Bestsellers: Studio Equipment
The volca series has shed new light on classic technologies by linking classic sound engines such as the groove machines and early samplers of the past with the dance music of today. Now it's time for the series to gain an FM sound engine.
The volca fm is a three-voice digital FM synthesizer that completely reproduces the sound engine of a classic FM synthesizer, and provides compatibility with it as well. The unique volca interface makes it easy to manipulate distinctive FM sounds even if you're not familiar with the complexities of FM synthesis. The 16-step sequencer that's one of volca's features provides new functions such as WARP ACTIVE STEP and PATTERN CHAIN that let you make even more powerful rhythm patterns.
3-voice polyphonic FM synthesizer, fully compatible with classic unit:
The appearance of FM (Frequency Modulation) sound generation was a major turning point in the history of synthesizers. Its metallic and sharp sounds, most notably electric piano and synth bass, have been loved by all music creators since 1980 up to the present time. The volca fm perfectly reproduces the sound engine of the classic digital synthesizer that made the world aware of FM synthesis. Its six operators and 32 algorithms provide complete compatibility, and it can even load files in the SYS-EX/SYX format of the Yamaha DX7.
Super-easy sound editing:
The volca fm makes FM sound editing accessible with the MODULATOR/CARRIER super-easy edit knobs - the knob movements are mapped to multiple parameters for sound changes that are easy to understand. FM enthusiasts can also menu dive into full parameter edits. The volca fm comes accompanied with a Parameter List Guide to assist this.
Onboard CHORUS effect:
Along with a perfect reproduction of the sound engine, the volca fm is also equipped with a lush chorus effect to add depth to your sounds and further expand its sound-creating potential.
16-step sequencer allows to automate each parameters:
There's a loop sequencer with up to 16 steps, allowing you to record your performance on the touch panel keyboard just as you play. It's easy to create phrases that come to mind. Up to sixteen sequence patterns can be stored in internal memory.
And the motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances.
WARP ACTIVE STEP, ARPEGGIATOR and PATTERN CHAIN make crazy looping rhythms and patterns:
In addition to the active step function that lets you skip steps during a sequence, the volca fm provides new functions that enable you to generate more irregular rhythms. If the active step is fewer than 16 steps, you can use the warp active step function to compensate to occupy the same playback time as 16 steps; then by synchronizing the playback with another volca series unit, you can deliberately skew the step timing to generate truly unconventional performances.
In a first for the volca series, the volca fm is also equipped with an arpeggiator. By using this in conjunction with a motion sequence you can create extremely eccentric rhythm patterns.
Furthermore, the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences
Make clone by synchronizing two units of volca fm:
The volca fm provides a sync connector that can be easily connected to Korg's groove machines. Connect this to the other volca series unit, the electribe, or the SQ-1, and experience a session with synchronized sequencer playback. And when two units of volca fm are connected, you can clone the sound programs and sequence data from volca fm to volca fm.
The MIDI IN jack lets you use the volca as a sound module for DAW and MIDI controller.
With its compact size, battery operation, and built-in speaker, it's easy to take the volca anywhere and perform any time.
PLEASE NOTE: Comes with UK 3-pin power supply
It has unique digital lo-fi sound and it can be melodic as well as very noisy and drony, soft or harsh. It is designed to be fun on its own but it is most powerful when combined with other modular gear.
Kastle is an open source DIY project which runs on two Attiny 85 chips that can be reprogrammed with an Arduino (Google: "programming Attiny 85 with Arduino"). One chip is dedicated to sound generation while the other handles modulation. Several firmwares for the Attiny chips are available.
The Synth version combines complex oscillator and LFO with stepped waveform generator.
The oscillator section has 3 sound parameters pitch, timbre and waveshape - all under voltage control and with 3 different synthesis modes. It has a main output and a square wave output. Both can be used independently or combined. The 3 synthesis modes are phase distortion, phase modulation (also known as FM) and track & hold modulation. Each mode utilizes two oscillators. The Pitch controls the main oscillator, the Timbre sets the pitch of the modulating oscillator and the waveshape depends on the synthesis mode. The waveshape also controls the pulse width of the square wave output from the main oscillator.
The voltage controllable LFO has a triangle and square output and a reset input. The stepped waveform generator is inspired by the Rungler circuit by Rob Hordijk. It can produce 8 different voltages either in random order or in 8 or 16 step looping patterns depending on how the BIT IN is patched.
What is in the box:
- Kastle synth
- 10 patch cables
- Batteries not included
The iLok is a special USB device that holds your licenses for iLok-enabled software. Software publishers use the iLok to provide secure protection for their software. When you run their iLok-enabled software, it looks for the software license on your attached iLok.
The Third Generation iLok:
Smaller, faster, and with even greater capacity, the new iLok is here! The Third Generation iLok is fully compatible with software created for the second generation iLok. With its smaller form factor and metal body, it is more robust and less prone to casual damage.
- It's portable - you can authorize your software anywhere it is installed. At home, work, or at a remote location, you can keep your software licenses with you, not on your computer.
- It's convenient and cross-platform - Store your Mac and Windows iLok-enabled software licenses all on a single iLok. A Third Generation iLok can hold over 1500 licenses.
- Worry Free - Your licenses are on the safest, most secure solution: the iLok. With Zero Downtime protection available, you've got 24/7 peace of mind.
