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Review: After a long emergence in and adjacent to the South London underground music scene, producer, singer, performer and outlandish mask donner Lynks returns to the fore with the announcement of their debut album, Abomination. Moving between the well-paired, current twinnings of post punk, art pop, and rubbery electronica, Lynks lays down a whopping debut full-length here, commenting on casual hookup culture and queer psychic contemporaneity amid a brash and ironically relentless weirdo rave faux-schlock.

Review: Much loved doom monger emo kids Depeche Mode have always been ripe for remixing by new generations of electronic music artists and so it is that there 'My Favourite Stranger' gets a series of re-rubs here on Columbia. Tech house mainstay Boris Brejcha remixes first and elongates the grooves with mournful pads up top. The Ela Minus remix of the same tune brings some extra textured and darker moods and the best is saved till the last if you ask us. The Lond Island Sound remix is high speed and tinged with electro synth work as the moody vocals echo about the mix to trippy effect.

Review: Originally released in 2012, '> album title goes here <' is the sixth studio album by Canadian electronic music producer & composer Deadmau5 (Joel Zimmerman). The 13-track album features a handful of Deadmau5' biggest hits, including but not limited to: 'The Veldt' with Chris James, 'Professional Griefers' with Gerard Way of My Chemical Romance, 'Channel 42' with Wolfgang Gartner, and 'Telemiscommunications' with Imogen Heap. Now reissued for an even-more contemporary audience, this latest coloured vinyl version provides a new window into the world of the helmeted muroid cynic, and the humorously updated progressive house sound he helped trailblaze.