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MachineRoom Filth Analogue Transistor Ladder Filter Module (distortion/filter/VCA module)
Cat: 983127 • View all Synth modules
Analogue low pass or high pass 12dB or 24dB transistor ladder filter module - 10HP
Notes: The basis of the module is a version of the transistor ladder with low-end compensation at resonance, to which Machineroom have added aggressive Overload and linear VCA. Thanks to three audio inputs, FILTH can work with polyphonic patches, if you add Trilobite (or another triple osc) and ADSR to it, you will get a paraphonic synthesizer. 2 VCA inputs in the classic case allow you to use loudness envelope and voltage offset (for example, velocity) at the same time, but there are many more options for their application.
Works in LP/HP and 12/24 db modes
In the 24db mode, the filter self-oscillates and can act as a sine generator with perfect pitch tracking in the range of 5 octaves.
Despite the name, without overload, the module can be used as a vanilla filter, but its brutal version is generally more preferrable.
Based on "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers.
10HP
* skiff-friendly (25mm depth)
* 28 mA +12V
* 21 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine
… Read moreWorks in LP/HP and 12/24 db modes
In the 24db mode, the filter self-oscillates and can act as a sine generator with perfect pitch tracking in the range of 5 octaves.
Despite the name, without overload, the module can be used as a vanilla filter, but its brutal version is generally more preferrable.
Based on "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers.
10HP
* skiff-friendly (25mm depth)
* 28 mA +12V
* 21 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $238.57
(No payment required now - pay when released)
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Related products...
MachineRoom 204D Dual Analogue VCF Module (dual/stereo/filter module)
Cat: 983136 • View all Synth modules
Dual analogue voltage-controlled low-pass filter module - 10HP
Notes: MachineRoom 204D Dual VCF is a dual voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum and lets lower frequencies pass through.
Based on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.
Filter has separate controls for both sections, but can be used for stereo operations as well.
4 cv inputs (2 with attenuators) allows complex cut off modulation
Skiff-friendly
25 mm deep
12HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine
… Read moreBased on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.
Filter has separate controls for both sections, but can be used for stereo operations as well.
4 cv inputs (2 with attenuators) allows complex cut off modulation
Skiff-friendly
25 mm deep
12HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $238.57
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $252.04
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Doolin-Dalton
Twenty-One
Out Of Control
Tequila Sunrise
Desperado
Certain Kind Of Fool
Outlaw Man
Saturday Night
Bitter Creek
Doolin-Dalton/Desperado (reprise)
Review: On their second album Desperado, the Eagles went deep into the idea of the American Wild West. With their country twang, Glenn Frey and Don Henley's songs were already cowboy-friendly, but this album took the concept further. Released in 1973, it captures everything you love about the Eagles from shit-kickin' rock n' roll like 'Out of Control' facing off with sentimental classic 'Tequila Sunrise'. After all this time it's the title track which remains one of the band's most beloved songs - everything a lonesome man on the prairie needs to hear after a hard day and a hoedown.
… Read morePre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Dec 25 $203.30
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Black Friday
Bad Sneakers
Rose Darling
Daddy Don't Live In That New York City No More
Doctor Wu
Everyone's Gone To The Movie
Your Gold Teeth II
Chain Lightning
Any World (That I'm Welcome To)
Throw Back The Little Ones
Review: Steely Dan's fourth studio album 'Katy Lied' was their 1975 standout moment, capturing a moment in time when the band had gained plenty of traction, and had already ridden the wave of fame for a good time. As a result, their music had grown in creativity and grandeur, expanding outwards from a mere prog rock outfit into a studio project, necessitating a steady stream of session musicians, highest-fidelity gear and lots of money. As ever, infectious guitar hooks and R&B funk structures make up most tracks here, making this an early party rock album if we've ever heard one. Katy may be a love interest or a sumptuous muse - but the title also alludes to a katydid, a species of insect related to grasshoppers or crickets.
… Read morePre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 26 Jul 24 $244.78
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Kid Charlemagne
The Caves Of Altamira
Don't Take Me Alive
Sign In Stranger
The Fez
Green Earrings
Haitian Divorce
Everything You Did
The Royal Scam
Review: Steely Dan's latest reissue campaign spans many classic albums, including their fourth LP Katy Lied, but here we focus on The Royal Scam, their fifth. Once more produced by in-house maestro Gary Katz, and again a grand and sprawling recording project with tens of contributors and credits, the album deals thematically with the loose story of Owsley Stanley, the psychedelic drug kingpin and father of the modern soundsystem. Compared to their previous projects, The Royal Scam was known for its more paranoid and intense sound.
… Read morePre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 26 Jul 24 $244.78
(No payment required now - pay when released)
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Related products...
Feedback VCZIII A VCO Premium Voltage Controlled Oscillator Module (oscillator/waveshaper module)
Cat: 1004970 Rel: 31 May 24 • View all Synth modules
Voltage controlled oscillator module - 12HP
Notes: The VCZIII voltage controlled oscillator modules are Feedback's latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.
The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.
THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.
Tech specs:
- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
… Read moreThe VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.
THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.
Tech specs:
- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $216.79
(No payment required now - pay when released)
FORTHCOMING
Related products...
Feedback VCZIII B Premium Voltage Controlled Oscillator Module (oscillator/waveshaper module)
Cat: 1004971 Rel: 31 May 24 • View all Synth modules
Voltage controlled oscillator module - 12HP
Notes: The VCZIII voltage controlled oscillator modules are our latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.
The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.
THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.
Tech specs:
- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
… Read moreThe VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.
THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.
Tech specs:
- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $216.79
(No payment required now - pay when released)
FORTHCOMING
Related products...
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)
Cat: 963504 • View all Synth modules
4x VCA-decay & mute group module - 16HP.
Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.
This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
… Read moreThis module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $267.61
(No payment required now - pay when released)
FORTHCOMING
Related products...
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (silver) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)
Cat: 963505 • View all Synth modules
4x VCA-decay & mute group module - 16HP.
Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.
This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
… Read moreThis module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $267.61
(No payment required now - pay when released)
FORTHCOMING
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Lookout Hill
Cliffs Of Baccalieu
Strings & Dory Plug
The Badger Drive
Cape St Mary's
Two Bit Cayuse
Scarborough Settler's Lament
Yeastcake Jones
Up In Fox Island
Three Fishers
Guysborough Train
Pharisee
It All Fades Away
Love Letter
Take It From Day To Day
Acadian Saturday Night
Billy Green
Straight & True
The Woodbridge Dog Disaster
Louise's Song
Past Fifty
Evangeline
A Matter Of Heart
Famous Inside
At Last, I'm Ready For Christmas
Your Laker's Back In Town
The Puddler's Tale
Music In Your Eyes
Leave Her, Johnny, Leave Her
Down The Road
Bluenose
Make & Break Harbour
Field Behind The Plow
Shriner Cows (Dialogue)
Night Guard
Morris Dancers (Dialogue)
The Idiot
Lies
Free In The Harbour
Band Introductions (Dialogue)
Working Joe
The Legend Of Fingal (Dialogue)
Giant
Forty-five Years
Mary Ellen Carter Intro (Dialogue)
The Mary Ellen Carter
Barrett's Privateers
Sailor's Rest Intro (Dialogue)
Sailor's Rest
Paint Me A Picture
Skyway
Jamie
Love Can't Be Bitter All The Time
The Old Rose & Crown
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $236.48
(No payment required now - pay when released)
FORTHCOMING
Related products...
UDG FlightCase AlphaTheta Omnis-Duo Flightcase (DJ controller flightcase)
Cat: 1012863 Rel: 31 Jul 24 • View all DJ Equipment Hard Cases
Flightcase designed to fit AlphaTheta Omnis-Duo
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jul 24 $225.08
(No payment required now - pay when released)
FORTHCOMING
Related products...
Analog Cases Trakpack Producer & DJ Backpack (producer/DJ backpack)
Cat: 1007639 Rel: 30 Jun 24 • View all DJ Backpacks | Backpacks For DJ Equipment
Backpack designed for producers & DJs
Notes: Introducing the TRAKPACK: the ultimate backpack for producers, DJs and creatives.
This rugged and spacious bag delivers maximum versatility, with 3 storage layers and 11 pockets. The separate padded layers protect your gear, and are precisely designed to fit the top production tools.
With interior dimensions of 19.1" x 12.6", the TRAKPACK's largest storage layer offers a massive 5" of depth for your sampler, mixer, DJ controller, or vinyl records. It's a perfect fit for the MPC Live 2 or Push 3, and can also fit up to 5 smaller machines like the Digitakt or SP-404.
The 2nd layer is 3" deep, and can hold other large drum machines and synths, and the 3rd layer has a laptop pocket with a soft velvet lining, plus extra space for your cables or iPad.
There are 5 interior pockets for organizing your accessories and FX, plus 5 exterior pockets that can fit headphones, audio interfaces, or even a MIDI controller keyboard. The exterior storage pockets are enhanced with an expandable design that can increase to a depth of 2.5".
With so much storage space available, this could be the only bag you'll need on the road. The premium materials include padded shoulder straps, cushioned back support pads, and a spacious and comfortable handle. There's even a luggage pass-through for attaching to your carry-on, and the straps can be detached and stowed when you're using this feature.
The TRAKPACK is engineered with a rigid structured frame, so the bag can rest in a standing position with total stability, and the waterproof zippers, ballistic nylon material, and shock-resistant rubber padding ensure complete protection for your gear
… Read moreThis rugged and spacious bag delivers maximum versatility, with 3 storage layers and 11 pockets. The separate padded layers protect your gear, and are precisely designed to fit the top production tools.
