Studio Equipment

Notes: The Spherical Wavetable Navigator (SWN) is a six-channel synthesiser that makes it easy to create slowly morphing drones, polyphonic melodies, evolving sequences, and rich textures. The SWN features six wavetable oscillators with independent pitch, level, and waveform controls. Six LFOs (Low Frequency Oscillators) can be used as modulation sources and/or envelopes, making it easy to add dynamic motion to your patch. Each channel is a full voice and can be "played" using the top row of buttons, the internal LFOs, or note-change detection on the 1V/oct jacks. The SWN ships with 12 three-dimensional (spherical) wavetables and an easy interface which allows you to record and edit custom wavetables from live audio. Open-source software for Mac, Windows, and Linux called SphereEdit can be freely downloaded and allows you computer to create, edit, and convert .wav files into Spherical wavetables to transfer into the SWN with an audio cable.

Notes: Made of metal, and with a noble vintage look thanks to beautiful wooden side parts, this 6U case is flat and offers two rows of 84 HP for the installation of modules. The integrated 4 HP wide KAZU power solution with switching PSU and EVE1 busboard works extremely accurately and delivers very clean power. A total of up to 20 modules can be connected. The KAZU PSU solution is of high quality and delivers a constant current without getting hot.

Notes: MiniLab MkII is a high quality, feature-packed controller which gives you hands-on access to the sounds in your virtual studio. Breathe new life into your sounds by playing, tweaking, tapping and twisting its rugged controls. This powerful controller also comes with several critically acclaimed software titles that will have you creating professional recordings in no time. Analog Lab Lite lets you perform using hundreds of legendary synth, piano, organ & string machine sounds. Ableton Live Lite lets you record, arrange, and cultivate your musical ideas into a finished product. UVI Grand is a recreation of the Steinway Model D piano.

Thanks to the constructive feedback from Arturia's family of product owners - people just like you - we have refined the original MiniLab into something new and exciting:

Created with the mobile musician in mind, MiniLab MkII has a slim, compact profile which makes it perfect for transporting to and from gigs, and for keeping you creating when you're travelling. With its rugged, durable construction, the revitalized MiniLab can take the strain of life on the road, ready to perform night after night.

Not everyone has the luxury of a spacious studio, and this is where our reinvented controller really shines. MiniLab MkII has a tiny footprint allowing you to place it virtually anywhere within your set-up, even if the only space available is on your lap. The quality of every component has seen an improvement over the original model, from the keybed to the controller knobs, the touch sensors to the outer casing. Despite the hardware upgrade, MiniLab MkII is still one of the most affordable dedicated controllers on the market.

Portable, yet fully featured. Lightweight but rugged. MiniLab MkII is the new go-to small controller for producers in the know.

Time is precious, and you need simple, effective control. MiniLab MkII gives you unadulterated access to your software sounds:

Helping you make the most of your virtual instruments and recording software, MiniLab MkII features a great-feeling keybed with 25 slim-keys, 16 knobs, 8 pads, and touch controls in a space-saving package. Whether you want to experiment with a bass line, tap out a solid drum beat, or tweak the parameters of your favorite synth patch, our new controller gives you the freedom to totally control your music any way you like.

To help transform your musical ideas into fully-fledged, pro-sounding recordings, MiniLab MkII includes a powerful music production platform, Ableton Live Lite. Every single one of MiniLab's controls is automatically assigned thanks to dedicated pre-mapping, letting you spend less time in the settings menu and more time making music. Adjust your track levels, tweak filters and effects using the knobs; launch clips, capture drum performance, or control playback with the pads. MiniLab is here to make your musical life easier.

From inception to completion, MiniLab MkII keeps you in control every step of the way.

MiniLab MkII comes loaded with some of the best software around:

Our new MiniLab is a pure controller which - while containing no onboard sounds - lets you play, tweak, and manipulate software instruments via MIDI. To get your virtual recording studio up and running, we have included a wealth of professional quality instruments and production software to take your music to exciting new places.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The 1980s and '90s spawned a new "wave" of synth performers including Devo, The Chemical Brothers, The Prodigy, The Crystal Method and a host of others, all empowered by the sound of a simple strap-on instrument that let keyboardists steal the spotlight away from their guitar-wielding bandmates. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-101-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analogue signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-101-BU is sure to become your favourite keyboard.

