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Inicio  This Week  Studio Equipment  Studio Equipment
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New releases this week: Studio Equipment

New Studio Equipment vinyl in stock + the latest preorders
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After Later Audio 15cm Double-End Stackable Patch Cables (6", pack of 5)
Cat: 1004656 Rel: 14 Mar 24 • View all Synth Module Accessories
 
15cm double-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).
Read more
MRP:$20.16 SAVE 21%
 1 in stock $15.90
After Later Audio 15cm Gold & Black Braided Patch Cables (6", pack of 5)
Cat: 1004592 Rel: 12 Mar 24 • View all Synth Module Accessories
 
15cm gold & black braided patch cables, pack of 5
Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.
Read more
 1 in stock $10.60
After Later Audio 15cm Right Angle Patch Cables (6", pack of 5)
Cat: 1004684 Rel: 13 Mar 24 • View all Synth Module Accessories
 
15cm right angle patch cables, pack of 5
Notes: These are 6" (15cm) right angle patch cables for Eurorack. Colour is pink, pack of 5 cables.
Read more
 1 in stock $10.60
After Later Audio 15cm Single-End Stackable Patch Cables (6", pack of 5)
Cat: 1004667 Rel: 13 Mar 24 • View all Synth Module Accessories
 
15cm single-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).
Read more
 1 in stock $15.65
After Later Audio 15cm Skinny Patch Cables (6", pack of 5)
Cat: 1004676 Rel: 13 Mar 24 • View all Synth Module Accessories
 
15cm skinny patch cables, pack of 5
Notes: These are skinny (sometimes called noodle) patch cables for Eurorack. This is a pack of five cables, size 6", pink in colour.
Read more
 1 in stock $10.60
After Later Audio 30cm Double-End Stackable Patch Cables (12", pack of 5)
Cat: 1004659 Rel: 14 Mar 24 • View all Synth Module Accessories
 
30cm double-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Read more
MRP:$20.16 SAVE 21%
 1 in stock $15.90
After Later Audio 30cm Gold & Black Braided Patch Cables (12", pack of 5)
Cat: 1004603 Rel: 12 Mar 24 • View all Synth Module Accessories
 
30cm gold & black braided patch cables, pack of 5
Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.
Read more
 1 in stock $10.60
After Later Audio 30cm Right Angle Patch Cables (12", pack of 5)
Cat: 1004687 Rel: 13 Mar 24 • View all Synth Module Accessories
 
30cm right angle patch cables, pack of 5
Notes: These are right angle patch cables for Eurorack. Size is 12 inch (30cm), colour is green.
Read more
 1 in stock $10.60
After Later Audio 30cm Single-End Stackable Patch Cables (12", pack of 5)
Cat: 1004670 Rel: 13 Mar 24 • View all Synth Module Accessories
 
30cm single-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).
Read more
 1 in stock $15.65
After Later Audio 30cm Skinny Patch Cables (12", pack of 5)
Cat: 1004677 Rel: 13 Mar 24 • View all Synth Module Accessories
 
30cm skinny patch cables, pack of 5
Notes: This is a pack of five, 12" skinny patch cable for Eurorack. Colour is green.
Read more
 1 in stock $10.60
After Later Audio 45cm Double-End Stackable Patch Cables (18", pack of 5)
Cat: 1004660 Rel: 14 Mar 24 • View all Synth Module Accessories
 
45cm double-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).
Read more
MRP:$20.16 SAVE 21%
 1 in stock $15.90
After Later Audio 45cm Right Angle Patch Cables (18", pack of 5)
Cat: 1004688 Rel: 13 Mar 24 • View all Synth Module Accessories
 
15cm right angle patch cables, pack of 5
Notes: These are right angle patch cables for Eurorack. Colour is blue, pack of 5 cables.
Read more
 1 in stock $10.60
After Later Audio 45cm Skinny Patch Cables (18", pack of 5)
Cat: 1004680 Rel: 13 Mar 24 • View all Synth Module Accessories
 
45cm skinny patch cables, pack of 5
Notes: This is a pack of five, 18" skinny patch cables for Eurorack. Colour is blue.
Read more
 1 in stock $10.60
After Later Audio 60 cm Double-End Stackable Patch Cables (24", pack of 5)
Cat: 1004661 Rel: 14 Mar 24 • View all Synth Module Accessories
 
60cm double-end stackable patch cables, pack of 5
Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).
Read more
MRP:$20.16 SAVE 21%
 1 in stock $15.90
After Later Audio 60cm Gold & Black Braided Patch Cables (24", pack of 5)
Cat: 1004611 Rel: 12 Mar 24 • View all Synth Module Accessories
 
60cm gold & black braided patch cables, pack of 5
Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.
Read more
 1 in stock $10.60
After Later Audio 60cm Right Angle Patch Cables (24", pack of 5)
Cat: 1004689 Rel: 12 Mar 24 • View all Synth Module Accessories
 
