New releases last four weeks: Studio Equipment

Notes: Great value from Acid Rain's stereo paraphonic super oscillator, the Ripsaw's name hints at the four-voice supersaw vibes on offer here, ideal for trance leads, lush pads and more.

Supplier's Notes:
Four voice paraphonic

Ripsaw contains 4 voices that can each be individually controlled with 1 volt per octave pitch CV.

Seven oscillator spread

Each of Ripsaw's 4 voices contain 7 waveforms that can be detuned from eachother in pitch to create a lush swarm oscillator sound.

Wave morph

Ripsaw's oscillator waveforms morph smoothly from classic sawtooth to square for a hollow, haunting tone when spread detune is introduced.

Super sync

Ripsaw's shift parameter offsets the pitch of a hard sync oscillator for every one of the 28 waveforms to open up a whole new timbral dimension

Hex platform

Ripsaw is only the first firmware to be released on our new 6hp eurorack hardware platform called HEX. Other firmware options that generate and process sound will be available to download and try out free of charge.

Specifications:

6hp
25mm deep
42mA on +12V, 5mA on -12V, 0mA on +5V

Notes: After Later's full featured stereo compressor with threshold, ratio, and makeup gain controls, along with attack and release timing controls. You can also sidechain to help highlight sounds competing in the same sonic space.

Width: 8hp
12V: 60mA
-12V: 60mA

Notes: A multimode 1U filter module offering LPF, BPF, and HPF simultaneous outputs in 14HP (Intellijel 1U format):

Low pass filter (4 pole)

Band pass filter

High pass filter

CV over Resonance

Resonance will reach self-oscillation

Width: 14hp
12V: 39mA
-12V: 39mA
Red stripe orientation DOES NOT matter on FILThy. Either way will work!

Notes: After Later Audio's For Fuzz Sake combines two takes on the classic fuzz face into one pedal. Allowing a wide range of classic fuzz tones and effects in one pedal:

Gnarly is an 8 knob beast that will destroy whatever you throw at it. It has many dead zones in the pots that will adjust based on the position of other pots. It's all about finding the sweet spots and living on those fine edges.

Oomph is a 6 knob bass friendly take on the fuzz face and compliments the upper harmonics of the Gnarly section.

Requires a 9V tip negative power supply.

Notes: Bringing After Later's stereo granular sampler, Typhoon, to pedal format. This removes all of the modulation jacks and replaces them with a set of dip switches that can used with external modulation or the onboard LFO.

Two expression jacks for pedal control:

Modulation - You can send either the LFO or steady voltage to this jack and then use the dip switches to control which parameters the modulation applies to.

Level - Control the input level to allow your reverb tails and effects to taper off naturally.

Notes: Expands After Later's Bartender module to add an insert on the main bus. Includes set of insert jacks with level control.

Width: 2hp
12V: 40mA
-12V: 40mA

Notes: This is for one 2hp module that can be configured in four different ways. It's a bit complicated to get your head around, but there are no electronics on this. It's just a means to connect various buses to jacks.

1) Bus outputs - In this mode you get all stereo outputs for all four buses. This mode is best for using as an extra set of outputs for Bartender or for connecting to a chain of Barbacks (no need for a Bartender). It's also a way to get 3.5mm output jacks for the CUE bus.

2) Bus outputs w/return (no cue) - This is similar to the first mode but you flip the panel over and use jumpers on the back to convert the CUE outputs in to a return.

3) Channel outputs (1-4) - This mode allows you to get unbalanced outputs for four stereo channels of either PRE or POST.

4) Channel outputs (5-8) - This is identical to the third mode, but you just flip the panel over to get markings for channels 5-8.

Connections:

For modes 1 and 2 you'll want to connect both green PCBs, the jumpers go on the bottom half of the module. Then just set the jumpers to CUE or return and put the appropriate panel side in place. You'll then use the 2x8 cable to connect it to Expander output on Bartender or Barback.

For modes 3 and 4 you'll want to just use the one green PCB with jacks on it. You'll then use the two 2x3 cables to connect to either the pre or post headers on one Bartender or two Barbacks. The panel for the channel outputs has two sides to support channels 1-4 or 5-8. You could also technically use this to output both pre and post for two channels, but there is no matching panel for that configuration.

Note 1: Each 2hp module can only be configured for one mode at a time. If you want both bus outputs and channel outputs, you will need to purchase multiple units. Also if you want eight channels of direct outputs, you'll need to purchase multiple units.

Note 2: These are all unbalanced outputs, so be mindful with both cable length and exposing the cables to noisy environments.

Width: 2hp
12V: 0mA
-12V: 0mA

Notes: After Later's smaller stereo compressor with threshold, ratio, and makeup gain controls, along with the ability to sidechain. Timing is purely automatic. For timing control, check out After Later's Compactor module.

Width: 4hp
12V: 40mA
-12V: 40mA

Notes: Designed specially for producers, AIAIAI's TMA-2 Studio Preset headphones are available here in a wireless configuration. Bundled with a free copy of Ableton Live Lite software, the TMA-2s are ideal for making music.

Supplier's Notes:
The TMA-2 Studio Wireless headphones provide a seamless wireless functionality for music creators seeking freedom of movement, cable free recording, and a light, comfortable build with exceptional performance for versatile use. Free yourself from cables with ultra-low latency wireless audio.

Connect wirelessly to all of your gear: Cable-like performance with under 10ms of latency via W+ Link technology, featuring 20+ hours of playback time.

Hear all the details: Detailed and balanced sound representation with strong frequency separation reveals the subtle details in your music.

