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New releases this week: Studio Equipment

New Studio Equipment vinyl in stock + the latest preorders
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Citronic CU-50 USB Recording Condenser Microphone & Stand
Cat: 877411 Rel: 10 May 22 • View all Vocal Recording Microphones
 
Compact studio condenser microphone for podcasting and vocal recording.
Notes: USB Recording Microphone and Stand

Compact studio condenser microphone for podcasting and vocal recording. Fitted with a back-electret capsule, driven by an onboard preamp. Echo effect and mute function are switchable via 2 illuminated buttons at the front. Connection to a PC or Mac computer is via the supplied USB lead and operates as a plug & play USB audio device.The complete assembly is housed in a black anodised die-cast body with a large steel grille for the capsule. Supplied with a collar clamp and mini tripod for convenient, table-top operation.

Specifications

Capsule: 14mmO back electret
Polar pattern: Cardioid
Connection: USB type B (power & digital audio)
Lead length: 1.5m
Frequency response: 20Hz - 20kHz
Sampling format: 16-bit
Sample rate: 44.1kHz or 48kHz
Controls: Echo on/off, Mute on/off
S/N ratio: 78dB
Sensitivity: -40dB (i2dB)
Dimensions: 147 x 50mmO (microphone only)
Weight: 272g (microphone only)

In the box

The box for this item contains :

CU-50 compact USB studio microphone
Threaded collar clamp
Mini tripod stand
USB A to B lead
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MRP:$31.27 SAVE 22%
 2 in stock $24.49
Citronic SMK-7 Studio Condenser Microphone Kit (shock mount/pop filter/pop shield/XLR lead/mount with clamp)
Cat: 877410 Rel: 10 May 22 • View all Vocal Recording Microphones
 
Studio microphone kit comprising a condenser microphone with shock mount, pop filter, pop shield, XLR lead and adjustable arm mount with clamp.
Notes: Studio Microphone Kit

Studio microphone kit comprising a condenser microphone with shock mount, pop filter, pop shield, XLR lead and adjustable arm mount with clamp. Designed for use with mixing consoles or audio interfaces that have phantom power at the input. Delivers crisp and clear vocals and instrument recordings for project studios, online broadcasts and DAW based applications.

Phantom power: +48V required
Power source: Phantom power 5-48V required
Capsule: 26mmO back electret condenser
Polar pattern: Cardioid
Sensitivity: -38dB i 2dB @ 1kHz (0dB = 1V/Pa)
Impedance: 150 Ohms
S/N ratio: 78dB
SPL: max.132dB @ 1kHz (<1%THD)
Frequency response: 20Hz - 20kHz
Dimensions: 157 x 46mmO (microphone only)
Weight: 228g (microphone only)

In the box

The box for this item contains :

Studio condenser microphone
Spider shock mount holder
Worktop clamp
Articulated arm mount
Foam pop filter
Gooseneck pop shield
XLR F-M lead 2.5m
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MRP:$41.69 SAVE 18%
 2 in stock $34.13
IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface
Cat: 872907 Rel: 10 May 22 • View all Audio interfaces
 
4 IN/2 OUT Audio/MIDI mobile, broadcast/podcast , and field recording interface + stand-alone mixer
Notes: Field recorder meets interface in this clever offering from IK's iRig range. Essentially a 4-in/2-out audio and MIDI interface with built-in mics, the Quattro is portable, versatile and high quality.

Supplier's Notes:
Pro recording and performing, in the palm of your hand

iRig Pro Quattro I/O is a professional-quality 4 in / 2 out portable audio and MIDI interface packed with everything needed for field recording and content creation, for serious sound and flexibility - anywhere.

Small enough to fit in the palm of your hand, the iRig Pro Quattro I/O still packs in four high-quality, low-noise mic preamps; instrument, RCA and TRS inputs; plus XLR balanced, 3.5mm stereo and headphone outputs - and full MIDI I/O!

iRig Pro Quattro I/O works right out of the box with iPhone, iPad, Android, Mac and PC, but can also serve as a stand-alone mic preamp or line mixer, with a built-in limiter and direct monitoring so you're always guaranteed the perfect take.

Packed with a swiss-army-knife's worth of tools, iRig Pro Quattro I/O ensures you're ready for anything, anywhere.

