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Today: Studio Equipment

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Tuesday 22 January 2019
GPO C90 Blank Cassette Tape (blank cassette)
GPO
Cat: 717637 Rel: 22 Jan 19 • View all Studio accessories
 
C90 ferric blank audio cassette tape
Notes: GPO C90 blank cassette tape wound to C90 length - 45 minutes per side with Type I / Ferric tape. Supplied in a clear case with J-card and stickers.
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 3 in stock $4.59
Cat: 718483 Rel: 22 Jan 19 • View all Earphones
 
Sound isolating earphones featuring Shure dynamic MicroDrivers
Notes: Shure Sound Isolating earphones were originally developed as personal monitor systems to allow musicians to hear their own performance in loud onstage environments. They work using soft and flexible sleeves to block up to 90 of the background noise. You can concentrate on your music, whether you are on-stage, in a train, on the street or working out. At the same time you can reduce the audio level to conserve your hearing.

The SE215 is the entry to Shure SE earphones. It features a dynamic driver for detailed and warm sound with improved bass. It also features a durable Kevlarr reinforced cable that allows easy replacement or customisation. The formable wire ensures secure placement and the over ear configuration keeps cables out of the way. The gold plated MMCX connector has a lock-snap mechanism allowing 360 degree rotation for comfortable fit.

Furthermore, because every ear is different, the fit kit includes an assortment of foam and silicone sleeves in different sizes. Experiment with the size and style that creates the best fit for you. A good seal is key to optimizing sound isolation and bass response as well as maximizing comfort during extended wear.
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 1 in stock $101.60
Cat: 708115 Rel: 22 Jan 19 • View all Synth modules
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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 1 in stock $177.27
Cat: 708117 Rel: 22 Jan 19 • View all Synth modules
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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 1 in stock $171.87
Cat: 714704 Rel: 22 Jan 19 • View all Synth modules
 
Compact voltage-controlled four-channel audio mixer - 8HP
Notes: A-135-2 is a miniature version of the A-135-1. Behind a front panel with 8 HP only four linear VCAs (voltage controlled amplifiers) and a voltage controlled mixer based on the VCAs are available.

Controls, In/Outputs and Functions of each VCA:

- Level (manual control of the VCA amplification), small rubberized knob (L1...L4)
- Control voltage input with associated attenuator (CV1...CV4), for the full VCA control range about 0...+5V control voltage are required (attenuator fully clockwise), for higher control voltages the attenuator is used, the attenuators are without knobs, just plastic shafts with white marker
- Signal Input
- Signal Output
- All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. to control the level of LFOs or envelopes)
- The signal input is not equipped with an attenuator. But the VCAs can process all signals up to 15Vpp / -7.5...+7.5V without clipping. In case of higher levels an external attenuator is required (e.g. A-183-1).
- The available amplification range is 0...1, the maximal amplification is 1 (i.e. it "clips" and remains at 1 even if the control voltage goes beyond the value that corresponds to amplification 1)

Functions of the voltage controlled mixers:

- Two outputs ("Selected" and "All")
- Selected output: the ouput if a VCA is removed from this sum signal when a plug is inserted into the corresponding VCA output.
- All output: sum of all VCA outputs, regardless of inserted plugs into the VCA outputs
- The maximal amplification is about 0.6 to avoid clipping at the mixer outputs (otherwise the outputs may distort with 15Vpp signals at each signal input and full amplifications)

Special functions of the voltage controlled mixers (selectable by internal jumpers):

- Dual Stereo VCA: In this case the control unit of VCA1 (L1 + CV1) affects also VCA3 and the control unit of VCA2 (L2 + CV2) affects also VCA4, the control units of VCA2 and VCA4 are out of operation
- Quad VCA: In this case the control unit of VCA1 (L1 + CV1) affects all four VCAs. The control units of VCA2, VCA3 and VCA4 are out of operation. In this mode the module has the same function as module A-132-2. That's why module A-132-2 will be discontinued.
- Normalling of the signal inputs: by means of internal jumpers signal input 1 can be normalled to signal input 2, signal input 2 to signal input 3 and signal input 3 to signal input In 4. That way the same input signal can be distributed to four different channels by means of control voltages (e.g. quadrophonic distribution of audio signals). Suitable control voltage sources are e.g. A-144 (Morphing Controller) or A-143-9 (Quadrature LFO).
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 1 in stock $117.82
Cat: 714707 Rel: 22 Jan 19 • View all Synth modules
 
4HP Eurorack module consisting of four buffer circuits for control voltages
Notes: Module A-180-4 is a fourfold CV buffer. Buffers are required if the control voltage coming from a CV source shows a voltage drop in case of changing loads or due to other reasons a buffering is required.

