Review: Rediscover a treasure from the Dade Records vault with the reissue of Arnold Albury & The Casuals' 'That's A Bet,' brought back to life by ReGrooved Records. This analogue-remastered 7" highlights a key track from 1970, recently featured in the popular series 'Sex Education.' The flip side, 'My Baby Don't Understand,' is equally stunning, showcasing the soulful essence of Miami's vibrant music scene. Arnold Hoss Albury, a brilliant keyboardist, played a pivotal role in shaping the Miami Sound, contributing to iconic records by artists like James Knight & The Butlers and Betty Wright. This re-release offers a rare opportunity to own a slice of musical history and experience the soulful brilliance of Albury & The Casuals.
Review: James Alexander Bright's new sinle, Cool Cool, is a sonic kaleidoscope brimming with vibrant sounds and deep emotion. Bright's distinctive voice, reminiscent of Eddie Chacon, Beck or Michael McDonald, shines throughout. His multi-instrumental prowessiplaying guitar, bass, keys, and moreiadds layers of complexity to the record. Cool Cool illustrates Bright's evolving sound and unwavering creativity, making it a compelling addition to his diverse discography. The 'ECLA Beautiful dub' adds a great alternative version that provides a broken down moody version of the original to balance the 7". Both sides are excellent.
Review: We Got To Change is an uncovered gem from James Brown, recorded in Miami at Criteria Studios on August 16, 1970. Featuring the original J.B.'s lineup, including Bootsy Collins, Catfish Collins, and Clyde Stubblefieldithe legendary Funky Drummerithe track was laid down in between some of Brown's most iconic releases like Sex Machine and Soul Power. With its unmistakable groove and fiery energy, this lost recording is an essential piece of Brown's storied career, capturing the raw funk sound that defined an era.
Review: This James Brown 7" release is a must-have for any soul and funk aficionado. The Side-1, 'Never Can Say Goodbye' from the There It Is LP, is a quintessential Brown track with irresistible grooves, a punchy bassline, and killer horn lines that showing his creativity of funk. On Side-2, 'You Took My Heart' from Get Up Offa That Thing offers a lush, swinging rhythm with a captivating movement that highlights Brown's soulful versatility. Both tracks are presented on a highly desirable 7" vinyl, making it a perfect addition for DJs and rare groove enthusiasts. The grooves are tight, the energy is infectious and this release truly captures the essence of James Brown's legendary sound.
Review: Ruth Brown came to prominence as a 2012 semi-finalist on The Voice as part of Sir Tom Jones' team, and has since performed across the UK, including multiple appearances at London Fashion Week. She also starred as the alternate Effie White in the London production of the Sonia Friedman Production, Dreamgirls. Her shows often sell out, such is the lushness of her soul sound and now she returns with her highly anticipated EP, A Moment Of Truth, which again offers up her powerful vocals and shows some fine artistic growth across a series of tunes with buttery tones, heart aching hooks and timeless neo-soul, house and funk production.
Review: Billy (younger brother of Jerry) Butler's seven 'official' releases on Okeh 45s are often thought to be some of the best-ever Northern Soul tunes to come out of the Windy City. Despite that, he never got the same fame as his sibling but this reissue of one of them should show you why that was so wrong. 'Right Track' is just under two and a half minutes of high energy and driving Northern Soul goodness with lush vocal harmonies and 'Boston Monkey' then brings some classic piano energy and big horns to swinging beats and expressive vocals.
Review: Central's latest single, 'Pastime Paradise,' breathes new life into Stevie Wonder's 1979 classic with a fresh Central-style update. The groove, crafted by percussion, bass and keyboards, is infectious, while the horn ensemble's arrangement is a testament to Central's unique style. As a precursor to their upcoming album, this 7" single is a true gem, showing Central's penchant to revitalise timeless tracks with their signature sound.
Review: LRK Records proudly presents their latest limited edition 45, featuring Dylan Chambers with the tracks 'I Can Never Get Enough' and 'Comin' Up' (LRK-28). Hailing from Arlington, TX, Chambers is a talented vintage pop, R&B, and soul artist known for his smooth vocals and guitar laent. After opting out of Berklee College of Music, Dylan moved to Los Angeles, where he built an impressive career, sharing the stage with artists like Haley Reinhart, Gavin DeGraw, and Three Dog Night. 'I Can Never Get Enough' is exactly what many Soul music fans look for in vintage production and vocal talent. With a great flip side to balance it,this 45 is great for fans of contemporary soul with a nostalgic twist.
