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Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices. Visit Juno DJ
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People also bought...
52nd Street (limited gatefold numbered 180 gram audiophile vinyl 2xLP)
Cat: MFSL 2384. Rel: 01 Jan 90
Rock
in stock $75.67
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CoverUp Pro Behringer TD-3 & RD-6/Roland TB-303/DinSync RE-303 Double Tier Desktop Stand (synthesiser stand)
Cat: 959758 Rel: 21 Feb 24 • View all Recording Studio Accessories
Double tier stand designed for 2 synthesisers such as Behringer TD-3 & RD-6, Roland TB-303 and DinSync RE-303.
Notes: If you have Behringer TD3 machines in your studio, this is the ideal stand.
Designed and designed exclusively for the Behringer TD3, it may be more comfortable, more spacious and maintains your equipment 100% safe and stable.
All our supports, keep adherent feet 3m behind them so that the support does not loosen.
… Read moreDesigned and designed exclusively for the Behringer TD3, it may be more comfortable, more spacious and maintains your equipment 100% safe and stable.
All our supports, keep adherent feet 3m behind them so that the support does not loosen.
1 in stock $72.07
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Tangible Waves AE Module Kuzmin Filter Module (filter synth module)
Cat: 967228 Rel: 19 Feb 24 • View all Synth modules
Kuzmin filter module.
Notes: The module was named Kuzmin Filter in the past as a tribute to the developer of the Polivoks, Vladimir Kuzmin. For certain reasons, the module will now be called GRUNGE Filter (due to the sound), with the circuitry remaining unchanged.
The Polivoks was a Russian synth that was produced between 1982 and 1990.This module is the AE version of the filter that gave the Polivoks a unique, rough sound.
Beyond the basic design, this filter offers some additional features:
Two different resonance characteristics, hard and soft
An FM function, that adds the input signal to the modulation of the filter
An optional overdrive for the output, making the sound even more rough and untamed.
… Read moreThe Polivoks was a Russian synth that was produced between 1982 and 1990.This module is the AE version of the filter that gave the Polivoks a unique, rough sound.
Beyond the basic design, this filter offers some additional features:
Two different resonance characteristics, hard and soft
An FM function, that adds the input signal to the modulation of the filter
An optional overdrive for the output, making the sound even more rough and untamed.
1 in stock $58.17
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Tangible Waves AE Modular Spring Reverb Complete Set (effect/reverb synth module+tank/cable)
Cat: 967241 Rel: 19 Feb 24 • View all Synth modules
Spring Reverb module with reverb tank and cable.
Notes: Unique, vintage reverb sound.
The SPRINGREVERB module brings the unique sound of this quite old (introduced in the 60's) technique for creating reverbs to the AE modular.
The reverb works by sending the audio signal to a set of 3 springs; at the other end of the springs the sound is picked up by a transducer, converting the mechanical movement of the springs back into an electrical signal. When the audio signal arrives at the end of the springs, the waves are reflected several times; these reflections create the reverb sound.
The spring "tank" (a metal box containing the springs and transducers, size approx. 24 x 9 x 3.5 cm) is connected externally by a cable.
The product contains all components: The module itself, the spring tank and the connection cable.
Note: The sound of a spring reverb is quite unique and has a strong vintage character; if you are looking for a more "clean", natural sounding reverb please take a look at the MULTIFX module.
… Read moreThe SPRINGREVERB module brings the unique sound of this quite old (introduced in the 60's) technique for creating reverbs to the AE modular.
The reverb works by sending the audio signal to a set of 3 springs; at the other end of the springs the sound is picked up by a transducer, converting the mechanical movement of the springs back into an electrical signal. When the audio signal arrives at the end of the springs, the waves are reflected several times; these reflections create the reverb sound.
The spring "tank" (a metal box containing the springs and transducers, size approx. 24 x 9 x 3.5 cm) is connected externally by a cable.
The product contains all components: The module itself, the spring tank and the connection cable.
Note: The sound of a spring reverb is quite unique and has a strong vintage character; if you are looking for a more "clean", natural sounding reverb please take a look at the MULTIFX module.
