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This Week: Studio Equipment

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Artículos del 1 al 17 de 17 en la página 1 de 1
Cat: 659964 Rel: 20 Nov 17
 
Synthesizer based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - red edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
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 More than 10 in stock $385.03
Cat: 659965 Rel: 20 Nov 17
 
Synthesizer based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - blue edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
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 More than 10 in stock $385.03
Cat: 665733 Rel: 20 Nov 17
 
22-in/24-out Thunderbolt 2 audio interface with 4 recallable XMAX preamplifiers
Notes: Taking full advantage of the high-speed Thunderbolt 2 bus and ADAT Optical I/O, the PreSonus Quantum 2 audio/MIDI interface delivers up to 22 inputs and 24 outputs, with extremely low latency. Boasting superb audio quality; 24-bit, 192 kHz recording and playback; recallable XMAX microphone preamps; and the ability to expand your system as your needs grow, it's a great choice for a wide variety of professional and semi-pro producers and electronic musicians.

Every design decision during Quantum 2's engineering was made with one goal in mind: speed. Quantum 2 sports high-speed Thunderbolt 2 connectivity and a no-frills, direct-to-DAW architecture, with no DSP. The result is our leanest, fastest, lowest-latency interface to date.

Cutting-edge 24-bit, 192 kHz converters with 120 dB of dynamic range and a surprising amount of expandability and software control options round out the package.

The Quantum 2 offers two combo mic/instrument inputs and two combo mic/line inputs, each with a digitally-controlled XMAX preamp and individual +48V phantom power. You also get four balanced 1/4" TRS outputs and a headphone out with dedicated volume control. But that's just the start. With ADAT Optical I/O and S/PDIF stereo digital I/O, you can have up to 18 digital inputs and outputs. And if you need even more I/O channels, you can stack up to four Quantum 2 interfaces via Thunderbolt to create a monster system with up to 80 in and out. BNC word clock I/O ensures your Quantum and other digital audio devices operate in tight sync. And of course you get MIDI I/O, too.

Audiophile-grade digital converters, low-jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Quantum 2 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 120 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

With its pro features and abundant I/O, the Quantum 2 fits into any recording and production environment. You get four balanced line-level outputs, all of which are DC coupled so they can provide control voltage to external analog equipment. Add that to Quantum 2's expandability, flexible software suite, blazing speed, and superb sound quality, and you have a recording system that will be the heart of your dream studio for years to come.

With the Quantum 2, your audio interface is an integrated extension of your recording environment. The perfect companion for any recording software, the Quantum 2 comes equipped with Studio One Artist to provide you with a complete recording solution. Launch Studio One, and you'll find full preamp control integrated into your recording environment. Need to track away from your computer? Launch Studio One Remote on your iPad.

The Quantum 2's onboard features can also be controlled in PreSonus' free UC Surface control software, so even if you use third-party recording software, you can remotely access them. We even included a real-time analyser to monitor your audio streams. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need.
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 1 in stock $781.17
Cat: 669268 Rel: 20 Nov 17
 
Headphones stand
Notes: Designed for both home and professional use, this elegant table-top headphones stand securely holds up to two large sets of headphones. Convenient slots on the holder facilitate convenient and tidy routing and storage of cables or ear buds. The stand features a die-cast aluminium base and tower construction, whereby the holder itself is made of plastic with a rubberised finish.
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 2 in stock $21.79
Cat: 670560 Rel: 20 Nov 17
 
Breakout cable for the Apogee One audio interface
Notes: - Compatible with Apogee ONE for Mac and ONE for iPad and Mac
- XLR and 1/4" connections
- Securely clips into Apogee ONE chassis
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 1 in stock $19.31
Cat: 665769 Rel: 20 Nov 17
 
Filter/distortion module - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.

