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Review: O! Kult was a post-punk and industrial band from Yugoslavia that was active in the 1980s. Like many of their peers at the time, they were censored by the communist party that was in charge but that didn't stop them from making music and gaining a cult following. Their cut 'Zvestoba' has been found in old Radio student archives and brought back to life here and then remixed by modern luminaries Silent Servant, Christian Kroupa (who is one half of Black Dot) and 198319831983. They add weighty tech, EBM and moody electro vibes to make for a strong package.
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Review: Osaka's Koshiro "YPY" Hino built his reputation on a series of fearlessly experimental cassette releases, before breaking cover to deliver a 12" of frazzled techno on Nous last year. Zurhyrethm marks his long-form vinyl debut, and contains eight suitably experimental tracks stretched across two slabs of wax. While there are clear tropical influences, a humid feel and nods towards the visceral pleasures of ambient, Hino's greatest strength is his eccentric drum programming. Zurhyrethm's dense - but often subtly mixed - percussive backing dominates throughout, with nods to African and South American rhythms, Sweet Exorcist's C.C.CD-era "clonk techno" (look it up), and the metallic clanking of classic industrial music.
… Read moreIntérprete: RIZZOLO DJ
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Review: TAFKAMP is the alias of the Dutch producer and DJ formerly known as Minister President. A prominent figure in the Rotterdam scene, he's primarily known for his rough hardware jammy cuts, a trend which continues on this very latest EP 'Zonegrens'. Rotterdam Electronix label don DJ Overdose sees to a seleccy of five pieces straight from the cutting room floor, delivering nothing short of gritty toothcuttery. Two downtown city hubbubers helm up the A-side, before we are thrown aside by 'Bad Dream Tuesday, which hears a sudden foray into tundric dream-techno.
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Review: M Parent's penchant for texture is laid bare on this searing and arresting new EP for Zement. It opens with 'Gravel Pit' which sounds like an audio diary from a car-wrecking plant. Twisted metal, fizzing battery acid, and crushed glass all feature over a distorted baseline and broken rhythm. Those same scuzzy sounds define the rest of the EP from the acid-laced 'Ideal Future' to the coruscated funk of 'Acid Thirst' via the caustic intensity of closer Climb These Walls'. An impressively unique offering that very much has its own singularly sound palette.
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Zeichen Im Schacht Der Verschleierten Tatsachen (LP + insert)
Cat: OE 006. Rel: 22 Feb 21
Experimental/Electronic
Intérprete: Alexis Le-Tan
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Review: The seemingly ever-present underground stalwart that is Ellen Allien's Bpitch Control welcomes Berlin-based artist ASEC for a new EP that is inspired by "the indecision, the fear and the finality of making difficult choices. Heavy stuff for sure, and opener 'Crossing The Rubicon' sure is a dark and moody piece but also utterly danceable. The title track has a blunt, powerful kick and whirring machine percussion then 'Our Light In Momentary Troubles' gets a little more dubby, with fat bass and chunky drums. Last of all is 'Bleep Test (Tool Mix)' which is a brain-boggling and loopy techno cut with fizzing synth textures.
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Review: Following the summer hits 'Feel It' and 'Radiance', Amelie Lens returns to Exhale and ends the year with the pulsating hymn 'You and Me'. Rounding off her 'You and Me' EP, the title track stands as a testament to Amelie's ongoing journey in the electronic music universe. With 'You and Me', Amelie dives even deeper into the uncharted depths of her musical soul, delivering an audacious composition marked by trance-infused bass, captivating acid tones, irresistibly dynamic drums and an epic energetic surge. Her distinctive and enveloping voice takes center stage during the break, crafting a hypnotic and compelling ambiance. With 'You and Me', Amelie not only unveils another sonic masterpiece but also signs off on an extraordinary year of releases, underscoring her stature as a reigning force in the techno landscape, leaving us yearning for more.
