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Inicio  Back In Stock  Studio Equipment  Studio Equipment  7 days
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Befaco Zip Ties (pack of 9)
Cat: 997563 Rel: 29 Feb 24
 
Pack of 9 zip ties
Notes: Nine zip cable ties in 3 different colours. Light Grey, Dark Grey, and Red. Each pack contains 3 cable ties of each colour.
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 4 in stock $3.69
Boss DD-8 Digital Delay Effects Pedal
Cat: 996038 Rel: 29 Feb 24
 
Digital delay effects pedal
Notes: Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything-more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colours from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there's no better delay stomp than the DD-8.

Equipped with a diverse selection of delays, the DD-8 packs impressive sonic range into one small pedal. Clean digital delays, vintage analogue and tape types, and modulation echo are available, plus specialty delays like shimmer and reverse. There's a new Warm type for softer echo tones, and a +RV type that blends delay and reverb together. Warp is perfect for dynamic ambient textures, while the new GLT type is great for glitchy rhythmic effects.

Everything sounds bigger and better in stereo, and the DD-8 delivers with full stereo I/O support and your choice of three output modes. The default independent mode provides linked parallel delays on the left and right channels, allowing you to maintain the true balance of stereo input sources in the effect sound. There's also a panning mode for ping-pong delay effects, and a wide stereo mode for enhanced spatial depth.

The DD-8's extensive real-time delay options help bring your music to life. You can tap in tempos with the onboard pedal switch, and control the Warp and GLT modes for unique expressive effects. Adding one or two footswitches unlocks more creative possibilities, like on-demand tap tempo, extended looper control, and a cool Twist effect for soaring echo sounds. Alternately, an expression pedal can be used for continuous control of level, feedback, or delay time-or all of them at once.

Having a looper on your pedalboard is a handy thing-it's great for practice, checking sounds at gigs, and creating on-the-fly backing while performing. The DD-8's looper mode has you covered, so you don't have to take up precious space with a dedicated pedal. All looper functions can be controlled with the onboard switch, providing all-in-one operation. But if you prefer to work with extended controls, just connect one or two footswitches to operate the looper's stop and clear functions externally.

The DD-8's inputs and outputs have smart functionality, allowing you to set the pedal for any application simply by connecting cables in different ways. A variety of mono and stereo connections are supported, including discrete dry and effect outputs for wet/dry setups. It's even possible to defeat the dry signal entirely, perfect for delay-only blending in a parallel effects loop.

Analog-Classic analogue BBD delay sound.
Standard-Clear digital delay.
Tape-Vintage tape-based delay sound.
Warm-Digital delay with a softer sound.
Reverse-Backwards delay for cool psychedelic effects and other unique tones.
+RV-Digital delay with reverb added.
Shimmer-Pitch-shifted delay for lush, shimmering textures.
Mod-Digital delay with modulation added on the repeats.
Warp-Unique delay with expressive pedal control. Holding the pedal switch increases feedback and level, allowing you to create ambient swell effects.
GLT-Newly developed delay mode that creates glitchy machine-gun effects when the pedal switch is pressed. Adjust the Feedback and Time knobs for a wide variety of sounds.
Loop-Loop recorder with overdub capability and up to 40 seconds of recording time with mono input (20 seconds with stereo input).

Specifications

Nominal Input Level: -20 dBu
Input Impedance1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT-A(MONO)/INPUT-B jack: 1/4-inch phone type
OUTPUT-A(MONO)/OUTPUT-B jack: 1/4-inch phone type
TEMPO/EXP jack: TRS 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 100 mA

Expected battery life under continuous use
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb
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MRP:$180.02 SAVE 20%
 1 in stock $144.22
Boss DS-1 Distortion Effects Pedal
Boss DS-1 Distortion Effects Pedal (distortion effects pedal)
Cat: 996884 Rel: 15 Feb 24
 
Distortion effects pedal
Notes: The Benchmark in Guitar Distortion

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS's first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that's been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Genre-Defining Distortion

Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the '70s and '80s, and the DS-1's tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.

Gain from Mild to Heavy

From its modest three-knob interface, many different sound colours can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1's characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.