Review: Robert Chandler's Experience My Love is a soulful gem that's been resurrected from obscurity. Originally released in 1986 on a rare white label by DJ Smokey Joe, the track quickly became a coveted collector's item, with only a handful of copies ever circulating. Produced by Steve Slavin, the single boasts a smooth, infectious groove and top-tier production that encapsulates the essence of 1980s soul. Featured on Side-1, Chandler's rich, emotive vocals, delivering a love song that resonates with warmth and sincerity. On Side-2 is the instrumental version, allowing the lush arrangement to shine on its own. This limited 7" reissue is a long-overdue revival of a track that never got the wide release it deserved. Rare groove and Soul fans should be excited about this one!
Review: The Charities return with another sweet soul gem on Nu-Tone with 'It's Your Turn' b/w 'Strangers.' Following the success of their debut 45, this release is poised to become another coveted piece for soul enthusiasts. 'It's Your Turn' reflects on overcoming adversity through karma, as described by vocalist Brock Van Pelt. Produced by Anthony Masino at Penrose Studios, these tracks have already proven their magic on the road with Thee Sinseers and The Altons. The first side delivers a soulful groove that uplifts spirits, while 'Strangers' offers a poignant, danceable experience. Both songs are sure to fill dance floors and mend broken hearts, solidifying The Charities' place in the modern soul scene. Please note: This version is coloured and the colours are randomly pressed and released from the manufacture. This is exciting to see what colours everyone gets!
Review: Talk about being truly timeless. Chicano soul sensation Johnny Benavidez is the kind of artist who can figuratively, and spiritually, transport listeners to a golden age of Doo Wop, funk, and R&B, writing tracks and songs that glide on a smooth, easy listening cloud but still pack plenty of bite when it comes to the nitty gritty. Music to move you in many ways. Grandson of John Lorenzo Guzman (background vocalist for Sonny Powell & The Night-Dreamers), this relationship has a lot to answer for, with Pa encouraging Jr to take up singing and pursue music seriously. We're glad that happened, given My Echo Shadow & Me - a two tracker that could almost be considered retro or pastiche, if it didn't sound so damned fresh. Or at least ageless.
Lord Kitchener - "Manchester Football Double" (3:15)
Review: Edric Connor's 'Manchester United Calypso' is a timeless masterpiece that captures the spirit and joy of football. Originally released 70 years ago, its legacy continues to resonate with fans, heard echoing through the terraces of Old Trafford and beyond. This reissue, featuring Lord Kitchener's 'Manchester Football Double' on the B-Side, is a delightful treat for fans of vintage calypso and Manchester United alike. The 7" vinyl format, coupled with Stan Chow's stunning artwork, makes it a real treat. With its soulful and uplifting vibes, 'Manchester United Calypso' is not just a song; it's a celebration of football and the enduring spirit of one of the world's most iconic clubs.
Review: Get ready to experience a true soul classic reimagined with this special 7" reissue of Matt Covington's magical 'I'm So In Love With You' which was originally released in 1983. Now a real rare groove gem, it embodies early 80s r&b with its smooth vocals and lush instrumentation. Covington's heartfelt delivery and the track's elegant arrangement have made it a collector's favourite with original pressings now hard to find and very pricey. This reissue is sure to introduce a new generation to its timeless appeal and the flip side features 'Muhammad Ali', a funk-infused tribute to the legendary heavyweight boxer.
Carolyn Crawford - "It Takes A Lotta Teardrops" (2:47)
Hodges, James, Smith & Crawford - "I'm In Love" (2:26)
Review: It Takes A Lotta Teardrops showcases the refined touch of Mickey Stevenson, delivering a timeless Motown sound. This Leon Ware and Vicki Basemore composition, although unreleased until now, echoes the classic vibes that Kim Weston also interpreted, but like hers, it remained in the vaults. The decision to shelve this gem in 1972 may have been due to its retro style during a time of evolving musical tastes, yet it remains an essential listen for Motown and Northern Soul enthusiasts. On Side-2, 'I'm In Love', stems from Carolyn Crawford's work with Hodges, James and Smith in 1971. Released under the M'Pingo label, this track embraced a more contemporary feel for its era and continues to resonate in Modern and Crossover rooms today. This single is a fine addition for collectors and fans of classic soul.
