New releases today: Studio Equipment

Notes: DR-05XP

2-Channel 32-Bit Float Portable Handheld Recorder With USB-C Interface

Pro-Quality Portable Recording, Simplified

The TASCAM DR-05XP portable handheld recorder makes it easy to capture pro-quality recordings for music, audio-for-video, meetings, dictation, and more. With 32-bit float recording mode, you'll never need to worry about setting audio levels. With easy one-handed operation, the DR-05XP makes it simple to start recording with minimal setup time.

Capture Pro-Level Recordings Every Time

With its 32-bit float recording mode, the DR-05XP ensures your audio recordings will always be clear, distinct, and free of distortion that could ruin your recording - and you'll never need to worry about setting input levels.

Built-in Condenser Microphones

The DR-05XP features omnidirectional condenser microphones that can withstand high sound pressure levels (up to 125dB SPL), reducing the risk of mic distortion even in loud environments.

Simplicity in Your Palm

With the DR-05XP, the complexities of audio recording are a thing of the past. Easily access every feature from the palm of your hand. Plus, the backlit LCD screen means no squinting; just clear and concise navigation any time of day, in any environment.

Your Portable Recording Studio

The DR-05XP isn't only a powerful portable recorder - it's also a 2-in/2-out USB-C audio interface you can use to record anywhere, directly to audio recording software on your Mac or PC.

Ideal for Musicians

The DR-05XP is a fantastic portable recording solution for musicians with its high-quality microphones, 32-bit float recording, built-in tuner, reverb, overdubbing and more.

On Location

With its compact size, the DR-05XP can travel anywhere for exceptional field recording. Choose from three different low cut filter options for getting rid of unwanted noises. As a companion for video, the DR-05XP can attach easily to tripods and the Auto Tone output for cameras makes post-production a simple task.

Record Anything, Anywhere

From dialogue to vlogs, whether you're in an alley or a recording booth, the DR-05XP captures clear, crisp audio with ease. In addition to the built-in mics, use the stereo mini jack to add microphones with plug-in power or external line inputs to capture audio from any source in mono or stereo. Connect the unit to a computer via USB-C for use as a USB microphone.

Key Features
2-channel portable handheld audio recorder with microSDXC card storage
32-bit float recording mode ensures low-noise, distortion-free recordings
Omnidirectional condenser microphones handle loud environments and sources (up to 125dB SPL)
2-in/2-out USB-C audio interface for recording directly to your computer
Up to 17.5 hours of operation with 2 x AA alkaline batteries
Recording modes include 32-bit float/24-bit/16-bit, 96kHz/48kHz/44.1kHz
microSDXC (up to 512GB) cards can be used as recording media
USB Type-C port
Stereo mini jack for external stereo microphones (provides plug-in power) / External line input
Support multiple menu languages (ENG/FRA/DEU/ITA/ESP/RUS/PRT/JPN/CHI/KOR)
Long recordings as MP3 files possible
Various recording function (Auto rec, Self timer, Pre rec)
Overdubbing function
Limiter and Peak reduction
Three low-cut filter levels (40/80/120Hz)
Auto Tone output for use with DSLR camera
Reverb effect for vocal and instrument resonance
Mark function
128×64 pixel graphic LCD with backlight
Tripod mounting point attaches to any standard tripod
Stereo mini line output and headphone output
Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
Playlist function
Built-in monaural speaker makes it easy to check your recordings
Chromatic tuner for tuning musical instruments before recording

Recorder specifications
Recording media/file systems: microSD cards, microSDHC cards, microSDXC cards (up to 512 GB)
Recording/playback formats
WAV (BWF)
Sampling frequency: 44.1 kHz, 48 kHz, 96 kHz
Quantization bit depth: 16-bit / 24-bit / 32-bit float
MP3
Sampling frequency: 32 / 64 / 96 / 128 / 192 / 256 / 320 kbps
Quantization bit depth: 24-bit / 32-bit float
Maximum number of input channels: 2
Maximum number of recordable tracks: 2