Powerful Tone Shaping

Unlike typical tone controls that only cut highs, the DS-1's tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, TONE knob, LEVEL knob, DIST knob
Indicator: CHECK indicator (Used for indication of check battery)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DC IN jack
Power Supply:
Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22)
AC adaptor (PSA series: sold separately)
Current Draw10 mA

Expected battery life under continuous use:
Carbon: Approx. 50 hours
Alkaline: Approx. 80 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Carbon-zinc battery (9 V, 6F22)
Option (sold separately)AC adaptor (PSA series)

Size & weight (incl. battery)
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height59 mm / 2-3/8 inches
Weight: 360 g / 13 oz
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MRP:$77.90 SAVE 19%
 1 in stock $63.15
Boss RE-2 Space Echo Effects Pedal
Cat: 996050 Rel: 19 Feb 24
 
Space echo effects pedal
Notes: Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on.

With the RE-2, the authentic sound and behaviour of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint-realized in flawless detail by the company that designed the original.

When tape-based echoes were standard in the music world, the RE-201 was a leader in its class. Equipped with three evenly spaced tape heads and a spring reverb tank, it could produce everything from clean, single delays to dense, rhythmic echoes and ambient washes. The RE-201's appealing sound was influenced by many factors, from the warm compression of magnetic tape saturation to the evolving modulation produced by motor speed fluctuations, friction, and other elements. Last but not least, analogue preamp circuitry was a key ingredient in the Space Echo's rich sonic recipe.

In developing the RE-2 and its big brother, the RE-202, BOSS engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. We carefully analysed several vintage RE-201s, including a pristine original unit from the BOSS and Roland factory archive. Everything that influences the sound has been recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, spring reverb character, and more.

The RE-2 squeezes the complete sonic character of the RE-201 into the classic BOSS compact pedal format. The 11-position mode selector lets you dial in different virtual tape heads with or without spring reverb, and you can balance the echo/reverb blend with independent level knobs. Every behaviour is accurately replicated, such as the gradual pitch change that occurs with Repeat Rate tweaks and the runaway feedback that happens when maxing the Intensity knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

The RE-2 takes the Space Echo experience further with versatile features for today's music. Delay time has been doubled and tap tempo control is supported, and there's a cool Twist function for creating evocative special effects as you perform. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing. Full stereo I/O is available, and it's possible to mute the dry signal for parallel effect setups and studio use. The RE-2 also supports expanded control via external footswitches or an expression pedal, including continuous pedal control of multiple panel functions at once.

Specifications

Modes: 11 modes
Nominal Input Level: INPUT A(MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A(MONO), INPUT B: +7 dBu
Input Impedance: INPUT A(MONO), INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A(MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A(MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A(MONO), OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A(MONO), OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass

Controls: MODE knob, REPEAT RATE knob, WOW & FLUTTER knob, INTENSITY knob, TONE knob, ECHO knob, REVERB knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT A(MONO) jack, INTPUT B jack, OUTPUT A(MONO) jack, OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)
Current Draw: 75 mA

Expected battery life under continuous use: Alkaline: Approx. 4.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: (including battery)450 g / 1 lb
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MRP:$233.71 SAVE 20%
 1 in stock $187.39
Boss RE-202 Space Echo Effects Pedal
Cat: 997454 Rel: 01 Mar 24
 
Space echo effects pedal
Notes: Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz
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MRP:$375.83 SAVE 20%
 2 in stock $300.02
Critter & Guitari 201 Pocket Piano 6-Operator FM Synthesiser & Sequencer (blue)
Cat: 972511 Rel: 30 Oct 23
 
6-operator FM synthesiser and sequencer with built-in speaker and battery power.
Notes: The Pocket Piano returns and is better than ever! Like its predecessor, the 201 Pocket Piano is fun, portable, and packed with a medley of musical magic!

The 201 is nearly pocket size, but don't let its small size fool you! Under the hood is some powerful circuitry that will allow you to explore your musical ideas quickly and easily.

Description

Sounds

At the heart of the 201 are six sound engines providing a wide range of sonic texture. Use the shift key to select an engine. There is a little bit of everything: chiptune style waveforms, analogue style filters, drum samples, realistic physical instrument models, and even a human vocal synthesizer. Use the three centre control knobs to further explore the sounds. Dial in the right amount of sustain, or adjust the tone. Or turn the 'surprise' knob if you are brave!