1 in stock $85.72
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Homeworld (Soundtrack) (remastered) (heavyweight vinyl 2xLP)
Cat: LMLP 209. Rel: 22 Feb 24
Soundtracks
in stock $50.45
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Homeworld 2 (Soundtrack) (remastered) (heavyweight vinyl 3xLP)
Cat: LMLP 210. Rel: 22 Feb 24
Soundtracks
in stock $76.70
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Review: Marc Leclair may have become best known for his Akufen work in the 00s, but his Horror Inc work is surely some of his finest. Taking the slinky micro house he pioneered and turning it to more cinematic purposes, his last album under the name was 2013's incredible Briefly Eternal on Perlon. Now he revives the project with this expansive suite for Ohm Hourani's Anoma label, which is appropriately tipped towards jazzy subtleties within machine music. With each release, Horror Inc becomes a deeper, subtler concern, and so it goes on this record where the springy, swung patterns are offset by half-hidden melodic murmurs and a generous dose of mystery as Leclair takes his conceptual project further into the realms of playfully spooky micro jazz.
… Read more in stock $66.41
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Kaoru Yumi (gatefold 180 gram translucent red vinyl LP + fold-out poster with obi-strip in die-cut envelope sleeve)
Cat: UPJY 9387. Rel: 22 Feb 24
Pop
in stock $52.25
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Fleet Foxes/Sun Giant (Japanese Edition) (gatefold 2xLP + insert with obi-strip)
Cat: SP 777LPJ. Rel: 22 Feb 24
Indie/Alternative
in stock $53.53
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Baki (Soundtrack) (gatefold red translucent vinyl 3xLP + booklet in spot-varnished sleeve)
Cat: WAYOV 026. Rel: 22 Feb 24
Soundtracks
Review: Baki is one of the best-selling Japanese anime and manga series of all time; the story centres on a quintessential shonen coming-of-age trope, funnelled into the character of Baki Hanma, who tirelessly trains and tests his fighting skills against a variety of different opponents in deadly hand-to-hand combat, with the ultimate hope of becoming a powerful warrior like his father. Kenji Fujisawa's original soundtrack for the anime series, now streaming on Netflix, is the perfect translation of this always-affecting theme; a whopping 60 tracks are spread across 3 vinyl discs in respective illustrated sleeves; Fujisawa's tense, eye-of-the-tiger timpani-bangers, which mesh well with NIN-style industrial rock, are perfect for the invocation of Baki's constant sense of confrontation and self-becoming. This record also comes with ane exclusive shikishi art print, as well as a four-page booklet.
… Read more in stock $67.19
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Crosby Stills & Nash (Atlantic Records 75th Anniversary Edition) (gatefold 180 gram audiophile vinyl 2xLP)
Cat: APA 01845. Rel: 23 Feb 24
Rock
Review: As part of Atlantic Records' 75th Anniversary celebration, the label has launched an extensive year-long vinyl series featuring 90 releases spanning the entire history of the company, from its earliest days until the present. Of these emerges this latest reissue of Crosby, Stills & Nash's self-titled debut album, first released on the label all the way back in 1969. The album features some of CSN's most well known and iconic songs; 'Suite: Judy Blue Eyes,' 'Marrakesh Express,' 'Guinnevere,' 'Wooden Ships,' 'Helplessly Hoping' and 'Long Time Gone.' This album saw a shift in sound to what was popular at the time - blues based rock - opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the '70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.
… Read more in stock $81.59
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Yourself Or Someone Like You (reissue) (gatefold 180 gram audiophile vinyl 2xLP + booklet + insert)
Cat: 753088 753176. Rel: 21 Feb 24
Indie/Alternative
in stock $73.61
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Hanging Gardens
Drive By
Aether
The Boys
Chemist
Townsville
Silverwater
Mindset
in stock $74.12
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Good As I Been To You (limited numbered 180 gram audiophile SuperVinyl LP)
Cat: MOFI 5321. Rel: 19 Feb 24
Folk/Americana
Review: Three decades before he released The Philosophy of Modern Song - an insightful book devoted to 66 tunes that both impacted his career and the music world at large - Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly twenty years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar.