Managing your licenses has never been so easy. Using the iLok License Manager application, you can:
- View what is on your iLok(s)
- Download new licenses from participating software publishers
- Manage your licenses, including moving them between iLoks within your account and from your iLoks back to your account
- Transfer licenses to other iLok.com accounts
What do I need in order to use my iLok?
In order to use an iLok, you'll need at least 3 things:
- Your iLok
- A license for the iLok-protected software you want to run (you'll need to have the publisher place this license in your account or send you an Activation code)
- The software that is iLok protected (usually a download from the Publisher's or retailer's website, we do not host those on this site)
Your iLok will need special License Support software in order to talk to the protected software. Your protected software most likely installed this special software, but you can always get the latest version of this software by installing the iLok License Manager.
The Byron in-ear headphones offer an exceptionally detailed music experience on your mobile device. Strong, consistent sound with controlled bass ensures absolute listening enjoyment and epitomises our highly musical standards. Look forward to in-ear audio excellence.
Microphone and remote:
The Byron headset is equipped with a 3-button remote control and a hands-free microphone. You can use the remote control to pause the music as required or skip forward to the next title. You can also adjust the volume on Samsung devices and other Android players.* Thanks to the integrated hands-free microphone, not only can the Byron headset be used for listening to music but also for phone calls. Calls can be answered and ended with ease on all popular smartphones.
*The volume control only works on devices that comply with the Android specification. The high/low volume buttons do not work on Apple devices.
High wearing comfort:
A perfect fit is essential to provide full sound quality and ensure enhanced listening comfort also over longer periods of time. The Byron headset therefore comes with replaceable silicone eartips in three sizes. You can replace these small silicone plugs yourself with ease and choose them in a size that fits your ear.
- Silicone eartips in three different sizes
- Cable clip for secure and firm hold
- Convenient soft case with zip
The stand can be folded away making it ideal for musicians and DJ's on the go looking to maximise space.
USB fans help to keep the laptop cool in order to ensure optimised operation, the stand comes complete with a mouse holder.
Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.
The 2.0m cable is fitted with a 6.3mm standard jack plug.
Beauty Through Simplicity:
The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.
More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.
An Inspired, Iconic Sequencer Revisited:
One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.
The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.
The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.
A is for Authentic:
Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.
The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.
Did You Say Polyphonic:
The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
Excellent quality patch cables for use with Eurorack modules.
Made by AdInfinitum.
- Reworked analog circuitry delivering very deep and defined bass
- Enhanced analog overdrive for more bite and growl
- Crisp, large OLED screen providing optimal feedback in dimly lit environments
- Ultra durable back-lit buttons. Rated for 50 million presses
- Precise, hi-res encoders
- Quick performance controls
- Increased amount of dedicated buttons enabling quicker workflow
- Stereo audio outputs for each voice
- Expression/CV inputs for external control of Analog Four MKII parameters
- Overbridge with higher bandwidth
- Premium cast aluminium enclosure
Compact, rugged and to the point. Digitakt is a formidable drum machine. With an astounding feature set and an exquisite digital sound engine, the stage is set for a striking encounter.
Rhythm is a fundamental part of music. Off-kilter beats, four on the floor workouts, polyrhythmic excursions all serve the same purpose. They provide musical structure and sometimes they even make us dance.
Digitakt is a new compact drum machine from Elektron. It contains all the necessary tools to make people move to the beat. A digital and highly flexible sound engine, sampling capability, a live-friendly sequencer, the means to control external MIDI gear. Round it off with a super crisp OLED screen and wonderfully tactile back-lit buttons. Done deal.
Drum machines are something of an Elektron speciality. With the Digitakt we show why.
Complete computer integration:
Overbridge is a breakthrough technology. It allows Elektron analog instruments to be handled as software plugins. Your computer has become a new gateway to the unmatched sound of true hardware.
Full plugin control:
Shape your sounds and handle your patches with precision. The instrument specific software plugins are intuitive and beautifully designed, making analog circuitry more accessible and easier to manage than ever.
Record multiple Elektron machine voices to your computer. Or add warmth to DAW tracks with the analog circuitry of the Elektron machines. Always in complete sync at all times. One USB cable is all it takes.
All sound settings on an Elektron machine can be automatically recalled when you load a DAW project. It is quick, easy and simply works. Overbridge offers ultimate convenience. It is a time saver.
uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.
The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.
There will be a grace period of one month starting at release of Live 10 Intro, during which registered versions of Live 9 Intro will still trigger a free upgrade to Live 10 Intro.
A grace period of 4 weeks also applies to customers who registered Live 9 Intro up to 4 weeks before November 2nd 2017.
For further information please contact firstname.lastname@example.org***
What is Push?
Push is a hardware instrument designed and engineered entirely by Ableton for a music-making experience that is as hands-on, expressive and closely integrated with Live as possible. Push and Live work together seamlessly to let you make beats, play notes and chords, work with samples and develop song structure - all without needing to look at a computer.
Browse, preview and load your own sounds for making beats, or access Live's vast library of drums. Then play beats live with the 64 velocity-sensitive pads and adjust sounds and kits while you play, using eight touch-sensitive endless encoders. Or switch to a 16-pad mode that allows you to play in real time, step sequence beats, and adjust the length of your loop, all at the same time.