Patterns

Play directly on the keyboard or turn on one of the pattern generators. From simple octave arpeggiation to randomizing polyphonic patterns you will be inspired by the notes coming out of the 201! Use the first control knob to set the pattern's tempo.

The pattern generators also work great for creating drum beats using the drum samples!

Sequencer

If you like the way something sounds, recording it is just a button press away! There is a handy metronome that you can play/record along with. When the sequence is playing back you can endlessly change the pattern and synth engine. When you get it just right, hit the save button. You can save 'unlimited' sequences (well... not really unlimited, but many thousands). Then recall saved sequences easily using the navigation buttons.

Connectable

The 201 wants to be friends with all your other gear! It works great with guitar effects pedals and amps. With MIDI in and out you can control other synthesizers with the 201, or the other way around. A USB-C connector lets you easily move files on and off the instrument.

Open source

Critter & Guitari is committed to making musical electronics that are open platforms. Like the Organelle and EYESY instruments, the 201 is built entirely with Open Source software.

Inside, the 201 uses a combination of Pure Data and Faust musical programming environments. Users are invited to modify or create new sound engines!

Quality materials

The 201 is built to last. It features an anodized aluminium enclosure and maple buttons for a nice, tactile feel. It's assembled and tested by hand at Critter & Guitari's shop in Brooklyn, NY.

Design/Specs

Physical characteristics:
Size: 9.3" x 3.4" x 2.1" / 23.6 x 8.6 x 5.3 cm.
Height includes knobs.
Weight: 18oz / 500g.
Enclosure Top: Powder Coated Aluminium w/ silkscreen
Enclosure Bottom: Powder Coated Aluminium
Rock Maple Keyboard Keys

Input/output:
Audio Output: 14" Monophonic Line Output Jack
Speaker Output: Built-in 3W Speaker
MIDI Input: 1/8" Mini MIDI In jack (TRS Type A connection)
MIDI Output: 1/8" Mini MIDI Out jack (TRS Type A connection)

Processing & storage:
ARM Cortex-A7 processor at 900 MHz
512 MB RAM
An included 8GB micro SD card stores the OS and supplemental files such as synth modes, patterns, and presets.

Power:
External Power via USB-C Port
3x 'AA' batteries can be used as Internal battery power for portability. The battery holder can be found on the bottom face of the 201. Batteries not included.

Included items:
1x 201 Pocket Piano
1x External Power Supply with USB-A Port
1x Power Cable: USB-A to USB-C

Resources:
Manual (for additional troubleshooting and support, visit the forum)
More videos on YouTube
Critter & Guitari Forum
User Modes & Patterns on Patch Storage
Read more
 1 in stock $390.56
Click for better price!
or call +44 20 7424 1960
quote 972511
Critter & Guitari 201 Pocket Piano 6-Operator FM Synthesiser & Sequencer (pink)
Cat: 972513 Rel: 30 Oct 23
 
6-operator FM synthesiser and sequencer with built-in speaker and battery power.
Notes: The Pocket Piano returns and is better than ever! Like its predecessor, the 201 Pocket Piano is fun, portable, and packed with a medley of musical magic!

The 201 is nearly pocket size, but don't let its small size fool you! Under the hood is some powerful circuitry that will allow you to explore your musical ideas quickly and easily.

Description

Sounds

At the heart of the 201 are six sound engines providing a wide range of sonic texture. Use the shift key to select an engine. There is a little bit of everything: chiptune style waveforms, analogue style filters, drum samples, realistic physical instrument models, and even a human vocal synthesizer. Use the three centre control knobs to further explore the sounds. Dial in the right amount of sustain, or adjust the tone. Or turn the 'surprise' knob if you are brave!

Patterns

Play directly on the keyboard or turn on one of the pattern generators. From simple octave arpeggiation to randomizing polyphonic patterns you will be inspired by the notes coming out of the 201! Use the first control knob to set the pattern's tempo.

The pattern generators also work great for creating drum beats using the drum samples!