Review: This killer UK boogie 12-inch by Tony Crockett was originally recorded and released in 1982. It has some brilliant raps delivered in an aloof style, with plenty of swagger, and a touch of campness. They sound dated but in a good, nostalgic way, while the music around still sounds fresh with the sleek bass and big flutes, low slung drums and warm chords. On the reverse is /Plane Jane', another cheeky bit of UK boogie that oozes funk and cool. These are fun tracks for sure and come in a full picture cover.
Review: We're not going to tell you who is behind the Divine Who project, though if you have a working knowledge about gospel disco DJs and nu-disco producers, you can probably join the dots. Either way, their self-titled gospel rework series is genuinely top-drawer. After a couple of tidy 12" singles they offer up a seven-inch for the first time. A-side 'Weekend (Dubbed Out Mix)' takes a squelchy, joyous and infectious mid-80s electrofunk-gospel number - and subtly touches it up and even more subtly dubs it out for modern dancefloors. On 'Forget Me Nots', they deliver their altar-ation (sorry) of an exquisitely soulful, tactile and loved-up cover version of Patrice Rushen favourite 'Forget-me-Nots' complete with a killer slap-bass breakdown.
Review: Featured on this new white 7" are three separate and equally essential "redrums" from the soundtrack of Belly. They are great works from DJ A L starting with the slow motion and seductive claps and beats of 'Back 2 Life (Impreach edit with intro)' then cruising into the 'Back 2 Life' (Re-Drum-Apella) with more knowing beats and prominent snares, then last of all is 'Devilz Pie' (Re-Drum-Apella) which is lo-fi and lovably loved up thanks to the D'Angelo vocal up top.
Check Minnie's Love (Naughty NMX & Runex Brexit mix) (3:55)
Review: Reissue of a classic alert! On 'Breakin' My Heart,' the wonderful Jim Sharp seamlessly blends A Tribe Called Quest's summery vibes with the original instrumentation sampled by J Dilla. Bebel Gilberto's iconic vocals glide over boom-bap drums and create an undeniably catchy groove. On the flip side, 'Check Minnie's Love,' Naughty NMX and Runex deliver once again by layering horns, heavy beats, deep bass, and smooth vocals into a gem with a nostalgic 90s feel. Minnie's silky vocals transform it into a dancefloor banger, capturing the essence of '92 without missing a beat.
Review: The Ellis Hall Group's upcoming 7" release, 'Music, Sweet Music,' on Super Disco Edits is sure to find its way into many DJ sets. Originally recorded in 1978, this release is the second in a series where the label unearthed hidden gems from the archives. Ellis Hall Jr. and his Boston-based band bring two tracks that didn't make it to their Night Shift TV performance but are now seeing the light. 'Music, Sweet Music' is a breezy, summer anthem reminiscent of the Blackbyrds and Stevie Wonder, packed into a short but sweet 2:38 runtime. On the flip side, 'Forward Motion' offers a funkier vibe with a new wave edge, kicking in with powerful horns, driving drums and infectious melodies. Featuring Ellis Hall on keyboards and vocals, alongside a talented lineup, these tracks are perfect for fans of classic funk and soul.
Review: Death Is Not The End's 333 series reissues the exceptional original cut of the late Hortense Ellis' wonderful 'Hell & Sorrow' here. It was originally produced by Jimmy Radway and released on his Fe Me Time label in the mid-1970s and remains a popular joint on the sound system circuit. Here this most classic track is paired with the iconic DJ counteraction 'Tribulation' by Big Youth, which offers a compelling glimpse into reggae's rich history while also laying down a nice fat rhythm.
Review: Yuima Enya & Inokashira Rangers offer fresh takes on classic Sade tracks with their new release. 'Smooth Operator' transforms into a smoothed-out lounge record infused with reggae, while still retaining the soul and pop appeal of the original. On Side-2, 'Kiss of Life,' becomes a breezy jam with a subdued yet vibrant lounge band feel. Hats off to them for tackling such beloved songs and making them their own. These are great alternative versions, bringing new life to Sade's classics while respecting the originals. Perfect for fans looking to experience these timeless tracks in a new light.
