Review: Emotional Rescue turn their attention to Rare Silk and their sublime cult classic "Storm". It's one of those rare tracks with a wonderful otherworldly quality that manages to be smooth and accessible, and somehow not like anything you've ever heard before. It must be somewhere in the mix, between the dreamy harmonized vocals, lush instrumentation and curious sense of space. The original on the A side is a treat enough, but then throw in a mercurial dubbed out version by Arp on the flip and you've got yourself a 12 inch portal to a most delightful dimension.
Review: Fresh from delving into his ambient side on the pastorally-enhanced "Loom Dream" album for Whities, Leif revives his self-manned Tio Series with another double-shot of delicate but impactful cuts outside the conventional slipstream of modern techno. The rhythms fall crooked, the synths trickle, bubble and cascade around the groove and the atmosphere remains humid and heady, especially on ear-snagging B-side "Rumex". "Montpelier" sports more explicit dubby flourishes and a spread of sonic flora and fauna in the middle distance that truly brings the track to life.
Review: Fresh in the chem trails of his Bandulu release, the inimitable Bengal Sound crash lands back into our psyches with his disarming, not-of-this-world take on 140 music. "Young Skeleton" arrives just in time for Halloween, scaring the dickens out of us with its warped humanised tones, dusty atmospheres and distant chimes. "Coroners" takes us from the graveyard to the morgue... But with these hazy arpeggiated trinkles and eerie shimmers are we stepping towards the light or simply waking up? That's for you to work out.
Review: Throughout his career, L.I.E.S. regular Beau Wanzer has proved adept at delivering decidedly fuzzy, lo-fi workouts that variously draw influence from industrial, EBM, techno and electro. He's at it again on "Do The Spider Shimmy", a tidy ten-inch containing six wonderfully wayward cuts. It's a noticeably stripped-back affair, with most of the cuts existing of little more than sparse but heavy basslines, occasional electronics, minimalist electro beats and the odd droning, stylized vocal. Highlights come thick and fast, from the gently spacey synth-scape "Never Look Back" and the buzzing simplicity of "You Can't Stand On Broken Shoes", to the lo-fi no wave pop of "Choice Curve" and the raw, laid back electro sleaze of the title track.
Review: Sheesh! And the award for the swampiest, most mutated and wooziest 140 jam of recent times goes to Sibla & Teffa's "Bobby". Presented here on the a; proper sleazy, rolling, oily cosmic dub funk - with some fantastic vocal stamps from the master - it's quite remarkable for the pair's first ever collaboration. As is 'I Wonder Why' on the B. Taking a slightly more traditional dub route, here they dig deep into the roots and really get involved in the sounds and elements, gradually easing us deeper and deeper into the blend before we realise we're cap-deep in a pretty heady psychedelic stew... And we have no plans to swim to shore. Limited to 300, this won't hang around.
Review: Seleccion Natural is Oscar Mulero, Exium and Reeko, a techno dream team who have a new album on the way this autumn. Before that they offer up two tracks from it on a tidy 10" that brims with modular synthesisers, samplers and drum machines. "Split Didactics" will rewire your brain with squeaking lines and cantering kicks making for a real techno riot, and "A New Description Of Hell" layers up hammering kicks with howling synths into a rigid and unrelenting groove. Making this extra special is artwork by none other than Silent Servant.
Review: It's now been two decades since Gallic producer Joan-Mael Peneau first donned the Maelstrom alias for the very first time. He's been in particularly fine form of late, offering up essential EPs on Cultivated Electronics, Central Processing Unit and Private Persons. Here he makes his debut on Craigie Knowes' hard-wired techno and electro offshoot C-Know-Evil with a formidably tough two-track offering. A-side "Spasm" is a riotous fusion of metallic percussion hits, high-octane electro drums, doom-laden acid lines and bass so raw and intense it was probably made in Scotland from girders. He opts for an even more doom-laden techno sound on fizzing flipside "Turbulence", wrapping increasingly intense electronic motifs around a surging rhythm track.
Review: Berlin-based DJ and producer Denise Rabe has become something of a cult heroine since her first releases in 2015. The years since have found her operate in her own parallel techno world, where psychoactive sounds and heavy drones permeate your ears, then your brain, then your whole being. Now she steps away from her own Rabe label for a debut on Stroboscopic Artefacts, which finds her take charge of the Totem series. Opener "Manifesto" is a driving techno groover with ghoulish synth designs and keys from the 5th dimension, then "Don't Leave" will utterly trip you out with its panning pads and mysterious leads. "Clouds" completes the journey with doom laden and wide spread kick drums that lurch over and over through some ruined post-human world. Tip!