… Read more in stock $74.12
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King Perry (Japanese Edition) (LP with obi-strip + insert)
Cat: K7S 410JLP. Rel: 22 Feb 24
Roots/Lovers Rock
in stock $51.74
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DJ LUNA C / VARIOUS
Fractured Part 2 (limited coloured vinyl 3xLP + 2xLP)
Cat: KF 215KF219. Rel: 23 Feb 24
UK Hardcore
in stock $72.07
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in stock $56.88
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Endgame (gatefold translucent yellow & green splattered vinyl 2xLP with obi-strip)
Cat: AOF 416LP. Rel: 21 Feb 24
Industrial/Noise
in stock $56.38
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in stock $97.56
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My Father's Place, Roslyn, New York, 31st July, 1973 (CD1)
Gaston Hall, Georgetown University, Washington DC, 3rd March, 1974 (CD2)
Gaston Hall, Georgetown University, Washington DC, 3rd March, 1974 (CD3)
The Lost Radio Show: Broadcast By KLOL FM, Houston, Texas, 9th March, 1974 (CD4)
Live At The Main Point, Bryan Mawr, Pennsylvania, 5th February, 1975 (CD5)
Live At The Main Point, Bryan Mawr, Pennsylvania, 5th February, 1975 (CD6)
Live At The Bottom Line, 15th August, 1975 (CD7)
Live At The Bottom Line, 15th August, 1975 (CD8)
Live At The Roxy Theater, 17th October, 1975 (CD9)
Live At The Roxy Theater, 17th October, 1975 (CD10)
Fox Theater, Atlanta, Georgia, 30th September, 1978 (CD11)
Fox Theater, Atlanta, Georgia, 30th September, 1978 (CD12)
Fox Theater, Atlanta, Georgia, 30th September, 1978 (CD13)
The Agora Ballroom, Cleveland, OH, 9th August, 1978 (CD14)
The Agora Ballroom, Cleveland, OH, 9th August, 1978 (CD15)
The Agora Ballroom, Cleveland, OH, 9th August, 1978 (CD16)
Rehearsal Concert, Hollywood Center Studios, Los Angeles, CA, 5th June, 1992 (CD17)
Rehearsal Concert, Hollywood Center Studios, Los Angeles, CA, 5th June, 1992 (CD18)
Long Branch, New Jersey, USA, 20th August, 1994 (feat Joe Grushecky & The Houserockers, John Eddie & Dion - CD19)
Saturday Night Live 1992/David Letterman 1993/Academy Awards 1994/Frank Sinatra Tribute 1995/ David Letterman Tonight Show 1995/Concert For Rock N Roll Hall Of Fame 1995 (CD20)
in stock $53.53
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CoverUp Pro Ableton Push 3 Standalone Live Stand (MIDI controller stand)
Cat: 995641 Rel: 20 Feb 24 • View all Recording Studio Accessories
Stand designed to fit the Ableton Push 3
Notes: Introducing the Ergonomic Studio Stand for Ableton Push 3: a game-changer in the world of music production. Designed with your comfort and productivity in mind, this stand is the ultimate solution for those seeking a more immersive and ergonomic music-making experience.
Crafted with precision, the stand offers a sleek and sturdy design that seamlessly integrates with your Ableton Push 3 controller. By elevating your controller to an optimal height and angle, it eliminates the strain on your wrists and neck, allowing you to focus on your creativity without any discomfort.
One of the standout features of this stand is its ability to enhance your visual experience. With a specially designed screen mount, it brings the Ableton Push 3's display closer to your line of sight, ensuring crystal-clear visibility of every detail. No more squinting or straining your eyes to read parameters or follow your music-making process. The screen becomes an extension of your creativity, effortlessly accessible at all times.
The stand's ergonomic design also promotes a more organized and efficient workspace. Its integrated cable management system keeps your cables neat and tangle-free, reducing clutter and allowing you to concentrate fully on your music production. Additionally, the stand's robust construction ensures stability, even during intense sessions, guaranteeing a secure and reliable platform for your Ableton Push 3.
Whether you're a professional music producer or an aspiring artist, the Ergonomic Studio Stand for Ableton Push 3 offers unparalleled comfort and convenience. It enhances your workflow, minimizes physical strain, and maximizes your creative potential. Take your music production to new heights with this exceptional accessory that is both stylish and functional.
Upgrade your studio setup today and revolutionize the way you create music with the Ergonomic Studio Stand for Ableton Push 3. Experience comfort, visual clarity, and an improved working environment that will elevate your musical journey to new levels of excellence.
… Read moreCrafted with precision, the stand offers a sleek and sturdy design that seamlessly integrates with your Ableton Push 3 controller. By elevating your controller to an optimal height and angle, it eliminates the strain on your wrists and neck, allowing you to focus on your creativity without any discomfort.
