New releases last eight weeks: Studio Equipment

Notes: The Chorda Strap Pack includes a premium adjustable shoulder strap and custom-designed strap pegs. Crafted from high-quality seatbelt material and vegan leather, the strap adjusts from 38 to 65 inches, offering the perfect fit for every musician.

The pack also includes two aluminum pegs, allowing you to easily and securely attach this strap - or any other favorite - to your Artiphon Chorda.

Notes: Serious drum power, presented here in a limited-edition retro colourway. Ten analogue drum circuits, powerful sequencer and excellent performance features, all in a user-friendly package.

Suppliers' Notes:
Drumbrute Impact 1984

Defiant analogue sound

A limited-edition analogue drum machine that fuses a timeless look with a beefy, Brute-powered sound. With per-voice colour controls, built-in analogue distortion, and polyrhythmic sequencing - craft raw, punchy rhythms with ease.

Unleash the rebel within

The same powerful 10-voice analogue drum machine, reimagined in an iconic off-white finish. DrumBrute Impact 1984 merges in-your-face analogue percussion with a polyrhythmic 64-step sequencer and modern-sounding appointments in a compact, instantly satisfying beat-making machine.

Punch it in

Perform beats on the fly with 8 responsive pads. Finger-drum live or record in real-time. Improvise over existing sequences or record your jam as you go. Switch banks while playing, quickly mute or solo channels, and watch the pads light up with every triggered sound.

Hook it up

Thanks to DrumBrute Impact 1984's advanced I/O, you can produce and perform your own way - sync up with your entire hardware rig and let the analogue mayhem commence.

With multi-out, midi and sync, route your hats and snares through external effects, jam with a modular system, or chain multiple drum machines together. It's up to you.

Discover your flow

From crisp, quantized hits to unquantized jamming - DrumBrute Impact 1984 adapts to your style. Use accents for extra dynamic punch or dive into polyrhythms to create endless evolving grooves. Add movement with step components like random, repeat, or roll for a living, breathing sequence.

10 in-your-face analogue sounds: Kick, Snares, Toms, Hats, Cowbell, Cymbal, and FM.
64 patterns with up to 64 steps, chainable in Song mode.
Chain patterns to create 16 songs, perfect for live sets.
Swing control to add groove, per instrument or globally.
Randomness to generate beat variations.
Output distortion for rich analogue warmth, with bypass.
Colour control for per-voice tonal shaping.
Sync to anything via USB, MIDI, or Clock.
3.5mm headphone output with metronome override.
Group outputs for kick, snares, hats, and FM.

A closer look

Explore DrumBrute Impact 1984 in detail, from its hard-wearing pads to its raucous driven sound palette

Get hands on

DrumBrute Impact 1984 is a drum machine for demanding musicians who crave raw power and monstrous tone. Tweak the Color, slam the Distortion, push the Polyrhythms further than ever before. Are you ready to make an impact?

Notes: Limited-edition orange version of the superb Hydrasynth Explorer. A smaller, more affordable version of the Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

Supplier's Notes:
The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and the new, mid-sized Polytouch polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.

With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, the Hydrasynth Explorer has the proprietary 37-note mid-sized Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; ASM had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!

Enter ASM, with patented Polytouch technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouch keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Battery-powered operation

The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.

Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have an easy-to-use WAVELIST mode. This mode lets you select any 8 waves from the diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.

Mutants
Oscillators 1 & 2 are routed into ASM's MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.

The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.

Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful?

Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.

LFO's
5 Low-Frequency Oscillators
Much like ASM's sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? Glad you asked...

Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. The 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!

Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. There are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.

Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.

Notes: Top quality sound from this classic condenser design. Ideal for vocal recordings but also suitable for most instruments, the OC16 is a perfect all-rounder for studio use, podcast production or broadcast.

Supplier's Notes:
Elevate Your Craft. Explore Your Sound.

Legendary sound quality meets unrivalled state-of-the-art technology when you pick up the Austrian Audio OC16 large diaphragm condenser microphone.

This robust and powerful mic combines the patented CKR6 capsule and Austrian Audio's "Open Acoustics" design approach to deliver an utterly transparent and natural sound that has been highly acclaimed in the press.

The OC16 is perfect for studios of any size-whether you're tracking in a bedroom studio or topping the Billboard charts.

Each handmade CKR6 capsule - the same that is used in the OC18 - is tested and measured in-house before leaving the factory in Vienna, ensuring superior precision and quality.

Precision Meets Passion

Each handmade CKR6 capsule is tested and measured in-house before leaving the factory in Vienna, ensuring superior precision and quality.

The OC16 performs with impressive versatility, capturing pristine sound on any instrument - from drums to acoustic instruments, electric guitars, pianos, wind and string instruments vocals, podcast recordings, live streaming to broadcast applications.

For sound engineers, recording artists, musicians, voice artists, and content creators looking for professional sound and outstanding quality, look no further than the Austrian Audio OC16 large diaphragm condenser microphone.

Technical Specifications

Directional characteristic: Cardioid
Frequency range: 20Hz - 20kHz
Sensitivity: 11 mV/Pa
Equivalent noise level: 14 dB SPL (A)
Max. SPL: 148 dB SPL
Analogue low cut filter: 40 Hz, 160 Hz
Impedance: 275 O
Load impedance: > 1 kO
Supply voltage: 48 V (<2.2mA)
Main connector: XLR 3 pin
Dimensions: 157 x 66 x 34 mm
Weight: 335g

Notes: Great sound you can count on

The Austrian Audio OD303 dynamic stage mic offers effortless sound quality and rugged reliability, for great sound you can count on.

The well-balanced, open, but at the same time powerful sound is unparalleled at this price point.

With its rugged construction, the OD303 will withstand daily use in the rehearsal room and the rigors of a hard touring life without problem. The die-cast housing is almost indestructible and the microphone fits perfectly in the hand.

Technical Specifications

Directional characteristic: Supercardiod
Frequency range: 35Hz - 16kHz
Sensitivity: 1.8 mV/Pa
Pop noise protection: 3D Pop Noise Diffuser
Impedance: 1200 O (symmetrical)
Load impedance: > 1 kO
Main connector: XLR 3 pin
Dimensions: 194 x 53 x 53mm
Weight: 330g

Notes: A handy extension cable with a power switch, removing the need to pull the USB Type-C connector out of your device every time you want to power up/down or reset. The switch itself has a solid 'click-on-click-off' action with LED indicator that sits in the middle of the 25cm lead, making it ideally positioned beside your device when connected. This updated version is compatible for the latest Quick Charge and Power Delivery mains adaptors and is ideal for Raspberry Pi 4 model B, laptops, tablets, smart phones and more.

USB Type-C socket to USB Type-C plug extension
Integral power button with LED indicator and solid click action
Updated version compatible with the latest Quick Charge and Power Delivery mains adapters.

Cable: diameter: 4mm
Cable: length: 27.5cm (including connectors)
Weight: 18g

Notes: Inspired by the RSF Polykobol, the mighty Kijimi is a serious analogue synth, packing eight voices of two-VCO architecture and SSI2140-based filters. MK2 upgrade features more powerful firmware, extensive LFO options and neat wooden end panels.

Supplier's Notes:
KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.

Continuous analogue timbral control

Instead of fixed waveforms, KIJIMI's voltage-controlled oscillators can morph continuously through waveform types. Sine, triangle, sawtooth, and variable pulse waves are smoothly variable, with pulse width as you turn to the far right. It's a scheme that provides unique, independent timbral over each of the eight voices.

Deep 8-voice architecture

Each of KIJIMI 's 8 voices features 2 analogue oscillators each with a square sub-bass oscillator, for buttery timbres with extensive sound design options. The sub-oscillator produces an octave lower than the combined VCO1 and VCO2 outputs, meaning you can tune two sub-pitches. Hard sync is available in VCO sync and VCO1->2 and 2->1 configurations for maximum flexibility. There's also a noise source for adding bite and percussion components. A rich lowpass filter is built around the legendary 2140 chip and the ability to frequency-modulate it via VCO2, creates a full range of sounds from metallic and aggressive to subtle. Both filter cutoff and resonance are available as modulation destinations.

Unique envelope functionality with dedicated controls

Two ADSR envelopes come with independent rate multipliers, keyboard control of attack rate, and versatile routing. Engage the CYCLE button for a cycling trapezoidal mode, similar to that on vintage instruments like the EMS Synthi. Few polysynths offer this level of detailed control, let alone with front-panel controlsino menu diving needed.

Endless modulation programmability

Modulation possibilities set the KIJIMI apart from other polysynths. Two LFOs can be routed independently to up to eight destinations, directly on front-panel buttons, controlling frequency and waveform modulation, sub-oscillator amount, filter cutoff and frequency, and amplitude modulation. Each LFO includes multiple waveform options (sine, triangle, saw, ramp, square, random) and separate attack and decay knobs in addition to rate. ADSR2 sports four independent destinations, also via front-panel push buttons and knobs. Even velocity and aftertouch get their own dedicated control section for applying velocity or aftertouch to each parameter (LFO rate, waveform morph, sub, pitch bend, and VCA). Dedicated knobs let you apply your aftertouch and poly-aftertouch, to taste, right where you want it. You'll rarely use the menus, and when you do, it'll only be to unlock even more advanced functionality (like multiple LFO features!). KIJIMI is a rare case of fusing straightforward one-control-per-feature design with unrestricted possibilities.

Full MIDI and expressive control, tuning support

Combine all the elements, and KIJIMI is an instrument that's playable like no other. Each note you play separately triggers modulation, independently on each voice, with full control via aftertouch. Add in full MIDI control, complete MIDI polyphonic expression (MPE) support, advanced tuning capabilities (including microtuning via SCALA and 128 memory locations for tuning settings), and velocity polyphonic aftertouch, each with up to six more destinations with its own bipolar settings. KIJIMI finally brings a synthesizer architecture that can unlock the possibilities of your expressive controller of choice.