True to the Original:

Great care has been taken in engineering the MS-101-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-101-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

Big, Fat Tones:

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-101-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

Versatile Oscillator:

MS-101-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

Versatile VCF:

The very heart of MS-101-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-101-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

The Envelope, Please:

MS-101-BU's Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.

Onboard Sequencer & Arpeggiator:

MS-101-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-101-BU are fun, mesmerizing and totally addictive...

Own the Stage:

When you're ready to strut your stuff and get a little centre stage time, the MS-101-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level. Why should singers and guitar players get all the limelight - carve out a little of your own!

Modulate Me to the Max!

In addition to the great sound-sculpting features already mentioned, the MS-101-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-101-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip.

Notes: Thanks to 37 semi-weighted full-size keys with velocity sensitivity and an authentic analogue signal path, the VOCODER VC340 is sure to become one of your favourite keyboards. Whether you use it to provide that awe-inspiring talking-synth sound that sold millions of recordings, or just for its really fat string section and multi-voice choir pads, owning the VOCODER VC340 is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Legendary Vocoder Users:

Although originally patented by Bell Labs engineer Homer Dudley in 1939, the vocoder didn't become part of the modern musical lexicon until the 1970s. It has since been used by recording/performing artists Wendy Carlos, Phil Collins, Jean Michel Jarre, Mike Oldfield, Kraftwerk, Stevie Wonder, Michael Jackson, Coldplay, Red Hot Chili Peppers, Daft Punk, Isao Tomito and Emerson, Lake and Palmer, to name but a few. The vocoder has also become a singular staple of major motion pictures and video games for its ability to create robot voices, special audio effects and much more.

True to the Original:

Great care has been taken in engineering the VOCODER VC340, including the true to the original analogue circuitry, which makes it extremely easy for you to recreate the classic vocoder sounds that made a tremendous impact on synth-based rock. This highly-focused attention to detail is what gives the VOCODER VC340 its ultra-flexible sound shaping capability, which covers everything from super-fat voice and string ensembles to stunning effects - and all the way out to the otherworldly sounds of your imagination.

You Provide VOCODER VC340's Unique Voice:

Unlike the original vocoders of the 1970s and '80s, you get to use your favourite microphone with the VOCODER VC340. A dedicated XLR input connector is provided on the rear panel that allows any Low-Impedance (Lo-Z) dynamic mic (not incl.) to modulate the onboard synthesized sounds.

Multiple-Stage Chorus:

Nothing fattens up the sound of a vocal choir or string section better than a truly-great chorus! That's why VOCODER VC340's chorus features authentic analogue BBD (Bucket Brigade Delay) technology, which hands the signal off across multiple processing stages for the ideal amount of luscious thickening.

Controls & Connectivity:

We just can't help ourselves - like you, we're gear-heads, too. For those who want the numbers, VOCODER VC340 has 32 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: Mic In; Phones; External Synth In; Control (Vocoder Hold & Pitch pedal inputs); Audio Out (Mono & Stereo with 3-position Level switch); and MIDI (I/O and Thru) via USB/MIDI DIN.

When it comes to not just pushing envelopes but creating them, VOCODER VC340 gives your imagination its voice - and it's so very affordable. When modern performance calls for that classic analogue sound - it calls for the Behringer VOCODER VC340!

Visit your dealer to experience the stunning VOCODER VC340, or get yours online today. MUSIC never felt this good!

Notes: This 50 year old is just hitting its stride. Over the top Fuzz with super hot Octave effect. A mint example will cost you plenty. But it still will not sound half as good as this. We amped the gain and added EQ. Delicious harmonics with super "out front" octave. Sculpt setting scoops mids and boosts bass for outrageous "in your face" tone. Such Fun!

Notes: The Switchblade Pro is our deluxe switching box featuring true mechanical bypass, soft switching, high quality and low noise buffers, volume controls for all input signals, high headroom and a multitude of possible configurations for all your signal routing needs. This compact pedal is a versatile and indispensable tool!

Notes: The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.

Notes: The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.

Notes: Erica Synths Black Double Bass is unique module that combines two transistor suboscillators (-1 and -2 octaves) and lowpass filter. It does not make sound on its own, but it will turn any VCO or beeper into massive bass sound with CV control over octave mix and cutoff frequency. Sync input that resets suboscillators on incoming pulse, provides even more versatility in sound design. The module can be also provide aggressive distortion, when used with percussive sounds like bassdrums.

Notes: Fusion VCO2 is a full analogue sound source with lots of distinct features.