FLTR is a band-pass filter with self-oscillating resonance and three feedback flavours. It is calibrated to have a vocal range that evokes vintage wah voicings. The FLAVOUR switch controls the type and amount of FLTR's resonance clipping. In Flavour 1 (down position) provides heavily asymmetric silicon diode and LED clipping, allowing your signal to remain musical and organic sounding. FLAVOR 2 (up position) adds more resonance and grit using Zener Diode clipping, but still keeps your original signal intact. FLAVOR 3 (middle) pulls out all the stops (and clipping diodes) and overtakes the incoming signal with intense resonance and filter saturation.

The DRV circuit is based very loosely on Tube Screamer designs of old, but it has been painstakingly re-voiced to compliment a wider frequency range and higher levels of gain. The original TS input filter has been replaced with a trimode high-pass filter (HPF) that allows you to get everything from nasally grime to bass fuzz. In position 1 (down) you have the stock TS setting, with some low frequencies removed, but still a lot of chunk. Position 2 (up) lets the bass through, while position 3 (middle) cuts lows even more accentuating the zipper-like overtones of the incoming signal. In addition to the three HPF modes, the DRV section features three FLAVOUR modes. FLAVOUR 1 (down) uses symmetrical silicon diodes to a compressed and scooped tone with lots of fuzzy gain. FLAVOUR 2 (up) aligns the silicon diodes asymmetrically, creating more odd order harmonics. FLAVOUR 3 (centre) provides a less compressed and more crunchy tone using LEDs as clipping diodes.
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 2 in stock $202.99
Cat: 665765 Rel: 20 Nov 17
 
Eight-channel mixer module designed especially for live performances & jam sessions - 40HP
Notes: A game changing mixer for live performance within the Eurorack modular synth ecosystem.

The Performance Mixer is an 8 channel audio mixer designed specifically for live performance and jam sessions within the modular ecosystem. With 12 audio inputs for the first 6 channels, and 2 true stereo channels, there is plenty of room for all your modular signals and more.

2 mono auxiliary sends with dual mono returns, stereo send and return, and another set of stereo mix inputs give you the routing you need to send signals to interesting effects as well as utility uses such as bus compression and master equalizers.

Tired of not being able to tune oscillators and program sequencers on the fly? Not to worry, the performance mixer also includes a cue mix section so you can monitor your incoming signals in headphones before sending them to the front of house mix. Just like on a traditional DJ mixer, the cue mix knob determines how much of the cue vs the FOH mix you hear in the phones.

Two headphone outputs for convenience and teamwork. Collaborate with friends without wasting any channels by sending the stereo output of their mixer into the unity gain mix input. Monitor with the dual headphone outputs and you can both hear the entire mix.
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 9 in stock $743.58
Cat: 660476 Rel: 20 Nov 17
 
10HP DSP-based VCO module
Notes: The E950 Circuit Bent VCO is the latest unique VCO module from Synthesis Technology. Using licensed technology from the original Texas Instruments LPC speech synthesizers (such as the Speak and Spell), the E950 contains original voice ROMs and algorithms from two generations of speech DSPs. Additionally, 2 banks of 16 wavetables each from the E350 Morphing Terrarium are included for a low-cost morphing VCO.

The E950 can speak in both "normal" and "circuit bent" modes, all under voltage control. Unlike traditional circuit bent toys and keyboards, the E950 is very repeatable and controllable, adding deep new timbres to your modular synth.
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 3 in stock $229.48
Cat: 660474 Rel: 20 Nov 17
 
14HP digital oscillator with three different synthesis methods & two voltage controllable 'effect inputs'
Notes: The Synthesis Technology E330 Multimode VCO is a low-cost digital oscillator with 3 unique operating modes: 2-operator FM, Morphing Wavetable or a 4-oscillator Cloud Generator (similar to the E340 module).

The module provides 2 simultaneous outputs (OUT 1 and OUT 2), that change based on the MODE selected. Each output has an independent, corresponding modulation CV input and initial panel setting. The function of these 2 CVs varies based on the MODE.