With interior dimensions of 19.1" x 12.6", the TRAKPACK's largest storage layer offers a massive 5" of depth for your sampler, mixer, DJ controller, or vinyl records. It's a perfect fit for the MPC Live 2 or Push 3, and can also fit up to 5 smaller machines like the Digitakt or SP-404.
The 2nd layer is 3" deep, and can hold other large drum machines and synths, and the 3rd layer has a laptop pocket with a soft velvet lining, plus extra space for your cables or iPad.
There are 5 interior pockets for organizing your accessories and FX, plus 5 exterior pockets that can fit headphones, audio interfaces, or even a MIDI controller keyboard. The exterior storage pockets are enhanced with an expandable design that can increase to a depth of 2.5".
With so much storage space available, this could be the only bag you'll need on the road. The premium materials include padded shoulder straps, cushioned back support pads, and a spacious and comfortable handle. There's even a luggage pass-through for attaching to your carry-on, and the straps can be detached and stowed when you're using this feature.
The TRAKPACK is engineered with a rigid structured frame, so the bag can rest in a standing position with total stability, and the waterproof zippers, ballistic nylon material, and shock-resistant rubber padding ensure complete protection for your gear
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $230.26
(No payment required now - pay when released)
FORTHCOMING
Related products...
Mystic Circuits ANA 2 Analogue Logic Module (modular synthesiser)
Cat: 1010939 Rel: 30 Jun 24 • View all Synth modules
Analogue logic module
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $212.63
(No payment required now - pay when released)
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Mackie MC-60BT Wireless Noise Cancelling Headphones (wireless noise cancelling headphones)
Cat: 1013372 Rel: 31 Jul 24 • View all HiFi Headphones
Premium wireless headphones with MIS wide-band active noise cancelling
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Lean Baby
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In The Wee Small Hours Of The Morning
Learnin' The Blues
Love & Marriage
(Love Is) The Tender Trap
You Make Me Feel So Young
I've Got You Under My Skin
I Couldn't Sleep A Wink Last Night
The Lady Is A Tramp
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Oh! Look At Me Now
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Witchcraft
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Something's Gotta Give
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Nice 'n' Easy
River, Stay Away From The Door
September In The Rain
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Day By Day
When The World Was Young
I Gotta Right To Sing The Blues
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Guess I'll Hang My Tears Out To Dry (alternate take)
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One For My Baby (Test track)
Just In Time (alternate take)
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Animal Factory Ozymandias Dual Overdrive Effects Pedal (distortion effects pedal)
Cat: 1008029 Rel: 30 Jun 24 • View all Effects pedals
Dual overdrive effects pedal
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Pre-orders at Juno
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Cosmotronic Messor Stereo Compressor & Transient Shaper Module (silver) (dynamics/dual/stereo/envelope follower/expander/VCA module)
Cat: 995681 Rel: 30 Apr 24 • View all Synth modules
Stereo compressor & transient shaper module - 8HP
Notes: Messor is an analogue stereo compressor with lots of tricks up its sleeve, in only 8HP.
From squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.
At its core it's a VCA based feed-forward compressor with a low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope. This starts with a a switchable high-pass / low-pass filter, before going into a precision envelope follower, controlled by familiar parameters: the attack, release, threshold, ratio and makeup gain.
The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.
Being modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.
The gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.
There's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.
Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.
Dimensions
8 HP
25 mm deep
Current Draw
45 mA +12V
26 mA -12V
… Read moreFrom squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.
At its core it's a VCA based feed-forward compressor with a low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope. This starts with a a switchable high-pass / low-pass filter, before going into a precision envelope follower, controlled by familiar parameters: the attack, release, threshold, ratio and makeup gain.
The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.
Being modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.
The gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.
There's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.
Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.
Dimensions
8 HP
25 mm deep
Current Draw
45 mA +12V
26 mA -12V
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Apr 24 $212.63
(No payment required now - pay when released)
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Autumn Park
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 26 Jun 24 $261.37
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Pre-orders at Juno
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Dnipro qTone Dual Channel Voltage Quantizer Module (dual/stereo/quantizer module)
Cat: 1006240 Rel: 30 Jun 24 • View all Synth modules
2-channel voltage quantizer module - 6HP
Notes: qTone is a module that precisely transforms any kind of voltages into musical notes. Take the LFO, a Random source, or the Sequencer outputs, send them through the quantizer to your oscillator or synth voice, and enjoy perfectly tuned melodies.
It has a bank of 16 user-defined scales that can be easily edited, and automatically saved into memory. qTone saves every change into EEPROM so you can be sure to get back to the last state after power on.
Both channels can work independently with their own scale each, or with a common scale as well. Aside from the Scale, it is possible to set Glide, Offset, and Transpose parameters. The Glide parameter performs a smooth portamento between quantized notes. Offset shifts an input CV up or down, which works as an offset before quantizing, while the Transpose parameter shifts a scale after quantizing by semitones.
The 2 CV inputs are freely routable to any parameter in the CV menu. qTone works with unipolar or bipolar signals, in the range from -5 to +5 volts.
Technical details
6 hp
45 mA +12V
22mA -12V
0 mA 5V
42 mm deep
CV input voltage ranges: +5-5v, 0v+5v
CV output voltage ranges: +5-5v, 0v+5v
… Read moreIt has a bank of 16 user-defined scales that can be easily edited, and automatically saved into memory. qTone saves every change into EEPROM so you can be sure to get back to the last state after power on.
Both channels can work independently with their own scale each, or with a common scale as well. Aside from the Scale, it is possible to set Glide, Offset, and Transpose parameters. The Glide parameter performs a smooth portamento between quantized notes. Offset shifts an input CV up or down, which works as an offset before quantizing, while the Transpose parameter shifts a scale after quantizing by semitones.
The 2 CV inputs are freely routable to any parameter in the CV menu. qTone works with unipolar or bipolar signals, in the range from -5 to +5 volts.
Technical details
6 hp
45 mA +12V
22mA -12V
0 mA 5V
42 mm deep
CV input voltage ranges: +5-5v, 0v+5v
CV output voltage ranges: +5-5v, 0v+5v
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Rides In The Storm QSQ 8-Channel Sequencer & MIDI/CV Interface Module (sequencer/clock generator/CV modulation/digital/function generator/MIDI/slew limiter/tuner module)
Cat: 1000356 Rel: 30 Jun 24 • View all Synth modules
8-channel sequencer & MIDI & CV interface module - 26HP
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $289.39
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Winterbloom Neptune Resonant Diode Ladder Filter Module (filter module)
Cat: 1000562 Rel: 31 May 24 • View all Synth modules
Resonant diode ladder filter module - 12HP
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Tucker & Bloom Rich Medina 45 7" Vinyl Record Bag (black ballistic, brass) (7" vinyl recod bag)
Cat: 1002058 Rel: 31 May 24 • View all Record bags
7" vinyl record bag, black ballistic with brass rivets & plate
Notes: After many months of anticipation and years of sold-out runs, Tucker & Bloom are thrilled to reintroduce the Rich Medina 45 bag. This bag has been carried by DJs around the world for the past decade and continues to be a favourite.
"After decades of touring with bags that would eventually wear down and be replaced by the newest flavour of the month, this collaborative opportunity with Tucker-Bloom presented me with my first chance to help develop a product that is not only practical for the working-class DJ who carries 45 RPM records but further, almost any other working professional looking for a durable, high-quality shoulder bag to add to their toolkit or traveling luggage." - Rich Medina
… Read more"After decades of touring with bags that would eventually wear down and be replaced by the newest flavour of the month, this collaborative opportunity with Tucker-Bloom presented me with my first chance to help develop a product that is not only practical for the working-class DJ who carries 45 RPM records but further, almost any other working professional looking for a durable, high-quality shoulder bag to add to their toolkit or traveling luggage." - Rich Medina
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $233.38
(No payment required now - pay when released)
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Tucker & Bloom Rich Medina 45 7" Vinyl Record Bag (black ballistic, stainless steel) (7" vinyl record bag)
Cat: 1002062 Rel: 31 May 24 • View all Record bags
7" vinyl record bag, black ballistic with stainless steel rivets & plate
Notes: After many months of anticipation and years of sold-out runs, Tucker & Bloom are thrilled to reintroduce the Rich Medina 45 bag. This bag has been carried by DJs around the world for the past decade and continues to be a favourite.
"After decades of touring with bags that would eventually wear down and be replaced by the newest flavour of the month, this collaborative opportunity with Tucker-Bloom presented me with my first chance to help develop a product that is not only practical for the working-class DJ who carries 45 RPM records but further, almost any other working professional looking for a durable, high-quality shoulder bag to add to their toolkit or traveling luggage." - Rich Medina
… Read more"After decades of touring with bags that would eventually wear down and be replaced by the newest flavour of the month, this collaborative opportunity with Tucker-Bloom presented me with my first chance to help develop a product that is not only practical for the working-class DJ who carries 45 RPM records but further, almost any other working professional looking for a durable, high-quality shoulder bag to add to their toolkit or traveling luggage." - Rich Medina
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $233.38
(No payment required now - pay when released)
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Tucker & Bloom Rich Medina 45 7" Vinyl Record Bag (olive ballistic, brass) (7" vinyl record bag)
Cat: 1002063 Rel: 31 May 24 • View all Record bags
7" vinyl record bag, olive ballistic with brass rivets & plate
Notes: After many months of anticipation and years of sold-out runs, Tucker & Bloom are thrilled to reintroduce the Rich Medina 45 bag. This bag has been carried by DJs around the world for the past decade and continues to be a favourite.