The core of the module is highly stable AS3340-based VCO with three simultaneously available waveforms, transistor-based suboscillator and detune function - two BBD delay lines that make frequency shifter that is mixed back to the principal oscillator in order to emulate two detuned VCOs. Tube crunch - distinct tube overdrive - is added on the top of the mix. Furthermore, Audio input mixes an external audio signal with the principal oscillator which results in crazy sonic experience. Fusion VCO2 is exactly what you need, if you wish to get really low frequencies and have a sound that sets your modular system apart from mass!

Features:
" Full analogue design
" Great tracking over 8 octave range
" Detune function for thickening the sound
" -1 oct transistor based suboscillator
" Tube overdrive circuit
" External audio input
" VCO synchronization
" Simultaneous waveform outputs

Notes: An unexplored garden of innovations for musicians will soon be available from Eventide's newest creation - The Rose: a cascading bouquet of sounds in a sleek, stripped-down, small footprint effects pedal. The Rose project began several years ago and was rooted in the desire to invent a new line of unique effects by carefully grafting digital delay into an analogue platform. Our mission was to cultivate a modulated delay that would feel not only "as analogue as possible" but also be exquisite and precise. We trusted that this research would yield a genesis of products that sound and behave differently than modern DSP-based effects. Rose is the culmination of this vanguard research.

Eventide's Rose is rare and vibrant, unleashing a palette of sounds and textures unattainable by solely digital means. With six tactile knobs, a delay multiplier button, phase invert/reverse playback button and a shape button offering five different modulation sources, Rose inspires petals of creativity to bloom. Rose also features five presets, MIDI control and a fully assignable aux switch/expression pedal input for the ultimate in flexible versatility, on stage or in the studio. Do you have what it takes to tame this wild Rose? Plug in and experience botanical bliss!

Notes: The FLAME "C-3 MK2" is a three-channel module for recording and playing back movements of controllers. These can be recorded with each channel's individual knob. The movements will be output as control voltages. The recording time per track is over one minute. The playback speed is adjustable. All three tracks have a common reset input. The track data remains permanently stored (battery-backed memory). The module can be globally switched to bipolar or unipolar voltage range (switch on the PCB).

Notes: The FLAME "X-4" is a compact multifunctional 4x Envelope/VCA module, which combines in a very small space (10HP) 4 AR envelopes and 4 separate VCAs.

The module complements quad VCOs (eg the FLAME "4VOX") to control 4 VCAs per envelope generator in a small space.

Each channel can be used separately as an AR envelope generator with VCA, or even as a VCA.

There are 3 modes:

AR: 4 CV controllable separate Attack/Release envelopes on 4 VCA channels (per gate)
AD: 4 CV controllable separate Attack/Decay envelopes on 4 VCA channels (one shot per trigger)
VCA: 4 CV controllable separate VCAs

There is available a three-level switch for three different envelope rates from extremely short to long.

The envelope shape is set with the sliders (also adjustable via CV inputs).

In addition, the envelope can be looped (gated AD envelope loop).

Notes: MORE VCAs is a compact 4HP width dual VCA module based upon similar circuits found in vintage ARP synthesisers. Use it where rack space is at a premium, and when you need that warm analogue goodness. Each channel features an audio input and output, together with a CV input. An Initial Gain knob is also provided for fine adjustment. This can be used like a Hold switch, if you want to create a drone sound. The audio inputs can be pushed hard to create a thick and natural overdrive. This can be used for a wide range of sound design possibilities.

Notes: State 700 Mk2 is an update of this popular module. The Mk2 is the same size as the Mk1, at 10HP wide, but features additional audio and CV inputs, both with their own attenuators. Based on the Roland System 700 state variable filter module, State 700 provides lowpass, bandpass and highpass outputs simultaneously. The Mk2 features upgraded outputs from the original module, keeping signals more in line with Eurorack output levels. A big part of the sound of the State 700 is the way in which resonance is reduced as the audio inputs are driven harder. It won't self oscillate with a hot audio input, throttle back a little and you'll get squelchy ear bleeding resonances!

Notes: This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in touring and other live-sound applications. Features include:

- REAN connectors for superior signal transfer and rugged durability
- 24 AWG Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- 90% OFC spiral shield for a higher signal to noise ratio

Connectors: REAN 1/4" TRS to XLR3M
Conductors: 24 AWG x 2 OFC
Shield: 90% OFC Spiral

Notes: Optional power adapter for use with the iConnectMIDI2+ that will charge iOS devices and power the iConnectMIDI2+.

