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Sonicware LIVEN Ambient Ø 10-Voice Polyphonic Soundscape Synthesiser (digital keyboard synthesiser)

Cat: 1032898 Rel: 31 Oct 24

10-voice polyphonic soundscape synthesiser

Notes: Your Personal Soundscape:

Conversations between Oscillating Tones and Your Mind

Immersive Ambient Generator

4 layers of tone and texture-Drone, Pad, Atmos, and Noise-merge to generate deep resonance and continuous transformation.

Ambient O (zero) is incredibly easy to use. Start by playing a tone from one layer using the note hold function. While listening closely, simply tweak the knobs to modify the tone and add other layers to shape a pleasing sound.

Blendwave Modulation Synthesis

Sonicware conducted extensive research into creating undulating and fluctuating tones for Ambient O, resulting in the development of a new wavetable-based synthesis.

Blendwave Modulation Synthesis combines 6 unique structures with 32 WAVEs featuring complex harmonic transitions, making it easy to create powerful low drones, lush pads, and transparent pizzicatos, perfect for Ambient Music.

4 knobs/8 parameters offer a wide range of tone creation.

A WAVE contains 128 harmonic tables, allowing for diverse tonal changes such as moving from basic waveforms to complex harmonics. The WAVE is represented by a yin-yang icon, with the yin representing moves in the reverse direction through the tables during modulation.

6 Structures - Each structure has a different number of oscillators and modulation circuits. ATMOS 1 applies ring modulation, while ATMOS 2 applies FM modulation.

Noise and Space

The Noise layer includes 8 specially selected nature sounds, offering noise blending, pitch adjustment and modulation to infuse unique spatial characteristics.

Additionally, it allows for up to 8 seconds of stereo sampling from the line input, letting you create personalized textures.

Extensive Effects Section

Ambient O is equipped with 9 types of lush reverb, each offering unique spatial dimensions and brightness settings. You can individually adjust the reverb send and shimmer send (for layering octaves) for each layer.

In addition to the reverb, the Ambient O offers an effect unit with Tape Delay, Reverse Delay, and 4 master effects; Overdrive, Bit/Rate Crush, Tilt EQ, and Stereo Chorus.

Sequencer on Each Layer

You can not only layer the four tones, but each layer also includes a sequencer that allows you to record keyboard performances.

Furthermore, you can record changes in numerous parameters, including level, pan, and filter movement over time.

Sequence up to 64 steps per pattern.
Random playback of sequence phrases.
Probability of notes sounding can be set from 25 - 100%.
Program notes step by step or record them in real time. Additionally, you can also input notes to specific steps while the sequencer is playing to add variation.
Overwrite notes in real-time with one touch while playing back sequence phrases.
The Parameter Lock function allows you to record knob changes into your patterns. This can be recorded live, or programmed in step by step.

16 Ambient Sound Pattern Palettes, crafted by expert sound designers

No need to start from scratch. Choose a palette that fits your mood, start playing tones, tweak the knobs, and layer them following your heart. Thus, your inner thoughts and emotions will be crafted into sound.

Play On The Go: Portable, Built-in speaker, and Battery-powered

Leave your usual workspace and try using Ambient O in your living room or outdoors. As its evolving sounds mixes with the surrounding environmental noises, you are likely to experience genuine Ambient Music.

Specifications

[Synthesiser]

- Note Hold function
- 128 Sound Pattern Palettes (incl. 16 types of preset palettes)
- Mixing including level/pan for each layer
- Layer (Sound) copy and paste function
- Tune All function changes the pitch of all layers (i1 octave in 20-cent steps, adjustable in 1-cent step)
- Standard polyphony: 10 voices (depending the structure's oscillators x simultaneous voices)

4 Layer Construction
Drone, Pad, Atmos Layers
- New Blendwave Modulation Synthesis for creating undulating and fluctuating tones
- 6 Structures, 32 Waves
Drone 1: 2 oscillators, modulates Detune
Drone 2: 2 oscillators, modulates Harmonics
Pad 1: 3 oscillators, modulates Harmonics
Pad 2: 3 oscillators, modulates Harmonics
Atmos 1: 1 oscillator, ring modulation on output
Atmos 2: 2 oscillators (frequency modulation), modulates Pitch

- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Unison mode (adjustable detune)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

Noise Layer
- 1 Structure, 8 Waves
Noise: 1 oscillator, modulates Pitch
- Loop or One-shot playback, White noise mixing
- 16bit - 32kHz Linear PCM sampling (stereo)
- Up to 8 seconds of sampling per sample (crossfade settings from 1 to 4 seconds)
- Auto start sampling function with the input level (input level can be set)
- Import and export of a slot of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.

- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
Each layer has its own envelope, filter and 2LFOs.

- Attack
- Release

- Low Pass Filter
- High Pass Filter
- Band Pass Filter

- 2 LFOs assignable to various parameters (individually adjustable)
- Adjustable LFO Shapes and trigger count

[Effects]
9 types of high-quality reverb (Send amount to reverb and shimmer adjustable per layer)
- Small.L
- Small.M
- Small.H
- Large.L
- Large.M
- Large.H
- Infinity.L
- Infinity.M
- Infinity.H
6 types of diverse master effects
- Tape Delay
- Reverse Delay
- Overdrive
- Bit/Rate Crush
- Tilt EQ
- Stereo Chorus
The above reverb and master effects can also be applied to external sources from the LINE IN.

[Sequencer]
- 4 tracks (1 track on each layer)
- Up to 64 steps per pattern
- Step length can be set from 1/1 to 1/32 or 2/1(Breve) to 8/1(Maxima)
- Real-time recording
- Overwrite REC function for real-time sequence replacement
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order

[MIDI]
- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)

- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

est. release 31 Oct 24 $256.60

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Supercritical Redshift 6 6-Voice Analogue Variable Character Synthesiser (analogue desktop synthesiser)

Supercritical Synthesizers

Cat: 992873

Six-voice analogue variable character desktop synthesiser

Notes: Supercritical Synthesizers introduces their first desktop instrument, Redshift 6 - six voice analogue Variable Character Synthesizer

Supermassively dense analogue oscillator combined with a chameleon analogue filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company's previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analogue waveforms generated under digital control. The filter core is an analogue 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6's idea is something that is wrapped in the moniker "Variable Character Synthesizer". Each voice's analogue path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analogue polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehaviour and beyond. No modelling here - it's all analogue until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6's six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch colour screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analogue platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module

Technical specifications

Six voices each featuring:
Full analogue signal chain
Digitally controlled analogue Supercritical Demon Core Oscillator
Analog four pole Variable Character Filter
Flexible gain staging with an analogue boost circuit
Physical audio output per voice (2 main outputs and 4 aux outputs)
Optional voice chaining
Bypassable digital effects in main outputs 1-2
2.7" TFT IPS colour screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
Quick powerful controls for oscillators and filters.
Six user-assignable macro controls
Six parts multitimbral
Modern MIDI implementation with USB-B connection and DIN IN/OUT
MPE
12V power supply
Physical dimensions: 378 mm x 254 mm x 63 mm

coming soon $1,173.24

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Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (black) (hybrid keyboard synthesiser)

Korg

Cat: 994434 Rel: 31 Oct 24

37-key 8-voice virtual analogue keyboard synthesiser

Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

est. release 31 Oct 24 $566.49

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Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser (digital keyboard synthesiser)

Kiviak Instruments

Cat: 1000935

10-voice polyphonic sampler keyboard synthesiser & sequencer

Notes: WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing

DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones

Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow

- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

coming soon $739.39

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Jomox Alpha Base MKII Analogue Drum Synthesiser (drum machine)

Jomox

Cat: 1027523 Rel: 31 Oct 24

Analogue drum synthesiser

Notes: The ALPHA BASE Mk II is the successor of the already legendary ALPHA BASE.

What's new?

-Graphic OLED display
-Real RGB LEDs in the sequencer
-More buttons: Last Step, Roll/Flam, Store Kit/Patt, Rec Para and Rec Sample
-Analogue panning circuitry for the hybrid sample channels
-Improved analogue engine
-Noise volume is controllable in the hybrid sample channels
-More samples
-Headphone volume is independent from mix volume

It's true analogue. Eleven instruments, sequencer, Midi/USB/SD-Card. Samples. Sampling inputs, balanced individual outputs.

Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. Jomox have put in the concentrated know-how of their drum machines and synths of the past 20 years. Some things have been simplified, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox has ever built.

Kick Drum

The centre instrument still is the analogue kick drum which has gotten a facelifting again. The legendary punch and assertiveness of all Jomox kicks is convincingly continued. LFO, pitch envelope, metallic noise and gate time are famous features that may not and do not miss out.

MBrane
As a second analogue instrument, Jomox have put in a complete MBrane voice. It covers a gigantic spectrum of analogue snare drums, percussions, cow bells, claves, glasses, toms, bass drums etc. etc. It uses the technology of the Mod.Brane11. Of course, this instrument has 2 own LFOS, pitch envelopes and metallic noise as well.

Samples+Filter

The succeeding six instruments are built hybridly and consist of samples that are run through real analogue filters and VCAs. Each analogue sample channel has an own metallic noise that alternatively can be used as a signal source or being mixed to the sample.

With metallic noise only, it becomes a pure analogue instrument again. Four channels make use of a multimode filter that is capable of resonance - again they can be used as true analogue instruments with the self-oscillating filter as the only sound source if you wish.

Hi Hat

Two of these six channels are reserved for hi hats and make use of a proven and improved HH filter that was used in the XBASE 999 already. It is specialized for analogue hi hats and may conjure wonderful noisy hi hats from a sample mixed with metallic noise.

Clap, Rim, Crash, Ride

The succeeding four channels have each a resonateable 2-pole multimode filter that can be switched between LP, HP and BP. The filter cutoff can be modulated by an ADSR envelope and an LFO per instrument. If the filter is self-oscillating, one can create wonderful analogue toms, claves, sticks etc. by means of the VCA envelope behind. Or even extremely bend samples sonically. By principle, each of the four MM filter sample channels is a little synth voice of its own. A sampled synth bass run through the analogue filter is nearly indistinguishable from a real analogue synth.

X Sample 1+2

Moreover, there are two sample instruments that work purely digital. It's even possible that the Alpha Base can sample external audio on these channels for about max. 5 seconds. Which is more than enough for drum samples. The recorded sample can be stored on SD card or being copied to the internal flash memory and then being played back by the other sample channels. Samples can also be copied from SD card into flash memory. The format is RAW/WAV mono 16 Bit / 48kHz. The internal organization divides samples into fixed memory slots that can be addressed by the parameter sample select in the instruments. All samples can be pitched and modulated in a wide range. The sample start and stop can be edited and they are loopable as well. Modulation targets are: pitch, filter cutoff and volume. Each channel has an own LFO for that.

FM Synth

As a little digital gadget, a mini FM synth has been added. With 4 operators and maximum 6 voices it can create weird and crazy percussion sounds up to simple chords. Played over an external midi keyboard, it can be used as a polyphonic synth.

Effects

Two digital effects are on board: delay and reverb that act as send/return effects. Each of the analogue instrument outputs has an own A/D converter. The delay effect can also be inserted into the six hybrid sample channels and becomes then part of the sound production chain. The reverb can easily be killed by an encoder click but is indeed a great advantage for life performances with minimal equipment. Reverb times may reach to almost infinity, and the damping filters act quite extremely so that the reverb meets the requirement of modern electronic music and can be an essential part of sound.

Editing

For the editing of parameters there are 16 encoders arranged in a 4x4 matrix. Each instrument only addresses two pages by 16 values to make the editing as easy as possible, without deep menu cursors.

11 Instruments: Kick Drum, MBrane, Cl HiHat, Op HiHat, Clap, Rim Shot, Crash, Ride, X Sample 1, X Sample 2, FM Synth.
Real analogue Jomox kick drum.
Real analogue Jomox MBrane voice with 2 coupleable F-OSC for complex analogue snare, percussion, bass and tom sounds ranging from 16Hz to 20kHz.
2 sample based instruments with analogue VCA ADSR envelope and/or HH filter, optionally with metallic noise mixed as extra sound source. The HH filter is 2-pole, HP/LP/Res each separated parameters, peakable but not oscillating.
4 sample based instruments with analogue VCA ADSR envelope and/or resonating multimode filter (LP, HP, BP) with ADSR envelope, optionally with metallic noise mixed as extra sound source. The multimode filter can be used as a signal generator in order to generate analogue toms or sticks etc.
2 sample based instruments with external sampling input and pure digital playback.
1 FM synth with 4 operators and max. 6 voices for percussive sounds.
Effects delay, reverb with send per instrument, also insertable into analogue signal path on CH, OH, Clp, Rim, Ride.
LFOs: per instrument one LFO (MBrane 2 LFOs) with 64 wave forms, each assignable on pitch, VCA, filter cutoff.
500 samples 16 Bit/48kHz in internal flash memory.
SD card slot for loading of samples.
USB (Midi Device).
Midi In, Midi Out, Midi Thru.
Inputs: stereo in for sampling, FX or sidechain. Both inputs are Hi-Z and suitable for guitar/bass or work up to line level +20dBu.
Outputs: 8 individual balanced outputs, stereo mix balanced, headphones.
Output Level: max. ca.+14dBu unbalanced, +20dBu balanced on all outputs.
18 encoders
Input Volume, Phones Volume and Mix Volume are analogue potentiometers.
OLED Display 256x64px.
12V 2A DC external power supply.
Stable metal case.
Wooden side cheeks, rubber feet.
Size: 41cm (16.1") x 24cm (9.5") x 8cm (3.2") (back side).
Weight: ca. 3.3kg (7.26 lbs).

est. release 31 Oct 24 $1,777.79

(No payment required now - pay when released)

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Make Noise Bruxa Limited Edition Echoverb Signal Processor Module (modular synthesiser)

Make Noise

Cat: 1028028 Rel: 31 Oct 24

Echoverb signal processor module - 18HP

Notes: Check Make Noise's website for content and pictures!

The Bruxa music synthesiser module is an audio alchemical experiment. Spill your sound into time, and let it decay through the filters to hear the results.

Bruxa is a collaboration between Make Noise and Alessandro Cortini. Inspired by Cortini's music and sonic experimentations, Bruxa embodies the seen and unseen, the sign and magic, the alchemy of sound. It is a new evolution of Tony and Alessandro's original prototype circuits which eventually became the Strega's Time/Filter Experiment. It is a multi-tap delay line with over a dozen unique feedback paths and multiple filters within those feedback paths aligned to allow for accumulation of noise, saturation and signal degradation.

While Strega is a complete synthesiser in a tabletop form factor, Bruxa is a Eurorack module designed to be used as one part of a Eurorack modular synthesiser. You will discover a number of differences in layout, signals, and sound. Living inside the Eurorack modular system, Bruxa encourages you to patch your own sound and modulation sources, yielding results surprisingly distinct from Strega.