As a mobile interface

Connected to a computer or mobile device, the iRig Pro Quattro I/O will work as a high-quality, multi-channel audio and MIDI interface with a full array of inputs and outputs so you'll always be prepared for any recording or need. Fully MFi-certified, no adaptors are required for iPhone or iPad for reliable field performance on any device.

As a broadcast / podcast interface

Enable STEREO mode and iRig Pro Quattro I/O mixes all sources down to stereo for streaming or recording. Monitoring is easy thanks to a dedicated headphone output with independent volume control and direct monitoring. Or use MONO mode for streaming to social media; Loopback lets you duet your favourite videos easily.

As a field recording interface

With an onboard microphone and optional stereo mic capsules, iRig Pro Quattro I/O turns your iPhone, iPad, Android device into a full-featured, professional field recorder.

As a stand-alone mixer

iRig Pro Quattro I/O also works as a preamp and mixer: just power it via battery, USB or DC IN and use the full set of inputs/outputs to capture and mix multiple sources to your DSLR camera with professional quality.

Always perfect recordings with the safety backup channels

In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2 but reduced by 12dB as a backup in case the sound source unexpectedly overloads the main channels.

Audio quality without compromise... wherever you are

Up to 24-bit, 96 kHz sample rate Ultra-low-noise mic preamps with full +48v phantom power Professional-quality, transparent A/D and D/A conversion Built-in limiter, for input 1-2, to protect against clipping Multitrack, stereo or mono internal mixdown.

Specifications

Microphone Input
Microphone Input: balanced female 3-pin, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 6 mVpp to 1.4 Vpp
Microphone Input Impedance: 3.2 kOhms
Gain Range: 40 dB
Phantom Power: +48V i 4V
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS

Instrument Input
Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 30 mVpp to 6.9 Vpp
Instrument Input Impedance: 1 MOhms
Gain Range: 27 dB
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS
Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Control numbered thumbwheel
Headphone Level Power 100mW into 50 Ohms

Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Power 100mW into 50 Ohms

MIDI Input/Output
Connector: 2x2.5mm TS Jack
Other Input/Output
DC barrel: 1x DC barrel. For power and device charging.
Device Connector: mini-DIN

Common
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz

Power:
- USB bus powered when used with a computer
- Battery powered (2xAA included) when used with an iOS device
- DC power supply (not included, iRig PSU 3A sold separately)*

Package includes
iRig Pro I/O universal Audio-MIDI interface
Lightning to Mini-DIN connection cable with charging features (60cm/23.62")
USB-A to Mini-DIN connection cable (60cm/23.62")
USB-C to Mini-DIN connection cable (60cm/23.62")
2.5mm TRS male to MIDI female adapter (10cm / 3.9")
2 x 1.5V AA Battery
Velcro strip

Dimensions
Size: 43mm/1.69" x 127mm/5" x 37mm/1.46"
Weight: 120g/4.23oz (batteries excluded)
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MRP:$364.82
 2 in stock $337.70
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quote 872907
UDG Creator Antelope Zen Q-SC/Zen Go-SC Hardcase (black)
Cat: 864878 Rel: 13 May 22 • View all Recording Studio Accessories
 
UDG Creator case designed to fit Antelope Zen Q-SC/Zen Go-SC
Notes: A Producer looking for a professional, durable case solution for the Antelope Zen Q-SC/ Go-SC? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Antelope Zen Q-SC/ Go-SC, this case is perfect for the travelling Producer that needs to protect their equipment.

Specifications:

Weight: 0,40 kg / 0.88 lbs
Colour: Black
Outer Dimensions (W x H x D) 24.9 x 21.3 x 7.6 cm | 9.8 x 8.3 x 3.0 inch
Inner Dimensions (W x H x D) 20.3 x 18.3 x 6.6 cm | 7.9 x 7.2 x 2.6 inch
Material: Durashock molded EVA foam
Protection: Cover main material 600D polyester with 5 mm EVA durashock molded body
Water repellent laminated nylon exterior
Black soft fleece interior
Protective top removable foam

Extras

Removable divider for extra cables or power adapter
Heavy duty handle
Easy grip zipper pulls

Fits

Antelope Zen Q or Go Synergy Core, power adapter, extra cables
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MRP:$36.48
 1 in stock $35.44
Walrus Audio Canvas Stereo Line Isolator & Passive DI Box
 
The Canvas Stereo is a Direct Box/LIne Isolator designed to remove any resistance between you and your audience by giving a pristine, sonic foundation to build your stereo masterpiece upon.
Notes: Consider this your clean slate. The Canvas Stereo is a Direct Box/LIne Isolator designed to remove any resistance between you and your audience by giving a pristine, sonic foundation to build your stereo masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.