Updated package

The MK2 version of KIJIMI includes all the acclaimed sonic power and character of its predecessor, in an improved package. Updated firmware now includes the ability to assign different LFO settings (rate, waveform, envelope, and depth) to each individual destination. In addition to 128 factory and 1152 user presets, we've included user banks by Mathew Jonson, Richard Devine, and Paul Schilling. All this comes in a compact, 2.71kg/5.97 lb device with wood panels attached (or the option of metal rack ears instead). DIN MIDI and isolated USB are onboard.

Notes: Stylish, lightweight, and durable, the CB-BM Series cases are the ideal solution for transporting your compact BOSS multi-effects unit and essential accessories. They are a perfect fit with a durable exterior and soft internal padding that shields your processor while on the go.

Notes: Stylish, lightweight, and durable, the CB-BM Series cases are the ideal solution for transporting your compact BOSS multi-effects unit and essential accessories. They are a perfect fit with a durable exterior and soft internal padding that shields your processor while on the go.

Notes: Fully featured audio mixer with 4 mono input channels, a stereo line input, stereo Aux input and a further minijack stereo input. Each mono mic/line channel has a combo XLR/jack input with +48V phantom power switchable in pairs for the XLR inputs. Each mic/line channel has a Gain control for matching the input source and a low-cut switch to filter out rumble or handling noise from microphones. Each mono channel also has High/Mid/Low EQ controls, Aux out level, FX level and Pan control. The onboard foot-switchable DSP effects engine has 99 presets for delay, reverb and modulation effects, each of which can be adjusted using two parameter controls. An onboard Bluetooth receiver has an illuminated pairing button and independent volume control. The USB type-A port on the top panel is for playback of audio files or can be used to record the main outputs to a USB storage device or as an external audio device when connected to a laptop. Main output is served by left & right XLR, in addition to 6.3mm monitor and headphone outputs and the Aux send & stereo return loop. The CMB-series offers large console features in a more manageable format for live performers and project studio recordists.

DSP effect section with 99 adjustable presets
USB mp3 audio player/recorder
Bluetooth receiver with independent volume control
PC/Mac audio device and aux power via USB A connection
3-band EQ per channel
Independent Aux send + stereo return
Switchable +48V phantom power
Balanced XLR/Jack mono inputs
USB type-C power supply

Power supply: 5Vdc 2A min. (USB-C adaptor included)
Power consumption: max.10W
Effects: 99 program DSP (2 parameter controls)
Inputs: 4 x combo XLR/jack, stereo L+R 6.3mm, stereo RCA + stereo 3.5mm
Audio source: Bluetooth receiver, USB mp3 player/recorder
Bluetooth version: 5.1 (+BR+EDR+BLE)
EQ: low+/-15dB @ 80Hz
EQ: mid+/-15dB @ 2.5kHz
EQ: high+/-15dB @ 12kHz
Phantom power: +48V switchable in pairs (XLR inputs only)
Frequency response: 20Hz - 22kHz (i1dB)
Input level: Mic +10dBu max. / Line +22dBu max.
Input impedance: Balanced XLR 2k Ohm, Balanced TRS jack 10k Ohm (unbal 20k Ohm)
THD +N: <0.05% @ 1kHz
Noise: EIN -122dBu (22Hz - 22kHz)
CMRR: >75dB (Mic 1kHz)
Sensitivity: XLR -60 to +10dBu, TRS jack -20 to +20dBu, Stereo -20 to +14dBu
Crosstalk>80dB (1kHz fader shutoff)
Outputs: Main L+R XLR, L+R Monitor 6.3mm, Headphones 6.3mm
Max. output level: XLR +22dBu, TRS +20dBu
Sends : returns1 Aux send, L+R return
Dimensions: 270 x 260 x 74mm
Weight: 1.495kg

In the Box

CMB-series mixing console
In-line USB-C power supply

Notes: This is the world's most versatile MIDI Interface compatible with all major operating systems via USB. Easily configure MIDI split/thru, merge, reassign and filter out any MIDI message via the free UxMIDI Tools software (Win/Mac).

Notes: What is WIDI Jack?

WIDI Jack is your virtual MIDI interface

Now you can connect all your MIDI devices with standard MIDI I/O wirelessly via Bluetooth MIDI.

Enjoy ultra-low 3ms latency and secure connectivity via Adaptive Frequency Hopping.

Smart Connectivity Algorithms

Latency is not an issue with WIDI.

WIDI distinguishes itself from any other Bluetooth MIDI technology available through its unique SCA technology.

SCA is a collection of highly effective algorithms that optimize performance and minimize interference.

Latency is reduced to an inaudible 3ms as measured between 2 WIDI devices.

MIDI transmits data at a standard rate of 31.25 kbps via cable. WIDI products go up to 400 kbps.

Plug, pair & play- Transmit and receive Bluetooth MIDI via standard TRS/DIN MIDI I/O ports

Wide compatibility- Add the right TRS/DIN MIDI cable to connect all your MIDI devices. Plus TRS type A/B switch.

Bluetooth 5- High performance wireless MIDI with a working range of 20m/65ft without obstacles

Smart Power Solutions- Works fully standalone via powered MIDI OUT. USB power for unpowered MIDI ports.

Ultra low 3ms latency- Breakthrough latency reduction of just 3ms between two WIDI devices

Bluetooth MIDI groups- Connect up to 5 Bluetooth MIDI devices per group via WIDI App or Group Auto-learn mode

Automatic pairing- Setup instantly. Operate easily, with convenient auto-pairing between WIDI devices

Magnetic design- Clever design solution with magnetic sticker to stick on any surface

Transmit any MIDI message- Transmit any MIDI message over Bluetooth including notes, CC, MIDI clock, SysEx and MPE.

WIDI App for iOS/Android- Get lifetime updates and personalise settings with latency or jitter optimisation

What can you do with MIDI over Bluetooth?

Fully Standalone. Completely Wireless. 100% MIDI.

Notes: Double Stand for Elektron MK2 and up to x2 Digi

The ergonomic, portable, and eco-friendly stand by COVERUP is designed to hold Elektron MK2 and up to two Digi devices. It allows for versatile positioning of your equipment while saving valuable space in your setup. Perfect for studio or live performances, this stand combines functionality and sustainability in a sleek design.

Notes: The Decksaver cover for the Ableton Move is the ultimate accessory for protecting your gear while preserving its sleek aesthetic.

Precision-moulded from ultra-durable polycarbonate, this cover is designed to shield your Move from dust, spills, and accidental impact without compromising accessibility.

Whether you're transporting it to a gig, storing it in your studio, or simply keeping it safe between sessions, the low-profile design ensures a snug fit and hassle-free use.

Engineered with the same attention to detail as the Ableton Move itself, the Decksaver cover combines robust protection with a clear, professional finish that showcases your gear.

Dimensions

Weight: 0.38 kg
Length: 15.2 cm
Width: 31.9 cm
Height: 3.8 cm

Material: smoked polycarbonate

Notes: The Decksaver cover for the Oberheim TEO-5 and Sequential Take 5 synths is a must-have accessory for musicians who value both their gear and their creative workflow.

Expertly crafted from premium polycarbonate, this cover provides robust protection against dust, spills, and accidental knocks, ensuring your keyboard remains in pristine condition.

Its low-profile design offers a perfect fit, preserving the synth's sleek contours while allowing for easy storage and transport.

Whether you're in the studio or on the road, the transparent finish lets you admire the TEO-5/Take 5's iconic design while keeping it safe from harm.

Built to last and engineered for convenience, the Decksaver cover is the ideal way to protect your investment and keep your music-making uninterrupted.

This cover utilises Decksaver's very own Soft fit inserts, to protect those precious synth cheeks.

Fits:

TEO-5
Take 5

Dimensions

Weight: 1.05 kg
Length: 33.1 cm
Width: 65.5 cm
Height: 4.4 cm

Material: Smoked clear polycarbonate.

Notes: Patch cable for ultra short connections in the modular synthesiser 8.5 cm, white mono jack plugs 3.5 mm at both ends

Notes: Use familiar gestures to easily animate the sound of your favourite hardware and software synths.

Push your favourite synths further

Press Touche to activate a filter on your hardware synth or gently bow Touche's plate to add arpeggiator action to your favourite software synth. These are 2 examples of the many possibilities Touche can interact with your gear. This standalone MIDI controller simply translates your gestures into data (MIDI, CV or USB). Touche precisely allows you to modulate any sound, from the subtlest brush to the wildest strike.

Sturdy & precise

Touche boasts a solid monoblock design with few replaceable moving parts, equipped to translate anything from the softest touch to the roughest rhythms, with pinpoint precision.

Universally compatible

Touche is compatible with any software or hardware synthesizer thanks to its built-in CV, MIDI and USB outputs. Internal memory even lets you control hardware synths without a computer.

Ready to use

Touche can control all your favourite third-party software instruments too. Pre-made mappings for all best-selling VST instruments, as well as hardware instruments, are included.

Sounds included

Touche ships with UVI Workstation, a plug-in providing over 250 custom-designed instrument sounds. These sounds come pre-mapped with Touche so you can focus on producing.

A new, tactile playing experience

Touche bypasses the traditional limitations of most synths' and MIDI controllers' keybeds, seamlessly connecting your gestures to sound. Less programming, less automation, more creativity!

4 degrees of freedom

Each direction on the control surface affects different parameters. Combine movements for amazing effects.

Capturing precision

Touche captures your movements with pinpoint precision. Record incredible performances in real time.

Get percussive

Tap your melodies rhythmically, creating percussive tones unique to the Touche family.

Hands down

Discover new ways to articulate your sounds with your keyboard and Touche working in harmony.