The power adapter is only necessary for keeping an iOS device charged; the iConnectMIDI2+ itself is powered over the USB bus (in USB Device port 2).

Please use only the iConnectivity 6V/18W centre positive supply, or you risk damaging the device. This adapter operates over a range of 100-240V/50 or 60Hz, so it can be used internationally with wall plug adapters.

***Comes with UK 3 pin, EU 2 pin and US 2 pin adapters***

Notes: This great quality dynamic microphone is ideal for vocals so is perfect for karaoke or home users for parties, etc. Featuring a robust metal body for durability, a high quality dynamic capsule for vocal reproduction, anti-pop on/off switch and supplied with connecting lead and a robust plastic carry case.

Notes: MANTHER GROWL is a full featured, Eurorack monophonic synth voice with an analogue signal path, and like the Manther Tabletop, it includes a coveted CEM3340 VCO IC chip. The analogue filter is based on an SSM2044 chip. Square, Saw and Triangle waveforms have their own individual level controls (manual control as well as CV jack inputs), as well as their own individual outputs. Wavefold control can be set to Tri or ALL (folds all waveforms and external input post-filter). Dial the independent LFO level controls to modulate pitch, pulsewidth and filter cutoff. Also includes manual controls over both VCA and filter ADSR and both the VCA and filter have individual gate inputs.

Notes: Quad VCA is a 4-channel, advanced voltage controlled amplifier with an analog signal path that can either be used stand-alone, or in tandem with the Varigate 4+ and 8+ for multiple preset recall over the power bus. Input channels 2-4 are normalled to 1 and Scan Mode allows for complex level and modulation routing. Each channel includes a mute function and all outputs are summed to a mix output. To adjust level and CV modulation per channel, use the Select Channel buttons and then adjust the Offset and Attenuverter controls. Scan Mode includes two functions. Scan: Insert 4 inputs, 1 CV and monitor Mix output for 4:1 scanning. Pan: Insert an input into Ch 1 and Ch 1 CV will route input to up to 4 different outputs. Offset and Attenuation can be adjusted to control how incoming CV is applied. The Remote switch allows you to access saved presets when paired with Varigate 8+ (100 presets) or Varigate 4+ (16 presets). In stand-alone mode, all settings are auto-saved.

Notes: The Nektar SE25 is a great solution for any mobile production setup. Our most compact MIDI keyboard controller is about as wide as a laptop and gives you all you need to create music on the move: 25 mini keys (that actually play well), six control buttons and Nektar DAW Integration. So the SE25 is way more powerful than it might seem at first glance.

MOBILE ACTION - THE KEYBOARD:

The keys are the most important feature for a MIDI controller keyboard: They transport your playing and musical ideas into the computer. As the SE25 is designed to be ultimately mobile and fit in any backpack, there was simply no room to fit full-size keys. But still we wanted it to be playable well. So we developed a new velocity-sensitive mini-keybed for the SE25. Despite these keys' miniscule dimensions, you can play them expressively with a defined and firm feel. What's more, a choice of three different velocity curves allows you to adjust the keyboard response to your playing style. These keys are ready for action!

DOUBLE UP - PART TWO:

Simply press the dedicated "2" button to momentarily shift the octave, add an octave or harmony layer while you play - or switch to a different channel: The unique Part Two feature will enable you to play in ways not even possible on keyboards with many more keys! What's so special about this? Well, the moment you let go of the Part Two button, the SE25 reverts back to its original settings. So you can toggle back-and-forth between two different keyboard configurations in realtime. A fun performance feature!

The "2" button is assignable to Octave, MIDI Channel, Transpose, Layer and Latch or a combination of these features.

MODULATE - PERFORMANCE CONTROLS:

Pitch Bend, Modulation and Sustain are key ingredients for dynamic keyboard performances. So we found a way to shrink the controls to size and put them right at your fingertips. Six buttons to the left of the keyboard are pre-assigned to octave shift, transpose and sustain. Don't need transpose? Then assign the transpose buttons to Pitch Bend, MIDI Volume, Pan, Track* or Patch* change instead (*= requires Nektar DAW Integration). And the "S" Sustain button can alternatively be used to control modulation.