Review: This limited-edition 45 from Aaron Frazer, featuring two standout tracks from his debut album. On side-1, 'Bad News,' delivers a punch with its funky, drum-driven rhythm and a pressing message on urgent issues like climate change and systemic racism. Recorded in Nashville with a stellar lineup, including The Memphis Boysifamed for backing Dusty Springfield and Aretha Franklinithis track blends old-school soul with contemporary relevance. On Side-2, 'Done Lyin'' reveals Frazer's emotional depth. With Dan Auerbach's robust production setting the stage, Frazer's heartfelt vocals shine through, creating a soulful resonance that captures both strength and vulnerability. Soul fans will be taking notice of this release!
Review: American jazz pianist Gene Harris first released 'Losalamitoslatinfunklovesong' and its counterpart 'Summer' in 1974, when both initially appeared on the classic soul jazz album Astral Signal. Thereafter, it enjoyed a second bout of popularity after being picked up by the trailblazing rare groove scene in London. Now for a third: Selector Series now proffer another reissue of this rare groove workout, a Latin funk gem for an age not yet properly recorded or recognised. Snappy, pugilist drums, wowwing synths and filling choral counterpoints make this a real funk treat.
Loving You, Needing You, Loving You, Wanting You (3:47)
Watch Where You're Going (3:27)
Review: Detroit native Bobby Hutton made history by performing on the first nationally televised Soul Train episode in 1971. His journey in music led him to record with Phillips, producing many sought after tracks.
The two tracks on this 7" were originally released back-to-back in 1974 on the ABC label. Both songs were co-written and produced by McKinley Jackson, who played a significant role in crafting hits for Lamont Dozier, Freda Payne, and The Four Tops at ABC during the early to mid-70s. Grammy Award-winning Reggie Dozier, Lamont Dozier's brother, also contributed as a co-writer. This 7" has not been reissued in 40 years, and original copies are highly prized in the UK. Northern Soul music is one of the most in-demand genres for rare 45 diggers. This is a great example.
Review: Bobby Hutton, the first singer featured on Soul Train in 1971, sees his rare soul classic 'Lend A Hand' reissued by Expansion. Originally released in 1973, this track is a soulful gem that resonates with fans and collectors alike. On Side-1, 'Lend A Hand' stands out as an impressive track, showcasing Hutton's powerful vocals and emotional depth. Side-2 features 'Come See What's Left Of Me,' originally from 1969. A soulful and elegant experience, highlighting Hutton's early work. Both songs are certified rare and classic soul, making this reissue an appealing one for those who appreciate timeless, heartfelt music.
Review: The latest 45 from Durand Jones & The Indications, out on Colemine Records, brings together two tracks from their previous LP, Private Space. Now lovingly refitted for 7" play as only the best cinematic soul should, the A-side of this record contains the album's title track. It comes in the form of a laid back, string-strung, smoothened progression, on which guitarist Blake Rhein plays minimal but on-the-money strokes, and the ever falsetto'ing Durand Jones sings creatively of and in tribute to the many cordoned-off corners, hiding places and hind spaces of the world; the essential vectors of lovemaking. The flip shakes up the ambiance to a higher set of stakes, deploying an upper-tempo, flunkie disco-funk, to hearsaid but hopeful talk of seas of love.
Review: Yet another killer 7" from Durand Jones & The Indicators for Colemine; here we've a premiere condensing of two of the star cuts from their most recent, eponymous record, also called Private Space. First we've of course 'Private Space', a string-laden, refractive meditation on longing, separation and inaccessibility; there is a sense of this feeling having been engendered involuntarily, as a result of separation, between lovers, as is so implied in Jones' devastatingly high vocals. Then the B-side boasts 'Sea Of Love', at which point it seems as though the floodgates of separation have been opened, the sluice of passion lowered; here an unstoppable of torrent of pianified disco-soul opens into an amorous estuary of swing. But of course, there's no way an ocean can be privatised (we hope).
R Dean Taylor - "There's A Ghost In My House" (2:27)
Review: This powerhouse 7" pairs two iconic tracks that have left lasting marks on music history. On one side, Gloria Jones' original 1964 version of 'Tainted Love' shines. Written by Ed Cobb and featuring Glen Campbell on lead guitar, this track laid the foundation for what would later become a global sensation with Soft Cell's 1981 synthpop rework. Jones' vocal delivery is fierce, underscored by Cobb's brilliant production and Lincoln Mayorga's sharp arrangement. Flip it over, and you get R. Dean Taylor's 'There's a Ghost in My House,' an infectious Northern soul anthem. Originally recorded in 1966 and written by Motown legends Holland-Dozier-Holland, it gained momentum in British dance clubs before soaring to number three on the UK charts in 1974. Taylor's commanding vocal cuts through the track's driving beat, making it an enduring favourite. These two songs together bring a vibrant blend of soul, grit and history to any collection.