Echoverb signal processor which shares origins with Strega
Well tuned to work nicely in a Eurorack modular system
All analogue dry signal path blended with digital/ analogue hybrid signal processor
Analog CV inputs with wide range capable of audio rate modulation
Time control with massive, smoothly variable range
Linear FM input with attenuator allows for fluttering of Time
Absorb and Filter controls dramatically shape the echo tone and reflections
New unique CV outputs for use in self-patching or mutual patching with other modules
Pairs well with DPO, STO, MATHS, Prss Pnt, modDemix and more!

Specs:

Width: 18hp
Max Depth (incl. power cable): 48mm

Power:
140mA @ +12V
90mA @ -12V

Tags: Effects module

est. release 31 Oct 24 $412.09

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Joranalogue Cycle 5 Vari-Wave Oscillator Module (modular synthesiser)

Joranalogue Audio Design

Cat: 1020768 Rel: 30 Nov 24

Vari-wave oscillator module - 6HP

Notes: A small Eurorack oscillator that packs a punch: that's the best way to summarise Cycle 5.

At its heart lies a refined high-stability triangle core voltage controlled oscillator (VCO), with performance matching or exceeding that of much bigger and costly oscillator modules.

Instead of a coarse frequency knob, a 7-position octave switch is provided. This in combination with a perfect fifth transposition switch and factory pitch tuning, makes Cycle 5 an exceptionally straightforward and musical VCO to use: simply centre the fine tune knob, and the module will be instantly tuned to reference C.

Meanwhile, its dual precision volt per octave inputs add a great deal of versatility. For example, one could be used for pitch sequencing and the other as a generic exponential FM input, or both sequenced together for transposition effectsithe dual inputs serving as a built-in precision adder.

Sporting all the classic waveforms, ranging from sine wave, triangle, saw and square/saw, as well as a hard sync input and low frequency oscillator (LFO) mode, Cycle 5 makes for a real workhorse VCO. The novel trigonometric waveshaper results in a very clean sine wave, ideal for sub bass duty.

Cycle 5's highlight however, is its vari-wave feature. By adjusting the vari-wave knob, the waveform on the matching output will smoothly morph from sine, to triangle, saw, square and finally a very narrow pulse. The vari-wave parameter can be CV controlled, up to audio frequencies for some intense timbres.

Equally at home as a modest modulation companion to big VCOs, as being in the spotlight in miniature or polyphonic systems, Cycle 5 might just be the most multi-talented tiny analogue oscillator yet.

6 HP | +12: 75 mA, -12: 70 mA

est. release 30 Nov 24 $196.80

(No payment required now - pay when released)

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Korg ST1K Analogue & Modular Synthesiser Tuner (synthesiser tuner)

Korg

Cat: 1021475

Analogue & modular synthesiser tuner

Notes: A synth-focused tuner merging Korg's pioneering experience in tuner technology with a deep understanding of the characteristics of analogue and modular synthesis. Designed with the unique needs of synth players in mind, the ST1K is compact, precise, and offers high visibility, ensuring your synthesizer is accurately tuned the way you want every time.

Analogue synthesisers can be tricky to tune! Not only can their pitch often fluctuate as the circuit adjusts to temperature changes, but you may also want to micro-tune different oscillators within the one synth.

This makes reliable tuning essential, whether you're recording in the studio or performing live. The ST1K delivers this with its capability for ultra-precise tuning to +/-0.1 cents. It features a large CMD LCD display that gives a clear, visually appealing readout of your tuning status, aligning with the aesthetics of modular and analogue synths. It also includes a built-in high-sensitivity microphone, expanding its use to a broader range of instruments!

At only 83 grams, this incredibly compact and light tuner is perfect for musicians and performers on the move.

Optimized circuitry for stable tuning of analogue synths

The ST1K's input circuit has been finely tuned to provide stable tuning for modular synths, accommodating high voltage levels without interference from LED noise, and with a clear focus on maintaining sound quality.

3D visual meter with large-screen visibility

The large, easy-to-read note name display and glowing LEDs allow the user to clearly perceive pitch deviations and changes at a glance. The 3D visual meter makes it possible to tune to within i0.1 cents, which is difficult with needle meters.

Ultra-precise tuning down to +/-0.1 cents
Professional recording and stage performances always require perfect tuning. The ST1K is capable of ultra-high-precision tuning down to +/-0.1 cents in strobe mode. With the high measurement accuracy of the flagship model, this compact device is a truly professional tuner that allows you to track down even the smallest errors in pitch.

Three meter display modes in addition to note name display

Three types of meter display mode can be selected to suit the player's style. In addition to the standard "Regular Mode", the "Strobe Mode" and "Half Strobe Mode" indicate pitch changes by the direction and speed of meter flow, making it easy to see even the smallest errors.

Compact, flat design allows you to carry a large screen with you

The meter display is large and easy to read, yet the body is smaller and more compact. The flat design provides excellent visibility and portability.

Specifications
Scale: 12 averages
Detection range: A0 (27.50Hz) to C8 (4186Hz)
Calibration range: A4=436 to 445 Hz (1 Hz steps)
Detection accuracy: within +/-0.1 cents
Connectors: INPUT (monaural standard), OUTPUT (monaural standard)
Switch: POWER / DISPLAY / CALIB
Power supply: 2 x AAA batteries
Battery life: Approx. 50 hours continuous
Dimensions: 99 (W) x 65 (D) x 16 (H) mm
Weight: 83 g (including batteries)
Accessories: 3.5-6.3mmmini to standard conversion plug (included)

coming soon $53.55

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Play All Day PlayFader 2-Channel CV & MIDI Portable Sequencer (portable sequencer)

Play All Day

Cat: 1045178 Rel: 31 Oct 24

2-channel CV & MIDI portable sequencer

Notes: PlayFader is a 2 channel CV & MIDI portable sequencer.

Each channel of PlayFader features CV and Gate outputs that are controlled by its Fader and Play button. Move the Fader to change the CV level, press the Play button to output a variable-width gate or trigger.

PlayFader also outputs 2 channels of MIDI - select from Notes, Chords, CC's and many more output options. MIDI mirrors the analogue outputs so you can control anything with a MIDI input while also controlling your analogue CV synths, pedals etc.

PlayFader runs either to its own internal clock with full transport controls and tap tempo, or loves making friends with external clocks. Sync can be by CV or MIDI, in or out.

Select from your own fully customisable user scales or smooth voltage ranges of 2, 3, 5 & 8v in addition to live transposition.

Each channel has two recording buffers which you can jump, swap and copy between.

PlayFader also has 7 FUN FX modes... for now.

Based on the TE pocket operator punchFX, there is a dedicated FUN button. The idea is that the FUN modes modulate and influence your recorded pattern contents while using the faders to change relevant parameters for the mode you're in.

All FUN modes will be addressable by the built-in accelerometer in future firmware (coming soon), which should be bonkers amounts of fun.

PlayFader has a protective lid that doubles as a stand and feels great in your hand if you want to hold it and play- this is the PlayCase.

When you're travelling, all the controls are safely protected by the lid, held in place with a handy wristband which supports LGBTQ+ equality around the world.

The lid can then be flipped onto the back of PlayFader when you're ready, giving you some grip and a bit more height, making it perfect to play all day!

PlayFader is a versatile CV, Gate and MIDI sequencer & looper that loves to make friends with modular synths, vintage synths, any synth or sampler with MIDI, guitar pedals, and anything else with CV and expression inputs. It can even be a great controller and sequencer for your DAW & computer-based workflow.

You can also read the official manual and quick reference guides and these are always instantly accessible from the QR code on the back of every PlayFader.

See below for all the technical details, what's in the box and more.

Technical Bits & Pieces

2 x 60mm-Throw Bourns Faders.
Custom Moulded Recycled Plastic Play Case with a protective Lid that doubles as a stand.
Unique Flat Keycap Buttons with Cherry MX Switches.
2 x ChromaCaps Mk2 Silicon Fader Caps.
Ultra Low Profile MultiComp Pro Jack Connectors.
5mm Perspex Laser Cut and Printed Acrylic Front & Rear Panels.
Stonewall Rainbow Wristband to hold Frame Case and Lid together for transport. All profits from sales of Stonewall merchandise go into funding their vital work for LGBTQ+ equality in UK and around the world.
2 x 3.5mm CV Outputs - Adjustable from 0-8v, Continuous or Pitch Quantised. Requires Mono Patch Cable.
2 x 3.5mm Gate Outputs - Adjustable from 3ms Trigger to 95% Duty Cycle. Requires Mono Patch Cable.
1 x 3.5mm Switchable Comms Output - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
1 x 3.5mm Switchable Comms Input - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
MIDI Type-A Communication.
Stackables will fit snugly!
MyVolts 9V Ripcord USB Power Cable included.
2 x 3.5mm to MIDI 5-pin Type-A Adapters included.
1 x 3.5mm to 1/4inch Floating Ring - CV to Expression Cable included.
4 x Knurlies 3M included.
4 x 3m Black Ultra Thin Flat Wafer Head Screws included.
Some nice stickers included, of course.

est. release 31 Oct 24 $325.12

(No payment required now - pay when released)

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Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (white) (hybrid keyboard synthesiser)

Korg

Cat: 994440 Rel: 31 Oct 24

37-key 8-voice virtual analogue keyboard synthesiser

Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

est. release 31 Oct 24 $566.49

(No payment required now - pay when released)

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Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (hybrid keyboard synthesiser)

Korg

Cat: 994425 Rel: 31 Oct 24

37-key 8-voice virtual analogue keyboard synthesiser

Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

est. release 31 Oct 24 $526.26

(No payment required now - pay when released)

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Torso Electronics S-4 Dust Cover (audio sampler dust cover)

Torso Electronics

Cat: 1012096

Dust cover designed to fit the Torso Electronics S-4

Notes: Protective cover for the S-4

Designed in the UK by Decksaver

Tags: Dust covers

~~MRP:$53.28~~ SAVE 18%
coming soon $43.49

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TouellSkouarn Kemmerskan Germanium Stereo Mixer Module (modular synthesiser)

TouellSkouarn

Cat: 1021179

Germanium stereo mixer module - 60HP

Notes: More than just a mixer, the Kemmeskan can be used as a soundscaping module. It has an equaliser that sounds really musical and gives the user the ability to change the sound drastically. It can be used in an Eurorack context or with external devices.

coming soon $912.28

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Tesseract Modular Vinia 8-Channel Audio Generator & Effects Processor Module (modular synthesiser)

Tesseract Modular

Cat: 1040525 Rel: 30 Nov 24

8-channel audio generator & effects processor module - 16HP

Notes: Vinia is a new powerful 8-channel audio generator and processor for Eurorack. Each channel is independent and has its own signal chain. This can be a multi-engine instrument, an FX processor, a combination of both, or a chain of several FX.

The sound generator section offers 2 sample players (one plays from the 16 MB internal flash memory and the other directly from the microSD card), various VCOs (VCO, multi-VCO, harmonic VCO), Karplus, a Chord generator, noise, a drum synth and modulation generators (LFO, envelope follower, envelope).

Each of these generators has a rich set of parameters for setting up your sounds. Then, there is a powerful multi-FX processor.

Tesseract Modular has added 20 different algorithms in Vinia: FM operator, filters (multimode, ladder, rubber, bandpass), a wave folder, tube saturation, delays (filter delay, delay, long delay), reverb, metallizer, grain pitch shift, and more.

These can be flexibly set in a chain per channel and offer many customization possibilities. The module also hosts a mixer. You can also save your channels in presets and work with macro parameters.

Each of the 8 channels can be independently configured as a multi effect processor, VCO, sample player...

Audio outputs are DC coupled so it can be used to generate complex CV modulation sources too.

There are 2 types of modulation in Vinia, the first is stepped (occurs every 1,4 milliseconds approx.) and very flexible, any modulation source can modify any parameter of any track. The second is the 'audio rate' one (44,1 KHz), only a few parameters admit this type and both sources and destinations will be within the same track.

Audio sources: Audio Input, Flash Sample Player, MicroSD Sample Player, VCO, Multi VCO, Harmonic Oscillator, Karplus, Chords, LFO, Envelope Follower, Envelope, Noise, Drum Synth

Audio processors: FM Operator, Multimode Filter, Ladder Filter, Rubber Filter, Bandpass Filter, VCA / Polarizer, Folder, Tube Saturation, Exponential Envelope, Delay, Filter Delay, Long Delay, Long Filter Delay, Reverb, Metalizer, Chorus, Modulator, Vocoder 16, Vocoder 32, Bit Crusher, Rectifier, Grain Pitch Shift, Ring Modulator

est. release 30 Nov 24 $434.93

(No payment required now - pay when released)

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Alter Audio Timetosser MKII Live Sampler & Audio Re-Sequencer (audio sampler/sequencer)

Alter Audio

Cat: 1040409 Rel: 30 Nov 24

Live sampler & audio re-sequencer

Notes: Timetosser is the first of its kind. An innovative hybrid between an audio effect and electronic musical instrument, enabling you to playfully reorder any audio signal in real-time.

Real-time sound mangling is the name of the game. Timetosser automatically detects the tempo of the incoming audio, samples it and chops it to length ready for re-triggering. Create new rhythms on the fly by actively playing the instrument, or let Timetosser serve you loops and slices of your live audio. By combining Timetosser with a classic DJ set-up, much value can be added to any stage act. Furthermore, Timetosser can be hooked up to any device, giving you much artistic freedom. From drum machines to modular synthesizers, from a single layer on your mixer (e.g. basslines, vocals, drums..) to the master output. By adding Timetosser, you instantly gain a unique live effect by adding variety to your tracks and loops.

How does it work?

Standalone - Use the tap-tempo key to tap in sync with the music. From this, Timetosser learns the length of 1/4, 1/8 and 1/16 notes, as well as their triplets.

MIDI IN - Another option is to sync to midi-clock. By connecting the supplied mini-jack to DIN-5 adapter cable to the sync input, Timetosser is able to synchronise to an incoming midi-clock signal.

Analog Gate - The sync input also supports analogue gate voltages. To use analogue gate sync, just connect a standard mono mini-jack cable to the sync input directly.

MIDI OUT - Having both a MIDI-input and output means these will be usable from within your DAW software when Timetosser is connected to your computer. But the true advantage comes when Timetosser is used in standalone-mode. Since Timetosser detects the tempo of the incoming audio, the MIDI-output can be used to send out that tempo. This means you can synchronise your MIDI-gear and have them play in time with anything you feed into Timetosser. Alter Audio are very excited about the possibilities this brings: blur the lines between deejaying and live performing by having synths and drum machines play alongside your tracks.

By pressing any of the keys of the upper row, you basically select a delay that is a multiple of the selected note length. By playing patterns using the upper keys, you can keep changing the delay time (in real-time!) in a way that you can repeat a note, or change the order of the music entirely.

Audio Plugin / USB connectivity

Besides being a standalone device, Timetosser can also be connected to your computer. This way, it becomes a USB MIDI interface and controller for the Timetosser audio plugin (VST & AU).