Canvas Stereo is a Passive Line Isolator (LI) and Direct Injection (DI) device that converts your unbalanced signals into balanced signals for interfacing properly with your recording interface or mixer at front-of-house. If you're using an amp-in-a-box (DSP Guitar Rig), like our ACS1, keyboards, or any other instrument utilizing both left and right outputs, then the Canvas Stereo is your new bridge to the front-of-house. The Canvas Series DIs pack everything you need from a DI/LI into a standard pedal-sized enclosure designed to look great right on top of your board.

Direct Injection:
Use DI mode when connecting an unbalanced, high impedance source (Electric Guitar, Bass Guitar, etc). The signal will be reduced by -20dB (-35dB with pad engaged) and converted to a balanced signal via the transformer connected to the XLR output. Use the gain on your mixer or preamp to bring up to line level.

Line Isolator:
Use the LI when needing to connect your unbalanced, low impedance source (Amp + Cab Sim like the ACS1, keys, etc.). The signals will remain full volume and be converted to balanced signals via the transformer connected to the XLR output. Less preamp gain will be required in LI.

DI or LI?
When deciding between DI or LI, check with the manufacturer of your gear to find the output impedance of the device you are wanting to interface. For a general guide:High Impedance = anything above 1k = Use DILow Impedance = less than 1k = Use LI .

Troubleshooting:
This is a passive device, so you will not damage anything if connected improperly, but it could affect the signal level and frequency response if not connected properly. This is an easy thing to test since the LI/DI switch is built into Canvas. If you lose high-frequency information when using LI mode, then you should probably be in DI mode.
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MRP:$250.16
 1 in stock $232.44
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quote 873375
AJH Synth MiniMod Multi Burst Envelopes Advanced Burst Generator Module (black)
AJH Synth MiniMod Multi Burst Envelopes Advanced Burst Generator Module (black) (clockgenerator/clock modulator/CV modulation/envelope generator/LFO synth module)
Cat: 877171 Rel: 09 May 22 • View all Synth modules
 
The MiniMod Multi Burst Envelopes module generates variable length bursts of repeating envelopes that can change over time, with CV control of all functions.
Notes: Another excellent offering from AJH's Minimoog-inspired MiniMod series. Generating bursts of repeating envelopes, the Multi Burst is like a twist on classic LFO modulation. Versatile.

Supplier's Notes:
The MiniMod Multi Burst Envelopes module generates variable length bursts of repeating envelopes that can change over time, with CV control of all functions.

The BURSTS control selects a "Burst Sequence" of between 1 and 40 individual envelopes. The envelope shape of a burst is chosen with the rotary switch, or it can be varied using an external CV, so that it is even possible to chose a different envelope shape for each individual burst in a sequence.

The width of the envelope (i.e. the attack and decay time) is varied with the P-WIDTH control and this can also be CV controlled as a sequence is progressing, so it is possible to vary the envelope speed of each individual envelope burst while a Burst Sequence is running.

The repeat time of individual bursts in a Burst Sequence is set with the LFO Rate control. The LFO rate can be varied with an external CV as a sequence is progressing, so the gap between envelopes can speed up or slow down over time. An external clock can also time the bursts in a burst sequence instead of, or in addition to the internal LFO. Bursts can also be manually incremented with the CLK push button.

The SLOPE control allows Bursts to start quietly and build in level to maximum, or they can start at full level and then reduce in level as the Burst Sequence progresses. In the centre position all Bursts are of equal level.