2-OP FM is a 2 "operator" (to use Yamaha's terminology) FM (frequency modulation) where a sine VCO that is the 'pitch' (called the carrier) is FM'd by another sine VCO (the modulator). These sine VCOs are internally generated by the E330. OUT 1 has the pitched, FM'd result, and OUT 2 has the modulation sine wave. The MODULATION A panel/CV is the FM 'depth' or 'index' and varies from 0% (OUT A is a pure sine) to over 400% (4th harmonic overtones). The MODULATION B panel/CV is a 64-entry look-up table that sets the ratio of the modulation VCO to the audio VCO. The modulator can be lower in frequency, the same frequency, or higher in frequency. The steps begin at 0 (no modulation) to 7.375 in steps of 0.125 For example a ratio of 2.000:1 means the modulator is exactly 2X the frequency of the audio VCO.

The MORPH mode is a selection of 32 wavetables from the E350, which are continuously morphed (blended) in the 'Z Axis' (end-to-end), The wavetables vary from sines/harmonics, vocal effects, traditional shapes to noise. The 2 outputs have the same pitch (they share the 1V/OCT input and the FM CV) but have independent wavetables. MODULATION A/MOD A set the waveshape for OUT 1 and MODULATION B/MOD B set OUT 2.

CLOUD mode is a variant of the E340 Cloud Generator, when set to the '4 Oscillator' setting. The E330 generates 4 VCOs, with OUT 1 being Sine and OUT 2 being Saw. The 4 VCOs are 'spread apart' (detuned) by MODULATION A/MOD A. This spreading is exponential, from slight beating (the 'Super-Saw effect') to a noise 'cluster'. In addition, filtered noise can be added to the spreading by MODULATION B/MOD B, which will add 'chaos' to the overall sound.

The E330 Multimode VCO raises the bar for low-cost Euro VCOs, with dual outputs and 3 operating modes, all in a compact panel size.
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 3 in stock $229.47
Cat: 667783 Rel: 20 Nov 17
 
Compact chaos oscillator - can be used as a sound generator or modulation source
Notes: Snazzy FX loves chaos - not chaos in the sense of everything going crazy, but chaos in the natural systems, dripping faucet, fractal sense. The kitty eyes has most of the features of the bigger chaos modules but with a lower price and footprint.

- Chaotic oscillator with quadrature outputs works great as a modulation source for any module requiring 2 CV inputs (i.e. the Snazzy FX Ardcore)
- Use it with a VCA to create unique percussion sounds
- Chaotic triggers add an organic element to sequences or to drum patterns works well for modulating VCO's and filters
- "CV" input resets the chaotic oscillator when fed with a trigger
- Sawtooths and pules can be used to disturb the chaos
- Works well as a unique "noise" source
- Feed audio signals into the CV input for interesting effects
- Use the chaotic trigger output as a strange audio out
- Perfect for experimenting
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 1 in stock $132.39
Cat: 667785 Rel: 20 Nov 17
 
Kick drum module able to generate a wide array of classic to modern bass drum sounds
Notes: Snazzy's first step into the world of drum modules, the Kick Me is their take on the all-important bass drum. Snazzy prefer tweakability over vintage pedigree, so the Kick Me doesn't sound like your classic XOX drum machine. However, with a wide range of useful sounds easily created with a few knob twists, that's a good thing.
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 1 in stock $153.35
Cat: 667788 Rel: 20 Nov 17
 
Triple Gain module featuring three differently designed, transistor-based VCA's, plus a sum output
Notes: With the Hi Gain you can enter a world of sharp corners, rusty springs, and broken floorboards. Enter a world of trash. A world of scraping hi-hats, smashed up kicks, beautiful clipped white noise, broken file cabinets, disused railway cars, and super acidic basslines. Perfect for techno, for noise, for some punch, or for just plain experimenting, the Hi Gain is not for those seeking a clean, precise, VCA, or for those on a quest for ultra-linear gain stages. In fact, if you need nice and clean, we recommend you stay away.

The Hi Gain was designed to create noise, to pump up the hiss, to boost asymmetrical happiness and to bring some colour to your Eurorack system. Cross couple/feedback/mix outputs together, stick some CV's in, see what happens. Repeat.
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 1 in stock $230.58
Cat: 667789 Rel: 20 Nov 17
 
Low-pass filter module - 8HP
Notes: Take advantage of the instability!