You can also tweak timing, velocity, and parameter values individually for each pad. And the free Live 9.7 update has brought the 16 Velocities drum layout, an alternative way of making dynamic beats, with 16 set velocity levels for playing or programming patterns.
Play notes and chords:
Push's pads correspond to pitches, and offer a condensed layout that encourages a fresh approach to melody and harmony: large intervals can be reached easily, and patterns can be played with the same fingerings in all keys. You can select a key and scale with the touch of a button, and Push's touch slider can be used for pitch bend or modulation.
Push also lets you step sequence notes and chords: use the pads to enter notes, then make precise timing changes, create variations or adjust note length and velocity. You can even step sequence automation: record a parameter's value for each step to create rhythmic, quantized parameter changes that are locked to specific notes in your loop.
Work with samples:
Three separate workflows offer fast and flexible ways to get creative with your samples. Classic mode lets you turn melodic samples into playable pitched instruments. In One Shot mode, samples playback monophonically and all the way through, no matter how long you hold the pad - perfect for playing drums. You can also transpose a playing sample without retriggering it, allowing you to transform musical phrases into whole new melodies.
Slicing mode is designed for chopping up longer samples. With the Live 9.7 update you can now slice by beat division and region, or manually set slices, and instantly play each slice on a different pad. It's perfect for rearranging loops on the fly or for creating drum kits from recorded grooves. Plus you can now select and record audio and MIDI ins and outs directly from Push, so you can sample your external gear and more, without disrupting your flow.
Beautiful and playable:
Everything about Push has been carefully considered to provide a quality playing experience. The multi-colour display adapts to show you exactly what you need to help you stay in the creative flow without adding distraction. Push's pads have been designed to feel soft, smooth and responsive - perfect for creating expressive beats and melodies.
Push is equally at home in the studio or on stage. You can keep your performances in-the-moment by switching between improvising with loops and playing drums, notes, and chords - all from the same playing surface.
Seamless with Live:
Using Push, you can launch clips and scenes, tweak device parameters and control mixer levels and sends - Live can capture every movement. When you're ready, switch from Push to your computer to find your music already laid out in Live - the software that was powering your work the whole time.
The ISO-L8R155 speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.
An important aspect of the speaker stand design is the ability to adjust the height and tilt angle of the supported speaker enclosure to optimize its position relative to the listener.
2 lengths of tubing along with 2 sets of end-plug pairs provide 14 steps of height adjustment as the combinations are used to tilt the speaker up and down. The stand can be assembled and reconfigured repeatedly to establish the ideal position off the supporting surface and focused towards the listener.
The tube lengths and end-caps combinations provide a simple means to establish optimal adjustment of large and small monitors over the typical 36" to 48" listening distance for mixing and evaluation.
The ISO-L8R155s speaker stands prevent the transfer of speaker cabinet energy to surrounding surfaces, effectively isolating the speaker from the desktop, bookshelf or other surface. By allowing the speaker to perform in free space, it's able to sound the way it was intended. The end result is a more accurate, satisfying sound, which makes mixing and listening a better experience.
The stands can be configured to 3" or 8" in height with the inserts that provide a variety of tilt-up and tilt-down adjustments.
6 in stock $103.71
New sounds and new gear pave the way for new music, and Reason 10 is here with a rackload of new synths, instruments, samples and more. Grain and Europa: two massive, brand new synthesizers. Klang Tuned Percussion, Pangea World Instruments, Humana Vocal Ensemble: three new live-sounding organic instrument devices. Radical Piano: a top-notch acoustic piano. Synchronous: creative modulation device. Loop Supply and Drum Supply: a multi-gigabyte infusion of cutting-edge drum loops and samples. What music will you create?
Europa Shapeshifting Synthesizer:
Europa was created for huge, epic sounds and oh boy, does it deliver... From big stacks of buzzing sawtooths to shimmering, glitched-up sonic explorations, Europa has you covered. To call it a wavetable synth wouldn't be wrong, but it's so much more than that. Apply a wide range of modulation to the waveform itself, to start with. Add advanced spectral filtering, harmonics processing and even draw your custom waveforms. And the best part: despite its deep synthesis powers, it's still surprisingly easy to use.
Grain Sample Manipulator:
Get granular with your samples! The Grain synthesizer opens up the world of granular synthesis for your creative use. Drop any sample into Grain and explore the endless sonic variations you can create with Grain's selection of playback algorithms, ultra-flexible modulation, routing and effects. With immense sonic power and an inviting interface, Grain is the easy-to-use sonic lab that turns your samples into grains and your grains into music.
A huge cache of inspiration:
Update your sound with this multi-gigabyte injection of cutting-edge loops and drum samples made to deliver up-to-date pop. electronic and hip hop sounds for Reason. Get creative with a huge selection of patches for Reason's Kong drum machine and Dr Octo Rex loop player.
Advanced Acoustic Piano:
The premise is simple. The results are stunning. Three basic pianos paired with the technology to make an infinite number of your own. Based on a custom blend between sampling technology and physical modelling algorithms, Radical Piano affords songwriters, producers, and sound designers an unprecedented level of control to craft a realistic piano that is 100% unique.
Timed Effects Modulator:
Bring your music to life with Synchronous' modulation effects. Create quick sidechain effects or draw your own LFO curves to control filter, delay, reverb, distortion and level. Make your sound evolve, change and loop over time.