Control your sound profile: Use the AIAIAI app EQ to shape the sound to your preference, whether that be flat and accurate for mixing or dialing up the bass for creative sessions.

Stay in the zone for hours: Over-ear cushions and padded headband using high grade memory foam covered in soft PU leather, for enhanced comfort during creative sessions or live performances.

Go beyond the studio: Use W+ Link for live performance or switch to Bluetooth mode for everyday listening and making calls, or plug directly in with the detachable cable.

Customise, replace and upgrade: The modular nature of TMA-2 Studio Wireless allows for endless customisation and easy upgrades or replacements of individual parts.

Notes: Great value from this compact filter module. The Pip Filter is a 12dB/oct resonant design with built-in normalled VCA and a trigger input for pinging. Lots of functionality and creative potential packed into 4 HP.

Supplier's Notes:
Compact Low Pass Filter and VCA

The 'Pip Filter' is a compact 4HP voltage controlled 2 pole low-pass filter with resonance, a 'pingable' trigger input and built in VCA.

Filter cutoff is controlled via both knob control and dual CV inputs with a built in attenuverter.

Resonance is manually controlled and will reach into self oscillation with rough V/Oct tracking.

A trigger input allows the filter to be pinged for percussive plucked type sounds. Finally, a built in VCA (normalled open) allows for additional independent amplitude control of the filtered signal.


Technical Specifications

Size: 4HP
Power: +12V 25mA / -12V 25mA
Depth: 32mm (approx)

Notes: Compact Analogue LFO & VCO

The 'Pip LFO' is a compact 4HP all analogue low frequency oscillator with a wide frequency range, voltage control, numerous outputs, reset input and a VCO mode.

LFO speed is set via a manual control and voltage control input. There is a unipolar square wave output along with both bipolar and uni-polar triangle, saw and sine waveform outputs.

When VCO mode is activated, the frequency jumps to audio range and will track V/Oct for approx 5 octaves. A reset input allows the LFO waveform cycle to be reset and produces hard sync functionality in VCO mode.


Technical Specifications

Size: 4HP
Power: +12V 40mA / -12V 20mA
Depth: 32mm (approx)

Notes: Perfect for use in home studios or by emerging audio professionals anywhere, the ATH-R30x is your gateway to the R-Series listening experience, offering all the features you could ask for in a pair of open-back reference headphones. Delivering professional-grade performance without compromise, these versatile headphones provide natural, immersive audio with a wide, detailed soundstage that brings depth and realism to every session.

The open-back design of the ATH-R30x headphones allows sound to flow naturally from the drivers, delivering clear, detailed audio with minimal distortion. The headphones' spacious soundstage and natural clarity are achieved through Audio-Technica's meticulous transducer design, relying on very little additional tuning or damping. As a result, the listener is treated to the type of immersive audio experience that only finely crafted open-back headphones can deliver.

The headband on the lightweight ATH-R30x (210 g) adjusts to provide a custom fit that's made even more comfortable by the replaceable velour earpads and cooling, open-back earcups, allowing you to stay fully immersed in the audio even through the longest listening sessions.

The ATH-R30x open-back reference headphones deliver sound directly from the drivers, with little additional tuning or damping. Allowed to move freely, the headphones' enhanced 40 mm drivers provide a natural, immersive listening experience.

Specifications

Type: Open-back reference
Driver Diameter: 40 mm
Frequency Response: 15 - 25,000 Hz
Maximum Input Power: 1,000 mW
Sensitivity: 92 dB/mW
Impedance: 36 ohms
Weight: Approx.: 210 g (7.4 oz), without cable
Cable Length: 3.0 m (9.8')
Plug: 3.5 mm (1/8") gold-plated stereo mini-plug
Accessories Included: 6.3 mm (1/4") stereo adapter
Replacements/separately sold items: Earpads, headpad, 6.3 mm (1/4") stereo adapter

Notes: The ATH-R50x professional open-back reference headphones are designed to provide a natural listening experience with an expansive soundstage that's ideal for all manner of critical-listening tasks.

The headphones' drivers are modelled after those used in the original ATH-R70x, now re-engineered to deliver bass that's surprisingly powerful for an open-back model, plus an accurate upper midrange to ensure the clarity of vocals and lead instruments without sacrificing overall balance.

Key to delivering this natural, full-spectrum sound is the headphones' pure open-back design, which doesn't embellish the sound coming from the drivers. The ATH-R50x headphones are engineered to deliver dynamic, detailed audio, with powerful sub-bass and a realistic soundstage, directly from the drivers without any additional acoustic tuning. The fully open earcups also provide greater comfort than closed-back models - comfort enhanced by the newly designed headband and durable, lightweight construction.

Perfect for mixing, mastering, or creating, the ATH-R50x provides precise, reliable reference across stereo, surround, and immersive formats, making it a versatile choice for any professional or home studio.

Fully open-back sound relies solely on the performance of the driver, with each diaphragm movement directly translating into sound.

The ATH-R50x open-back design allows unrestricted airflow that prevents any distortion or artificial enhancement to the sound. The headphones deliver pure sound directly from the transducer for an authentic open-back experience.

The headband on the lightweight ATH-R50x (207 g) is designed to keep you comfortable for hours.

The replaceable velour earpads and cooling, open-back earcups add to the comfort, allowing you to stay fully immersed in the audio even through the longest listening sessions.