NEKTAR DAW INTEGRATION:

Give your trackpad or mouse a break and control DAW transport functions and track selection directly from the SE25: Simply press the Play and Rewind buttons simultaneously to enter transport mode and our custom NEKTAR DAW Integration software lets you control your DAW!

Nektar DAW Integration for SE25 currently supports Bitwig, Cubase, Garageband, Logic, Nuendo, Digital Performer, Mixcraft, Reason, Reaper, Sonar and Studio One. (In order to take advantage of Nektar DAW Integration, you need to register your SE25 and download the integration files from your user account.)

CAPTURE YOUR IDEAS - BITWIG 8-TRACK INCLUDED:

You can start producing, performing, and designing sounds like a pro from day one with the included Bitwig 8-Track DAW. It includes over 50 software instruments and effects for use on up to 8 audio or MIDI project tracks, and you can use any 3rd party VST plug-ins you might own, too. The 'Bitwig Essentials Package' comes as part of this package as well, featuring a highly versatile handpicked selection of loops, clips and samples, to make it even easier to get you started.

With Nektar DAW Integration you can control track selection and transport controls directly from the SE25, making this a fantastic combination. If you are just starting out, you will find it's the perfect way to take your first steps in the world of digital music creation. And if you're already familiar with using computer software, you'll be amazed at what this combination has to offer!

Notes: The Nektar SE49 USB MIDI controller keyboard has all the features you need to start making music with your computer. It is compatible with any MIDI music software, sports a full-size keyboard with velocity, includes all the performance controls you'd expect and even has Nektar DAW control features. Simply plug the supplied USB-cable in and go: Capture your ideas while they are fresh!

PLAY - THE ACTION:

The keys are a keyboard controller's most important feature. So we made sure that the SE49 has keys that are fun and expressive to play: Its synth-action keybed has 49 velocity-sensitive full-size keys with a defined and firm feel. And as everyone has their own playing style and preferences, we have included a choice of 4 different velocity curves (plus 3 fixed ones) so you can adjust the keyboard response to your needs.

PERFORM - THE PERFORMANCE CONTROLS:

No matter if you want to play a complex solo in the style of Herbie Hancock or are just trying to make an EDM wobble bass more lively by adding modulation: the SE49's large Pitch Bend and Modulation Wheels will get you there. They have a tight grip and offer just the right resistance. For piano-style sustain effects, you can connect a switch or pedal to the foot switch socket on the back of the SE49.

BUTTON UP - THE CONTROLS:

Four buttons and one MIDI-assignable fader to the left of the keys make the SE49 even more flexible: Shift the keyboard up or down -3/+4 octaves with multi-coloured LED indicators showing the exact status. Or transpose the keys +/- 12 semitones with the transpose buttons right below.

These buttons can easily be reassigned to switch MIDI channel, change MIDI programs or select tracks and browse patches when DAW integration is active. Better still, pressing a key combination change the Octave and Transpose buttons function to send out MMC transport functions so you can activate start, stop and record directly from your keyboard.

CUSTOM MIDI ASSIGNMENTS:

Take control a notch further: Most soft- and hardware products with MIDI have their parameters assigned to so-called MIDI CC messages. This lets you do cool things such as changing filter cutoff, panning, effects bypass or any other parameter that has a MIDI CC assigned to it from a hardware control on your SE49.

Simply set the MIDI Fader, Modulation Wheel or foot switch pedal to control the MIDI CC message you want. Your assignments are stored over power cycling, so next time you can continue where you left off right away.

CONTROL YOUR DAW:

How about getting a better workflow without any of this nerdy stuff? How about transport control, level mixing and track selection directly from the SE49? Take control of your DAW's most important functions with our Nektar DAW Integration software! Of course, the SE49 works with any MIDI software, but with custom Nektar DAW Integration you can do even more: Use the Transpose buttons for track or patch change, always have the currently selected track's volume assigned to the fader and turn the Octave and Transpose buttons into Play, Stop, Record and Rewind buttons. How's that for giving the mouse a break?

Nektar DAW Integration for SE25 currently supports Bitwig, Cubase, Garageband, Logic, Nuendo, Digital Performer, Mixcraft, Reason, Reaper, Sonar and Studio One. (In order to take advantage of Nektar DAW Integration, you need to register your SE25 and download the integration files from your user account.)

GET CONNECTED - SETUP & iOS:

SE49 keyboards are USB class compliant and don't require a driver to operate. Installation and connection is easy; just plug the keyboard in to a USB port on your computer. You can also connect an Impact SE49 keyboard to an iOS device using the optional Apple USB camera connection kit. A 1/4? input jack allows you to add a foot switch pedal for sustain or sending MIDI messages.