Buy this upgrade if you own any of the following products:
- Reason (version 1-9.x)
- Reason Student/Teacher
- Balance with Reason Essentials
Mac OS X
- Fast, stable internet connection for installation and registration
- Intel Mac with multi-core processor
- 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions)
- 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space.
- Mac OS X 10.7 or later (64-bit)
- Monitor with at least 1280x768 resolution
- CoreAudio compliant audio interface or built-in audio hardware
- MIDI interface and a MIDI keyboard recommended
- Fast, stable internet connection for installation and registration
- Intel or AMD multi-core processor
- 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions)
- 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space
- Windows 7 or later (64-bit)
- Monitor with at least 1280x768 resolution
- Audio Interface with ASIO driver
- MIDI interface and a MIDI keyboard recommended
- Anti-tangle nylon braid
- Retro-style colour options
- Anti-tangle nylon braid
- Retro-style colour options
Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.
There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create. Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.
Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.
For the electribe, KORG designed a synth engine that gives you the maximum sound-creating freedom and the fastest sound production. The 409 oscillator waveforms include analog modeling and PCM. The analog modeling synth engine provides a broad variety ranging from simple basic waveforms to complex combinations such as dual, unison, sync, ring modulation, and cross modulation. The PCM sound engine provides mainly rhythm sounds, but also covers multisamples for keyboard. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)
The filters at the heart of the sound-shaping capabilities are inherited directly from the KingKORG, and they use filter algorithms that simulate standard synthesizers so that you can get "the sound" which was used in famous songs, just by selecting the appropriate filter type.
You can also apply filters to drums to create rhythm tracks that are rich in tonal variation. Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.
The new electribe provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.
The master effects can be controlled from the touch pad just like on the kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities. There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration your musical ideas.
VOLCA, MICROPIANO, JS-DS, MONOTRIBE, MICROKORGXL, MICROSAMPLER, PS60, MICROSTATION, KO1PRO (KAOSSILATORPRO), WAVEDRUM (WDX), WAVEDRUM MINI (WDMINI), KP-QUAD, KPQUAD, MS-20MINI, MS20 MINI, KP3+, KAOSSILATORPRO+, MICROKORGXL+, KROSS
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.
The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.
Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.
The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.
16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.
There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.
In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.
Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
A vintage-style analog drum machine from Korgs recently announced Volca series. The Volca Beats includes a 16-step sequencer and 6 x editable analog parts including kick, snare, Hi/Lo toms and open & closed Hi-Hats designed to provide sounds reminiscent of classic 80s drum machines. It also has an additional PCM engine which is said to produce 4 x Lo-Fi percussion sounds including clap, claves, agogo and crash sounds.
There is one-knob-per-function parameter control for crafting each of the six analog sounds including click, snappy, pitch, decay and grain. The PCM sounds have control over pitch and speed. There is also a Level knob allowing volume adjustment of each part.
The 16-step LED-lit sequencer has 8 x memory locations for saving patterns. It includes a recordable stutter function for generating repeated triggers (or drum rolls) and delay effects, an active step feature for quickly adding or removing individual steps, and a step jump function that will instantly play any step. Notes can be entered live as the sequencer is running.
You can also wirelessly synchronise playback of all of the units in the Volca series with any iOS music app that support Korg's Wireless Sync-Start Technology (WIST) using their SyncKontrol iPhone app. This also allows control of the swing settings and fine control of the tempo (including tap tempo).
The Volca Beats is battery powered (with optional AC power) and includes a built-in speaker. It weighs in at only 372g with dimensions of 193 × 115 × 45 mm (W x D x H).
The Volca Beats editable controls include:
Kick (click, pitch, decay, level)
Snare (snappy, pitch, decay, level)
Hi/Lo toms (hi picth, low pitch, decay, level)
Open/closed Hi-Hat (closed decay, open decay, level)
PCM sounds (pitch, speed, level).
Precision moulded for an exact fit whilst accommodating cables, your Push 2 can sit ready for operation. Slides straight into a flight case or controller bag ready for transportation. Shields delicate controls from damage in the studio, in transit and on stage.
Classic Polyphonic Synthesizer:
The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 12D's pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right.
The FX Racks:
We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms - including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modelled after some of the most iconic and sought-after processors, DEEPMIND 12D's FX were essentially "rebuilt" in the digital domain - and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 12D, ensuring flawless performance and flexible routing.
Immersive visual feedback:
See everything you need, when you need it, where you need it: Two high-res colour screens provide essential information on sounds and projects, backlit function buttons vary in colour and intensity to indicate their state, and the precision Light Guide pinpoints the location of sounds, key zones, switches, scales, and more.
Find your sounds faster:
Finding the right sound amongst a sprawling sound library can be difficult, not to mention time consuming. Now you can find exactly what you're looking for across all KOMPLETE and Native Kontrol Standard (NKS) instruments using a simple, intuitive tagging system - directly from the hardware. What's more, you can hear an instant preview of each sound as you browse.
Need a hip hop kit? Select Drums > Urban Drum Kit > Sample-based, scroll through the presets and pick the right one for your track. If you really like what you hear, just tag it as a Favourite for instant access next time.
Pre-mapped and ready to play:
All of your KOMPLETE and NKS instruments are pre-mapped to the KOMPLETE KONTROL hardware by the people who know them best - the instrument designers themselves. All essential parameters load instantly and are displayed across the two colour displays, intuitively divided into pages. That means you can see exactly what you're adjusting in real time - whether it's in kHz, dB, or BPM.
