Review: Woof! Hyperdub bring together two of the most recognisable and enigmatic artists of recent times on this 10", as Zomby and Burial square down ahead of the former's new album for the label. Zomby's Ultra LP is undoubtedly one of this year's most anticipated albums and "Sweetz" suggests it may be a very moody affair indeed. Whilst rooted in UK dance, Zomby and Burial do look elsewhere for inspiration too. Just under seven minutes long, "Sweetz" veers through various sub-heavy soundscapes with intermittent rhythmic patters and a distinctive looped vocal sample whose pitch changes with dramatic effect.
Review: White Peach / Fent Plates bossman Zha returns with another delicious naan platter. "Mumbai" is like a spicy roti - crisp in its flavour, a pepper packing punch in the twisted shehnai blasts and scorched bass grunts. "The Tale Of She" is more of a puran poli. Deep, sweet flavours but don't think you won't have anything to chew or digest; there's a lingering wholesomeness running through the whole dish. Best served warm and with friends.
Review: Fernando Zapico AKA Z@p is one of those producers whose work is always worth a listen, primarily because his quality threshold is very high. This two-track missive on My Own Jupiter picks up where his recent EP for Japanese imprint Cabaret left off, delivering faintly foreboding futurist techno whose sci-fi inspirations are clear to hear. A-side "Brutalismo" sets the tone, with paranoia-inducing analogue bass, creepy synth stabs and swirling electronic textures rising above a punchy drum machine-driven groove. "We Control The Sound" is notably denser and a little darker, with sturdier beats, moodier chord sequences and a bone-chilling breakdown.
Review: Something of a deity to many, Paul Weller has undergone more than his fair share of metamorphoses in a storied forty year career, but the quality control of his output post-2007's '22 Dreams' has surprised even some of most ardent devotees, and 'A Kind Revolution' is ample evidence that even as he approaches 60 his creative energy and questing spirit are undimmed. He's still searching for new modes of expression that belie his reputation as a soul-style traditionalist, and in a fractious and hostile era, the messages of hope are as much a balm as his increasingly mellifluous voice.
Review: Minuendo calls upon Vincent Inc and Danijel Kevic to kick off their latest single, and they do so in fine style with the luxurious sweeping chords of "Space". Twinkling pianos, speech samples and a carefully measured set of deep house drums make this the consummate slice of pool-side dance music for those who can still find some sun at this time of year. Lola Allen steps up to the B side with something a little more sassy in the shape of "Afrofusion Jazz". As the title might suggest, there's a mixture of influences tumbling into this track, most notably with some wildly filtered jazz organ and funk licks stewing in the pot, and just when you think it's going to break it swerves off into submerged Moodymann territory. This is unpredictable house music at its finest.