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Review: ***B-STOCK: Sleeve damaged, but otherwise in excellent condition***
Scott Hallam has been an acid devotee since the early days, and he's largely put out his music on his own Axia label. While most of that is digital-only, now Cartulis have picked up on the considerable talents of this hardware lifer and presented five of his finest works on wax. The vibe veers tremendously, touching on dark and sinewy dungeon acid, boxy electro workouts, strangely psychedelic hardcore and plenty more besides. Hallam's style feels betrothed to the outboard approach - it's all synths and drum machines to these ears, and its immediacy is a big part of the charm. That, and the playful personality he works into those wigged out acid lines and pinging FX.
… Read moreScott Hallam has been an acid devotee since the early days, and he's largely put out his music on his own Axia label. While most of that is digital-only, now Cartulis have picked up on the considerable talents of this hardware lifer and presented five of his finest works on wax. The vibe veers tremendously, touching on dark and sinewy dungeon acid, boxy electro workouts, strangely psychedelic hardcore and plenty more besides. Hallam's style feels betrothed to the outboard approach - it's all synths and drum machines to these ears, and its immediacy is a big part of the charm. That, and the playful personality he works into those wigged out acid lines and pinging FX.
in stock $4.99
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Fur Alle EP (hand-stamped numbered 7" + insert limited to 150 copies)
Cat: RWCLTR 015. Rel: 20 Oct 20
Experimental/Electronic
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Intérprete: Replika | Common Mode, Andrea passenger
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Intérprete: Thread London
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Remixes #3: Unreleased Remixes By Sergie Rezza (hand-stamped 12")
Cat: HS 199VL. Rel: 20 Jul 20
Techno
Review: This special hand-stamped 12" from Heavenly Sweetness offers up unreleased remixes By Sergie Rezza of Cotonete's "Layla" track. The first is a slow motion groove with heavy electronics but a blissful set of chords and filtered vocal sounds bursting through the heavy clouds to bring moments of sheer pleasure. The no kick mix strips away the chugging drums to make for an ambient track that is almost as rhythmic thanks to the lead synth, and the final In Heaven mix is cast utterly free from this world. It leaves you drifting amongst the clouds, with slivers of melody gently drifting by.
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Review: Happenstance can be a fortuitous element. A union-funded single discovered in a dusty store, a long disbanded band found, leads to unreleased post punk dubs in a box of unreleased demos.
Formed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.
Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.
Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.
Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.
The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.
… Read moreFormed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.
Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.
Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.
Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.
The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.
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Review: Emotional Rescue returns to early 1980s Manchester with the previously unreleased music of Michael James Pollard and his beautiful distillation of indie pop in Too Confusing and bedsit cover version of Ashford and Simpson's Surrender.
While studying photography at Manchester Polytechnic, (MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone VL-1 and Simmons Clap Trap to augment his drums onto a 4 track TEAC.
By 1983, and now solo, he was recording out of Dislocation Dance's studio (ERC111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album.
Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now.
Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.
… Read moreWhile studying photography at Manchester Polytechnic, (MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone VL-1 and Simmons Clap Trap to augment his drums onto a 4 track TEAC.
By 1983, and now solo, he was recording out of Dislocation Dance's studio (ERC111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album.
Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now.
Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.
in stock $4.95
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Look Out (hand-numbered green vinyl 7" limited to 300 copies)
Cat: ANT 7. Rel: 09 Sep 20
Psych/Garage Rock
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Cat: BCKD 10 (B-STOCK). Rel: 24 Jan 22
Deep House
You Don't Know (Watcha Gettinto)
Cruisin' Down Bruce B Downs
You Don't Know (Watcha Gettinto Pishonapella)
Juicy Booty
Juicy Booty (Jus-Ed remix)
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Chez Damier Presents The Lima Project (transparent yellow vinyl 12")
Cat: BL-AR 002. Rel: 20 Jun 22
Deep House
Review: Hot on the heels of 2021's stellar release of The French Connection's "Speechless" LP, Balance head honcho and legendary producer and DJ Chez Damier teams up again with Camille and Adeen Records for another trip around the the world with Lima, Peru's Surco's Groove, "The Lima Project." This beautiful release titled "What Is Love?" delivers hard hitting versions of the track in the original, dub, instrumental, and an acapella with stellar remixes from Snad and German producer Damien Rausch. Be it France or Peru, Balance and Adeen knows how to take you on a musical journey. We can't wait to see where they go next!
… Read morein stock $4.90
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Cat: NONPLUS 006. Rel: 18 Aug 10
Dirty Dubstep/Trap/Grime
Review: Instra:mental's Nonplus imprint are set to unleash US based producer ASC's debut album, Nothing Is Certain next month but first deliver a three track taster of this highly anticipated LP. "Phobos" sets industrial noises and sparse, dramatic tones as its backdrop but entwines electronic grooves and micro samples over the top to create his unusual but wholly captivating sound. "Oort Cloud" drops out into some cosmic, downtempo atmospheres of weightless space before "Matter of Time" explores wind-like sounds and melodies, deep oceans of bass and his intriguing use of Oriental sounding percussion. Once listen to this will have you holding your breath for July's LP.
… Read moreIntérprete: Police in Helicopter, Boddika
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Review: J. Dugdale returns under his Sumgii alias for Swamp 81 again with some meditative and minimalist rollers. Judging by the pic on his Facebook page, he definitely likes the green, and the collection of tracks featured on Who Is Genre Anyway are perfect for getting blunted. It's total fire on the A side, from the deep, down and dirty grime of 'Absurd' followed by 'Chunks' and it's bouncy wall of sound. On the flip, things get more hi-fi on EP standout 'Skanker' before deconstructing nefarious techstep sounds of the late '90s on the fittingly titled 'Dark Side Burns'. The jagged and off-kilter bass experiment 'Wollop' closes it out.