A powerful companion software

Meet Lie, Touche SE's control centre and companion software. Lie allows you to:

Browse easily the included sound library (+250 presets)
Host any third party plug-in and map it to Touche and Touche SE
Create mappings for hardware gear in a blink (Touche only)
Adjust Touche's sensitivity to your taste

Rediscover your favourite hardware synths

Touche includes more than 250 hardware synthesizer mapping presets - providing instant, ready-mapped control of the factory presets included with most popular synthesizers.

Rediscover your favourite plugins

A beautifully engineered hardware instrument, able to translate anything from the softest touch to the roughest rhythms, with pinpoint precision.

Extraordinary sounds included

Touche comes with a professionally-designed sound library, so you can start exploring right after installation. Explore ripping basses, soaring leads, evocative pads and pounding percussion, all pre-mapped to take full advantage of the hardware.

Expand your soundscape with Touches expansions and instruments plugins

Need more sounds? Expansions and instrument plugins are an ideal playground for Touche. Discover a whole new universe of sounds and playing articulations, fully compatible with Touche and its software companion, Lie.

Touch plate

We are all different, and your Touche can be different too. You can fully perfect your Touche's response with adjustable controls, and you can even customise its appearance with our range of alternative touch plate finishes, available separately.

Cylinder

The cylinder is the heart of the Touche - it controls exactly how your Touche reacts to pressure. The 'Shore 40 Pink Cylinder' is the classic all-rounder and is included with Touche. It's suited for a wide range of gestures, soft or hard, progressive or percussive. But for those interested in a softer or harder response, we have a range of other cylinders to try.

No computer required

Touche can operate completely standalone, controlling MIDI and CV hardware without a computer connected. Pre-prepare your perfect control mappings and select and recall them live onstage - Touche is the perfect companion for adding expression to your live rig.

Touche

USB: USB Powered
MIDI in: 1/8" (3.5mm) jack socket
MIDI out: 1/8" (3.5mm) jack socket
CV: 4 x 1/8" (3.5mm), up to -10V to 10V
Axe: 4 axes with customizable sensitivity
Lie: Lie: macOS 10.11 and higher / Windows 10, VST / AU format, hosts VST instruments only
Dimensions: 9.7" x 3.9" x 2.4" / 246 x 100 x 62 mm

Box content:
Touche
1x USB Cable
2x MIDI break-out cable (jack to DIN)
1x Ground Loop Adapter

Notes: The iconic T50 headphone gets a major update, featuring a redesigned take on Fostex's Regular Phase flat-diaphragm driver. Superb sound, excellent comfort. A modern classic goes to the next level.

Supplier's Notes:
The T50RPmk4 is a brand-new headphone developed by Fostex, equipped with a completely redesigned RP planar magnetic driver. Since having debuted in 1974 as part of the T50, Fostex's first ever headphones, the renowned RP driver has been featured in numerous different headphone models throughout the years.

These headphones have been regarded as firstrate monitoring headphones by musicians and sound engineers all over the world. Audiophiles have also sought RP series headphones for their fantastic versatility and unparalleled value-to-performance.

Featuring a new 4th generation RP driver as well as an updated, improved housing design, listeners of all backgrounds can enjoy the increasingly-refined new generation of RP headphones from Fostex.

Specifications

Type: Semi-open
Driver: RP planar magnetic
Impedance: 28 ohm
Sensitivity: 97 dB/mW Max Input: 3,000 mW Freq. response: 10 - 40,000 Hz
Weight: Approx.330 g (excluding cable)
Unbalanced cable : F3.5 mm (4-pole) to F3.5 mm (3-pole) 2 m x 1
Includes conversion connector (F3.5 to F6.3 x 1)

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: 8010A

Studio Monitor

The 8010A squeezes true reference performance and extended frequency response into an extremely compact package.

Small size, huge performance

When studio space is limited or you record on the move, the 8010A is your reliable monitoring companion. Don't be fooled by its affordable price tag and modest dimensions, the 8010A is every bit a Genelec pro monitor: uncoloured, accurate and powerful.

Trust is everything

A combination of enclosure, driver and electronic design gives the 8010A extremely neutral characteristics and the ability to adapt to your space via simple rear panel room compensation switches. So whether you're in a bedroom studio, hotel room or OB van, you can always trust what you're hearing.

System Specifications

Frequency Response: 74 Hz - 20 kHz (+/- 2.5 dB)
Low cutoff -6dB: 67 Hz
High cutoff -6dB: 25 kHz
Peak SPL =105 dB

Maximum peak acoustic output per pair on top of console, at 1 m distance with music material.

Short term max SPL =96 dB

Max. short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz, at 1m distance.

Long term max SPL =91 dB

Maximum long term RMS acoustic output in same conditions with IEC weighted noise (limited by driver unit protection circuit) @ 1m.

Self-generated noise: =5 dB SPL
Self generated noise level in free field at 1m on axis (A-weighted)

Weight: 1.5 kg (3.3 lb)

Dimensions
Height: 181 mm (7 1/8 in)
Height with Iso-Pod: 195 mm (7 5/8 in)
Width: 121 mm (4 3/4 in)
Depth: 115 mm (4 1/2 in)

Enclosure material: Die cast aluminium

Enclosure type: Reflex port

Drivers:

(Bass)
Driver type: Cone
Diameter: 76 mm (3 in)

(Treble)

Driver type: Metal dome
Diameter: 19 mm (3/4 in)

Harmonic distortion:
70...400 Hz =3 %
> 400 Hz =0.5 %

Amplifiers

8010A bass amplifier: 25 W Class D
8010A treble amplifier: 25 W Class D

Mains voltage: 100-240 VAC 50/60Hz

ISS Active =0.5 W
Idle =5 W
Full output: 30 W

Signal processing section

Connectors
Input: XLR female, 7 kOhm.

Crossover

Bass/Treble: 3000 Hz

Package contains:
1 x 8010A monitor
1 x mains cable 1,8 m
1 x operating manual
1 x IsoPod kit

Notes: When workspace is at a premium, don't compromise on quality. With the 8020D, Genelec's renowned accuracy and reliability will fit your project and your space.

The Genelec 8020D is small in dimensions, but big in ambition. The 8020D, introduced in 2017, even delivers 4 dB higher SPL and has a lower energy consumption than earlier models of 8020. Designed to suit the broadest possible range of listening environments, 8020D thrives when space is at a premium, and draws on the innovation of the 8000 Series for an unrivalled near-field experience.

Trust in the colour-free, accurate reproduction of the Minimum Diffraction Enclosure (MDE), while relying on the precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW). And when you're finished, Genelec Intelligent Signal Sensing (ISS) circuitry detects when your system is no longer in use, placing it into an environmentally friendly, power-saving standby mode. From post-production studios to OB vans and DAW-based rooms, the 8020D is your near-field solution of choice.

Notes: Compact dimensions, big sound. Higher SPL and lower bass extension than the classic 8010 and 8020 models, offering low frequencies down to 47 Hz. Ideal for medium-sized studio spaces.

Supplier's Notes:
If you love the compact format of the 8010 and 8020 models but demand higher SPL and more bass extension, meet the 8030C.

Welcome to the sweet spot

Short term max SPL: >104 dB

Maximum short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz at 1 m.

Long term max SPL: >96 dB

Maximum long term RMS acoustic output in same conditions with IEC weighted noise (limited by driver unit protection circuit) at 1 m.

Self-generated noise: <5 dB SPL

Self generated noise level in free field at 1 m on axis (A-weighted).

Notes: The Genelec 8040BMM studio monitor is a major upgrade from their 8040A model, adding ISS power management to an already amazing nearfield monitor. Boasting performance comparable to much larger systems, but in a compact package, the bi-amplified Genelec 8040BMM is ideal for use in many situations where a wide frequency response is needed but space is limited. Whether you're building your project studio, outfitting your mobile rig, or upgrading your editing suite, you're going to be glad you chose the Genelec 8040BMM studio monitors.

The 8040BMM features Genelec's MDE (Minimum Diffraction Enclosure) with rounded edges and gently curved front and sides. This allows the 8040BMM to achieve a very smooth frequency response and superb imaging qualities with minimised cabinet edge diffraction.

Like all Genelec 8000 Series monitors, the 8040BMM also features the advanced Genelec DCW (Directivity Control Waveguide). The revolutionary DCW has been further enhanced to provide extremely accurate control of the 8040BMM's directivity. Genelec designed this specially shaped, very smooth surface and integrated it with the enclosure. Its area has been maximised to achieve an astoundingly flat on and off axis frequency response. As a result, the 8040BMM has an astoundingly wide, flat frequency response both on and off axis. This also gives the 8040BMM superb imaging qualities and reduces listening fatigue.

To increase the 8040BMM woofer's low frequency extension and SPL capacity, Genelec designed an ingenious flow optimised reflex port. The long, curved tube maximises airflow, so the 8040BMM can reproduce deep bass without compression. The tube terminates with a wide flare, minimising port noises and providing excellent bass articulation. An optimised die cast aluminium structure with extremely durable semi matte finish and acoustically optimised metal grilles add to the 8040BMM's acoustic excellence.

Genelec's low distortion drivers (6.5" bass speakers and 3/4" metal dome tweeters) are driven by the 8040BMM's dedicated 90 watt bass and treble amplifiers after sophisticated filtering. Magnetic shielding, overload protection circuitry, and versatile room response controls are standard.

Thanks to Genelec's ISS (Intelligent Signal Sensing) power management system, you never have to remember to shut down your 8040BMM monitors again. ISS constantly checks for input signal. After a while, if ISS doesn't detect anything, it switches your 8040BMM over to a low power sleep state, safeguarding your gear and sparing you the wasted electricity.

The versatile mounting features on the 8040BMM include integrated rear support points for wall and floor stands plus a further M10 thread for mounting on the cabinet base. In addition, every Genelec 8040BMM monitor comes with a standard IsoPod (Isolation Positioner/Decoupler). The IsoPod is a clever mounting stand, which allows the 8040BMM to perform in either the vertical or horizontal position. The IsoPod also enables the acoustic axis of the monitor to be aimed at the listener while acoustically and mechanically decoupling the monitor from the surface it is resting on.