60cm right angle patch cables, pack of 5
Notes: These are right angle patch cables for Eurorack. Colour is black, pack of 5 cables.
Read more
 1 in stock $10.60
After Later Audio 60cm Skinny Patch Cables (24", pack of 5)
Cat: 1004681 Rel: 13 Mar 24 • View all Synth Module Accessories
 
60cm skinny patch cables, pack of 5
Notes: This is a pack of five, 24" skinny patch cables for Eurorack. Colour is black.
Read more
 1 in stock $10.60
After Later Audio M2.5 x 8mm Thumb Screws (tin of 30)
Cat: 1004693 Rel: 14 Mar 24 • View all Synth Module Accessories
 
M2.5 x 8mm stainless steel screws come with black nylon washers in a silver tin.
Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Special Size M2.5 X 8mm stainless steel screw comes with a black nylon washer in a silver tin.
Read more
 1 in stock $13.53
After Later Audio M3 x 8mm Thumb Screws (black, tin of 30)
Cat: 1004696 Rel: 14 Mar 24 • View all Synth Module Accessories
 
M3 x 8mm black steel screws come with black nylon washers in a gold tin.
Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Standard Size M3 X 8mm black steel screw comes with a black nylon washer in a gold tin.
Read more
 1 in stock $13.53
After Later Audio M3 x 8mm Thumb Screws (silver, tin of 30)
Cat: 1004697 Rel: 14 Mar 24 • View all Synth Module Accessories
 
M3 x 8mm stainless steel screws come with black nylon washers in a silver tin
Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Standard Size M3 X 8mm stainless steel screw comes with a black nylon washer in a black tin.
Read more
 1 in stock $13.53
Arturia Keylab Essential 88 MK3 88-Key USB MIDI Keyboard Controller (white)
Cat: 1003079 Rel: 14 Mar 24 • View all MIDI controllers
 
88-key USB MIDI keyboard controller
Notes: Incredible value as always from the latest version of Arturia's Essential 88-key MIDI controller. Pads, faders, rotaries and a large LCD screen. Excellent integration with DAWs and the included Analog Lab V plugin.

Supplier's Notes:
Control your DAW, play with MIDI hardware, and get hands-on with your own style of music-making with KeyLab Essential mk3 88. This full-range keyboard controller removes barriers and makes creativity simple, with expressive semi-weighted keys, idea-sparking creative functions, and the most inspiring music software included as standard.

The streamlined piano range keyboard

Expand your musical horizons with a semi-weighted 88-note keyboard that removes barriers and makes your creative life easier. From studio to stage, DAW to MIDI hardware, KeyLab Essential 88 mk3 keeps things simple so you can focus on your music with full piano-range expressivity.

Your essential ingredients for creativity

KeyLab Essential provides an array of useful & intuitive controls that'll get the job done. Enjoy a comfy keybed, tactile faders/encoders/pads, and thoughtful layout that'll make sense for your setup. Enjoy a hands-on instrument experience balanced with software flexibility.

The best DAW integration

Get creative right out the box with KeyLab Essential's custom DAW scripts, bringing pre-mapped controls into your workflow with any major DAW. Not only that, but the KeyLab Essential controls work seamlessly with Analog Lab V, the included sound anthology plugin - letting you freely explore thousands of sounds, old and new.

Your musical workhorse

For when you want to get experimental, find a new sound, or just need a bit of extra inspiration, KeyLab Essential has a few tricks up its sleeve. Create fun ever-changing melodies with the Arpeggiator, weave rich chord voicings with Chord play, and always stay in key thanks to Scale mode.

What's new compared to the previous version?

A bigger display with 4 contextual buttons
5 dedicated DAW scripts, plus MCU & HUI protocols, for controlling any DAW
Enhanced integration with Arturia Software
Creative features: Scale mode, Chord Play, Arpeggiator (with presets), Hold function
2 Pad Banks (for finger drumming, clip launching, or User configuration)
Bigger software bundle (Analog Lab V, Ableton Live Lite, NI The Gentleman, UVI
Model D, Loopcloud & Melodics)
Multi-purpose pedal input (Sustain, Footswitch or Expression)
USB-C
Eco-designed

Included Software

You'll also get 6 titles giving you everything you need to make music your own way - here's

What's included:
Analog Lab V software with 2000 synth & keyboard sounds
Ableton Live Lite
UVI Model D & Native Instruments The Gentleman pianos
Loopcloud subscription
Melodics subscription

Box content
Quick Start
Registration card
USB Cable (C/A)
Read more
 1 in stock $354.31
Arturia V-Collection X VST Instruments
 
Software suite of reference-grade software instruments for producers, music makers and sound designers.
Notes: The latest update of Arturia's legendary plugin collection, featuring 39 instruments, three expansion packs and over 9,000 presets. New instruments include CP-70 V, MiniFreak V, Acid V and three Augmented collections.