Specifications

Headphones

Type: Open-back reference
Driver Diameter: 45 mm
Frequency Response: 5 to 40,000 Hz
Maximum Input Power: 1,600 mW
Sensitivity : 93.3 dB/mW
Impedance: 50 ohms
Weight: Approx. 207 g (7.3 oz), without cable
Connector: 3.5 mm (1/8") stereo headphone jack
Accessories Included: Detachable cable (3.0 m (9.8') / 3.5 mm (1/8") gold-plated stereo mini-plug), Detachable cable (1.2 m (3.9') / 3.5 mm (1/8") gold-plated stereo mini-plug), 6.3 mm (1/4") stereo adapter, Pouch
Replacements/separately sold items: Earpads, Headpad, Detachable cable, 6.3 mm (1/4") stereo adapter, Pouch
Notes: For product improvement, the product is subject to modification without notice.

Notes: The ATH-R70xa is Audio-Technica's flagship pair of professional open-back reference headphones. This enhanced version of the ATH-R70x delivers the natural and balanced sound of its predecessor but with refined accuracy and detail, providing a heightened listening experience with precise imaging and depth.

Fully open-back sound relies solely on the performance of the driver, with each diaphragm movement directly translating into sound - without reliance on acoustic cavities or resonance for frequency enhancement. While the ATH-R70x utilized damping and acoustic design for added low-frequency emphasis, the ATH-R70xa delivers pure sound directly from the transducer, offering an authentic open-back experience and minimizing distortion. This ensures accurate, natural sound with realistic sound staging.

Made for critical listening, the ATH-R70xa headphones allow engineers to make the right decision at every step of the production process. With an extended frequency range, every detail of a mix is transparently reproduced. The unrestricted airflow and absence of internal resonance allows for an extremely quick transient response, ensuring the clarity and separation needed to handle complex contemporary mixes.

These featherlight (199 g without the cable), fully open-back headphones feature streamlined construction and a new headband design, allowing the headphones to virtually disappear during use - perfect for long working sessions.

The ATH-R70xa is handcrafted in Audio Tehcnica's Machida facility. Each unit is meticulously assembled from components built in-house, then rigorously tested before leaving the factory.

Whether mixing, mastering, or creating, the ATH-R70xa is the perfect production tool, delivering accurate and dependable reference across stereo, surround, and immersive format

Fully open-back sound relies solely on the performance of the driver, with each diaphragm movement directly translating into sound.

The ATH-R70xa open-back design allows unrestricted airflow that prevents any distortion or artificial enhancement to the sound. The headphones deliver pure sound directly from the transducer for an authentic open-back experience.

Each unit is meticulously assembled from components built in-house, then rigorously tested before leaving the factory.

Weighing just 199 grams (without the cable), these fully open-back headphones virtually disappear from your head, allowing you to remain comfortable and fully engaged in your work, even during the longest studio sessions.

Specifications

Headphones

Type: Open-back reference
Driver Diameter: 45 mm
Frequency Response: 5 to 40,000 Hz
Maximum Input Power: 1,000 mW
Sensitivity : 97 dB/mW
Impedance: 470 ohms
Weight: Approx. 199 g (7.0 oz), without cable
Connector: 3.5 mm (1/8") stereo headphone jack
Accessories Included: Detachable cable (3.0 m (9.8') / 3.5 mm (1/8") gold-plated stereo mini-plug), 6.3 mm (1/4") stereo adapter, Pouch
Replacements/separately sold items: Earpads, Headpad, Detachable cable, 6.3 mm (1/4") stereo adapter, Pouch
Notes: For product improvement, the product is subject to modification without notice.

Notes: Includes: 2x Ear Cushions for Hi-X50, 1x Bow Pad for Hi-X50, 1x Mounting Tool.

Notes: Includes: 2x Ear Cushions for Hi-X50, 1x Mounting Tool.

Notes: 1.2 meter cable compatible with the Austrian Audio Hi-X65/Hi-X60/Hi-X55/Hi-X50.

Notes: 3 meter cable compatible with the Austrian Audio Hi-X65/Hi-X55/Hi-X50.

Notes: Carry Case for for the Austrian Hi-X65/60/55/25BT/15/PG16

Notes: Breakout for the ISE-NIN Voice

Extensive outputs, open-ended Functionality

The output section of the ISE-NIN BREAKOUT is a perfect match for the voice. Each waveform for each oscillator has its own independent instrument, as does each envelope and the inverse of envelope 1, each filter and slope, each LFO waveform, noise and low noise, and mix. There's also a dedicated headphone output so you can enjoy ISE-NIN without waking the neighbours. You'd be hard pressed to find as much tonal range, as many distinctive vintage Japanese tones, or as much expandability with as much horsepower as ISE-NIN VOICE and its BREAKOUT.

Notes: Bringing the sound of the legendary Roland Jupiter-8 crashing into Eurorack, the ISE-NIN is Black Corporation's 100% analogue monophonic synth voice, derived from the mega eight-voice ISE-NIN desktop synth.

Supplier's Notes:
(ISE-NIN) VOICE brings the legendary Japanese discrete analogue sound into a compact 100% analogue Eurorack creation. Ideal for combination with an x0x techno rig, the full depth of rich sonic potential and programmability of ISE-NIN can now be patched into new modular concoctions. A full complement of iconic analog oscillators, filters, envelopes, and modulation make this at once a full-featured semi-modular synth on its own, and a powerful addition to any rig with the addition of ISE-NIN BREAKOUT.

Two Oscillators with Deep Modulation

This is a no-compromise compact recreation of a complete voice - lacking only the desktop synth's polyphony. Two oscillators each include multiple waveforms (triangle, ramp, pulse, and square on the VCO-1, with sine and noise replacing triangle and square on VCO-2). Hard sync is available, as is configurable modulation, with dedicated PWM (controlled manually, via LFO, or via envelope 1), and tweakable modulation amounts from both LFO and envelope 1 to VCO-1, VCO-2, or both. The LFO section provides access to waveform (sine, saw, square, random), rate, and delay.