Analog audio input/output ratings
MIC/EXT IN jack (can provide plug-in power)

Connector: 3.5mm (1/8") stereo mini jack
Input Impedance: 18 kO or more (when plug-in power is turned off)
2 kO or more (when plug-in power is turned on)

Nominal input level: - 20 dBV
Maximum input level : -4 dBV

PHONES/LINE OUT jack

Connector: 3.5mm (1/8") stereo mini jack
Output impedance: 12 O
Nominal output level: -14 dBV (10kO loaded)
Maximum output level: +2 dBV (10kO loaded)
Maximum output: 20 mW + 20 mW (32 O load)
Working impedance: 16 - 250O

Built-in Speaker
Output: 0.3W (monaural)

USB
Connector: USB Type-C
Format: USB 2.0 High Speed Mass Storage Class
USB 1.1 Full Speed Audio Class

USB Audio
Sampling rate: 44.1 / 48 kHz
Quantization bit depth: 24-bit
Number of inputs: 2 channels (output from this unit)
Number of outputs: 2 channels (input to this unit)

General

Power
2AA batteries (alkaline or NiMH)
USB bus power (5V/0.5A) from a computer, etc.
TASCAM PS-P520U AC adapter (sold separately)

Power consumption: 1.7 W (maximum)

Weight: 174 g / 0.384 lb (including batteries)
126 g / 0.278 lb (not including batteries)
Operating temperature range: 0 - 40 -C / 32 - 104 -F

Dimensions:
60.5 x 142.3 x 27 mm
2.39 x 5.61 x1.07 inch
(W x H x D, including protrusions)

Included items:

DR-05XP x1
Safety guide (including warranty) x1
TASCAM ID registration guide x1

* WS-11 Windscreen sold separately
* SD card not included

*Note:0 dBV=1 Vrms, 0 dBu=0.775 Vrms

Notes: Throughout MOOER's track record of producing electric guitar pedals, the company has put a lot of its innovative prowess into its range of loop pedals, including 2023's VP3 Loopation. Ever since, MOOER's engineers have been hard at work designing the GL100, a feature-packed dual-footswitch stereo phrase looper and drum machine that has far more on offer than its younger looper siblings.

Perhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.

The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.

In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.

Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.

As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.

Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.

Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.

2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g

Notes: Last year in 2023, MOOER released its Prime Stomp S1 multi-effects pedal, to great critical acclaim. The device expanded on MOOER's previous pedalboard creations, applying a more sleek, lightweight, and, most importantly, chargeable design. Now, the company is turning heads once again with the Prime Minimax M1, an upgraded device that improves functionality not only for electric guitarists, but for bassists too.

Packed inside the Prime Minimax M1 are 149 high-quality effect models across 10 banks, each of which contains 4 patches. These include amp and cabinet simulations and overdrives, along with dynamic, modulation, delay, reverb, and EQ effects, as well as empty user slots. Most notably, though, 20 of the amp and cabinet simulations have been curated specifically for bass guitarists, showing MOOER's dedication to providing support for this additional audience.

As with the Prime Stomp S1 and other recent MOOER multi-effects pedals, the Prime Minimax M1 is supported by the MOOER Cloud, a cutting-edge framework for preset sharing. Not only does this allow guitarists to customize and share their favourite M1 creations via the Bluetooth-compatible MOOER Prime app, but it also supports the importing of third-party IR files of up to 512pts. As a result, the 149 built-in effects are greatly expanded, with users able to simulate their favourite classic amplifiers, cabinets, and tones, whether they have downloaded them online or recorded the IRs themselves.

Taking an all-in-one approach to guitar practice and performance, the M1 also includes a built-in drum machine, complete with 40 different drum grooves and 10 metronomes. This goes hand-in-hand with the 80-second looper, with which guitarists can record electric and bass guitar phrases, play them back, and overdub them, all with simple footswitch presses. The looper can even be triggered automatically through signal detection, ensuring that loops always begin perfectly to form a perfect loop. Moreover, the looper can also be synced with the drum machine, a combination of which results in an all-in-one suite for songwriting.

