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1010 Music Bluebox Compact Digital Mixer & Recorder
Cat: 793767 Rel: 14 Jan 21
 
Compact digital mixer & recorder
Notes: A digital mixer at heart but so much more. 1010's unique take on mixing and recording includes built-in effects and EQ, compression, headphone/monitor mixes and output routing. Clever stuff.

Supplier's Notes:
Bluebox is the portable digital audio mixer that lets you get the most out of your electronic music gear. Connect your eurorack, sampler, drum machine and synthesizer outputs to 6 stereo, 3.5 mm TRS inputs and map them to 12 mono tracks or 6 stereo tracks, all with independent control for recording and playback. It's that keyboard mixer with live performance features that you always hoped someone would make.

Connect the output of your electronic music gear to Bluebox, and then route each track independently to the three outputs and effects sends. Each track offers control of volume, gain, 4 band parametric EQ, pan, mute and solo functions. Apply high-quality global reverb and delay effects along with 4 band EQ per track to add new depth to your sound with total control to quickly tweak incoming audio or track playback as needed.

With Bluebox you can record independent tracks or the Main mix using a standard microSD card. Capture your jam session for later review, or record the ultimate mix of the tracks for your song.

Bluebox's compact 5.5h x 5h x 2h case lets you tuck it into a crowded tabletop studio or throw it in your pack for the next gig.

Interact with the dynamic visual interface on the 3.5h touchscreen along with physical knobs, navigation buttons and transport buttons to quickly access the most important functions. MIDI input and output allow you to sync the clock with external gear for synchronized effects and metronome.

Add Some Colour to Your Mix:
Mix 12 mono/6 stereo tracks of live or prerecorded sound.
Independently route each track to any combination of three stereo TRS outputs:

Stereo Output 1 - Main mix
Stereo Output 2 - Assignable, with dedicated sub-mixer (pre or post fader)
Stereo Output 3 - Headphone output, with dedicated sub-mixer (pre or post fader)
Control one parameter for multiple tracks at once in Mixer mode.
Focus on one track at a time in Track mode.
Adjust the level or mute state of each output independently.
Use touch gestures or knobs to tweak your sound with four band EQ per track with support for Low Cut/Low Shelf, Parametric, and High Shelf/High Cut settings for each band.
Apply high-quality Reverb and Delay effects with independent effects sends for each track.
Override the headphone output with the Main mix on demand.
Maximize the loudness and unify your mix with the built-in global compressor
Sync to external clocks through the MIDI Input and Output.
Record hours of music as 48k, 24 bit WAVs directly to the microSD card as multi-track or as the main stereo mix.
Playback a previously recorded track while recording new ones.
Load firmware updates through the microSD card.
Mix electronic music gear such as the 1010music blackbox, eurorack modules, drum machines, samplers and synthesizers.
Save and recall Project settings including all parameters for tracks, outputs, EQ and effects.
Copyright 1010music LLC 2020 --- CONFIDENTIAL ---
Copyright 1010music LLC 2020 --- CONFIDENTIAL UNTIL 10/10/2020 ---
Fit it into a small spot on your desk and then tuck it in your pack for the next gig.

What is Included:
Bluebox digital recording mixer
A microSD card with bluebox firmware and pre-loaded project files
A USB power cable and AC adapter with 3 international adapters
2 MIDI Adapters . Male 3.5 mm TRS to Female 5 pin DIN, MIDI Class B standard
A Quick Start guide to show you the basics (full user manual available online)

Specs:
6 stereo 3.5 mm TRS inputs
12 mono tracks, 6 stereo tracks or something in between
3 independently controlled stereo 3.5 mm TRS outputs
3.5h touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
MIDI In and Out for beat syncing effects
Dimensions: 5.5 x 5 x 2 (14 cm x 13 cm x 5 cm), 1 lb (450 grams)
Durable aluminum case
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MRP:$634.60 SAVE 18%
 9 in stock $519.67
4ms Pod 64X Unpowered Eurorack Enclosure Case
Cat: 769793 Rel: 20 Mar 20
 
eurorack enclosure case
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod64X Unpowered is 64HP with 2.16" (55mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

64 HP Eurorack modular space
Standard M3 threaded holes
100% lightweight anodized aluminum

Includes:

64HP Pod, black anodized aluminum
M3 x 8mm pan-head screws, stainless steel (20)
Adhesive rubber feet (4)
Unpowered: requires you to provide your own Eurorack power system
Exterior dimensions:
Width: 329.7mm (12.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 64HP
Weight:
0.42 kg = 14.9 oz
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MRP:$112.64 SAVE 17%
 1 in stock $93.86
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Acid Rain Technology Chainsaw Digital Oscillator Module
Cat: 804567 Rel: 11 Feb 21
 
Digital/dual & stereo/oscillator module
Notes: Small but very powerful, the Chainsaw is a polyphonic digital oscillator based around the classic supersaw approach. Sizzling pads, tough leads and deep bass sounds by the bucketload.

Supplier's Notes:
Chainsaw is a powerful digital oscillator designed to bring polyphony to your rack in a compact and playable interface. We were inspired by the super-saw; a mainstay of electronic music production, and a waveform rich with harmonics for filters and effects to chew on. Chainsaw features 3 voices of 7 waves, with individual pitch control per voice. All waves morph from super saw to super square for giant hollow basslines and more.

Details:

4hp

35mm deep

110 mA on +12V, 10 mA on -12V, 0 mA on +5V
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MRP:$322.80 SAVE 17%
 5 in stock $268.99
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Acid Rain Technology Maestro 6 Channel Clocked Modulation Module
Cat: 804571 Rel: 22 Jan 21
 
6-channel clocked modulation module
Notes: Maestro is a 6 channel clocked modulation controller inspired by the automation lanes found in digital audio workstation software, brought into eurorack and made playable and performable. Maestro will push and pull the parameters of your other modules with rapid or slowly evolving voltages, always in perfect sync with eachother and the rest of your system.

Details:

20hp

25mm deep

65mA on +12, 18mA on -12, 0mA on 5V
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MRP:$480.76 SAVE 17%
 3 in stock $399.48
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Acid Rain Technology Navigator Voltage Utility Module
Cat: 804572 Rel: 22 Jan 21
 
Voltage utility module
Notes: Navigator is a compact, multi-use voltage utility designed to bring playable control to CV sources in your rack. The combination of normalled voltages and mixing allows you to attenuate, polarize and offset signals to modulate parameters exactly within the sweet spot of another module's CV input. Navigator is a compact, multi-use voltage utility designed to bring playable control to CV sources in your rack. The combination of normalled voltages and mixing allows you to attenuate, polarize and offset signals to modulate parameters exactly within the sweet spot of another module's CV input.

Details:

4hp

25mm deep

11 mA on +12V, 8 mA on -12V, 0 mA on +5V
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MRP:$107.14
 1 in stock $100.73
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After Later Audio Bleep Bloop 2000 Eurorack Module
Cat: 846042 Rel: 20 Sep 21
 
A four-voice oscillator or a quirky CV-source.
Notes: Bleep Bloop 2000, or BB2k is a collaboration between Tim Held of Podular Modcast and After Later Audio. What started as a joke-module made by Tim's friend Jenny has now actualized into real-life. What is it? Why is it? These are all questions we are still asking ourselves.

Overview

BB2k can be used as a four-voice oscillator or a quirky CV-source. It was designed to inspire experimentation and creative patching. While it appears simple at face-value, it is actually quite versatile. BB2k is able to get into glitchy rhythm generation, haunting drones and outrageous control voltage over any parameter the user wishes. Just power it on and start exploring!

The module can be divided into 4 different sections: 4 Oscillators, Splarf 1 and 2 Switch, a Crossfader and a VCA.

Oscillators

There are 4 oscillators that all come out of the module's only output. Each is independently controllable via a pitch knob or via CV, and all 4 range from LFO to audible frequencies. Depending on the module's settings, the 4 oscillators are either a Sine, Triangle or Square wave. These oscillators DO NOT track 1 v/o.