One of the standout features of this stand is its ability to enhance your visual experience. With a specially designed screen mount, it brings the Ableton Push 3's display closer to your line of sight, ensuring crystal-clear visibility of every detail. No more squinting or straining your eyes to read parameters or follow your music-making process. The screen becomes an extension of your creativity, effortlessly accessible at all times.
The stand's ergonomic design also promotes a more organized and efficient workspace. Its integrated cable management system keeps your cables neat and tangle-free, reducing clutter and allowing you to concentrate fully on your music production. Additionally, the stand's robust construction ensures stability, even during intense sessions, guaranteeing a secure and reliable platform for your Ableton Push 3.
Whether you're a professional music producer or an aspiring artist, the Ergonomic Studio Stand for Ableton Push 3 offers unparalleled comfort and convenience. It enhances your workflow, minimizes physical strain, and maximizes your creative potential. Take your music production to new heights with this exceptional accessory that is both stylish and functional.
Upgrade your studio setup today and revolutionize the way you create music with the Ergonomic Studio Stand for Ableton Push 3. Experience comfort, visual clarity, and an improved working environment that will elevate your musical journey to new levels of excellence.
2 in stock $55.59
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CoverUp Pro Make Noise O-Coast & Strega Double Desktop Stand (synthesiser stand)
Cat: 995644 Rel: 20 Feb 24 • View all Recording Studio Accessories
Stand designed to fit the Make Noise O-Coast & Strega
Notes: For two Make Noise desktop units
Suitable for 0-Coast, 0-Ctrl and Strega
Made of biocompatible PLA plastic
Connection of the side parts via wooden rods
Colour: Black
… Read moreSuitable for 0-Coast, 0-Ctrl and Strega
Made of biocompatible PLA plastic
Connection of the side parts via wooden rods
Colour: Black
2 in stock $61.26
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Intellijel Cascadia Bag (synthesiser bag)
Cat: 997146 Rel: 20 Feb 24 • View all Recording Studio Accessories
Bag designed to fit the Intellijel Cascadia
Notes: Holds everything you need
Very high-quality and durable padded gig bags for transporting your semi-modular synth cargo. Sized specifically for Cascadia.
The padded main compartment protects your case from bumps and scratches.
Zipped outer pocket for stuffing accessories and other gear.
The rear pocket closes with velcro at the top but unzips at the bottom to become a handle sheath so your case can sit on top of a rolling suitcase.
Super beefy strap connectors with clipped strap.
Lightweight with a single-handle design
… Read moreVery high-quality and durable padded gig bags for transporting your semi-modular synth cargo. Sized specifically for Cascadia.
The padded main compartment protects your case from bumps and scratches.
Zipped outer pocket for stuffing accessories and other gear.
The rear pocket closes with velcro at the top but unzips at the bottom to become a handle sheath so your case can sit on top of a rolling suitcase.
Super beefy strap connectors with clipped strap.
Lightweight with a single-handle design
1 in stock $80.30
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Intellijel Cascadia Dust Cover (synthesiser dust cover)
Cat: 997148 Rel: 20 Feb 24 • View all Studio Equipment Covers
Dust cover designed to fit the Intellijel Cascadia
Notes: Polycarbonate Protection
Transparent polycarbonate lid for the Cascadia made by Decksaver. Keep your synth patched and dust-free:
Clearance to leave your Cascadia patched with a Lid attached.
Perfectly sized to fit with Cascadia in our Cascadia Gig Bag.
Lightweight and rigid.
Made by Decksaver UK with smokey polycarbonate.
… Read moreTransparent polycarbonate lid for the Cascadia made by Decksaver. Keep your synth patched and dust-free:
Clearance to leave your Cascadia patched with a Lid attached.
Perfectly sized to fit with Cascadia in our Cascadia Gig Bag.
Lightweight and rigid.
Made by Decksaver UK with smokey polycarbonate.
1 in stock $59.71
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Live At Sydney Opera House (Australian Edition) (2xLP + poster with obi-strip)
Cat: DOC 335LP-V1. Rel: 19 Feb 24
Psych/Garage Rock
in stock $60.49
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Pigtronix Class A Boost FET Clean Boost Effects Pedal (dynamics effects pedal)
Cat: 1001608 Rel: 21 Feb 24 • View all Effects pedals
FET clean boost effects pedal
Notes: Warm and cozy
Class A Boost will fatten up and boost anything you feed it. This deceptively simple design uses discreet J-FET transistors in a single-ended "Class A" configuration to achieve the warmest possible tone. Class A Boost can deliver up to 20db of clean boost and remains effective with both instrument and line level signals. Superior signal to noise performance allows you to put the Class A Boost anywhere in your pedal chain. It can add punch and extra output to a classic overdrive sound and is able to push distortion pedals into extremely aggressive crunch land. Class A Boost is also ideal for hitting the front end of a tube amp to achieve an added layer of sweetness.