Notes: GS Music's fully analogue six-voice synth module. Huge sonic power from the classic single-oscillator design, brought up to date with modern touches like balanced stereo outputs and USB control. Also available in blue.

Supplier's Notes:
The JHS Pedals 3 SerieThe Bree6 is a polyphonic analog synthesizer that features a fully analog sound generation. It offers six voices of polyphony, each equipped with a single voltage controlled oscillator (VCO), and a sub oscillator. The signal path includes a mixer, a 4-pole low-pass voltage-controlled ladder filter (VCF), and a voltage-controlled amplifier (VCA). The control signals are digitally generated, incorporating one low-frequency oscillator (LFO) and two ADSR-type envelope generators. Additionally, the Bree6 integrates an effects processor with chorus and delay.

The Bree6 interface is engineered for straightforward and intuitive use, featuring one knob per function and ensuring ease of access to its robust features, including MIDI connections, USB, balanced stereo audio outputs, headphone output, and CV inputs.

The signal path in the Bree6 is entirely analog, including a single VCO per voice, a sub oscillator, a mixer, a 4-pole low-pass ladder VCF, and a VCA. The control voltages are digitally generated, comprising one LFO and two ADSR-type envelope generators. It also features a stereo digital effects processor with Delay and Chorus.

The Bree6 features a single VCO plus a sub oscillator per voice. The oscillator includes sawtooth and pulse waveforms, with pulse width modulation control that can be modulated by the LFO. The oscillator tuning can be adjusted, and modulation can be applied from the LFO. The sub oscillator generates a square wave one octave below the main oscillator.

The Bree6's filter is a 4-pole ladder-type low-pass filter with resonance control. It can be modulated by EG1, with velocity affecting the modulation depth, and can also be modulated by the LFO. It can also be controlled by the modulation wheel and aftertouch.

The synthesizer offers a stereo ensemble type chorus effect. It simulates a string or vocal ensemble using multiple delay lines modulated by their dedicated LFOs. The stereo delay can reach a maximum delay time of up to 1 second.

The Bree6 contains one LFO with selectable waveforms (triangle, ramp up, ramp down, square, and random with sample and hold). The LFO's frequency can be set from 0.1Hz to 100Hz, and modulation can be applied to the VCO, VCF, and VCA.

There are two ADSR-type envelope generators in the Bree6, designed for precise control over the dynamics of both the filter and the amplifier.

The synthesizer supports MIDI Polyphonic Expression (MPE), facilitating detailed performance dynamics when used with compatible MPE controllers. The Bree6 has been carefully tested with Osmose, Linnstrument and Geoshred.

Notes: Blue version of the Bree6, GS Music's fully analogue six-voice synth module. Huge sonic power from the classic single-oscillator design, brought up to date with modern touches like balanced stereo outputs and USB control.

Supplier's Notes:
The Bree6 is a polyphonic analog synthesizer that features a fully analog sound generation. It offers six voices of polyphony, each equipped with a single voltagecontrolled oscillator (VCO), and a sub oscillator. The signal path includes a mixer, a 4-pole low-pass voltage-controlled ladder filter (VCF), and a voltage-controlled amplifier (VCA). The control signals are digitally generated, incorporating one low-frequency oscillator (LFO) and two ADSR-type envelope generators. Additionally, the Bree6 integrates an effects processor with chorus and delay.


The Bree6 interface is engineered for straightforward and intuitive use, featuring one knob per function and ensuring ease of access to its robust features, including MIDI connections, USB, balanced stereo audio outputs, headphone output, and CV inputs.

The signal path in the Bree6 is entirely analog, including a single VCO per voice, a sub oscillator, a mixer, a 4-pole low-pass ladder VCF, and a VCA. The control voltages are digitally generated, comprising one LFO and two ADSR-type envelope generators. It also features a stereo digital effects processor with Delay and Chorus.

The Bree6 features a single VCO plus a sub oscillator per voice. The oscillator includes sawtooth and pulse waveforms, with pulse width modulation control that can be modulated by the LFO. The oscillator tuning can be adjusted, and modulation can be applied from the LFO. The sub oscillator generates a square wave one octave below the main oscillator.

The Bree6's filter is a 4-pole ladder-type low-pass filter with resonance control. It can be modulated by EG1, with velocity affecting the modulation depth, and can also be modulated by the LFO. It can also be controlled by the modulation wheel and aftertouch.

The synthesizer offers a stereo ensemble type chorus effect. It simulates a string or vocal ensemble using multiple delay lines modulated by their dedicated LFOs. The stereo delay can reach a maximum delay time of up to 1 second.

The Bree6 contains one LFO with selectable waveforms (triangle, ramp up, ramp down, square, and random with sample and hold). The LFO's frequency can be set from 0.1Hz to 100Hz, and modulation can be applied to the VCO, VCF, and VCA.

There are two ADSR-type envelope generators in the Bree6, designed for precise control over the dynamics of both the filter and the amplifier.

The synthesizer supports MIDI Polyphonic Expression (MPE), facilitating detailed performance dynamics when used with compatible MPE controllers. The Bree6 has been carefully tested with Osmose, Linnstrument and Geoshred.

Notes: Unassuming looks conceal the excellent EaganMatrix sound engine, offering USB-powered synth creativity perfectly matched to Haken's own Warbl Wind Controller but also compatible with MIDI and MPE.

Supplier's Notes:
EaganMatrix Micro

The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.

The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.

The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.

The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.

Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.

The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.

EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.

Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS

Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.

Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)

Notes: White version of the iLoud Micro Pro packs a serious punch for its size. Less than 21 cm tall but offering frequency response all the way down to 50 Hz, these might be the ideal monitors for those short on space.

Supplier's Notes:
The iLoud Micro Monitor Pro delivers sound much bigger than its looks suggest. Sold here as a single monitor, also available as a stereo pair with room correction mic. Seriously impressive performance from a tiny package.

Supplier's Notes:

Unparalleled sound quality wherever you want

The original iLoud Micro Monitor revolutionized the way professionals and audio enthusiasts experience sound in an ultra-portable and compact form factor. It became renowned for its exceptional sound quality and portability, making it a popular choice as an audio reference monitor for both pro-studios, home-recording artists, and mobile setups. Now the iLoud Micro Monitor PRO takes the incredible qualities of the classic Micro Monitor to a new level blending together studio-quality reference audio and a compact form factor, along with a new built-in state-of-the-art speaker correction technology, to deliver unparalleled sound quality wherever you want.

Precise and balanced audio reproduction across the whole frequency spectrum

The Micro Monitor PRO features a bi-amped design with a 3" paper woofer and a 0.75" textile dome tweeter, delivering precise and balanced audio reproduction across the frequency spectrum. This enables you to experience crystal-clear highs, rich midrange, and tight, defined bass that rival larger studio monitors.

Thanks to the new built-in state-of-the-art speaker correction technology, the Micro Monitor PRO provides accurate audio reproduction and a balanced and precise soundstage, regardless of the ambience, ensuring high-quality sound wherever you are.
With XLR and RCA line inputs, the Micro Monitor PRO seamlessly integrates into professional audio environments and consumer systems alike, making it suitable for on-the-go setups as well.

Quick and easy setup and room correction

The flip foot design allows for quick and easy setup of the speaker position to achieve the perfect sweet spot, whether you're in a studio, home office, or on the go. It provides optimal positioning and angling for your listening experience.

The internal power supply eliminates the need for external adapters, streamlining your setup.

With its compact size and lightweight design, the iLoud Micro Monitor Pro is the perfect companion for any environment, delivering unparalleled sound quality wherever you want it.

A full-blown studio at home or on-the-go

The iLoud Micro Monitor PRO comes with various free bonus contents.

Registering your iLoud Micro Monitor PRO unlocks powerful software tools, as well as exclusive discounts on other IK products.

Best in class audio reference for studio, home and on-the-go setups

Type: 2-Way bi-amped, digitally controlled compact studio monitor
LF driver: 3" composite cellulose fiber, custom-made mid-woofer
HF driver: 1" low-distortion silk-dome tweeter
Acoustic design: DSP-tuned bass reflex
Number of amps per speaker: 2
Amplifier type: High-efficiency Class-D
Total power: 50 W RMS
LF power: 30 W RMS
HF power: 20 W RMS
Crossover type: Digital, Linear Phase
Crossover frequency: 2.5 kHz
Frequency response: 50 Hz to 20 kHz i 2dB, 42 Hz to 22 kHz @ -10dB
Phase response: System remains coherent within +/- 30- from 500 Hz to 20 kHz
Sensitivity: -10 dBu signal generates 90 dB SPL @ 1 m
Continuous max SPL: 94 dB
Peak SPL: 107.3 dB
Peak SPL: 109.3 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position

Fully automatic built-in digital calibration, and compatible with X-Monitor control software

LF extension switch: Sets -3 dB point of the frequency response at 50 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -3 dB at 250 Hz and +4 dB at 1.2 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Compatible with X-MONITOR macOS and Windows control software
Total Latency (TOF): 3.00 ms
Totally DSP controlled
1 x XLR balanced input, 1 x RCA unbalanced input, 1 x USB type-C, C8 power socket
Flip foot for quick and comfortable desktop setup
Internal PSU - 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 1 A max
MIC input for ARC from XLR connector

Dimensions

Size: 208 mm/8.18" x 105 mm/4.13" x 153 mm/6.02"
Weight: 1.37 kg/3.02 lb (each)

Notes: Updated Pro version of the iLoud Micro Monitor offers even better sound from a compact package. Available here as a stereo pair, bundled with an ARC room correction mic for optimising performance in your studio space.