"After decades of touring with bags that would eventually wear down and be replaced by the newest flavour of the month, this collaborative opportunity with Tucker-Bloom presented me with my first chance to help develop a product that is not only practical for the working-class DJ who carries 45 RPM records but further, almost any other working professional looking for a durable, high-quality shoulder bag to add to their toolkit or traveling luggage." - Rich Medina
… Read more"After decades of touring with bags that would eventually wear down and be replaced by the newest flavour of the month, this collaborative opportunity with Tucker-Bloom presented me with my first chance to help develop a product that is not only practical for the working-class DJ who carries 45 RPM records but further, almost any other working professional looking for a durable, high-quality shoulder bag to add to their toolkit or traveling luggage." - Rich Medina
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $233.38
(No payment required now - pay when released)
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Tucker & Bloom Rich Medina 45 7" Vinyl Record Bag (olive ballistic, stainless steel) (7" vinyl record bag)
Cat: 1002064 Rel: 31 May 24 • View all Record bags
7" vinyl record bag, olive ballistic with stainless steel rivets & plate
Notes: After many months of anticipation and years of sold-out runs, Tucker & Bloom are thrilled to reintroduce the Rich Medina 45 bag. This bag has been carried by DJs around the world for the past decade and continues to be a favourite.
"After decades of touring with bags that would eventually wear down and be replaced by the newest flavour of the month, this collaborative opportunity with Tucker-Bloom presented me with my first chance to help develop a product that is not only practical for the working-class DJ who carries 45 RPM records but further, almost any other working professional looking for a durable, high-quality shoulder bag to add to their toolkit or traveling luggage." - Rich Medina
… Read more"After decades of touring with bags that would eventually wear down and be replaced by the newest flavour of the month, this collaborative opportunity with Tucker-Bloom presented me with my first chance to help develop a product that is not only practical for the working-class DJ who carries 45 RPM records but further, almost any other working professional looking for a durable, high-quality shoulder bag to add to their toolkit or traveling luggage." - Rich Medina
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $233.38
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After Later Audio 104HP 7U Modular Synthesiser Enclosure Case Expander Kit (modular synthesiser enclosure case expander kit)
Cat: 1011811 Rel: 31 Jul 24 • View all Synth Module Accessories
Expander kit for the 104HP 7U modular synthesiser enclosure case
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jul 24 $293.54
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Mackie MobileMix 8-Channel USB-Powerable Mixer (live mixer)
Cat: 1013119 Rel: 31 Jul 24 • View all Live Mixers | Digital Mixers For Live Sound
8-channel USB-powerable mixer
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J Rockett Airchild Six Sixty Compressor Effects Pedal (dynamics effects pedal)
Cat: 1008780 Rel: 30 Jun 24 • View all Effects pedals
Compressor effects pedal
Notes: The Fairchild 660 studio compressor is consistently regarded as the best compressor ever made. For years, the original Fairchild 660 and 670 (Stereo) compressors have been extensively used in studios. This inspired J. Rockett to offer that sonic signature to the guitar community at a fraction of the $30k+ price tag.
The typical guitar compressor is the "Dynacomp", which has created iconic tones throughout the history of music, especially in Country music. That said, it's widely acknowledged that there are already countless Dynacomp variants available.
"The 'typical Dynacomp circuit' tends to crush the sound more like a limiter. This characteristic has cemented its sound into certain genres of music, which some may find desirable.
The Team at J. Rockett aimed to provide a compressor that works like a studio compressor, enhancing harmonic richness and evening out transients without crushing the entire spectrum.
The Airchild Six Sixty simply makes you want to play more. It increases sustain without crushing your output, imparts richness to your overall tone, and adds feel to your playing. The target tones were the slide tones of Lowell George and the singing lead/rhythm tones of Mark Knopfler.
The Fairchild 660 Compressor was designed by Rein Narma, who had worked with Les Paul to build a recording mixer for use with Les Paul's Ampex 8-track. Les Paul asked Narma if he would build a compressor/limiter. Sherman Fairchild, who was friends with Les Paul, learned of the compressor and licensed Narma's compressor design, hiring Narma to be chief engineer at Fairchild Recording Equipment Corporation. The first 10 Fairchild 660's were built by Narma himself. The first unit was sold to Rudy Van Gelder who used it to cut lacquer masters for Blue Note Records and Vox Records. The second unit went to Olmsted Sound Studios in New York City and the third 660 built went to Mary Ford and Les Paul.
Notable users: Abbey Road Studios purchased 12 Fairchild 660s after staff engineer Peter Bown heard it during a visit to Capitol Records in America. They used it on recording sessions for the Beatles, primarily for vocals. Beginning in 1966, Geoff Emerick began using the 660 on Ringo Starr's drum tracks as well as piano and guitar tracks. As of 2014, Abbey Road still had 8 of the original 660s purchased in the 1960s.
"We put the drum sound through Fairchild 660 valve limiters and compressors. It became the sound of Revolver and Sgt Pepper really. Drums had never been heard like that before." (Geoff Emerick)
Compressors are probably the most misunderstood effect that also have incredible impact on the delivery of music. There is not a professional recording in history that does not have some sort of compression. Gain is a form of compression, even EQ is a form of compression.
A compressor is used to reduce a signal's dynamic range-that is, to reduce the difference in level between the loudest and quietest parts of an audio signal.
Compression is commonly used to attenuate loud transient peaks (e.g., when a singer suddenly belts out a high note or a guitar player digs in to a note with muscle) compression helps maintain a consistent level. Compression essentially causes distortion in a signal, in that it changes the original sound of the signal through its processing. The compressor typically achieves this by emphasizing certain harmonics based on how the compressor is hitting the incoming signal. The job of this peda;l is to make that distortion feel transparent and to use dynamics to create the best-sounding performance possible. Use your ears!
In compression, the dynamic range becomes narrower - the highest peaks and the quietest parts have fewer dB of level difference between them. In contrast, a compressor can also help support or bring to life soft notes as well. For guitar, compression helps with sustain and feel. Using compression in front of an amp with gain or a gain pedal essentially just adds more compression and is typically not very audible. A good compressor will help sustain notes without introducing noise or artifacts in an amp or pedal with gain but typically works best in a clean amp to hear the effect. You will typically hear compression on country guitar, at least as an audible full throttle effect. Most players do not utilize this sound because a squished signal limits dynamics, however, if used correctly it can increase dynamics across the board. One of the best descriptions about compression is that it is the opposite of reverb. If you think about that it is true. Compression brings the full dynamic force forward in a balanced manner where Reverb creates space and distance.
… Read moreThe typical guitar compressor is the "Dynacomp", which has created iconic tones throughout the history of music, especially in Country music. That said, it's widely acknowledged that there are already countless Dynacomp variants available.
"The 'typical Dynacomp circuit' tends to crush the sound more like a limiter. This characteristic has cemented its sound into certain genres of music, which some may find desirable.
The Team at J. Rockett aimed to provide a compressor that works like a studio compressor, enhancing harmonic richness and evening out transients without crushing the entire spectrum.
The Airchild Six Sixty simply makes you want to play more. It increases sustain without crushing your output, imparts richness to your overall tone, and adds feel to your playing. The target tones were the slide tones of Lowell George and the singing lead/rhythm tones of Mark Knopfler.
The Fairchild 660 Compressor was designed by Rein Narma, who had worked with Les Paul to build a recording mixer for use with Les Paul's Ampex 8-track. Les Paul asked Narma if he would build a compressor/limiter. Sherman Fairchild, who was friends with Les Paul, learned of the compressor and licensed Narma's compressor design, hiring Narma to be chief engineer at Fairchild Recording Equipment Corporation. The first 10 Fairchild 660's were built by Narma himself. The first unit was sold to Rudy Van Gelder who used it to cut lacquer masters for Blue Note Records and Vox Records. The second unit went to Olmsted Sound Studios in New York City and the third 660 built went to Mary Ford and Les Paul.
Notable users: Abbey Road Studios purchased 12 Fairchild 660s after staff engineer Peter Bown heard it during a visit to Capitol Records in America. They used it on recording sessions for the Beatles, primarily for vocals. Beginning in 1966, Geoff Emerick began using the 660 on Ringo Starr's drum tracks as well as piano and guitar tracks. As of 2014, Abbey Road still had 8 of the original 660s purchased in the 1960s.
"We put the drum sound through Fairchild 660 valve limiters and compressors. It became the sound of Revolver and Sgt Pepper really. Drums had never been heard like that before." (Geoff Emerick)
Compressors are probably the most misunderstood effect that also have incredible impact on the delivery of music. There is not a professional recording in history that does not have some sort of compression. Gain is a form of compression, even EQ is a form of compression.
A compressor is used to reduce a signal's dynamic range-that is, to reduce the difference in level between the loudest and quietest parts of an audio signal.
Compression is commonly used to attenuate loud transient peaks (e.g., when a singer suddenly belts out a high note or a guitar player digs in to a note with muscle) compression helps maintain a consistent level. Compression essentially causes distortion in a signal, in that it changes the original sound of the signal through its processing. The compressor typically achieves this by emphasizing certain harmonics based on how the compressor is hitting the incoming signal. The job of this peda;l is to make that distortion feel transparent and to use dynamics to create the best-sounding performance possible. Use your ears!