Stay-on key, with notes of the currently selected scale or mode lit on the Light Guide. Activate chord mode to create a progression by playing single keys, then switch on the arpeggiator and turn it into an expressive musical performance. And for keyboard novices, Easy Mode maps the white keys to whichever scale you like, so you'll never hit a wrong note.
Precision pitch, mod, and expression:
Get precise control of pitch and mod functions via two ergonomic, rubberized wheels. And the ultra-sensitive touch strip provides a fun, responsive alternative to plugging in a dedicated expression pedal.
Get hands-on with your workflow:
Capture all your ideas, directly from the keyboard itself: KOMPLETE KONTROL gives you immediate access to transport, mixing, and editing controls in Logic Pro X, Ableton Live, and GarageBand, complete with visual feedback and volume metering on the keyboard's built-in displays. And with MIDI in / out, incorporating outboard gear into your setup is just as simple.
Note: Advanced integration with Cubase and Nuendo will be available via a free update in late 2017.
Integration for all your instruments:
NKS means intuitive control over hundreds of instruments from leading manufacturers - including Heavyocity, Spitfire and Soniccouture. This extended plug-in format allows all developers to define the way their products integrate with NI hardware, so support for powerful features like tag-based browsing, Light Guide feedback, and pre-mapped controls now extends far beyond the KOMPLETE universe. And for VST instruments that haven't yet been updated to NKS, it's simple to create your own mappings from KOMPLETE KONTROL software.
Experience total control and inject some impact to your production with Akai Professional and CAPSUN ProAudio. Until 31st January 2018, new and existing users of MPK Mini MKII can expand their sonic arsenal with an exclusive, expertly-curated Ableton-ready sample library comprising:
- 3 Ableton Live Clip Projects (Lite, Standard, Suite & Drum Rack versions)
- 8 Drum Racks and 1 Drum Rack Project including drum, bass, vocal / FX and melodic one shot samples
- 6 Audio FX Racks; 3 drum, 3 melodic
- 8 groove fuelled MIDI drum clips
- 8 hard hitting, professionally mixed drum loops
- 128 production ready one shot samples
- 40 inspiring melodic, bass, vocal and atmospheric / FX loops
Go mobile without losing control. The new MPK mini is an ultra-compact keyboard controller designed for the traveling musician and the desktop producer. With an array of hardware controls, MPK mini lets you record, compose, and perform with virtual instruments, effect plugins, and DAWs whenever inspiration strikes. It features 25 velocity-sensitive synth-action keys, a 4-way thumbstick for dynamic pitch and modulation manipulation, 8 backlit velocity-sensitive MPC-style pads, and 8 assignable Q-Link knobs. Plus, two banks expand the number of MPC-style pads to 16 for extended creative capabilities.
MPK mini includes all the essentials for quickly laying down and expanding upon your musical ideas. Dedicated Octave Up and Down buttons increase the keyboard to the full melodic range, and a sustain pedal input is built in for expressive playing and recording. An onboard arpeggiator with adjustable resolution, range, and modes makes it easy to create intricate melodic lines with little effort. Plus, MPC Note Repeat and Full Level allow users to access genuine technologies from Akai Professional's line of MPC workstations.
For maximum portability, MPK mini requires no software drivers or external power adapter for operation. It supports plug-and-play connectivity, features USB-MIDI, and powers up with a single USB connection to your Mac or PC. Four memory banks enable you to store hardware/software presets for quick and easy setting up of your computer and MPK mini.
MPK mini comes bundled with professional production software and virtual instruments for immediate music creation. Hybrid 3, by AIR Music Tech, is a high-definition synthesizer that can create anything from fat, retro synth sounds to edgy modern leads and everything in between. SONiVOX's Wobble is an electronic music grime synthesizer that features two independent channels of spectral morphing synthesis with harmonic controls, individual filtering, and discrete LFO controls. MPC Essentials, a groove/beat production and sample-triggering software, lets producers and musicians incorporate genuine MPC workflow into their DAW of choice and extends the power of MPK mini by adding up to 8 pad banks and 4 samples and insert effects per pad. MPC Essentials also runs in standalone mode, so you can start making music without a DAW.
Unlock the true potential of your MPK mini with the MPK mini MIDI Editor software. This MIDI editor is a powerful preset management software that lets MPK Mini users customize their hardware and software setup on their Mac or PC. Create and tweak presets for your favorite virtual instruments, plugins, and DAWs, then store them on your MPK mini. You'll spend less time setting up your gear and more time doing what you love - making great music.
***NOW INCLUDES VIP 3.0 - The ground-breaking, award-winning music software platform that provides musicians and composers with a powerful hands-on control solution for their virtual instrument and virtual effect collection***
Experience expanded control of your VST instrument and effect collection with MPK Mini Mk2 and VIP3.0 (Free Download Included).
VIP3.0 provides you with unparalleled access to your virtual instrument and effect collection, seamlessly integrating the hardware / software experience and grants the unrestricted freedom to create in a user-friendly, intuitive format. The combination of VIP and MPK Mini Mk2 maximizes workflow and ensures a playing experience that feels natural and enhances creativity - the natural, tactile feel of hardware fused with the unrivalled processing capability of virtual Instruments.
