Review: Funkyjaws is the Belarusian DJ and producer Sergey Abramov, who you might have previously spotted on Kolour LTD and Shadeleaf Music, often alongside Four Walls. Now a new start up label from St Petersburg has called on Abramov to inaugurate their imprint with his incredibly funky touch, leading in with the sweaty Afrobeat thump of "Ole Ole" and following up in fine style with the sprightly "Heavy Salsa Pushka Bassline", where salsa rips, rudeboy breaks and disco strut gleefully bounce off each other. "Untitled I" and "Untitled II" continue the West African trip with another two brilliant edit workouts with plenty of oomph where it counts.
Review: If ever there was a record that warranted a one-track single-sided pressing, it would be this one. The legend of this track harks back to the golden years of dubplate culture, when a track's infamy could be felt months before it dropped. Sherelle lay waste to the place when she dropped Fixate's utterly devilish bootleg of Double 99's timeless garage classic "Ripgroove," which artfully nudges the track back into the rudest jungle styles the original made such good use of. It had to get an official pressing, and who better than original label Ice Cream Records to do the business? This one is going to fly out, so don't hang around.
Review: It would be safe to say that Kayroy (real name Finian Langham) is on a roll. This is his third must-have EP of 2019 and his second outing on Whiskey Disco. It begins with "Rosella", a superb revision of Crown Heights Affair's "Say a Prayer" that strips out most of the vocals and layers up tasteful overdubs to give the track a more cosmic and dubbed-out feel. "You're The Reason Why" is a loopy but groovy rearrangement of a dewy-eyed laidback disco classic, while "Silk & Satin" is a riotous rework of a heavy disco-funk number rich in sharp, rising horn lines, screaming guitars, sweaty drums and toasty bass. Arguably best of all, though, is the fizzing, dubbed out Italo-disco-goes-poodle-perm-rock insanity of "One Night In Prague".
Review: Robin Ball's Memory Box dips once more into the acid-laced honey pot and comes up with the lysergic maestro Luke Vibert, who delivers a crucial gurgler in "X To C" that ranks amongst his most incisive 303 workouts in recent memory. A snappy 808 drum line and quintessential vocal chops make this an all-round masterful jam for heads down moments in the dance. Robin Ball himself steps up on the B side with two equally proficient cuts, from the big and bold peak time propulsion of "Gripper" to the punchy tech-noir of "The Edge".
Review: Petr Serkin has been delivering classy funky house variations to Freedom Sessions and elsewhere for some time now, and after a three year break his dependable touch does the business once again on this new missive. "City Worms" is a gorgeous house track that draws on classic instrumentation - slinky live bass, gossamer Rhodes chords, brushed drums and wah wah guitar chops - to create an immersive groove. "Remember That Summer" takes things deeper, using similar ingredients but spelling out a smokier mood. "Water Planet" takes on a light and breezy disco funk veneer as viewed through a misted out lens, and "Jazz Drummer" takes a mellow trip into some seriously swinging drum cuts.
Review: Having demonstrated the breadth of his artistic vision with the excellent One Against Time album last year, John Dimas returns to Half Baked with a focused 12" of dancefloor heaters that keep the vibe varied but the beats ever-present. "5putn1k" is a cheeky, boxy workout with plenty of swing and some wriggling bassline flex. "@L5d" takes a trippier route through spaced out synth lines and a subliminal rhythm section for maximum lock-in, and then "5p@c3 T@lk" heads skywards with a gorgeous tapestry of melodious expression strapped to a rock-solid groove. "@rkyn" completes the set with a snagging 2-step funk and plenty of the space in the mix for the meditative crew to get all eyes-closed to.
Review: The Micronesia label has always impressed with its various artists releases, although they're never in a hurry to get another record together. Finally volume three is here, and it features another intriguing cast of characters. Rudolf C brings some crisp and crackling deep house bedded down with hazy pads and sprinkled on top with curious cosmic trills. LK is back on the label with a mellow roller, while Leonid gets things hot and sticky for the clamoring throb of "Cosmic Origin". Alpha Crucis pings off into super-deep backroom quarters with the gorgeous "About U", and DX2OV keeps things chilled but funky on the dust-caked "Cone".