For the lower three units the input is normalled to the output of the above unit. That way the module can work as 1-in-4 buffered multiple provided that no signals are applied to the inputs of the three lower units.

Typical applications:

- Buffering the outputs of voltage controlled switches (e.g. A-150-1, A-150-8, A-151, A-152). Comment: in case of bidirectional switches it's not possible to integrate the buffers into the switching module because the direction is not known (i.e. which terminal of the switch is working as input and which as output). All electronic switches suffer from a small residual restistance that may cause a small voltage drop without buffering. This may become a problem especially when VCOs are controlled by the switched voltages.
- Buffering of CV interfaces, quantizers, slew limiter, S&H/T&H, sequencer etc. when VCOs are controlled by the CV (provided that the module in question does not feature a buffered output)
- Buffered multiple (similar to A-180-3)
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 1 in stock $50.80
Cat: 714520 Rel: 22 Jan 19 • View all Synth modules
 
4 HP auto-tuner module
Notes: You can't tune two VCOs to note A in less than a minute? You need the Autopilot! Simply connect oscillators and a pitch CV source, press the module's button and wait for a few seconds. It doesn't get any easier than this.

The Autopilot features two identical tuners for precisely calibrating oscillators to note A.

The procedure:

- Connect the Drop Out socket of the tuner to the 1v / octave input of the VCO.
- Patch the VCO's waveform output to the Tune In connector of the tuner.
- Connect a sequencer or keyboard to the tuner's Key In socket.
- Press the tuner's button and wait a few seconds.
- Done

With a long press on both tuner buttons, the reference pitch can be shifted from 440 Hz to 432 Hz.
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 2 in stock $116.74
Cat: 714521 Rel: 22 Jan 19 • View all Synth modules
 
4 stereo channels performance mixer - 6HP wide
Notes: More than just a mixer - The Cockpit can not only be used to sum up mono and stereo signals with modular or line level, but as an effect insert for smartphones and tablets as well. Additionally, the module offers a ducking compressor plus sidechain input. Several Cockpits can be daisy-chained to form a large mixing setup. The audio paths feature a completely analog design to guarantee high-class sound.
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 2 in stock $265.92
Cat: 714522 Rel: 22 Jan 19 • View all Synth modules
 
Dual voltage controlled oscillator (VCO) synth module - 30HP
Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.
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 2 in stock $689.67
Cat: 714523 Rel: 22 Jan 19 • View all Synth modules
 
Expansion module for access to "Terminal" and "Grand Terminal's" deep functions - 10HP wide
Notes: Gateway is an expansion module for Endorphin.es Terminal. Via a set of CV-inputs you get more control over the envelopes of Terminal.

Gateway also gives you the possibility to use the Terminal-AD-envelopes as oscillators. Furthermore you get two separate Autotune-sections with which VCOs can be tuned automatically within a second (usually quicker).

With the VCF mode switches you can enable a 12 db VCF on the appropriate "Gate".

Gateway gets connected via two ribbon cables directly to the Terminal backside. In that case a connection to the system bus is not necessary.

However you can use Gateway also without Terminal, e.g. for its autotune feature. In that case you need to connect it to the system bus.
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 1 in stock $224.84
Cat: 714524 Rel: 22 Jan 19 • View all Synth modules
 
Digital multi-purpose module with dual voltage controlled AD/AR/looping envelope & dual gates
Notes: The Grand Terminal is a digital multipurpose module. Its two function generators can be used as envelopes, LFOs or VCOs. The 2 filter channels individually offer 8 modes of operation, and combined with its mixing and routing capabilities and a multi effects unit, it is not only a complete back end of a synth voice, but can also be used as a synthesizer voice, stereo filter bank or general purpose sound effects processor.

The Grand Terminal is based on an ARM M4 DSP, audio resolution 48 kHz/16Bit. Its two filter channels can be used in parallel or serial, and there is a link mode for stereo operation. The Audio inputs have individual trimmable gain stages to integrate the Grand Terminal into different production environments. There´s a soft clipping feature in order to prevent unwanted distortion. Gate A is normalized to Gate B for easy parallel processing.