Supplier's Notes:
V Collection X

Reference instruments for music makers
A premium suite of software instruments for unparalleled sonic exploration; from evocative emulations and hybrid synth engines, to authentically modelled keyboards and beautifully captured acoustic sounds - enhanced for today's production workflow.

This is V Collection X

Immerse yourself in an unparalleled music-making experience with iconic sounds and essential tools to suit your style, performance needs and production workflow. 39 instruments, 3 exclusive expansion packs, thousands of world-class presets - 1 canvas for infinite sonic exploration.

The ultimate selection

A hand-picked, expertly-engineered suite of instruments combining timeless sonic craft with cutting-edge enhancements that seamlessly integrate with demanding production workflows. The most iconic synths, blissful keyboards, evocative hybrids and faithfully captured acoustic instruments for endless inspiration, vivid composition and boundless play.

10,000+ presets

Find the crucial mix-finishing sounds you need in a few clicks with V Collection X's expansive library of expertly-designed sounds, complete with easy browsing. Tap right into any style, any instrument, any time.

Easy to use

You don't need to be an expert to enjoy professional sound. The instruments in V Collection X are designed with accessibility in mind, equipped with intuitive interfaces, interactive in-app tutorials, and intelligent features that deliver electrifying results without hassle.

Perfected for you

High-performance features that you can count on, premium sound quality you deserve; V Collection X is the result of over 20 years of engineering innovation, musical exploration, and a passion for audio excellence and expressivity.

39 Software titles

Augmented WOODWINDS
Augmented GRAND PIANO
Augmented BRASS
Augmented STRINGS
Augmented VOICES
Korg MS-20 V
SQ80 V
CS-80 V
Prophet-5 V
Prophet-VS V
Piano V
Analog Lab V
Vocoder V
Jun-6 V
OP-Xa V
Mellotron V
Synthi V
CZ V
CMI V
Clavinet V
Acid V
MiniFreak V
CP-70 V
DX7 V
Buchla Easel V
Synclavier V
Emulator II V
B-3 V
Mini V
Stage-73 V
Matrix-12 V
Farfisa V
Solina V
SEM V
Jup-8 V
ARP 2600 V
VOX Continental V
Wurli V
Modular V

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
32GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS* (64-bit DAWs only).

Apple

Mac OS 11.0+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
32GB free hard disk space
OpenGL 2.0 compatible GPU

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.
Read more
 1 in stock $545.26
Click for better price!
or call +44 20 7424 1960
quote 989848
Chompi Club Chompi Sampler Chromatic Sampler & Tape Music Instrument
Cat: 951280 Rel: 14 Mar 24 • View all Samplers
 
Chromatic sampler & tape music instrument
Notes: Looping and sampling combine in a fun new way with this beautifully designed digital 'tape music instrument' from Chompi Club. Record, perform, loop and overdub with built-in effects. Cute but powerful.

Supplier's Notes:
CHOMPI is a quirky, chromatic sampler and tape music instrument, inviting you into the magical world of sound design. With its unique stereo sampling engine, expressive multi-effects and varispeed "tape" style looper; CHOMPI is ready for immediate fun.

Special care was taken with sourcing quality materials for CHOMPI's hardware, but many aspects of the platform have also been designed with user customization in mind. The modular panel enclosure, MX mechanical key switches & keycaps, and DJ style encoder knobs can all be customized and retrofitted by the user to match their own unique style.

CHOMPI's workflow is designed to be user-friendly and accessible to individuals of all experience levels... So whether you've been playing music for years, or are just starting your sonic journey, CHOMPI just might become your new favourite buddy!

Features

Unique screenless workflow utilizes rgb LED indicators
Endless push button encoders for multi-page parameter controls
Two octave chromatic keyboard utilizes MX Cherry switches
3 selectable sampling sources
Built-in microphone
Stereo Aux input
Resample master output signal
Minimal, yet capable sound design engine:
Sample playback speed & direction control
Sample start & end point control
Sample attack & release/decay envelope
Single knob multi-FX section
Pg 1 Magic Wand: combo delay + reverb
Pg 2 Tape Saturation: w/ wow & flutter
Pg 3 Multi-Mode Filter:
Varispeed tape-style looper
Transport knob provides control over loop playback speed & direction, as well as manual tape scrubbing when loop is paused
Overdub decay controls allow for "frippertronics" loop composition techniques
Real time audio thru mode for live FX and loop recording
Two types of sample playback engines: chromatic & 1-shot
7 Voice Polyphony
84 Slots to Save/Recall Presets (3 banks of 14 slots per engine)
~6hrs of sample storage capacity on Micro SD card
16-bit, 48kHz stereo audio I/O
USB-C and rechargeable battery power
Built-In Microphone
3.5mm Stereo Aux Input
3.5mm Stereo Line Output
3.5mm Headphone Output
3.5mm and/or USB-C Midi In & Out