Splarf

The Splarf Switch selects between 2 banks of waveforms. In the Splarf 1 position all Oscillators will either be a Sine or Triangle wave, and in Splarf 2 Oscillators A and B are Sine waves while C and D are Triangle, or all 4 are Square waves (depending on the Crossfader position).

Crossfader

The crossfader blends the different waveforms of each Splarf section together. If the module is set to Splarf 1 and the Crossfader is completely counter-clockwise, then the output will be 4 Triangle waves, and when completely clockwise 4 Sine waves. When the Splarf is set to 2 then completely CCW will have an output of 4 Square waves and completely CW 2 Triangle and 2 Sine waves. There is also a CV input to control the crossfade.

VCA

The VCA accepts gates and envelopes to control the module's output.
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MRP:$212.91 SAVE 17%
 6 in stock $177.43
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ALM Akemie's Taiko FM Drum Voice Module
Cat: 628650 Rel: 17 Oct 16
 
Complete drum voice featuring algorithm selection, operator release envelopes, ratios, waveforms & feedback
Notes: Gritty drum voice module based on new old stock Yamaha FM synthesis chips, also capable of a decent range of synth tones. User-friendly knobby interface with a decent range of CV inputs for modulation.

Supplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 5 in stock $285.02
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ALM PEXP-1 Pamela's New Workout Expander Module
Cat: 648930 Rel: 25 May 17
 
Expander module for Pamela's New Workout - 4HP
Notes: Pexp-1 is an expander module for Pamela's NEW Workout offering additional dedicated fixed clocked outputs.

Extend Pam as a master to clock external gear with a super solid MIDI & Din Sync dedicated clock outputs.

Use extra fixed jack clocked gate outputs to free up Pamela outputs for more exotic modulation duties.

Connects to, and powered by, expander header on rear of Pamela's NEW Workout. Only a single expander is supported at any time.
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 3 in stock $119.59
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ARP Odyssey Duophonic Analog Synthesizer Module (Rev.1, white)
Cat: 624262 Rel: 24 Jan 17
 
Tabletop analog synth module based on Korg's revived Arp Odyssey synthesiser - white
Notes: Legendary sound that connects the past with the present - reborn again as an analog synthesizer module.

Since its appearance in 1972, the ARP Odyssey has been loved by countless musicians as a classic analog synthesizer. Forty years later, in 2015, with the advisory assistance of David Friend, co-founder of the ARP Instruments company, KORG resurrected the ARP ODYSSEY with a complete reproduction of the ARP Odyssey's original circuitry. The ARP sound, which continues to be envied as an iconic analog synthesizer, was once again back in the hands of today's musicians. Now, KORG has further broadened the reach of the ARP ODYSSEY in today's world by releasing a new model.

The ARP ODYSSEY Module is a keyboard-less ARP ODYSSEY with the very same analog synthesis circuitry that completely reproduces the original. To fit perfectly in today's DAW-centric music production environments, we provide it in a more compact module form. The line-up includes two models, the white Rev1 and the black and orange Rev3, reproducing traditional styling in a cutting-edge tabletop body. The real ARP sound that transcends history is once again available to the world.

An ARP ODYSSEY module that emanates synthesis power from your tabletop:

The ARP ODYSSEY Module is a tabletop analog synth module based on KORG's revived ARP ODYSSEY. In its compact, keyboard-less body, it contains the exact same circuitry as the original, making it even easier for you to obtain that rich analog sound that only a genuine ARP ODYSSEY can produce.

By adding the ARP ODYSSEY Module to their setup, DAW users can enhance their production environment with powerful analog sound that cannot be obtained from any plugin. You can also perform in conjunction with a sequencer such as the KORG SQ-1. If you're a player with a keyboard that you prefer, you can connect the ARP ODYSSEY Module via MIDI to your favourite keyboard and play it to your heart's content. In addition, the ARP ODYSSEY Module newly supports MIDI pitch bend.

Lineup includes the historical Rev1 and Rev3 designs:

The ARP ODYSSEY Module lineup includes the best-known Rev3 design with its characteristic black panel and orange silk-screening, as well as the white-panelled Rev1 design that marks this instrument's historic beginning. The unique shape of the slider grips, their smooth operating feel, and the layout of the switches all perfectly reproduce the layout of the original despite the compact module design.

The body, on the other hand, has been redesigned for its new life in module form, featuring a sturdy steel chassis befitting the weighty sounds produced by this instrument throughout its forty-year history.
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 1 in stock $738.31
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ART CleanBox Pro Dual Channel Level Converter
Cat: 458041 Rel: 02 Jun 12
 
2-channel level converter, comes with UK version external power supply
Notes: The CLEANBoxPro provides 2 channels of unbalanced to balanced level conversion and 2 channels of balanced to unbalanced level conversion in a rugged, compact, and portable unit. Balanced lines offer increased immunity to external electrical noise, such as hum. Since a balanced system minimizes induced noise, it is the preferred method of connecting audio gear, especially when long lengths of cable are used.

One section of the CLEANBoxPro converts 2 channels of consumer-level unbalanced input signals into 2 channels of pro line-level balanced output signals. It has 2 RCA jack inputs and a stereo mini-phone jack input connected in parallel. The balanced output feeds 2 XLR male jacks.

The other section of the CLEANBoxPro converts 2 channels of line-level balanced input signals into 2 channels of consumer unbalanced output signals. It has 2 XLR female input jacks. The unbalanced output feeds 2 RCA jacks and a stereo mini-phone jack connected in parallel.

Each section has stereo level controls to optimize signal levels. An LED indicator lights when power is applied.

The CLEANBoxPro can be an invaluable tool in application areas including: home or professional recording studios, live sound, PA, permanent installs, DJ, AV, consumer Hi-Fi, podcasting and broadcasting. The CLEANBoxPro can be used with: mixers, audio processors, laptop computers, computer sound cards, CD/DVD players, video gaming machines, MP3 player/recorders, powered monitors and digital audio workstations.
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MRP:$114.01 SAVE 30%
 1 in stock $80.01
ART Pro MPA II Rackmount Mic Preamp
Cat: 459300 Rel: 21 Jun 12
 
2 channel microphone preamplifier with selectable phantom power
Notes: The ART Pro MPA II is an affordable high performance microphone preamp.

The ART Pro MPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.

Each microphone input circuit, with selectable 48V phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone.

The Pro MPA II can operate at either a low or high plate voltage on the 2 integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display output levels while multi-colored LED arrays show tube gain.

Housed in a standard 2U space rack mountable steel chassis, with CNC routed black anodized aluminium face panel, the Pro MPA II is designed to deliver years of reliable operation in the studio, production facility, or on the road for live sound reinforcement.
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MRP:$679.93 SAVE 33%
 1 in stock $457.86
ART Pro VLA II Valve Compressor & Amplifier
Cat: 455712 Rel: 11 May 12
 
2 x channel Vactrol-based compressor/leveling amplifier
Notes: The Pro VLA II is a tube driven Vactrol-based compressor/leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the Pro VLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.

Capable of delivering a far more musical natural sounding and sonically transparent compression than competitive units in its class, the Pro VLA II uses an Opto-electronic circuit rather than the more typical design VCA driven level detection circuit. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical audio applications.

Exceptional signal integrity with extremely low noise and low distortion is achieved in the Pro VLA II by utilizing a transformerless design throughout.

Unlike typical compression units that use Voltage Controlled Amplifiers (VCA's) to handle level detection, the Pro VLA II's Opto-electronic design allows a far more transparent and musical sounding compression without sounding aggressive or un-natural. This Vactrol based optical electronic circuitry is the basic component of the classic highly sought after compressors of past.

The Vactrol design allows the Pro VLA II to react to audio signal in much the same way the eye naturally adjusts to fluctuations in light levels, smoothly, quietly and almost imperceptibly.

The Pro VLA II is a soft knee leveling amplifier by design. Although capable of providing dramatic compression effects, the Pro VLA II was designed to excel in any application where transparent, expressively musical dynamics control is desired.

Large highly visible backlit analog VU meters accurately display input and output levels while extremely fast 10-segment LED's display gain reduction. For added functionality, the LED's display either average level for mastering & mixing applications or peak hold for monitoring individual sources when tracking audio.