Quickly find sounds based on instrument type, timbre, style or articulation from your entire VST library; sculpt immersive, expressive sounds and textures layering up to 8 separate instruments and patches per VIP instance; load up to 4 different VST effects per instrument channel to sculpt the perfect sound; put power into your performance with Pad Chord Progressions and user-friendly Key Control processors; and much more. From live performance to studio production, VIP's user-friendly functionality coupled with a diverse feature set guarantees simple, seamless integration into your existing setup and provides the ul
The LPD8 laptop pad controller is a USB-MIDI controller for musicians, producers, DJs and other music creators. It measures less than 13" across and weighs less than a pound to easily fit into a laptop case, backpack or messenger bag for extreme portability.
The LPD8 is based on Akai Professional's MPC line of iconic music production stations. Producers who love the feel of the MPC and want to work with software on their computer will find that the LPD8 gives their laptop the controls they prefer over a mouse and keyboard.
The LPD8 has 8 orange light-up pads that are velocity sensitive for programming rhythmic or melodic parts. The pads can also send program-change information to software. Additionally, the LPD8 has eight assignable Q-Link knobs you can assign to virtually any parameters in their software for hands-on control.
The LPD8 works plug and play with Mac and PC and requires no software driver installation or wall power for operation. It has 4 memory banks for programming and recalling settings appropriate to different software programs you use.
Make music in any setting with the LPD8.
3 in stock $43.03
1:3 is a 3-output buffered multiple, with an offset error < 0.1%. It is useful for distributing the voltage from a CV output with a large protection resistor to several modules - particularly VCOs.
2:2 is a 2-input summer with unity gains. The sum of the two input channels is distributed to 2 outputs.
3:1 is a 3-input mixer with a gain of 1/3 for each channel (averager). It is particularly suitable for rapidly mixing audio sources such as oscillators, for which a unity gain mixer would have caused clipping.
A 2-color output monitoring LED is available for each of these functions.
What about four more?
Veils provides four VCAs with an adjustable response curve. Veils' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.
More than 10 in stock $143.97
Branches packs two such gates in a small 6-HP panel. Get a sequencer to randomly skip steps, randomize drum patterns, dispatch events from a sequence to two subpatches, or patch a monster modular Pachinko machine...
Input specifications: 100k impedance, 0.6V threshold.
Output specifications: 5V HIGH level.
Response time: 15us.
Current consumption: +12V: 10mA, -12V: 1mA.
Everything about the DR-05 is designed to get the best quality recordings of your music. A new pair of built-in microphones withstands up to 125dB SPL - the volume of a jet plane from 200 feet away - yet still have the sensitivity to capture every detail of a performance. You can add your own microphone or line-level source through the 1/8" stereo input, including plug-in power for microphones that need it.
Internally, the DR-05's digital and analog circuit boards are built separately to increase noise performance, with a low-impedance design to further decrease hiss. A separate power supply is sent to the A/D and D/A converter for even better audio performance. The result is clean sound quality - over 92dB signal to noise ratio, under 0.05% total harmonic distortion and 20Hz to 40kHz response (-1/+3dB) at 96kHz/24-bit resolution.
The layout of the DR-05 has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away. Dig deeper to find features like limiting, low cut filtering, a built-in chromatic tuner and more.
One new feature that makes the DR-05 easy to operate is the new Peak Reduction feature. This setting automatically sets your recording level by listening to the input and adjusting for the best level. Unlike Auto Gain settings, this one only goes down to prevent accidental distortion after a period of low level like a break. Peak Recording works in rehearsal mode or in record, so if the performance is louder than the soundcheck you're still safe. Used with the built-in limiter, it's unlikely you'll distort your career-making live recording.
Other classic TASCAM features are included, like Variable Speed Audition to loop and slow down music without changing the pitch - perfect for transcribing or learning new music. A Level Align function can be switched on for playback, to smooth out any sudden volume jumps, and a built-in speaker is also provided. The two AA batteries are enough to power the recorder for 17 1/2 hours, even while recording at CD quality.
For musicians and recordists at any stage of their career, there's no easier way to get great-sounding recordings than Tascam's DR-05.
The "DR-05" is equipped with omnidirectional stereo condenser microphones that can not only record sounds directly in front of the microphones but also record ambient sound from all directions. This is great for capturing the excitement from the audience such as at live events, producing realistic recordings. The recording format is compatible with 24bit/96kHz, which is higher than CD quality.
Proven high sound pressure design that is perfect for loud recordings such as bands or passing trains. It can be used for recoding quiet sound sources such as lectures or for loud sound sources such as rock bands.
The peak reduction function automatically lowers the level when a peak sound is detected and continues recording. The level can be set automatically according to the sound source, so it is easy for anyone to set the optimal level.
The "DR-05" has a total of three different input signal level adjustment functions including a peak reduction function.
The overdubbing function allows for overdub recording while playing a recorded file. This can allow you to record other parts of a musical production such as a guitar solo over a recording made at a rehearsal studio later at home. Overdubbing creates a new file, leaving the original file unaffected, making it easy to rerecord.
Reverb can be added for music demo recordings and overdub recordings to add a more natural resonance. Reverb can also be used during playback, making it possible to express the 'live' feeling at a hall by adding reverb to created music.