Review: This Mr Bongo Brazil 45 reissue features two classic tracks from legendary duo Jorge Ben and Miriam Makeba. Side A presents 'Xica Da Silva,' one of Jorge Ben's most iconic songs from his equally legendary Africa Brazil album which has long been a must-have for any discerning head. This magical MPB track with its laid-back funky samba vibe instantly transports you to the blissful shores of Rio de Janeiro as Ben's vocals tell the story of a historic Brazilian icon. On the flip side, Miriam Makeba delivers a captivating, slowed-down rendition of 'Xica da Silva' which is enriched with strutting guitar, off-beat piano, and hypnotic drums while her powerful voice takes centre stage.
Review: Late Night Tuff Guy has long since proven his credentials as a master of the cheeky edit. He now mints his own new label Tuff Cuts with a first EP of what will surely be many. It features two reworks hand picked by the man himself and then pressed on 12". The first is a dancefloor ready rework of the Bill Withers classic 'Lovely Day' with a nice rolling groove and plenty of the original's charm still in tact. Things get more sultry and seductive on the soul drench and more slow motion sounds of 'Love About' on the flip. It's a real beauty for the end of the night moments when love is in the air.
Eh Eh (Nothing Else I Can Say) (Lovers Reggae mix) (3:44)
Review: Singer and actress SSW Mayu is mostly known for her roles in musicals and TV dramas, and delivers a fresh take on classic songs from the past. Her latest release is a 7" single on Jet Set Japan and comes from a compilation album by Cafe Music. It does a fine job of showcasing her versatile talent and her soulful voice and refined interpretation really shine as Mayu brings new life to timeless tracks while blending a hint of nostalgia with her unique signature style. This release highlights her ability to cross genres and create a soothing yet captivating musical experience, making it a standout addition to the Cafe Music compilation.
Review: Celestial Echo brings us more modern soul magic with the reissue of Glenda McLeod's No Stranger To Love. This track, a beloved crossover between Modern and Northern Soul scenes, has been a collector's favorite, with original copies fetching well over L100. The synth-heavy funk tune caught the attention of Dam-Funk and the Stones Throw crew, boosting its popularity through online mixes. Officially reissued for the first time in 40 years, this record is licenced and remastered to perfection. The vocal version features a smooth electronic sound, high BPM, and classy vocals that captivate from the start. The instrumental version lets the lush synths and groovy rhythm shine. No Stranger To Love is a must-have for funk and soul enthusiasts. This record is hot!
Review: Classic alert! This sure-fire party starter is a timeless gem by Harold Melvin & The Blue Notes originally released in 1973. It features the powerful vocals of Teddy Pendergrass and is a heartfelt expression of regret and longing over a lost love. With its upbeat tempo and lush orchestration it marked a significant shift in soul music as it blended traditional r&b with the emerging disco sound. It's built on an infectious groove with soulful harmonies and emotive lyrics which will always resonate with audiences and that is why it was such a chart-topping hit back in the day that remains a defining moment in the group's career and a timeless anthem of love and loss. It is backed here with the equally catchy 'Wake Up Everybody.'
Review: This EP has proved hugely popular over the years and always sells out whenever it gets reissued. This will likely be the case again here with this newly remastered version via Tri Fire. It is a cult boogie and disco blend from Robbie M and The Midnight Express show band that originally hails from Rock Island in Illinois. It includes the hip-swinging and funky 'Danger Zone' (remix) plus a more paired back instrumental version and the original which is chunky, funky, and full of playful horns. All three versions do plenty of good things to dancefloors. Don't sleep!
Time (feat Angela Johnson - 7" Sax intro edit) (4:27)
Review: Micky More & Andy Tee's Groove Culture delivers a fresh spin on jazz-funk classics with a new 7-inch release. The Side-1 features a dj-friendly cover of Lonnie Liston Smith's 'Expansions,' blending disco and house with a funk-driven bassline, soulful vocals, and beautiful keys. On Side-2, it offers a high-energy remake of Light Of The World's 'Time,' featuring Angela Johnson's powerful diva vocals. This track shines with its lively disco vibe, sax intro and dancefloor appeal. Both tracks encapsulate the essence of fun disco and soul and should appeal to a wide range of dance music fans old and young.