Supplier's Notes:
Unparalleled sound quality wherever you want

The original iLoud Micro Monitor revolutionized the way professionals and audio enthusiasts experience sound in an ultra-portable and compact form factor. It became renowned for its exceptional sound quality and portability, making it a popular choice as an audio reference monitor for both pro-studios, home-recording artists, and mobile setups. Now the iLoud Micro Monitor PRO takes the incredible qualities of the classic Micro Monitor to a new level blending together studio-quality reference audio and a compact form factor, along with a new built-in state-of-the-art speaker correction technology, to deliver unparalleled sound quality wherever you want.

Precise and balanced audio reproduction across the whole frequency spectrum

The Micro Monitor PRO features a bi-amped design with a 3" paper woofer and a 0.75" textile dome tweeter, delivering precise and balanced audio reproduction across the frequency spectrum. This enables you to experience crystal-clear highs, rich midrange, and tight, defined bass that rival larger studio monitors.

Thanks to the new built-in state-of-the-art speaker correction technology, the Micro Monitor PRO provides accurate audio reproduction and a balanced and precise soundstage, regardless of the ambience, ensuring high-quality sound wherever you are.
With XLR and RCA line inputs, the Micro Monitor PRO seamlessly integrates into professional audio environments and consumer systems alike, making it suitable for on-the-go setups as well.

Quick and easy setup and room correction

The flip foot design allows for quick and easy setup of the speaker position to achieve the perfect sweet spot, whether you're in a studio, home office, or on the go. It provides optimal positioning and angling for your listening experience.

The internal power supply eliminates the need for external adapters, streamlining your setup.

With its compact size and lightweight design, the iLoud Micro Monitor Pro is the perfect companion for any environment, delivering unparalleled sound quality wherever you want it.

A full-blown studio at home or on-the-go

The iLoud Micro Monitor PRO comes with various free bonus contents.

Registering your iLoud Micro Monitor PRO unlocks powerful software tools, as well as exclusive discounts on other IK products.

Type: 2-Way bi-amped, digitally controlled compact studio monitor
LF driver: 3" composite cellulose fiber, custom-made mid-woofer
HF driver: 1" low-distortion silk-dome tweeter
Acoustic design: DSP-tuned bass reflex
Number of amps per speaker: 2
Amplifier type: High-efficiency Class-D
Total power: 50 W RMS
LF power: 30 W RMS
HF power: 20 W RMS
Crossover type: Digital, Linear Phase
Crossover frequency: 2.5 kHz
Frequency response: 50 Hz to 20 kHz i 2dB, 42 Hz to 22 kHz @ -10dB
Phase response: System remains coherent within +/- 30- from 500 Hz to 20 kHz
Sensitivity: -10 dBu signal generates 90 dB SPL @ 1 m
Continuous max SPL: 94 dB
Peak SPL: 107.3 dB
Peak SPL: 109.3 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position

Fully automatic built-in digital calibration, and compatible with X-Monitor control software

LF extension switch: Sets -3 dB point of the frequency response at 50 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -3 dB at 250 Hz and +4 dB at 1.2 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Compatible with X-MONITOR macOS and Windows control software
Total Latency (TOF): 3.00 ms
Totally DSP controlled
1 x XLR balanced input, 1 x RCA unbalanced input, 1 x USB type-C, C8 power socket
Flip foot for quick and comfortable desktop setup
Internal PSU - 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 1 A max
MIC input for ARC from XLR connector

Dimensions

Size: 208 mm/8.18" x 105 mm/4.13" x 153 mm/6.02"
Weight: 1.37 kg/3.02 lb (each

Notes: Shape your sound with the EF44 Grid through fine-grained control over performance effects, modulation, panning and much more.

Geared with metal-shaft audio-grade linear faders and detent push-encoders. Seamless use for MIDI CC mapping for your DAW.

Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor. Each module is flexibly extendable with other Grid controllers enabled by the golden pins and magnets on all sides.

Thanks to its compact and lightweight structure, the EF44 is a fully ergonomic parameter controller. The encoders have a clicky, detent tactile feedback on turning, while the faders have a smooth travel and can be upgraded with old-school mixer style caps.

It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.

Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.

By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.

Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.

Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers

Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.

Tech specs

Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
4 audio-grade linear metal shaft faders with 60 mm travel
Customizable multi-coloured LED lights for easy labelling in dark environments

Materials

Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability

Compatibility

Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided

Powering options

Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA

Notes: A great solution for highly customisable control, the EN16 Grid module offers 16 velocity-sensitive rotary encoders, with configurable push button modes, multi-coloured LEDs and programmable range.

Supplier's Notes:
EN16 is made for fine-tuning enthusiasts: this Grid module offers 16 velocity sensitive incremental encoders with infinite rotation and mappable push functionality.

Create separate actions by left and right rotation or add distinguished commands with push rotation. Map banks to the same control or switch immediately from one command to another in just a second using only one module. Unlock potential through the Grid Editor with coarse or fine settings.

Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.

It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.

Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.

By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.

Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.

Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers

Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.

Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.

Tech specs

Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
16 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
Customizable multi-coloured LED lights for easy labelling in dark environments

Materials

Black aluminium front panel with a metallic, rugged finish
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability

Compatibility

Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided

Powering options

Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA

Notes: From subtle adjustments to expressive performances, this versatile combination of control elements definitely won't disappoint you.

Includes metal shaft faders with medium resistance, smooth-turning knobs and sturdy buttons. Control your most used parameters, like expression, modulation and volume with the PBF4 Grid.

Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor.

Thanks to its compact and lightweight structure, the PBF4 is a fully ergonomic parameter controller with classical control elements in a slim modular design. Four banks, 4x possible configuration mappings switchable on the fly.

It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.

Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.

By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.

Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.

Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers

Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.

Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.

Grid controllers are built with quality control elements. After numerous iterations the potentiometers have been carefully chosen to allow a firm grip and a stable control experience enabled by special shaft bushings.

The modules are made to withstand everyday studio use as well as the intense performances during tours. For connecting several Grids together, a flat surface or the use of our module stands is recommended.

Tech specs

Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 audio-grade linear metal shaft faders with 30mm travel
4 conductive, 300- single-turn plastic potentiometers with medium-hard resistance
4 tactile buttons with 1.27i0.49 N operating force
Customizable multi-coloured LED lights for easy labelling in dark environments

Materials

Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Plastic black potentiometers
White tactile plastic buttons
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability

Compatibility

Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided

Powering options

Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA

Notes: The PO16 is a sleek, compact, single-turn rotary potentiometer module for controlling quick motion changes like EQ, filters, or synth parameters.

Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.

It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.

Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.

By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.

Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.

Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers

Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.

Tech specs

Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm Eurorack-sized modules (4.19 x 4.19 inches)
16 linear 300- single-turn conductive plastic potentiometers
Customizable multi-coloured LED lights for easy labelling in dark environments

Materials

Black aluminium front panel with a metallic, rugged finish
Ergonomic potentiometers in black with plastic knobs
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability

Compatibility

Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided

Powering options

Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA

Notes: A versatile, multi-purpose controller with two endless rotary pots and eight push buttons, the TEK2 works for a range of production and mixing purposes (as well as video editing). Simple and high quality.

Supplier's Notes:
Welcome to TEK2, the freshest Grid module equipped with a pair of endless rotary potentiometers (jog wheels) and eight clicky buttons.

TEK2 is a gateway modular controller from audio to video editing, offering a 5-point multicolour LED feedback and massive jog-wheel knobs with a two-state switch (pressed & released) in addition to their smooth endless turn. The programmable '5-bit display' indicator is perfect for giving feedback on cantered or starting value positions and highlighting parameter states.

Both potentiometers come with 5-point LED feedback, creating a brand new perspective among Grids. Such a '5-bit display' indicator is perfect for giving feedback on cantered or starting value positions and highlighting parameter states. The large knobs are accompanied by a set of 8 tactile buttons which can act like shift buttons, toggles or triggers - easing the way for quick mode switches, dynamic settings navigation and active function changes of the two massive knobs.

Grid controllers are built with quality control elements. The modules are made to withstand everyday studio use as well as the intense performances during tours. For connecting several Grids together, a flat surface or the use of our module stand is recommended.

TEK2 is made for multimedia creatives boasting a distinguished audiovisual skillset, from 3D and video editing to sound design. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.

The control surface built from several Grid controllers can be powered through a single USB-C cable. The controllers share power through their interface boards with spring loaded connectors.

Compatibility:
Grid is compatible with MacOS, Windows, Catalina+ and Linux. As class compliant MIDI devices, Grid controllers work under mobile platforms as well, including iPad OS, iOS and Android.

Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.

Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.

It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.

Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.

By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.

Tech specs

Weight: 225g (~ 8 oz)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
2 endless rotary potentiometers in black with mappable press-release functionality
5-step customizable multi-coloured LED lights for easy labelling in dark environments
8 tactile clicky buttons in white with 1-point LEDs

Materials

Black aluminium front panel with a metallic, rugged finish
Ergonomic, metal knobs in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnet
Silicone feet on the back for extra stability

Compatibility

Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided

Notes: Cover to protect your Exquis from dust and splashes while keeping your cables plugged in.

Made in the UK by Decksaver.

*** Please note: the Exquis Deluxe is not included, it is shown for demonstration purposes only. ***

Notes: A controller, an app, an instrument.

The Exquis controller gives you immediate access to the rules of harmony to improvise with or without theoretical prerequisites, and offers you dimensions of expressiveness that you can quickly master. In combination with the Exquis app, a unique workflow opens up, allowing you to create an entire song in a few minutes: choose sounds, record loops, play the conductor and structure your songs in complete spontaneity.

Exquis offers an intuitive way to guide you on the right path, while allowing you to get out of it. No hassle: just choose a scale, and follow its luminous path to play in tune. Thanks to our default note layout, it's very easy to make chords; Exquis arranges notes that sound good together next to one another. You will be amazed at how harmony falls under your fingers.

Compared to a piano keyboard, on our note layout the semitones are also arranged horizontally, the harmonious (third) notes are always next to one another, and the intervals starting from any note are always the same. If you prefer, you can change the note layout, and soon even create your own tailored note layout using our editor.

