drama, and then "Stardriver" finishes the EP off with some pulsing, noirish wave synths and gaseous atmospherics. With the styles shifting from track to track, Jonny 5 has once again done a sterling job of keeping his options open and keeping us locked expectantly into his delirious sound.
Taxi (Francis Inferno Orchestra Dreaming Of A Wonthaggi version) (6:08)
Review: FINA Records presents Terrence Pearce's 'Last Night Lover EP' featuring the return of Francis Inferno Orchestra on the rework.
Having previously released on a number of prominent labels including Futureboogie, Wolf Music, Petfood, Kolor, Dark Energy and Freshmeat, Cape Town based DJ/Producer Terrence Pearce has emerged as a talented and sought after artist and is the latest quality edition to FINA Records' roster. Here 'Last Night Lover EP' offers up a healthy dose of the forward thinking house productions for which Terrence has become renowned; a 3 tracker that demonstrates his impeccable sonic style and production prowess.
The title track sets the tone from the off. The long and drawn out spacey synths transfix whilst the fading in and out of the subdued strings, offset against the low end warble and the foregrounded off beat percussion, give this classy understated cut a deliciously smooth and timeless quality.
'Come On Yah' meanwhile is a warm and effortless disco edged groove, characterized by its infectious low-end throb and clever concoction of playful rhythms, punchy hats, staccato strings and off kilter chords.
Then, out of nowhere 'Taxi' arrives; a wonderfully leftfield amalgamation of horn beeping, door slamming, taxi hollering madness, aggressive techno stabs and a relentless belter of a bass line which drives the contagious rhythm to an unexpected frenetic funk filled break.
Last up and hot off the back of his widely acclaimed debut album 'A New Way of Living', Melbourne's Francis Inferno Orchestra returns to FINA, this time on 'Taxi' remixing duties. After a masterful dose of his signature drum machine rhythms, early rave like samples and rainforest atmospherics FIO softens the original into near obscurity.
Review: Proudly positioned as a label dedicated to showcasing emerging talent within the realms of dark and dubby minimal techno, FarFromNormal return with their second release of the year. This time they're providing a platform to Nice N Trick & Sacke, who make the most of the vinyl space with two long form tracks that demonstrate just how much talent they have to offer. "Senor Memories" is a tribally-inflected experience sprinkled with off-kilter samples atop a driving techy backbone, while "Viola Profonda" steers a more streamlined course through crisp drums and nerve-jangling violin on a one way trip into the heart of the night.
Review: DJ Haus' ever-expanding deviant house music empire continues to impress with another installment of House Crime, this time committed by Szch. The 12" kicks off with the fast and freaky "Girl I Neva" which borders on juke levels of nagging sample chops, before the script gets crumpled up and tossed at the bin with the wonderfully scruffy rave deconstruction of "Peugeot 106 At Sunrise (Pingers Mix)". "Unconditional (Edit)" brings something a little smoother to the mix, although that underlying weirdness that comes with House Crime releases is still lurking in the wings. "UKLJUCEN TI JE BLUTUT" finishes the EP off in a rowdy yet reflective style - long may the strange tale of House Crime continue.
Review: Ikeaboy is the intermittent project from Damian Tubbritt, who first debuted the moniker more than ten years ago. It's been a long while since any fresh material from this deep cover curio of oddball techno hit wax, but now Wicked Bass have done the honourable thing and gathered up this excellent trio of tracks. "Shape Memory" plies a funky line in squelchy bass and jangling delay trills, while "Living In The Future" opts for a more mysterious, pad soaked trip into spooked out electro. On the B-side "Dayna" sports some forthright drum machine beats and epic sweeps of synths that only serve to confound any expectations you might have about the sound of Ikeaboy.
Review: HVL seems well thought of by many within the house and techno community, with labels queuing up to secure his services. Bizarre Realms marks his first appearance on Los Angeles' Hesperian Sound Division. It's an undeniably atmospheric affair, with the Georgian keen to show off his noted eye for detail. Check, for example, the spacey, Detroit deep house-goes-acid vibe of "Escape In Time", or the watery, deep space electronics and jazz-flecked rhythm of "Bizarre Realms". He's not afraid to doff a cap to techno, either, as both the deep and dubby "Sio", and the more ragged, mind-bending "Sforzando", so neatly prove.
Review: London-based Italian duo Konstress are back with their third release on their self-titled imprint, and it once again shows the pair progressing with a dynamic, detailed and original approach to stripped down dance music. The first track pits a stuttering groove against blown out keys and a smorgasbord of errant synth noises, and those noises jump across to the second track to plot a course through a highly textured, ominous soundscape where the drums have been left behind. The B1 track sports a tough, crooked groove and warm, sci-fi synth tones while the B2 takes a more eerie direction into deep and dingy techno. A classy, highly developed record for adventurous souls.
Review: Belgian producer and owner of Entrepot Records, UC Beatz, is the next artist to appear on the San Jose label, Roundabout Sounds.