Review: Mystic Jungle's Words Of Love on Periodica Records is a delightful throwback to the 80s, blending laid-back grooves with a summery vibe that's perfect for the dancefloor. Side-1's 'Words Of Love' captures a classy 80s dance essence, infused with a reggae groove that makes it instantly catchy. The track's smooth, breezy feel is ideal for a relaxed, sun-soaked setting. On Side-2, the extended version of 'Words Of Love' takes things up a notch by emphasising the instrumental sections. This version is tailored for DJs, offering a more focused exploration of the track's rhythmic elements, making it a great choice for extending the vibe during a set. Overall, Words Of Love is a charming release that brings the Balearic disco sound to life, offering a nostalgic yet fresh experience for fans of classic dance music that blends many styles.
Why I Came To California (feat Eki Shola & Denise M'Baye) (4:05)
What You Won't Do For Love (feat Ryuto Kasahara - Soul Supreme remix) (4:05)
Review: Nautilus' second European tour is just kicking off and now, ahead of their new album Pacific Voyage, a special 7" single has emerged. This gem features a track that didn't make the album cut due to time constraints but now shines and has you wondering just how good the album. The A-side has a jazzy rendition of Leon Ware's soulful classic 'Why I Came To California,' sung by Californian vocalist Eki Shola and supported by Denise M'Baye. Their fresh vocals, combined with Nautilus' vibrant instrumentation, create a contemporary take on the original. The B-side features a funky remix of Bobby Caldwell's 'What You Won't Do For Love' by Soul Supreme that showcases rising Japanese star Ryuto Kasahara.
Review: New-gen rare groove band Nautilus, operating out of Japan, deliver their latest 7" record, 'Life'. Just two crisp, piquant, fresh, and bubbly uncorkings in sound - 'Life', featuring vocalist Emi Tawata, and the instrumental 'Master Blaster'- are here heard sprayed like buckshot across the stereo system. The former is a candid admission by Tawata of her fear of the dark and ghosts, one which compels the listener to ponder the song's spiritual metaphor - "I'd rather have a piece of toast, watch the evening news" being the lyric of note - while the latter is a comparatively muted four-to-the-floor funk inflammation, held together by a phat but tricksy drum line and overgirding Rhodes.
Review: The double-sider 'Black Mother Goose' with 'Chase Those Clouds Away' is a substantial release from the early 70s soul scene, making waves at the Twisted Wheel and Blackpool Mecca. On Side-1, 'Black Mother Goose' offers a rare gem of early soul, highlighted by its brilliant horn section that gives the track a rich, dynamic sound. Side-2's 'Chase Those Clouds Away' channels a feel-good vibe reminiscent of Percy Sledge or Otis Redding, delivering a soulful anthem perfect for summer. This track radiates peace and love, embodying the spirit of the era with its uplifting melody and heartfelt performance. Both sides showcase a blend of classic soul influences and are essential listens for soul fans.
Review: Tramp Records prove their specialism in rare soul funk, jazz and soul reissues with yet another star salvaging in the vein of late 60s Louisianan garage rock. The Offbeats was the short lived project of one Roger Hallmark and company, and yet only three 7" singles through Frontier Records, Crown Records and Fairday Records ever appeared in his career lifetime, of which 'The Hump/Louisiana' was the second. Now Tramp do a bang-up job of reminding us with this slap-around-the-face twangoff, 'The Hump' being a Hallmark of salacious, rip-roaring rock & roll, and the latter channelling a roomy live feel backed by female screams and unflappably played electric solos.
Review: Paula Parfitt and Jeannie Dee deliver soulful magic on this split single. Paula Parfitt, who signed with Milton Samuels' Beacon label in 1969, made her debut with the single 'I'm Gonna Give You Back Your Ring.' Though initially overlooked, on Side-2, 'Love Is Wonderful' became a Northern Soul classic, lighting up dance floors for over five decades. After a brief stint recording for Beacon's UpFront label and later in Italy, Paula settled into Mediterranean life. Jeannie Dee, from Brixton, London, joined Beacon Records in 1968 as part of the duo Jon (aka Terry) and Jeannie. Known for soulful covers, Jeannie's solo rendition of the Supremes' hit 'Come See About Me,' produced by Donnie Elber, showcases her powerful voice. Often mistaken for her American namesake, Jeannie brought a unique British twist to classic soul, making her mark on the scene, and this release is respectful to both artists' enduring influence.