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Review: London bass house specialist Mickey Pearce returns to Loefah's Swamp 81 with a new collection of floor pulverisers; the sort of tunes that make trends and break necks. "Warm Barzz" itself is on the docile side, but "Loop W" rapidly enters the abyss in what is surely one of the oddest drum loops we've heard from the man. "Sticky Fingerprints" is a lo-fi kinda number with eerie background sonics but still a prime cut for the dancefloor, while "Loop X" is completely broken, a mass of percussion held together by the darkness below it. Large.
… Read more in stock $4.90
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Review: Original live techno duo, System 7 stamp their mark on the dancefloor once again with their new single on A Wave, 'Space Bird', lifted
from their forthcoming album, 'Phoenix', which opens the label's musical account in 2008. Just starting to escape on promo, this buzzing
atmospheric instrumental sees System 7 push the envelope for a minimal sound that embraces trance in truly hypnotic dancefloor style.
'Space Bird' is the first of the two Jam El Mar collaborations on the new album, and straight out the trap is man of the moment, Dubfire's
excellent minimal trance and brooding tech house remix. Liquid Soul toughens it up with a charged, stripped-down affair that rocks the floor,
fuelled by spacey loops; and rounding off is the original version. Its chunky beats underpin the seductive musical loops building into a
full-on floorfiller that's about to start ripping up floors in Europe.
System 7 continue to defy constraints of the 'trend' side of the music scene, having appeared live at a large number of festivals this year.
Highlights include playing twice at Tokyo's Nagisa Festival, this year with Derrick May and Joaquin Joe Claussell; another mighty appearance
at the Glastonbury Festival West Dance Tent in June with A Guy Called Gerald & Trentemoller; the Main Stage at the Glade Festival with
Longrange, Digitalism & Richie Hawtin; as well as Italy's Sonica festival, Harmonia Festival in Spain and Devon's Waveform event with
Eat Static & Banco De Gaia.
… Read morefrom their forthcoming album, 'Phoenix', which opens the label's musical account in 2008. Just starting to escape on promo, this buzzing
atmospheric instrumental sees System 7 push the envelope for a minimal sound that embraces trance in truly hypnotic dancefloor style.
'Space Bird' is the first of the two Jam El Mar collaborations on the new album, and straight out the trap is man of the moment, Dubfire's
excellent minimal trance and brooding tech house remix. Liquid Soul toughens it up with a charged, stripped-down affair that rocks the floor,
fuelled by spacey loops; and rounding off is the original version. Its chunky beats underpin the seductive musical loops building into a
full-on floorfiller that's about to start ripping up floors in Europe.
System 7 continue to defy constraints of the 'trend' side of the music scene, having appeared live at a large number of festivals this year.
Highlights include playing twice at Tokyo's Nagisa Festival, this year with Derrick May and Joaquin Joe Claussell; another mighty appearance
at the Glastonbury Festival West Dance Tent in June with A Guy Called Gerald & Trentemoller; the Main Stage at the Glade Festival with
Longrange, Digitalism & Richie Hawtin; as well as Italy's Sonica festival, Harmonia Festival in Spain and Devon's Waveform event with
Eat Static & Banco De Gaia.
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Cat: DSR 1811. Rel: 05 Aug 22
Clásico/Ska
Intérprete: Juno Recommends Reggae
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Review: Strap in for this potent new 7" from Killa B which brings the energy across to fizzing new dancehall cuts. The a-side 'Speedy Love' sounds quite a bit like an early Missy Elliott production but reworked into a dance hall framework. The vocals are menacing and delivered with a snarling edge over snappy snares and hefty bass. On the flip is a version called 'Blow You Mind' that is only subtly tweaked - the vocals take on different characteristics but the rhythms remain punchy and compelling.
… Read moreIntérprete: Juno Recommends Dancehall/Ragga
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Cat: RAD 70000014. Rel: 01 Jan 90
Punk/Hardcore
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Review: Boy Pablo continues his mission to make us all nostalgic for our younger years with a track taken from this year's bubblegum album, Wachito Rico. 'Leave Me Alone' is enough to tell newcomers what they can expect from the full length release. Uptempo, melodic and polished to a fault, it's a timeless, chart-friendly, indie pop sound that has won over a huge following with its unabashed positivity, albeit the sentiments are apparently tied to the feeling disappointment when his parents suddenly making him leave a birthday party early.
Flip it and you find the laidback, smooth, R&B vibes of 'Be With Me', a song that didn't make it onto the LP itself but certainly would not have sounded out of place if it had. Cascading guitar harmonies and a stepping, shuffling beat, it owes plenty to the lo-fi electronic sexiness that has been pervading downtempo beats for years, but is far from a cheap knock-off.
… Read moreFlip it and you find the laidback, smooth, R&B vibes of 'Be With Me', a song that didn't make it onto the LP itself but certainly would not have sounded out of place if it had. Cascading guitar harmonies and a stepping, shuffling beat, it owes plenty to the lo-fi electronic sexiness that has been pervading downtempo beats for years, but is far from a cheap knock-off.
in stock $4.76
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Identitat (hand-numbered 7" + insert limited to 150 copies)
Cat: SPB 7027. Rel: 13 Nov 20
Experimental/Electronic
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