XLR and 1/4" TRS balanced inputs and outputs are provided to ensure the Pro VLA II can connect with any audio source or hardware. A +4 dBu/-10 dBu mode switch optimizes the Pro VLA II I/O for either consumer or professional equipment.
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MRP:$679.93 SAVE 33%
 1 in stock $456.72
Arturia AudioFuse Rev 2 Advanced Audio Interface (B-STOCK)
Cat: 795611 Rel: 24 Jul 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


You're making tomorrow's music... so why settle for yesterday's interface? AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. It fuses the superior sound of high-end analog studio consoles with the flexibility of a solid mobile interface- with all the connectivity you need for any recording or performance.

Whatever sound you need to capture, from the most delicate ambience to the heaviest cacophony, AudioFuse will reveal the beauty in everything.

Pro studio quality was the mantra right from the start with AudioFuse. Now you can transform your desktop, hotel room, concert- whatever, wherever- into a studio with world-class sound.

No compromises, each element of the AudioFuse has been selected to perfectly serve your sound, such as the two proprietary DiscretePROr microphone preamplifiers and the set of top-notch AD/DA converters.

Saving the purity of your sound and the passion it conveys is what AudioFuse is all about.

When creating and recording, you need an interface that lets you focus on the task at hand and keep distractions to a minimum.

With AudioFuse, we didn't want to settle for merely bringing you the sound quality of a pro studio, we wanted to bring you its workflow too. That's why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.

Wherever it comes from, whatever it has to travel through, and wherever it needs to go, AudioFuse will guide your sound.

AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you'll feel right in the groove every time.

When you know your equipment is the best of the best, creativity can take care of itself.

When it is all about giving the best of yourself being able to rely on the best technologies becomes crucial. The lowest harmonic distortion, the most linear frequency response, the highest signal-to-noise ratio and the shortest latency, these technical terms may seem far removed from your creative process, but they are essential to delivering your music in the highest quality possible.

Capture the moment- at home, in the studio, on the road, or wherever creativity strikes.

AudioFuse has a super-solid aluminum chassis you can trust, complete with a hard cover to protect it from damage in your bag- or even just dust on your desktop. The build quality goes far beyond a great-looking exterior, as well. Your unit has to pass rigorous testing before it can be packed and shipped. It even comes with a test specification printout of your exact unit. Meet your new best friend for the studio and stage.
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 1 in stock $583.35
Arturia Rackbrute Eurorack Synthesiser Travel Bag
Cat: 719348 Rel: 31 Jan 19
 
Travel bag for Arturia RackBrute system, with shoulder strap
Notes: Transport your synthesiser in style. Once folded down into transport mode, your RackBrute 3U or 6U, along with your MiniBrute 2 or 2S, will fit snugly inside this high-quality padded bag. It also features external compartments for adapters or small controllers. Fully loaded modular cases can get heavy, so we've also included a hard-wearing shoulder strap to make things a little easier.
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MRP:$103.02 SAVE 25%
 1 in stock $76.83
Audient iD4 MKII 2-In 2-Out High Performance USB Audio Interface With Scroll Control
Cat: 809803 Rel: 03 Mar 21
 
2-in 2-out USB audio interface
Notes: Compact, stylish and clean audio interface from the reliable hands of Audient. One mic input, one instrument input, stereo line out for your monitors and dual headphone outputs.

Supplier's Notes:
Your recordings made better

Designed to take your recordings to the next level in every way, the iD4 (MKII) delivers professional audio performance in a compact and modern desktop package, giving you everything you need to make studio quality recordings at home.

Every iD interface features the Audient Console Mic Preamp, the same discrete circuit design found in our renowned recording console the ASP8024-HE. Designed to deliver ultra- low noise and low distortion with a touch of classic analogue warmth, iD4's Audient mic pre will give you the professional sound you deserve.

The Audient mic pre is a high grade hybrid discrete and op amp design that delivers a clean, accurate and detailed translation of your source.

With a noise floor 30,000 times quieter than the signal level your recordings will be captured with stunning clarity.

iD4's converters make sure you hear every nuance, every detail of your audio, letting you hear your mix more accurately. Work faster, make better creative decisions and experience professional audio performance from your desktop.

Equipped with both a jack and mini jack connection and a powerful headphone amp capable of driving headphones up to 600Ohms, iD4 is ready to take on the most demanding recording sessions.

Designed to replicate the input stage of a classic valve amplifier, iD4's harmonically rich JFET Instrument Input is the perfect sonic foundation for your guitar or bass.

Turn iD4's volume knob into a virtual scroll wheel and take control of a variety of compatible onscreen parameters. Quickly dial in settings, adjust faders or even write in automation without spending hours staring at the screen.

Don't let latency slow you down with Monitor Mix. Quickly create and monitor a blend of iD4's inputs and your computer audio, find the perfect balance and lay down your tracks effortlessly.

Compatible with iOS devices, iD4 truly lets you record anywhere, whenever inspiration strikes.

No need to find a power outlet as iD4 is powered directly from your computer via USB, without compromising on sound quality or performance.

Engineered to survive everyday use, iD4 delivers professional quality audio in a small, beautifully engineered and all-metal package.

Bundled with a free suite of creative software including Cubase LE and Cubasis LE for iOS, alongside industry leading plugins and virtual instruments, you can start recording as soon as you open the box.

Specifications:

D.I / Instrument Input:

RANGE: 0dB
LINEUP: 12dBu = 0dBFS
THD+N @ 0dBu: 0.1%
SNR: 100dBu A-Weighted
FREQUENCY RESPONSE - MIN GAIN i0.5dB 10Hz to 20kHz

Microphone preamplifier:

GAIN RANGE:: 58dB
LINEUP: 12dBu = 0dBFS
MIC MAX INPUT LEVEL: 12dBu
MAX INPUT LEVEL: 21dBu
INPUT IMPEDANCE (Mic): 2.8k
INPUT IMPEDANCE (Line): >8k
THD+N @ 0dBu: 0.00170%
THD+N @ 0dBu MAX GAIN: <0.04%
SNR: 101dBu A-Weighted
EIN: 129dB A-Weighted
CMRR @ 1k: >75dB
FREQUENCY RESPONSE - MIN GAIN i0.5dB 10Hz to 40kHz

Analogue to Digital Converter:

THD+N @ -1dBFS: 0.001%
DYNAMIC RANGE: 120dB A-Weighted
FREQUENCY RESPONSE: i0.5dB 10Hz to 40kHz

Line Outputs (DAC):

LINEUP: 12dBu = 0dBFS
THD+N @ -1dBFS: 0.0006%
DYNAMIC RANGE: 125.5dB A-Weighted
CROSSTALK: >120dB
FREQUENCY RESPONSE: i0.1dB 10Hz to 40kHz
1/4" TRS JACK: Tip (Left), Ring (Right) & Sleeve (Shield)

Headphone Outputs:

LINEUP: 18dBu = 0dBFS
THD+N @ -1dBFS: 0.0009%
DYNAMIC RANGE: 125.5dB A-Weighted
CROSSTALK: >116dB
FREQUENCY RESPONSE: i0.1dB 10Hz to 40kHz
MAXIMUM LEVEL @ 30R: 2.59V Peak, 1.827V RMS, 223mW
MAXIMUM LEVEL @ 62R: 4.18V Peak, 2.95V RMS, 280mW
MAXIMUM LEVEL @ 600R: 7.72V Peak, 5.46V RMS, 100mW
1/4" TRS JACK: Tip (Left), Ring (Right) & Sleeve (Shield)
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MRP:$189.56 SAVE 29%
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Critter & Guitari TRS-MIDI Cable (26cm)
Cat: 792194 Rel: 24 May 21
 
TRS to DIN adapter
Notes: Male 3.5mm (1/8") TRS to Female 5-pin DIN adapter.

This adapter cable will connect the Organelle M's TRS-MIDI In or Out ports to another device with a 5-pin DIN MIDI port.

This adapter cable is TRS-MIDI Type A as set by the MIDI Manufacturers Association. Type A is the adopted standard of the MMA.