Each of the filters can be set to any of 8 filter types, which are: Transistor Ladder Filter (Low Pass), Diode Ladder Filter (Low Pass), Vactrol Low-Pass Gate, Resonant Vactrol Low-Pass Gate, State Variable Low-Pass Filter, State Variable High-Pass Filter, State Variable Band-Pass Filter, Comb Filter. The filter can be controlled in 2 parameters manually as well as via CV. The outputs of this section can also be controlled in Volume and Pan position. At this stage, the unit is designed to distort in the upper third of the gain control setting.

The built-in multi effects processor features eight algorithms which can be altered in 2 crucial parameters and a possibility to crossfade between the dry and the effected signal. Its algorithms are: Hall Reverb, Shimmer Reverb, Room Reverb, Spring Reverb, Ping-Pong Delay, Tape Delay and Chorus. At the end of the audio path, there´s a Master Volume Control as well as one Mono and one Stereo output.

The two function generators can operate as AD or AR envelopes. All time parameters can be set between 1 ms and 10 seconds, manually as well as via CV. The envelopes can be individually set to loop and then act as LFOs or VCOs (following V/Oct for about 6,5 octaves). They also feature End-of-Stage Outputs.

When used in connection to the Gateway, all controls which are normally set by jumpers on the back of the module are accessible from the Gateway´s front panel.
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 1 in stock $646.43
Cat: 714525 Rel: 22 Jan 19 • View all Synth modules
 
USB to MIDI to CV converter synth module - 12HP
Notes: Shuttle Control is a 16-channel MIDI/CV interface which can receive USB-MIDI at a number of inputs simultaneously. For instance control signals from a tablet/PC/Mac at the "to device socket" or USB-MIDI-Keyboard or controllers via the "to host" sockets.

As the sockets provide for a +5V voltage you can use them for example for a LED lamp. An editor allows you to create and save up to 16 different mappings which can be recalled directly at the module. Those mappings can be for example 8-voice polyphonic setups with different CV scales (1V/oct, 1.2V/oct ot Hz/V). This makes it possible to use VCOs with different CV scales simultaneously to integrate them in a polyphonic setup. Besides this you can assign LFOs, triggers, Control Changes and random to the outputs.

Additionally the module can be used as a power solution for a small modular system and has an input for an external laptop brick power supply (12-20V). Also it can pass the Eurorack operational voltages via a long ribbon cable with a number of Euro connectors, both male and female sockets.

The note CV and gate signals generated by the MIDI/CV interface can be sent to other modules internally via Doepfer's internal bus. Endorphin.es' own Terminal and Furthrrrr can read their signals so you can create an entire Endorphin.es system easily.
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 1 in stock $465.90
Cat: 714534 Rel: 22 Jan 19 • View all Synth modules
 
Complete modular synthesiser system with protective cover & adhesive strip
Notes: The Shuttle System is a versatile modular setup, capable of generating classical as well as experimental sounds. It comes with a cover and adhesive strip for protecting the system from dust and to carry it around.

The synthesiser is composed of two Buchla style oscillators plus Waveshaper, two function generators, which can be used as envelopes, LFOs or additional VCOs, two filters respectively low pass gates with eight modes of operation and an effects processor.

Furthermore, a mono/stereo mixer with inserts and ducking compressor, utility circuits and a tune section are included. To control all those components, the instrument features an extensively equipped MIDI CV interface. Consequently, the Shuttle System is able to create an extremely wide range of high quality sounds.

The following modules are included in the Shuttle System:

Endorphin.es Cockpit:
The Cockpit is a performance mixer with 4 stereo channels, two channels of send and return to use iOS devices for signal processing (via a 4-pin TRRS cable) and also comes with an integrated compressor with sidechain input.

Endorphin.es Furthrrrr Generator:
The Furthrrrr Generator is a complex, completely analog oscillator inspired by the Buchla 259.

Endorphin.es Gateway:
Gateway is an expander for Endorhin.es Terminal which expands the envelope possibilities, with an integrated autotune-function for VCOs.

Endorphin.es Grand Terminal:
The Grand Terminal is a digital multipurpose module. Its two function generators can be used as envelopes, LFOs or VCOs. The 2 filter channels individually offer 8 modes of operation, and combined with its mixing and routing capabilities and a multi effects unit, it is not only a complete back end of a synth voice, but can also be used as a synthesiser voice, stereo filter bank or general purpose sound effects processor.