Rather than the four footswitches found on the Prime Stomp S1, the Minimax M1 features just two footswitches, facilitating a more compact and streamlined design. Each footswitch is multi-functional, supporting a variety of tasks, such as browsing preset slots, triggering loop recordings, activating the device's built-in tuner, the tap tempo functionality, and interacting with the drum machine. The status and information of these features are visualized through the device's LED screen, along with indicators for Bluetooth activation, charging, battery life, and footswitch status. Two buttons are also provided-one to activate the drum machine and another for the device's power toggle.

In contrast to MOOER's recent flagship device, the GE1000 Li, the Prime series focuses heavily on portability and compactness. Weighing up at just 190g and 12cm in length, the Minimax M1 can fit comfortably into any backpack and most pockets, facilitating on-the-go guitar practice and performance. To add to this convenience, the M1 can be charged by USB through its built-in 2000mAh lithium battery. As a result, with the device's portability, guitarists can truly use this multi-effect pedal anywhere, anytime.

Continuing MOOER's reputation for providing flexible audio routing options, the design of the Prime Minimax M1 inputs and outputs are varied. Of course, the usually 14" mono input and 14" stereo output are available, as well as the 3.5mm output for headphone practice and monitoring. However, further options are available, such as Bluetooth 5.0 support for audio playback, allowing users to stream audio from another device to play along with. The device's USB-C port can even be used for OTG recording, allowing users to record their creations directly into the MOOER Prime mobile app.

Overall, the Prime Minimax M1 is yet another welcome addition to the pedal producer's range of multi-effects pedals. In particular, it marks a new level of portability for MOOER's device portfolio, showing just how much functionality its design team can pack into such a small box.

Notes: This module greatly expands on the principles of the ADDAC501 Complex Random from 2013.

This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.

The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.

Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.

The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.

Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V

Notes: Experience the perfect balance of power and form with the H2MIDI Pro.

Advanced features, engineered for excellence, designed for your workflow.

Seamlessly connect USB MIDI keyboards, controllers, and devices to traditional MIDI hardware without the need for a computer. Compatible with USB class-compliant MIDI instruments, including digital pianos, drum machines, portable keyboards, guitar pedals, EWIs, synthesizers, and more.

Accommodate up to 8 USB MIDI devices via an optional USB hub, providing flexibility for complex setups.

Enjoy bidirectional MIDI communication via 5-pin DIN MIDI ports, perfect for interfacing with MIDI hardware.

Easily connect to your computer via USB-C, offering 2 inputs and 2 outputs of virtual MIDI ports.

Compatible with leading operating systems, including MacOS, Windows, iOS, Android, Linux, and ChromeOS.

Master your MIDI setup with precision using the HxMIDI Tools software, available for macOS, Windows, Android, and iOS. Customize routing, apply intelligent MIDI filtering, and perform robust message remapping effortlessly.

Notes: This professional 24-bit/192kHz USB-C audio interface boasts 2 inputs and 2 outputs with excellent quality, making it the ideal choice for anyone seeking exceptional audio quality and versatility. Positioned right inbetween the Amber i1 and the larger Amber i4, the Amber i2 offers a balanced blend of performance and affordability without quality compromises.

Flexible Monitoring with ADM (Advanced Direct Monitoring): Tailor your monitoring experience to your needs with various configurations and enjoy real-time, zero-latency monitoring for flawless recording sessions.

Professional Mixer: Easily mix the input sources and playback signals directly on the interface.

Bidirectional MIDI Ports: Connect your MIDI devices seamlessly and use the 2 ports as either inputs or outputs.

Modern, Eye-Catching Design: Featuring a sleek look with a functional LCD display and an amber-colored volume knob that stands out against the green sand main body color.

Ultra Low Latency Drivers: Experience high-performance audio with exceptional stability.