In compression, the dynamic range becomes narrower - the highest peaks and the quietest parts have fewer dB of level difference between them. In contrast, a compressor can also help support or bring to life soft notes as well. For guitar, compression helps with sustain and feel. Using compression in front of an amp with gain or a gain pedal essentially just adds more compression and is typically not very audible. A good compressor will help sustain notes without introducing noise or artifacts in an amp or pedal with gain but typically works best in a clean amp to hear the effect. You will typically hear compression on country guitar, at least as an audible full throttle effect. Most players do not utilize this sound because a squished signal limits dynamics, however, if used correctly it can increase dynamics across the board. One of the best descriptions about compression is that it is the opposite of reverb. If you think about that it is true. Compression brings the full dynamic force forward in a balanced manner where Reverb creates space and distance.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $247.91
(No payment required now - pay when released)
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Tangible Waves AE Modular VSYSTEM-1 Synthesiser & Sequencer (modular synthesiser complete system)
Cat: 1010370 Rel: 30 Jun 24 • View all Synthesisers
Modular synthesiser & sequencer complete system
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $285.25
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 22 Apr 24 $213.67
(No payment required now - pay when released)
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ADDAC System ADDAC507 Random Bezier Waves Module (modular synthesiser)
Cat: 1007269 Rel: 30 Jun 24 • View all Synth modules
Random Bezier waves module - 10HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $296.65
(No payment required now - pay when released)
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Keeley Electronics MK3 Driver Andy Timmons Full Range Overdrive Effects Pedal (distortion effects pedal)
Cat: 1010361 Rel: 30 Jun 24 • View all Effects pedals
Andy Timmons full range overdrive effects pedal
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $216.79
(No payment required now - pay when released)
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Babylon Sisters
Hey Nineteen
Glamour Profession
Gaucho
Time Out Of Mind
My Rival
Third World Man
Review: Originally released in 1980, this limited audiophile vinyl 2xLP box set from Analogue Productions offers a superb listening experience of a masterpiece of jazz-rock fusion. The remastered audio is crystal clear, revealing every nuance of the band's intricate arrangements and Donald Fagen's wry lyrics. From the opening strains of 'Hey Nineteen' to the lush harmonies of 'Time Out of Mind,' this is a sonic journey that will transport you to another time and place. Whether you're a longtime fan or a new listener, this box set is a must-have.
… Read morePre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 26 Jul 24 $244.78
(No payment required now - pay when released)
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Beyerdynamic DT770 Pro X Closed-Back Studio Headphones (Century edition) (studio headphones)
Cat: 1012321 Rel: 31 Jul 24 • View all Studio headphones
Notes: *** Pre order for 19th April release date ***
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jul 24 $206.41
(No payment required now - pay when released)
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Zoom H6essential 32-Bit Float 6-Track Handy Recorder (B-STOCK) (handheld audio recorder)
Cat: 1013267 Rel: 01 Jan 90 • View all Portable audio recorders | Handheld recorders
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***
Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.
Supplier's Notes:
Zoom H6essential Handy Recorder
The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.
Features
6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included
Outputs you need
Use the line output to connect to a camera and the headphone output to monitor your audio.
Quieter controls
Recording and rotary controls have been meticulously designed to allow for silent operation.
Onboard speaker
Use the improved onboard speaker to listen to your recordings for quick reference.
Six perfect tracks
The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.
Record and stream
Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.
Pair with your iOS device
Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.
Bluetooth timecode
With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.
Specs
Input & output channels
Inputs
Mic capsule: 1
MIC/LINE (mono): 4
Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1
INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL
MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input
OUTPUTS
LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less
Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less
Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW
RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6
Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported
Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification
Display: 2.0-inch full-colour LCD 360 x 240
USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed
Remote
Dedicated wireless adapter: ZOOM BTA-1
Power
4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.
Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours
48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.
Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.
Power consumption: 5 W maximum
Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms
… Read moreZoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.
Supplier's Notes:
Zoom H6essential Handy Recorder
The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.
Features
6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included
Outputs you need
Use the line output to connect to a camera and the headphone output to monitor your audio.
Quieter controls
Recording and rotary controls have been meticulously designed to allow for silent operation.
Onboard speaker
Use the improved onboard speaker to listen to your recordings for quick reference.
Six perfect tracks
The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.
Record and stream
Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.
Pair with your iOS device
Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.
Bluetooth timecode
With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.
Specs
Input & output channels
Inputs
Mic capsule: 1
MIC/LINE (mono): 4
Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1
INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL
MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input
OUTPUTS
LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less
Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less
Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW
RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6
Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported
Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification
Display: 2.0-inch full-colour LCD 360 x 240
USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed
Remote
Dedicated wireless adapter: ZOOM BTA-1
Power
4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.
Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours
48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.
Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.
Power consumption: 5 W maximum
Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms
1 in stock $267.78
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Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module (B-STOCK) (mixer/preamp module)
Cat: 1013224 Rel: 01 Jan 90 • View all Synth modules
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***
A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.
Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.
Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.
The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.
While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.
Buchla 207t Features
Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more
Eurorack module
28hp wide
… Read moreA characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.
Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.
Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.
The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.
While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.
Buchla 207t Features
Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more
Eurorack module
28hp wide
1 in stock $223.83
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MOTU M4 USB-C 4x4 Audio Interface (B-STOCK) (audio/MIDI interface)
Cat: 1013299 Rel: 01 Jan 90 • View all Audio interfaces
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.
The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).
When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.
The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!
Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.
… Read moreEquipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.
The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).
When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.
The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!
Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.
1 in stock $221.46
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Magma Multi-Format Case Player/Mixer Set Flightcase For DJM-V10/DJM-A9/CDJ-3000/XDJ-1000/PX5/XONE 92/LC6000/SC6000/SC6000M/X1850/WARM 4 (silver) (DJ players/DJ mixer set flightcase)
Cat: 1012601 Rel: 12 Apr 24 • View all DJ Equipment Hard Cases
Flightcase designed to fit 2x DJ players & 1x DJ mixer such as DJM-V10, DJM-A9, CDJ-3000, XDJ-1000, PX5, XONE 92, LC6000, SC6000, SC6000M, X1850, WARM 4 & other similar instruments.
Notes: The new MULTI-FORMAT CASE PLAYER/MIXER (V10/A9) SET is specifically designed for transporting two CDJ/Multimedia Players and a 6 or 4-channel club mixer, such as the Pioneer DJM-V10, DJM-A9, or Ecler Warm 4. The case is universally compatible with all current models from Pioneer DJ, Denon, Allen & Heath, Ecler, Rane and Reloop, and can be adjusted to different device sizes using the included foam strips. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.
Fits
Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four
Specs
Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg
… Read moreFits
Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four
Specs
Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg
1 in stock $293.54
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ALM Pamela's PRO Workout Clocking Modulator Module (clock generator/clock modulator/function generator/LFO/sequencer/digital/quantizer/random synth module)
Cat: 911097 Rel: 18 Nov 22 • View all Synth modules
'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system.
Notes: 'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.
Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.
Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.
Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!
Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.
… Read moreEach output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.
Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.
Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!
Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.
8 in stock $267.60
Click for better price!
or call +44 20 7424 1960
quote 911097
quote 911097
People also bought...
Reloop RP-4000MK2 High-Performance Direct Drive DJ Turntable (DJ turntable)
Cat: 685635 Rel: 06 Jun 18 • View all DJ turntables
Professional high torque turntable system
Notes: Great value turntable from one of the most innovative brands in DJ tech. Classic Technics-style design updated with nice modern features like adjustable pitch range and reverse function.
Supplier's notes:
The RP-4000 MK2 is a solid DJ turntable for advanced users. The new MK2 version comes with several improvements, including a newly developed top panel and reworked metallic buttons with enhanced feel as well as a variety of functions.
The precision-engineered die-cast platter is accelerated by a powerful motor with a high-torque direct drive of more than 1.8 kg/cm. The precise motor control with 3 speeds (33 1/3, 45 & 78 rpm) allows for the RP-4000 MK2 to play back any record. The pitch section with a selectable range of +/-8% and +/-16%, respectively, is suitable for the finest pitch adjustments.
The RP-4000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Via the universal connection for pick-up systems (SME) a large number of pick-up systems can be connected.
The new deep black metallic top panel construction is equipped with metallic buttons for start/stop, platter speed, pitch control, reverse function and tempo reset. The improved touch upon hit offers a clear haptic feedback. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.
… Read moreSupplier's notes:
The RP-4000 MK2 is a solid DJ turntable for advanced users. The new MK2 version comes with several improvements, including a newly developed top panel and reworked metallic buttons with enhanced feel as well as a variety of functions.
The precision-engineered die-cast platter is accelerated by a powerful motor with a high-torque direct drive of more than 1.8 kg/cm. The precise motor control with 3 speeds (33 1/3, 45 & 78 rpm) allows for the RP-4000 MK2 to play back any record. The pitch section with a selectable range of +/-8% and +/-16%, respectively, is suitable for the finest pitch adjustments.
The RP-4000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Via the universal connection for pick-up systems (SME) a large number of pick-up systems can be connected.
The new deep black metallic top panel construction is equipped with metallic buttons for start/stop, platter speed, pitch control, reverse function and tempo reset. The improved touch upon hit offers a clear haptic feedback. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.
4 in stock $254.13
People also bought...
ALM MFX Stereo Multi-Effects Processor Module (delay/digital/distortion/dual/stereo/dynamics/effect/tuner/utility synth module)
Cat: 867407 Rel: 04 Mar 22 • View all Synth modules
The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.
Notes: The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.
It offers 14 different full featured effects programs plus a number of metering utilities.
Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical Eurorack effects module.