Specs

Dimensions: 13" Wide x 4.5" Deep (without Handle) 5.75" Deep (with Handle) x 2.5" Tall (table/surface to top of encoders)
Weight = 2lb 3oz
Recommended USB power brick spec: 5V / 2A (or higher)
Manufactured in California, USA

Included In The Box

1x CHOMPI Sampler (Classic Black & Gold Colorway)
1x USB-C Cable
1x Quickstart Guide
1x CHOMPI Sticker
Read more
 2 in stock $608.91
Click for better price!
or call +44 20 7424 1960
quote 951280
Dtronics DT-1000 Linear Synthesiser Programmer For Roland D-05/D-50/D-550
Cat: 1006407 Rel: 15 Mar 24 • View all MIDI controllers
 
Linear synthesiser programmer for the Roland D-05, D-50 & D-550
Notes: Dtronics DT-1000, A hardware controller for the Roland Boutique D-05 and D-50/D-550

The Dtronics DT-1000 is a hardware controller for the Roland Boutique D-05 and D-50/D-550.

The DT-1000 can also be operated on a vintage Roland D-50 / D-550

Almost every parameter of the Roland D-05 gets its own slider, 10 keys and 56 pots in a nice and solid desktop case.

Some pots are doubly assigned, but can be switched quickly and are very easy to read.

For Roland Boutique D-05 Linear Synthesizer
Also compatible with Roland D-50 and D-550 vintage synthesizers
Direct access to all important parameters of the Roland Boutique D-05
10 Buttons and 56 pots
Robust housing
MIDI input and output
USB

Included in the box:
Dtronics DT-1000
DIN(5) MIDI cable
USB cable


Specifications
Material: high-quality plastic
Height: 44 mm
Width: 300 mm
Depth: 200 mm
Weight: 0.985 gram
DIN cord (DIN5P) is included
Power consumption USB or DIN: 60mA
Read more
 1 in stock $455.10
Future Retro Vectra 29-Keys Hybrid Synthesiser
Cat: 854774 Rel: 12 Mar 24 • View all Synthesisers
 
29-keys hybrid keyboard synthesiser
Notes: Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.

The five LFO's provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO's, complex envelopes, or audio rate oscillators.

OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.
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 8 in stock $1,611.40
UDG Ultimate Straight USB 3.2 Type C-C Audio Cable (black, 1.5m)
Cat: 992106 Rel: 12 Mar 24 • View all Audio USB Cables | USB Cable Adapters
 
Straight USB 3.2 type C-C audio cable
Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Black
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer
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 1 in stock $19.08
UDG Ultimate Straight USB 3.2 Type C-C Audio Cable (blue, 1.5m)
Cat: 992112 Rel: 11 Mar 24 • View all Audio USB Cables | USB Cable Adapters
 
Straight USB 3.2 type C-C audio cable
Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Blue
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer
Read more
 1 in stock $19.08
UDG Ultimate Straight USB 3.2 Type C-C Audio Cable (green, 1.5m)
Cat: 992110 Rel: 12 Mar 24 • View all Audio USB Cables | USB Cable Adapters
 
Straight USB 3.2 type C-C audio cable
Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: Green
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer
Read more
 1 in stock $19.63
UDG Ultimate Straight USB 3.2 Type C-C Audio Cable (white, 1.5m)
Cat: 992117 Rel: 11 Mar 24 • View all Audio USB Cables | USB Cable Adapters
 
Straight USB 3.2 type C-C audio cable
Notes: This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: White
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer
Read more
 1 in stock $19.08
UDG Ultimate Straight USB 3.2 Type C-C Audio Cable (yellow, 1.5m)
Cat: 992118 Rel: 11 Mar 24 • View all Audio USB Cables | USB Cable Adapters
 
Straight USB 3.2 type C-C audio cable
Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Yellow
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer
Read more
 1 in stock $19.63
4ms Catalyst Controller 8-Channel Macro Controller Module
4ms Catalyst Controller 8-Channel Macro Controller Module (controller/function generator/sequencer module)
Cat: 995953 Rel: 11 Mar 24 • View all Synth modules
 
8-channel macro controller module - 20HP
Notes: Really smart integration of macro controls for Eurorack, based on the original design by Emblematic Systems. Assign settings to eight CV outputs then morph with the crossfader or record movements to manage presets or set up complex real-time modulation. Can also operate as Catalyst Sequencer.

Supplier's Notes:
The Catalyst Controller is a macro controller with eight precision CV outputs and a responsive crossfader to morph between scenes. A scene is a snapshot of up to eight CV outputs, like a modular preset. Traverse a "pathway" composed of multiple scenes using the crossfader or an external CV signal, or immediately jump using the scene buttons. Record CV and slider movements, and play recordings back via a button or external trigger.