Unmistakable Filter, Dual Envelopes, Musical Control

The unique classic 80s Japanese filter sound is fully embodied here, with highpass filter, lowpass with two slope options (-12 dB, -24 dB), and resonance, all with their own controls. Dual envelopes, each with four stages, are assignable to the filter, VCO modulation (ENV-1), and VCA (ENV-2), with an envelope mod fader. Envelope 1 also sports a polarity switch. As with our desktop synths, musical control is front and center, literally: you'll find dedicated controls for toggling keyboard input to each envelope, a keyboard amount to VCF fader. If you're using ISE-NIN alone as a voice, you'll have access to 1v/octave and gate inputs with glide control.

Unprecedented Patchability

Start with ISE-NIN VOICE (36HP), and you'll already have a deep semi-modular instrument on its own. But add ISE-NIN BREAKOUT (22HP), and you can place every single control under one-to-one voltage control for unmatched patchability and programmability. This is a level of sound possibility that could would normally require investing in several rows of modules; here, they're all readily accessible on one convenient, compact front plate. Not only do you get dedicated inputs for the oscillators, filters, and each separate envelope stage for both of the two envelopes, but there are separate FM inputs to each oscillator and every possible routing of the LFO, envelope, and keyboard. XMOD amount and VCO-2 quantized range each get their own input.

Power consumption: 110mA at +12V and 30mA at -12V

Depth: 38mm

36 HP

Notes: Brilliantly creative, fun percussion synthesis is the name of the game with the Metal Fetishist. Built-in randomness sequencer allows you to evolve and modulate rhythmic patterns with full control over the digital-analogue hybrid sound.

Supplier's Notes:
The Body Synths Metal Fetishist is a percussion synthesizer that features a loopable randomness sequencer and a CV interface.

Explore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies

The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.

Random sequencing with control

Two randomness generators manage the trigger probability and the step-modulation. Pitch, cutoff or an internal mixer that blends noise (or external audio) can be controlled by it. The STEPS knob locks the randomness into repeatable sequences of 2, 4, 8, 10, 16 or 32 steps.

Audio Input available to process external sounds

The Metal Fetishist can be used as an effect. External sources can be processed through the filter, the distortion and even the sequencer. You can connect a drone instrument and make rythms with its sound.

Digital sound engine and sound processing
Line level mono Output (6.35mm jack)
Line level mono Input (6.35mm jack)
Analog Control Voltage interface
Analog Inputs and Outputs for Clock and Trigger
MIDI Clock Sync Input (3.5mm jack)
MIDI adapter included (5-Pin DIN to 3.5mm, type A)
9V center-negative DC input (5.5/2.1mm)
Current draw: 105mA
Product Dimensions (W x D x H): approx. 190 x 124 x 55 mm
Product Weight: 0.780 Kg

Notes: Sonora is a spectral mixing output module that aims to be the ultimate sound stage of a modular setup. A place where all your mixes meet and find a stereophonic solution for your final track thanks to its twelve fixed panning inputs that allow you to give each track its own space and importance in the stereo field.

While being a 12 inputs summing mixer, Sonora also features a LED meter, a soft clipping limiter circuit at the output stage, a headphone output section with loudness indicators and 3.5mm pro line output jacks.

Notes: With only three controls, this deceptively powerful pedal offers you everything from light overdrive to full on distortion with clarity and blissful grinding. A Tone On/Off switch allows you remove the Tone control from the circuit, opening up a whole new world of midrange grind. Switch it off for a simplified and straightforward attack or leave it on for a full-bodied distortion with loads of low-end with a slight natural scoop. Roll up the Sustain for wall-shaking bass notes or sustaining lead and adjust the Tone for a wild and wide frequency response from aggressive top end to low-end rumble.

Controls

Sustain: Adjusts the amount of distortion and sustain.

Tone: Use this to fine tune the frequency response. Boost treble by turning clockwise, boost bass and tame the top end by turning counterclockwise.

Tone On/Off: This switch bypasses the tone control and delivers a more mid focused response.

Level: Controls the output volume.
Tech specs

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw

10 mA
Input Impedance

50 kO

Output Impedance: <10 kO

Switching: This device uses relay-based true bypass switching; it requires power to pass signal.

Power: This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Notes: With only three controls, this deceptively powerful pedal offers you everything from light overdrive to full on distortion with clarity and blissful grinding. A Tone On/Off switch allows you remove the Tone control from the circuit, opening up a whole new world of midrange grind. Switch it off for a simplified and straightforward attack or leave it on for a full-bodied distortion with loads of low-end with a slight natural scoop. Roll up the Sustain for wall-shaking bass notes or sustaining lead and adjust the Tone for a wild and wide frequency response from aggressive top end to low-end rumble.

Controls

Sustain: Adjusts the amount of distortion and sustain.

Tone: Use this to fine tune the frequency response. Boost treble by turning clockwise, boost bass and tame the top end by turning counterclockwise.

Tone On/Off: This switch bypasses the tone control and delivers a more mid focused response.

Level: Controls the output volume.

Tech specs

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 10 mA
Input Impedance: 50 kO
Output Impedance: <10 kO
Switching: This device uses relay-based true bypass switching; it requires power to pass signal.
Power: This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. EQD always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Notes: With only three controls, this deceptively powerful pedal offers you everything from light overdrive to full on distortion with clarity and blissful grinding. A Tone On/Off switch allows you remove the Tone control from the circuit, opening up a whole new world of midrange grind. Switch it off for a simplified and straightforward attack or leave it on for a full-bodied distortion with loads of low-end with a slight natural scoop. Roll up the Sustain for wall-shaking bass notes or sustaining lead and adjust the Tone for a wild and wide frequency response from aggressive top end to low-end rumble.