Specifications

Module Width: 12hp
Module Depth: 26mm (Including power lead)
Current Usage: 28mA Positive, 12mA Negative
Individual Envelope Length: 20msecs to 2.5 seconds
Internal clock rate: Off, 0.24Hz to 51Hz, or every 4.2 seconds to every 20msecs
Envelope waveshapeS: Sine, LogDown, LogUp, ExpoDown, RampUp, Triangle, RampDown, Pulse
Repeats: 1 to 40
Slope: bipolar, sloping up from 4%->100%, and sloping down from 100%->4%
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 More than 10 in stock $239.74
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quote 877171
DivKid Stereo Strip Channel Strip Module
DivKid Stereo Strip Channel Strip Module (attenuator/distortion/dual/stereo/equaliser/external/panning/preamp/VCA synth module)
Cat: 876141 Rel: 12 May 22 • View all Synth modules
 
Stereostrip is a 6HP module that packs a stereo VCA, with three band EQ and CV controlled panning control as well as a soft clipper at the end of the chain.
Notes: Stereo Strip takes the idea of a channel strip and makes it modular. By bringing this long-established component of the audio engineering world into the Eurorack environment and by adding CV control over its key parameters, you will find new, creative ways to use it in your patches!

It features stereo inputs and outputs for audio or CV with EQ, voltage controlled panning, stereo VCA, performable mute and input/output level switching for Eurorack or line level uses. Abusing the input level switching allows for some musical, modulate-able and highly shapeable distortion sounds too.

Stereo Strip was designed to be a creative part of a modular patch. Creating stereo images from mono sources, shaping and modulating existing stereo images, synthesising stereo pseudo ring modulation, sweetening FX with EQ or drastically wave shaping your oscillators, creating send FX routings with benefits or it can simply be used as a channel strip at the end of chain in a patch.

The addition of line level gain boosting (for the input) or reduction (for the output) allow it to work as a stereo input or output interface for external gear with the advantage of the VCA, panning and the EQ to shape the sound. Experiment with bringing external gear into the Eurorack format and then shape and modulate those sounds them on the way in!

Try patching Stereo Strip anywhere you would place a VCA in a system and/or explore its EQ and voltage controlled panning, which are rarer additions to the sound sculpting options for the Eurorack format.

Specs

Current Draw: +12: 63mA -12: 63mA 5v:0
Width: 6HP
Depth: 33mm including power connector
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.
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MRP:$193.87
 5 in stock $185.53
Erica Synths Black 3109 VCF/VCA Black Series Module
Cat: 876539 Rel: 12 May 22 • View all Synth modules
 
The Erica Synths Black 3109 VCF/VCA is a lowpass filter and voltage-controlled amplifier combo.
Notes: The Erica Synths Black 3109 VCF/VCA is a lowpass filter and voltage-controlled amplifier combo built around the AS3109 VCF integrated circuit, a contemporary version of the IR3109 chip, found on vintage Roland synths such as the Jupiter series, Juno series and the SH-101. The 3109 VCF/VCA is Erica Synths' attempt to recreate the iconic sound of these synths, but there was also an aim to improve upon it. Filters based on IR3109 had several drawbacks, including a volume drop when the resonance is increased so we added a volume drop compensation as well as a built-in VCA for more versatility in compact setups. Additionally, 1V/oct tuning is implemented so you can use this module for perfect VCF keyboard tracking and also as a VCO.

Specs:
Audio level 10Vptp
Cutoff CV level (full span) -5V - +5V
VCA CV level 0 - +10V
Max power consumption 25mA@+12V, 25mA@-12V
Module width 10HP
Module depth 35mm

Cutoff - This is the manual cutoff control. An external CV is added to the knob position.

CV2 - This is the second cutoff CV input. It applies the CV without attenuation, therefore here you can connect the CV for 1V/oct tracking.

Vol Comp - This is the volume drop compensation switch. When it is ON, the volume will not drop when resonance is increased.

Audio Lvl - This is the audio signal level attenuator.

Resonance - This is the resonance control. In "classic" mode (VOL COMP switch set to OFF), the volume will drop slightly when the resonance is increased. If you set the VCF to self-oscillate and apply 1V/oct CV, you can use the module as a VCO. It works particularly well as bass drum synthesizer when punchy envelopes are applied to the CV input.

VCF CV1 LVL - This is the cutoff CV attenuverter. At 12:00 no CV is applied, turning the knob clockwise increases the CV amount, turning it counter-clockwise, the incoming CV is inverted.

VCA CV LV L- This is the VCA CV attenuator. If nothing is patched into VCA CV IN, it acts as VCA bias control - you need to dial it all way clockwise in order to open the VCA.

Input - This is the audio input of the module.

VCF CV In - This is the cutoff CV input with the attenuverter.

Output - This is the audio output.

VCA CV In - This is the VCA CV input. Please, note that the input is normalled to +10V and you need a 0 - +10V envelope to fully open the VCA.