Coming out on vinyl only, the La Nuit EP features some sublime house, including my favourite track on the ep, Alta Paper, and a remix of the title track by Jeremiah of Grow! Records out of Vienna.
Roundabout Sounds which is now up to release number 14 with this ep, is the label run by Joe 'Babylon' Marougi, co-founder of Plug Research. The label released a great various artists triple vinyl package, Connecting The Compass, that featured such house luminaries Marcellus Pittman, Norm Talley and Theo Parrish, among others.
Review: You are about to blast off to The Secret Universe , now you must decide what to take on the long journey in space.The spaceship that will take you on the 31 minutes and 27 Seconds journey to The Secret Universe , is already in a "parking orbit" around the planet. Everything you will need after you get to SU has already been sent ahead to the destination. The orbiting SU spaceship already contains everything you need for the trip , but you need to decide what else to "take". When you are ready with what you've loaded in the SU spaceship , you can blast off to the infinity of the Secret Universe !
Review: The 4th and final part of Hudd Traxx 10th Anniversary series comes from Ekkohaus, Mihai Popoviciu, Rio Padice & JT Donaldson. Previous parts featured tracks from the likes of Chez Damier, Agnes, Iron Curtis & Luna City Express. Part 4 keeps the high standards that Hudd have set and Ekkohaus steps up to open proceedings. 'Modest Fun' is a peak time house cut with a big sub bass, shuffling hats and lush keys to boot. Mihai Popoviciu's 'Two Minutes Ago' plays a hypnotic Xylophone hook mixed with the dreamy vocal chant of 'Don't stop, let's go' to round off the 'Now' side in a classy fashion. Rio Padice & JT Donaldson close out the EP on the 'Then' side being 2 of the label's biggest sellers to date. Hudd Traxx have been swamped with requests for a repress of Rio Padice's 'Dirty Belvedere' so it was a no brainer for this to make the cut. JT Donaldson's 'Just Bounce' was played by any DJ worth their salt in 2009, and it's clear to see why, as once you've listened once, it goes on repeat a good few times. A great way to close out this 4 Part 10th Anniversary series.
We Wish 2 Cherry Trees Bloom Forever (Spring version)
End Of One Love
Kiss & Wine
Review: Tominori Hosoya landings on Minuendo with Love Stories EP, this work contains beautiful deep tracks and intros with personal sign and vision of nipon artist, he was know for work to another labels like DeepArt Sounds, Soire, TH Pressin, Mixx and more. check!
Real Love (Siggatunez & Oliver Bernstein remix) (5:32)
Review: Traxx Underground LTD return with a new record by Steven Wobblejay from the crew Creative Swing Alliance with 3 raw tracks and fantastic deep remix from Siggatunez and Oliver Bernstein. Vinyl only release!
Review: Chris Weeks has been building up the Kingbastard catalogue for a long time now, generally taking a self-reliant approach in the underground electronica scene where CD-r releases reign supreme. He's been a key figure on Ambidextrous since the label launched back in 2008, and now he's committed to wax with a range of crunched up leftfield sonics for the machine-loving crowd. "Anxiety" is a melodic cut with a house-minded structure, but there's a lot of production acrobatics and compositional swerves taking place within this framework. "Scatterbrain" is more overtly out there, tapping up the kind of heavily processed sounds that producers like Paradroid have championed in the past. "Data_Loss" strike a heavy blow somewhere between dubstep and electro, and "Data_Ctrl" ups the tempo for a rabble-rousing exercise in mind-bending machine music.
Review: Following the excellent OHM compilation, Glasgow's Ambidextrous label continues its forays into vinyl editions with this sterling EP from label regular Solipsism, aka Craig Murphy. With an energised, dynamic sound that positively bursts out of the speakers, Murphy is flying the flag for leftfield electronica coming out of Scotland. "Error Hash Mirror Mountain" has the kind of overloaded yet melodic sound that you might expect from early Nathan Fake, although the wooziness is replaced by a rabid punch that shakes your cerebellum. "Sea Dweller" by way of stark contrast dives into a low-slung trip hop vibe, and the smoked out mood continues with "Hypnagogo" on the flip. "Fast Rubber Taxis" is equally slow, but it sports a sassy rhythmic strut that sets it apart from the other two downtempo tracks.
Cage & Aviary - "Lean On Me" (Felix Dickinson Foolish dub)
Posthuman - "Make More Man"
Review: Just as the new football season settles into it's groove, the fourth edition of the highly collectable Rothmans arrives sporting some high profile signings! Leading the way on The Claudio Gentile Release is a Foolish Felix dub of Cage & Aviary's "Lean On Me" whose deranged acid gurglings provide a nice contrast to the thrusting Escape From East London stylings of Posthuman's "Make More Men". On the flip Ali Renault returns for Rothmans duty with the Weatherall worthy "The Black Heart" whilst Iron Blu is loaned from Flight Recorder for the synthy swamp of orchestral drama that is "Oiche Shamhna"