Records and pauses automatically. If the input signal level falls below the nominal level for more than 5 seconds during recording, it automatically switches to standby. If the input sound level rises above the nominal level again, recording restarts as a new file. This is useful when you do not want to record unnecessary portions such as lecture intermissions.
If the input signal level falls below the nominal level for more than 5 seconds during recording, it sets a mark when it rises above the nominal level again. This is useful when you want to search for a song position after a recording such as for live recordings. Marks can be used by BWF compatible software.
The TASCAM DR-10L is an ultra-compact, incredibly convenient digital recorder/lavalier microphone combo. For added flexibility, the included wired lavalier microphone is affixed via a 1/8" screw-down lock connector compatible with most Sennheiser lavalier mics and mics with the same connector.
Designed for both the creative filmmaker and the busy videographer, the DR-10L is an immensely powerful problem-solving tool, delivering professional sonics and revolutionary convenience.
Ideal for location recording, a DR-10L can be mounted to each on camera actor, removing the need for booms, wires or expensive (an unpredictable) wireless systems. Perfect or live events, a DR-10L can be worn by each and every member of even the biggest wedding party to ensure that every last word is captured. And lastly, the combination of a portable, high quality digital recorder and a tiny, professionally spec'd microphone makes the DR-10L an inspiring tool for the experimental audio designer.
Building on the success of the DR-10X and the DR-10SG, the DR-10L marries the industry standard TASCAM portable mini-recorder with a high performance lavalier mic. Easy-to-use - and easy-to-wear - the DR-10L can become your secret weapon in the war against poor production audio.
Dual recording records two files simultaneously at different levels:
Film-makers and videographers often experience sudden audio volume jumps during filming. An actor could decide to scream a line and a documentary subject could do almost anything. Designed to be used as a self-contained remote recording device, the DR-10L is well prepared to deal with these scenarios. The DR-10L has several features to prevent distorted audio, but the most secure is Dual Recording. This feature captures a copy of your signal at a lower level, as a safety track in case of distortion.
Automatic file closing saves file data before the battery runs out:
You can always monitor the battery level on the easy-to-read OLED display. If the battery runs out in the middle of a recording, the unit will automatically save the file before turning off so your take isn't lost. And the case is designed so that batteries can be changed quickly, without removing the recorder from the camera shoe mount.
Automatic level, limiter and other functions solve common recording level problems:
If the input sound level is too low or too high, an automatic level function can increase or decrease the recording volume to an appropriate level. The limiter prevents distortion caused by sudden input overloads. These functions save you from worrying about recording level settings in situations when there is no second chance.
Compact and lightweight body that is only 63 g, including battery:
The DR-10L has been designed to be small, light and easy to conceal. Perfect for on-camera talent, documentary subjects or entire wedding parties, the DR-10L can easily be hidden away and so that noting comes between you and the perfect shot (with perfect audio!)
Operates for up to 10 hours continuously on a single alkaline AAA battery:
One easily obtained Alkaline AAA battery powers the DR-10L for up to 10 hours continuously. The DR-10L can also use disposable lithium or rechargeable NiMH batteries.
In the Box:
- Tascam DR-10L Digital Audio Recorder with Lavalier Mic
- Lavalier Microphone
- Microphone Clip
- USB Cable
- Carrying Case
- Belt Clip
While the 0-COAST utilizes classic modular synthesis techniques, it's designed to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!
Using the included Patch Cables you could get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you've ever known.
When most people think of vintage synthesizers, they think of analog beasts with lots of knobs and sliders. The 1980s ushered in something new: sleek keyboards with digital engines that brought musicians and producers a totally new palette of sounds not previously possible with analog.
As Roland's first all-digital performance keyboard, the D-50 took the world by storm with its unique mix of sampled attack transients and synthesized waveforms combined with built-in digital effects and...a joystick!
Name a famous track from the late '80s to early '90s and there's a good chance it was built around one or more Roland D-50 sounds. Unabashedly digital, the D-50 has taken its rightful place in the hallowed halls of classic vintage synthesizers. Its sound is unique and beautiful, and it brings a certain "something" to your tracks that you just can't get anywhere else.
New Wave. New Jack. New Age. And So On:
The '80s were a dynamic period for pop music. Producers were trying new things, looking for new sounds, and new genres were being forged at a furious pace. From 1987 on, the Roland D-50 was massively influential and appeared in studios and on stages around the world. Some of the most revered recording artists in history have used the beautifully crafted presets, unaltered, as the cornerstone of huge international hits. There's just something about the quality of its sound that grabs you. And with the Roland D-05, we celebrate the 30th anniversary of this trailblazing synthesizer by putting all the powerful beauty of the D-50 into the modern Roland Boutique format.
Samples Meet Synthesis:
So, what exactly made this synth so attention-grabbing? The D-50 used an innovative mixture of short, sampled attack transient waveforms blended with digitally synthesized sustaining sounds. This technique, dubbed "Linear Arithmetic (LA) Synthesis," offered the realism of expensive (at that time) digital samplers, the expressiveness of a synth, and the polish of a high-end studio thanks to onboard digital effects. It's no wonder the D-50 became one of the best-selling professional keyboards in history.
But thirty years on, the combination of sampling and synthesis is as relevant today as the era in which the D-50 shined so brightly. Dig deeper into the structures of the LA Synthesis sound engine and you can create powerful percussive patches, smooth ambient pads, and staccato sequencer sounds that give you that "something new" you've been looking for.