Controls

Sustain: Adjusts the amount of distortion and sustain.

Tone: Use this to fine tune the frequency response. Boost treble by turning clockwise, boost bass and tame the top end by turning counterclockwise.

Tone On/Off: This switch bypasses the tone control and delivers a more mid focused response.

Level: Controls the output volume.
Tech specs

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw

10 mA
Input Impedance

50 kO

Output Impedance: <10 kO

Switching: This device uses relay-based true bypass switching; it requires power to pass signal.

Power: This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Notes: In early 2023, Jamie Stillman was invited by legendary guitarist and producer Dave Catching to record at Rancho De La Luna for an album celebrating the studio's 30th anniversary. Dave- founding member of earthlings? and Eagles Of Death Metal and Queens Of The Stone Age- has been a longtime supporter of Earthquaker Devices. Jamie eagerly joined the session, using the Dirt Transmitter on many tracks to great response from the crew.

Following the session, plans emerged to reissue the Dirt Transmitter in conjunction with the album. Dave suggested Ohio-based artist Mike Egan for special Rancho-themed artwork- an ideal match, as Mike lives near EQD's headquarters. The collaboration came together naturally.

The Dirt Transmitter, one of EQD's earliest circuits, debuted in 2008. Fuzz Face-inspired and built around rare low-gain silicon transistors, it blends germanium warmth with silicon's gritty top-end. Originally released with Fuzz, Tone and Level controls, it alter added am externa. Bias control to starve voltage and create a gated, sputtery velctro fuzz. Discontinued in 2017, it returns now for a special release.

The Dirt Transmitter- Rancho De La Luna Limited Edition.

Notes: PCF-DL10: 10 cm

The EBS PCF flat patch cable is an original design by EBS that started the global trend of flat patch cables for pedalboards. Due to the clever space-saving design, the cables have become the patch cable-to-go for musicians all over the world.

If you have ever struggled with limited space on your pedalboard, the super compact and affordable EBS Flat Patch Cables will help end the frustration. They perform excellently on sound and flexibility while reducing the required space between pedals to a minimum with their unique design.

The new PCF Deluxe (PCF-DL, some stores refer to it as PCF-DL10G, etc.) series is the second implementation of improvements since the original design. It remains the most affordable among EBS flat patch cables.

New features since October 2021:

30% reduced size contact housing.
24K gold-plated tip of the contacts for best performance.
Features shared with the previous version:

Double-shielded cables and very low resistance keep your signal path clean and strong through the pedalboard.

Very compact size and flexible cables ensure effective use of ALL space on your pedalboard.

Since their introduction, these cables have created space on pedalboards for thousands of customers worldwide. We hope you will become one of them too.

Buy the cables at local stores and online dealers all over the world.

Notes: Standalone version of Enjoy's DeFeel module. Inspired by 'fill' effects found on old-school drum machines, the DeFeel is a unique approach to manipulating sequences, designed to 'degenerate the monotony' of rhythmic patterns, creating variations in real time.

Supplier's Notes:
With DeFeel Enjoy Electronics have redesigned and applied the Fill concept to make it usable in the world of modular synthesizers.

This device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.

A modular device that's not going to generate anything, but is created to degenerate the monotony.

DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.

With DeFeel, Enjoy Electronics offer musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.

Notes: High-end Eurorack goodies from Euterpe, the Itinera is a multi-mode filter with a classy built-in pre-amp. Derived from the Vertice filter bank, the Itinera offers transistor distortion and two flavours of CV-controlled feedback.

Supplier's Notes:
Based off Euterpe's classic Vertice filter bank, this fully analogue multimode filter biasts an integrated preamp and transistor based distortion. This saturates the signal in order to generate harmonically rich sounds for the filters to manipulated.

The Itinera boasts four modes: LPF, BPF, HPF and notch, allowing for a wide range of possibilties, especially when combined with the 3 selectable resonance paths.

These 3 paths - transistor, diode and Innesco - each offer their own characteristics. The Itinera alos has two CV controllable feedback functions, "Vindicta" and "Formant", which help create feed back effects.

With two audio inputs and four CV inputs, the Itinera offers tons of potential for creative applications, not only as a filter but also as a saturator!

Notes: An evolution of the iconic Klon-style transparent overdrive, the Manis offers natural pushed tones with extra versatility thanks to a choice of germanium transistors or diodes, switchable bass boost and true or buffered bypass.

Supplier's Notes:
With the introduction of the Manis Overdrive, Keeley pens the next chapter in the legend of the mythical Klone. The essential germanium diodes at the heart of the myth faithfully deliver the iconic tones that are as expected, but that's far from where this story ends. With additional options for switching between both clipping and bass boost modes, Manis is sure to conjure up a suitable saturation for any situation.

Keeley recognises that not every guitarist relates to the sound of the original horse related pedal, so while the Manis totally nails the sound of the fabled original, it also delivers a worthwhile evolution of this renowned circuit. By using GE Transistors as opposed to the fabled GE diodes, the result is representative of the same well-known flavour, but due to the different cutoff voltage there is increased saturation, compression and sustain.

The additional "tube like" second order harmonics and extra gain on tap are like a miracle cure for anyone with the "Klone blues".