The Black 3109 VCF/VCA has a hidden feature - compatibility with the Black Filter Coupler connector. The Erica Synths Black Filter Coupler is a satellite module for the Black High Pass and the Black Low Pass VCFs and now also the Black 3109 VCF/VCA. Similar to classical Moog systems, it turns both high-pass and low-pass filters in to Bandpass and Band Reject filters with adjustable and CV controllable bandwidth and centre frequency and therefore significantly expands the functionality of your modular system. Please note that the Black Filter Coupler works only with Erica Synths modules and you need both the Black High Pass and Low Pass VCFs.
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 2 in stock $167.82
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quote 876539
Citronic MISS-400 Foldable Microphone Isolation Screen
Cat: 877409 Rel: 10 May 22 • View all Recording Studio Microphone Accessories
 
Curved isolation screen for studio microphones with acoustic absorption foam lining and mic stand mounting adaptors.
Notes: Foldable Microphone Isolation Screen

Curved isolation screen for studio microphones with acoustic absorption foam lining and mic stand mounting adaptors. Two foldable sides for easy stowage and transport. Designed to eliminate unwanted reflections and room noise for recording vocal passages.

Dimensions (closed): 300 x 230 x 140mm
Dimensions (fully extended): 400 x 300 x 140mm
Weight: 1.04kg

In the box

The box for this item contains:
Foldable microphone isolation screen
2 x 3/8" mic stand blind nut + washer
70mm mic mounting stem
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MRP:$71.92 SAVE 29%
 2 in stock $51.07
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quote 877409
Crazy Tube Circuits Constellation CV7003 Limited Edition Fuzz Pedal
Cat: 873659 Rel: 10 May 22 • View all Effects pedals
 
All analogue sonic recreations of 5 legendary fuzz circuits plus a future classic combination
Notes: All analogue sonic recreations of 5 legendary fuzz circuits plus a future classic combination.

For this limited run of our Constellation Fuzz we carefully hand-select NOS germanium CV7003 transistors (military spec OC44) made in the UK by Texas Instruments in 1968.

Each pedal is built by hand, one at a time in our workshop in Athens, Greece and comes in a beautiful laser-etched aluminum enclosure and natural stained wooden box.

Voicings:

FF: a tribute to the most copied fuzz circuit.
VTB: inspired by the Italian made fuzz circuit
3/2: voiced after the mythical circuit knows as mk1.5
2: the soaring gain 3-transistor fuzz circuit
RM: a treble booster as close as it gets to the real thing
RMFF: a tailor made RM into a FF

Note: Constellation CV7003 requires a centre negative power supply for proper operation ( - centre, + ring ). It is a positive ground circuit. Do not use a daisy chain power supply with negative ground effects. Please make sure to use an isolated power supply output!


Note: Constellation CV7003 requires a center negative power supply for proper operation ( - center, + ring ). It is a positive ground circuit. Do not use a daisy chain power supply with negative ground effects. Please make sure to use an isolated power supply output !
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Tags: Fuzz pedal
MRP:$273.09 SAVE 12%
 1 in stock $239.90
Dreadbox Disorder Full Analogue Filter Fuzz Pedal
Cat: 877002 Rel: 09 May 22 • View all Effects pedals
 
Disorder is an advanced oscillating low pass or high pass filter.
Notes: Part of Dreadbox's impressive effects line-up, the Disorder is a rowdy fuzzbox crossed with a self-oscillating filter, serving up some pleasingly nasty tones. An envelope follower with CV output adds versatility.

Supplier's Notes:
The disturbance in physical or mental health or functions. It could be defined as a set of problems, which result in causing significant difficulty, distress, impairment and/or suffering in a person's daily life.

Dreadbox Disorder is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds.

Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower is also present, allowing you to create wah-wah sounds.