Timetosser's firmware can be upgraded through USB with the application that is downloadable from the support page.

The audio plugin is a virtual Timetosser that can be dropped as an effect on an audio track in your DAW. One of up to eight plugin instances can be selected and controlled from the hardware unit.

Unit size & weight

With included travel case and cable set: 220 x 140 x 50 mm / 630 grams

High quality sound

Digital audio: 24-bit / 96 KHz, low noise, high quality codec, 2-in / 2-out 1/4" jack connectors

CPU: 180 MHz 32-bit ARM

Microcontroller for real-time audio analysis and smooth visual feedback
VST plug-in: Use Timetosser as midi interface and plugin controller when connected to a computer

MIDI / Gate IN, MIDI OUT: Sync to MIDI-clock and analogue gate voltage. Send detected or external sync as MIDI-clock

est. release 30 Nov 24 $337.07

(No payment required now - pay when released)

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WMD Performance Mixer MKII 8-Channel Mixer Module (modular synthesiser)

WMDevices

Cat: 1021187

8-channel mixer module - 50HP

Notes: Enter the WMD Performance Mixer MKII - Eight years after the MKI was released, the MKII builds on all the valuable feedback we've received. This is a serious upgrade, with feature enhancements and engineering improvements affecting every bit of the design.

Decisions, decisions, decisions!
If you recall, we showed a previous version of the PM MKII a year ago. That version was very similar to the original, with a few enhancements. Primarily focused on manufacturability and overall noise floor with some great recording features. We moved to an 8-layer board, replaceable channel strips, developed the MIDI and bootloader, pre/post fader headers, and made it work on both AUXs simultaneously.

Noise Performance - The MKI was alright with noise, there was a little bleed too. Going to 8-layer boards meant I could put ground planes between trace layers, and spread the traces out triple the spacing of what they were on the MKI, this reduces bleed/crosstalk by a factor of about six.
Noise Performance 2 - On the Original, the Level VCA was before the Panning VCAs, which saved on parts/power, but it meant that the Panning VCAs were always connected to the mix bus, adding noise floor that couldn't be attenuated. Making all the channels stereo and putting the Pan circuit first eliminated this problem, now the noise add is controlled by the fader. This did force me to make every channel stereo, so the design got simpler through figuring this out.
Panning / Crossfader - The above panning/level improvement made it possible to convert the Pan control into a crossfader, buy simply routing the post pan signals through a switch to the opposing channel, summed at the Level control. This huge improvement allowed the A/&/B input switching scheme to still work on the PM MKII, a bit differently, but it's there in spirit.
Modular Design - The channel strips are all now stereo, and identical, which makes assembly much easier, and lowers the cost. It also makes replacing them easier should a mechanical part fail or get spilled into. Further, the Patchbay, Power board, and Master section are all separate parts, so if there's a failure, they can be quickly swapped without having to RMA the whole unit.
Patchbay - The MKI and rev E MKII still had jacks misaligned with channels. This was a source of frustration for myself and many users of the PM MKI. And I decided to just be done with it. It didn't make sense to try to put jacks over the channel, it wasted too much space on the panel... So all the jacks go left, keeping the mixer clear of cables, this let me space the knobs out a bit to take up all 3U. It's cleaner, simpler to make, and intuitive to use.
Expandability - It's super modular now, the DB25 can connect to any two headers that spits out audio, they're all the same format across PM MKII and Channels MKII. Pre, post, mixes, connect it however you want. And the connectors can't be hooked to power, meaning no more blown opamps and RMAs to the factory. They're all shrouded too so they won't get bent in shipping!
Features Overview:
Everything is stereo. Inputs, Busses, Auxes, and Cue Mix.
INPUTS: IN LEFT is normaled to IN RIGHT.
GAIN: Each channel has a Gain trim range of -12dB to +20dB, this will let you use line level devices easily.
GAIN CLIP LED: lights red 1dB before clipping the input stage.
LVL FADER: smooth intuitive curve for easily adjusting the mix level on the fly. A yellow indicator shows the level.
MUTE: Press the channel button and the channel will soft mute with a red LED indicator.

coming soon $1,445.07

(No payment required now - pay when released)

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Moog Sound Studio Accessory Kit (semi-modular synthesiser kit)

Moog

Cat: 1041714

Kit includes personal stereo summing mixer & instrument cables, three-tier rack kit, protective dust cover, cable organizer & custom patch cable set

Notes: The Moog Sound Studio Accessory Kit is the 3-tier rack solution your Mother Ecosystem synths have been waiting for.

Mount any combination of Mother-32, DFAM, Subharmonicon, Spectravox, and Labyrinth semi-modular synths together vertically for maximum modularity and synthesis possibilities.

Each Moog Sound Studio Accessory Kit includes a compact summing mixer with three-way power distribution to provide flexible signal routing and power your entire system conveniently from a single power supply. Also included is a patch cable organizer, dust cover, and of course, all the cables needed to connect your instruments together.

Personal Stereo Summing Mixer and Instrument Cables:
This four-input analogue summing mixer features selectable mono or stereo configurations for versatile routing options, and the built-in three-way power distribution hub supplies power for up to three 60HP instruments conveniently from a single source. The included instrument cables come in lengths and colours to complement the system and reduce clutter. The 1/8" output with a built-in level control allows you to connect headphones, an audio interface, or monitor speakers.

Three-Tier Rack Kit:
Conveniently stack all three synthesizers* and summing mixer together as one connected system to maximize studio space and orient instruments vertically for optimal interconnectivity. Designed for both stability and style, the rack not only optimizes your space but also creates an ergonomic setup that makes for easy access to all controls and patch points.

Protective Dust Cover:
Protect your instruments when not in use. This water repellent cover is made from rugged Ballistic Cordura to safeguard your gear from dust, spills, and other studio (and stage) mishaps, while the ultra-soft interior remains gentle against your synth. Custom-fit with room to accommodate patch cabling and rear I/O panel access. Adjustable Velcro straps ensure your cover fits snug and stays in place.

Cable Organizer and Custom Patch Cable Set:
The included patch cable organizer connects to the three-tier rack, keeping patch cables neat and orderly for a hassle-free workflow. A custom set of patch cables have been selected in lengths and quantities to maximize system patchability.

coming soon $206.59

(No payment required now - pay when released)

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Aodyo Loom 3 Octaves Multi-Dimensional MPE MIDI Controller (MIDI controller)

Aodyo Instruments

Cat: 1017191

Multi-dimensional MPE MIDI controller

Notes: Loom is a multidimensional MPE MIDI Controller designed for immediate playability and expressiveness.

MPE synthesizers and virtual instruments offer you rich sounds that respond to the slightest variation, but there are few controllers fit to the task.

Aodyo Instruments have drawn on previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.

Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup.

Features

Don't be fooled by its simple appearance: Loom's magic lies in the synergy between its surfaces and sensors, offering you different playing modes that will allow you to play almost any kind of virtual instrument or synthesizer.

Playing modes

Unravel evolving chords, weave intricate melodies, craft expressive rhythms. Any way you choose to approach it, Loom is designed as an extension of your hands.

Loom can function as a MIDI Keyboard, offering access to a two or three-octave range. You can play notes, bend them, nuance your attack, and add expression by sliding along the keys.

But if you want to break free from the keys, Loom can also work as a MIDI Ribbon, allowing for smooth sliding across its surface. Optionally, it can make sure you land on the right note, making it easier to play with others without losing the free-form nature of the ribbon.

If you want to play chords like a guitar, Loom offers a MIDI Strum mode, where you can choose a chord with one hand and strum virtual strings with the other. Or you can play it like a harp, directly sliding your fingers across the chord.

For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.

The keyboard, ribbon, strum, and drumkit modes were only the first four, and Aodyo have recently added four more in the collection.

Fader mode is perfect for graphical EQs, organ drawbars, resonator filter banks, vocoders or mixers. After selecting your layout and mappings, you can move faders with several fingers at a time, and even draw a shape by dragging a finger horizontally if your thumb touches the front bar.

Some people prefer guitars to keyboards, and the keygrid mode is made for them. It provides a configurable 2D grid of notes, and otherwise works like the keyboard mode, allowing glissandi, timbre and dynamics variations in the same way.

Many backers mentioned the early electronic musical instrument Ondes Martenot, which had a pressure-sensitive touche d'expression to control volume, a keyboard to select notes that could be moved sideways for vibrato, and a ribbon to play continuous pitch. That's suspiciously close to the sensors Loom offers, a Martenot mode was added. The Loom version works mostly the same way as the original, but adds polyphony and MPE if you need it!

And finally, if you just need to get XYZ coordinates from the touch surface, you can use the controlpad mode. But you can also divide the surface in several pads, allowing you to explore a large number of dimensions at once, making this mode especially suited to sound design tasks.

These were the first eight playing modes Loom offers, but Aodyo are planning to develop and offer more later via free software updates.

Multidimensional and multitouch tactile surface

Loom features a multidimensional tactile surface, enabling each finger to control pitch (X axis), timbre (Y), and dynamics (Z) independently. In addition, a patent-pending dynamic sensing system analyses when your fingers land to determine impact force.

Sliders and bass (front/back)

Loom's uniqueness stems from its additional controls on the front and back sides, making your thumbs play a pivotal role. The slider on the left can be used as a modulation wheel, and the bar on the right can be your sustain pedal or a way to mute cymbals. You can make the back slider and bar do the same thing, or something entirely different. With these, thumb twiddling is not an option.

Action zone

To the left of the surface lies a pressure-sensitive squishy square area called the action zone. Press it to have nuanced control over dynamics or effects.

Editor

The companion editor allows you to customize every aspect of your Loom: change modes assign zones, map MIDI controls, set thresholds, and adjust response curves.

Built for MPE and legacy MIDI

MIDI MPE (MIDI Polyphonic Expression) is an extension of the MIDI (Musical Instrument Digital Interface) standard that enables more nuanced and expressive performance capabilities for electronic instruments.

Traditional MIDI communication allows for control changes to be applied globally across all notes of an instrument. In contrast, MPE assigns each note its own unique channel, allowing for individual control of pitch, volume, and timbre per note.

This innovation opens up a new realm of expressive possibilities, letting musicians bend, slide, and modulate notes independently, much like on acoustic instruments. By providing detailed control over each note's parameters, MPE enhances the expressiveness of electronic music performances.

Loom is designed from the ground up for MPE, but it also works very well with any non-MPE MIDI instruments, even monophonic ones!

Developer-friendly

You're not limited to the modes we've designed. If you know your way around code, you can also take over and create your own. You can send a specific MIDI message to enter developer mode, where every input will be sent as-is, and you'll be able to control the LEDs and display by sending MIDI SysEx messages to the Loom from your own program or script running on your computer. This way, you can entirely control what's happening on your Loom, design new playing modes that you can distribute to others, or use Loom as an experimentation platform.

Connectivity

Using a USB or MIDI cable, you can easily connect your Loom to all your hardware and software: VSTi, Audio Units, hardware, etc.

Specifications

3 octaves
USB-C MIDI device
TS mini-jack MIDI output
128x64 OLED display
40 RGB LEDs
615 x 80 x 15mm
888g

coming soon $527.36

(No payment required now - pay when released)

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WMD PM DB25 MKII Balanced Output Module For Performance Mixer & Channels MKII (modular synthesiser)

WMDevices

Cat: 1021200

Balanced output pre/post fader expander module - 4HP

Notes: PM DB25 MKII is an expander output for the MKII versions of the Performance Mixer and Channels.

Pre-fade and Post-fade connections are available for all channels. The DB25 has 16 outputs. All mixer channels are stereo, so one DB25 handles the main PM MKII (either pre or post), and the DB25 can handle 2x Channels (either pre or post).

Simply connect the cable to the Pre or Post headers on the back of the PM MKII or Channels MKII modules to choose pre/post.

The PM MKII has an additional header with both Aux Sends, Master Bus, and Submix Bus.

Connect a DB25 cable of your choice to the front connector and then straight to your DAW or recording interface.

For use with original WMD Performance Mixer, an adapter board can be added on. Please note that width behind panel is increased by 8mm when adapter board is added on. This may require some clever position in your case. The original Performance Mixer still only offers Pre Fader Outputs.

coming soon $248.99

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Fred's Lab Manatee 4-Part Spectral Synthesiser (digital desktop synthesiser)

Fred's Lab

Cat: 1040139 Rel: 30 Nov 24

4-part spectral synthesiser

Notes: Manatee is the most advanced multitimbral synthesizer from Fred's Lab.

This project has been a labour of love, with 3 years of meticulous engineering work put into every aspect of its creation.

Powered by 2x dual-core DSPs and high-fidelity DACs, Manatee offers a minimum of 16 voices of pure digital sound shared between 4 parts. Coupled with a hands-on user interface putting all important synthesis parameters at fingertips reach, Manatee is a joy to explore and play with.

Fred's Lab new Spectral Engine, bolstered by a selection of modern VA Algorithms, delivers a beautifully unpolished raw sound, calling to be refined with the smooth multimode filter.

Manatee offers numerous per-voice and per-part complex modulation sources and wiring, including 'Meta Envelopes' and 'Custom LFOs'. MIDI expression controllers, such as polyphonic aftertouch, can shape modulation amounts at will. The additional 3-slot modulation matrix offers extra flexibility to the default routing options.

The multi-part architecture includes a dedicated stereo delay module and 2x equalizer sections for each part, providing up to 8 seconds of delay and various equalizer shapes like low cut, low shelf, high cut ... Additionally, a global insert reverb with various algorithms is there to add spaciousness to the entire mix.

Finally, the sturdy, powder-coated steel chassis of Manatee is full of robust parts, including metal potentiometers screwed to the panel, high-endurance switches, and high-reliability audio connectors. Built to withstand the rigors of touring and endless hours of use, Manatee is a durable choice for musicians and sound designers.

Connectivity

1x Line Level Main Bus - 6.35mm TR jacks
1x Line Level Aux Bus - 6.35mm TRS jacks (with return path)
1x Headphones Output - 3.5mm TRS jack
1x MIDI DIN5 Trio (IN, OUT, THRU)
1x Clock input - 3.5mm TRS jack (with start / stop)

Mechanics

Powder coated steel chassis
23x Metallic Potentiometers (panel screwed)
18x Illuminated Switches
8x Tactile Switches
Dimensions: 265 x 140 x 50 mm
Weight: 1.60kg

The Spectrum Generator

The Spectrum Generator uses pre-defined reference spectra and various harmonic manipulation tools to provide precise control and alteration of the timbre. Adjust formant, rotation of bins, the waveform used for signal reconstruction and more to craft the raw character. These parameters can be modulated for some complex soundscape creation.

The Sub-Oscillator

The Sub-Oscillator is designed to complement the Spectrum Generator, providing a wide range of sonic material to choose from. It features modern Virtual Analog Algorithms for classic waveform generation and super-saw and super-square waveforms. Additionally, it can play user-imported short waveforms for even greater versatility in sound creation.