Reshape sounds with the distortion and dynamics engines. Bend time, space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one of a kind granular and glitch engines. Check signals and tune oscillators with various utilities.
The MFX user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to CV or clocked control. Additionally, each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.
Effect Program List
Digi-PCM Echo
Feature rich digital delay taking inspiration from early prime time rack delay units with added modern features.
Tape-Tech Echo
Tape style delay with a digital pitch shifter bolted on.
Crumbular Echo
More experimental granular style echo.
Ursa Minor Echoverb
Emulation of the classic Ursa Major 'Space station' providing more delays and reverb type effects.
Pocket PL8 Reverb
Emulation of very early digital style reverbs with a dense metallic sound.
Almicon Reverb
Emulation of 80s studio style reverb great for bright rooms and vast synthetic spaces.
Quaidra Reverb
Emulation of a popular 90s rack reverb. Excels at creating airy, atmospheric reverbs.
TY-50 Compressor
Flexible modern compressor great for adding punch, smoothing transients or as a clean mix bus compressor.
Transient Shaper
Fast acting dynamics processor for reshaping the attack and release envelope of any sound.
TH-30 Distortion
A versatile distortion program with distortion types ranging from analog style saturation to intense digital wavefolding.
2051 Bit Corrupter
Real-time audio buffer designed to imitate malfunctioning digital audio equipment.
Modulating Panner
Clock-syncable mono or stereo auto-pan with an additional scan mode that cross fades between 2 input signals. Use for VCA, Panner, crossfader, tremolo type effects.
Ring + Freq Modulator
Pair of classic modulation effects in stereo, tailored towards otherworldly and dissonant sounds.
Ensembles Ensemble
Simulation of classic chorus and ensemble effects. An added digital pitch shifter takes the effect beyond traditional chorus circuits.
Utilities
Simple oscilloscope and VCO tuner.
Technical Specifications
Supply: +12V 50mA Max / -12v 15mA
Size: 6 HP
Depth: 32mm
16 Bit / 44.1Khz Stereo processing
… Read moreIt offers 14 different full featured effects programs plus a number of metering utilities.
Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical Eurorack effects module.
Reshape sounds with the distortion and dynamics engines. Bend time, space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one of a kind granular and glitch engines. Check signals and tune oscillators with various utilities.
The MFX user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to CV or clocked control. Additionally, each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.
Effect Program List
Digi-PCM Echo
Feature rich digital delay taking inspiration from early prime time rack delay units with added modern features.
Tape-Tech Echo
Tape style delay with a digital pitch shifter bolted on.
Crumbular Echo
More experimental granular style echo.
Ursa Minor Echoverb
Emulation of the classic Ursa Major 'Space station' providing more delays and reverb type effects.
Pocket PL8 Reverb
Emulation of very early digital style reverbs with a dense metallic sound.
Almicon Reverb
Emulation of 80s studio style reverb great for bright rooms and vast synthetic spaces.
Quaidra Reverb
Emulation of a popular 90s rack reverb. Excels at creating airy, atmospheric reverbs.
TY-50 Compressor
Flexible modern compressor great for adding punch, smoothing transients or as a clean mix bus compressor.
Transient Shaper
Fast acting dynamics processor for reshaping the attack and release envelope of any sound.
TH-30 Distortion
A versatile distortion program with distortion types ranging from analog style saturation to intense digital wavefolding.
2051 Bit Corrupter
Real-time audio buffer designed to imitate malfunctioning digital audio equipment.
Modulating Panner
Clock-syncable mono or stereo auto-pan with an additional scan mode that cross fades between 2 input signals. Use for VCA, Panner, crossfader, tremolo type effects.
Ring + Freq Modulator
Pair of classic modulation effects in stereo, tailored towards otherworldly and dissonant sounds.
Ensembles Ensemble
Simulation of classic chorus and ensemble effects. An added digital pitch shifter takes the effect beyond traditional chorus circuits.
Utilities
Simple oscilloscope and VCO tuner.
Technical Specifications
Supply: +12V 50mA Max / -12v 15mA
Size: 6 HP
Depth: 32mm
16 Bit / 44.1Khz Stereo processing
6 in stock $246.86
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Stokyo Record Mate Portable Vinyl Record Player (clear) (portable turntable)
Cat: 990246 Rel: 19 Dec 23 • View all Portable turntables | USB turntables
Portable turntable
Notes: New all CLEAR EDITION for the new Stokyo Record Mate Portable Record Player.
Portable turntable on the Columbia Portable GP series, reengineered with the original crew for an all brand-new construction (mainly internal parts, molds and arm assembly)
Classic adapter and tonearm function of playing records on the wall (upright)
Play 12-inch or 7-inch records (3 -inch records with the STOKYO 3"adapter) on RM-1 portable turntable w/ pitch adjust
Output via built-in "new improved" speaker or RCA output
Each unit is battery or AC powered (batteries not included)
This model is exclusive to North America at 120V, with the transformer included.
Product under limited warranty for 1 year of purchase from STOKYO and authorized dealers
Warranty is limited to the RM series only and not the domestic GP series in Japan.
A cool back story from one of the founders at STOKYO :
"The story goes back around 22 years ago when the good folks at Xexxn would allow me to distribute these on the low for diggers and DJs overseas.
A few years later we (STOKYO and friends) did have the opportunity to take over manufacturing but ironically I was also at Vestax and at the time we had the Handy Trax.
Fast forward to 2019, this project took over 2 years but with the help of some original engineers, our manufacturing partner and the love we all shared for the original GP/GMX we bring you the all improved version.
The RM-1 and RMX -1 "RECORD MATE" series is the overseas edition. (GP-3R/GMX-3R are the JPN domestic model)
Updated molds, internal board, parts, new speakers, new case/tonearm construction, magnetic stereo cartridge (like you'll find on an AT-LP60), but everything else like the OG. The first model will be exclusive for the Americas (@ 120v).
As we continue to improve more parts to clear Global compliances, we also await for more parts with supply issues due to the Pandemic for our Global/EU model we aim to make available later in '22.
For those who pre-ordered, we originally aimed for an earlier ship date and our sincere apologies with all the port congestion but good news, it is on stateside awaiting customs. Arriving soon.
Thank you for the patience.
Big up to the crew for making this happen, grinding everyday and for your love we have for vinyl."
… Read morePortable turntable on the Columbia Portable GP series, reengineered with the original crew for an all brand-new construction (mainly internal parts, molds and arm assembly)
Classic adapter and tonearm function of playing records on the wall (upright)
Play 12-inch or 7-inch records (3 -inch records with the STOKYO 3"adapter) on RM-1 portable turntable w/ pitch adjust
Output via built-in "new improved" speaker or RCA output
Each unit is battery or AC powered (batteries not included)
This model is exclusive to North America at 120V, with the transformer included.
Product under limited warranty for 1 year of purchase from STOKYO and authorized dealers
Warranty is limited to the RM series only and not the domestic GP series in Japan.
A cool back story from one of the founders at STOKYO :
"The story goes back around 22 years ago when the good folks at Xexxn would allow me to distribute these on the low for diggers and DJs overseas.
A few years later we (STOKYO and friends) did have the opportunity to take over manufacturing but ironically I was also at Vestax and at the time we had the Handy Trax.
Fast forward to 2019, this project took over 2 years but with the help of some original engineers, our manufacturing partner and the love we all shared for the original GP/GMX we bring you the all improved version.
The RM-1 and RMX -1 "RECORD MATE" series is the overseas edition. (GP-3R/GMX-3R are the JPN domestic model)
Updated molds, internal board, parts, new speakers, new case/tonearm construction, magnetic stereo cartridge (like you'll find on an AT-LP60), but everything else like the OG. The first model will be exclusive for the Americas (@ 120v).
As we continue to improve more parts to clear Global compliances, we also await for more parts with supply issues due to the Pandemic for our Global/EU model we aim to make available later in '22.
For those who pre-ordered, we originally aimed for an earlier ship date and our sincere apologies with all the port congestion but good news, it is on stateside awaiting customs. Arriving soon.
Thank you for the patience.
Big up to the crew for making this happen, grinding everyday and for your love we have for vinyl."
4 in stock $206.41
People also bought...
Allen & Heath Xone K2 4-Channel DJ MIDI Controller (DJ MIDI controller)
Cat: 437059 Rel: 17 May 12 • View all DJ controllers
MIDI controller and audio interface with a 4-channel internal soundcard
Notes: Neatly designed slimline DJ MIDI controller from A&H. 52 controls and built-in audio interface. Compatible with any DJ software.
Supplier's notes:
Xone:K2 is a compact, slim line universal MIDI controller - incorporating a 4 channel soundcard, for use with any DJ software.
With no fewer than 52 hardware controls providing up to 171 MIDI commands across 3 layers - plus the ability to link multiple units using X:LINK, saving USB ports on your computer - Xone:K2 has the power and flexibility to put you in touch with the functions and features of your chosen software.
Quick and simple mapping lets you create a unique layout that mirrors your style and puts the functions that matter at your fingertips, whilst 3 colour illuminating switches give at-a-glance feedback - allowing you to work however you decide.
The high quality internal soundcard provides flexible user setup options using the Xone:K2 with headphones, headphones and a mix system or with an external mixer. Xone:K2 comes packed in a black padded case as standard. The case doubles as a stand, bringing the K2 up to the same height as most pro DJ mixers.