Each output has sub-millivolt precision and a maximum range of -5V to +10V. Channels have an adjustable morphing curve, can be quantized to common scales, restricted to a particular voltage range, or set to output gates.

Whether used as a CV preset manager, seamless transition generator, chord sequencer, CV recorder, or experimental CV playground, the Catalyst Controller puts control of your modular at your fingertips.

The Catalyst Controller can also turn into a Catalyst Sequencer! Hold down a special button combination to change between controller and sequencer modes. If you end up liking the Sequencer more, you can even remove the double-sided faceplate, flip it over, and re-install with the Sequencer artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Specifications:

Smooth, responsive crossfade morphs between scenes
Eight output channels, each can be CV or Gate
Arrange scenes into pathways of up to 64 scenes
Smooth, responsive crossfader morphs from scene to scene along the pathway
Set slew/lag to limit how fast scenes can change
Adjustable Morph time per output
Control crossfading with an external CV
Record and playback up to 20 seconds of CV and crossfader motion
CV outputs can be set to -5V to +10V maximum, or limited to +/-5V, +5V, +3V, or +1V
CV outputs can be unquantized (sub-1mV resolution), or Quantized to common scales
Randomization of channel values/gates
Copy/paste
Based on the original Catalyst from Emblematic Systems

Pairs with: 4ms Catalyst Sequencer
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 2 in stock $358.55
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4ms Catalyst Sequencer 8-Channel Clock & Phase-Based CV/Gate Sequencer Module
4ms Catalyst Sequencer 8-Channel Clock & Phase-Based CV/Gate Sequencer Module (controller/CV modulation/sequencer/utility module)
Cat: 995961 Rel: 11 Mar 24 • View all Synth modules
 
8-channel clock & phase-based CV/gate sequencer module - 20HP
Notes: The Catalyst Sequencer combines a traditional clocked step-sequencer with an unconventional phase-based sequencer to produce a new paradigm in sequencing. Eight precision CV sequencer channels can be simultaneously driven by a clock, a phase CV, or scrubbed manually with the crossfader.

Each of the eight channels has its own sequence length, quantizer, transposition, clock divider, randomization, voltage range (max -5V to +10V), and selectable CV (precise 16-bit resolution) or Gate mode.

Phase-based sequencing is an advanced form of sequencing where each step is selected by CV. The Catalyst Sequencer has a smooth, responsive crossfader that scrubs the sequence, playing it forward or backwards to track your motions. Patching in a CV signal will do the same: a ramp-up CV plays the sequence forwards, a ramp-down plays it backwards, a triangle plays it ping-pong, and complex waveforms generate new interesting rhythmic and melodic patterns.

The Catalyst Sequencer can also turn into a Catalyst Controller! Hold down a special button combination to change between sequencer and macro controller modes. If you end up liking the Controller more, you can even remove the double-sided faceplate, flip it over, and re-install with the Controller artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Pairs with: 4ms Catalyst Controller
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 1 in stock $358.55
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After Later Audio Cast Iron Voltage Controlled Panner Module
Cat: 1004354 Rel: 11 Mar 24 • View all Synth modules
 
Voltage controlled panner module
Notes: A simple VC panner with CV-controlled level. The left input normals to the right input to give an easy way to add panning to a mono signal.

Expandable

Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4hp
12V: 40mA
-12V: 40mA
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 1 in stock $78.51
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After Later Audio Mingles Dual 3-Channel Mixer & Voltage Controlled Panner Module
Cat: 1004349 Rel: 11 Mar 24 • View all Synth modules
 
3-channel mixer & voltage controlled panner module
Notes: Dual three channel voltage controlled panning mixer

Mixer section

Channel 1 and Channel 2 are three channel mixers with potentiometers to control level of three different inputs for each channel. Each channel then has a potentiometer to control panning as well as CV control for panning and level control

Panning and VCA

The VC panners are equal loudness panning and the VCAs for each channel are linear response.

Built-in LFO

There is a built-in LFO that is normalled to the panning CV input of each channel. CH1 gets the standard LFO and CH2 gets an inverse, enabling alternating channel panning. The default is to use a TRI wave for the LFO, but there is a jumper on the back to switch it to SQU.

Width: 12hp
12V: 140mA
-12V: 120mA
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 1 in stock $173.45
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After Later Audio Send VCA Expander Module For Bartender & Barback
Cat: 1004338 Rel: 11 Mar 24 • View all Synth modules
 
Expander module for Bartender & Barback - 2HP
Notes: This is an expander for Bartender and Barback, enabling CV control of the level of the send bus of up to 8 channels.

