Tags: Jazz Funk Disco

Review: Just What The World Needs returns to their own self-titled label with a 14th outing of fiery disco heat. This is potent music that melds together jazz, funk and soul with a lashing of synth goodness. The opener is a real driver with emotive gospel vocals and mad jazz keys. Second is a slower jam with a more dreamy feel then the flip side comes on strong with jazz say leading the way beneath vaping chords and funky, smooth drums. Last of all is a supercharged leftfield bomb with explosive cosmic synths and the sort of energy that stands out in any set.

Review: GAMM presents the debut of enigmatic producer Black Truffle, with an EP of underground Euro disco / boogie, high energy disco-jazz and leftfield Euro folk-funk-jazz. On the first side, get swept away by the breezy and lo-slung funk of 'Autumn Of Love' followed by the late night boogie-down vibe of 'Integration'. Over on the flip, 'Superqueen' is your go-to dancefloor heater to play at the peak of the evening, and finally there's the sensual slo-mo vocal number 'Zore Moya Vechirnaya' which is the perfect closing track for later on.

Review: Japanese keys wizard Hiroshi Sato recorded many albums across his career, bringing the vibrant sound of synthesis into earshot with his earliest albums in the late 70s. Orient was his third solo album, released in 1979 on Kitty Records in a pitch-perfect daydream of AOR goodness. Tracks like 'Son Goku' sum up the persistent appeal of Sato's music, fusing the smoothest compositions with some playful sound design approaches, which show he was having fun with the studio gear beyond writing exquisite melodies. Elsewhere, he had fun going into full freak mode with the madcap ear candy of 'Donkama'. If you can't get enough of that era of Japanese synth pop, this reissue is an absolute must.

Review: The Moving Music label continues to unearth some ridiculously odd and inspired Norwegian movie soundtracks. Their latest is taken from 1978's Operasjon Cobra, a "youth movie" with a plot that involves a group of Oslo teenagers foiling a terror plot. The soundtrack, which appears to be one of the first to be completed by obscure Norwegian composer (and former prog rocker) Pete Knutsen, flits between Blaxploitation-inspired jazz-funk, cheery, horn-and-Clavinet-heavy post-disco instrumentals, experimental jazz, creepy synthesizer soundscapes, jazz guitar-rich ambient and heavy funk-rock. Throughout, the production is admirably lo-fi, with Knutsen keeping the tracks largely free of effects or post-production trickery.