The Noise Module

The Noise Module is an advanced source including a built-in continuous low-pass to high-pass filter for precise control over the noise spectral content. The noise sample rate can be programmed to generate crackles, glitches, or pure white noise, depending on the needs.

The Ring Modulator

The Ring Modulator is an iconic tool that multiplies the outputs of the two oscillators, making it perfect for generating inharmonic tones, special effects, and percussive sounds.

The Multimode Filter

The Multimode Filter uses hand-written assembly algorithms based on latest research on analogue modeling technology. It offers classic shapes in 12 and 24dB/octave, with filter tracking and self-resonance capabilities. The built-in saturations add subtle warmth and colour to the sound. The filter has a very smooth & natural ground character and react very fast to cutoff changes handling filter FM and fast envelopes with style.

The Overdrive

The Overdrive is a post-filter effect with a range of models, from gentle saturation and tube overdrive to more aggressive signal destruction through bitcrushing and clipping. It adds grit, warmth, and distortion to the sound for a dynamic and expressive performance. Algorithms are very natural sounding, analogue-like.

Meta-Envelopes
The Meta-Envelopes share their Attack, Sustain, and Release parameters, while each Decay stage is independent. Envelope stages can be switched on or off, allowing for a variety of shapes from a full ADSR to a simple gate. MIDI Velocity can be set to influence the Attack and Decay times, and envelope amplitude can be scaled with aftertouch. Envelopes can be looped and reset on triggering or set to keep its previous value.

Custom-LFOs

The Custom-LFOs provide an eclectic set of more than 16 waveforms, including noises and other algorithms, waveforms which can be chained together to create complex modulation sequences. Each LFO has its own AR envelope with Rise and Fall controls, and can be MIDI clocked and restarted for precise synchronization. Additionally, some MIDI parameters can influence the LFO amplitude.

The Modulation Matrix

The Modulation Matrix consists of 3x slots for each voice, providing extensive routing options to enhance the hardwired connections. The matrix offers a large selection of sources and destinations that cover almost all sound parameters. The modulation amount can be scaled by common MIDI parameters such as Aftertouch, Velocity, and more, allowing for expressive playing styles.

The Delay Module

The Delay Module offers Mono, Stereo, and Ping-Pong modes, with MIDI clock synchronization and adjustable feedback, mix, and colour controls. It supports a range of delay lengths, from very short - resonator-like - to free delay length up to 8 seconds. Each part has its own independent delay module.

The Equalizer Section

The Equalizer Section features two independent equalizers for each part, offering cut, boost, or shelf modes and adjustable corner frequencies. This is a powerful tool for blending the sounds of the different parts.

The Part Mixer

The Part Mixer provides flexible routing (audio buses), volume and panning controls for each part. It also defines the amount of signal sent to the master Reverb.

The Master Reverb

The Master Reverb is a high-quality algorithmic reverberation unit with a pleasant not bright but clean sound. It offers multiple programs with rooms and halls. This reverb is a handy mixing tool, making the overall sound more cohesive and polished.

Electronics

Manatee is powered by 2x 200MHz dual-core DSPs, offering advanced audio synthesis capabilities and an impressive dynamic range. Included too are 128 MBit of SRAM, 512 kBit of EEPROM, 4x 24-bit Burr Brown DACs, and transparent line and headphone drivers.

User Interface

The interface offers hands-on controls over all major synthesis parameters for all sound modules. The strong torque potentiometers feature Nylon knobs that provide a satisfying haptic feel. The high contrast 16x2 LCD screen clearly displays feedback through both text and small graphics.

est. release 30 Nov 24 $820.93

(No payment required now - pay when released)

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Embodme Erae II Polyphonic MIDI Controller & Looper (MIDI controller/looper)

Embodme

Cat: 1018998

Notes: Unlock Limitless Creativity.

Experience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.

Redefined sensitivity.

ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.

The most playable surface yet.

ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.

A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.

Complete musical articulation.

Add polyphonic portamentos, slides and after-touch to your musical creative process.

Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.

Expressive looping.

Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.

Every gesture recorded on the fly is replayed visually, creating a show for the eyes.

Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.

Modular mastermind

Multi-dimensional connectivity.

ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!

Different skins.

ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.

This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.

Expressive Controller Looper

Erae Touch is a polyphonic MIDI Controller & Looper.

Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.

Built with unrivalled sensitivity and offering infinite configurability.

User-friendly configuration

No more back & forth menu diving.

Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.

The ERAE Lab

Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.

ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.

Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.

An open canvas.

This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).

A new kind of arpeggiator.

Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).

Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!

What's in the box:

Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable

coming soon $886.18

(No payment required now - pay when released)

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Tobinski Sequencer Module (modular synthesiser)

Tobinski

Cat: 1038910 Rel: 30 Nov 24

Sequencer module -

Notes: The Tobinski (formerly known as Dannysound) Sequencer is experimental, playable, addictive and fun!

Each of the 4 sequencers feature:

Loop Start / Loop End controls.
Forward / Reverse Direction switch plus CV input.
Per step ON/OFF/SLIDE switches.
Voltage Out and Gate Out.
External Clock/Reference Input.
End of Sequence Pulse Out.
Expandable with the Sequencer Expander for additional control over loop end, step order and more.

Depth (internal from panel) = 27.5mm
-12V @ 267mA
+12V @ 300mA
+5V @ 46mA

Weight = 0.510kg not including packaging or cables
36 HP

est. release 30 Nov 24 $744.82

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Torso Electronics S-4 Carry Case (audio sampler case)

Torso Electronics

Cat: 1038583 Rel: 30 Nov 24

Case designed to protect Torso Electronics S-4 sculpting sampler

Notes: The S-4 carry case is designed to protect your S-4 while you are on-the-go.

The custom shockproof hard shell is covered with a matte black PU and features moulded inserts to secure an ideal fit.

~~MRP:$53.28~~ SAVE 29%
est. release 30 Nov 24 $38.05

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SubPac X1 Tactile Bass System (bass system)

SubPac

Cat: 1030667 Rel: 31 Oct 24

Tactile bass system

Notes: The ultimate way to experience audio

Full bass immersion

SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.

The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.

One Subpac. One system.

SUBPAC X1 is Designed for Dual Use

For your chair

Anywhere you sit and engage with audio

For you to wear

Big Bass, Anywhere

Connect to the deepest feeling

Unparalleled Bass Response.

Customise & control

Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.

Power & precision

Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.

Comfort & flexibility

Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.

Modular

Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.

Bluetooth wireless freedom

Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.

Pro grade

Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.

A unified experience

The SUBPAC X1 System Combines Hardware & Software

Inputs:

3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP

Outputs:

3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O

Power:

Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:

Adjustable between 1-250hz
Mobile Control App:

iOS and Android compatible

est. release 31 Oct 24 $651.32

(No payment required now - pay when released)

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Boss CE-2W Chorus Waza Craft Effects Pedal (modulation effects pedal)

BOSS Corporation

Cat: 1030418

Chorus effects pedal

Notes: Launched in 1976, the CE-1 Chorus Ensemble was not only the world's first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analogue chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W's Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

Waza Craft: The Art of Superior Tone

Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analogue circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, which brings you exceptional tone and touch response through carefully selected analogue components, refined circuitry, and meticulous attention to detail. In Japan, "Waza" is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship.

Specifications

Modes: 3 modes, Standard, CE-1 Chorus, CE-1 Vibrato
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: Pedal switch, Standard/CE-1 Mode switch, RATE knob, DEPTH knob
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT A (MONO) jack: 1/4-inch phone type, OUTPUT B jack: 1/4-inch phone type, DC IN jack
Power Supply: Alkaline battery (9V, 6LR61) or Carbon-zinc battery (9V, 6F22), AC adapter (sold separately)
Current Draw: 25 mA
Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.): Alkaline: Approx. 32 hours, Carbon: Approx. 18 hours
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9V, 6LR61), Alkaline battery (9V, 6LR61)
Options (sold separately) AC adapter: PSA series

Size & weight

Width: 73 mm/ 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm/ 2-3/8 inches
Weight (including battery): 450 g / 1 lb

* 0 dBu = 0.775 Vrms

~~MRP:$271.83~~ SAVE 24%
coming soon $206.54

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Sound Study Rings Resonator Module (modular synthesiser)

Sound Study

Cat: 1040429 Rel: 30 Nov 24

Resonator module - 14HP

Notes: Rings is a resonator, the essential ingredient at the heart of several physical modeling synthesis techniques. The resonator transforms an external, unpitched excitation audio signal into a full-bodied pitched sound. Rings is the bar, the tube or the bunch of strings you cause to vibrate with a bursty external signal.

Any signal can be fed into the resonator, including envelope clicks, trigger signals, noise bursts, even tonal sounds. It also contains a special "polyphonic mode", where four notes can ring together at the same time. Although it is not truly polyphonic, it adds density and chordal characters to the sounds output. For those wanting the functions of Elements without the losing HP real-estate, Rings is exactly the solution.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).

Strings coupled together and vibrating in sympathy, with controllable intervals between them.

Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay. This unique take on polyphony allows the module to play strummed chords.

Controls

Number of strings/structures (1, 2 or 4).
Synthesis model (modal, sympathetic strings, string).
Main frequency (quantized in semitones).
Structure. With the modal and string models, controls the inharmonicity of the spectrum (which directly impacts the perceived "material"). With the sympathetic strings model, controls the intervals between strings.
Brightness. Specifies the brightness and richness of the spectrum.
Damping. Controls the damping rate of the sound, from 100ms to 10s.
Position. Specifies at which point the structure is excited.

Inputs and Outputs

Frequency, structure, brightness, damping and position modulation CV inputs with attenuverter (-8V to +8V).

"Strum" trigger input to indicate when a new polyphony voice needs to be allocated. Normalized to an edge detector detecting changes on the main V/Oct input, or sharp transients on the audio input. Detection threshold at 0.6V.

1 V/Oct frequency input (-1V to +5V).

Resonator audio input, normalized to a filtered pulse/noise burst triggered by the "Strum" input (for stand-alone use). Modular level, up to 16Vpp.

Two audio outputs, splitting the signal into even/odd partials in monophonic operation, or even/odd notes in polyphonic operation.

Specifications

Module width: 14HP
Module depth: 25mm
Current draw: 120mA @ +12V, 5mA @ -12V

est. release 30 Nov 24 $205.51

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Sound Study Plaits Multi-Algorithm Macro Oscillator Module (modular synthesiser)

Sound Study

Cat: 1029221

Multi-algorithm macro oscillator module - 12HP

Notes: This is a fully built module, with the latest firmware pre-installed. Comes with Rogan knobs. You can swap our panel for another manufacturer's panel!

Mutable Instruments Plaits is a multi-algorithm macro-oscillator that provides everything from FM to speech synthesis, analogue percussion emulation, wavetables, modal synthesis, granular synthesis...whoa, this module does basically everything. Expanding on Braids's strong points and eliminating its pitfalls, Emilie Gillet's Plaits is a perfect bonding of tremendous flexibility and an intuitive user interface.

Built from the ground up and sharing no code or hardware with Braids, Plaits borrows concepts from its predecessor while operating at considerably higher audio resolution and with a refined means of user interaction. For one, it dispenses with that pesky screen to offer even more tactility and immediacy. Additionally, Plaits features a dedicated CV input for the model parameter, easy access to the module's internal envelopes for modulation of vital parameters, and an integrated lowpass gate with definable filtering intensity and virtual vactrol response time.

Offering a broad survey of synthesis techniques, Plaits promises a vast sonic palette that could find a home in any modular synthesizer setup. Ideal for beginners and modular synth gurus alike, Plaits is an obvious choice for anyone who wants a lot of functionality in a small space and with a modest price tag.

Specifications

Width: 12HP
Depth: 25mm
Current draw
+12V: 50mA
-12V: 5mA

coming soon $205.51

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Intech Studio Grid PO16 Modular MIDI Controller (modular MIDI controller)

Intech Studio

Cat: 1032095 Rel: 31 Oct 24

Modular MIDI controller consisting of 16x potmeters

Notes: The PO16 is a sleek, compact, single-turn rotary potentiometer module for controlling quick motion changes like EQ, filters, or synth parameters.

Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.

It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.

Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.

By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.

Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.

Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers

Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.

Tech specs

Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm Eurorack-sized modules (4.19 x 4.19 inches)
16 linear 300- single-turn conductive plastic potentiometers
Customizable multi-coloured LED lights for easy labelling in dark environments

Materials

Black aluminium front panel with a metallic, rugged finish
Ergonomic potentiometers in black with plastic knobs
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability

Compatibility

Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided

Powering options

Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA

est. release 31 Oct 24 $135.92

(No payment required now - pay when released)

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Sonicware LIVEN Mega Synthesis FM Synthesiser (digital keyboard synthesiser)

Sonicware

Cat: 1032933 Rel: 31 Oct 24

FM synthesiser: retro game music composer

Notes: Revive the SONIC sensation of the golden era!

Create Diverse Game Music with a Sophisticated 6-Track Sequencer and 10 Types of Effects

You too must have fallen under the spell of the extraordinary visuals and sounds of the groundbreaking 16-bit video game console that once dominated the world! It was powered by the iconic "YM2612" sound chip, a legacy that endures even today.

The MEGA SYNTHESIS has resurrected the sound engine of this chip. Sonicware have faithfully recreated the 4-operator FM sound module, the 8-bit PCM sound module, and the "SN76489" PSG (Programmable Sound Generator) sound module used by the original console.

4-operator & 8-algorithm FM sound module with precise sound editing in Edit Mode - Including extra features like fine-tuning operator ratios, which was impossible at the time.

PSG (Programmable Sound Generator) sound module - Synthesize basic waveforms and white noise to recreate iconic retro-game-sounds.

And the 8-bit PCM sound part of YM2612 - Recreate the sound of PCM playback controlled by the Z80 microprocessor used at the time.

Sampling capabilities (8-bit - 12kHz: up to 8 seconds / 24kHz: 4 seconds / 48kHz: 2 seconds, 96 stored samples)

Legacy Mode to faithfully replicate the sound of the era

This feature simulates the characteristically grungy sounding quirks of the YM2612 sound and can be turned on/off for each track.

In the FM tracks, you can separately configure FILTER [frequency response simulation] and LADDER [replication of the unique 9-bit DAC]. And the PCM track can also be played back in 4BIT, allowing you to create the sound to your preferences.