Review: New York City-based trio Escort are back for the first time since their Animal Nature LP from 2015. Their new track "Slide" was co-written with NYC soul artist Denitia and drives you gently with this west coast influenced roller produced by Eugene Cho and Jkriv - and featuring Adeline's wonderful vocal delivery. We absolutely adored this slick and low slung boogie-down number. For something more uplifting (and with dancefloor dynamics) you can try the classic '70s disco explosion of "Ride" (feat Brian Jackson) on the flip, which calls to mind the classic vibe of masters like Salsoul, Moulton Studios et al.
Review: After offering up EPs titled "Hard Times" and "Changing Times" in 2017, Kaidi Tatham returns to First Word to complete the trilogy with "Serious Times". Of course, the music contained within the EP's tightly packed grooves is as joyous, rich as intricate as ever. Check, for example, "Don't Cry Now", a samba-soaked, sun-kissed affair that wraps harmonic freestyle vocals, twinkling electric piano lines and darting jazz-funk bass around a seriously shuffling groove. Tatham's much-discussed jazz-funk influences are once again given an airing on "Sugar", while his fine piano work takes pride of place on instrumental hip-hop head-nodder "Zallom". Best of all, though, is opener "Cost of Living", which emphatically weaves together all of these strands and more besides.
Review: Trustworthy techno outpost Chronicle are the kind of label you can still get behind when they drop an unnamed artist. Whoever's behind Cycle De Motifs, the bar remains reassuringly high for those wanting fresh firepower in the serious techno game. "GPS" is a fist-shaking piledriver, but it's not without its cerebral nuances between the surging low end. Who needs a kick when you can have a relentless sub to carry you through the night? "C-Signature" darts out into equally intriguing territory with a creeping, insectoid array of sound design working around a minimal beat. "Gateway To Infinity" piles the eerie, looping figures on and continues spiraling outwards, and "Nepthys" plies an old-skool drum machine jack in the finest Plastikman tradition.
Review: It's taken a while, but finally Thom Yorke's impressive third solo album, "ANIMA", is available on wax (and in a fetching shade of orange, too). A future classic that continues the legacy he started with XL Recordings back in 2006 (with his solo debut The Eraser), ANIMA is well worth picking up, as Yorke and co-producer Nigel Godrich offer up evocative, off-kilter songs built around the twin attractions of the Radiohead man's distinctive vocals and skewed backing tracks rich in layered electronic noise, body-bending sub-bass, discordant synthesizer parts and intriguingly jaunty drum loops. Highlights are plentiful throughout, from the creepy, lo-fi ambient swirl of "Last I Heard (...He Was Circling the Drain)" and "Dawn Chorus" (a blissfully dewy-eyed early morning soundscape), to the low-slung, post-trip-hop hum of "I Am A Very Rude Person" and the fizzing, jazz-fired thrust of "Impossible Knots". Melancholic, yes. Deep and self-effacing, of course. Nihilistic, not really. Percussive futurist sub-pop is back.
Review: Last time we heard from James Ruskin, it was in collaboration with fellow UK techno veteran Mark Broom. Here he flies solo on Blueprint - the label he co-founded way back in 1997 - for the first time in five years. Title track "Reality Broadcast Off" is thrillingly wonky and unsettling, with Ruskin peppering a sturdy late night techno groove with waves upon waves of minor-key arpeggio lines and seemingly out of time motifs. It's great, all told, and most likely capable of inducing hallucinations in suitably refreshed dancers. He continues on a similarly off-kilter theme on the slightly more positive sounding - but no less mind-mangling - "We Are Everywhere", before rounding off a rock solid EP via the squelchy acid motifs and rumbling bass of "Disaffection".
Review: On celebrating 22 years of Josh Wink's cult acid classic "Sixth Sense" on his legendary Ovum imprint, they've invited one half of Masters At Work, Louie Vega, and Israeli techno hero Shlomi Aber for a set of remarkable updates. Vega looks after the A side with a couple of sweltering reworks: from the bouncy, bass-driven groove attitude of the main remix which retains industry veteran Ursula Rucker's powerful vocal performance, to the handy dub version up next. On the flip, Aber certainly has come a long way since the days of Chicago Days/Detroit Nights - it's about spending all weekend at Berlin's Berghain these days - getting on some proper tunnel vision with his steely and austere rework.