The compact form factor of the Roland Boutique line provides professional synthesizers designed to fit in any studio, stage, or music space. At the D-05's core lies the first synthesizer with Digital Circuit Behaviour (DCB) technology combined with the exact PCM attack and loop samples as the original D-50, precisely recreating every tonal nuance in stunning detail. The user interface is totally authentic as well, with the inclusion of plenty of direct-access controls. Even the all-important joystick is included to smoothly morph between different mixes of Upper and Lower Tones, perfect for performance and sound design.
But the D-05 also has some exciting updates. The 64-step, polyphonic sequencer is great for performance and sparking new ideas. It can store tempo and patch changes, and can sequence shuffle and gate timing. And the built-in arpeggiator adds movement to the already evocative sounds. The D-05 is rugged and compact, runs on batteries or USB power, and can go just about anywhere. You get flexible connectivity with audio and MIDI over USB, space-saving 1/8" analog jacks, and 5-pin MIDI ports. The D-05 can even be an audio interface for your computer, meaning less stuff to carry around, fewer cables, and faster setup.
And because the D-05 is compatible with Roland Boutique accessories, you can put it in the optional DK-01 Boutique Dock for a compact enclosure that offers various tilt options, or the K-25m Keyboard Unit for a fully playable D-50 that slips into a backpack. With all this power and flexibility, you may be most surprised by the D-05's affordable price, which puts the iconic D-50 experience within reach of just about anyone.
It is, in essence, a VCFA (Voltage Controlled Filter Amplifier). Unlike the Optomix, the LxD offers two different filter responses. CH. 1 offers a 12db/ Octave response that is mildly-resonant, while CH. 2 offers a 6bd/ Octave that is non-resonant.
The Output of CH. 1 is normalled to the input of CH. 2. This normalization puts the two channels in series, which is similar to the VCF into VCA arrangement made popular by many monosynths of the 1970's.
The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.
In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
More than 10 in stock $520.29
Excellent quality patch cables for use with Eurorack modules.
Made by AdInfinitum.
The Kenton Merge 4 is powered from a mains adaptor (wall wart) so you can fit and forget.
PLEASE NOTE: Comes with UK 3-pin power supply
By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha's speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5" model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.
MiniLab MkII is a high quality, feature-packed controller which gives you hands-on access to the sounds in your virtual studio. Breathe new life into your sounds by playing, tweaking, tapping and twisting its rugged controls. This powerful controller also comes with several critically acclaimed software titles that will have you creating professional recordings in no time. Analog Lab Lite lets you perform using hundreds of legendary synth, piano, organ & string machine sounds. Ableton Live Lite lets you record, arrange, and cultivate your musical ideas into a finished product. UVI Grand is a recreation of the Steinway Model D piano.
Thanks to the constructive feedback from Arturia's family of product owners - people just like you - we have refined the original MiniLab into something new and exciting:
Created with the mobile musician in mind, MiniLab MkII has a slim, compact profile which makes it perfect for transporting to and from gigs, and for keeping you creating when you're travelling. With its rugged, durable construction, the revitalized MiniLab can take the strain of life on the road, ready to perform night after night.
Not everyone has the luxury of a spacious studio, and this is where our reinvented controller really shines. MiniLab MkII has a tiny footprint allowing you to place it virtually anywhere within your set-up, even if the only space available is on your lap. The quality of every component has seen an improvement over the original model, from the keybed to the controller knobs, the touch sensors to the outer casing. Despite the hardware upgrade, MiniLab MkII is still one of the most affordable dedicated controllers on the market.
Portable, yet fully featured. Lightweight but rugged. MiniLab MkII is the new go-to small controller for producers in the know.
Time is precious, and you need simple, effective control. MiniLab MkII gives you unadulterated access to your software sounds:
Helping you make the most of your virtual instruments and recording software, MiniLab MkII features a great-feeling keybed with 25 slim-keys, 16 knobs, 8 pads, and touch controls in a space-saving package. Whether you want to experiment with a bass line, tap out a solid drum beat, or tweak the parameters of your favorite synth patch, our new controller gives you the freedom to totally control your music any way you like.
To help transform your musical ideas into fully-fledged, pro-sounding recordings, MiniLab MkII includes a powerful music production platform, Ableton Live Lite. Every single one of MiniLab's controls is automatically assigned thanks to dedicated pre-mapping, letting you spend less time in the settings menu and more time making music. Adjust your track levels, tweak filters and effects using the knobs; launch clips, capture drum performance, or control playback with the pads. MiniLab is here to make your musical life easier.
From inception to completion, MiniLab MkII keeps you in control every step of the way.
MiniLab MkII comes loaded with some of the best software around:
Our new MiniLab is a pure controller which - while containing no onboard sounds - lets you play, tweak, and manipulate software instruments via MIDI. To get your virtual recording studio up and running, we have included a wealth of professional quality instruments and production software to take your music to exciting new places.
When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.
Hosa cables are built with the hard-working, hard-touring musician or audio professional in mind. Hosa cables are exceedingly popular, due in part to their reputation as being one of the most affordable and high-quality cable lines in the business. Hosa cables have also received praise for their durability and excellent performance. When it comes to audio cable design, Hosa keeps a steady eye on the basics, and you can hear this attention to detail in their sound. To make your next music experience extraordinary, pick up a Hosa cable today.