Knob-by-knob
Level: Sets the overall output volume.
Satisfying saturation
The feed-forward J-FET based design of the Class A Boost provides up to 20db of high-headroom boost with just enough class A saturation to warm up your tone.
Gotta bounce
Late for a rehearsal several light years away, Marvin thought it was a space mirage when he first saw Class A Boost-a trampoline strapped with rocket boosters. But before he knew it, he was blasting through time and space, landing in his buddy's garage right before their drummer (also late) counted in.
Model name: Class A Boost
Function: FET Clean Boost
Category 1: Utility
Bypass: True Bypass
Electronics
Voltage: 9-18VDC
Current draw: 100mA
Input impedance: 10M O
Output impedance: Freq. dependent
Body
Length (inches): 1.5
Width (inches): 3.75
Height (inches): 1.75
Weight (lbs): 0.5
… Read moreClass A Boost will fatten up and boost anything you feed it. This deceptively simple design uses discreet J-FET transistors in a single-ended "Class A" configuration to achieve the warmest possible tone. Class A Boost can deliver up to 20db of clean boost and remains effective with both instrument and line level signals. Superior signal to noise performance allows you to put the Class A Boost anywhere in your pedal chain. It can add punch and extra output to a classic overdrive sound and is able to push distortion pedals into extremely aggressive crunch land. Class A Boost is also ideal for hitting the front end of a tube amp to achieve an added layer of sweetness.
Knob-by-knob
Level: Sets the overall output volume.
Satisfying saturation
The feed-forward J-FET based design of the Class A Boost provides up to 20db of high-headroom boost with just enough class A saturation to warm up your tone.
Gotta bounce
Late for a rehearsal several light years away, Marvin thought it was a space mirage when he first saw Class A Boost-a trampoline strapped with rocket boosters. But before he knew it, he was blasting through time and space, landing in his buddy's garage right before their drummer (also late) counted in.
Model name: Class A Boost
Function: FET Clean Boost
Category 1: Utility
Bypass: True Bypass
Electronics
Voltage: 9-18VDC
Current draw: 100mA
Input impedance: 10M O
Output impedance: Freq. dependent
Body
Length (inches): 1.5
Width (inches): 3.75
Height (inches): 1.75
Weight (lbs): 0.5
1 in stock $89.31
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in stock $54.31
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Boss CS-3 Compression Sustainer Effects Pedal (dynamics effects pedal)
Cat: 996673 Rel: 19 Feb 24 • View all Effects pedals
Compression sustainer effects pedal
Notes: Improves your overall tone
The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.
Specifications
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: SUSTAIN knob, ATTACK knob, TONE knob, LEVEL knob, Pedal switch
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT jack: 1/4-inch phone type, DC IN jack
Power Supply: Carbon-zinc battery (9V, 6F22) or Alkaline battery (9V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 20 mA
Expected battery life under continuous use: Carbon: Approx. 10.5 hours, Alkaline: Approx. 26 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery/9 V type (6F22)
Options (sold separately) AC adaptor: PSA series
Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 380 g / 14 oz
… Read moreThe CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.
Specifications
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: SUSTAIN knob, ATTACK knob, TONE knob, LEVEL knob, Pedal switch
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT jack: 1/4-inch phone type, DC IN jack
Power Supply: Carbon-zinc battery (9V, 6F22) or Alkaline battery (9V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 20 mA
Expected battery life under continuous use: Carbon: Approx. 10.5 hours, Alkaline: Approx. 26 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery/9 V type (6F22)
Options (sold separately) AC adaptor: PSA series
Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 380 g / 14 oz
1 in stock $88.03
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Dragon Ball Z: Best Collection (Soundtrack) (limited gatefold orange vinyl 2xLP)
Cat: DV 12819. Rel: 22 Feb 24
Soundtracks
Review: A selection of fifteen pieces from the soundtrack of the cult anime Dragon Ball Z, on a limited 2xLP edition, fully licensed, including the main opening track 'CHA-LA HEAD-CHA-LA'. This soundtrack accompanies the anime's key moment in which Dragon Ball Z resumes five years after Son Goku's wedding. Radditz, a mysterious warrior, arrives on Earth to find Goku, who learns that he comes from a planet of warriors from a planet of warriors, of which only four remain. The plot is based on a succession of increasingly strong opponents to be fought, but there's often a quest or travel motif that adds interest beyond the duels. All this, and more, is bolstered by this electrifying soundtrack edition.