The Amber i2 combines top-notch features with an unbeatable price, delivering above-average quality and performance. Whether you're a seasoned professional or just starting your audio journey, the Amber i2 is your go-to interface for creating stunning audio.

Notes: This professional 24-bit/192kHz USB-C audio interface boasts 4 inputs and 4 outputs with excellent quality, making it the ideal choice for anyone seeking exceptional audio quality and versatility. Positioned right at the pinnacle of ESI's Amber lineup and a step above Amber i2, the Amber i4 offers unparalleled performance and affordability without quality compromises.

Flexible Monitoring with ADM (Advanced Direct Monitoring): Tailor your monitoring experience to your needs with various configurations and enjoy real-time, zero-latency monitoring for flawless recording sessions.

Professional Mixer: Easily mix the input sources and playback signals directly on the interface.

Bidirectional MIDI Ports: Connect your MIDI devices seamlessly and use the 2 ports as either inputs or outputs.

Modern, Eye-Catching Design: Featuring a sleek look with a functional LCD display and an amber-colored volume knob that stands out against the green sand main body color.

Ultra Low Latency Drivers: Experience high-performance audio with exceptional stability.

More Inputs and Outputs: Equipped with 4 inputs (including 2 line inputs on the back), 4 outputs, and 2 independent headphone outputs, providing great flexibility for various recording and playback needs, as well as A/B comparison of mixes.

The Amber i4 combines top-notch features with an unbeatable price, delivering above-average quality and performance. Whether you're a seasoned professional or just starting your audio journey, the Amber i4 is your go-to interface for creating stunning audio.

Notes: Building on the legacy of ESI's renowned nEar studio monitors and upgrading the popular aktiv 05, the nEar i5 near field reference monitor sets a new standard for entry-level users seeking professional-level 5" near field monitoring speakers.

This DSP-based Class-D studio monitor features an ultra-flat low frequency response, a newly designed silk dome tweeter (40W powered), and a special 5" woofer (50W powered) made from selected sustainable sturdy paper fibers. These components deliver an unparalleled punch in the low-mid frequency range, offering a response unheard of in this class.

The unique Character selection switch provides a smooth Mix & Listen setting or a precise Reference sound.

The nEar i series is yet another milestone in the ESI studio monitor legacy.

Notes: Building on the legacy of ESI's renowned nEar studio monitors, the nEar i7 near field reference monitor sets a new standard for entry-level users seeking professional-level 6.5" near field monitoring speakers.

This DSP-based Class-D studio monitor features an ultra-flat low frequency response, a newly designed silk dome tweeter (40W powered), and a special 6.5" woofer (50W powered) made from selected sustainable sturdy paper fibers. These components deliver an unparalleled punch in the low-mid frequency range, offering a response unheard of in this class.

The unique Character selection switch provides a smooth Mix & Listen setting or a precise Reference sound.

The nEar i series is yet another milestone in the ESI studio monitor legacy.

Notes: Building on the legacy of ESI's renowned nEar studio monitors and upgrading the aktiv 08, the nEar i8 near field reference monitor sets a new standard for entry-level users seeking professional-level 8" near field monitoring speakers.

This DSP-based Class-D studio monitor features an ultra-flat low frequency response, a newly designed silk dome tweeter (55W powered), and a special 8" woofer (65W powered) made from selected sustainable sturdy paper fibers. These components deliver an unparalleled punch in the low-mid frequency range, offering a response unheard of in this class.

The unique Character selection switch provides a smooth Mix & Listen setting or a precise Reference sound.

The nEar i series is yet another milestone in the ESI studio monitor legacy.

Notes: A lovely creative approach to generative synthesis. Dual voices with triangle/square wave oscillators, shift register and envelopes can be patched via banana cables to create unique grooves and drones.