Endorphin.es Shuttle Control:
Shuttle Control is a freely configurable converter from USB-MIDI to CV/gate/clock with16 outputs. Use the USB sockets to connect a USB keyboard and the "to device" micro USB connector to hook up a tablet or PC/Mac with controller software which doesn't have to be capable of MIDI. Furthermore it can be used as power supply and distribution and internal MIDI/CV-bus for a small modular system.

Decksaver for Shuttle System:
- Closes patched
- Fits any screws
- Fits any Frap Tools 2x Plus (84 hp) cases with customs Shuttle sides (available as a kit as well)
- Secured with adhesive strip
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 1 in stock $2,216.05
Cat: 714527 Rel: 22 Jan 19 • View all Synth modules
 
MIDI merger synth module for merging MIDI and USB-MIDI streams into one MIDI/USB MIDI flow - 6HP
Notes: The Shuttle Mate merges MIDI streams from DIN and USB sockets into one MIDI flow which is available simultaneously at a USB and a DIN output socket, making it a perfect companion to Endorphines' Shuttle Control module.

However it can also operate on its own. Since the module is USB powered it can be used totally independently as a standalone device from the Eurorack-power. With the Shuttle Mate you can connect more than one device that delivers clock and MIDI signals with the Shuttle Control. The inbound and outbound USB connectors are both bi-directional I/Os.
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 2 in stock $116.74
NUX
Cat: 712789 Rel: 22 Jan 19 • View all Guitar amplifiers
 
Mini, lightweight amplifier with Bluetooth connection
Notes: NUX Mighty Lite BT is a new standard for the mini class amplifiers. It's lightweight and literally small all-in-one portable guitar amplifier. It's a low-watt practice amp that you can use in any room at your home, put on a desk or take it wherever you want and jam, via the battery-powered operation or USB to power bank connection. It features 3 channels, built-in digital reverb, and delay, Nux user-friendly interface design. It also offers an Auxiliary line-in and Bluetooth connection for jamming along to your own music... You can improve your jamming skill along with built-in drums and metronome as well.
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 2 in stock $65.93
NUX
Cat: 712767 Rel: 22 Jan 19 • View all Effects pedals
 
Distortion effects pedal with rotary gain, level & tone controls
Notes: Shopping for a British distortion pedal? Try the NUX Brownie! The Classical British rock tones of the 1970's, packed into one little box. How it works? By using a hybrid of circuits, we created truly unique pre-amp and power tube distortion characteristics. You'll be amazed to hear the warm, organic tone that's reproduced. Brownie has a specially designed BJT input stage causing it to "break-up" when the preamp tube starts to distort. It also has an asymmetrical clipping circuit letting you simulate some of the characteristics of an actual tube amplifier. It also keeps the bottom-end tight by processing bass frequencies which can get muddy when distorted.

Nux Brownie uses a low-pass tone control filter to simulate the Variac effect (by lowering the voltage going into the amplifier) for rounding-off your tone. The range of tone is controlled yet perfect for dialling-in the high-end response. The power clipping circuit is crafted from a modern low-noise op-amp and 2 red LEDs. It can create symmetrical clipping that distorts both halves of the signal keeping the sound smooth. True bypass circuits with a high quality TPDP mechanical foot-switch gives the bypass its phenomenal signal clarity.
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 2 in stock $29.18
NUX
Cat: 712777 Rel: 22 Jan 19 • View all Effects pedals
 
Multi-function effects pedal featuring analogue overdrive & distortion circuits
Notes: Cerberus is a multi-function effect pedal which can be used stand-alone or with the 4 cable method and comes packed with extraordinary features including inside routing, IR loader, analogue overdrive & distortion and digital effects. You can use Cerberus as a stand-alone device to prepare your setup and control as a stomp-box chain and/or save any combinations including routing as a preset and recall by a single click. You can add your essential gears into the chain with using 4 cable method no matter which equipment you use. Cerberus also offers MIDI control to organize your own effect pedals and improve your effects control at the same time. We've put together 2 selected analogue Drive/Distortion pedals, modulation effects and delay & reverb effects.
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 2 in stock $201.06
NUX JTC Drum & Loop Pedal (drum & loop pedal)
NUX
Cat: 712763 Rel: 22 Jan 19 • View all Effects pedals
 
24 bit loop pedal with drum machine
Notes: Jam Track Creator Drum & Loop is a compact 24 bit loop pedal with auto detection drum machine. With the NUX JTC Drum & Loop Mini, you can choose from 11 built-in drum rhythms, and record up to 6 minutes in 24-bit high-resolution audio quality.
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 2 in stock $64.85
Monday 21 January 2019
UDG
Cat: 717759 Rel: 21 Jan 19 • View all Studio accessories
 