Xone:K2 is a compact designed MIDI Controller for use with any DJ software such as Ableton, Virtual DJ, MixVibes, Mixx and Traktor Pro. Xone:K2 can even be used to control lights or VJ software - if it can receive MIDI data it can take commands from K2. What each control does is entirely up to you - you can create a completely customised layout that perfectly fits the way you want to work. Xone:K2 has 52 physical controls - including 12 analogue and 6 endless rotary encoders with push switch, 4 linear faders, and 30 backlit performance switches - providing up to 171 MIDI control commands across 3 layers. We also provide example maps to get you started out the box and information on how to set up your own.
A Latching Layers system lets you assign controls to multiple layers, so a single physical control can be given up to 3 functions. You can configure all, some or none of K2's controls to be linked to the Latching Layers system. As a quick visual reminder, when toggling through layers all switches assigned to a particular layer will illuminate in the appropriate colour.
Xone:K2 has a high quality internal, four channel (2 stereo) 48kHz soundcard. Setup options include using the K2 with a pair of headphones, feeding a pair of headphones and a PA system, or connecting to an external DJ mixer.
Its slim line chassis, soft touch controls and minimal looks set K2 apart from the pack. There's plenty of substance too - Xone:K2 is built to Allen & Heath's renowned touring grade audio and build quality standards, including the use of steel nuts on all rotary controls to protect the circuitry from impact damage.
Xone:K2 comes packed in a black padded case as standard. As well as keeping it safe on the road, the case doubles as a stand, elevating the K2 up to the same height as most pro DJ mixers.
Two or more K2s can be linked via our X:LINK protocol, expanding the control capability. X:LINK uses a standard RJ45 connector and distributes power and data, allowing connection to X:LINK compatible devices, including Xone:DB4 and DB2, to expand MIDI data without using additional USB ports.
… Read moreSupplier's notes:
Xone:K2 is a compact, slim line universal MIDI controller - incorporating a 4 channel soundcard, for use with any DJ software.
With no fewer than 52 hardware controls providing up to 171 MIDI commands across 3 layers - plus the ability to link multiple units using X:LINK, saving USB ports on your computer - Xone:K2 has the power and flexibility to put you in touch with the functions and features of your chosen software.
Quick and simple mapping lets you create a unique layout that mirrors your style and puts the functions that matter at your fingertips, whilst 3 colour illuminating switches give at-a-glance feedback - allowing you to work however you decide.
The high quality internal soundcard provides flexible user setup options using the Xone:K2 with headphones, headphones and a mix system or with an external mixer. Xone:K2 comes packed in a black padded case as standard. The case doubles as a stand, bringing the K2 up to the same height as most pro DJ mixers.
Xone:K2 is a compact designed MIDI Controller for use with any DJ software such as Ableton, Virtual DJ, MixVibes, Mixx and Traktor Pro. Xone:K2 can even be used to control lights or VJ software - if it can receive MIDI data it can take commands from K2. What each control does is entirely up to you - you can create a completely customised layout that perfectly fits the way you want to work. Xone:K2 has 52 physical controls - including 12 analogue and 6 endless rotary encoders with push switch, 4 linear faders, and 30 backlit performance switches - providing up to 171 MIDI control commands across 3 layers. We also provide example maps to get you started out the box and information on how to set up your own.
A Latching Layers system lets you assign controls to multiple layers, so a single physical control can be given up to 3 functions. You can configure all, some or none of K2's controls to be linked to the Latching Layers system. As a quick visual reminder, when toggling through layers all switches assigned to a particular layer will illuminate in the appropriate colour.
Xone:K2 has a high quality internal, four channel (2 stereo) 48kHz soundcard. Setup options include using the K2 with a pair of headphones, feeding a pair of headphones and a PA system, or connecting to an external DJ mixer.
Its slim line chassis, soft touch controls and minimal looks set K2 apart from the pack. There's plenty of substance too - Xone:K2 is built to Allen & Heath's renowned touring grade audio and build quality standards, including the use of steel nuts on all rotary controls to protect the circuitry from impact damage.
Xone:K2 comes packed in a black padded case as standard. As well as keeping it safe on the road, the case doubles as a stand, elevating the K2 up to the same height as most pro DJ mixers.
Two or more K2s can be linked via our X:LINK protocol, expanding the control capability. X:LINK uses a standard RJ45 connector and distributes power and data, allowing connection to X:LINK compatible devices, including Xone:DB4 and DB2, to expand MIDI data without using additional USB ports.
2 in stock $264.50
Click for better price!
or call +44 20 7424 1960
quote 437059
quote 437059
People also bought...
Audio Technica AT-LP120XUSB DJ Turntable (silver) (DJ turntable direct drive USB & analogue)
Cat: 849741 Rel: 17 Feb 22 • View all DJ turntables
Direct-drive turntable (analogue & USB)
Notes: Updated version of Audio-Technica's excellent entry-level DJ turntable, featuring an improved direct-drive motor. Built-in phono preamp and USB audio interface make it easy to connect to any amplifier, powered speakers or computer.
Supplier's Notes:
AT-LP120XUSB Direct-Drive Fully Manual Turntable
This update of the AT-LP120-USB turntable features a new DC servo direct-drive motor, along with adjustable dynamic anti-skate control and selectable phono preamplifier. The fully manual turntable plays 33-1/3, 45, and 78 RPM records and is equipped with a USB output that allows direct connection to your computer. Just download the free Mac- and PC-compatible Audacity recording software (or software of your choice) and start converting your records to digital audio files.
But in addition to the USB output, the turntable also comes with a detachable dual RCA output cable and is equipped with a built-in selectable phono preamp so you can connect directly to your home stereo, whether it has a dedicated phono input or not. The turntable features an S-shaped tonearm with adjustable tracking force and an AT-HS6 universal 1/2"-mount headshell with an AT-VM95E Dual Magnet phono cartridge.
Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the versatile, high-performance AT-VM95E cartridge, which comes with a 0.3 x 0.7 mil elliptical stylus, but is also compatible with any VM95 Series replacement stylus, offering a wide choice of options for every budget and application. Additional features include a die-cast aluminium platter with felt mat; a start/stop button; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8% or +/-16% adjustment ranges; a stroboscopic platter with speed indicator; a removable plug-type stylus target light; external power supply; and a removable hinged dust cover.
Analogue or USB Connection
Next-Generation Analogue/USB Turntable
An update of the critically acclaimed AT-LP120-USB, this turntable features a new DC servo direct-drive motor, along with adjustable dynamic anti-skate control and selectable phono preamplifier.
Plays 33-1/3 RPM, 45 RPM and 78 RPM Records
USB and Analogue Output
Built-in Switchable Phono Pre-Amplifier
AT-VM95E Dual Magnet Phono Cartridge
Taking Your Vinyl to the Next Level
High-Fidelity Home Audio
Whether using with your home stereo system or your computer, the AT-LP120XUSB's professional controls give you the power to shape your high-fidelity listening experience.
Cartridge Assembly Line Circa 1962
Half a Century of Stunning Analogue Sound
Audio Technica was started in Tokyo in 1962, designing and manufacturing high-performance phono cartridges. That half-century's worth of analogue expertise goes into every turntable produced, ensuring you get the best listening experience from your vinyl.
Specifications
Turntable
Type: 3-speed, fully manual operation
Motor: DC servo motor
Drive Method: Direct drive
Speeds: 33-1/3 RPM, 45 RPM, 78 RPM
Turntable Platter: Die-cast aluminum
Starting Torque: >1.0 kgf.cm
Braking System: Electronic brake
Wow and Flutter: <0.2% (WTD) @ 3 kHz (JIS)
Signal-to-Noise Ratio: >50 dB
Output Level: Pre-amp "PHONO": 4 mV nominal at 1 kHz, 5 cm/sec
Pre-amp "LINE": 240 mV nominal at 1 kHz, 5 cm/sec
Phono Pre-Amp Gain: 36 dB nominal, RIAA equalized
USB Function: A/D, D/A - 16-bit/44.1 kHz or 48 kHz USB selectable;
Computer interface: USB 1.1 Compliant Windows 7 or above, or MAC OS X or above
Power Supply Requirements: 100 to 240 V, 50/60 Hz, 1.5A Max.
Dimensions: 452.0 mm (17.80") W x 352.0 mm (13.86") D x 141.6 mm (5.57") H
Weight: 8 kg (17.6 lbs.), without dust cover
Accessories Included: AT-VM95E phono cartridge; AT-HS6 headshell; 1.9 m (6.2') USB cable; dual RCA (male) to dual RCA (male) cable with ground wire; counterweight; felt mat; dust cover; 45 RPM adapter; plug-type stylus target light
… Read moreSupplier's Notes:
AT-LP120XUSB Direct-Drive Fully Manual Turntable
This update of the AT-LP120-USB turntable features a new DC servo direct-drive motor, along with adjustable dynamic anti-skate control and selectable phono preamplifier. The fully manual turntable plays 33-1/3, 45, and 78 RPM records and is equipped with a USB output that allows direct connection to your computer. Just download the free Mac- and PC-compatible Audacity recording software (or software of your choice) and start converting your records to digital audio files.
But in addition to the USB output, the turntable also comes with a detachable dual RCA output cable and is equipped with a built-in selectable phono preamp so you can connect directly to your home stereo, whether it has a dedicated phono input or not. The turntable features an S-shaped tonearm with adjustable tracking force and an AT-HS6 universal 1/2"-mount headshell with an AT-VM95E Dual Magnet phono cartridge.
Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the versatile, high-performance AT-VM95E cartridge, which comes with a 0.3 x 0.7 mil elliptical stylus, but is also compatible with any VM95 Series replacement stylus, offering a wide choice of options for every budget and application. Additional features include a die-cast aluminium platter with felt mat; a start/stop button; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8% or +/-16% adjustment ranges; a stroboscopic platter with speed indicator; a removable plug-type stylus target light; external power supply; and a removable hinged dust cover.
Analogue or USB Connection
Next-Generation Analogue/USB Turntable
An update of the critically acclaimed AT-LP120-USB, this turntable features a new DC servo direct-drive motor, along with adjustable dynamic anti-skate control and selectable phono preamplifier.
Plays 33-1/3 RPM, 45 RPM and 78 RPM Records
USB and Analogue Output
Built-in Switchable Phono Pre-Amplifier
AT-VM95E Dual Magnet Phono Cartridge
Taking Your Vinyl to the Next Level
High-Fidelity Home Audio
Whether using with your home stereo system or your computer, the AT-LP120XUSB's professional controls give you the power to shape your high-fidelity listening experience.
Cartridge Assembly Line Circa 1962
Half a Century of Stunning Analogue Sound
Audio Technica was started in Tokyo in 1962, designing and manufacturing high-performance phono cartridges. That half-century's worth of analogue expertise goes into every turntable produced, ensuring you get the best listening experience from your vinyl.
Specifications
Turntable
Type: 3-speed, fully manual operation
Motor: DC servo motor
Drive Method: Direct drive
Speeds: 33-1/3 RPM, 45 RPM, 78 RPM
Turntable Platter: Die-cast aluminum
Starting Torque: >1.0 kgf.cm
Braking System: Electronic brake
Wow and Flutter: <0.2% (WTD) @ 3 kHz (JIS)
Signal-to-Noise Ratio: >50 dB
Output Level: Pre-amp "PHONO": 4 mV nominal at 1 kHz, 5 cm/sec
Pre-amp "LINE": 240 mV nominal at 1 kHz, 5 cm/sec
Phono Pre-Amp Gain: 36 dB nominal, RIAA equalized
USB Function: A/D, D/A - 16-bit/44.1 kHz or 48 kHz USB selectable;
Computer interface: USB 1.1 Compliant Windows 7 or above, or MAC OS X or above
Power Supply Requirements: 100 to 240 V, 50/60 Hz, 1.5A Max.
Dimensions: 452.0 mm (17.80") W x 352.0 mm (13.86") D x 141.6 mm (5.57") H
Weight: 8 kg (17.6 lbs.), without dust cover
Accessories Included: AT-VM95E phono cartridge; AT-HS6 headshell; 1.9 m (6.2') USB cable; dual RCA (male) to dual RCA (male) cable with ground wire; counterweight; felt mat; dust cover; 45 RPM adapter; plug-type stylus target light
4 in stock $267.56
Click for better price!
or call +44 20 7424 1960
quote 849741
quote 849741
People also bought...
Sonicware Liven Texture Lab Granular Synthesiser With Granular Effects Processor (synthesiser/effects processor/sequencer)
Cat: 945971 Rel: 01 Jun 23 • View all Synthesisers
Granular synthesiser with granular effects processor and 128-step sequencer.
Notes: Part of Sonicware's Liven groovebox series, this time focussing on granular synthesis and effects processing. 128-step sequencer and shimmer reverb allow you to create grooves.
Supplier's Notes:
Sample, slice, transform and reconstruct audio to synthesize completely new sounds
The LIVEN Texture Lab offers a wide variety of sound textures ranging from beautifully lush ambient pads to chaotically aggressive experimental noise that will take you to new sonic frontiers.
The Texture Lab uses a granular processor that slices sounds into grains ranging from 2 ms to 1 second in length, then transforms and reconstructs them in a variety of ways, including manipulating grain shape, density, time warp, spatial position, and playback method to create entirely new sounds.
Granular synthesis parameters are easily accessed from 10 knobs and are designed for intuitive control
Granular synthesizer with granular effects processor mode
The LIVEN Texture Lab is a 4-voice polyphonic synthesizer that can record 32 samples of up to 6 seconds, generate grains from any part of a sample, and synthesize them using two modulations sources, an envelope generator, and process the sound through different filter types.
The Texture Lab can also be used as an effects processor for real-time granular processing of stereo signals from the line input. It is also possible to freeze the flowing sounds for 6 seconds to add granulated sound effects.
Shimmer reverb for fantastical and majestic sounding spaces
The LIVEN Texture Lab features six high-quality stereo reverb types. All reverb types have a shimmer parameter that allows you to layer reverb on top of reverb in octaves to create fantastical and majestic sounding spaces.
128-step sequencer with parameter locking
The LIVEN Texture Lab is equipped with a high-performance 128-step sequencer that has earned the LIVEN series a solid reputation. In addition to recording notes, it can also record changes in granular processing parameters over time.
You can record knob operations in real time or directly record parameters to specific steps allowing for more complex sound textures.
Specifications
[Granular processor]
Synthesizer mode
- Sampling up to 6 seconds per sample (16bit - 32kHz mono, Start/end point adjustment)
- Auto start sampling function with the input level (input level can be set)
- Internal resampling function
- 32 sample memory slots
Effects processor mode
- Real-time processing of stereo signals from the line inputs
- Freeze function
- Pitch: Pitch of the sample (i2 octaves)
- Position, Length/FB: The sample range for generating grains (with random position function)
- Speed, Direction: Playback speed, scan direction, and playback direction of the grains.
- Size, Shape: Size and shape of the grains (with random function)
- Timing, Jitter: Interval of generating grains (with our original LUSH setting)
- Density: Number of the grains (up to 64 grains in legato mode)
- Diffusion: Diffusion width of the grains
- Blend: Balance between the sample and the granular sound mix
- Modulation 1: LFO assignable to various parameters (with wave shape selection, start fade-in time, retrigger, and tempo sync)
- Modulation 2: LFO assignable to various parameters (with wave shape selection, retrigger, and tempo sync)
- Attack
- Release
- Low Pass
- High Pass
- Band Pass
Reverb effects
6 high-quality reverbs with Shimmer reverb parameters
- Hall
- Room
- Arena
- Plate
- Tunnel
- Infinity
- 4-note polyphonic mode (Up to 16 grains per voice, internal sequencer records up to 3 voices of polyphony)
- Mono mode (Up to 32 grains, adjustable glide time)
- Legato mode (Up to 64 grains, adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
[Sequencer]
- 1 track
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when sequencer is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Undo/Redo function
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function
- Parameter Lock function to record parameter settings for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed
[MIDI]
- Notes, control changes, clock input/output
- IMPORT/EXPORT of user data (Including samples) via Sysex
- Firmware update via Sysex
[Unit]
27 keys (with a hold function)
- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
… Read moreSupplier's Notes:
Sample, slice, transform and reconstruct audio to synthesize completely new sounds
The LIVEN Texture Lab offers a wide variety of sound textures ranging from beautifully lush ambient pads to chaotically aggressive experimental noise that will take you to new sonic frontiers.
The Texture Lab uses a granular processor that slices sounds into grains ranging from 2 ms to 1 second in length, then transforms and reconstructs them in a variety of ways, including manipulating grain shape, density, time warp, spatial position, and playback method to create entirely new sounds.
Granular synthesis parameters are easily accessed from 10 knobs and are designed for intuitive control
Granular synthesizer with granular effects processor mode
The LIVEN Texture Lab is a 4-voice polyphonic synthesizer that can record 32 samples of up to 6 seconds, generate grains from any part of a sample, and synthesize them using two modulations sources, an envelope generator, and process the sound through different filter types.
The Texture Lab can also be used as an effects processor for real-time granular processing of stereo signals from the line input. It is also possible to freeze the flowing sounds for 6 seconds to add granulated sound effects.
Shimmer reverb for fantastical and majestic sounding spaces
The LIVEN Texture Lab features six high-quality stereo reverb types. All reverb types have a shimmer parameter that allows you to layer reverb on top of reverb in octaves to create fantastical and majestic sounding spaces.
128-step sequencer with parameter locking
The LIVEN Texture Lab is equipped with a high-performance 128-step sequencer that has earned the LIVEN series a solid reputation. In addition to recording notes, it can also record changes in granular processing parameters over time.
You can record knob operations in real time or directly record parameters to specific steps allowing for more complex sound textures.
Specifications
[Granular processor]
Synthesizer mode
- Sampling up to 6 seconds per sample (16bit - 32kHz mono, Start/end point adjustment)
- Auto start sampling function with the input level (input level can be set)
- Internal resampling function
- 32 sample memory slots
Effects processor mode
- Real-time processing of stereo signals from the line inputs
- Freeze function
- Pitch: Pitch of the sample (i2 octaves)
- Position, Length/FB: The sample range for generating grains (with random position function)
- Speed, Direction: Playback speed, scan direction, and playback direction of the grains.
- Size, Shape: Size and shape of the grains (with random function)
- Timing, Jitter: Interval of generating grains (with our original LUSH setting)
- Density: Number of the grains (up to 64 grains in legato mode)
- Diffusion: Diffusion width of the grains
- Blend: Balance between the sample and the granular sound mix
- Modulation 1: LFO assignable to various parameters (with wave shape selection, start fade-in time, retrigger, and tempo sync)
- Modulation 2: LFO assignable to various parameters (with wave shape selection, retrigger, and tempo sync)
- Attack
- Release
- Low Pass
- High Pass
- Band Pass
Reverb effects
6 high-quality reverbs with Shimmer reverb parameters
- Hall
- Room
- Arena
- Plate
- Tunnel
- Infinity
- 4-note polyphonic mode (Up to 16 grains per voice, internal sequencer records up to 3 voices of polyphony)
- Mono mode (Up to 32 grains, adjustable glide time)
- Legato mode (Up to 64 grains, adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
[Sequencer]
- 1 track
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when sequencer is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Undo/Redo function
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function
- Parameter Lock function to record parameter settings for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed
[MIDI]
- Notes, control changes, clock input/output
- IMPORT/EXPORT of user data (Including samples) via Sysex
- Firmware update via Sysex
[Unit]
27 keys (with a hold function)
- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
4 in stock $252.04
People also bought...