Overall length: 10.25" (~26cm)
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 More than 10 in stock $5.44
Critter & Guitari USB WiFi Adapter For Organelle M Synthesiser
Cat: 723114 Rel: 24 May 21
 
USB WiFi Adapter
Notes: Critter & Guitari USB WiFi Adapter is an adapter that provides WiFi for the Critter & Guitari Organelle and Organelle M synthesisers as well as the Critter & Guitari ETC. This allows new patches to be quickly and easily loaded directly into the devices via WiFi.
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 1 in stock $15.45
Decksaver Ableton Push Cover (smoked/clear)
Cat: 499558 Rel: 29 Jul 13
 
Premium polycarbonate decksaver for Ableton Push controller
Notes: The perfect way to protect your Ableton Push. Designed and manufactured in the UK and precision engineered from premium quality polycarbonate, (the same plastic used in bullet-proof glass), this cover sits securely over your deck with no fixing, modification or adhesive required. The cover is easily mounted and removed in seconds and it will protect from dust, dirt and spillages, and will even shield the deck from scratches, impact or collision. Unlike ugly flightcases or tacky stickers, the decksaver maintains the attractive styling of the Ableton Push whilst offering a level of protection like no other. You'll see the decksaver used and endorsed by clubs, bars and studios nationwide.
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MRP:$64.56 SAVE 33%
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quote 499558
Digitech FS3X 3 Button Footswitch
Cat: 553191 Rel: 29 Oct 14
 
3 button footswitch for control over selected Digitech effects pedals
Notes: The DigiTech FS3X is a welcomed addition to several DigiTech products; The Jimi Hendrix Experience, The JamMan and Expression Factory to name a few. The FS3X provides increased functionality and convenient Hands-free control over UP/DOWN selection of Models, Mode changes, Loop selection, auto START/STOPS and arms auto record where applicable.

Compact and portable its small foot-print takes very little space on stage or in your gig bag. Durable 3 button metal chassis construction. A 10' stereo TRS cable is included with each unit.
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Division 6 Business Card Synthesizer (fully assembled)
Cat: 777973 Rel: 28 May 21
 
business card synthesiser
Notes: Literally the size of a business card (if a little bit thicker), one of the smallest synths on the market. Simple design with a surprisingly punchy sound, plus CV and gate inputs for control.

Supplier's Notes:
The Business Card Synthesizer is a tiny synth that can be connected to a Business Card Sequencer, other synth gear, or played by itself.

Headphones can be connected directly to the output of the synth, and there are plenty of knobs to play with, so you can easily make noises anywhere. Great for learning about synthesizers!

S&H Button: Enables Sample & Hold, which disables the external CV IN jack and uses LFO1 and LFO2 to determine oscillator pitch. LFO1 sets the sample rate (SHAPE is ignored for this), and LFO2 is the wave that gets sampled.

GATE Button: Manually turns on the gate so sound comes out of the synth. This control is momentary, but you can latch it on by tapping the S&H button while holding the GATE button down.

COARSE TUNE: Adjusts the pitch of the oscillator up or down in large increments

FINE TUNE: Adjusts the pitch of the oscillator up or down in fine increments

SHAPE: Changes the shape of the wave produced by the main oscillator (VCO). Turning this control fully CW gives you a triangle wave. Start turning it CCW takes you through sawtooth/ramp, then at about the 12:00 position you get a square wave. Continue turning it CCW and you get several higher duty cycle square waves
.
GLIDE: Adjusts the rate at which the pitch of the VCO takes to go between pitches (whether changed by the COARSE TUNE knob or CV IN). Fully CCW causes the pitch to react almost instantly, while fully CW makes it take its sweet time.

LFO 1 / LFO 2 SHAPE: Changes the shape of the waves produced by the low-frequency oscillators (LFOs). The shapes are similar to those of the VCO, except that the LFOs have sawtooth/ramp waves that go both up and down (since you can actually hear the difference at LFO rates).

LFO 1 / LFO 2 RATE: Controls how fast the LFOs go.

LFO -> VCO: Routes the two LFOs to control the pitch of the main oscillator. The 12:00 position is basically "off", and the LFOs have no effect on pitch. Start turning the control CCW and LFO1 starts changing the pitch of the VCO. Maximum effect is at about 10:00. Continuing to turn the control starts to bring in LFO2 as well. All the way CCW gives you full effect from both LFO1 and LFO2.

Turning the control CW from 12:00 does essentially the same thing, but brings in LFO2 first, then LFO1.

This might seem like kind of a weird control, but it gives you quite a bit of routing flexibility with one knob. You can have no pitch modulation, LFO1, LFO2, LFO1 with a little LFO2, or LFO2 with a little LFO1.

LFO -> VCA: Routes the two LFOs to control the amplitude of the oscillator. (See LFO -> VCO control description above for more information about how the control works.)

ATTACK: Controls how fast the audio amplitude fades in when the gate is triggered. CCW is fast and CW is slow.

DECAY: Controls how fast the audio amplitude fades out when the gate is released. CCW is fast and CW is slow.

VOLUME: Controls the overall volume of the signal coming from AUDIO OUT.

FILTER: Changes the cutoff frequency of an analog low-pass filter. Turn the knob fully CW and all frequencies (that you can hear) are let through. Start turning it CCW and the high frequencies start getting cut off, until the sound becomes muddy / muffled. Use in conjunction with the SHAPE control to get the tonal quality you are looking for.

Connections:
CV IN: Accepts a 1 volt/octave control voltage to control the pitch of the oscillator. It responds from about 0-5V, but voltages outside of this range won't cause damage. The CV input is quantized, so only valid (western scale) notes are played. This input is ignored when Sample & Hold is enabled.
GATE IN: A voltage greater than about 2.5V will turn on the gate and allow audio to come out the output of the synth.
AUDIO OUT: Connect to an amplifier or another synth. The jack has both the tip and ring connected, so you can even use stereo headphones and hear sound from both ears.
Power: Connect 7.5-15VDC to this 3.5mm TS jack to power the synthesizer. The tip is positive (don't worry, there's a protection diode in case you get it reversed). You can get power from a 9V battery, AC adapter, or you may even be able to find an output on your modular synthesizer that can provide enough current.

Specifications:
Power supply: 7-15VDC (reverse-polarity protected!)
Power connection: 3.5mm phone jack, center-positive
Current draw: 15ma
Dimensions: 3.5" x 2" (the same as a business card!)
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quote 777973
Doepfer A-101-2 Vactrol Low Pass Gate Module
Cat: 682314 Rel: 26 Mar 18
 
Vactrol based combination of resonant 12dB lowpass filter and/or VCA - inspired by the Buchla 292
Notes: A Low Pass Gate (LPG) can be a low pass filter, a VCA or a combination of both. This means both the harmonic content and volume can be controlled simultaneously which resembles the behaviour of many instruments: the louder, the more harmonics.

The A-101-2's mode of operation is set with a switch: left position is low pass, right is VCA and the combo mode is in the centre. Alternatively, you can activate the modes with gate signals which is the reason for two gate inputs; this is very interesting in combination with clock dividers or trigger sequencers.

- Gate 1 high & gate 2 low = low pass mode
- Gate 1 low & gate 2 high = VCA mode
- Both Gate 1 & 2 high = combo mode

The A-101-2 has an aggressive sound, compared to other LPGs and its resonance goes up to self-oscillation which not many LPGs offer. The oscillation is rather dirty and far from being a sine wave.

3U Eurorack module, 8HP wide, 50mm deep.
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quote 682314
Doepfer A-101-3 Vactrol Modular Phaser Module
Cat: 682321 Rel: 30 Apr 18
 
Complex 12-stage phase shifter with separate in- and outputs for all phaser stages
Notes: Module A-101-3 is a 12-stage phase shifter with vactrols as phase shifting elements. Vactrols are known for their smooth sound behaviour. In contrast to other phaser designs, the A-101-3 is much more flexible and offering a lot of new features not available from other phasers on the market. The main difference is that the Doepfer design offers access to each of the 12 input and output stages leading to a lot of new filters that cannot be obtained in other ways. Especially the free patchable feedback loops (yes, not only one feedback loop is possible) between each of the 12 stages, the separate phase shift control for the stages 1-6 and 7-12, and the 2 polarizers intended to control the feedback loops lead to completely new filter types (a polarizer is a circuit that is able to generate positive and negative amplifications in the range -1...0...+1 with -1 = inversion, 0 = full attenuation, +1 = unchanged signal, for details concerning the polarizer function please look at the A-133 VC Polarizer or A-138c Polarizing Mixer module).