Create Diverse Game Music with a Sophisticated 6-Track Sequencer and 10 Types of Effects

Creating game music is a breeze with this intuitive sequencer, featuring a straightforward 6-track layout comprising 3 FM synthesis tracks, 2 PSG synthesis tracks, and 1 PCM sample track. woo
Specifications

Synthesiser

FM sound module [Tracks 1, 2, 3]
- 4 operators - 8 algorithms
- Maximum polyphony: 6 voices
- Sound editing in FM Edit mode

- Polyphonic mode
- Mono mode with adjustable glide time
- Legato mode with adjustable glide time
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

PSG sound module [Tracks 4, 5]

- 11 types
Square wave
Noise (Low/Mid/High) -> Square wave
Pulse Wave
Noise (Low/Mid/High) -> Pulse Wave
Noise (Low/Mid/High)
- Maximum polyphony: 4 voices

- Polyphonic mode
- Mono mode with adjustable glide time
- Legato mode with adjustable glide time
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

PCM sound module [Track 6]

- 8bit - 12/24/48kHz (switchable) linear PCM sampling (mono)
- Up to 8 seconds of sampling per sample (12kHz), 4 seconds (24kHz) or 2 seconds (48kHz)
- Auto start sampling function with the input level (input level can be set)
- Auto-slice function (equal division by number of slices or length of one slice)
- Maximum polyphony: 3 voices (1 voice in One-shot mode)?- 96 sample memory slots (16 x 6 banks)
- Import and export of a slot or banks of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.

- Drum mode (Drum kit performance)
- One-shot mode (Sample playback or chromatic performance)

- Sweep with adjustable speed, range, and curve
- Switchable between sweep envelope and LFO

[Effects]

Effect send amount can be set independently for each track

- Send Delay
- Insert Delay
- Reverb
- Crusher
- Distortion
- Compressor
- Low pass filter
- High pass filter
- Isolator
- Remix Performance effect

[Sequencer]

- 6 tracks
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed

[MIDI]

- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)

- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

est. release 31 Oct 24 $248.99

(No payment required now - pay when released)

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WMD PM Channels MKII 4-Channel Mixer Module (modular synthesiser)

WMDevices

Cat: 1021196

4-channel mixer module - 24HP

Notes: Need More Inputs?

Add four channels at a time to your Performance Mixer MKII setup, or you can use the Channels MKII as a standalone four channel mixer.

The expansion is simple -- identical channels, just more of them. Four at a time, up to four Channels units, for 24 total stereo channels.

A simple 16 pin 2mm pitch expansion cable is provided and is the only connection necessary. Units can be daisy-chained easily resulting in a clean setup.

Additionally, the outputs on Channels MKII still work when connected to the PM MKII. So you get a submix of AUX1, AUX2, and MIX available for whatever you may want to do, drum submixing, FX routing, etc.

Not Just an Expansion -- Standalone Operation
As a standalone unit, you get three stereo outputs, MIX, AUX1, AUX2. The buttons are soft mutes. It's a robust four channel setup.

FYI -- You can not connect CHANNELS MKIIs together without a PM MKII. The summing, buttons, and control brain is in the master section of the PM MKII.

Recording Outputs:
Pre and Post fade headers are available on the rear for connection to the DB25 MKII. Each Chanels MKII will fill 1/2 of a DB25 with the Pre or Post connections.

Specifications:
24HP
36mm Depth behind Panel Including Cables
Board Height Between Rails 111.5mm
Channel Input Gain: -12dB to +20dB
Fader Gain: -100dB to +5dB (Applies to Aux1, Aux2 also)
Pan Curve: -100dB at Hard L/R, -3dB at Center
All Inputs and Outputs (Including Sends, Inserts, Headers, etc) are IN PHASE
HPF: -1.3dB at 20Hz

coming soon $531.71

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Wee Noise Makers PGB-1 Portable GrooveBox (black aluminium case) (groovebox)

Wee Noise Makers

Cat: 1025150

Portable synthesiser & sequencer

Notes: Wee Noise Makers PGB-1 is an advanced yet portable synthesizer and sequencer that allows you to craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn't just an instrument-it's your gateway to the world of music production and audio synths.

PGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.

Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.

PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.

With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:

All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.

PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.

PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.

By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.

Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.

Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.

Features & Specifications

Processor: Raspberry Pi RP2040

16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)

Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface

128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs

1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone

Tags: Groovebox

coming soon $309.89

(No payment required now - pay when released)

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Tascam Model 2400 24-Channel Analogue Recording Console & Live Mixer With Audio Interface (24-channel studio mixer)

Tascam

Cat: 1034149 Rel: 31 Oct 24

24-channel flagship analogue recording console & live mixer with audio interface

Notes: Streamline Your Mix Process with Advanced Onboard Processing

The Model 2400's versatility doesn't compromise its mixing capabilities one bit. With per-channel compression, multiple sub groups, and master stereo bus processing including compression and EQ, you'll have the pro-level mix control you need in any scenario. Taking your project from tracking to a final master on the Model 2400 couldn't be simpler.

22 Channels and 24 Tracks, One Solution

With comprehensive 22-channel mixing capabilities, the Model 2400 is an ideal studio and live mixer for everything from larger combos and jazz ensembles to orchestra and choir ensembles. And when it comes to recording, no additional interface or computer are required.

Insert Professional Processors and Effects

Insert points on channels 1-12 allow you to easily integrate a studio rack full of processors and effects units. And, in addition to the onboard Master Bus processing, a send/return loop on the Main output allows you to connect external mastering gear such as compressors, EQs, stereo imagers and sonic exciters.

Ample Aux and Sub Outputs

With 5 Aux sends and 4 stereo sub groups, Model 2400 handles advanced mixing duties with ease. Create more monitor mixes without sacrificing an aux for effects. Connect multiple pairs of studio monitors for checking your mixes. In your studio or on stage, Model 2400 delivers the comprehensive connectivity and routing you need.

Professional Recording Capabilities

Model 2400 seamlessly integrates multitrack recording with studio and live mixing. With the ability to record 24 channels (22 inputs plus the stereo master) of high-quality audio direct to SD card media, Model 2400 is a powerful recording solution even if you're a DAW-less producer.

Sound with Excitement

TASCAM Ultra HDDA (High-Definition Discrete Architecture) mic preamps give Model 2400 the vibrant analogue sound that makes harmonics come alive.

With Ultra HDDA, any sound source will be represented with the utmost clarity and richness, and with an ultra-low noise floor.

Monitor Your Signal Virtually

With the Model Mixer Settings Panel app, users can take advantage of a digital meter bridge across by connecting the Model 2400 via USB to a PC or Mac. Set peak hold times, monitor the input, MTR or USB signal all while being able scale the GUI from a small window to full screen. Take it a step further by porting the app from your computer to a dedicated monitor of your choosing.

Ready to Be Your Studio Centrepiece

Model 2400 delivers the classic analogue console experience in the studio, with an onboard 24x22 audio interface that's ready to meld with modern production workflows. Insert points on channels 1-12 allow you to integrate studio processors and effects. And with the ability to return 22 DAW tracks through Model 2400's mix path and processing, it's also the most versatile analogue summing mixer you'll find.

MIDI Interface

Model 2400's comprehensive MIDI functionality allows full integration with MIDI-based production setups. From controlling drum machines and synthesizers from your DAW software, to synchronizing external effects processors to the tempo of your music and creating click tracks, Model 2400 offers the MIDI functionality you need to make it happen.

Additional Features

Seamless DAW Integration and Transport Control

The Model 2400 streamlines your workflow even when you're using it in a typical studio environment with a computer-based DAW. The onboard 24x22 USB audio interface eliminates the need for external interfaces and converters. And thanks to dedicated transport buttons linked to your DAW, you can keep your hands on your console instead of a mouse.

DAW control operation has been confirmed with the following DAW software:

Avid Pro Tools
Apple Logic Pro
MOTU Digital Performer
Steinberg Cubase
Ableton Live
Cakewalk by BandLab
Presonus Studio One
Cockos REAPER
Steinberg Cubasis 3.3

Specifications
Recorder
Recording media: SD (Class 10 or higher), SDHC (Class 10 or higher), SDXC (up to 512 GBytes, Class 10 or higher)
File system: SD: FAT16, SDHC: FAT32, SDXC: exFAT
Recording file formats: WAV (BWF), 44.1/48 kHz, 16/24 bit (maximum file size: 2 GBytes)
Playback file formats: WAV, BWF (44.1/48 kHz, 16/24 bit)
Recordable tracks: 24 (22 tracks + stereo mix)

Audio inputs and outputs

Microphone inputs (MIC, 1-12, 13,15,17,19): XLR-3-31 (combo jack), balanced (1: GND, 2: HOT, 3: COLD)
Maximum input level: +10 dBu
Nominal input level: -8 dBu
Minimum input level: -58 dBu
Gain adjustable range: 0-50 dB
Input impedance: 1.9 kO (1-12), 2.4 kO (13, 15, 17, 19)
Line/Instrument inputs (LINE/INST, 1-2): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: LINE: +22 dBu, INST: 19.8 dBV
Nominal input level: LINE: +4 dBu, INST: 1.8 dBV
Gain adjustment range: -10 dB to +40 dB
Input impedance: LINE: 22 kO, INST: 1 MO
Line inputs (LINE, 3-12): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: +22 dBu
Nominal input level: +4 dBu
Gain adjustable range: -10 dB to +40 dB
Input impedance: =22 kO
Stereo line inputs (LINE L/MONO, R, 13/14 to 21/22): 6.3-mm TRS phone jack, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum input level: +22 dBu
Nominal input level: +4 dBu
Gain adjustment range: -20 dB to +30 dB
Input impedance: =11 kO (mono), =22 kO (stereo)
Inserts (1-12): 6.3-mm TRS phone jack, (Tip: Send, Ring: Return, Sleeve: GND)
Maximum input level: +18 dBu
Nominal input level: 0 dBu
Input impedance: 15 kO
Maximum output level: +18 dBu
Nominal output level: 0 dBu
Output impedance: 100 O
Talkback input: XLR-3-31, balanced (1: GND, 2: HOT, 3: COLD)
Maximum input level: -22 dBu
Minimum input level: -65 dBu
Gain adjustable range: 52 dB
Input impedance= 2.6 kO
Main output (MAIN OUTPUT L/R): XLR-3-32, balanced (1: GND, 2: HOT, 3:COLD)
Maximum output level: +22 dBu
Nominal output level: +4 dBu
Output impedance: 200 O
Main inserts (MAIN SEND/RETURN L/R): 6.3-mm TRS phone jack (Tip: Send, Ring: Return, Sleeve: GND)
Maximum input level: +18 dBu
Nominal input level: 0 dBu
Input impedance= 9 kO
Maximum output level: +18 dBu
Nominal output level: 0 dBu
Output impedance: 100 O
Control Room outputs (CONTROL ROOM L/R): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Aux outputs (AUX OUTPUT 1-5): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Sub group outputs (SUB OUTPUT 1-2, 3-4, 5-6, 7-8): 6.3-mm TRS, balanced (Tip: HOT, Ring: COLD, Sleeve: GND)
Maximum output level: +16 dBu
Nominal output level: -2 dBu
Output impedance: 200 O
Phones output 1/2: 2 × 6.3-mm stereo phone jack
Maximum output power: 45 mW + 45 mW (at 32 O)

Control inputs/outputs

USB port: USB Type-B
Protocol: USB 2.0 High Speed (480 Mbit/s)
Click output
6.3-mm standard TS jack: (Tip: HOT, Sleeve: GND)
Footswitch connector: 6.3-mm TRS phone jack (Tip: FOOTSW1, Ring: FOOTSW2, Sleeve: GND, unlatching switches required)
MIDI input and output: 5-pin DIN connector
Format: Standard MIDI

USB audio

Sampling rate: 44.1 kHz, 48 kHz
Bit depth: 16 bit, 24 bit
Maximum number of audio channels: 24 inputs, 22 outputs

Bluetooth
Version: 5.1
Output class: 2 (approximate transmission distance: 10 m)
Supported profile: A2DP
Supported A2DP codecs: SBC, AAC
A2DP content protection: SCMS-T

Audio performance
S/N ratio: (22 kHz LPF, A-weighted), Main mix off: -100 dB, Main mix 0 dB: -80 dB
Equivalent input noise (EIN): -128 dBu (Rs=15 O, MIC IN to INSERT SEND, GAIN knobs at max., A-weighted)
Total harmonic distortion (THD+N): (GAIN knobs at min., 1 kHz), 0,01 % (mic input to main output), 0.004 % (mic input to main output, +2 dBu, BYPASS switches on)
Frequency response: (all gain knobs at min., 1 kHz) 20 Hz to 30 kHz, +0.5/-1 dB (analogue), 20 Hz to 20 kHz, +0.5/-1 dB (digital)
Crosstalk: (PAN knobs fully left or right, 1 kHz), Between channels: -80 dB, Between input and output: -80 dB
Maximum gain: (all GAIN knobs at max., PAN knobs fully left or right, BYPASS on, MASTER BUS IN off), 74 dB (MIC to MAIN OUT), 54 dB (MIC to INSERT OUT), 74 dB (MIC to SUB OUT), 75 dB (MIC to AUX OUT), 24 dB (USB/SD to MAIN OUT)

Computer system requirements

Windows: Windows 11, Windows 10 (64-bit)
Compatible computers: Windows-compatible computer with a USB 2.0 (or higher) port, using Tascam driver, operation not guaranteed with ARM64 CPUs
Display requirements (settings panel software): 1280 × 720 or higher, True colour recommended
Mac: macOS Sonoma (14), macOS Ventura (13)
Compatible computers: Apple Mac computer with a USB 2.0 (or higher) port
Display requirements (settings panel software): 1280 × 720 or higher, True colour recommended
iOS/iPadOS devices: iOS 17/iPadOS 17, iOS 16/iPadOS 16

Power supply and other specifications

Power: AC 100-240 V, 50/60 Hz
Power consumption: 65 W
Dimensions (W × D × H): 681 mm × 568 mm × 133 mm (overall), 639 mm × 568 mm × 133 mm (without side panels)
Weight: 14 kg
Guaranteed operating temperature range: 0-40 -C
Guaranteed operating humidity range: 5-85 % (without condensation)
Included items: AC power cord, Startup Guide, Registration Guide

est. release 31 Oct 24 $1,930.02

(No payment required now - pay when released)

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Black Corporation Kijimi MK2 8-Voice Analogue Synthesiser (analogue desktop synthesiser)

Black Corporation

Cat: 1029533

8-voice analogue synthesiser with polyphonic aftertouch, MPE & microtuning

Notes: KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.

Continuous analogue timbral control

Instead of fixed waveforms, KIJIMI's voltage-controlled oscillators can morph continuously through waveform types. Sine, triangle, sawtooth, and variable pulse waves are smoothly variable, with pulse width as you turn to the far right. It's a scheme that provides unique, independent timbral over each of the eight voices.

Deep 8-voice architecture

Each of KIJIMI 's 8 voices features 2 analogue oscillators each with a square sub-bass oscillator, for buttery timbres with extensive sound design options. The sub-oscillator produces an octave lower than the combined VCO1 and VCO2 outputs, meaning you can tune two sub-pitches. Hard sync is available in VCO sync and VCO1->2 and 2->1 configurations for maximum flexibility. There's also a noise source for adding bite and percussion components. A rich lowpass filter is built around the legendary 2140 chip and the ability to frequency-modulate it via VCO2, creates a full range of sounds from metallic and aggressive to subtle. Both filter cutoff and resonance are available as modulation destinations.