Make Noise DXG Dual Stereo Low Pass Gate & Mixer Module (dual/strereo/low pass gate/mixer module)
Cat: 992443 Rel: 29 Jan 24 • View all Synth modules
Dual stereo low pass gate & mixer module - 8HP
Notes: The Dual Stereo Gate (DXG) music synthesizer module is a Dual Stereo Low Pass Gate and Mixer. It follows in the footsteps of the QMMG, Optomix, RxMx, DynaMix, and LxD. Unlike its predecessors, the DXG is specifically oriented around mixing stereo signals, making it an important addition to any system containing modules like XPO, QPAS, Morphagene, Mimeophon, and other stereo modules by Make Noise or others.
Unique to the DXG is a new low pass gate circuit that does not use vactrols. This circuit is 100% analogue and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years.
In the past, Make Noise produced the Dynamix module and Dynamics circuit in the 0-COAST, both of which are vactrolless LPGs; however, the DXG is a completely new approach which better implements the gentle single pole filtering of a low pass gate, while also emulating the slow decay and memory of the vactrol based low pass gate. This new circuit makes possible the consistency of response necessary for versatile stereo use, while also keeping the module small and affordable so that it can be a key part of just about any modular system.
As on all of Make Noise's low pass gates, the DXG's Control parameter is used to set both the amplitude and the frequency content of the sound that passes through it. The control parameter tends to open faster than it closes, imparting a subtle decay phase onto any envelope shape that is used to modulate it.
Unlike previous low pass gates made by Make Noise, all the DXG's inputs and outputs are stereo. Each set of inputs is normalled so that the left input can be used for a mono signal, sending a copy to both left and right outputs. The Auxiliary inputs are also a stereo pair with mono normalization. These normalizations allow for the DXG to be used as a simple three channel stereo mixer, with one or two of the channels additionally being used for dynamics control and note event generation. The Aux inputs can be used to chain together larger decentralized mixes using additional DXG modules, or X-PAN, Optomix, modDemix etc.
Features
- Make Noise's first Stereo Low Pass Gate
- Vactrol-free design for classic Low Pass Gate sounds, but with the balance and consistency needed for true Stereo
- Fully Stereo i/o for easy integration into a Stereo-equipped modular synthesizer
- All Left inputs normalled for easy use with Mono signals
- STRIKE Input allows use of Gate signal to trigger Low Pass Gate circuit, creating "plucking" or "pinging" sound from any Gate
- Summing stage with Stereo AUXiliary IN allows for chaining of multiple units, creating larger mixes
- Part of a decentralized mix console integrated throughout the system along with X-PAN, Optomix, XOH, etc.
- Pairs well with XPO, QPAS, Morphagene, Mimeophon, Spectraphon etc.
Width: 8hp
Power:
74mA @ +12V
86mA @ -12V
Module Depth (incl power cable): 43mm
… Read moreUnique to the DXG is a new low pass gate circuit that does not use vactrols. This circuit is 100% analogue and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years.
In the past, Make Noise produced the Dynamix module and Dynamics circuit in the 0-COAST, both of which are vactrolless LPGs; however, the DXG is a completely new approach which better implements the gentle single pole filtering of a low pass gate, while also emulating the slow decay and memory of the vactrol based low pass gate. This new circuit makes possible the consistency of response necessary for versatile stereo use, while also keeping the module small and affordable so that it can be a key part of just about any modular system.
As on all of Make Noise's low pass gates, the DXG's Control parameter is used to set both the amplitude and the frequency content of the sound that passes through it. The control parameter tends to open faster than it closes, imparting a subtle decay phase onto any envelope shape that is used to modulate it.
Unlike previous low pass gates made by Make Noise, all the DXG's inputs and outputs are stereo. Each set of inputs is normalled so that the left input can be used for a mono signal, sending a copy to both left and right outputs. The Auxiliary inputs are also a stereo pair with mono normalization. These normalizations allow for the DXG to be used as a simple three channel stereo mixer, with one or two of the channels additionally being used for dynamics control and note event generation. The Aux inputs can be used to chain together larger decentralized mixes using additional DXG modules, or X-PAN, Optomix, modDemix etc.
Features
- Make Noise's first Stereo Low Pass Gate
- Vactrol-free design for classic Low Pass Gate sounds, but with the balance and consistency needed for true Stereo
- Fully Stereo i/o for easy integration into a Stereo-equipped modular synthesizer
- All Left inputs normalled for easy use with Mono signals
- STRIKE Input allows use of Gate signal to trigger Low Pass Gate circuit, creating "plucking" or "pinging" sound from any Gate
- Summing stage with Stereo AUXiliary IN allows for chaining of multiple units, creating larger mixes
- Part of a decentralized mix console integrated throughout the system along with X-PAN, Optomix, XOH, etc.
- Pairs well with XPO, QPAS, Morphagene, Mimeophon, Spectraphon etc.
Width: 8hp
Power:
74mA @ +12V
86mA @ -12V
Module Depth (incl power cable): 43mm
5 in stock $205.36
Click for better price!
or call +44 20 7424 1960
quote 992443
quote 992443
People also bought...
ALM MCFx2 Dual Multi-Mode Filter Module (dual/stereo/filter synth module)
Cat: 860268 Rel: 14 Jan 22 • View all Synth modules
The MCFx2 is a state variable ‘MCF’ filter made double.
Notes: The MCFx2 is ALM's state variable 'MCF' filter made double. It features 2 identical classic analog 3 pole state variable filter cores each with Low, High and Band Pass (or Notch) outputs. Direct and voltage control is provided for both filter cut offs and resonance. Switches allow the filters to function as one, with the 'Feed' switch internally routing audio from one filter to the other in series and the 'Link' switch linking the cut off controls for both filter cores. MCFx2 expands on the great sounding MCF filter to offer both serial and parallel functionality for stereo operation, dual peak, tighter slopes and other complex filtering set ups.
FREQUENCY CONTROLS
Sets the base frequency for the filter cut offs. The v/oct and frequency inputs are added to these.
RESONANCE CONTROL
Sets the level of resonant peaks atop the cut off frequencies. The resonance can get particularly aggressive going into self oscillation with the control past 12 o'clock.
OUTPUTS
Each filter output is 3 pole with an 18dB/oct slope.
Low - low pass filter outputs. Passes frequencies below the cut off.
High - high pass filter outputs. Passes frequencies above the cut off.
BP/Notch - band pass or notch filter outputs. Jumpers on the rear of the module select one or the other for each filter.
Passes frequencies within (BP) or outside (Notch) a narrow region around cut off frequency.
LINK BUTTON
Links the left cut off to parallel control both filters. The right controls will now set the max range of the right core. Both filters will track together when the right cut off is fully clockwise.
FEED BUTTON
Routes the output of the left filter core to the input of the right (unless patched), with the desired output filter type selected via jumper at the rear of the module.
FREQ INPUTS AND ATTENUATORS
Control voltage inputs here are combined with knob offsets to set the final cut off. Attenuversion control allows for both attenuation and inversion of the CV. Expects approx. -5V - 5V input.
RES INPUTS AND ATTENUATORS
Attenuated control voltage inputs here are combined with knob offsets to set the final resonance.
Expects approx. -5V - 5V input.
AUDIO INPUT 'In'
Signal inputs to the filter cores for processing.
Input sources may need to be attenuated, filter will drive from hotter input levels.
The Left input is normalised to the right (unless 'Feed' is enabled).
… Read moreFREQUENCY CONTROLS
Sets the base frequency for the filter cut offs. The v/oct and frequency inputs are added to these.
RESONANCE CONTROL
Sets the level of resonant peaks atop the cut off frequencies. The resonance can get particularly aggressive going into self oscillation with the control past 12 o'clock.
OUTPUTS
Each filter output is 3 pole with an 18dB/oct slope.
Low - low pass filter outputs. Passes frequencies below the cut off.
High - high pass filter outputs. Passes frequencies above the cut off.
BP/Notch - band pass or notch filter outputs. Jumpers on the rear of the module select one or the other for each filter.
Passes frequencies within (BP) or outside (Notch) a narrow region around cut off frequency.
LINK BUTTON
Links the left cut off to parallel control both filters. The right controls will now set the max range of the right core. Both filters will track together when the right cut off is fully clockwise.
FEED BUTTON
Routes the output of the left filter core to the input of the right (unless patched), with the desired output filter type selected via jumper at the rear of the module.
FREQ INPUTS AND ATTENUATORS
Control voltage inputs here are combined with knob offsets to set the final cut off. Attenuversion control allows for both attenuation and inversion of the CV. Expects approx. -5V - 5V input.
RES INPUTS AND ATTENUATORS
Attenuated control voltage inputs here are combined with knob offsets to set the final resonance.
Expects approx. -5V - 5V input.
AUDIO INPUT 'In'
Signal inputs to the filter cores for processing.
Input sources may need to be attenuated, filter will drive from hotter input levels.
The Left input is normalised to the right (unless 'Feed' is enabled).
4 in stock $226.11