Internally, the module is made of 2 independent 6 stage phase shifters (1-6 reps. 7-12) with separate audio inputs (with attenuators), audio outputs (with mix control), and phase shift control units. The phase shift control units feature both manual and voltage-controlled phase shifting (e.g. from a LFO, ADSR, Random Voltage, Theremin CV, Foot Controller CV ...). For each sub-module a phase shift display (LED) is available. The LED shows the illumination state of the 6 vactrols of the sub-module in question as it is connected in series with the internal vactrol LEDs.

Each of the 12 phase shift states is equipped with an audio output socket and feedback input socket to obtain full flexibility to create a multitude of different filters. The audio input signal and the output signals of stage 6 resp. stage 12 are mixed with 2 manual controls to obtain effects at two audio outputs (for normal phase shifting effect this is 50% input signal and 50% phase shifted signal). The two submodules are internally connected via normalized sockets so that two 6 stage phase shifters can be obtained without external patches. Audio output of stage 6 is normalized to audio input of stage 7 and CV input 1-6 is normalized to CV input 7-12. But due to the open structure of the module even other stages than stage 6 and stage 12 can be used as outputs to generate different sounds (simply patch the desired stage output to the normalized mix input socket).
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Doepfer A-106-6V XP Multimode Filter Vintage Edition Module
Cat: 790473 Rel: 30 Oct 20
 
Multimode filter module
Notes: Module A-106-6 is a multimode filter that is based on the filter circuit of the Oberheim Xpander. The module features 15 different filter types with 8 filters available simultaneously.

The toggle switch Filter Group is used to switch between 2 filter groups. These filter types are available:
1L (6 dB low pass)
2L (12 dB low pass)
3L (18 dB low pass)
4L (24 dB low pass)
1H (6 dB high pass)
2H (12 dB high pass)
3H (18 dB high pass)
2B (6 dB band pass)
4B (12 dB bandpass)
2N (notch)
3A (allpass)
2H1L (asymmetrical band pass made of a 12 dB high pass and a 6 dB low pass)
3H1L (asymmetrical band pass made of a 18 dB high pass and a 6 dB low pass)
2N1L (combination of notch and 6 dB low pass)
3A1L (combination of allpass and 6 dB low pass)

The module features voltage controlled resonance. For filter group 2 (2L, 4L, 2B ...) even self oscillation is possible. All standard VCF controls are available: manual filter frequency control Frq, one control voltage input with attenuator (FCV2)and one without attenuator (FCV1, ~ 1 V/octave). In addition voltage controlled resonance with manual control (Q) and a CV input with attenuator (QCV) are available. The circuit is based on a 24dB lowpass filter. The outputs of the four internal filter stages (i.e. the 6, 12, 18 and 24dB outputs) are mixed together with different levels and polarities to obtain 15 different filters. Because of this special circuit the outputs have slightly different levels and noise floor. This is caused by the different internal amplifications and numbers of stages that are required to generate the filter in question. If e.g. a filter is derived by one stage only (e.g. the 6 dB, 12dB, 18dB and 24dB low pass) the noise floor is smaller compared to a filter that is derived by a combination of all four filter stages. The module generates a distorted audio signal if the level control is set to about 50% (i.e. center position) or more with A-100 standard signals like VCOs.

Power consumption: 50mA at +12V and 50mA at -12V
Depth: 50mm
HP : 12
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quote 790473
Doepfer A-117 DNG Digital Noise Generator & 808 Sound Source Module
Cat: 698549 Rel: 15 Aug 18
 
Digital noise/random clock/808 sound source - 8HP
Notes: Module A-117 (DNG) is a combination module, including a digital noise generator and an 808 source.

The digital noise generator uses random sequences of square waves (18 step shift register with multiple feedback), whose rate can go from random clicks to noise. The colour of the noise is very different from the analogue noise produced by the A-118. The frequency range of the internal clock oscillator is about 100Hz - 100kHz.

In addition to a manual setting, the rate can be controlled by an external clock - eg. VCO, high speed VCO of A-188-1/2, LFO or MIDI clock.

The 808 Source aims to re-create the sort of multi-oscillator array that was used in Roland's TR-808 and 606 drum machines as the basis of the sound of the hi-hat, cymbals and cowbell. The cowbell mix uses two oscillators, and the cymbals mix six.
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quote 698549
Doepfer A-188-1CV 2048 Stages BBD Delay Module (vintage edition)
Cat: 755397 Rel: 13 Nov 19
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital delays of the 1980s.

The version with 2048 stages provides a delay time range of 4.10 - 2048ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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Doepfer A-188-2 Tapped BBD Delay Module
Cat: 755403 Rel: 12 Nov 19
 
Bucket brigade delay module - 30HP
Notes: A-188-2 is another module that is based on a so-called Bucket Brigade Device (BBD). If you are not familiar with BBDs please refer to the A-188-1. There you can find some details about this special type of circuits.

The main difference between A-188-1 and A-188-2 is the type of BBD circuit that leads to completely different module principles and sounds. The A-188-1 uses different single BBD chips with one signal input and one signal output only. In contrast the A-188-2 uses as so-called tapped BBD that has available six outputs - the so-called taps after the BBD stages 396, 662, 1194, 1726, 2790 and 3328. In the A-188-2 we use this special BBD circuit (MN3011) to obtain these module features:

The module has available two separate mixing sub-units. For both mixers the levels and polarities of each BBD output can be adjusted to obtain two different mixtures of the BBD outputs. A new type of potentiometers with centre detent and centre terminal is used for the BBD mixing controls to have a better feel for the neutral position. Each mixer has a wet/dry control at its output that allows choosing between the pure input signal (original), the BBD mix or anything in between. The two outputs can be treated as stereo outputs but it is also possible to use one of the outputs for other applications (details in the next paragraph).

The A-188-2 has a feedback section available that is very similar to the one in the A-188-1. But as we now have 6 different BBD outputs available 6 different feedback types are possible. The feedback input socket is normalled to the "396" output (not to "1194" as shown in the scheme, the front panel is correct). But by patching the feedback socket to any of the single output sockets another BBD tap can be used for the feedback to obtain different sounds. Even external feedback processing is possible (e.g. with a VCA for voltage controlled feedback). The feedback control has polarizer function, i.e. the neutral position is at the centre. Left from the centre the feedback signal is subtracted from the input signal, right from the centre it's added (negative/positive feedback). Even for this potentiometer the new version with centre detent is used.

A special feedback can be obtained if one of the mix outputs is used for the feedback function. In this case for each tap the positive or negative feedback share can be adjusted. This leads to multiple peaks and/or notches in the frequency response of the module.

For each tap of the BBD a separate output socket is available. These sockets can be used for changing the feedback loop - as mentioned above -, for voltage controlled mixing of the taps - e.g. with the voltage controlled mixer A-135 or other applications that require access to each single tap.

The A-188-2 uses the same high speed VCO (HSVCO) for the BBD clock as the A-188-1. The clock and consequently the delay time can be controlled manually (delay control) and by the two control voltage inputs CV1 and CV2. The sensitivity of CV1 is approximately 1V/oct. CV2 is equipped with a polarizer (a new type of potentiometers with centre detent). The HSVCO has a clock output available that is normalled to the clock input socket. These sockets can be used to link different BBD modules and to run them with the same clock. But even other applications with frequency dividers (e.g. A-163) or PLL (e.g. A-196) are conceivable. A voltage composed of the manual delay control, CV1 and CV2 is available at the CV out socket, e.g. to control an external clock suppression filter as the A-188-2 is not equipped with such a filter (same as for the A-188-1).
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quote 755403
Electro Harmonix B9 Organ Machine Pedal
Cat: 560196 Rel: 03 Feb 15
 
Organ machine pedal with 9 presets ready to use
Notes: With 9 presets that were finely tuned to emulate the most legendary organs from the '60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation.

Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

*UK 230V power adapter included*
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Electro Harmonix Grand Canyon Delay & Looper Pedal (B-STOCK)
Cat: 822707 Rel: 06 Dec 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Grand Canyon is EHX's most advanced multifunction delay and looper pedal. It's equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analogue bypass with soft switching and more. The Grand Canyon's 13 modes are:

1. ECHO - pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering

2. MOD - Modulated delay, yields rich flanger, chorus, vibrato, warble and more

3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.

4. REVERSE - Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes

5. DMM - Deluxe Memory Man, re-creates the luscious tone of EHX 's legendary bucket-brigade delay pedal

6. TAPE - Tape Delay, simulates the organic sound of an analogue tape, echo machine including tape distortion, wow and flutter

7. REVERB - Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay

8. PITCH - EHX's critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats

9.SHIM - Shimmer generates a rich octave-shifted wash of shimmering soundscapes

10. SAMPLE/HOLD - Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected

11. DRUM - Magnetic drum echo that faithfully emulates a classic Binson Echorec style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns

12. DOUBLE - Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs

13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.
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Electro Harmonix MEL9 Tape Replay Machine Pedal
Electro Harmonix MEL9 Tape Replay Machine Pedal (tape replay machine effects pedal)
Cat: 605739 Rel: 23 May 16
 
Tape replay effects pedal, pays homage to nine of the coolest Mellotron sounds - works great on guitars and basses
Notes: The polyphonic MEL9 uses the same extraordinary technology as the B9, C9 and KEY9 to transform your axe and resurrect the sound of vintage tape-based keyboards.

*UK power supply included!
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quote 605739
Electro Harmonix Small Clone Analog Chorus Pedal
Electro Harmonix Small Clone Analog Chorus Pedal (analogue chorus effects pedal)
Cat: 560484 Rel: 02 Feb 15
 
Analog chorus effects pedal with true bypass for maximum signal integrity
Notes: The classic chorus! Analog chorus pedal popularized by Kurt Cobain. The finest analog chorus sounds: from clear, rich and dimensional to warm pulsating warbles, can be intensified with the Depth Control. Simple tweaks generate exciting doubling effects. Chiming 12-string tone, or Leslie-like warbles.
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quote 560484
Erica Synths/Ninja Tune Zen Delay Desktop Effects Unit (B-STOCK)
Cat: 804886 Rel: 06 Jan 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.

Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode

Inputs
Stereo In: 2x standard jack

MIDI In: standard MIDI socket

CV In: standard jack

Outputs

Stereo Out: 2 x standard jack

Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode

Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.

Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.

Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.

Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.

The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin

The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug

The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black

For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker

Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range

-100dB THD+N

ADC
108 dB dynamic range

-98 dB THD+N

Dimensions: 21 x 15 x 5 cm
Weight: 870g
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 1 in stock $535.00
ERM Multiclock Desktop Sync Clock Device With USB
Cat: 600727 Rel: 12 Feb 16
 
Professional conversion box for syncing multiple hardware devices
Notes: Professional Sync:
The multiclock solves your sync issues in the studio and on stage once and for all.
Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter.
Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks.

Shift & Shuffle:
To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.
The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us.
If you have set your machines up to be on the spot, start playing with shuffle. Again, individually for each channel and in realtime.

Midi, Din, Modular & LFO:
Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.
Analog clock signals are configurable in polarity, start/reset behaviour and feature a flexible clock divider. An analog LFO is available with various waveforms and a range of 0-5V.
If you got them configured, channel settings can always be named and saved as a preset for later recall. Just in case you have a lot of gear.

USB Add-On
If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.
This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock.
There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.
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 4 in stock $507.09
Eurorack Hardware Modules ATT 2HP Triple Attenuator Eurorack Module (black faceplate) (fully assembled)
Notes: Get the most signal attenuation in the smallest 3U package possible! The ATT module features three independent IN - Attenuate - OUT circuits in one 2HP module. Works great for attenuating both audio and CV signals. Completely passive, so no current draw on your power supply.
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IK Multimedia iRig 2 Guitar Interface For iPhone iPod Touch iPad Mac & Android
Cat: 560800 Rel: 06 Mar 15
 
The sequel to the best-selling iRig guitar interface with 1/4" amplifier output for use with an external amplifier without an adapter
Notes: The sequel to the most popular guitar interface of all time!

iRig 2 is the new and improved version of the groundbreaking and best selling iRig guitar interface. Featuring everything you loved about iRig, it has powerful sound and streamlined convenience, and it packs essential new features like versatile gain control, a 1/4" amplifier output and Android compatibility into its sleek pocketable enclosure.

Now everyone can plug in their guitar or bass to enjoy killer tone on their iPhone, iPad, iPod touch, Mac or Android device - with the release of iRig 2, the world's most popular guitar interface is better than ever before.

If you loved iRig's versatility, you'll love what iRig 2 brings to the table. Its new 1/4" output jack lets you use iRig 2 with an amplifier as a part of your live rig without the use of an adaptor.

This opens up a whole world of opportunities when paired with AmpliTube, IK's powerful guitar and bass multi-effects processor. It provides you with a vast library of meticulously modeled virtual stompbox effects, amplifiers and other gear that you can use as a part of your physical rig when you're jamming with friends, at a practice session, in the recording studio or performing live. Or, if you want to be discreet, plug your headphones into the included 1/8" headphone output.

Even better is that iRig 2 features a switch that lets you select between a processed signal and a clean "thru" input signal. This means you can also use your mobile device as a tuner, recorder or other tool while preserving the purity of a 100% analog signal path.

iRig 2 is there to help you make your practice and performance sessions as easy as possible. It comes with a microphone stand mount and Velcro strip that allow you to easy attach it for performance alongside other convenient tools like IK's iKlip range of mic supports for all sizes of smartphones and tablets.

iRig 2 has been made to be compatible with the widest range of instruments and mobile devices possible. Its built-in universal 1/8" TRRS output connector gives you a true plug-and-play experience with your iPhone, iPad, iPod touch, Mac or Android device.

Likewise, its 1/4" instrument input works with your guitar, bass or any line-level instrument. Just plug into it like you would into a stompbox or amplifier. It's as simple as that.

And because volume levels vary from instrument to instrument and from device to device, iRig 2 comes equipped with an input gain control knob that lets you dial in the perfect setting for your setup. You'll get great sound quality no matter whether you have a wailing 3 humbucker electric guitar running into your Samsung Galaxy Note 4 or a jazzy archtop connected to your iPhone 6.

Got an Android smartphone or tablet? Great! iRig 2's 1/8" output connector is compatible with many popular Android devices produced by manufacturers like Samsung, LG, Motorola, HTC and more - any device with an 1/8" input that supports the CTIA/AHJ wiring standard works with iRig 2.

Additionally, users with Android devices that support Samsung Professional Audio can enjoy AmpliTube for Android, a special version of the popular multi-effects processor that brings a full spread of meticulously modeled virtual gear to the Android platform.

With iRig 2, you'll be able to enjoy IK's full range of AmpliTube apps (the #1 app for guitar players). It's ready to go right out of the box. It comes with a powerful cross-platform suite of apps and software that includes free versions of AmpliTube for iOS, Android and Mac/PC.

To use, just download your preferred version for iOS from the App Store or for Android from the Google Play Store or from Samsung GALAXY Apps. Then plug your guitar or bass into iRig 2, plug your amplifier or headphones into your device and launch the app.

Immediately you'll see something very familiar: a complete guitar rig. AmpliTube recreates your entire guitar or bass signal chain in your mobile device and also - depending on your device - provides you with other advanced features, like multi-track recording and editing, high-quality export and more.

And while iRig 2 is the ideal companion to AmpliTube, it also works with any other recording, processing, tuning or music app.