Sequencer

If you like the way something sounds, recording it is just a button press away! There is a handy metronome that you can play/record along with. When the sequence is playing back you can endlessly change the pattern and synth engine. When you get it just right, hit the save button. You can save 'unlimited' sequences (well... not really unlimited, but many thousands). Then recall saved sequences easily using the navigation buttons.

Connectable

The 201 wants to be friends with all your other gear! It works great with guitar effects pedals and amps. With MIDI in and out you can control other synthesizers with the 201, or the other way around. A USB-C connector lets you easily move files on and off the instrument.

Open source

Critter & Guitari is committed to making musical electronics that are open platforms. Like the Organelle and EYESY instruments, the 201 is built entirely with Open Source software.

Inside, the 201 uses a combination of Pure Data and Faust musical programming environments. Users are invited to modify or create new sound engines!

Quality materials

The 201 is built to last. It features an anodized aluminium enclosure and maple buttons for a nice, tactile feel. It's assembled and tested by hand at Critter & Guitari's shop in Brooklyn, NY.

Design/Specs

Physical characteristics:
Size: 9.3" x 3.4" x 2.1" / 23.6 x 8.6 x 5.3 cm.
Height includes knobs.
Weight: 18oz / 500g.
Enclosure Top: Powder Coated Aluminium w/ silkscreen
Enclosure Bottom: Powder Coated Aluminium
Rock Maple Keyboard Keys

Input/output:
Audio Output: 14" Monophonic Line Output Jack
Speaker Output: Built-in 3W Speaker
MIDI Input: 1/8" Mini MIDI In jack (TRS Type A connection)
MIDI Output: 1/8" Mini MIDI Out jack (TRS Type A connection)

Processing & storage:
ARM Cortex-A7 processor at 900 MHz
512 MB RAM
An included 8GB micro SD card stores the OS and supplemental files such as synth modes, patterns, and presets.

Power:
External Power via USB-C Port
3x 'AA' batteries can be used as Internal battery power for portability. The battery holder can be found on the bottom face of the 201. Batteries not included.

Included items:
1x 201 Pocket Piano
1x External Power Supply with USB-A Port
1x Power Cable: USB-A to USB-C

Resources:
Manual (for additional troubleshooting and support, visit the forum)
More videos on YouTube
Critter & Guitari Forum
User Modes & Patterns on Patch Storage
Read more
 1 in stock $390.56
Click for better price!
or call +44 20 7424 1960
quote 972513
ESI Aktiv 10s Powered Studio Monitoring Subwoofer
Cat: 895990 Rel: 26 Jan 24
 
Powered studio monitoring subwoofer
Notes: Many monitoring setups contain a subwoofer as an essential ingredient. Although many studio monitors such as the aktiv 05, uniK 04 or uniK 05+ for example, provide sufficient bass frequency response for many applications, adding a aktiv 10s subwoofer will help you to provide a much better picture of the low frequencies in your mix. Whether you are producing classical 2.1 sound or 5.1 / 7.1 surround sound productions, aktiv 10s will easily and quickly become an important part of your monitoring setup. It's compact size with a stylish design, yet powerful output will easily convince you.

Features/specifications

10" bass reflex powered subwoofer
Amplifier power: 150W@100Hz, 4 Ohm, 0.1% THD
Subwoofer crossover frequency: 50Hz - 180Hz (adjustable)
Separate satellite output crossover frequency: @100Hz and flat (adjustable)
Phase control
Input level control
Power mode: standby and on
Inputs: balanced XLR, unbalanced 1/4" TRS
Outputs: balanced XLR
Input impedance: 20kOhm balanced, 10kOhm unbalanced
Foot switch input as mute control
Dimensions: 340mm(H) x 340mm(W) x 340mm(D)
Weight: 14 kg
Read more
 1 in stock $185.28
Click for better price!
or call +44 20 7424 1960
quote 895990
ESI M4U eX High Performance USB 3.0 MIDI Interface With Automatic I/O Detection
Cat: 895981 Rel: 26 Jan 24
 
High performance USB 3.0 MIDI with automatic I/O detection
Notes: M4U eX is a compact and yet extremely powerful USB 3.0 MIDI interface with 8 MIDI ports.