Toggle the clipping switch to swap in cold-war era GE transistors for more sustain, saturation, and tube-like response that you can really feel under your fingertips. Or leave the pedal in Diode mode for that authentic Klone experience. Control the character and punch of your sound by dialing down the upper-mid honk with the Tone knob.



Need more low-end? A dedicated bass boost switch lowers the cutoff an octave and adds 3dB of gain, ideal for single coil low-end recovery.

Manis is built tough and uniquely capable of running on 18V for more headroom, a true first of its kind. Being a modernised voltage-double hard clipping boost, Manis is a one stop solution for clean boost amp saturation, sure to please Klone purists, newcomers or converts alike.

Notes: Dual logic processor with chaining and CV functions

Affordable logic processing in this appealing little module from Klavis. Two independent dual-input processors offer a total of 15 different functions, with different options on each section.

Two dual-input sections can be used independently, put in parallel for 4-input wide logic, or chained for more advanced processing.

Each section presents normal and inverted outputs.

The two sections offer a set of common and specific functions for a total 15 different ones.

Several functions offer real-time CV control for dynamic changes of the conditions.

All time-related functions can be independently user adjusted and are saved automatically.

LEDs tell permanently the actual status of all outputs.

Functions offer features such as rising edge (rise) detection, falling edge (fall) detection, trigger delay, gate skip, gate to trigger and reverse, clock multiplication, clock division, set/reset, alternate right to pass, gate combiner with retriggering (Gater), majority vote, minus A AND B, and the usual AND, NAND, OR, NOR, XOR, XNOR, with up to four inputs when sections are combined/chained.

Dimensions
5 HP
21 mm deep

Current Draw
31 mA +12V
1 mA -12V
0 mA 5V

Notes: Lightreft's modular MIDI computer is a hands-on approach to controlling your instruments and other MIDI gear. An endless library of eight banks, eight sliders and eight buttons per bank. Get creative.

Supplier's Notes:
Monolit by Lightreft is a cutting-edge, multifunctional MIDI-computer that transforms your music production experience. Designed for musicians who seek precision and flexibility, MONOLIT offers seamless integration with all DAWs and hardware devices, customizable presets, and an intuitive interface for effortless control and creativity.

Whether you're diving into your DAW or jamming out with external hardware instruments, MONOLIT has you covered. An endless library of presets at your fingertipsieach one offering 8 banks, with 8 sliders and 8 buttons per bank. That's a whole lot of control!

For each slider and button, Lightreft present a range of versatile options. You can record MIDI automation, set delay times for slider movements, send notes and LFOs, and adjust various parameters directly within the device. This flexibility ensures that you have complete control over every detail of your setup.

But it doesn't stop there. MONOLIT is as versatile as you are, allowing you to connect other devices like Gamepads, Keyboards, Monome Grid , or any MIDI device you fancy. This means you can take command of your entire setup, all through one sleek, powerful interface. Whether you're crafting the perfect beat, tweaking synths, or anything in between, MONOLIT is the tool that brings your musical ideas to life with ease and style.

Designed and assembled in Japan, MONOLIT is ready to be shipped worldwide.

Specifications

Enclosure: the casing and front panel are made entirely from a single piece of aluminum.

Screen: multi-bright monochrome display 128x64 with a cozy pixel font

Controls: 8 sliders and 13 buttons providing full control

Banks: 8 banks with a total of 64 fully customizable sliders and buttons per peset

Memory: Save, load, and edit presets, and switch between them with ease

Compatibility: MONOLIT works with any DAW or hardware device that supports MIDI

Connectivity: TRS to MIDI, USB-C outputs, as well as USB input to connect external devices

MODES: 4 customizable slider modes and 2 button modes, with more on the way in future updates

Notes: Qu-Bit's updated Bloom brings the powerful fractal sequencer module to the next level. Extra channel, double the step length, save and load sequences via USB drive. A unique way to program and control patterns.

Supplier's Notes:
Inspire new growth in your musical garden with Bloom, a fractal sequencer capable of generating infinitely evolving melodies.

In its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!

Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!

Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!

Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!

Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.

Plant the seeds of your next patch with Bloom.

Notes: The third generation of the world's most popular wireless microphone, now with 32-bit float recording, intelligent GainAssist technology, improved built-in mics and a host of professional features and enhancements - the ultimate creative companion.

The World's Most Popular Wireless Microphone

The original Wireless GO was the first of its kind, establishing an entirely new category of compact wireless microphone that soon became the go-to audio tool for content creators around the world. Now, the third-generation Wireless GO builds on this legacy, delivering every feature and convenience a creator could possibly need while maintaining the intuitive grab-and-go operation that the range is known for.

State-of-the-art Wireless Audio

Utilising RODE's state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, the Wireless GO delivers crystal-clear, incredibly stable audio with a range of up to 260m.

Say Goodbye to Clipping

For the ultimate peace of mind, each of the Wireless GO's transmitters feature over 40 hours of 32-bit float on-board recording. This means that your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too quiet or too loud - even audio that clipped!

Flawless Sound with Every Take

The Wireless GO offers a wide range of features to help you capture incredibly clean and intelligible audio for your content. Intelligent GainAssist technology automatically balances levels on-the-fly, granular gain adjustment and tailored camera presets allow for more refined control over your signal, and the built-in microphones feature the same upgraded capsules and preamps as found in the Wireless PRO. Capture flawless sound with every take.

The Wireless Mic for Every Setup and Every Setting

With both digital and analogue outputs, the Wireless GO is just at home connected to a DSLR or mirrorless camera as it is plugged into an iPhone or Android smartphone - you can even use it as a USB microphone with your computer.