Unique envelope functionality with dedicated controls

Two ADSR envelopes come with independent rate multipliers, keyboard control of attack rate, and versatile routing. Engage the CYCLE button for a cycling trapezoidal mode, similar to that on vintage instruments like the EMS Synthi. Few polysynths offer this level of detailed control, let alone with front-panel controlsino menu diving needed.

Endless modulation programmability

Modulation possibilities set the KIJIMI apart from other polysynths. Two LFOs can be routed independently to up to eight destinations, directly on front-panel buttons, controlling frequency and waveform modulation, sub-oscillator amount, filter cutoff and frequency, and amplitude modulation. Each LFO includes multiple waveform options (sine, triangle, saw, ramp, square, random) and separate attack and decay knobs in addition to rate. ADSR2 sports four independent destinations, also via front-panel push buttons and knobs. Even velocity and aftertouch get their own dedicated control section for applying velocity or aftertouch to each parameter (LFO rate, waveform morph, sub, pitch bend, and VCA). Dedicated knobs let you apply your aftertouch and poly-aftertouch, to taste, right where you want it. You'll rarely use the menus, and when you do, it'll only be to unlock even more advanced functionality (like multiple LFO features!). KIJIMI is a rare case of fusing straightforward one-control-per-feature design with unrestricted possibilities.

Full MIDI and expressive control, tuning support

Combine all the elements, and KIJIMI is an instrument that's playable like no other. Each note you play separately triggers modulation, independently on each voice, with full control via aftertouch. Add in full MIDI control, complete MIDI polyphonic expression (MPE) support, advanced tuning capabilities (including microtuning via SCALA and 128 memory locations for tuning settings), and velocity polyphonic aftertouch, each with up to six more destinations with its own bipolar settings. KIJIMI finally brings a synthesizer architecture that can unlock the possibilities of your expressive controller of choice.

Updated package

The MK2 version of KIJIMI includes all the acclaimed sonic power and character of its predecessor, in an improved package. Updated firmware now includes the ability to assign different LFO settings (rate, waveform, envelope, and depth) to each individual destination. In addition to 128 factory and 1152 user presets, we've included user banks by Mathew Jonson, Richard Devine, and Paul Schilling. All this comes in a compact, 2.71kg/5.97 lb device with wood panels attached (or the option of metal rack ears instead). DIN MIDI and isolated USB are onboard.

coming soon $4,968.03

(No payment required now - pay when released)

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Studiologic SL88 Studio 88-Key MIDI Keyboard Controller (MIDI keyboard controller)

Studiologic

Cat: 1032391 Rel: 31 Oct 24

88-key premium hammer action keyboard controller

Notes: The Power of Simplicity.

The SL Keyboards are nothing less than the reinvention of the high-end keyboard controller.

True innovation.

More than 30 years' experience in exclusive keybeds meets an all-new, powerful, operating system. Perfect for you to control your hardware and virtual instruments. All provided in a powerful new refreshing way. Working together with musicians we have created a user interface which is perfect for quick navigation and setup, but also gives you excellent in-depth control. The SL is ready to be at the very heart of your system.

A Great Keyboard for a Grand Touch.

The SL88 Grand uses the best-graded hammer action keybed with Ivory Touch and wooden keys, to give you the natural feel of a well-balanced grand piano. Each of the keys provides 3 contacts for superior performance. The results of this combination are simply amazing. From the slightest pianissimo up to the strongest fortissimo, the keys translate every nuance of your performance in an inspiring and truly superb way.

The lightness of the authentic touch.

The SL88 and 73 Studio adopts the latest hammer action keybed technology from FATAR giving the best piano touch feeling. TP/100LR is remarkably lighter than any other. Each of the keys provides 3 contacts for superior performance. With the respect of the full weighted touch of the real piano action, the new design guarantees a very fluent and authentic feel. The results of this combination are simply amazing.

Form follows performance.

With its compact profile, the SL is an extremely portable professional controller. Thanks to a perfect integration with the keyboard, it weighs less than 14 Kg for the 88 Studio version and less than 12 Kg for the 73 version. Even with its high-end graded hammer action/wooden keyboard, the SL88 Grand weighs less than 21 Kg. The SL is studio and stage ready with a rugged full metal casing. Sculptured endcaps made of a highly resistant synthetic material help to shield the premium keybed perfectly and provide a safe grip when handling and transporting.

Total access with total ease.

Located in the centre of the instrument is a razor-sharp TFT colour display. In combination with the high quality six-way controller knob, you can navigate through all SL functions fast and with ease. Functions such as switching through the four zones are achieved by moving the controller, and then by clicking and turning the same knob again, you can select and adjust the desired parameter. Simple, intuitive and fast! Additionally, the three pushbuttons to the right of the control knob bring you back to the top-level from any location in the system with just one push.

Real-time control.

The SL offers three X/Y stick controllers, not just for performance but also for direct control and manipulation of any desired sound parameter. Stick one is spring-loaded for both X/Y directions. The typical use for this stick is pitch and modulation control. Stick 2 is spring-loaded in X direction only. Stick 3 is free in X and Y directions, ideal for panning, cross fading and parameter control. All sticks feature an elegant, aluminium control shaft which feels perfectly balanced and expressive between your fingertips.

Magnetic rail system.

With the innovative Magnetic Rail System at the rear of the SL, you can easily adapt a note stand or an extension plate to hold your written notes, music, laptop or tablet. It works as brilliantly easy as it looks. Just click the brackets into the backrail to match the position you need for your accessory items.

Package content
SL88 Studio
Studiologic PS100 switch pedal
Power adapter

Keyboard
88 Keys, TP/40WOOD Graded Hammer Action, Ivory Feel
Triple switch detection system
Aftertouch
Touch:
Soft, Medium, Hard, Fixed (programmable)
6 Editable user velocity curves (with SL Editor)

Features:
250 Programs
12 Programs Groups
4 Programmable Zones
2 MIDI Ports separately assignable

Controls / UI:
3 Programmable sticks
Rotating encoder with navigation controls
3 Function buttons
Display
Colour graphic LCD - TFT
320 x 240

Connections:
Pedals: 2 switch, 1 continuous, 1 universal
MIDI: In, Out1, Out2
USB: USB to Host, MIDI, USB Powered

Power supply:
DC IN: 9V
Adapter
Input: 100-240V / Output: 9V-1A

Size & weight

Width: 126 cm / 49,6"
Depth: 31 cm / 12,2"
Height: 12,5 cm / 4,9"
Weight: 13,7 Kg / 30,2 lbs

Package content
SL88 Studio
Studiologic PS100 switch pedal
Power adapter

Compatible accessories:
Softcase SIZE B, SIZE C
Magnetic Music Stand TYPE A
Magnetic Computer Plate TYPE A

Pedals:
PS/100, PS/150, PS/250
VFP1/10, VFP1/15, VFP1/25
VFP2/10, VFP2/15
SLP3-D
VP/25, VP/27
FP/50

~~MRP:$416.45~~ SAVE 13%
est. release 31 Oct 24 $364.25

(No payment required now - pay when released)

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Artium Instruments The Swarm 8-Voice Polyphonic Hybrid Synthesiser & Stereo Effects (hybrid desktop synthesiser/effects unit)

Artium Instruments

Cat: 1038806 Rel: 30 Nov 24

8-voice polyphonic digital synthesiser & standalone stereo multi-FX box

Notes: Design philosophy

Knob-For-Knob Functionality:

Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.

Curated, Onboard Effects:

With over a decade of experience in the effects industry, Artium have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.

Plug and Play Functionality:

The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)

Quality Craftsmanship, Intentional Design:

Artium have invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colours, artwork, and the weight of the enclosure, every detail has been considered. These details matter because the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. A lot of love and passion has been poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.

Open Source Platform:

Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products.

Synth core

Oscillator:

The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

Control Modes:

The Swarm employs this massive sound through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously, exploring the full range of polyphony. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns, enhancing your creative possibilities.

More Features & Controls:

To shape the sound further The Swarm has a 4 Pole Low Pass Filter with a subtle resonance as well as a simple attack and release envelope.

Onboard effects

All onboard effects can be used with other music equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.

Freeze:

By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time-a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing the device to capture a fresh sample.

Delay:

The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighths, eighths, and triplets.

Reverb:

The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.

Chorus:

The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.

Controls

Synth core:

Detune - Detunes SuperSaw oscillator
Filter - Cutoff frequency of the filter
Attack - Rising edge of envelope
Release - Falling edge of envelope

Arpeggiator:

"ARP" Toggle - Activates Arpeggiator Mode
"HOLD" Toggle - Stores all notes played in memory
Direction - Selects the direction of arpeggiator (UP, DOWN, SEESAW, RANDOM, ORDER PLAYED)
Octaves - Selects the number of octaves played by the arpeggiator
Clock - Speed of the arpeggiator and delay clock
Clock Toggle - Switches between manual clock knob and tap tempo.
Tap Tempo (Yellow Pad) - Tap tempo for arpeggiator and delay clock

Effects:

Freeze (Yellow Pad) - Press to record. Pressing with Freeze Knob at minimum will erase sample
Freeze (Knob) - Sets the level of the frozen, infinite drone
D.Level - Delay signal level
D.Feedback - Number of delay repeats
D.Multiplier - Sets delay multiplier (quarter note, dotted eighth, eighth, triplets)
Reverb - Mix and Decay of reverb increase simultaneously
Chorus - Sets chorus level

Rear panel

Out(L) - Left Output (stereo headphone jack/TRS when Out(R) is unconnected)
Out(R) - Right Output
In(L) - Audio input to send external audio through onboard effects (If source is Mono, use In(L))
In(R) - Audio input to send external audio through onboard
Oct+: Shifts the entire synth up one octave for every press
Oct-: Shifts the entire synth down one octave for every press
MIDI HOST INPUT - Provides power and communication with your USB Midi Controller
USB POWER SUPPLY - USB-C plug to power synth

est. release 30 Nov 24 $412.09

(No payment required now - pay when released)

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Clatters Garden Listener Random Control Messages Generator Module From Biometric Signals (modular synthesiser)

Clatters Machines

Cat: 1039362 Rel: 30 Nov 24

Random control messages generator module from biometric signals - 8HP

Notes: The Garden Listener is a random control messages generator from biometric signals. It detects conductivity variations on living beings' surface and transforms them into MIDI notes, ranging from C-1 to C8, and CV signals (0 - 5V). Its behaviour can be tamed through the one-knob menu from which you can choose and modify:

probes' sensitivity (making it more or less sensitive to current variations);
scale (chromatic, major, minor, Indian and Arabic);
MIDI channel (from 1 up to 16);
LEDs' brightness.

Conductivity variations are detected by the Probes Input and converted into MIDI notes in real time according to the Main menu settings. Each MIDI note exits through the MIDI output, allowing you to take advantage of the sound of either any synthesizer equipped with a MIDI port or any VST in your DAW, and gets converted into an analogue signal.

Trigger and Gate are fired every time a new note is generated, their voltage output can be modified with the respective attenuator (0 - 5V).

All the MIDI notes are converted into variable voltages (0 - 5V) depending on their pitch and exit through the CV output (1V/oct).

The CV output behaviour can be modified via the Octave Selector which acts as a "CV equalizer" from which you can choose to generate CV only if the respective MIDI note lies within a certain octave range.

For once, leave those LFOs alone, and let any living conductive being modulate your signals.

The module comes with 3.5mm white probes and a set of snap-on adhesive reusable electrode pads. A MIDI-TRS type A adapter (not included) is required for the MIDI output.

The module requires calibration for a proper 1V/oct output.

Built Module, SMD pre-soldered
Width: 8HP
Max depth: 22.6mm
Current draw: +12V: 24mA, -12V: 20mA, +5V: 0mA
Panel material: 1.6mm FR4 black front panel with gold finish

est. release 30 Nov 24 $305.53

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Polyend Press Analogue Stereo Compressor Effects Pedal (dynamics effects pedal)

Polyend

Cat: 1047965 Rel: 31 Oct 24

Analogue stereo compressor effects pedal

Notes: Press is a fully analogue stereo compressor that combines features usually exclusive to professional studio equipment with modern VST controls. It offers the tight, natural response of classic analogue rack units while incorporating unique controls and features not found in other pedals.

Press is an advanced compressor that works anywhere in the signal chain, from finalizing and limiting to adding control after gain staging or taming wild modulation and time-based effects. Dial in the exact amount of desired compression with Ratio and Threshold controls. Dedicated attack and release knobs can create aggressive punch or subtly tame peaks. Roll off the mix knob for New York-style compression to blend the dry and compressed signal, and add some colour with the tilt control to shift the wet signal's EQ balance across the low/high-frequency range.

Press offers unique stereo sidechain control that cannot be found in another analogue compressor pedal. The high and low pass filters work on either the Stereo input or the external stereo sidechain thru. This allows for precise control of the sound triggering the sidechain by stopping problem frequencies from triggering the gain reduction circuit. Use the LPF to filter out the high end of a bass guitar or the HPF to remove the boom from a kick drum to sculpt your sound in ways that were not possible in analogue pedals before. Even with all these features the press is a knob-per-function compressor designed to be simple to set up and operate.

est. release 31 Oct 24 $353.38

(No payment required now - pay when released)

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Sonicware ELZ_1 play Portable Digital Synthesizer With Looper (all black) (digital keyboard synthesiser)

Sonicware

Cat: 1047394 Rel: 31 Jan 25

Portable digital synthesizer with looper

Notes: 17 Distinctive Synth Engines-Unlike Anything You've Ever Heard
The ELZ_1 play's synth engines are built from scratch using 32-bit floating point math. From hard low-bit textures to organic FM tones to granular synthesis, the ELZ_1 play offers unique synth engines unlike any other synthesizer.

LOW-BIT OSC: 2 ~ 8 bit variable low-bit oscillator. Sine, square, triangle and sawtooth waves.
STANDARD OSC: 32-bit floating-point processing high resolution oscillator. Sine, square, triangle and sawtooth waves.
CUSTOM OSC: Choose 2 waveforms / period of cycles.
DNA EXPLORER: Extract and generate waveform DNA from audio.
SiGRINDER: Granular synthesizer engine.
MASKED NOISE: Noise oscillator.
SAND FLUTE: Extract and generate tone from noise.
8BIT WAVE MEMORY: Editing your own waveform.
8BIT WAV MEM (MORPH): Morphing 3 waveforms.
8BIT WAV MEM (FM MODE): 2 operators, 8bit FM mode.
8BIT WAV MEM (WARP): Generates an intermediate waveform by crossfading two waveforms.
8BIT WAV MEM (ADSAR): Waveforms change according to envelope.
8BIT WAV MEM (TIME): 3 waveforms change in the orders.
FM SYNTH: 4 operators with 31 algorithms, 32-bit floating point processing.
ZTRINGS: Physical Modelling Strings engine.
SUPER OSC: Super synth engine with 5 detunable sub-oscillators.
STK DRUMMER: Drum machine engine equipped with 5 types of drum kits. (SmplTrek .stk file compatible)

28 Effects to Elevate Your Sound-From Soothing to Striking
Unlock a world of sound by combining 3 insert effects from 18 types and 1 master effect from 10 types, including Shimmer Reverb.
Insert effects: overdrive, distortion, fuzz, crusher, chorus, stereo chorus, flanger, phaser, tremolo, vibrato, ring modulator, auto wah, delay, reverse delay, ping pong delay, auto pan, tape echo & reverb.