Review: Ben Sims has been busy of late, what with the Tribology compilation and its strong run of companion singles. Now the UK titan is revisiting the project once more with these additional tracks from household names and newcomers alike. Marcu Bruno leads the charge with the frankly massive "Any Given Sunday", which slams a whopping great techno chord front and centre and rides it to perfection. Cadans brings a bit more tribal pressure to "Bite", and it sounds just as mighty. Mark Broom takes things in a simmering, rolling direction on "Loop It" and Avision finishes the record off with shimmering stomper "Rebel".
Review: As you're probably by now aware, the latest Special Request album, "Bedroom Tapes", includes some of the earliest music recorded by Paul Woolford in his Leeds home during the mid-to-late 1990s. The tracks were recovered from cassettes the producer rediscovered during a recent house move. There's much to enjoy throughout, from the deep and melodious electro brilliance of opener "Panaflex Sunrise" and the IDM-influenced ambient techno sweetness of "Thermatropic", to the fizzing, stargazing brilliance of "Entropy" and the high-octane, sub-heavy dreaminess of "Double Rainbow", which like a lot of the album draws influence from the likes of B12, Autechre and Boards of Canada. Arguably best of all, though, is the epic techno workout "Xenospin", a slowly rising chunk of rushing Yorkshire futurism.
Review: Artificial Intelligence welcome Austrian duo Air K & Cephei back to the fold with this gorgeous four-tracker. Their first full EP for the label, they've delivered in all directions; "All You Know" is a vocal hurricane armed with an equally hair-raising bassline, "Smiles" is an introspective-yet-sensual piano-tickler while "Reflections" is a genuine cosmic crusade built with layers and textures that go on for days. Finally "My Way" closes the show with a nice bit of closure. With added touches from Concept & Shnek, it's a powerful orchestral piece with all the essential drama you need in a summer set. Epic.
Review: Fresh from another killer collaboration with regular studio sparring partner E-GZR on Wania, Laura "LNS" Sparrow goes solo and offers up the second volume in her ongoing "Recons" series. It's another confident and hugely entertaining affair, with Sparrow flitting between electro-influenced space funk ("Recon Two"), deep and dubbed out breakbeat shufflers ("Ecumene"), sunrise ready analogue deep house warmth ("Prahvist"), bleep and bass influenced machine techno ("Lehkist") and spacey ambient beauty ("To Be Continued"). Old pal DJ Sotofett is also on hand to remix "37th Degree" in a typically warm and woozy dubbed-out manner.
Review: After a lengthy studio apprenticeship alongside her father Robert in Floorplan, Lyric Hood is finally ready to make her solo production debut. As you'd expect, there are naturally some similarities between her work and that of her legendary father. "11:11", for example, is heavy, driving and claustrophobic, with slowly shifting, hard-wired electronic looks and subtle but panicked stabs buzzing around thumping techno beats and metallic percussion hits. It's the kind of thing Papa Hood may have released on M-Plant back in the day, which is no bad thing. A-side "Nineteen" is arguably even better. Its' sampled drums and loopy, warehouse-ready motifs are funky as hell and twice as hot, while the subtle vocal samples buried in the mix tip a wink to Floorplan's gospel-tinged techno.
Review: Dubbyman is on a roll with his releases at the moment, not least thanks to his incredible Deep Is Dead album landing recently on Deep Explorer. This time the Spanish deep house maestro is helping launch First Floor with an original jam that revels in a blanket of fog. "So Far" is the deepest of house jams, rolling along slowly and smoky without losing its presence, thanks in no small part to the soulful croon of the unnamed vocalist. Leo Gunn then steps up for the B-side, remixing "So Far" into a sprightly terrace anthem replete with snappy piano chords to warm your cockles, but fear not because that all-encompassing Dubbyman vibe persists throughout this release.
The Family Daptone - "Hey Brother (Do Unto Others)" (3:52)
Soul Fugue - "The 100 Knights Orchestra" (4:58)
Review: Soul and funk heads won't want to miss this very special seven-inch from the Daptone Records crew, and not just because it's the label's 100th "45". The A-side features an all-star '60s soul cover of the Frightnrs rock-steady cut featuring vocal contributions from Saun and Starr, James Hunter, Lee Fields, Naomi Shelton, Duke Amayo, the Frightnrs and two legends who are no longer with us: Charles Bradley and Sharon Jones. It's a one-off that won't be repeated for obvious reasons, but more importantly it's very, very good. Over on the flip main man Bosco Mann takes charge, conducting and producing "two opposing armies" of woodwind and horn players from the label's expansive musical roster. As you'd expect, it's something of an epic.