CAPTURE YOUR IDEAS - BITWIG 8-TRACK INCLUDED:

You can start producing, performing, and designing sounds like a pro from day one with the included Bitwig 8-Track DAW. It includes over 50 software instruments and effects for use on up to 8 audio or MIDI project tracks, and you can use any 3rd party VST plug-ins you might own, too. The 'Bitwig Essentials Package' comes as part of this package as well, featuring a highly versatile handpicked selection of loops, clips and samples, to make it even easier to get you started.

With Nektar DAW Integration you can control track selection and transport controls directly from the SE25, making this a fantastic combination. If you are just starting out, you will find it's the perfect way to take your first steps in the world of digital music creation. And if you're already familiar with using computer software, you'll be amazed at what this combination has to offer!

Notes: Pigtronix Resotron is an analogue filter that brings the sound of 70's keyboard synthesizers to the world of envelope pedals for guitar, bass and beyond. The filter at the heart of the Resotron is based on the SSM2040 chip found in the legendary Prophet 5 and Octave CAT synthesizers. This 24db/octave, state-variable filter provides the full gamut of familiar envelope filter sounds with UP and DOWN sweeping modes, and a sensitivity control to dial in the response of the effect based on how hard you play.

In addition to these vintage-correct filter tones, the Resotron pushes the envelope pedal concept to a whole new level by using an analogue pitch-tracking system to move the cutoff frequency of the filter up and down. The pitch-following filter effect found in the Resotron moves around based on the notes you play instead of how hard you play. The attack time and rate of filter motion can be adjusted - using the GLIDE knob - to dial in how long it takes for the cutoff to travel between pitches.

"The pitch-following effect found in the Resotron is analogous to the "key-follow" function found on the original Minimoog and many other classic analogue keyboards," says Pigtronix president David Koltai. "Using our all-analogue pitch-tracking circuit to control cutoff frequency, the Resotron delivers mind-blowing filter motion for guitar players. I've dreamt of making this pedal for years, and it's finally here."

The Resotron has the ability to operate in Low Pass, Band Pass or High Pass modes. Each of these filter voices has a distinctive character that can be manipulated by adjusting the PEAK knob, progressively feeding the filter back upon itself to increase the resonance (or "Q") of the filter, right up to the point of self-oscillation. A push-button OSCILLATE function allows you to go even further - turning the Resotron into an analogue synthesizer pedal that follows both the pitch and dynamics of your playing. The synthesizer sounds created by the Resotron can be radically altered by switching between the LPF, BPF and HPF modes. This allows users to access waveforms that range from subtle voice emulations to bombastic, aggressive lead sounds, as well as ultra-smooth sub bass tones.

Before the pedal's input signal hits the Resotron's filter, it passes through an optical compression stage derived from the Pigtronix Philosopher's Tone pedal. The increased volume and punch from this compressor can then be mixed into the audio signal using the BLEND control - without affecting the SENSITIVITY of the envelope. Resotron accepts active CV and passive TRS expression pedal inputs for foot-controlled filter sweeps and outboard modulation, which is mixed in parallel with the on-board pitch-following and amplitude tracking systems.

Notes: Professional quality in your home recording studio and on the go.

Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a Cue Mix A/B button. A complete, all-in-one recording package, the Studio 26c comes with PreSonus' award-winning Studio One Artist music production software for macOS and Windows and includes USB-C to USB-C and USB-C to USB-A cables for compatibility with most computers.

World-class recording software included:

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 26c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:

The 2-in, 4-out Studio 26c audio interface features USB-C computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, 1/4-inch TRS, line-level main outputs; and an output level control. All line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones - perfect for DJs and to listen in on a performer's monitor mix. The Studio 26c's built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 26c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX-L mic preamps capture complex musical harmonics smoothly and naturally, with no audible distortion.

Designed for the home recording studio. Built for the road:

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 26c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it's a perfect companion for any recording software, the Studio 26c and included Studio One Artist provide you with a complete, affordable, home and mobile recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.

Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine

Notes: The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analogue, triple oscillator module that opens up a universe of dynamic timbral textures.

At its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs.

The main or "Carrier" oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected.

And while each oscillator can be used independently if desired, it's when they're combined into a synchronous ensemble that the real sonic magic happens.