Master effects: hall, room, plate, arena, tunnel, infinity, custom reverb, crusher, vinyl simulator & cassette tape simulator.

Flexible 4-Track Looper-Layer, Loop, and Remix with Ease
The newly developed 4-track looper allows easy recording, playback, and overdubbing by simply pressing the track buttons. You can record not only ELZ_1 play performances, but also LINE input and USB audio input.

Instrument Redefined - Velocity-enabled keyboard, Built-in Stereo Speakers and More:
To make it a musical instrument that is pleasant and expressive to play, the keyboard has been improved to support velocity on all keys, and high-quality loud stereo speakers are built into the side panels. It is also equipped with an SD card slot, USB-C, and DIN-MIDI jacks for flexible handling of audio and MIDI.

est. release 31 Jan 25 $618.70

(No payment required now - pay when released)

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Sonicware ELZ_1 play Portable Digital Synthesizer With Looper (digital keyboard synthesiser)

Sonicware

Cat: 1047389 Rel: 31 Jan 25

Portable digital synthesizer with looper

Notes: 17 Distinctive Synth Engines-Unlike Anything You've Ever Heard
The ELZ_1 play's synth engines are built from scratch using 32-bit floating point math. From hard low-bit textures to organic FM tones to granular synthesis, the ELZ_1 play offers unique synth engines unlike any other synthesizer.

LOW-BIT OSC: 2 ~ 8 bit variable low-bit oscillator. Sine, square, triangle and sawtooth waves.
STANDARD OSC: 32-bit floating-point processing high resolution oscillator. Sine, square, triangle and sawtooth waves.
CUSTOM OSC: Choose 2 waveforms / period of cycles.
DNA EXPLORER: Extract and generate waveform DNA from audio.
SiGRINDER: Granular synthesizer engine.
MASKED NOISE: Noise oscillator.
SAND FLUTE: Extract and generate tone from noise.
8BIT WAVE MEMORY: Editing your own waveform.
8BIT WAV MEM (MORPH): Morphing 3 waveforms.
8BIT WAV MEM (FM MODE): 2 operators, 8bit FM mode.
8BIT WAV MEM (WARP): Generates an intermediate waveform by crossfading two waveforms.
8BIT WAV MEM (ADSAR): Waveforms change according to envelope.
8BIT WAV MEM (TIME): 3 waveforms change in the orders.
FM SYNTH: 4 operators with 31 algorithms, 32-bit floating point processing.
ZTRINGS: Physical Modelling Strings engine.
SUPER OSC: Super synth engine with 5 detunable sub-oscillators.
STK DRUMMER: Drum machine engine equipped with 5 types of drum kits. (SmplTrek .stk file compatible)

28 Effects to Elevate Your Sound-From Soothing to Striking
Unlock a world of sound by combining 3 insert effects from 18 types and 1 master effect from 10 types, including Shimmer Reverb.
Insert effects: overdrive, distortion, fuzz, crusher, chorus, stereo chorus, flanger, phaser, tremolo, vibrato, ring modulator, auto wah, delay, reverse delay, ping pong delay, auto pan, tape echo & reverb.

Master effects: hall, room, plate, arena, tunnel, infinity, custom reverb, crusher, vinyl simulator & cassette tape simulator.

Flexible 4-Track Looper-Layer, Loop, and Remix with Ease
The newly developed 4-track looper allows easy recording, playback, and overdubbing by simply pressing the track buttons. You can record not only ELZ_1 play performances, but also LINE input and USB audio input.

Instrument Redefined - Velocity-enabled keyboard, Built-in Stereo Speakers and More:
To make it a musical instrument that is pleasant and expressive to play, the keyboard has been improved to support velocity on all keys, and high-quality loud stereo speakers are built into the side panels. It is also equipped with an SD card slot, USB-C, and DIN-MIDI jacks for flexible handling of audio and MIDI.

est. release 31 Jan 25 $586.08

(No payment required now - pay when released)

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Studiologic SL73 Studio 73-Key MIDI Keyboard Controller (MIDI keyboard controller)

Studiologic

Cat: 1032396 Rel: 31 Oct 24

73-key premium hammer action keyboard controller

Notes: The Power of Simplicity.

The SL Keyboards are nothing less than the reinvention of the high-end keyboard controller.

True innovation.

More than 30 years' experience in exclusive keybeds meets an all-new, powerful, operating system. Perfect for you to control your hardware and virtual instruments. All provided in a powerful new refreshing way. Working together with musicians we have created a user interface which is perfect for quick navigation and setup, but also gives you excellent in-depth control. The SL is ready to be at the very heart of your system.

A Great Keyboard for a Grand Touch.

The SL88 Grand uses the best-graded hammer action keybed with Ivory Touch and wooden keys, to give you the natural feel of a well balanced grand piano. Each of the keys provides 3 contacts for superior performance. The results of this combination are simply amazing. From the slightest pianissimo up to the strongest fortissimo, the keys translate every nuance of your performance in an inspiring and truly superb way.

The lightness of the authentic touch.

The SL88 and 73 Studio adopts the latest hammer action keybed technology from FATAR giving the best piano touch feeling. TP/100LR is remarkably lighter than any other. Each of the keys provides 3 contacts for superior performance. With the respect of the full weighted touch of the real piano action, the new design guarantees a very fluent and authentic feel. The results of this combination are simply amazing.

Form follows perfomance.

With its compact profile, the SL is an extremely portable professional controller. Thanks to a perfect integration with the keyboard, it weighs less than 14 Kg for the 88 Studio version and less than 12 Kg for the 73 version. Even with its high-end graded hammer action/wooden keyboard, the SL88 Grand weighs less than 21 Kg. The SL is studio and stage ready with a rugged full metal casing. Sculptured endcaps made of a highly resistant synthetic material help to shield the premium keybed perfectly and provide a safe grip when handling and transporting.

Total access with total ease.

Located in the centre of the instrument is a razor-sharp TFT colour display. In combination with the high quality six-way controller knob, you can navigate through all SL functions fast and with ease. Functions such as switching through the four zones are achieved by moving the controller, and then by clicking and turning the same knob again, you can select and adjust the desired parameter. Simple, intuitive and fast! Additionally, the three pushbuttons to the right of the control knob bring you back to the top-level from any location in the system with just one push.

Real-time control.

The SL offers three X/Y stick controllers, not just for performance but also for direct control and manipulation of any desired sound parameter. Stick one is spring-loaded for both X/Y directions. The typical use for this stick is pitch and modulation control. Stick 2 is spring-loaded in X direction only. Stick 3 is free in X and Y directions, ideal for panning, cross fading and parameter control. All sticks feature an elegant, aluminium control shaft which feels perfectly balanced and expressive between your fingertips.

Magnetic rail system.

With the innovative Magnetic Rail System at the rear of the SL, you can easily adapt a note stand or an extension plate to hold your written notes, music, laptop or tablet. It works as brilliantly easy as it looks. Just click the brackets into the backrail to match the position you need for your accessory items.

Package content
SL73 Studio
Studiologic PS100 switch pedal
Power adapter

Keyboard
73 Keys, TP/100LR Premium Hammer Action Triple switch detection system
Aftertouch
Touch:
Soft, Medium, Hard, Fixed (programmable)
6 Editable user velocity curves (with SL Editor)

Features:
250 Programs
12 Programs Groups
4 Programmable Zones
2 MIDI Ports separately assignable

Controls / UI:
3 Programmable sticks
Rotating encoder with navigation controls
3 Function buttons
Display
Colour graphic LCD - TFT
320 x 240

Connections:
Pedals: 2 switch, 1 continuous, 1 universal
MIDI: In, Out1, Out2
USB: USB to Host, MIDI, USB Powered

Power supply:
DC IN: 9V
Adapter
Input: 100-240V / Output: 9V-1A

Size & weight

Width: 104 cm / 41"
Depth: 31 cm / 12,2"
Height: 12,5 cm / 4,9"
Weight: 11,5 Kg / 25,3 lbs

Package content
SL73 Studio
Studiologic PS100 switch pedal
Power adapter

Compatible accessories:
Softcase SIZE B, SIZE C
Magnetic Music Stand TYPE A
Magnetic Computer Plate TYPE A

Pedals:
PS/100, PS/150, PS/250
VFP1/10, VFP1/15, VFP1/25
VFP2/10, VFP2/15
SLP3-D
VP/25, VP/27
FP/50

~~MRP:$403.40~~ SAVE 14%
est. release 31 Oct 24 $345.76

(No payment required now - pay when released)

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Intech Studio Grid EN16 Modular MIDI Controller (modular MIDI controller)

Intech Studio

Cat: 1032101 Rel: 31 Oct 24

Modular MIDI controller consisting of 16x encoders

Notes: EN16 is made for fine-tuning enthusiasts: this Grid module offers 16 velocity sensitive incremental encoders with infinite rotation and mappable push functionality.

Create separate actions by left and right rotation or add distinguished commands with push rotation. Map banks to the same control or switch immediately from one command to another in just a second using only one module. Unlock potential through the Grid Editor with coarse or fine settings.

Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.

It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.

Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.

By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.

Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.

Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers

Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.

Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.

Tech specs

Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
16 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
Customizable multi-coloured LED lights for easy labelling in dark environments

Materials

Black aluminium front panel with a metallic, rugged finish
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability

Compatibility

Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided

Powering options

Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA

est. release 31 Oct 24 $172.89

(No payment required now - pay when released)

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Sonicware Lofi-12 XT Low-Resolution Digitised Sampler (audio sampler)

Sonicware

Cat: 1032958 Rel: 31 Oct 24

Low-resolution digitised sampler

Notes: Key Features

1) 12/24kHz Early-Digital Sound Sampling

Experience true 12kHz/24kHz sampling combined with the 12-bit Sampler mode, which transforms any sound into a pleasant Early-Digital sound, much like the legendary 12-bit samplers of yesteryear.

Each sample can be up to 40 seconds in length, and you can store as many samples as your SD card capacity allows. From these, you can load up to 256 samples (64MB) into a single project, seamlessly switching between samples during playback.

Samples can also be played using PAD mode, utilizing all 15 pads as a keyboard for chromatic/scale play. You can also chop samples to create and play individual slices within a single track.

2) Intuitive & Non-stop Beat Making

The powerful 8-track sequencer supports un-quantized recording and non-stop editing, allowing you to create tracks and beats in real-time as you hit the pads.

With parameter locking, dynamic parameter recording is a breeze - simply press the REC button and tweak the knobs. You can also input exact values directly using the step buttons.

Using the D-pad Roll, you can choose between 7 re-trigger divisions from 8th to 64th notes, while controlling velocity by a pad pressure.

A single project consists of 128 patterns and 16 songs. It can be used not only for song production, but also for long live performances by connecting songs with non-stop editing and various MUTE modes.?

3) Powerful Signal Processing & Extensive Sample Libraries

Simultaneously utilize 8 track effects, delay, reverb, and master compressor to craft diverse sounds.

Track effects can be selected from 22 effect types, and the master compressor can be side-chained. (Can be switched to the master filter for performance.)

The included SD card contains 2,500+ samples from legendary drum machines like TR-808/909, LM-1, linndrum, DMX, Drumulator, SP-12, Drumtraks and TOM*, to ready-to-use the Early-Digital Sound samples.

4) Effortless Background Mix-Tape Recording

The Mix-Tape recording feature continuously captures all your performances in the background up to three hours.

Recording quality can be selected from six levels, from the lo-fi recording quality of a micro-cassette tape to high quality recording at 48 kHz-16 bit, the same recording quality as DAT.

Whether you're mixing down tracks, recording live performances in their entirety, or extracting choice beats and phrases from your daily jams, you will have a continually expanding resource of your sounds and music at your fingertips.

5) Versatile Connectivity with Other Devices

Import and export audio files via USB or SD card. The Lofi-12XT's unique file convert feature ensures typical audio files with differing sampling bit/rates are transformed into the signature Lofi-12 Sounds.

Connect a wide variety of audio sources, from dynamic microphones, electric guitars/bass, synthesizers, and even USB audio sources from PC/Mac or Smartphones.

With TRS analogue inputs and outputs, digital outputs via USB, and tempo sync through MIDI or audio sync, the Lofi-12XT seamlessly integrates with DAWs and various other devices.

Specifications

Sampler: 12kHz/24kHz-16bit (mono) with 12bit mode
Recording time per sample: Up to 40 seconds
Max. number of samples: Up to SD card limit (Up to 64MB - 256 samples can be loaded into each project)
Sample editing: Realtime
Sample slicing: User slice markers
Slice choke groups: Yes
Sample file import: Yes (USB and SD card)
Amplitude modulation: ASR/AR envelope
Filter modulation: ASR/AR envelope
Pitch envelope: Sweep envelope
LFOs: 2 per track
Polyphony: 20 voices internal + USB & External audio
Number of tracks: 8
Track types: 1 (various voice modes)
Sequencer: 128 patterns- 16 songs x 256 projects
Note(Step) length: 1/1 to 1/64
Steps per pattern: 128
Non-Quantize recording: Yes (with MicroTiming edit)
Parameter lock recording: Yes
Drum roll/Note repeat: Yes
Effects: 26 types
Simultaneous effects: 11 (1 FX per track + 2 send FX + 1 master FX)
Background mix-tape recording: Yes
Pads/Keys: 15 velocity-sensitive pads with RGB LEDs
Display: 1.5" OLED
Built in mic: Yes
Audio inputs: 6.35mm TRS, USB audio
Audio input types: Line In, Dynamic Mic, Guitar
Audio outputs: 6.35mm
Headphones: 3.5mm
Midi connectivity: DIN MIDI + USB MIDI

Hardware specifications

Pads: 15 velocity-sensitive pads with RGB LEDs

Controllers: Control knob x 5, Directional pad with 2 button controls 1.5 inch OLED display
Mono x 1 (Omni-directional, 94dBSPL)
Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (omnidirectional, 94dBSPL)
Built-in Speaker: Mono x 1 (1.5W 402)

Audio Inputs

INPUT L / Guitar (Switchable 10k and 1MQ impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R / Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB

Audio Outputs

STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)

USB port: micro USB Type-B

MIDI ports
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit
Input: 2 channels
Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately MIDI IN connector (5-Pin DIN type)

MIDI ports
MIDI IN connector (5-pin DIN type)
MIDI OUT connector (5-Pin DIN type)

Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector

Bottom side hole: 1/4-20UNC screw for tripod mount

Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz

Power supply

DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately

Accessories
32GB SDHC card incl. 2,500+ samples
Power Supply Unit: Warranty
*USB cable and the other connection cables sold separately

est. release 31 Oct 24 $432.75

(No payment required now - pay when released)

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Aodyo Loom 2 Octaves Multi-Dimensional MPE MIDI Controller (MIDI controller)

Aodyo Instruments

Cat: 1017182

Multi-dimensional MPE MIDI controller

Notes: Loom is a multidimensional MPE MIDI Controller designed for immediate playability and expressiveness.