On the default note layout, scales can be simply represented by a pair of light paths; whether you are a beginner, amateur or experienced musician, just follow the colors, with one or two hands, to stay in tune and improvise spontaneously. Explore many scales (major, minor, dorian, oriental...) and soon you will be able to create your own using our editor.

Our default note layout goes back to the basic logic of harmony, putting notes that sound good together (thirds) next to one another vertically. Each type of chord (major, minor, diminished, dominant etc) always forms a single and unique transposable form.

Inspired by the finesse of acoustic instruments, the keys of Exquis are both firm enough to play percussion and short notes with precision, and soft enough to modulate long notes with sensitivity. Tap, press, and tilt multiple keys independently using the MIDI Polyphonic Expression (MPE) protocol. The encoders (clickable, with infinite and smooth rotation and with a slight resistance) allow you to control the effects of a sound being played, as well as certain essential settings in the various menus.

In order to allow musicians to create new rhythms and moods, the application natively includes exclusive features. For example, we were inspired by the workshops of Jacob Collier and will soon allow the use of tuplets (particular divisions of beats such as 1/5 or 1/7), useful for creating grooves with a drunk effect.

The Exquis keyboard is a MIDI controller compatible with all software, MIDI synthesizers and modular synthesizers. The Exquis app, although optimized for the controller, is also compatible with all MIDI controllers, and like all MIDI controllers, the Exquis keyboard is compatible with most DAWs and plug-ins.

Dear users of modular synthesizers, Exquis connects directly to your favorite devices thanks to the CV outputs: GATE, PITCH and MOD. You can also connect Exquis to your MIDI synthesizers using the MIDI IN and OUT ports.

Notes: A controller, an app, an instrument.

The Exquis controller gives you immediate access to the rules of harmony to improvise with or without theoretical prerequisites, and offers you dimensions of expressiveness that you can quickly master. In combination with the Exquis app, a unique workflow opens up, allowing you to create an entire song in a few minutes: choose sounds, record loops, play the conductor and structure your songs in complete spontaneity.

Exquis offers an intuitive way to guide you on the right path, while allowing you to get out of it. No hassle: just choose a scale, and follow its luminous path to play in tune. Thanks to our default note layout, it's very easy to make chords; Exquis arranges notes that sound good together next to one another. You will be amazed at how harmony falls under your fingers.

Compared to a piano keyboard, on our note layout the semitones are also arranged horizontally, the harmonious (third) notes are always next to one another, and the intervals starting from any note are always the same. If you prefer, you can change the note layout, and soon even create your own tailored note layout using our editor.

On the default note layout, scales can be simply represented by a pair of light paths; whether you are a beginner, amateur or experienced musician, just follow the colors, with one or two hands, to stay in tune and improvise spontaneously. Explore many scales (major, minor, dorian, oriental...) and soon you will be able to create your own using our editor.

Our default note layout goes back to the basic logic of harmony, putting notes that sound good together (thirds) next to one another vertically. Each type of chord (major, minor, diminished, dominant etc) always forms a single and unique transposable form.

Inspired by the finesse of acoustic instruments, the keys of Exquis are both firm enough to play percussion and short notes with precision, and soft enough to modulate long notes with sensitivity. Tap, press, and tilt multiple keys independently using the MIDI Polyphonic Expression (MPE) protocol. The encoders (clickable, with infinite and smooth rotation and with a slight resistance) allow you to control the effects of a sound being played, as well as certain essential settings in the various menus.

In order to allow musicians to create new rhythms and moods, the application natively includes exclusive features. For example, we were inspired by the workshops of Jacob Collier and will soon allow the use of tuplets (particular divisions of beats such as 1/5 or 1/7), useful for creating grooves with a drunk effect.

The Exquis keyboard is a MIDI controller compatible with all software, MIDI synthesizers and modular synthesizers. The Exquis app, although optimized for the controller, is also compatible with all MIDI controllers, and like all MIDI controllers, the Exquis keyboard is compatible with most DAWs and plug-ins.

Dear users of modular synthesizers, Exquis connects directly to your favorite devices thanks to the CV outputs: GATE, PITCH and MOD. You can also connect Exquis to your MIDI synthesizers using the MIDI IN and OUT ports.

Notes: Cover to protect your Exquis from dust and splashes while keeping your cables plugged in.

Made in the UK by Decksaver

*** Please note: the Exquis Pure is not included, it is shown for demonstration purposes only. ***

Notes: A user-friendly approach to melody and harmony, the Exquis offers an alternative control method for those who want to break away from conventional keyboards. Compatible with MIDI or CV/gate.

Supplier's notes:
A controller, an app, an instrument.

The Exquis controller gives you immediate access to the rules of harmony to improvise with or without theoretical prerequisites, and offers you dimensions of expressiveness that you can quickly master. In combination with the Exquis app, a unique workflow opens up, allowing you to create an entire song in a few minutes: choose sounds, record loops, play the conductor and structure your songs in complete spontaneity.

Exquis offers an intuitive way to guide you on the right path, while allowing you to get out of it. No hassle: just choose a scale, and follow its luminous path to play in tune. Thanks to our default note layout, it's very easy to make chords; Exquis arranges notes that sound good together next to one another. You will be amazed at how harmony falls under your fingers.

Compared to a piano keyboard, on our note layout the semitones are also arranged horizontally, the harmonious (third) notes are always next to one another, and the intervals starting from any note are always the same. If you prefer, you can change the note layout, and soon even create your own tailored note layout using our editor.

On the default note layout, scales can be simply represented by a pair of light paths; whether you are a beginner, amateur or experienced musician, just follow the colors, with one or two hands, to stay in tune and improvise spontaneously. Explore many scales (major, minor, dorian, oriental...) and soon you will be able to create your own using our editor.

Our default note layout goes back to the basic logic of harmony, putting notes that sound good together (thirds) next to one another vertically. Each type of chord (major, minor, diminished, dominant etc) always forms a single and unique transposable form.

Inspired by the finesse of acoustic instruments, the keys of Exquis are both firm enough to play percussion and short notes with precision, and soft enough to modulate long notes with sensitivity. Tap, press, and tilt multiple keys independently using the MIDI Polyphonic Expression (MPE) protocol. The encoders (clickable, with infinite and smooth rotation and with a slight resistance) allow you to control the effects of a sound being played, as well as certain essential settings in the various menus.

In order to allow musicians to create new rhythms and moods, the application natively includes exclusive features. For example, we were inspired by the workshops of Jacob Collier and will soon allow the use of tuplets (particular divisions of beats such as 1/5 or 1/7), useful for creating grooves with a drunk effect.

The Exquis keyboard is a MIDI controller compatible with all software, MIDI synthesizers and modular synthesizers. The Exquis app, although optimized for the controller, is also compatible with all MIDI controllers, and like all MIDI controllers, the Exquis keyboard is compatible with most DAWs and plug-ins.

Dear users of modular synthesizers, Exquis connects directly to your favorite devices thanks to the CV outputs: GATE, PITCH and MOD. You can also connect Exquis to your MIDI synthesizers using the MIDI IN and OUT ports.

Notes: Two VCOs (oscillators) are input to the VCF (filter) and output through DELAY (can be turned off).

The VCO can be a 4LFO module, which is a mix of 4 LFOs, a noisegenerator, an LFO, and a SUB OSCILLATOR, and the VCF can be an LFO.

With a variety of tones, you can create various sounds even with a subtle knob position.

It can be used with a single 9V battery or a 9V DC center negative adapter.

CV IN can be used with CV input to the filter. (VCO1.2,VCF)

INPUT is capable of audio input. The input sound goes to the filter- delay (can be turned on and off) in parallel with the built-in VCO.

CV IN can be input from +8 volts to -8 volts.

This analogue synth runs on DC9V negativecenter or a 9V battery. 2 VCOs go to VCF and Delay. VCO receives 4 modulations inside. NOISE GENERATOR,4 mixed LFO and SUB OSC. VCF receives CV of LFO.It becomes the wave filter with it. ? Delay section has the on/bypass switch. INPUT goes to VCF and DELAY with internal VCOs.

Notes: *** Update February 2025- NKS Integration available with this product ***

Native Kontrol Standard (NKS) is a technical standard that connects plugins to hardware controllers with no setup required. The NKS ecosystem includes over 2,000 virtual instruments and plugin effects by over 250 acclaimed developers.

NKS enables users to load instruments and effects, tweak parameters, browse and manage presets with tangible controls, keeping creators' minds and hands on the music. No time is wasted creating, saving, and resetting controller parameter mappings.

Key features include:
Unified Control: NKS maps plugin parameters directly to hardware controls, allowing for hands-on adjustments without navigating computer menus.
Efficient Workflow: It streamlines browsing, loading, and editing presets, enabling producers to stay focused on creativity.
Broad Compatibility: Many third-party developers support NKS, offering a wide range of compatible sounds and effects.
For Our Products: This integration allows Akai and M-Audio compatible devices to fully utilize all NKS workflow features.

Here are some key points to take note of:

Current users will receive the software bundle once they register their device.

Both existing and new owners will receive the software bundle once their hardware is registered.


NKS Software Partnerships

For years, Native Instruments has partnered with world-class software manufacturers, including Arturia, Heavyocity, Korg, Output, Spitfire Audio, and many more, to bring thousands of instruments and effects plugins into the NKS ecosystem. Together with Native Instruments' own instruments and effects, this creates the most extensive database of any auto-mapped hardware controller ecosystem.

Until now, NKS hardware controllers were only available from Native Instruments, such as the Kontrol S-Series and Komplete Kontrol A-Series keyboard controllers.

NKS Hardware Partner Program [New]

At NAMM 2025, NI announced opening up NKS compatibility for third-party, non-NI hardware, allowing millions of performers and producers worldwide to enter the NKS ecosystem.