Each section of four jacks has a cable to connect to the mixer modules. To get 4 channels to work with Barback you want to connect it to the last Barback in the chain of two. It will then pass along channels 3 & 4 to the next Barback.

Dimensions
2 HP

Current Draw
Module does not draw current
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 1 in stock $31.04
After Later Audio USB-2CH 2-Channel USB Module
After Later Audio USB-2CH 2-Channel USB Module (digital/dual/stereo/mixer module)
Cat: 1004343 Rel: 11 Mar 24 • View all Synth modules
 
2-channel USB module - 4HP
Notes: Two channel USB module.

Standard Mode - Send two channels into your USB device and receive two channels from USB.

Insert Mode - Send two channels to your USB device and get a copy of the sent signal in the outputs.

Toggle between the modes via a pair of jumpers on the back. The USB-B to USB-A cable is provided with the module. Why use the cutting edge USB-B? I felt the jacks were way more sturdy than mounting USB-C jacks vertically.

Expandable - Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4HP
12V: 10mA
-12V: 10mA
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 1 in stock $93.09
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Korg TM-70T Compact Tuner Metronome Combo (black)
 
Compact tuner metronome combo
Notes: Compact Tuner-metronome combo

The Korg TM-70T is a compact tuner-metronome combo. Offers precise tuning, clear metronome sound, and a user-friendly display. Features a transpose function, long battery life, and is ideal for a range of instruments. Made in Japan for quality assurance.

The TM-70T combo metronome and tuner is the latest evolution in our TM series, expertly blending a tuner and metronome in one practical unit. Designed for the modern musician, it delivers a suite of features in a surprisingly compact design, ensuring you stay in tune and on beat, whatever your instrument.

The TM-70T is designed to be portable and user-friendly. It's small enough to fit in your pocket, yet features an improved display for easy visibility, making it an ideal companion for musicians of all levels.

Korg have fine-tuned the TM-70T for precision and clarity. The tuning is quicker and more accurate, essential for every performance, and the metronome sound is loud and clear, cutting through even in noisy environments.
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 1 in stock $49.06
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quote 994380
Keeley Electronics Angry Orange 4-In-1 DS-1 & Civil War Big Muff Style Distortion & Fuzz Effects Pedal
Cat: 1005026 Rel: 12 Mar 24 • View all Effects pedals
 
4-in-1 DS-1 & Civil War Big Muff style distortion & fuzz effects pedal
Notes: Drawing on the classic Boss DS-1 and 'Civil War' Big Muff, the Angry Orange serves up two iconic flavours of distortion and fuzz, plus two hybrid modes via a combination of tone control and clipping settings.

Supplier's Notes:
4-in-1 DS-1 and Civil War Big Muff Style Distortion and Fuzz

Keeley crammed two legendary distortion and fuzz circuits into one stompbox and gave you two new sounds in the process. It's sort of like pedal-modeling except these are 100% old-school, analogue circuits and you decide which tone control or clipping section you want to rock.

Heavily saturate your guitar through either a legendary '78 Japanese Orange Distortion or a '91 Soviet Civil War Fuzz. Use the Angry Orange to make your own fuzzztortions with the hybrid modes, all with only three simple knobs.

This pedal can be True Bypass or Buffered Bypass, it only takes two seconds to switch between the modes. The Keeley Angry Orange is entirely manufactured at Keeley Electronics and is in the new aluminium enclosure.

Tone Control

The Angry Orange gives you two tone control circuits to choose from. When the Tone Switch is up and in the MF Position the tone control is a scooped sounding, passive tilt-style. If the Tone Switch is down and in the DS Position it also features a passive sounding tilt control, voiced a little differently.

Diode Clipping

Hard or Soft Clipping: The Angry Orange gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the DS Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the MF Position that uses Soft Diode Clipping, like a muffled fuzz tone.

Buffered and True Bypass

The Keeley Angry Orange allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off.

Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley's buffered switching mode.

Made In The USA

Keeley design, engineer, and manufacture the Keeley Angry Orange in Oklahoma City. Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminium enclosure; Keeley make guitar effect pedals to be finely crafted musical instruments.
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 1 in stock $228.08
Keeley Electronics Blues Disorder 4-In-1 Blues Breaker & OCD Style Overdrive & Distortion Effects Pedal
Cat: 1005027 Rel: 12 Mar 24 • View all Effects pedals
 
4-in-1 Blues Breaker & OCD style overdrive & distortion effects pedal
Notes: 4-in-1 Blues Breaker and OCD Style Overdrive and Distortion

Keeley combines two completely different overdrive and distortion circuits to create four different drives in one box. The Blues Disorder has two switches that allow you to separate the tone control from the clipping section.

By mixing and matching the Tone and Drive switches you get two hybrid sounds. With both switches up it's a smooth, soft-clipping Bluesy Breaker. The BB side is a low gain, soft-clipping overdrive. With both switches down it's a fuller sounding, hard-clipping OC Distortion. The clever design keeps the pedal a three knob overdrive with 4 unique sounds.