Each of the 8 ports can either be used as a MIDI input or as a MIDI output, replacing not only traditional MIDI interfaces like it's popular predecessor models with 4 inputs and 4 outputs, but providing also other possible configurations. For instance, you can use up to 8 outputs at a time or up to 8 inputs, or 6 outputs and 2 inputs - to name some examples. And the best feature? This is all handled automatically, simply based on your connection to other MIDI inputs or MIDI outputs and each automatic input / output configuration is displayed via colored LEDs on the front panel.

M4U eX is not only one of the worlds first USB 3.0 MIDI interfaces, it also includes a USB 3.0 hub with 3 connectors for other USB equipment like software dongles or USB keyboards and others. This can literally turn this device into the central hub for your MIDI and USB musical instrument devices. The class compliant device can be bus powered or if needed for other USB devices, be powered by the included DC power supply.

The Windows 7 / 8.1 / 10 / 11 and macOS compatible device provides not only perfect timing and the highest low latency performance of any MIDI interface in it's class on the market today, it can even be used fully standalone without a computer: different operation modes allow you to route input to output signals, merge MIDI signals or use M4U eX as a MIDI thru box. These modes can be selected with the push of a button when needed.

If the 8 ports are not enough, you can connect multiple units to the computer at one time - plus there is also the larger M8U eX available, with 16 ports.

Features/specifications

USB 3.0 MIDI interface
100% class compliant, works without the installation of a driver
USB bus powered
8 MIDI ports, 4 on the front and 4 on the back
Automatic input and output detection, each port works as a MIDI input or MIDI output
Standalone operation possible
Can be used as MIDI Thru box in standalone mode to send one MIDI signal to 7 outputs
Can be used as MIDI merger in standalone mode to merge 7 MIDI signals to a single output
3-port USB 3.0 hub with external 5V DC power supply to power USB devices (power supply included)
Multiple units can be used with one computer at a time
Downwards compatible to USB 2.0 with a USB 2.0 legacy mode
Optional ESI MIDI Port driver for multi device / multi client operation under Windows available
Dimensions roughly 17.5cm x 12.0cm x 4.5cm
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 2 in stock $121.86
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Intellijel Cascadia Bag
Intellijel Cascadia Bag (synthesiser bag)
Cat: 997146 Rel: 20 Feb 24
 
Bag designed to fit the Intellijel Cascadia
Notes: Holds everything you need

Very high-quality and durable padded gig bags for transporting your semi-modular synth cargo. Sized specifically for Cascadia.

The padded main compartment protects your case from bumps and scratches.
Zipped outer pocket for stuffing accessories and other gear.
The rear pocket closes with velcro at the top but unzips at the bottom to become a handle sheath so your case can sit on top of a rolling suitcase.
Super beefy strap connectors with clipped strap.
Lightweight with a single-handle design
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 1 in stock $77.90
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Intellijel Cascadia Dust Cover
Intellijel Cascadia Dust Cover (synthesiser dust cover)
Cat: 997148 Rel: 20 Feb 24
 
Dust cover designed to fit the Intellijel Cascadia
Notes: Polycarbonate Protection

Transparent polycarbonate lid for the Cascadia made by Decksaver. Keep your synth patched and dust-free:

Clearance to leave your Cascadia patched with a Lid attached.
Perfectly sized to fit with Cascadia in our Cascadia Gig Bag.
Lightweight and rigid.
Made by Decksaver UK with smokey polycarbonate.
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 2 in stock $61.06
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LOCI Flex Studio Equipment Stand
LOCI Flex Studio Equipment Stand (studio equipment stand)
Cat: 993263 Rel: 12 Feb 24
 
Stand designed to fit sound modules, groove boxes or keyboards
Notes: LOCI Flex is an organically styled 30 degree stand. It has an additional crossbar for supporting larger items and is perfect for studio and performance use.

Great for Desktop Modules and 25 key synths and Eurorack Modular setups.
Crossbar for extra width.
Assembled in seconds.
Super strong.
Precision laser cut from ethically sourced and renewable 6mm Oak veneer.
Beautifully detailed with laser etched logo.
Non-slip pads.
Packs flat to slide in your case or bag.