Supplier's notes:

Welcome to the brand-new Oxygen Series from M-Audio, the Oxygen Series (MKV). In today's world of music production, controlling your digital music environment is important. It is not only how the pros improve their workflow, but also how they create unique cutting-edge signature sounds.AM-Audio has updated the most iconic series of MIDI keyboard controllers on the market for software-based music production and performance. The new Oxygen Series (MKV) keyboard controllers offer innovative advancements in hardware control enabling you to create modern cutting-edge music on stage or in the studio.

Professional Producer Features

The Oxygen 49 (MKV) controller includes powerful features essential for creating and producing music such as Note Repeat (a staple mark in beat production), Full Velocity Control of keys and 8 pads, 8 assignable knobs for controlling effect plugins and virtual instruments, and 9 assignable faders for mixing: all opening a world of precise music creation techniques making your signature sound professional and modern.

Note Repeat allows you to hold down any of theA8Acustom-made M-Audio velocity-sensitive performance pads in 2 available pad banks to hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without having to hold down the Note Repeat button.

Built-in Arpeggiator

Arpeggiators help add excitement and movement to music quickly and easily. The built-in Arpeggiator on the Oxygen 49 (MKV) with Type, Octave, Gate and Swing controls will creatively affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the keys that are pressed in the selected sequence. The arpeggiator's timing and rhythm is based on the keyboard's time division setting in either the keyboard's tempo, or your DAW's tempo setting. Each note in the arpeggio will be the length selected for the time division setting. For example, if you select 1/4, each note in the arpeggio will be audible in quarter note increments. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity.

Smart Controls

Smart Chord and Smart Scale technology are the bridges between your musically creative mind and your final productions. TheASmart Chord feature helps bring out your inner musical genius by playing full chords with a single key press, and with the Smart Scale feature, the Oxygen 49 (MKV) keys transform into a perfect scale, playing the exact notes within a chosen scale. With Smart Chord and Smart Scale technology, creating music and unleashing your unlimited creativity has never been easier.

With Smart Chord activated, pressing a single key will play a full chord rather than just one note. The key you press will determine the root note in the chord. The rest of the chord's properties (Major, Minor, and Voicing) are determined by the settings you choose. Smart Chord also has a Custom Mode which lets you determine the chord structure that will be assigned to each key by manually playing it. For example, if you select Custom Mode, and play a 1-b3-5-b7 chord, every key will then be assigned to play this chord structure. The note of the key you press will serve as the root of the chord and all the parameters can be edited right on your Oxygen keyboard controller.

The Oxygen series also features intelligent Smart Scale technology. With Smart Scale, you can set the keybed so that only notes in the selected scale are able to be played. This allows you to play within a chosen scale without the risk of playing any wrong notes. You can choose from over 15 different scale variations when assigning a scale to the keyboard. With Smart Scale controls right on the keys, you will have easy access to set and change Smart Scale parameters on the fly, keeping you focused on what is most important, creating music.

Auto-Mapping for Creative DAW Control

Using the Oxygen 49 (MKV) controller with any DAW is incredibly easy. The controls such as Transport, Faders, Pan, Record Arm, Solo, Mute, Select and many more, are automatically mapped to most DAWs for a fluid workflow. The Oxygen 49 (MKV) works with all major DAWs including Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One and many more. By simply selecting your DAW on the Oxygen 49 (MKV) keyboard controller and configuring your DAW's preferences to the keyboard, a new world of creative production is at your fingertips. The Oxygen 49 (MKV) keyboard also includes presets for all the virtual instruments and plugins that are included (Mini Grand and Hybrid 3).

Notes: *** Update February 2025- NKS Integration available with this product ***

Native Kontrol Standard (NKS) is a technical standard that connects plugins to hardware controllers with no setup required. The NKS ecosystem includes over 2,000 virtual instruments and plugin effects by over 250 acclaimed developers.

NKS enables users to load instruments and effects, tweak parameters, browse and manage presets with tangible controls, keeping creators' minds and hands on the music. No time is wasted creating, saving, and resetting controller parameter mappings.

Key features include:
Unified Control: NKS maps plugin parameters directly to hardware controls, allowing for hands-on adjustments without navigating computer menus.
Efficient Workflow: It streamlines browsing, loading, and editing presets, enabling producers to stay focused on creativity.
Broad Compatibility: Many third-party developers support NKS, offering a wide range of compatible sounds and effects.
For Our Products: This integration allows Akai and M-Audio compatible devices to fully utilize all NKS workflow features.

Here are some key points to take note of:

Current users will receive the software bundle once they register their device.

Both existing and new owners will receive the software bundle once their hardware is registered.

NKS Software Partnerships

For years, Native Instruments has partnered with world-class software manufacturers, including Arturia, Heavyocity, Korg, Output, Spitfire Audio, and many more, to bring thousands of instruments and effects plugins into the NKS ecosystem. Together with Native Instruments' own instruments and effects, this creates the most extensive database of any auto-mapped hardware controller ecosystem.

Until now, NKS hardware controllers were only available from Native Instruments, such as the Kontrol S-Series and Komplete Kontrol A-Series keyboard controllers.

NKS Hardware Partner Program [New]

At NAMM 2025, NI announced opening up NKS compatibility for third-party, non-NI hardware, allowing millions of performers and producers worldwide to enter the NKS ecosystem.

Supplier's notes:

Welcome to the brand-new Oxygen Series from M-Audio, the Oxygen Series (MKV). In today's world of music production, controlling your digital music environment is important. It is not only how the pros improve their workflow, but also how they create unique cutting-edge signature sounds. M-Audio has updated the most iconic series of MIDI keyboard controllers on the market for software-based music production and performance. The new Oxygen Series (MKV) keyboard controllers offer innovative advancements in hardware control enabling you to create modern cutting-edge music on stage or in the studio.

Professional Producer Features

The Oxygen 61 (MKV) controller includes powerful features essential for creating and producing music such as Note Repeat (a staple mark in beat production), Full Velocity Control of keys and 8 pads, 8 assignable knobs for controlling effect plugins and virtual instruments, and 9 assignable faders for mixing: all opening a world of precise music creation techniques making your signature sound professional and modern.

Note Repeat allows you to hold down any of the 8 custom-made M-Audio velocity-sensitive performance pads in 2 available pad banks to hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without having to hold down the Note Repeat button.

Built-in Arpeggiator

Arpeggiators help add excitement and movement to music quickly and easily. The built-in Arpeggiator on the Oxygen 61 (MKV) with Type, Octave, Gate and Swing controls will creatively affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the keys that are pressed in the selected sequence. The arpeggiator's timing and rhythm is based on the keyboard's time division setting in either the keyboard's tempo, or your DAW's tempo setting. Each note in the arpeggio will be the length selected for the time division setting. For example, if you select 1/4, each note in the arpeggio will be audible in quarter note increments. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity.

Smart Controls

Smart Chord and Smart Scale technology are the bridges between your musically creative mind and your final productions. The Smart Chord feature helps bring out your inner musical genius by playing full chords with a single key press, and with the Smart Scale feature, the Oxygen 25 (MKV) keys transform into a perfect scale, playing the exact notes within a chosen scale. With Smart Chord and Smart Scale technology, creating music and unleashing your unlimited creativity has never been easier.

With Smart Chord activated, pressing a single key will play a full chord rather than just one note. The key you press will determine the root note in the chord. The rest of the chord's properties (Major, Minor, and Voicing) are determined by the settings you choose. Smart Chord also has a Custom Mode which lets you determine the chord structure that will be assigned to each key by manually playing it. For example, if you select Custom Mode, and play a 1-b3-5-b7 chord, every key will then be assigned to play this chord structure. The note of the key you press will serve as the root of the chord and all the parameters can be edited right on your Oxygen keyboard controller.

The Oxygen series also features intelligent Smart Scale technology. With Smart Scale, you can set the keybed so that only notes in the selected scale are able to be played. This allows you to play within a chosen scale without the risk of playing any wrong notes. You can choose from over 15 different scale variations when assigning a scale to the keyboard. With Smart Scale controls right on the keys, you will have easy access to set and change Smart Scale parameters on the fly, keeping you focused on what is most important, creating music.

Auto-Mapping for Creative DAW Control

Using the Oxygen 61 (MKV) controller with any DAW is incredibly easy. The controls such as Transport, Faders, Pan, Record Arm, Solo, Mute, Select and many more, are automatically mapped to most DAWs for a fluid workflow. The Oxygen 61 (MKV) works with all major DAWs-including Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One and many more. By simply selecting your DAW on the Oxygen 61 (MKV) keyboard controller and configuring your DAW's preferences to the keyboard, a new world of creative production is at your fingertips. The Oxygen 61 (MKV) keyboard also includes presets for all the virtual instruments and plugins that are included (Mini Grand and Hybrid 3).

Notes: Solid Blaze Cabin Trolley

Introducing the first 4-wheel DJ trolley designed for ultimate convenience. The Solid Blaze Cabin Trolley allows DJs and music producers to easily navigate airports, train stations, and more while traveling to gigs. Safely transport essential gear like laptops, mixers, drum samplers, DAW controllers and 12"records with ease.

Made from recycled plastic bottles, this sustainable trolley also features interchangeable wear-and-tear components, including the trolley handle and wheels, for long-lasting performance.

Travel smart and eco-friendly with the new SOLID BLAZE CABIN-TROLLEY, perfectly sized to meet cabin luggage standards of most airlines.