Switch easily between buffered or true-bypass; whichever sounds best in your rig. The Keeley Blues Disorder Overdrive and Distortion is designed and manufactured entirely by Keeley Electronics in a brand new aluminium enclosure.

Switchable Tone Stacks - Swap Voicings

The Blues Disorder gives you two tone control circuits to choose from. When the Tone Switch is down and in the OC position you will hear an active midrange boost and then the tone control rolls off high-frequency. If the Tone Switch is up and in the BB position you don't have the active mid boost, there's just a simple high-frequency filter and therefore a more transparent sounding overdrive and response.

Switchable Diodes - Hybrid Gain Clipping

The Blues Disorder gives you both styles of diode clipping. Where diodes are placed in the circuit, can have a dramatic effect on gain and compression. This pedal gives you both hard clipping distortion or soft clipping overdrive, depending on the position of the Drive Toggle.

If the Clipping Switch is in the OC position it features Hard-Clipping which is an edgier, more aggressive tone. Alternatively, when the Clipping Switch is in the BB Position, that uses Soft-Clipping and sounds like a softly overdriven tube amplifier.

Buffered and True Bypass

The Keeley Blues Disorder allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off.

Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal.

Enjoy truly silent switching and a better sounding rig with Keeley's buffered switching mode.

Made In The USA

Keeley design, engineer, and manufacture the Keeley Blues Disorder in Oklahoma City. The Blues Disorder is geared towards the professional musician's demand for an inspiring tone when performance demands it. From the meticulously built electronic circuit boards to the in-house fabricated aluminium enclosure, Keeley pedals are professional grade. Keeley make guitar effect pedals to be finely crafted musical instruments.
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 1 in stock $228.08
Keeley Electronics Super Rodent 4-In-1 RAT & SD-1 Style Overdrive & Distortion Effects Pedal
Cat: 1005025 Rel: 12 Mar 24 • View all Effects pedals
 
4-in-1 RAT & SD-1 style overdrive & distortion effects pedal
Notes: 4-in-1 RAT and SD-1 Style Overdrive and Distortion

Keeley put two very different overdrive & distortion pedals in one box and gave you two new sounds in the process. The Keeley Electronics Super Rodent is a 4-in-1 pedal that gives you two well-known distortion circuits and two brand new sounds by way of the toggle switches! It's almost like pedal modelling, except these are 100% analogue circuits and you decide which tone-control or clipping-section you want to play through.

You can play through the classic yellow 'Japanese Super O-Drive' or a 'Rodentia Michigander' distortion circuit, or even better, you can Frankenstein new monster tones with the two hybrid modes.

The creative design keeps the pedal a simple and space-saving three-knob distortion pedal with an amazing tone. It only takes two seconds to make the Super Rodent either buffered-bypass or true bypass, whatever works best on your pedalboard. The Keeley Super Rodent Overdrive and Distortion is entirely designed and manufactured by Keeley Electronics in a new aluminium enclosure.

Tone Control

The Super Rodent gives you two tone control circuits to choose from. When the Tone Switch is down and in the RT Position the tone control simply rolls off high-frequencies. If the Tone Switch is up and in the SD Position you have an active low pass filter and more bass and treble frequencies are available.

Diode Clipping

Hard or Soft Clipping: The Super Rodent gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the RT Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the SD Position that uses Soft Diode Clipping, like a softly overdriven tube amplifier.

Buffered and True Bypass

The Keeley Super Rodent features our Jfet buffer for noise free switching. Keeley have developed an amazing sounding buffer which not only makes your rig sound better, it gives you silent switching with no tone loss.
No more pops and clicks to distract from your music. If you prefer true bypass, simply press and hold down the foot switch for two seconds and the LED will flash twice to indicate success. True Bypass is great for players that want the effect of plugging directly into their amp when the pedal is off.

Alternatively, players that want a strong and clear signal whether the Super Rodent is on or off, simply hold the stomp switch down for two seconds and the effect is back to Buffered Bypass (LED flashes three times). Enjoy truly silent switching and let your music be the only voice.