*** The Akai and Arturia units are not included, they are shown for demonstration purposes only.***
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 1 in stock $59.99
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Meris MercuryX Modular Reverb System Pedal
Cat: 975835 Rel: 06 Nov 23
 
Modular reverb system pedal
Notes: Meris describe the MercuryX as the most flexible studio reverb pedal ever made. A bold claim, but hear them out. Immense power with eight custom algorithms in a modular architecture. Full stereo with a wealth of programs from lush plates and twangy springs to experimental weirdness.

Supplier's Notes:
The Meris MercuryX takes the heart and soul of Mercury7 and expands it far beyond sci-fi into the highest quality and most flexible studio reverb ever created in a pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries. MercuryX features the same easy to use UI as LVX, making it immediately intuitive to navigate.

All of Meris' passion for pro audio has made it into both the algorithms and hardware performance of this pedal. MercuryX combines 8 custom Meris reverb algorithms and incorporates those into a modular system architecture that first introduced with the award winning LVX pedal. It features discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs.

Here is a deep dive into the 8 different reverb structures in MercuryX. Each Reverb Structure has Gate controls that can be used to dial in a range of gated reverb effects including the classic percussive gate sound, reverse tail reverb sounds, and slow breathing textures.

Similar to the Dry Blend control of the Predelay, each Reverb Structure features a Predelay Blend control that allows you to put some or all of the predelay reflections in parallel with the reverb tank.

Ultraplate - Adapted from Mercury7, Ultraplate is an inspiring and lush plate with a fast build. Use the Ultraplate's flexible decay range to create a wide range of studio textures.

Cathedra - Adapted from Mercury7, Cathedra is a massive and ethereal algorithm with a slow build. Cathedra is perfect for scifi textures and recreating C-beams glittering in the dark near the Tannhauser gate.

Spring - A flexible algorithm that can be voiced to replicate both the amp based reverb sounds and the classic studio spring tanks featured on early recordings.

78 Room - A lively and direct sound. This algorithm is great for transforming static sounding virtual amps into the difficult to capture sound of a great amp live in the room with you. The Room algorithm features a unique infinite mode (Maxed out Decay controls) that interacts with the Tank Mod to provide deep chorused and flanged reflections.

78 Plate - Fast and dense, the 78 Plate algorithm is a good match for beefing up percussion and vocals.

78 Hall - A large hall with a medium build up of reflections. Great for building up ambient walls of sound. The Hall algorithm's extended reflections are a great base for sculpting with the Bass/Mids/Cross controls. Deep rumbling bass caverns and ethereal upper mid emphasized halos of sound are easy to create. Explore the additional sparse mode for the Hall when Diffusion is set Low.

Prism - The Prism Strucure is an dual tank that allows you to build your own geometric rooms by specificying the size and distance and reflectivity. Prism features a highly configurable modulation section which allows different modulation phases per side to further increase the stereo image.

Gravity - The Gravity Structure works by accelerating indivual windows of your signal and stretching them across the horizon.
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 3 in stock $625.32
TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module
Cat: 1004139 Rel: 04 Mar 24
 
4-channel CV to ART quantizer module - 8HP
Notes: ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is TipTop#s second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP
Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA
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 1 in stock $253.71
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TipTop Audio The Analog Bundle S2: Octopus/3x ATX1/MIXZ/Z2040/Control Path
Cat: 1004146 Rel: 04 Mar 24
 
Bunble include Octopus, 3x ATX1, MIX7, Z2040 & Control Path modules
Notes: A serious bargain for anyone putting together a modular system, TipTop bundle three VCOs and the Octopus controller with their mixer, filter, dual envelopes and VCA. Great value.

Supplier's Notes:
The S2 is a promotional bundle that TipTop is offering to users, providing a 33% savings to get you started with ART. With these bundles, TipTop have included an incredible voice: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by TipTop's beloved 4-pole Z2040 filter that has been with them since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing. OCTOPUS is TipTop's first ART controller with more to follow, please select between Octopus or ART V/Oct Quantizer to get started with ART. Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.
Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.
Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop#s redesign of the most famous analog filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colorful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma
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 1 in stock $999.06
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UDG Ultimate Straight USB 3.2 Type C-C Audio Cable (blue, 1.5m)
Cat: 992112 Rel: 11 Mar 24
 
Straight USB 3.2 type C-C audio cable
Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Blue
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer
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 1 in stock $18.94
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