The Eternal Spring Filter is quite different than most filters. It belongs to that category of sound modifiers which could be called an "effect", which is to say that it doesn't just filter the sound in a regular manner but also adds a considerable amount of edge/personality. At times it sounds like a wavefolder and when you plug a nice slow LFO into the CV input, you can really get some intense sounds out of it.

At lower drive settings, this filter adds noise, grit, and harmonics, while at higher settings the sound of the filter takes over and replaces your input with sparks and sludge. It sounds great on synth leads, on basslines, and really adds a lot of movement to drones. It is a weird beast which is capable of some different sounds than other filters in your system. On top of all of that, this filter is not temperature compensated and has plenty of musical instability. The cut-off and Q move around nicely to add energy to your incoming audio.
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 1 in stock $182.04
Cat: 667787 Rel: 20 Nov 17
 
Dual multiplier equipped with two four-quadrant multipliers - 8HP
Notes: Not a multiple - a multiplier! A four quadrant multiplier is similar to the classic ring modulator. Use it to create sideband rich spectral soundscapes, create pitched noise, use it with DC for tremolo FX, or use it with integrators and summers to pull off analog computer patches! Really this module rewards those who enjoy experimentation.

Unique to the dual multiplier is the normalization of the top section straight into the bottom section, so even with just two signals plugged in, you already get a few different results.
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 1 in stock $182.04
Cat: 667766 Rel: 20 Nov 17
 
Drone module with five low harmonic triangle oscillators - 12HP
Notes: This module was designed with a very specific purpose in mind. Born out of a need to find the space in between tones; to achieve pulsing; wider droning; wanting to be able to fit the power of many oscillators into a little package.

It isn't a crazy CV laden feature monster. But it doesn't need to be. It does what it is asked to do over and over and again.

This has a very different sound than a squarewave based multi-oscillator. The Dronebank breathes and moves. Create chords, gate the tones, filter them, ring modulate.

Use it as an FM source, combine it with delay, let it hypnotize you. Most importantly, make music with it. Or use it for mind control experiments.
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 1 in stock $230.58
Cat: 659982 Rel: 20 Nov 17
 
Multimode analogue filter featuring low pass, high pass, band pass & notch filters
Notes: Mr Hyde is the first in a new series of 'synthBlocks'. These are small table top effects processor, and later synthesisers and sequencers. Designed by renowned UK synth designers Analogue Solutions who have over 24 years in the industry.

Mr Hyde is an analogue filter effects box use for subtle to extreme filtering and modulation effects.

SynthBlocks are used to process any sound that you feed into it from your DAW, Mixer or some musical instrument (with prior pre-amplification where necessary). To give your plug-ins some real analogue hardware life.

Mr Hyde has 1/4" input and output jacks on the rear, so it can be connector straight to a mixer or DAW audio interface without the need for adaptors.

On the top panel are mini jack sockets to patch with a semi-modular synth, such as AS's very own Fusebox, or to Eurorack and other modular systems.

Mr Hyde can change the sound in subtle ways, such as nice sweeping filtering, right up to mangled FM mayhem!

Designed, engineered, and hand built in England.
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 5 in stock $266.99
Cat: 670801 Rel: 20 Nov 17
 
Compact analog dual-input ring modulator
Notes: Dr. Strangelove is the 2nd SynthBlock by renowned synth maker Analogue Solutions.

This joins Mr Hyde in a growing line up of small analogue effects boxes and synth components.

Dr. Strangelove is a compact, high quality analogue Ring Modulator, with analogue LFO modulation, featuring a lo-fi echo.

- Analogue Ring Modulation with 2 audio inputs
- Analogue LFO that can go into audio range, with 2 waveforms
- Lo-fi Echo / Delay
- 1/4" audio inputs and outputs
- Minijack (Eurorack) audio & CV in/outs for direct connection to modulars
- Superior build quality
- Small footprint
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 5 in stock $271.40
Artículos del 1 al 17 de 17 en la página 1 de 1

This Week: Studio Equipment

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