That magic is what we call "Zing" modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing modulation is mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator's Sync button on), the harmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators. Each change in the Modulation Oscillator parameters - Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase - will have a different effect on the timbre of each of the three Carrier waveshape outputs.

When the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes. In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators. If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.

What all this means is that whether musicians take advantage of TRIDENT's unique synchronous modulation capabilities (which they, of course, should), or just treat it as three superb, wide-range analogue oscillators, TRIDENT offers a vast variety of dramatic sonic textures.

Notes: The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It's miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours.

More punch, more transparency, more control:

The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix.

Next-generation dynamic drivers:

The result of intensive development work: a single dynamic high-performance driver - with a diaphragm measuring only 7mm in diameter - covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible.

It's not just the sound that fits your ear...

...The IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.

Notes: The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It's miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours.

More punch, more transparency, more control:

The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix.

Next-generation dynamic drivers:

The result of intensive development work: a single dynamic high-performance driver - with a diaphragm measuring only 7mm in diameter - covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible.

It's not just the sound that fits your ear...

...The IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.

Notes: High-resolution sound - down to the finest details - with precise, accurate soundstage, even at extreme sound pressure levels. The IE 500 PRO combines huge power and clarity for any location and any stage in the world. Thanks to the twisted pair cable, it can be operated comfortably at high volumes. So sound professionals can keep even the finest details under control, the dynamic 7mm driver works with the newly developed TrueResponse technology. It refines the natural strengths of the diaphragm and eliminates stress factors that occur with other driver systems. Distortion, feedback peaks and overlapping frequency ranges are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. A miniature design also permits a formerly inconceivable, flat construction, which fits comfortably and securely into any ear canal. The accompanying silicone and memory foam adapters improve the fit and shielding, making it feel like it is tailor-made. Even with extreme movement, the IE 500 PRO sits securely in the outer ear - and can still be inserted or removed in a matter of seconds. The innovative, shock-proof cable duct (patent pending) is naturally replaceable.

High-resolution, strong mid-ranges:

With the IE 500 PRO, musicians can reliably locate themselves in the mix and hear every nuance of other voice or instrument, even on the loudest stages. The low-resistance system performs clearly and free from distortion, even at high sound pressure levels - thanks to TrueResponse technology. High-resolution, strong mid-ranges, accurate soundstage, and a robust design fit for any stage... the IE 500 PRO represents the philosophy of the entire IE series: MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix.

Next-generation dynamic drivers:

The result of intensive development work: a single high-performance dynamic driver - with a diaphragm measuring only 7 mm in diameter - covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor, and a two-chamber absorber in the direction of the ear canal minimizes feedback peaks that would otherwise occur naturally. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 500 PRO protects your hearing - even after hours of use on the loudest stages. For professionals that previously got lost in the mix, their sound suddenly becomes audible.

It's not just the sound that fits your ear...

...The IE 500 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector allows the IE 500 PRO to also withstand tough nights on the stage. Again, and again.

Notes: High-resolution sound - down to the finest details - with precise, accurate soundstage, even at extreme sound pressure levels. The IE 500 PRO combines huge power and clarity for any location and any stage in the world. Thanks to the twisted pair cable, it can be operated comfortably at high volumes. So sound professionals can keep even the finest details under control, the dynamic 7mm driver works with the newly developed TrueResponse technology. It refines the natural strengths of the diaphragm and eliminates stress factors that occur with other driver systems. Distortion, feedback peaks and overlapping frequency ranges are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. A miniature design also permits a formerly inconceivable, flat construction, which fits comfortably and securely into any ear canal. The accompanying silicone and memory foam adapters improve the fit and shielding, making it feel like it is tailor-made. Even with extreme movement, the IE 500 PRO sits securely in the outer ear - and can still be inserted or removed in a matter of seconds. The innovative, shock-proof cable duct (patent pending) is naturally replaceable.

High-resolution, strong mid-ranges:

With the IE 500 PRO, musicians can reliably locate themselves in the mix and hear every nuance of other voice or instrument, even on the loudest stages. The low-resistance system performs clearly and free from distortion, even at high sound pressure levels - thanks to TrueResponse technology. High-resolution, strong mid-ranges, accurate soundstage, and a robust design fit for any stage... the IE 500 PRO represents the philosophy of the entire IE series: MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix.