Gain the Professional Edge

Monitor your audio in the field with the Wireless GO's high-power headphone output, ensure your lavaliers stay connected on set with 3.5mm locking connectors, and extend your system's battery in the field with plug-in power detect. The Wireless GO has a host of professional features designed to make your creative life a whole lot simpler.
Specifications

Acoustic & Electrical

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dBSPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5mm TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 11 and above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Mechanical

Weight (grams)
TX: 35
RX: 36

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
RX: 46.5 (W) x 44 (L) x 20 (H)

What's in the box

2 x Transmitter
1 x Receiver
1 x SC2
1 x SC21
1 x SC22
1 x SC33
1 x Carry Pouch
3 x Furry

Notes: The third generation of the world's most popular wireless microphone, now with 32-bit float recording, intelligent GainAssist technology, improved built-in mics and a host of professional features and enhancements - the ultimate creative companion.

The World's Most Popular Wireless Microphone

The original Wireless GO was the first of its kind, establishing an entirely new category of compact wireless microphone that soon became the go-to audio tool for content creators around the world. Now, the third-generation Wireless GO builds on this legacy, delivering every feature and convenience a creator could possibly need while maintaining the intuitive grab-and-go operation that the range is known for.

State-of-the-art Wireless Audio

Utilising RODE's state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, the Wireless GO delivers crystal-clear, incredibly stable audio with a range of up to 260m.

Say Goodbye to Clipping

For the ultimate peace of mind, each of the Wireless GO's transmitters feature over 40 hours of 32-bit float on-board recording. This means that your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too quiet or too loud - even audio that clipped!

Flawless Sound with Every Take

The Wireless GO offers a wide range of features to help you capture incredibly clean and intelligible audio for your content. Intelligent GainAssist technology automatically balances levels on-the-fly, granular gain adjustment and tailored camera presets allow for more refined control over your signal, and the built-in microphones feature the same upgraded capsules and preamps as found in the Wireless PRO. Capture flawless sound with every take.

The Wireless Mic for Every Setup and Every Setting

With both digital and analogue outputs, the Wireless GO is just at home connected to a DSLR or mirrorless camera as it is plugged into an iPhone or Android smartphone - you can even use it as a USB microphone with your computer.

Gain the Professional Edge

Monitor your audio in the field with the Wireless GO's high-power headphone output, ensure your lavaliers stay connected on set with 3.5mm locking connectors, and extend your system's battery in the field with plug-in power detect. The Wireless GO has a host of professional features designed to make your creative life a whole lot simpler.
Specifications

Acoustic & Electrical

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dBSPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5mm TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 11 and above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Mechanical

Weight (grams)
TX: 35
RX: 36

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
RX: 46.5 (W) x 44 (L) x 20 (H)

What's in the box

2 x Transmitter
1 x Receiver
1 x SC2
1 x SC21
1 x SC22
1 x SC33
1 x Carry Pouch
3 x Furry

Notes: The third generation of the world's most popular wireless microphone, now with 32-bit float recording, intelligent GainAssist technology, improved built-in mics and a host of professional features and enhancements - the ultimate creative companion.

The World's Most Popular Wireless Microphone

The original Wireless GO was the first of its kind, establishing an entirely new category of compact wireless microphone that soon became the go-to audio tool for content creators around the world. Now, the third-generation Wireless GO builds on this legacy, delivering every feature and convenience a creator could possibly need while maintaining the intuitive grab-and-go operation that the range is known for.

State-of-the-art Wireless Audio

Utilising RODE's state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, the Wireless GO delivers crystal-clear, incredibly stable audio with a range of up to 260m.

Say Goodbye to Clipping

For the ultimate peace of mind, each of the Wireless GO's transmitters feature over 40 hours of 32-bit float on-board recording. This means that your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too quiet or too loud - even audio that clipped!

Flawless Sound with Every Take

The Wireless GO offers a wide range of features to help you capture incredibly clean and intelligible audio for your content. Intelligent GainAssist technology automatically balances levels on-the-fly, granular gain adjustment and tailored camera presets allow for more refined control over your signal, and the built-in microphones feature the same upgraded capsules and preamps as found in the Wireless PRO. Capture flawless sound with every take.

The Wireless Mic for Every Setup and Every Setting

With both digital and analogue outputs, the Wireless GO is just at home connected to a DSLR or mirrorless camera as it is plugged into an iPhone or Android smartphone - you can even use it as a USB microphone with your computer.

Gain the Professional Edge

Monitor your audio in the field with the Wireless GO's high-power headphone output, ensure your lavaliers stay connected on set with 3.5mm locking connectors, and extend your system's battery in the field with plug-in power detect. The Wireless GO has a host of professional features designed to make your creative life a whole lot simpler.
Specifications

Acoustic & Electrical

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dBSPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5mm TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 11 and above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Mechanical

Weight (grams)
TX: 35
RX: 36

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
RX: 46.5 (W) x 44 (L) x 20 (H)

What's in the box

2 x Transmitter
1 x Receiver
1 x SC2
1 x SC21
1 x SC22
1 x SC33
1 x Carry Pouch
3 x Furry

Notes: The third generation of the world's most popular wireless microphone, now with 32-bit float recording, intelligent GainAssist technology, improved built-in mics and a host of professional features and enhancements - the ultimate creative companion.

The World's Most Popular Wireless Microphone

The original Wireless GO was the first of its kind, establishing an entirely new category of compact wireless microphone that soon became the go-to audio tool for content creators around the world. Now, the third-generation Wireless GO builds on this legacy, delivering every feature and convenience a creator could possibly need while maintaining the intuitive grab-and-go operation that the range is known for.