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Review: It is impossible to pin down Roman Flugel. The German innovator has had more different sounds and aliases than most of us have had disco pellets. Here he is back under his own name on Berlin mainstay Rekids with four to-the-point yet still characterful techno cuts. 'Yes People' with both amp up the energy in the club but also trip out all those who hear it thanks to its caustic drums and mind-melting synths. 'Play Simple' is a double time weapon with spoken words morphing before your ears next to an insistent rhythm and sleek pads. 'Jam' is a wonky one with detuned chords tumbling about the mix over old school techno directness and 'Mysterious Delight' again cuts loose at the afters. This may be his best work in some time.
… Read moreIntérprete: Skudge
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Review: Londoner Otik has been about for a long while now, but his Aus Music debut signals some serious tack-change when it comes to putting true respect on the name of an artist who deserves it. 'Xoul Trap' not only references a Skyrim game mechanic, but delivers four Uk-funky-ish dream-heaters to either quench or ignite the soul, depending on one's inclinations in the dance. The haunting vocal chops and thunderous kicks of the title track, the shuffling chords and speaker-rattling subs of 'Temptress', the washed-out synthesis and pumping 4/4 of 'Inertia,' and the shimmering UK Funky inspo of 'Unorthodox' render this a solid top-up to the rep of UK dance music on the international stage.
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Review: Waage is a firm favourite amongst dub techno fans. The Icelandic producer has long been turning out icy and atmospheric rollers for the heads and here he works alongside a fresh name, Quantal, who is sure to go on to big things. Here they land on Thule Records, a legendary label in its own right with roots going back to 1995. They kick off with the textured dub of 'WQ1' which has glitchy sounds paying over the rolling drums. 'WQ2' is much more smooth and streamlined, with an underwater current that sweeps you off your feet, then 'WQ3' leans into the wind with hypnotic techno drums and vamping chords that melt the mind. Last of all comes 'WQ4', a timeless dub with infinite horizons and the most frictionless drum loops.
… Read moreIntérprete: Juno Recommends Techno, Tom Drew
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Review: Dutch artist Tammo Hesselink has always played with rhythm whatever style of music he makes. He does that again here with a new EP - his debut for the Midgar label out of Berlin - that showcases his stripped-back style over five fresh cuts. Opener 'Zero History' has loopy beats and a moody atmosphere that's dark but alluring then 'Nut Wandel' is another heady and hypotonic cut with undulating bass and deft sound designs while the flipside features a trio of variations on that theme - sleek rhythms and evocative little details that draw you in deep. These might ostensibly be DJ tools, but they sure do elevate a dancefloor in sophisticated ways.
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Review: When you call your label The Purist you pretty much lay out your statement of sonic intent from the off. This second outing is another one that offers up unabashed cosmic tech from the depths of some distant universe. Muzin is the artist at the helm and 'Woone' opens up with mind-melting synths and linear beats that will appeal to fans of the likes of Jeff Mills and Luke Slater. 'Kiln' gets more intense but still makes an art form of intertwining synths and drums to languid effect and 'Parsel' then has a more minimal design but equally heady impact. A trio of flipside joints tweak the template in subtle but stylish fashion.
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Review: One Eye Witness is mostly known for doing reissues of treasured 90s breakbeat, techno and trance under the name Kalahari Oyster Cult but this outlet under their name is for new music. Similar to the previous, the fifth edition is a compilation with submissions from different artists around the world. Starting out the EP is the Montreal producer Priori with the very atmospheric 'Weight'. Those who follow the label, know that every release will get a bit of trance and sure enough, Eversines deliver with wicked 'Vigilance'. For the second side, the 'Bustlin' Monk' by O Fourtyfour, bounces along with a trippy, broken, electro groove. Lastly, 'J2PX' by Reflex Blue is a sick, robotic funker that we expect to get a lot of attention by those who get this record. You can always expect some excellent music from One Eye Witness.