Review: Pops Roberts has already made her mark on the Manchester scene, not just by providing guest vocals on records by Ruf Dug and Finn, but also as producer of soul band Lovescene. Here she delivers her first solo EP as Private Joy. Roberts sets her stall out with the woozy, loved-up ambient hug of 'Eyes On You (Intro)', before unleashing the song itself - a gorgeous fusion of street soul swing, sultry r&b, classy musicality, deep house pads and her own gorgeous lead vocals. Ada Francis takes to the mic on bouncy, harp-sporting deep soulful house number 'Let Love Find a Way', while Medulla makes a star-turn on the head-nodding, toe-tapping 21st century soul jam 'Pure Love'. Elsewhere, 'Playful' is slow and sultry with delicate nods to reggae, while 'Desire' is oozing with loved-up slow-dance flavour.
Review: Acid jazz star Rad has worked on tracks featuring top-tier talent including the Tower of Power Horns, David Garibaldi, Roger Troutman, Ray Obiedo, Bobby Vega and Michael Spiro. Originating from the San Francisco Bay Area, which is of course home to musical legends like Herbie Hancock, Tower of Power, and Sly & The Family Stone, she now delivers on her Oakland funk roots with a pair of killer cuts on this new 7". Her second album, Gotta Be from 1994 captured funk's essence with sharp breaks, hooky melodies, and her captivating voice and these newly remastered songs, from it ensure their timeless groove remains ever-present.
Review: Rance Allen masterfully bridges gospel and soul, delivering two powerful tracks that radiate spirit and groove. On 'Everybody's Talkin'', you can sense the impending influence of disco, with a rhythmic pulse that's both uplifting and infectious. Rance's voice, supported by his brothers and some of Stax's finest musicians, channels the soul of Isaac Hayes, creating a smooth, expansive sound. 'You Need A Friend Like Mine' is a very complimentary song to 7"). Rance's falsetto soars to emotional heights, reminiscent of vocal legends like Al Green and Rev. Claude Jeter, giving the song a heartfelt and communal feel. Rance's music always went beyond entertainmentiit was an invitation to uplift and connect, encouraging joy, kindness, and spiritual reflection. This 45 is a shining example of his ability to move hearts and souls.
Review: While an independent disco classic in its own right, Rare Pleasure's 1976 gem 'Let Me Down Easy' is probably best-known for providing David Morales with the famous piano riff that was such a big part of his 1998 dancefloor smash 'Needin' You'. Here the sensational disco classic gets the reissue treatment courtesy of South Street Disco. Pressed to a rather eye-catching dinked, red-vinyl "45", you get two takes: the near three-minute seven-inch version, and the superior 'Long Version' - a five-minute exercise in Philadelphia style disco perfection rich in swooping strings, loved-up female vocals, classic disco instrumentation and the infamous piano riff. If 'Let Me Down Easy' isn't already in your disco collection, grab one of these while they're still available!
Review: Isabel Roberts' mid-80s single 'Love Situation' featuring Robert Chandler, is revitalized on this limited 12" release, part of Backatcha's 'Hot Vinyl' reissue series. These UK electric-boogie-synth-funk tracks are essential for any dancefloor. 'Love Situation' is a smooth, soulful jam with a catchy melody, perfectly complemented by Chandler's vocals. The instrumental version on the same side allows the groove to take center stage, making it ideal for those crucial dancefloor moments where the music needs to shine on its own. On Side-2. 'Just Fall in Love,' continues the vibe with a romantic, yet danceable track that's just as versatile. The inclusion of its own instrumental version ensures this 12" is a complete package, offering both vocal charm and instrumental grooves. 80s fans of the groove will surely find some enjoyment with these on their turntable.
Review: Sade's 'The Safest Place (NYC Dance Remix)' is a masterful blend of her signature smooth vocals being used for an infectious tribal groove. Originally from her 2010 album Soldier of Love, this remix seamlessly incorporates Sade's enchanting voice into a rhythm that pulses with energy, perfect for dancefloors. The track's production enhances its danceability, showcasing her ability to resonate with the dance community. It's a testament to her timeless appeal and adaptability, proving once again why she remains a beloved figure in both pop and dance music. Sade often finds her way into underground house and techno mixes. This might be one of the best.
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