AmpliTube is always growing, and we add great sounding and fun new gear models on a regular basis. The in-app purchase feature lets you expand your AmpliTube app whenever and however you want. You can start your journey into this universe of tone with AmpliTube FREE, and then add to your collection of gear at your own pace.
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 1 in stock $37.72
IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC
Cat: 751621 Rel: 21 Nov 19
 
Audio interface for live streaming
Notes: Today's mobile devices make it easier than ever to share your music with the world. From Instagram live-streams to YouTube videos, SoundCloud playlists and more, social media and smartphones have become a key aspect of how many musicians get heard and connect with fans.

iRig Stream makes it easier than ever to share, letting you connect instruments, mixers and more to your iPhone, iPad, Android device and Mac/PC, with convenient features designed just for use on today's most popular platforms. Whether it's mono or stereo, live playing or an existing mix, iRig Stream gets you connected to all your favourite apps, so you can start connecting with listeners instantly.

Get connected:

iRig Stream makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC - even the latest devices.

2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth & drum machine setups, and more. Whether you're looking to stream your DJ set, record band practice, jam along with your favourite song, or even host a podcast, iRig Stream lets you connect a massive range of gear.

Sound your best:

iRig Stream offers 24-bit, 48 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform you'll wind up on. And adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly

Make your voice heard:

iRig Stream offers a unique headphone / microphone jack, wired just like your smartphone, so you can listen and talk over the stereo input simultaneously.

The mic input is mixed into the stereo inputs, to ensure it works with any app, and offers adjustable volume. Best of all, it works with most headphones with a built-in mic*, and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre, giving you a wide range of options for any situation.

Designed for apps:

If you're ever tried streaming or sharing audio on social media, you know many apps only support mono signals - so iRig Stream offers a mono/stereo switch to compensate. Stereo passes both inputs as left & right channels, and mono mixes them together to a single channel, ensuring you won't lose anything panned to one side.

iRig Stream also offers a loopback function that lets you mix the output of your device with the incoming signal. Load up a backing track in your favourite music app, jam along on your instrument, then send both signals together to a video or live-stream - all on one device!

Comprehensive compatibility:

iRig Stream works with any app that records or streams audio or video, so you'll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video recording app. Record, trim, edit and share, right from your device.

Built to go and to last:

iRig Stream is compact enough to slip into the pocket of your backpack, so it's ideal for use on the go. It runs off your device's battery, so there's no batteries to run out mid-show, but can also charge your device with an optional power supply, to keep you going for extended sessions.

Includes:

- iRig Stream interface
- Lightning to mini-DIN connection cable (60cm/23.62")
- USB C-Type to mini-DIN connection cable (60cm/23.62")
- USB A-Type to mini-DIN connection cable (60cm/23.62")
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MRP:$145.60 SAVE 39%
 3 in stock $88.23
IK Multimedia MEMS Measurement Microphone For ARC System 2.5 (software not included)
Cat: 655449 Rel: 02 Nov 17
 
Ultra-light & durable measurement microphone for ARC System Version 2.5
Notes: Tune your studio to perfection with the world's most effective room correction system - now with a new, highly accurate MEMS measurement mic.

ARC System 2.5 with MEMS microphone is the first acoustic correction system that combines a super accurate MEMS measurement microphone, measurement software AND a correction plug-in to greatly improve the audio monitoring accuracy of speakers in any studio or room listening environment in an elegant, portable, affordable, easy to use and extremely professional solution.

With literally thousands of ARC-based studios worldwide, you can be confident you are making a sound choice!

A new professional MEMS microphone:

ARC System 2.5 now includes a brand new, ultra-precise MEMS measurement microphone that perfectly works in synergy with ARC's correction software (previous ARC mic models will be supported.) The microphone is built around an omnidirectional, high precision MEMS capsule that ensures maximum response accuracy and stability over time.

In contrast to standard condenser measurement microphones, which are potentially subject to subtle frequency response variations over time, MEMS technology is far more stable.

Thanks to the manufacturing process behind them, MEMS microphones boast extreme resistance to humidity and temperature variations as well as increased durability. This means that they are much more forgiving to "professional abuse" and you can carry them around without worrying about damaging them. Also, all microphones units that are manufactured following this procedure, share the same degree of accuracy with near-zero variation in terms of final performance from unit to unit.

As a result, all measurement processes will always be spot on, repeatable and reliable even after longer periods of time.

Did you know? The ARC System 2.5 MEMS microphone makes for a great additional OMNI pattern recording tool you can add to your mic arsenal! Use it to capture the natural ambience of a studio/room while recording vocals, guitars and other acoustic instruments.

Trust your ears:

ARC simply takes your room "out of the mix." Now you can explore your creativity and mix with confidence.

ARC employs Audyssey MultEQ XT32 patented technology to improve your monitoring system ensuring that what you hear is not being affected by problems caused by room acoustics.

Near field monitor systems generally used in studio applications are designed to deliver sound without distortion or coloration; however, when they are placed in a room, the surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex artifacts specific to that room that ultimately cause the monitors to lose the accuracy they have been designed for in the first place. As a result, you end up hearing more of the room's sound, than the music being reproduced.

A break-through affordable solution for acoustic room correction:

Traditionally studio acoustics can be improved with acoustic treatments - but these are generally very expensive and require professional installation - which is often not practical in many of today's home and project studios. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of the audio material. ARC System neatly solves all these problems with a unique and innovative DAW (Digital Audio Workstation,) based solution that works both in the frequency and time domain and is not affected by any of the drawbacks of other types of correction systems.

ARC is designed to provide everything you need to turn any room into a place where serious music production happens. Now you can listen and mix with utmost confidence, knowing that what you hear is what is actually there. All you have to do to is plug the microphone in and follow a few simple steps. No rocket science involved.

Do you really need ARC if your room is already treated?

With ARC you can improve the acoustics of ANY room. An untreated room will experience a dramatic improvement - but also treated rooms will sound MUCH better depending on the quality of the existing treatment. From amateur bedroom studios to the most professional high-end treated rooms, ARC will make an improvement in your monitoring environment.
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 2 in stock $82.40
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IK Multimedia Travel Bag For iRig Keys I/O 49 Keyboard
Cat: 671738 Rel: 04 Jan 18
 
Travel bag designed for the iRig Keys I/O 49
Notes: Travel Bag for protecting your iRig Keys I/O 49 when carrying it around. Durable 100% polyester case featuring stitched-in iRig Keys I/O logo, adjustable straps and zippered pouch for cables and other small items.
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MRP:$72.80 SAVE 23%
 2 in stock $56.08
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Keith McMillen 12 Step Polyphonic MIDI Foot Controller
Cat: 548434 Rel: 18 Sep 14
 
Keyboard foot controller with solid "road-proof" build and backlit buttons for onstage use (requires Keith McMillen MIDI expander, sold separately)
Notes: 12 Step is a road-proof, portable keyboard controller for your feet. Each key is brilliantly backlit, has multiple functions, and can sense foot tilt and pressure.

12 Step is ready for the road with a build that you can trust to perform on stage after stage, night after night.

12 Step's keys respond to the velocity, pressure and tilt of your foot, giving new dimensions of expression to your performance.

No moving parts means you'll never accidentally break off a knob or button.

Perfect for triggering clips in Ableton Live, playing synth bass, swelling pads, organ stabs, or any other musical accents that fit your style.

The 12 Step Editor Software v2.0 was reprogrammed from the ground up, optimized for speed and ease of use, and given a snazzy new user interface.

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MRP:$407.96 SAVE 34%
 1 in stock $271.27
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Keith McMillen BopPad Smart Fabric Electronic Drum Pad
Cat: 665360 Rel: 03 Oct 17
 
4-zone percussion pad with USB
Notes: BopPad is the expressive electronic drum pad for drummers, percussionists and producers. BopPad gives you accurate hit detection (with latency under 3ms!), velocity, continuous radius and pressure. Four independently programmable zones output MIDI notes, velocity, pitch bend, pressure and location CCs.