Review: Following releases from Huerta, Mandar and Makcim & Levi last year, Oscillat kicks off 2019 with an assured, brooding club 12" from long-serving producer Matthew Dekay.
Since surfacing in 2001, Dutch producer Dekay has put out a formidable body of work under a variety of aliases and in collaboration with producers including Lee Burridge and Maher Daniel. His sultry tech house approach has graced labels as highly regarded as Innervisions, Cecille, Aras and Maeve, and now he comes to Oscillat with "Spellbound," a track that finds him diving deeper than ever before into hypnotic, swinging rhythms loaded with atmosphere and longing.
On the B side, Oscillat bosses Mandar (Lazare Hoche, Malin Genie and Samuel Andre Madsen) take Dekay's original and inject it with an infectious peak time energy, creating a straight-up, acid-flecked workout that sits in neat contrast with the immersive shuffle of the original.
Pimping People In High Places (Woodword Ave alternative mix) (6:50)
The Medusa Touch (6:52)
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!
Review: Sheffield's Bitter End crew has always been a little blurry about which producer - or producers - is behind the consistently excellent 12" series, though different versions of some previous releases have ended up on Crooked Man albums. It appears that this EP is the work of Richard Barratt and co, too, with A-side "Incapable" - a warm, woozy and disco-flecked chunk of happy-but-sad dancefloor goodness - featuring the (un-credited) lyrics and vocals of his old buddy Roisin Murphy. That track's the standout, though piano-laden disco-tech cut "Feeling You Feeling Me" and "Princess", seemingly a rework of the A-side featuring blissful jazz guitar solos rather than a headline vocal, are also superb.
In Flagranti - "Kachi Kachi" (feat Ayakamay - DJLMP edit)
Review: Take It Easy made a splash with their first release from Dirty Channels - they've clearly got an ear for crowd-pleasing house music built for the big arena. This second drop comes from DJLMP and deals in a few different flavours of peak time party music. First up is the fierce and fabulous piano stomper "Blow Your Mind," which is followed up by the leftfield disco chops of In Flagranti's "Kachi Kachi", given a bang tidy edit by DJLMP. "Tiger Cat" takes on freaky cosmic disco with a French touch, and then "Angry" completes the set with an Afrobeat-laced workout that juggles tension and release masterfully.
Steve Monite - "Only You" (Frankie Francis Disco Jam edit) (7:55)
Tabu Ley Rochereau - "Hafi Deo" (Nick The Record & Dan Tyler re-edit dub) (10:15)
Review: Edits in the hole! Two Afrofunk gems enjoy floor-primed refocuses: Steve Monite's Doing It In Lagos-featured "Only You" gets a little juice from Sofrito's Frankie Francis who really brings the bass out in proceedings. Meanwhile on the B Nick The Record and Idjut Boy Dan Tyler tweak the energy and sheen of Tabu Ley Rochereau's "Hafi Disco" as the drums are given a little more momentum and the chorus and horns are really brought to the centre of the action. Stunning.
I Want Magic (Dimitri From Paris vs Cotonete 12" version) (7:15)
I Want Magic (Dimitri From Paris vs Cotonete 12" dubstrumental) (7:14)
Review: "I Want Magic" is a welcome return to action from Jalapeno's premier soul sister, Izo FitzRoy, an artist whose 2017 debut album "Skyline" brilliantly joined the dots between classic soul, rhythm and blues and gospel. This time round she has her eyes firmly focused on the dancefloor, as producer Dimitri From Paris and backing band Cotonete (whose recent LP 'Super-vilains' is well worth a listen) join forces to cast a serious disco spell. "I Want Magic" is a revivalist disco jam per excellence; a tweak on the classic Chic sound with Cotonete adding a few sneaky solos and quality jazz-funk touches here and there. Of the two versions, it's the vocal mix (side A) that hits home hardest, thanks in no small part to a stunning lead vocal from FitzRoy that celebrates the giddy goodness of dancing like you're ten years old. Expect to hear it a lot at festivals throughout the summer.