Professional, durable case solution for your Focusrite interface
Notes: A Digital DJ looking for a professional, durable case solution for your Focusrite Scarlett2 2i4/6i6/18i8/Clarett 2Pre? Then look no further, UDG have developed a super light EVA hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provide protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Focusrite Scarlett2 2i4/6i6/18i8/Clarett 2Pre, these cases are perfect for the travelling DJ that needs to protect their equipment.
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 1 in stock $51.88
UDG
Cat: 717764 Rel: 21 Jan 19 • View all Studio accessories
 
Professional, durable case solution for your Universal Audio Arrow
Notes: A Digital DJ looking for a professional, durable case solution for your Universal Audio Arrow? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Universal Audio Arrow, these cases are perfect for the travelling DJ that needs to protect their equipment.
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 1 in stock $30.26
UDG
Cat: 717765 Rel: 21 Jan 19 • View all Studio accessories
 
Professional, durable case solution for your Universal Audio UAD-2 Satellite Thunderbolt
Notes: A Digital DJ looking for a professional, durable case solution for your Universal Audio UAD-2 Satellite Thunderbolt? Then look no further, UDG have developed a super light EVA hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Universal Audio UAD-2 Satellite Thunderbolt, these cases are perfect for the travelling DJ that needs to protect their equipment.
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 1 in stock $30.26
Cat: 690924 Rel: 21 Jan 19 • View all Synth modules
 
Fully analogue multipurpose movement manager - 18HP
Notes: The FALISTRI is a fully analogue multipurpose movement manager designed to generate and edit voltages to easily accomplish any patch.

The module can be divided in two big parts: in the upper two thirds of the panel take place two specular function generators, while the lower third is composed by a dual cascaded frequency divider, a linear slew limiter and a four-quadrant multiplier.
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 2 in stock $410.77
NUX
Cat: 712773 Rel: 21 Jan 19 • View all Effects pedals
 
Reverb effects pedal with single rotary knob control
Notes: NUX Oceanic, a reverb effect as vast and deep as its name! Its minimalistic design sails past the competition giving you endless parameter choices with one single knob. Studio-grade hardware performance makes it an essential in your arsenal of effects. Room, Hall, and Square-wave or even Outer-space reverb. It's all there, with a simple twist of a knob. Pressing the footswitch activates a green-light indicator, transforming the DECAY knob into a wet/dry mix control. Demanding guitarists want a reverb that doesn't drown-out their tone, and Oceanic was designed with this in mind. Instead of dull and shallow you'll get a deep full-sounding reverb that's so seamless, you might even forget your jamming with it.

To make Oceanic a great digital reverb pedal, we used a powerful 32-bit DSP to process the complexity of its algorithm. To make it a unique reverb pedal, we programmed loads of studio-sound shaping parameters into that algorithm: Envelope Control, Multi-stage Cascade Diffuser, Multi-band Tone Decay Adjustment, Random Adjustment of Tail-tone Delay, and lots more! We even built in a compressor mould to help fine-tune your reverb dynamics. NUX is, once again, proud to re-define the mini pedal with Oceanic, a truly extraordinary reverb pedal. Oceanic can be switched in between true-bypass and buffer bypass.
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 2 in stock $47.55
NUX
Cat: 712766 Rel: 21 Jan 19 • View all Effects pedals
 
Overdrive effects pedal with rotary drive, level & tone controls
Notes: Genuine tube-like sound that makes it more than your average Tube Screamer!

More gain! That was the overall goal. If you're not playing through a real tube amp, cranked for overdrive, it's difficult to get genuine tube overdrive sound.

The original Tube Screamer pedals used an OP-AMP system, a basic circuitry that became popular for its "perfect amp" attributes. It had no distortion so it had to be overdriven or distorted by re-shaping the signal until it distorts (diode-clipping). Clipping it a little bit gives you Overdrive. Clipping it a lot gives you distortion.

But there's a better way!

Using an FET Transistor System, which already has overdrive and distortion capabilities is a better approach to maintain the genuine sound you get from an actual analogue tube amp. An FET allows you to bring out the harmonic attributes, and break-up the distortion into a finer grit, the way a real tube does.

Now, your leads will sing richer and longer, and your rhythm will be more open and expressive than ever before. It all culminates into an overdrive that is superbly dynamic, with crisp precise clarity that lets players cut through a dense mix, without losing fat mid-range.
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 2 in stock $34.86
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