MPE synthesizers and virtual instruments offer you rich sounds that respond to the slightest variation, but there are few controllers fit to the task.

Aodyo Instruments have drawn on previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.

Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup.

Features

Don't be fooled by its simple appearance: Loom's magic lies in the synergy between its surfaces and sensors, offering you different playing modes that will allow you to play almost any kind of virtual instrument or synthesizer.

Playing modes

Unravel evolving chords, weave intricate melodies, craft expressive rhythms. Any way you choose to approach it, Loom is designed as an extension of your hands.

Loom can function as a MIDI Keyboard, offering access to a two or three-octave range. You can play notes, bend them, nuance your attack, and add expression by sliding along the keys.

But if you want to break free from the keys, Loom can also work as a MIDI Ribbon, allowing for smooth sliding across its surface. Optionally, it can make sure you land on the right note, making it easier to play with others without losing the free-form nature of the ribbon.

If you want to play chords like a guitar, Loom offers a MIDI Strum mode, where you can choose a chord with one hand and strum virtual strings with the other. Or you can play it like a harp, directly sliding your fingers across the chord.

For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.

The keyboard, ribbon, strum, and drumkit modes were only the first four, and Aodyo have recently added four more in the collection.

Fader mode is perfect for graphical EQs, organ drawbars, resonator filter banks, vocoders or mixers. After selecting your layout and mappings, you can move faders with several fingers at a time, and even draw a shape by dragging a finger horizontally if your thumb touches the front bar.

Some people prefer guitars to keyboards, and the keygrid mode is made for them. It provides a configurable 2D grid of notes, and otherwise works like the keyboard mode, allowing glissandi, timbre and dynamics variations in the same way.

Many backers mentioned the early electronic musical instrument Ondes Martenot, which had a pressure-sensitive touche d'expression to control volume, a keyboard to select notes that could be moved sideways for vibrato, and a ribbon to play continuous pitch. That's suspiciously close to the sensors Loom offers, a Martenot mode was added. The Loom version works mostly the same way as the original, but adds polyphony and MPE if you need it!

And finally, if you just need to get XYZ coordinates from the touch surface, you can use the controlpad mode. But you can also divide the surface in several pads, allowing you to explore a large number of dimensions at once, making this mode especially suited to sound design tasks.

These were the first eight playing modes Loom offers, but Aodyo are planning to develop and offer more later via free software updates.

Multidimensional and multitouch tactile surface

Loom features a multidimensional tactile surface, enabling each finger to control pitch (X axis), timbre (Y), and dynamics (Z) independently. In addition, a patent-pending dynamic sensing system analyses when your fingers land to determine impact force.

Sliders and bass (front/back)

Loom's uniqueness stems from its additional controls on the front and back sides, making your thumbs play a pivotal role. The slider on the left can be used as a modulation wheel, and the bar on the right can be your sustain pedal or a way to mute cymbals. You can make the back slider and bar do the same thing, or something entirely different. With these, thumb twiddling is not an option.

Action zone

To the left of the surface lies a pressure-sensitive squishy square area called the action zone. Press it to have nuanced control over dynamics or effects.

Editor

The companion editor allows you to customize every aspect of your Loom: change modes assign zones, map MIDI controls, set thresholds, and adjust response curves.

Built for MPE and legacy MIDI

MIDI MPE (MIDI Polyphonic Expression) is an extension of the MIDI (Musical Instrument Digital Interface) standard that enables more nuanced and expressive performance capabilities for electronic instruments.

Traditional MIDI communication allows for control changes to be applied globally across all notes of an instrument. In contrast, MPE assigns each note its own unique channel, allowing for individual control of pitch, volume, and timbre per note.

This innovation opens up a new realm of expressive possibilities, letting musicians bend, slide, and modulate notes independently, much like on acoustic instruments. By providing detailed control over each note's parameters, MPE enhances the expressiveness of electronic music performances.

Loom is designed from the ground up for MPE, but it also works very well with any non-MPE MIDI instruments, even monophonic ones!

Developer-friendly

You're not limited to the modes we've designed. If you know your way around code, you can also take over and create your own. You can send a specific MIDI message to enter developer mode, where every input will be sent as-is, and you'll be able to control the LEDs and display by sending MIDI SysEx messages to the Loom from your own program or script running on your computer. This way, you can entirely control what's happening on your Loom, design new playing modes that you can distribute to others, or use Loom as an experimentation platform.

Connectivity

Using a USB or MIDI cable, you can easily connect your Loom to all your hardware and software: VSTi, Audio Units, hardware, etc.

Specifications

2 octaves
USB-C MIDI device
TS mini-jack MIDI output
128x64 OLED display
28 RGB LEDs
450 x 80 x 15mm
555g

coming soon $368.61

(No payment required now - pay when released)

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Boss SDE-3 Dual Digital Delay Effects Pedal (time effects pedal)

BOSS Corporation

Cat: 1041259

Dual digital delay effects pedal

Notes: Timeless Inspiration
The SDE-3 fuses vintage digital character and wide-ranging versatility into one unique and inspiring BOSS compact pedal. Experience the genuine sound and core features of the Roland SDE-3000, an iconic '80s-era rackmount delay favoured by some of the most influential guitarists of all time. Flow into any creative setup with a slate of modern features. And twist the powerful Offset control to explore an array of colourful dual-delay textures.

Compact Legend
Introduced in 1983 by our parent company Roland, the SDE-3000 is revered for its beautifully rich sound and distinctive modulation. The coveted SDE tone was realized through a finely tuned digital engine and the non-linear behaviours of the supporting analogue circuitry, including magnetic saturation in the anti-alias filter, evolving modulation produced by the components of the time, and an altered triangle LFO shape. The SDE-3 brings the authentic vibe of this classic delay to a pedalboard-friendly BOSS compact, enhanced with innovative creative features for every musical style.

Vintage Colour and Character
Dripping with warmth and musicality, the SDE-3 elevates your tone with endlessly evocative delay sounds. The efficient panel provides the primary controls of its vintage benchmark-including delay time, feedback, and independent rate and depth knobs for the modulation-plus additional knobs that expand your sonic potential. Explore retro single delays and '80s-style mod/delay combos. Or tweak the mod and high-cut controls to conjure moody, atmospheric tonalities for ambient, chill, and lo-fi music.

Offset Magic
Along with reproducing the SDE-3000's famous mono sound, the SDE-3 includes a powerful Offset feature to create interesting tones with two simultaneous delays. With one simple control, you can instantly add a second delay to the primary delay for a wealth of mono and stereo colours.

Doubled Delays-Turning the Offset knob up to its centre position introduces a second delay that's 1-100ms longer than the primary delay. For example, if the primary delay is 400ms and the Offset is 10ms, the second delay's time is 410ms. Coupled with the SDE-3's time, feedback, and highly adjustable modulation controls, you can craft deep delay tones unavailable with typical delay pedals.

Timed Dual Delays-In the second half of its range, the Offset knob produces a shorter second delay that's based on the primary delay time. Use the pedal's tap tempo function to determine the quarter-note value for the primary delay. Next, turn the knob to sweep the second delay's time between eighth-note and dotted-eighth subdivisions. This lets you introduce a variety of rhythmic effects that sync with your music.

Multiple Output Modes
The versatile SDE-3 provides output configurations for any stage or studio scenario. Run it in mono for basic setups. Play in true stereo with discrete left/right delays or a panning mode for ultra-wide sounds that move across the stereo field. Send dry and direct feeds to two amps for wet/dry setups. Or mute the direct sound entirely for studio mixing and parallel effect rigs.

Modern Workflow
The SDE-3 offers numerous control options to enhance your performances. Press and hold the pedal switch to enable the tap tempo function. Or use the TRS MIDI input to receive clock sync signals from DAWs, pedals, and drum machines. Connect external footswitches for on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.

coming soon $187.02

(No payment required now - pay when released)

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Intech Studio Grid PBF4 Modular MIDI Controller (modular MIDI controller)

Intech Studio

Cat: 1032084 Rel: 31 Oct 24

Modular MIDI controller consisting of 4x potentiometers, 4x buttons & 4x faders

Notes: From subtle adjustments to expressive performances, this versatile combination of control elements definitely won't disappoint you.

Includes metal shaft faders with medium resistance, smooth-turning knobs and sturdy buttons. Control your most used parameters, like expression, modulation and volume with the PBF4 Grid.

Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor.

Thanks to its compact and lightweight structure, the PBF4 is a fully ergonomic parameter controller with classical control elements in a slim modular design. Four banks, 4x possible configuration mappings switchable on the fly.

It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.

Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.

By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.

Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.

Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers

Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.

Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.

Grid controllers are built with quality control elements. After numerous iterations the potentiometers have been carefully chosen to allow a firm grip and a stable control experience enabled by special shaft bushings.

The modules are made to withstand everyday studio use as well as the intense performances during tours. For connecting several Grids together, a flat surface or the use of our module stands is recommended.

Tech specs

Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 audio-grade linear metal shaft faders with 30mm travel
4 conductive, 300- single-turn plastic potentiometers with medium-hard resistance
4 tactile buttons with 1.27i0.49 N operating force
Customizable multi-coloured LED lights for easy labelling in dark environments

Materials

Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Plastic black potentiometers
White tactile plastic buttons
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability

Compatibility

Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided

Powering options

Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA

est. release 31 Oct 24 $135.92

(No payment required now - pay when released)

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dsp.coffee 22 Deaf Chinchillas Analogue Synth Voice Module (modular synthesiser)

dsp.coffee

Cat: 1035224 Rel: 31 Oct 24

Analogue synth voice module - 12HP

Notes: 22 Deaf Chinchillas is the first product from dsp.coffee, an all-analogue eurorack voice module based around Electro Smith's analogue submodules. Produced in a very limited hand-numbered edition of 10.

AS3340 VCO (CEM3340):

Sine, Tri, Saw, and Pulse outputs
Saw and Pulse normalled to VCA
Linear FM
Exponential FM
Hard Sync
Soft Sync
PWM

AS2164 VCA:

Dual VCA patched to inputs of the filter, but can also be used by external sources

SSI2144 VCF (SSM2044):

Dual VCF, fed by the output of the VCA
Self-oscillates a pure sine wave

DC coupled outputs. Can be used as a quad LFO (negative 1v/oct input will yield very slow speeds)
Gnarly self-patching possibilities
Ominous bipolar chinchilla eyeball LEDs for feedback
High-quality Rogan Knobs (like ones used on Make Noise and Mutable Instruments modules)

Dimensions:
12 HP, 30 mm deep

Current Draw:
90 mA +12V
73 mA -12V
0 mA 5V

~~MRP:$364.26~~ SAVE 21%
est. release 31 Oct 24 $288.14

(No payment required now - pay when released)

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Happy Nerding MMM VCF Moog Multi-Mode Voltage Controlled Filter Module (silver) (modular synthesiser)

Happy Nerding

Cat: 1046279 Rel: 31 Oct 24

Dual/stereo & filter module - 6HP

Notes: MMM VCF (M**g Multi Mode Voltage Controlled Filter) is a dual VCF having common controls for both parts. Thus, it can be used as a stereo filter or patched with different combinations of the available inputs/outputs. And all this functionality is packed in the compact 8 hp wide module.
MMM VCF has the famous transistor ladder core introduced by Bob Moog, but also features the added Band Pass and High Pass modes, not available in the original design. Those extra modes greatly widen the possible spectral modification of the input sound.
The module was carefully designed to have vanishingly small noise and bleed.

SPECIFICATIONS

FREQ: 20 Hz ... 22 kHz - manual frequency range
RES: 35 Hz ... 22 kHz - self oscillation range
FM: 0 ... 7,5 V will modulate the whole hearing range at max settings
LP: 24 db/oct Low Pass output
BP: 12 db/oct Band Pass output
HP: 12 db/oct High Pass output
outputs impedance: 1 kOhm
module depth: 4 cm
width: 8 HP
power consumption: +42 mA / -40 mA at +/-12 Vdc

est. release 31 Oct 24 $142.98

(No payment required now - pay when released)

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Tangible Waves AE Modular uBASE QS 2 4x uModules Enclosure Case (4x uModules enclosure case)

Tangible Waves

Cat: 1012271

Enclosure case designed to fit 4x uModules

Tags: Eurorack cases

coming soon $53.27

(No payment required now - pay when released)

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Tangible Waves AE Modular uCASE 12x uModules Enclosure Case (12x uModules enclosure case)

Tangible Waves

Cat: 1012268

Enclusre case designed to fit 12x uModules

Notes: The uCASE is designed to hold AE micro modules of 1/3 size. It is available in the same widths like the other AE cases (12, 16, 20 units). It contains sockets for uModules over the whole width, so no need for extra carriers for the uModules. The uModules can be plugged in and removed easily, even with the AE system running, so you can reconfigure or add needed functions in form of micro modules "on the fly".

The bus connection to the parent case is made with a short ribbon cable, so the uCASE gets it's power supply plus other bus lines from there.

The functionality is basically the same as the uBASE module; here, to groups of four uModules the bus lines lie CV, GATE, MIDI clock etc. can be assigned individually (not used by the currently available uModules, but will become relevant for future uModules).

Included is a small "key" to lift also modules without knobs in an easy way.

Tags: Eurorack cases

coming soon $92.42

(No payment required now - pay when released)

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Happy Nerding MMM VCF Moog Multi-Mode Voltage Controlled Filter Module (black) (modular synthesiser)

Happy Nerding

Cat: 1046277 Rel: 31 Oct 24

Dual/stereo & filter module - 6HP

Notes: MMM VCF (M**g Multi Mode Voltage Controlled Filter) is a dual VCF having common controls for both parts. Thus, it can be used as a stereo filter, or patched with different combinations of the available inputs/outputs. And all this functionality is packed in the compact 8 hp wide module.

MMM VCF has the famous transistor ladder core introduced by Bob Moog, but also features the added Band Pass and High Pass modes, not available in the original design. Those extra modes greatly widen the possible spectral modification of the input sound.
The module was carefully designed to have vanishingly small noise and bleed.

SPECIFICATIONS
FREQ: 20 Hz - 22 kHz - manual frequency range
RES: 35 Hz - 22 kHz - self oscillation range
FM: 0 - 7,5 V will modulate the whole hearing range at max settings
LP: 24 db/oct Low Pass output
BP: 12 db/oct Band Pass output
HP: 12 db/oct High Pass output
outputs impedance: 1 kOhm
module depth: 4 cm
width: 8 HP
power consumption: +42 mA / -40 mA at +/-12 Vdc

est. release 31 Oct 24 $142.98

(No payment required now - pay when released)

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