… Read more in stock $61.52
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Music For Cats (gatefold pink & blue splattered vinyl 2xLP)
Cat: ARFA 197A1. Rel: 28 Feb 24
Experimental/Electronic
Review: It was in 1998 that pioneering Canadian musician levin Key released his solo debut Music For Cats. Artoffact Records reissued it on vinyl back in 2014 and now they do so again but this time on gatefold pink and blue splattered vinyl double album. It's a unique work that blends classical, glitch, and noise-driven pieces, featuring collaborations with artists like Dwayne Goettel, Genesis P.Orridge, Philth, and Mark Spybey. 'Music Fur Cats' showcases Key's songwriting depth, followed by 'Wind On Small Paws' with its electro-industrial sci-fi vibe. 'Meteorite' offers glitchy beats. Familiar tracks like 'Bird', 'Blotter', and 'Greenhouse Gasses' provide accessible listening, albeit experimental. 'Music For Cats' is gritty and against the grain, yet melodic. While not mainstream, it's an intriguing, well-crafted release, appealing to experimental electronic enthusiasts and completists alike.
… Read more in stock $67.43
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Dreadbox Psyclop Analogue Dry & Wet Mixer/Attenuator & Booster Effects Pedal (dynamics effects pedal)
Cat: 1003303 Rel: 28 Feb 24 • View all Effects pedals
Analogue dry & wet mixer/attenuator & booster effects pedal
Notes: The Dreadbox PSYCLOP is the ultimate modern utility device. It's an Effects Chain Loop with Dry/Wet mix control, Signal Attenuator and Boost as well as Expression to CV (Control Voltage) converter, all in one easy to use package suitable for string instruments or synthesizers and is also Eurorack compatible.
PSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop.
Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%.
To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal's side.
Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal's EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs' setting and a connected EXP pedal's position.
So all you have to do is plug in and embark on your next thrilling sound design adventure.
… Read morePSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop.
Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%.
To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal's side.
Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal's EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs' setting and a connected EXP pedal's position.
So all you have to do is plug in and embark on your next thrilling sound design adventure.
2 in stock $95.74
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Review: This one is an absolute treat for fans of Ocean Colour Scene - a special signed edition of their Days Like These: Live 1998 - 2015 albums on Demon. There are three in all (Travellers Tunes: Live From Sterling Castle 1998, Live Acoustic At The Jam House 2006 and Live at The Bridgewater Hall With Q Strings 2015.) and they are a fine reminder of the much loved UK indie band and all their most glorious moments. As well as all the most popular hits, there are special acoustic versions of some tunes and much more. Ocean Colour Scene are one of Britain's finest bands and this live album will show you why.
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Review: Amghar: The Godfather Of Tuareg Music Vol 1 by Abdallah Oumbadougou is a superb trip into the heart of the ever fascinating sound of Tuareg music. Oumbadougou, revered as the godfather of this rich musical tradition, delivers a spellbinding collection of tracks that showcase his mastery of desert blues. Each composition is a testament to the deep cultural heritage and spiritual resonance of Tuareg music. They blend hypnotic rhythms, intricate guitar work and haunting vocals all with a melancholic and seductive feel from the soul-stirring chants of 'Afrikya' to the infectious energy of 'Tabsiq Dalet'. This album transports listeners to the vast landscapes of the Sahara, evoking a profound sense of wanderlust and timeless beauty as it does so.
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Cat: 979277 Rel: 29 Feb 24 • View all Synth modules
Expander module for Batumi II - 4HP
Notes: Poti II expander notable features:
- per-channel input and output attenuation for the SINE and ASSGN outputs
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… Read more- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
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- +10/-0mA from Batumi II
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Journals, stories, and songs span the years 1981 to present; includes visual archives and artwork dating back to 1974
Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals
Hardcover 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.
Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.
Hardcover Collector's edition of 3000 numbered copies, signed by M. Gira
"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."
Michael Gira
… Read moreHardcover 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.
Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.
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"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."
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