Supplier's Notes:
Double Knot v3

The Double Knot v3 is a small generative synthesizer with two voices and corresponding sequencers. This instrument has a simple architecture which is capable of a wide variety of sounds, including rhythms and drum patterns or textural and grating noise sounds. The interface is made up of knobs, switches, and banana plugs for patching. The two voices of this device each consist of a triangle/square wave oscillator, a shift register sequencer, an enveloper, and a voltage controlled amplifier. A clock sets the tempo of the shift registers.

The voices of the Double Knot are pre-wired, in a linear chain of functional blocks. The patch points are available to route modulations, influencing the simple linear voices. The game of this device is to investigate the relationships between the elements of the synth using the knobs, switches and patch-points.

FAQ

How many banana cables do I need? and what length?

8 or 10 cables around 12" long is a great start.

Can I patch this with my other synth?

Only what is safe for this synth. The banana ports of this device can handle max +/- 8V at all inputs and outputs assuming at least a 1k output impedance in the other device. The response range of the voltage inputs is ~1.2v - 8V (range of a TL07x powered by 9V).

Is this synth good by itself, or does it rely on other devices to be useful?

Some good sounds can be had using this device and a handful of banana cables.

Notes: If there's a tool that vinyl record lovers must have, it's an effective brush to clean the needle! The GrooveWasher SC1 Stylus Brush is the choice of thousands of audiophiles- who say it's the best darn stylus brush on the market!

This listing includes:

SC1 Stylus Cleaning Brush (4.6" long curved handle. Best stylus brush on the market.)
Stylus cleaning instructions
Ideal handle shape--4.6" long and curved to fit your hand. Easy to control while brushing the stylus and underside of the cartridge. Dense but soft nylon bristles, trimmed to a dome shape. Gentle on the stylus and cantilever. Can be used dry or with a couple of drops of GrooveWasher SC1 Stylus Fluid.

To clean your stylus safely, pull the brush straight back, from the back of the cartridge to the front.

*** Please note: cleaning fluid and turntable are not included, they are shown for demonstration purposes only. ***

Notes: THE SBG-PRO supports mono, stereo, balanced, and unbalanced input and output via 6.35mm jacks with level matching controls with clipping indication. The module features both direct and voltagecontrolled equal power crossfading between wet and dry sources.

Additionally, an expression input, along with the included 'floating ring' cable and conditioned output, ensures safe, voltage-limited CV control of external devices from your modular system.

The module extends its sibling, the original S.B.G, by adding full size stereo balanced jack connections and voltage control focusing more on connectivity with not just pedals but also pro audio equipment including rack effects, 500 Series modules and mixing consoles.

Notes: Sync all your time-based devices, seamlessly move through preset setlists, and simplify tempo matching with the Canvas Clock! Designed for any kind of rig you throw at it and deeply customizable, users can put their full trust in the Clock to be an all-in-one tempo solution for their board.

The Canvas Clock can interface to any device in your rig that accepts clock signal, whether MIDI, (via the 1/8 in or 5-pin MIDI ports) or analogue (via the 1/4 in jacks). Clock will send time signals for both MIDI and analogue devices, and will continue to do so as you move through your song list or manually adjust the tempo. As you edit, save, and recall songs in real-time or via the online editor at walrusaudio.io, Clock will send your specific settings for whichever song you are currently on out to all of the time-based devices you are connected to.

Customize your Clock

The four 1/4" in jacks aren't just for sending tempo. They can each be assigned one of four functions:

Tempo Out - Connect to any pedal or device that accepts external tap inputs or analogue time controls (ex: Walrus' Arp-87 Delay or Monument Tremolo). Canvas Clock can send analogue clock and MIDI clock at the same time. No more relying on your feet to keep perfect time.

CV (Control Voltage) Out - Control any device that accepts CV. Good for Analog Synths, Drum Machines, or similar devices.

Switch Input - Each jack can be configured to receive input from two external footswitch controls. The switches are connected to the Tip (left) and Ring (right) of the associated 1/4 in jack. These can be assigned to many functions available on the pedal with the ability to add more options via a software update.
Expression In - Connect an expression pedal, and use it to send a MIDI CC message out to a pedal connected to the Clock. The "Toe Down" and "Heel Down" values can be adjusted to fine-tune the controlled parameter range. Use this to adjust the mix of a reverb or the depth of a tremolo (via MIDI out).