Review: You should know by now that Plastik People is the go-to spot for the most upfront garage house done in a classic style, and they're spelling it out good and proper with The Sound Of Garage House. Marc Cotterell leads the way with the jazzy vibes and deliciously liquid chords of "Those Days" before Ed The Spread brings a nagging shuffle and sharp string stabs to hard-stepping bumper "The Bauhaus Movement". Grant Nelson keeps things tuff with the natty piano hooks and diva slices of "Move Close" while Rocket Dubz ups the funk to 11 for hands in the air party starter "Dirty Bath".
Review: Constant Black continues its superb string of releases with this latest outing for the imprints close affiliate Michael James. The label run by Burnski and Jon Woodall hands things back to James for an outing of deep minimal grooves. "Bosh!" starts things out just how you would expect with a title like that, strong punching swinging rhythms ready to sway any party. "Pol" and "Hallucinate" keep the momentum going with sleek minimal works, which are sure to be utilised across the globe this summer!
Manuk & Oli Silva - "Nevermind The Crispies" (5:55)
Eliaz - "Verdico" (7:06)
Meta 4 - "Urnammu" (7:45)
Jorge Gamarra - "Dypac" (5:42)
Review: There's a certain air of buy-on-sight mystique around EYA Records, somewhere between the low-key presentation of the music and the cult artists they're calling on to realise their particular vision of deviant dancefloor business. This is unabashed freaky party tackle, from Manuk & Oli Silva's delirious B-movie jack track "Nevermind The Crispies" to the uneasy electro snarl of "Verdico". Meta 4 has equally nightmarish moods to share on the graveyard acid of "Urnammu" and Jorge Gamarra seals the deal with the schlocky braindance horror of "Dypac". It's the kind of record that you'll be reaching for come Halloween, trust.
Review: Alberto De Santiago has already slipped out a few killer edit-rich hits, which drew favourable attention from Spanish label Night Shift. He launches the Discollection EP with the soul-soaked feel-good flavour of "Love Sauce," steeped in the finest disco ingredients to inspire impassioned expression on the floor. The heat stays right up for "Since I've Been Gone", which is packed full of Philly strings aplenty and enough dramatic drops and chops to melt even the hardest frown. "Most Expensive Diamond" and "All The Way" have that magic touch too - these are loud and proud vocal edits to get people dancing on the ceiling. You can't go wrong with classic source material like this - Never Dull indeed.
Review: Los Angeles disco Stus Pleasure Of Love return with their fifth edition of piping hot edits, respectfully respliced for your convenience. This one features co-founder of the local Heat-Wave party series (and one half of Cosmic Kids) Daniel Terndrup, who goes one-for-one with Trap.Avoid member Patrick Billard aka DJ Duckcomb on these four cuts. Kicking off the A side is Billard, who takes the razor to a wonderfully sunkissed/tropical style tune on "Carribean Son", while Terndrup gets properly lo-slung on the cheeky and rather familiar groove of "Kinikos TV". On the flip, it's all about "Caja Negra" (DT & DC version Acido) where they join forces on this tripped-out tribal Italo number.
Review: Ahmad Jamal track been sampled and reworked by Hip Hop greats
Primo - Gang Starr Solilquay of Chaos to Black Moon -Black Smif-mWessun- Pete Rock flipped on Something Funky release.
Richard Evans bass player and arranger blazes Jazz Funk intro, really sets it off from Original Foster Sylvers version very hot tune !!!
You're Gonna Need ME Dionne Warwick
1973 Monster of Pysch Soul tune
Written by Holland - Dozier- Holland Studios arranged by Mckinley Jackson you can hear that RAW DETROIT FUZZ FUNK Sound.
Dilla aka Jay Dee brought to the light of day after he flipped it on his Famous Donuts album (STOP) back in 2006 Well that history we already know!
Wu-Tang's Clap from THE W album (2000) as bonus track!
Good Good Lovin' (Hifi Sean & Yam Who? edit) (3:58)
Review: Recently, legendary American dance producer Arthur Baker discovered two tracks in his storage on 1/4" tape recorded in 1979. He asked Hifi Sean (aka Sean Dickson of The Soup Dragons) to rework them - who brought on board Riot Recordings boss Yam Who? and they quickly got to work resurrecting these soulful disco anthems. On the A side, we have the souled-up disco power of "Reachin'" featuring Minnie Gardner's powerful vocals, then get prepared to get down proper to the group vocals and epic brass section in the uplifting "Good Good Lovin'" (Hifi Sean & Yam Who? edit) all accompanied by Baker's immaculate production style.