Review: Originally pressed (on a limited run) in 2013, LA Latin funk troupe Boogaloo Assassins have reissued these two spellbinding cover versions again due to public demand. Still on a highly limited run, both cuts need to be in your collection: Dawn Penn's "No No No" gets a strict samba switch with lavish percussion and consistent vocal harmonies throughout while Sonny Henry's "Evil Ways" (best known from its Santana cover) gets the dreamy instrumental treatment where the horns and glocks do the narrating over a tight bed of wood blocks, shakers and liquid Rhodes. Killer stuff and Juno is one of the few stores outside of USA which is carrying the 45. Don't Sleep !
This Love Is Magic (feat Chanel - Soul Rockers mix) (3:48)
When It Rains (feat Cleveland Jones) (4:39)
Review: It would be fair to say that Dee "Kejam" Majek (real name Oladisun Majekodunmi) is something of a veteran, with the Nigeria-born writer, musician and label owner producing his first released music way back in the early 1980s. This double seven-inch single marks his debut for Izipho Soul, and his first release of any sort since 2016 debut album "Majek". There's much to admire throughout, from the slick '80s soul warmth of Lisa Taylor collaborations "Can You Feel The Love" and "My Only Love" - the latter featuring a slight two-step soul feel - to the electrofunk-influenced R&B shuffle of Chanel hook-up "This Love Is Magic (Soul Rockers Mix)" and the toasty, dewy-eyed goodness of "When It Rains", which features lovely lead vocals from Cleveland Jones.
I Want To Thank You (KON Shine Your Light remix) (7:54)
I Want To Thank You (KON dub) (7:49)
Review: Having previously breathed new life into classic cuts from L.T.D, George Duke and Sylvester, Kon has now turned his attention to another all-time favourite: Alicia Myers' 1981 stunner "I Want To Thank You", a disco-era gospel-soul favourite that remains one of the era's most timeless club records. Working from the multi-track tapes, Kon teases out Myers' killer vocal - drenched in just the right amount of reverb and delay - atop a slightly stripped-back groove before giving it the full kitchen sink treatment. Just as good is the flipside Dub, which flits between beat-free sections and the track's killer groove in the manner of disco dubs from the early 1980s. The song itself may not have needed tampering with, but Kon's versions are genuinely superb.
Review: With the state of world politics at the moment, we could all do with the occasional pick me up. Enter The Pharaohs who link with Chicago natives Spencer Jackson Family for "Bring Back Peace To The World", which gets a timely reissue on Ubiquity. It's a spiritual bit of jazz funk with sax lines to get you grooving, deep soul vocals that stir you from the inside out and gospel overtones that get anyone ready to rejoice. Each part is as essential as the other and despite adding up to just over five minutes in total, both cuts will no doubt enhance your mood.
A Strong Move For Truth (feat Nadine Charles) (3:19)
Good Morning (feat Samii) (2:40)
Remini Dream (feat Ivana Santilli) (3:46)
I Don't Wanna Know (feat Obenewa) (3:21)
Unknown Faults (3:59)
Life Can Be Unreal (feat Sarina Leah) (3:26)
Too Much (feat Sharlene Hector) (1:58)
You Are Virgo (5:05)
Come Of Age (3:28)
Just Leave It (feat Lady Alma) (4:52)
Ogawa Okasan Said Just Play (4:45)
A Where Pringle Deh? (2:14)
My Standards Are (Not) Too High (8:40)
Review: In our eyes, 2000 Black lynchpin Dego can do no wrong. You'll therefore be unsurprised to hear that we're huge fans of the 4Hero founder member's latest solo album, a belated follow-up to 2015's "The More Things Stay The Same". It is, of course, superbly soulful, slicky produced and wonderfully paced, moving from the heady soul sweetness of "A Strong Move For Truth", to the deep jazz-funk/broken beat vibes of "My Standards Are (Not) Too High" via 12 other warm and seductive cuts of an equally high standard. Highlights include the summery bruk-soul bliss of "Remini Dream", the toasty boogie revivalism of "Unknown Faults" and the Clavinet-sporting brilliance of Lady Alma hook-up "Just Leave It".
Review: Discerning diggers will know that an original copy of this funk soul gem from 1978 often fetch close to four figures. Initially released on a little known label in Mississippi, Acid Jazz now give it the proper reissue treatment. It is filled with passionate soul songs that stride forward with purpose and pride. "Let Me Be Your Lover" is the breakout single that will get most club plays, but the sliding hi hats and twangy bass of "Gonna Find A True Love" will also do plenty of damage. The version included here is slightly different to the single that was reissued earlier this year, but is well worthy of its inclusion.