Footswitches

Footswitches for the Clock are customizable. Eliminate the "bending over between songs to make adjustments portion of a set" by assigning one of the onboard functions to the A and/or B switches:

-Advance to the next song
-Go back to the previous song
-Advance to the next setlist
-Go back to the previous setlist
-Toggle the metronome start and stop
-Global tap tempo

Sync

The "Sync" jack found on top of the pedal can be set in two ways:
-Input - Great for accepting BPM from an external source.
-Output - Great for syncing external devices, such as a Eurorack device, a Roland Volca Synth, and many other devices.
Some external devices send/receive clock signals that are "double" the standard timing signals, so Walrus included the option to send/receive a 1x or 2x signal, depending on the specific device's needs. Users can also determine the subdivision of the BPM to send out.

Metronome


If active, the Clock metronome can be heard via the MET OUT port at the top of the pedal. This signal can be sent to a front of house console for live gigs or a monitor for practicing. Metronome type, volume, and accent note controls can all be edited in the Metronome Menu.

Songs

There are 128 "Song" slots available to users in the Canvas Clock. You can think of each song as an editable preset where you can adjust the song name, meter, BPM, MIDI Macros, and metronome start or stop. Once your song is edited to your liking, every time it is recalled it will operate just the way you set it!

Setlists

Keeping your songs organized is crucial for live sets, which is why with the Clock, songs can be grouped together and navigated through easily using the Setlist feature. Once you access setlist settings, you can select songs from your master song list to curate and reorder in the way you'd want them for a gig or practice. Once your setlist is saved and active, going through the setlist in real-time will recall these songs and all their settings in the order you curated them for that setlist.

MIDI Macros

For the MIDI-minded players who may want further control over their rig, there are standard MIDI commands that can be triggered when you recall songs with the Clock. MIDI Macros allow users to create one or a series of MIDI CC or PC messages that get sent out of the Canvas Clock when a specific song is recalled. Users have 128 adjustable Macros with 15 messages per MIDI Macro, which can be useful in further dictating how you want your MIDI devices to behave during certain songs, (ex: bypassing some pedals but engaging others).

Walrusaudio.io

While you can edit and customize your Canvas Clock settings using the menu on the pedal, users can also connect the pedal to a computer via the USB-C port and customize their Clock with the Canvas Clock Editor web-app. Quickly and easily set up songs, edit your Setlists, edit MIDI Macros, and more. Firmware updates will also be available via this site as well.

Specs

Power:
9VDC, 300mA,
Center-Negative, 2.1mm center pin OR Powered via USB-C
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
Computer Connectivity: Requires Chrome web browser on either Windows or Mac OS. Visit walrusaudio.io to use the Canvas editor and get firmware updates when available.
Enclosure: 2.3" x 2.96" x 4.84" including jacks & knobs

Hardware

Preset/Menu Encoder and Switch
Tempo/Save Encoder and Switch
Footswitch A
Footswitch B
1/4" Jack 1 (TS or TRS)
1/4" Jack 2 (TS or TRS)
1/4" Jack 3 (TS or TRS)
1/4" Jack 4 (TS or TRS)
MIDI In/Out (5-pin DIN)
MIDI In/Out (1/8th" TRS cable)
Sync (1/8th" TRS cable)
Met Out (1/8th" TRS cable - not intended to drive headphones, please plug into high impedance input)
USB-C

Notes: 2x66HP Aluminum Eurorack case

Inbuilt M3 Threads

PCB with 20 Power Sockets

Inbuild Power Supply +1A/-1A/+0,5A

ON/OFF Switch and Mini USB Power source (5V)

STORMBAG Case inclusive Shoulder Strap and Handle

Laptop stand with six heights

Power Wall with interchangeable Power Adaptors (UK/US/EU)

Size: 41cm x 32cm x 6cm (Bag), 35cm x 28,5cm x 3,5cm (Case)

Weight: 2kg (alltogether) / 1,1kg (case)

Notes: This is the world's smartest MIDI-to-USB cable compatible with all major operating systems via USB. Easily configure MIDI split/thru, merge and filter out any MIDI message via the free UxMIDI Tools software (Win/Mac).