Fits
Pioneer:
DJM-S11
DJM-S7
DJM-S9
DJM-900NXS/SRT
DJS-1000

Alpha Theta:
Euphonia

Ecler:
Warm 4

Akai:
APC 64
MPC Live 2
MPC One +
MPC2000XL
MPC 2000
MPC 2500
MPC 5000

Rane:
Seventy-Two
Seventy

Reloop:
Elite

Allen & Heath:
Xone PX5
Xone DB4
Xone DB2
Xone 92
Xone 62
Xone 43

Headliner LA:
Headliner R4
Headliner R2

Ableton:
Push 3
Push Move

Native Instruments:
Maschine MK3+
Kontrol X1MK3

50 x 12" records

Basics
Fabrics made from 120 0,5 l recycled PET plastic bottles - Global Recycling Standard certified
4 precision 360 (degree) PU spinning wheels (interchangeable)
Outer material crafted from robust and water-repellent RPET 900D Polyester with eco-friendly water-based PU-coating
Main compartment includes two removable dividers, meshpocket under the lid and an internal PVC rain cover
Lining made from RPET TC Polyester
Internal laptop compartment fits up to 13" or 15-17" laptops (stored upright)
Lockable dual PVC-coated YKKr AquaGuardr zippers
One large front pocket with magnetic flap including internal pouches and zippered pockets to organize smaller gear and personal belongings
Extra-sturdy 2-stage trolley handle (interchangeable)
Vertical and horizontal carrying-handles

Specs
Outer dimensions (H/B/T): 55 x 39 x 23 cm / 21.6 x 15.3 x 9 inch
Inner dimensions: 45 x 36 x 15 cm (main compartment) / 17.7 x 14.17 x 5.9

Weight:
4,3 kg / 9.47lbs
Colour: black

Notes: An excellent combination of West Coast and East Coast synth philosophies, the Implexus features a complex wave generator and wave folder, analogue low-pass filter and sinkable LFOs and stereo delay.

Supplier's Notes:
The IMPLEXUS is a hardware desktop synthesizer combining west - and east-coast synthesis techniques into a single formfactor. The IMPLEXUS uses analogue waveshaping, folding and audio rate modulation to create a immense range of sounds and textures!

The IMPLEXUS is a performance-oriented musical instrument which will inspire you to compose music and explore its unique soundscape. The IMPLEXUS has a carefully designed analogue signal path with many unique ways to create intriguing sounds. The many sound shaping methods and modulation possibilities help you to create west-coast style harmonically rich sounds as well as thick east-coast analogue sounds.

The IMPLEXUS has a powerful "one-knob-per-function" interface with graphical feedback, utilizing LED rings to indicate modulators. The drone mode, tap tempo and looping envelopes let you explore the IMPLEXUS as a standalone sound generator. The MIDI and Eurorack compatibility and clock synchronisation options make sure it can be played in every setting. The IMPLEXUS is built to last. It has metal shaft potentiometers, an aluminium casing with scratch and solvent resistant graphics and an internal power supply (no adapter!). The IMPLEXUS is a characteristic, unique and complete musical instrument.

"West-Coast"

The characteristic sound of the IMPLEXUS comes from shaping and folding a sinewave, resulting in a complex waveform. The shaping and folding can be modulated at audio-rate in a single knob turn utilizing the second generator. Instead of subtracting you will be adding harmonics. After tweaking for a while you will be surprised to find out you didn't touch the filter... yet.

Unique filter design

The IMPLEXUS offers a 12dB/oct VCF with a unique analogue topology. This filter offers a lowpass and highpass mode. For cutoff modulation there is an envelope amount control with polarizer and a CV input on the back of the IMPLEXUS. There is an input mixer that has amplitude control over three inputs: complex generator, basic generator and the sub-oscillator.

Syncable delay

The IMPLEXUS has a stereo digital delay with dry/wet, delay-time and feedback control. There is a subtle modulation difference between the left and right channels to create a wide stereo image.
The delay can be synchronized to MIDI and external (modular) clock sources. Also the delay can be synchronized to Tap Tempo. For clock synchronization there are five divisions: 1/1 3/4 1/2 1/3 1/4.

Global pitch controls

The IMPLEXUS has a global pitch control section offering control over glide rate and pitch envelope amount. There is a dedicated vibrato LFO with manual control over amount and frequency.

Syncable LFO's

The IMPLEXUS has two LFO's with a variety of waveforms and multiple modulation destinations. The LFO's offer a wide range of 0.01 - 100Hz and can be BPM synced to MIDI and external clock. The LFO's can also be synchronized to Tap Tempo and can even be set in five different divisions.

Connections

The IMPLEXUS offers a 1/4" stereo balanced output. In addition to that there is a stereo headphone output with dedicated volume control.
There is standard MIDI input and thru over DIN and USB. Also there is a eurorack compatible patchbay on the back. This extends the sound and modulation possibilities of the IMPLEXUS even more!

Built in VCO tuner

There is a strobe tuner with 3 LED's on board, which lets you tune both the Complex and the Basic generator to a perfect "A" within just a couple of seconds.

A unique project by a small company

Majella Audio is a small company, and because of that, Majella Audio do most of the design and development themselves. The amount of hard work and effort that went into this project is what makes the IMPLEXUS a unique piece of gear with outstanding build quality. Majella Audio have created a few "How its made" videos to give you an insight into the design and development of the IMPLEXUS, which are viewable on their web page.

Features/specifications

Generators
Analog Complex Generator consisting of a waveshaper cascaded by a wavefolder to create Complex Waveforms
Analog Basic Generator
Sub-Ocscillator one octave below Complex Generator
Dedicated octave switches with 6 octave settings
Pitch modulation sources: Envelope, Vibrato, Glide, Pitchbend, External 1V/oct (CV)
Cross modulation: Linear FM, Folding, Folder DC Bias

Filter:
Analog VCF
12dB/oct Slope
Switchable Low-pass/High-pass
Mod Envelope to Cutoff with attenuverter
External CV for Cutoff
3x audio input from the Generators

2x LFO section:
Accurate digital waveform generation
5 waveform shapes: Random, Square, Sine, Ramp, Saw
Syncable from all clocking sources or "Free" running
Frequency range: 0.01 Hz-100 Hz
Clock divider options: 1/4 | 3/16 | 1/8 | 1/3 | 1/16
Destinations options LFO 1: Bias, Folder, Harmonics,
Destinations options LFO 2: Bias, Folder

2x Analog Envelope Generators:
1x Modulation EG and 1x Amplitude EG
Attack, Decay, Sustain, Release controls
Velocity amount per Envelope
MOD EG is Loopable as AD-LFO triggered by gate
MOD EG Destinations: Filter Cutoff, Harmonics, Folding, Global pitch
AMP EG has 'DRONE" mode for instant sound generation

Delay FX:
Digital Audio Delay with Analog Dry/Wet mixing
Maximum delay time: 1 second
Syncable delay time from all clocking sources
Clock divider options: 1/4 | 3/16 | 1/8 | 1/3 | 1/16

Performance Features:
"One Knob Per Function" philosophy
LED ring indicators for visual feedback and easy understanding of CV signal routing
Guitar Style Tuner for Basic and Complex Generator making it easy to tune the IMPLEXUS
Drone mode for instant sound without any external gear necessary

Physical:
2mm thick solid aluminium casing
Graphics are underneath the anodisation layer and thus scratch and solvent resistant
Handcrafted wooden side panels made from regional oak
All metal shaft potentiometers
High quality switches and connectors (Neutrik)
Internal power supply (AC Input 100-240 VAC)
No adapters needed
Dimensions: W 345 mm x D 206 mm x H 75 mm
Weight: ca. 3kg
Serial number plate

Connectivity:
External CV inputs: Pitch (1V/oct), Gate, Velocity, Folding, Harmonics, Bias, VCF cutoff
External CV outputs: Complex generator, Basic Generator, Clock output
MIDI IN over USB
MIDI IN over DIN
MIDI thru over DIN
1/4" TRS Balanced line outputs
1/4" Dedicated stereo heaphone amp

Clocking options:
External Modular/Eurorack Clock (automatic detection)
MIDI clock via DIN or USB (automatic detection)
Tap Tempo

Global Controls:
Master Volume
Headphone Volume
MIDI Channel selection

Notes: Desktop-Friendly Multi-Functional MIDI Controller

Maximize your favourite DAW with the NTK-37's dedicated control integration. This controller offers intuitive handling of popular DAWs like Cubase, Logic Pro, and Pro Tools through Mackie, Hui, and CC protocols, providing essential mixer, transport, and control functions at your fingertips.

When you're on the go and need to complete work quickly, the NTK-37 is your ideal companion. Its streamlined controls give you instant access to the most critical elements of your projects and sounds, simplifying complex tasks so you can work efficiently, no matter where you are.

Integrated Transport Controls

The NTK-37 comes equipped with an integrated transport control module, featuring essential functions like loop, stop, start, record, rewind, fast forward, read, and write. These frequently used transport controls, paired with 9 faders, allow for quick management of your DAW's core features, making the arrangement process more convenient and efficient.

The NTK-37 also includes a mouse control pad, allowing you to customize each fader's function via the NTK Editor software. With the five-way selector and mouse pad, you can achieve precise control over your projects and sounds, giving you total command of your music production setup.

Feature-Rich Compact Keyboard

The NTK-37 offers quick USB-powered connectivity, making it easy to control any music production setup. Its velocity-sensitive keys with aftertouch allow you to choose from three different velocity curves, helping you find the perfect key-to-sound mapping for your style. The scale and arpeggiator functions can be used to control both hardware and live performance setups.

Specifications

- Keys: 37 full-size semi-weighted velocity-sensitive keys
- Sliders: 9 sliders
- Functions: Aftertouch, Arpeggiator (7 Types), Smart Scales (16 Scales), Key Touch Curves (5 Types), Key Touch can be Fixed 64 or Fixed 127
- DAW Controls: Play, Record, Stop, Rewind, Loop, Fast-Forward, Read and Write automation envelope
- Performance Controls: Pitch Bend Wheel, Modulation Wheel
- DAW Presets: 8+1 (User)
- User Scenes: 16 Scenes
- Weight: 4.0 kg (8.0 lbs)
- Dimensions: 29.3" x 8.3" x 2.8"