BopPad has an extremely wide dynamic range and measures strike velocity from the softest hand drumming to the most brutal percussive assault. A robust tuned elastomer surface covers a 10” circle of our patented Smart Fabric Sensor Technology to give you traditional feel and a new dimension of expressivity.

BopPad can also operate as a conventional practice pad with a realistic feel and portable, lightweight design.

With BopPad you can bring a new range of sonic possibility to your drum set, trigger samples, sound effects, pads and chords. Unleash your creativity by playing your software instruments and synthesizers in a whole new way. So portable you can bring it everywhere and never miss a beat when inspiration strikes.
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MRP:$271.97 SAVE 23%
 2 in stock $209.46
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Knas Ekdahl Moisturizer Spring Reverb
Cat: 546682 Rel: 04 Dec 14
 
Spring reverb effects unit with exposed spring design
Notes: *** NO POWER SUPPLY INCLUDED - USES GENERIC 12VAC ADAPTER ***

Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.

The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.

The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
LFO with
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)

The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.

The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.

The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.
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Korg TinyPiano Digital Toy Piano (pink)
Cat: 518667 Rel: 17 Sep 21
 
Digital toy piano
Notes: It's time to play and have fun

First impressions stay with us. If it's an instrument, the sound of that instrument continues to reverberate in our hearts and minds even when we become adults.

Just because something is called a toy piano, doesn't mean it has to sound like a toy. If the instrument has correct pitch and accurate tone, a child who plays with the instrument will look forward to better instruments as they grow older.

The KORG tinyPIANO is a digital piano made by a musical instrument manufacturer renowned for professional pianos for the children who carry the future.
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MRP:$260.98 SAVE 32%
 1 in stock $177.15
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Korg Wavestate Wave Sequencing Digital Synthesiser (B-STOCK)
Cat: 828571 Rel: 16 Apr 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Loosely inspired by the brand's classic Wavestation synth, the Wavestate updates the sound with a new approach to Wave Sequencing. Classy sound, powerful modulation and good hands-on performance options.

Supplier's notes:

KORG's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.

With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns-but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a "Lane," and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters.

Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics-filter, envelopes, LFOs, effects-are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you'll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Looking for even more inspiration? A dedicated front-panel button, marked by a "dice" icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.

The wavestate's superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
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 1 in stock $616.39
Magma CTRL Case MC-707 For Roland MC-707 Drum Machine, Sampler & Sequencer
Cat: 779614 Rel: 11 Jun 20
 
case for Roland MC-707
Notes: The CTRL Case MC-707 is custom designed to a hold the Roland MC-707 and is a very lightweight and convenient solution to carry your groovebox well protected to your next studio or live session. Crafted from rigid Durashock molded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize audio cables and accessories.

FITS: Roland MC-707, Akai MPC Live, Arturia Drum Brute, Arturia Drum Brute Impact, Arturia Beatstep Pro
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MRP:$94.78 SAVE 27%
 1 in stock $69.52
Miditech Midiface 8x8 USB MIDI Interface
Cat: 784400 Rel: 30 Jul 20
 
USB/MIDI interface
Notes: Compact USB MIDI Interface with 8 x MIDI IN and 8 x MIDI OUT, works Class Compliant without drivers with MAC OSX, Windows XP SP2, Windows Vista, Windows 7, 8 and 10.

The Midiface 8×8 is based on Ploytec's GM5 technology, which means extremely good timing and perfect Sys-Ex stability. When USB3.0 is used for the connection, MIDI flow is further prioritized. This ensures stable and reliable real-time performance for your DAW.

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MRP:$228.02 SAVE 33%
 2 in stock $153.38
Miditech MP-1 Sustain Pedal
Cat: 784475 Rel: 28 Sep 20
 
Sustain pedal
Notes: The MP-1 is a strong pedal, which has a long switch, and works nearly wihout own noises. Because the polarity is switchable, it is not only compatible to Miditech masterkeyboards, but also it works with all usable master- and MIDI-keyboards from all other companies with a standard sustain input jack socket.
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MRP:$24.72 SAVE 24%
 2 in stock $18.89
Moog 104 HP 17 Inch Eurorack Synth Module Case
Cat: 590219 Rel: 27 May 16
 
Extruded aluminium 104 HP Eurorack case, power module not included
Notes: This is an extruded aluminum Eurorack case with wood sides (no modules included). Up to 1.9" module depth. Requires separate Eurorack power module for use.

Includes sliding nuts and screws.
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 1 in stock $122.37
Moog Minitaur Analog Bass Synthesizer (black)
Cat: 444692 Rel: 17 Apr 12
 
Moog analog bass synthesiser
Notes: The Minitaur is a compact analog bass synthesizer that features a classic one knob per function layout. It is the first instrument in the Taurus family that does not have foot pedals.

The Minitaur has all the growl, snarl and body associated with the Taurus family of bass synthesizers. Moog are really excited to be able to offer this in such a compact package that is both immediately playable as an extremely versatile analog synth and also integrates seamlessly into the world of MIDI and USB control environments, says Cyril Lance, Chief Engineer of Moog Music.

The Taurus Bass Pedals enjoy a nearly 40-year history and have made a seismic impact in the music world since their introduction in the mid-Seventies. The Taurus opened up so many possibilities for me, it also opened up a whole way of looking at what I do, says Geddy Lee, of the multi-platinum band Rush.

In 2009, Moog Music released the Taurus 3 Bass Pedals, a modern reinterpretation of the classic Taurus Bass Pedals. The Taurus 3 is currently used by artists such as The Black Keys, Animal Collective, Jean Michel Jarre, Yes, Weezer, Rush and The Dave Matthews Band.

Since the inception of Moog Music, Bob Moog tested his ideas, instruments and sounds on musicians as a key part of the product development process. In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, the renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.

In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, Holy F*ck and renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.
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MRP:$762.35 SAVE 32%
 3 in stock $520.81
Moog Sub Phatty Gig Bag (black)
Moog Sub Phatty Gig Bag (black) (synthesizer gig bag)
Cat: 526482 Rel: 05 Jun 14
 
Heavy duty gig bag for Moog Sub Phatty synthesiser
Notes: The Sub Phatty gig bag is designed to meet the needs of the gigging Sub Phatty owner. This protective synth cocoon is packed with 3/4" foam all around, shoulder strap, and an easy to carry handle for flexibility when making a long trek to a venue. The bag is lightweight and specifically sized to fit your new Sub Phatty analog synthesizer like a glove.

This gig bag is made of a heavy-duty nylon material, with double stitched construction. Black bag with white Moog logo.
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MRP:$122.25 SAVE 22%
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Moog Subsequent 25 Paraphonic Analogue Synthesiser
Cat: 762338 Rel: 02 Jul 20
 
Analogue synthesiser
Notes: Spiritual successor to the brilliant Sub Phatty synth, the Subsequent 25 builds on the powerful, gritty sound of its forebear with a new duophonic mode and tweaked synth architecture.

Supplier notes:
In the spirit of continuous improvement, Moog Music is transitioning production of the award-winning Sub Phatty analog synthesizer to make way for a new standard: the Subsequent 25. Implementing upgraded sonic modifications and functional improvements, the new Subsequent 25 becomes the standard production model moving forward.

Subsequent 25 builds on the success of its predecessor by implementing the ultra-popular paraphonic functionality of Duo Mode, upgrading to wood side pieces, and featuring the familiar Subsequent series of user-requested performance adjustments.
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 1 in stock $912.29
MST '07 Buffered Multiple Module
Cat: 778019 Rel: 22 Jan 21
 
buffered multiple module
Notes: The MST '07 Buffered Multiple is the original buffered mult design invented by George Mattson in 2007. It's a precision mult that is perfect for 1V/O CV sources. A signal plugged into Input 1 will be available from all 14 outputs. Break the chain by adding a second signal into input 2; signal 1 comes out 4 outputs and signal 2 is available at the remaining 10. Plug in as many as 4 inputs, each split 3 or 4 times. What you put in, you get out.

Specifications:
Current draw: V+ max 42mA, V- max 42mA
Depth: 33mm
Width: 4HP
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MRP:$131.87 SAVE 24%
 3 in stock $99.57
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