USB-A with up to 1-in-1-out, compatible with all major operating systems
5-pin DIN MIDI with 1-in-1-out MIDI I/O compatible with most MIDI hardware
Advanced router, filter and mapper options via free UxMIDI Tools software with 2 MIDI assignable presets

Notes: WIDI distinguishes itself from any other Bluetooth MIDI technology available through its unique SCA technology. SCA is a collection of highly effective algorithms that optimize performance and minimize interference.

Latency is reduced to an inaudible 3ms as measured between 2 WIDI devices. MIDI transmits data at a standard rate of 31.25 kbps via cable. WIDI products go up to 400 kbps.

Notes: Updated version of WMD's exceptional performance mixer. Full stereo design with improved sound quality, revised layout and increased expandability. An even better version of what was already one of the best mixing solutions in Eurorack.

Supplier's Notes:
Enter the WMD Performance Mixer MKII - Eight years after the MKI was released, the MKII builds on all the valuable feedback received. This is a serious upgrade, with feature enhancements and engineering improvements affecting every bit of the design.

Decisions, decisions, decisions!

If you recall, WMD showed a previous version of the PM MKII a year ago. That version was very similar to the original, with a few enhancements. Primarily focused on manufacturability and overall noise floor with some great recording features. WMD moved to an 8-layer board, replaceable channel strips, developed the MIDI and bootloader, pre/post fader headers, and made it work on both AUXs simultaneously.

Noise Performance - The MKI was alright with noise, there was a little bleed too. Going to 8-layer boards meant I could put ground planes between trace layers, and spread the traces out triple the spacing of what they were on the MKI, this reduces bleed/crosstalk by a factor of about six.

Noise Performance 2 - On the Original, the Level VCA was before the Panning VCAs, which saved on parts/power, but it meant that the Panning VCAs were always connected to the mix bus, adding noise floor that couldn't be attenuated. Making all the channels stereo and putting the Pan circuit first eliminated this problem, now the noise add is controlled by the fader. This did force WMD to make every channel stereo, so the design got simpler through figuring this out.

Panning / Crossfader - The above panning/level improvement made it possible to convert the Pan control into a crossfader, buy simply routing the post pan signals through a switch to the opposing channel, summed at the Level control. This huge improvement allowed the A/&/B input switching scheme to still work on the PM MKII, a bit differently, but it's there in spirit.

Modular Design - The channel strips are all now stereo, and identical, which makes assembly much easier, and lowers the cost. It also makes replacing them easier should a mechanical part fail or get spilled into. Further, the Patchbay, Power board, and Master section are all separate parts, so if there's a failure, they can be quickly swapped without having to RMA the whole unit.

Patchbay - The MKI and rev E MKII still had jacks misaligned with channels. This was a source of frustration for d many users of the PM MKI. And I decided to just be done with it. It didn't make sense to try to put jacks over the channel, it wasted too much space on the panel... So all the jacks go left, keeping the mixer clear of cables, this let me space the knobs out a bit to take up all 3U. It's cleaner, simpler to make, and intuitive to use.

Expandability - It's super modular now, the DB25 can connect to any two headers that spits out audio, they're all the same format across PM MKII and Channels MKII. Pre, post, mixes, connect it however you want. And the connectors can't be hooked to power, meaning no more blown opamps and RMAs to the factory. They're all shrouded too so they won't get bent in shipping!