Made In The USA

Keeley have designed, engineered, and manufactured the Super Rodent in Oklahoma City. Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminium enclosure; Keeley make guitar effect pedals to be finely crafted musical instruments.
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 1 in stock $228.08
Walrus Audio Fable Granular Soundscape Generator Effects Pedal (all black)
Cat: 1005021 Rel: 14 Mar 24 • View all Effects pedals
 
Granular soundscape generator effects pedal, all black
Notes: In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analog Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Granular soundscape generator
Unique soundscapes ranging from smooth ambience to bizarre reverberance to chaotic glitchy swarms
Powerful dual DSP architecture with individual feedback paths
Combine delay programs in series with granular sampling algorithms
5 programs centered around sample and chop delay algorithms
Program 1: Reverse Delay into Reverse Granular
Program 2: Forward Delay into Octave Up Granular
Program 3: Analog Delay into Octave Down Granular
Program 4: Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)
Program 5: Forward Delay into Randomized Pitch Granular
Manipulate sampling length, position and buffer size of grains (short samples)
Play grains at double- or half-speed, reverse or from multiple positions to achieve different effects
Tap Tempo switch
Top-mounted Input and Output
Coated in a slate grey enclosure with white, black, cream, red, and orange ink
9-volt DC, Centre Negative, 300mA minimum
Buffered bypass
Power supply not included.
Designed and assembled in USA
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 1 in stock $316.12
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quote 1005021
Walrus Audio Lore Reverse Soundscape Generator Effects Pedal (all black)
Cat: 1005023 Rel: 14 Mar 24 • View all Effects pedals
 
Reverse soundscape generator effects pedal, all black
Notes: Once upon a time, in a fairy tale world, there stood a hidden forest. On the eve of every full moon, magical and delicate sounds of light were heard bouncing and reverberating through the trees. These sounds carry artifacts of notes moving backward and stretching through time. They are referred to as, Lore. Walrus Audio is excited to announce their next experiment into ethereal ambiance called the Lore Reverse Soundscape Generator. Made up of five different programs, each utilizes different combinations of delay and reverb that feed into each other for time-warping ambient creations. to create the soundtrack to your storybook adventure. Featuring two DSP chips running in series, each with their own analogue feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.

Explore vast time stretching and reverse sounds with five different custom programs:

I. Reverse Delay into Reverse Reverb
II. Reverse Delay into Octave Up Reverb
III. Reverse Delay into Octave Down Reverb
IV. Reverse Reverb into Forward Reverb.
V. Pitch Delay into Pitch Delay.

Further explore the Lore with momentary features for adjusting modulation speed and a time warping effect that can shift the clock rate up or down, giving a rising or sinking effect. The Lore comes coated in a muted green enclosure with cream, orange, brown and dark green ink with art by David Huttner. The die-cast enclosure's exact size 9,2 cm x 12,2 cm x 5,72 cm including knobs. Power requirements are 9VDC, centre negative (300mA minimum).

Dimensions and power consumption: 9,3 x 11,8 x 5,6 cm (W x D x H)
300 mA

In the box:

Walrus Audio Lore
Manual
Sticker
Guitar pick
Pouch
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 1 in stock $316.12
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quote 1005023
Walrus Audio Melee Wall Of Noise Reverb & Distortion Effects Pedal (all black)
Cat: 1005024 Rel: 14 Mar 24 • View all Effects pedals
 
Wall of sound reverb & distortion effects pedal, all black
Notes: With Melee, Walrus Audio have given you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

In a less-is-more approach, Walrus have intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

Algorithms

The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slo, you'll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out there.

Momentary

Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

Specs
The Melee comes coated in a glossy neon pink enclosure with white, yellow, and green inks with art by David Huttner.
The die-cast enclosure's exact size is 3.62" x 4.79" x 3.14" (including joystick height).
Three bypass modes: DSP, DSP+True, True Bypass
Power requirements are 9VDC, centre negative (200mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

High-Gain Distortion and Reverb combo
Controls: Vol, Tone, Decay, D>R|R>D (determines order of effects), Joystick (distortion level + reverb mix), bypass, sustain switch
Joystick control to meld reverb and distortion and inspire a wealth of creative output
Joystick controls reverb mix (x-axis) and distortion level (y-axis)
Switch signal-chain-order of distortion- and reverb-effect
D>R (distortion into reverb) or R>D (reverb into distortion)
D>R mode: traditional set up. Notes and chords remain their clarity
R>D mode: notes and chords are muddied to create a wall of sound
3 different reverb programs: Ambient, Octave and Reverse
Ambient Reverb: Huge reverb with massive trails
Octave Reverb: Lower octave on reverb trail. Like "Dark" mode on Walrus Audio Slo.
Reverse Reverb with Feedback: Add reversed reverb trails or push into reverse feedback overload.
Tone 3-way-toggle-switch sets the tone of reverb and distortion: normal, dark, bright
Decay 3-way-toggle-switch sets time of the reverb: minimum, medium, maximum
Set modulation via secondary control (decay 3-way-switch): none, slight (33RPM), high (45RPM)
Use momentary bypass to create a moment of texture
Sustain switch ramps up reverb trail to maximum or latches current reverb decay
3 bypass modes: DSP bypass, DSP+ true bypass, true bypass
9-volt DC, Centre Negative, 200mA minimum
Power Supply not included
Designed and assembled in the USA
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 1 in stock $318.24
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quote 1005024
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