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Review: James Pennington remains one of the cult veterans of Detroit's techno legacy, right there at the beginning and wholly revered by those across his work. Even if he still exists a little on the fringes compared to some of his peers, releases like this remind you how respected he is, and for good reason. 'Winds Of Fear' just hits that balance between the true, deep-rooted, classic kind of techno and the otherness which makes the best of the genre memorable instead of forgettable. The trombone-like synth line forming the melodic bedrock of the track is just not something you hear often in techno, but it sounds powerful especially on top of the rough, urgent slap of the Suburban Knight drums. As if the original wasn't enough, we get Robert Hood going in on the track with a tight but funky as hell edit and a dusty beatdown version from Eddie Fowlkes. Legends, assemble!
… Read moreIntérprete: Juno Recommends Techno
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Review: Hector Oaks is one of the most trusted stamps of authority in big, bashy techno, and his label is a natural extension of his knowledge and taste. As such, you're going to want to pay attention to this new release, which revolves around some ear-snagging samples chatting about players playing themselves. It's a hip-hop rooted attitude which extends into the funky cuts juicing up 'Player Three', while 'Player Twenty-Five' turns up the pressure with some loopy madness and then jacks 'Player Three' up by '8%' for those who like it faster. 'Ghetto Bootie' finishes the record off on an unmistakable Dance Mania tip, and it sounds absolutely deadly.
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Review: Marco Bailey is a Belgian DJ and producer who's remained active since the late 90s - his commitment to a hard and assembly-liney industrial techno sound has seen him lend his chops to the likes of Drumcode, Intec, and MB Elektronics in later years. 'Wild Out' is an EP brought to Fundaments, and best represents the artist's latest headspace: wild as ever. Highlights include 'Careless Spectrum', which isn't afraid of indunging higher-end, leady trance tropes, and 'Royal Resistance', which once again mixes bright bursts of stabbing sheen into a gritty techno backbone. The latter track hints at developing the motif more, but smartly pulls back, leaving us panting, begging for more.
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Review: When composing the tracks featured on his first release on Anthony Naples and Jenny Slattery's Incienso imprint, Mister Saturday Night and Vanity Press alumnus James Bangura reportedly drew inspiration from long, late-night teenage driving experiences. There's certainly a 'speeding through canyons under a blanket of stars' feel to 'Barred Entry', a hypnotic techno journey rich in restless kick-drums, hissing ride cymbals, hazy organ loops and delay-laden chords. He flips the script on 'Mixed Signals', delivering a dubbed-out slab of mind-mangling breakbeat house hedonism, before blurring the boundaries between high-octane electro and breathless techno on 'Monterrey'. To round things off, he adds reverb-heavy ambient textures and yearning synth-strings to a crunchy dub techno groove on EP standout 'Wichita'.
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Review: Benny Rodrigues is Rod20 and boy has he been busy this year. He started his own self title label to put out some of the 1500 tracks he said he recorded during the lockdown. They all pay homage to techno's functional roots and were made using analogue hardware - always just one specific synth from a selection including Korg Monopoly, Yamaha DX100, Roland Jupiter 8 and others, along with his 909. This is the ninth EP in just a matter of months and they are all brilliant - pure, potent, head melting, high functioning techno with no fads but plenty of character.
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Review: White Fetish X, the latest release by enigmatic collaboration between Dataintrang and Luke Eargoggle on the Italian label Pareidolia Recordings, is a hypnotic and eerie exploration of the dark side of electronica. The album's six tracks veritably pulsate with a sinister energy, blending elements of EBM, electro clash, and sci-fi to create a truly unique and unsettling soundscape. 'Starting Shift' sets the tone with its menacing EBM stomp and early techno sound, while 'Mann Gegen Mann' ups the ante with its sinister electroclash beats. The title track is a hypnotic and eerie soundscape, with its sci-fi synths and demented, horror-like atmosphere. 'Radiowelt' is a heavy electro track with a pulsing body funk rhythm, while 'Audio Warrior' closes the album out with its dark and evil-sounding but funky bassline. Overall, White Fetish X is a challenging and rewarding listen for fans of dark electronica. Its sinister soundscapes and hypnotic rhythms create a truly unique and unsettling experience that will stay with you long after the final track has faded out.
… Read moreIntérprete: Mimi
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