Next-generation dynamic drivers:

The result of intensive development work: a single high-performance dynamic driver - with a diaphragm measuring only 7 mm in diameter - covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor, and a two-chamber absorber in the direction of the ear canal minimizes feedback peaks that would otherwise occur naturally. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 500 PRO protects your hearing - even after hours of use on the loudest stages. For professionals that previously got lost in the mix, their sound suddenly becomes audible.

It's not just the sound that fits your ear...

...The IE 500 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector allows the IE 500 PRO to also withstand tough nights on the stage. Again, and again.

Notes: This stand has been precision machined and hand finished. You have the option of 2 different working angles, with a raise at the front so it can be placed behind a keyboard.

The stand is assembled using the existing screws. 4 small magnets are also provided to go over the screws, so you can use the logo that comes with the synth.

Item will need assembly as they are sent flat packed, all screws and rubber feet provided.

Notes: These end cheeks have been precision machined from solid European oak sourced from a fully FSC (sustainable) supplier.

They are attached using the supplied screws.

These are a great addition and adds a vintage touch to your synthesiser.

Item will need assembly as they will be sent flat packed - all screws are provided, and includes small rubber feet.

Notes: This stand is made from solid oak and fixes directly onto the Nord. These are a great addition, adding a vintage touch to your synthesiser.

Item will need assembly as they will be sent flat packed - all screws and rubber feet provided.

Notes: OP-Z is perfect to bring along when travelling. So much that Teenage Engineering felt the need to create a range of travel-cases to protect your OP-Z. Ideal for when you head down to the park, take a road trip or go on tour.

Notes: Unlock limitless creativity with the SQUID multitrack sequencer. Part of our TORAIZ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs. The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.

Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums - all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first Groove Bend feature, you'll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.

Intuitive workflow:

Have fun creating phrases by tapping the 16 multicoloured LED rubber pads in the Step Edit section. Set step parameters and play live as if the pads were keys on a keyboard. Combine various sequence functions such as Interpolation and Harmonizer to help build your sounds.

Arrange phrases in real time:

Rearrange phrases you've created in the Step Edit section to craft your ideas the instant they spring to mind. Enhance your sounds with performance features, such as Running Direction, Speed Modulation, and Groove Bend.

Save your 'happy accidents':

The SQUID records performance information in the background so you'll never lose phrases you create accidentally. When you're experimenting and hear something you love, use the Time Warp feature to recall and save it as a sequence pattern for your next track.

Connect various instruments:

The SQUID has a USB B terminal, MIDI terminals, 2 sets of CV/Gate outputs, and Clock and DIN Sync input/output terminals. This means you can combine the power of your DAW with modern, modular and vintage synths, as well as drum machines. Signals are converted automatically.

Import and export fast:

Quickly transfer sequence patterns, projects and Midi clips between the SQUID and your PC or Mac with the SQUID Manager function. Easily import a sequence pattern created on your DAW to the SQUID, instinctively arrange it using the sequencer's features, and return it to your DAW.

Notes: The XAOC HRAD is an expander for their Praga voltage-controlled mixing console, adding CV control for Aux levels, master level control, gate-controlled muting, and other powerful features.

- Additional set of controls for the PRAGA mixer
- Stereo sum level control
- Euro/line switchable output level
- Sum LED meters
- Stereo headphone amp
- Cue input
- Mix/solo cue auditioning
- Individual AUX inserts
- Voltage control over AUX send amount
- Two stereo controls for AUX return level
- Gate inputs for VC channel muting
- Power drawn from Praga

Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.

Notes: Improving an already-winning formula of superb sound quality, huge power (including 128 note polyphony!), a sleek compact chassis and a great price, MX49 Version 2 adds iPad, iPhone and iPod touch audio/MIDI class compliancy.

Yamaha's MX Series synthesisers feature carefully-selected sounds taken from the award-winning Motif XS. But the MX49 isn't just a synthesiser; it also bridges the gap between hardware and software. Its class-compliant USB audio/MIDI connection massively simplifies music production with your favourite DAW, whether you use macOS, iOS or Windows.

Handy DAW and VST controls are built into the MX49, perfect for using with the included software for macOS and Windows: Cubase AI, YC3B Organ Synthesiser VST and Prologue Analogue Synthesiser VST.

And, for producers using iOS, the MX49 Version 2 will unlock both Steinberg's Cubasis app and Yamaha's own FM Essential synthesizer app for iOS.

Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.