State-of-the-art Wireless Audio

Utilising RODE's state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, the Wireless GO delivers crystal-clear, incredibly stable audio with a range of up to 260m.

Say Goodbye to Clipping

For the ultimate peace of mind, each of the Wireless GO's transmitters feature over 40 hours of 32-bit float on-board recording. This means that your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too quiet or too loud - even audio that clipped!

Flawless Sound with Every Take

The Wireless GO offers a wide range of features to help you capture incredibly clean and intelligible audio for your content. Intelligent GainAssist technology automatically balances levels on-the-fly, granular gain adjustment and tailored camera presets allow for more refined control over your signal, and the built-in microphones feature the same upgraded capsules and preamps as found in the Wireless PRO. Capture flawless sound with every take.

The Wireless Mic for Every Setup and Every Setting

With both digital and analogue outputs, the Wireless GO is just at home connected to a DSLR or mirrorless camera as it is plugged into an iPhone or Android smartphone - you can even use it as a USB microphone with your computer.

Gain the Professional Edge

Monitor your audio in the field with the Wireless GO's high-power headphone output, ensure your lavaliers stay connected on set with 3.5mm locking connectors, and extend your system's battery in the field with plug-in power detect. The Wireless GO has a host of professional features designed to make your creative life a whole lot simpler.
Specifications

Acoustic & Electrical

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dBSPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5mm TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 11 and above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Mechanical

Weight (grams)
TX: 35
RX: 36

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
RX: 46.5 (W) x 44 (L) x 20 (H)

What's in the box

2 x Transmitter
1 x Receiver
1 x SC2
1 x SC21
1 x SC22
1 x SC33
1 x Carry Pouch
3 x Furry

Notes: The third generation of the world's most popular wireless microphone, now with 32-bit float recording, intelligent GainAssist technology, improved built-in mics and a host of professional features and enhancements - the ultimate creative companion.

The World's Most Popular Wireless Microphone

The original Wireless GO was the first of its kind, establishing an entirely new category of compact wireless microphone that soon became the go-to audio tool for content creators around the world. Now, the third-generation Wireless GO builds on this legacy, delivering every feature and convenience a creator could possibly need while maintaining the intuitive grab-and-go operation that the range is known for.

State-of-the-art Wireless Audio

Utilising RODE's state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, the Wireless GO delivers crystal-clear, incredibly stable audio with a range of up to 260m.

Say Goodbye to Clipping

For the ultimate peace of mind, each of the Wireless GO's transmitters feature over 40 hours of 32-bit float on-board recording. This means that your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too quiet or too loud - even audio that clipped!

Flawless Sound with Every Take

The Wireless GO offers a wide range of features to help you capture incredibly clean and intelligible audio for your content. Intelligent GainAssist technology automatically balances levels on-the-fly, granular gain adjustment and tailored camera presets allow for more refined control over your signal, and the built-in microphones feature the same upgraded capsules and preamps as found in the Wireless PRO. Capture flawless sound with every take.

The Wireless Mic for Every Setup and Every Setting

With both digital and analogue outputs, the Wireless GO is just at home connected to a DSLR or mirrorless camera as it is plugged into an iPhone or Android smartphone - you can even use it as a USB microphone with your computer.

Gain the Professional Edge

Monitor your audio in the field with the Wireless GO's high-power headphone output, ensure your lavaliers stay connected on set with 3.5mm locking connectors, and extend your system's battery in the field with plug-in power detect. The Wireless GO has a host of professional features designed to make your creative life a whole lot simpler.
Specifications

Acoustic & Electrical

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dBSPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5mm TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 11 and above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Mechanical

Weight (grams)
TX: 35
RX: 36

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
RX: 46.5 (W) x 44 (L) x 20 (H)

What's in the box

2 x Transmitter
1 x Receiver
1 x SC2
1 x SC21
1 x SC22
1 x SC33
1 x Carry Pouch
3 x Furry

Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.

It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.

Notes: The OpticTone MK2 is an improved revision of our original module, combining a 12dB multi-mode Vactrol VCF and a Vactrol VCA. This unique circuit is inspired by the distinct characteristics of Vactrols and Lowpass gates, celebrated for their fluid and natural character.

Notes: Smith: it's an 8 inputs & 8 outputs precision buffered matrix with presets. Each of the 8 outputs can take the signal from any of the 8 inputs, allowing over 16 million possible combinations.

This is not a mixer, the same input can be routed to many outputs, but several inputs can't be present at the same output simultaneously. The module works with both audio and CV signals, ins & outs have i10 volts range and minimum offset (1 millivolt approx.), which makes it perfect for distributing V/Oct signals too.

8 scenes that can be accessed through the dedicated push buttons but also by CV and trigger. 8 banks (with 8 scenes each, 64 scenes per preset). 8 persistent presets (with 8 banks of 8 scenes each).

This module can be used to store 'presets' for your live setup, allowing patch changes and easy rerouting signals with literally just pressing a button.

Another (more chaotic) way to use it is to plug several modulation sources to the inputs (such as envelopes, LFOs, sequenced CVs) and several modulation destinations to the outputs (filter cutoff, PWM, VCAs...). If you want to introduce a variation in the sound, select a different scene or directly randomize the current one to drastically change 'what is modulating what'.

Using audio sources can lead us to interesting territories too, sequencing waveform changes or using different processors (filter, distortion, folder...). Keep in mind that the switch performs pretty fast and the signal is passed without any modification (to preserve its accuracy, which is pretty important when using the module for v/oct) so with audio, the switching may be clicky. This depends on the sound source too, with 'dirty' ones there's no problem but with clean ones, like low pitched sine waves, it will be.