Specifications

Circuit: Analogue
Bypass: CMOS
Audio: Mono
Inputs / Outputs
IN/OUT: TS Unbalanced 6.4mm jack
Power Supply: 9VDC BOSS style center pin negative 2.1mm (Not included)
Dimensions (cm): 14 x 10 x 5.6
Current Draw: 50mA

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 3 in stock $124.04
J Rockett Audio Design El Hombre Texas Blues Overdrive Pedal
Cat: 875078 Rel: 13 May 22 • View all Effects pedals
 
Based on the classic tones of bearded Texas legend Billy Gibbons (ZZ Top), El Hombre is the ideal overdrive for those feeling the blues or ready to rock all night.
Notes: Based on the classic tones of bearded Texas legend Billy Gibbons (ZZ Top), El Hombre is the ideal overdrive for those feeling the blues or ready to rock all night. Capturing the nuances and touch sensitivity of an amplifier, El Hombre can go from mild to wild with the turn of the gain knob showing its versatility with each guitar plugged into it. From added harmonics to chewy sag El Hombre has it all. The El Hombre is simple in format but complex in its abilities. The tone section is highly effective allowing you to alter the drive style simply by adjusting the "Bite" control. When you bring the bite control up (Clockwise) it becomes more aggressive, turn it down (counterclockwise) making it smoother and more reminiscent of Dumble tones.
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MRP:$207.42
 1 in stock $194.91
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quote 875078
New preorders this week
FORTHCOMING
IK Multimedia UNO Synth Pro Desktop 32-Key Paraphonic Dual-Filter Analogue Synthesiser (black edition)
Cat: 877798 Rel: 31 Aug 22 • View all Synthesisers
 
Black edition - Paraphonic dual-filter analog synthesizer. Ultra-portable 32 capacitive-key desktop
Notes: UNO is the new black

The foundation of any great synth collection

IK's award-winning true analogue synthesizer is back with a bold new look. With classic analogue sound, incredible flexibility, an inspiring workflow and complete connectivity, this little black synth is perfect for every occasion.

No matter your genre or workflow, whether your rig is PC-based or outboard, whether you're on stage or in the studio, UNO Synth Pro's bold new color is guaranteed to make you look and sound your best.

A tiny powerhouse for music creation

Just like for the original, the UNO Synth Pro Editor makes it easy create classic or new sounds or load any of the FREE artist preset packs at UNO Sounds.

Always fresh, always in style, always the right choice - UNO Synth Pro is the little black synth that completes every setup, because- UNO is the new black.

Next generation analogue for everyone

UNO Synth Pro gives you the power to create nearly any analogue synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

3 Oscillators that do it all
3 analogue oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones.

UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro
has the tools you need.

Dual filters with 24 available modes
In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

Envelopes, filters and modulation matrix
UNO Synth Pro offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

Stunning onboard effects
IK's experience in modelling analogue studio effects is decades long. For UNO Synth Pro, you'll find a super warm and organic true-analogue overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

Improved playability
UNO Synth Pro offers a premium 37-key semi-weighted keybed made by Italian manufacturer Fatar, while UNO Synth Pro Desktop provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression.

You'll find firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

Specifications

Ultra-portable 32 capacitive-key tabletop
Powered by USB or optional UNO Synth Power Bank

Dimensions

UNO Synth Pro Desktop
Size (W x D x H): 33.3 x 15 x 5 cm, 13.11 x 5.91 x 1.96 in.
Enclosure: Plastic
Weight: 700 g, 1.54 lb
Power: USB Power

Package includes

Desktop
UNO Synth Pro Desktop
1x Micro USB to USB Cable

UNO Synth Pro Editor Compatibility

UNO Synth Pro Editor requires UNO Synth Pro with firmware version 2.0.0 or later.
Computers: 64-bit application. Requires a 64 bit CPU and Operating System.
Macr (64-bits): Minimal: macOS 10.11 or later.
Windowsr (64-bits): Minimal: Windows 8 or later.
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$364.82
est. release 31 Aug 22 $364.81
(No payment required now - pay when released)
FORTHCOMING
Befaco/Rebel Technology AC/DC 4x4-Channels Audio Interface Module
Cat: 877692 Rel: 31 Aug 22 • View all Synth modules
 
AC/DC is a class-compliant DC coupled audio interface in Eurorack format.
Notes: AC/DC is a class-compliant DC coupled audio interface in Eurorack format. With its 6 HP it is perfect for live performance and travel Rigs.

Based on Rebel Technology OWL platform, It allows sending and receiving both CV and Audio at 16 bits 48 KHz. as well as load patches from Rebel's library.

It is compatible with all popular DAW and CV generators, and also as audio and CV processor for iOS apps.

Specs

Current Draw: +12v: 200 mA -12v: 30mA
Width: 6HP
Deepth: 40mm including power connector
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 31 Aug 22 $318.95
(No payment required now - pay when released)
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