Features Overview:

Everything is stereo. Inputs, Busses, Auxes, and Cue Mix.
INPUTS: IN LEFT is normalled to IN RIGHT.
GAIN: Each channel has a Gain trim range of -12dB to +20dB, this will let you use line level devices easily.
GAIN CLIP LED: lights red 1dB before clipping the input stage.
LVL FADER: smooth intuitive curve for easily adjusting the mix level on the fly. A yellow indicator shows the level.
MUTE: Press the channel button and the channel will soft mute with a red LED indicator.

Notes: PM DB25 MKII is an expander output for the MKII versions of the Performance Mixer and Channels.

Pre-fade and Post-fade connections are available for all channels. The DB25 has 16 outputs. All mixer channels are stereo, so one DB25 handles the main PM MKII (either pre or post), and the DB25 can handle 2x Channels (either pre or post).

Simply connect the cable to the Pre or Post headers on the back of the PM MKII or Channels MKII modules to choose pre/post.

The PM MKII has an additional header with both Aux Sends, Master Bus, and Submix Bus.

Connect a DB25 cable of your choice to the front connector and then straight to your DAW or recording interface.

For use with original WMD Performance Mixer, an adapter board can be added on. Please note that width behind panel is increased by 8mm when adapter board is added on. This may require some clever position in your case. The original Performance Mixer still only offers Pre Fader Outputs.

Notes: Dual-purpose 1-in-1-out USB-C-to-MIDI cable with filter/mapper/router.

Notes: Now slimmed down to 2HP! The '07 is a precision buffered multiple, perfect for your 1V/O sources. An LED on each channel indicates positive or negative incoming voltage: red is positive, green is negative. Channel one cascades into channel two, giving you up to 7 outputs.

Specifications:
Current draw: +12V: 15mA, -12V: 15mA
Depth: 22mm
Width: 2HP

Notes: The Desktop Speaker Stand Series by Gator Frameworks supports most small-sized studio monitors and MacBook Pro/Air model laptops. Both stands function by separating and elevating speakers from desktop surfaces to produce a more isolated audio response for improved accuracy during studio monitoring. The adjustable stand height and platform tilt angle allow you to reach preferred positioning of speakers in your workstation. The series includes a regular base stand (GFWSPKSTMNDSK) and a clamping base stand (GFWSPKSTMNDSKCMP) to free up desk space.

Notes: These adjustible stands offer stable support for your studio monitors.

Notes: These isolation foam pads improve the acoustics of your monitors by seperating the speaker enclosures from your desktop, improving sound quality in the mixing and playback process by preventing sonic vibrations from resonating with the desktop surface.

Notes: Best known for Eurorack synth modules, Noise Engineering's Batverb builds on the brand's extensive experience, offering a performance-focused take on echoes, dynamics and tone.

Supplier's Notes:
Batverb is the stereo reverb that dreams are made of. Taking inspiration from Noise Engineering's famed tail-generating synth modules, Batverb brings reverberation and delay to a whole new level with extensive control of timbre, echoes, and dynamics.

Start by setting a predelay time and adjusting Regen to taste: this will set the length of the tail, from a short slapback-style echo to an infinite wall of reverberation. Add in some chaotic suboctaves with Doom, or some haunting overtones with Shimmer - or both at the same time. If you need to carve the range for your reverb, Batverb has low and high damping settings for the reverb tank. Batverb even has settings for saturation that can be applied to only the reverberant signal, or to the whole output.

Batverb is easy to balance with the rest of the effects in your chain, thanks to its onboard dry/wet Blend control, as well as input and output gain parameters. It also features a unique Duck switch that allows the reverb to duck out of the way of an input signal, or match the dynamics of your playing, similar to a gated reverb.

Batverb was designed to integrate perfectly into your performances. The left switch mutes the input to the reverb and sets the feedback to maximum, creating a wall of sound as long as it's held down. The expression input can also be routed to any parameter on the pedal. Plus, if you're a fan of MIDI, Batverb can store and recall 16 different presets and recall them in response to program change messages.

Batverb is an advanced pedal with state-of-the-art features, but it's incredibly easy to use and immediately fun to play.