Resultados de la búsqueda

Review: Back in 2016, legendary Afrobeat drummer Tony Allen approached techno pioneer Jeff Mills with the idea of working together. A series of live gigs and off-the-radar studio sessions followed, with the first fruits of their joint efforts finally appearing on this must-have 10". As you'd expect, the duo's collaborative work combines Allen's traditional Nigerian polyrhythms, traditional Afrobeat instrumentation, and the far-sighted, sci-fi inspired electronic futurism that has always marked out Mills' work. The result is a quartet of cuts that could arguably be described as retro-futurist Afro-tech - all delay-laden beats, basslines and organs subtly sparring with gentle acid lines, Motor City electronics, beguiling deep space textures and shimmering, 31st century motifs. It's arguably Allen's stylistic contributions that dominate, but that's no bad thing.

Review: 400, 10" marbled pink, hand stamped, individually numbered records, single press only.

Review: With roots in electro, hip-hop, house and techno, you can never quite be sure what Orlando Voorn will serve up next. On this top-notch ten-inch single - his first for NOUN - he's in full on techno mode, puffing out his chest and striding confidently towards peak-time dancefloors. The legendary Dutch producer first offers up 'Infinite Voyage', a slamming, warehouse-ready workout that wraps buzzing, mutant electronic lead lines and star-fall around stomping beats and booming bass. On 'Straight UP' he opts for darker, bolder, stabbing bass, alien-sounding bleeps, jazzy synth stabs, heady aural textures and another tough-as-teak drum track.

Review: "400, 10" marbled pink, hand stamped, individually numbered records, single press only."

Review:  There is a reason Mark Broom is still so revered in techno circles after all these years. He has a knack for sound design and crafting such powerful kicks that his tunes are always irresistible to both DJs and dancers. He offers up two more high grade weapons here for the second release on Beard Man. First is the maximal minimalism of the bendy 'Loop 132' with its glitchy hits and undulating synths, then comes the more driving and uplifting dub techno banger 'Loop 131.' The titles of these tunes make you wonder just how many of these this man has sitting on his computer ready to go.

Review: Vade Mecum welcomes Soft Traffic for a debut release here and it is one that suggests the producer has a soft spot for the warm, deep and heady end of the dubbed out techno spectrum. Those are certainly all the words you would use to describe the quiet brilliance of opener 'Find Ya' (feat Prince Morella) which is icy cool and hypnotic. On the flipside, 'Night Drive' is another sublimely soft focus and supple techno roller with infinite horizons and milky pads that dissolve your soul. A superb debut.

Review: James Pennington remains one of the cult veterans of Detroit's techno legacy, right there at the beginning and wholly revered by those across his work. Even if he still exists a little on the fringes compared to some of his peers, releases like this remind you how respected he is, and for good reason. 'Winds Of Fear' just hits that balance between the true, deep-rooted, classic kind of techno and the otherness which makes the best of the genre memorable instead of forgettable. The trombone-like synth line forming the melodic bedrock of the track is just not something you hear often in techno, but it sounds powerful especially on top of the rough, urgent slap of the Suburban Knight drums. As if the original wasn't enough, we get Robert Hood going in on the track with a tight but funky as hell edit and a dusty beatdown version from Eddie Fowlkes. Legends, assemble!

Review: There is no messing when it comes to the techno served up by Umwelt's essential Rave Or Die. Over the course of 14 previous EPs the label has dropped rib-rattling, brain boggling bangers aimed squarely at the floor. This time out the boss himself steps up with Ancient Methods with each providing one solo track. This one comes on limited 10" picture disc so is an extra special one to add to the collection Ancient Methods's 'Accept Light' is a harshly textured industrial banger and Umwelt's 'Shades of Security' is just as caustic and hard edged.

Review: Hoavi (Kirill Vasin) lends his services to Ghost Zvuk to deliver a disordered series of IDM 'Phases', which are intentionally numbered incorrectly throughout the record, as if to suggest something got broken in transit. That being said, these are remarkable textural explorations for the synaptic and deep-thinking listener; 'Phase 10' is an incessant repeat ricochet, sounding like the internal workings of a plasmic ball bouncing around inside a supernatural lead pipe; 'Phase 5' is more beat-driven, with pressurised pink noise bursts sounding to escape the alloyed confines of a ritual dubbing chamber.

Review: Whoever is behind these STEDIT drops is striking upon pure gold, bringing a legitimately underground techno crunch to the pop edit practice. Having previously tackled the likes of Brandy & Monica and Ultra Nate, now two of the biggest pop divas of all time are getting some low down and dirty reworkings which tread the fine balance between earworm familiarity and the heads down moodiness of a locked-in dancefloor. 'Slow' becomes a slippery acid abstraction peppered with all kinds of sonic freakery, while 'Justify My Love' becomes a brooding, steadfast workout tipped towards the minimal crowd.