Tags: Middle Eastern Jazz

Review: Habibi Funk present a legendary Lebanese work from Issam Hajali's group Ferkat Al Ard. This groundbreaking release from 1978 is a truly international affair, as Arab, jazz, folk and Brazilian styles criss-cross with flair under the arrangement guidance of Ziad Rahbani. The sound moves between pop and psych to touches of bossa nova and tropicalia. For diggers who have been after this record for some time, it's worth noting the band insisted on two tracks being excluded which were on the original version, but they have been replaced by the equally stunning 'Juma;a 6 Hziran'. This is a gem of Lebanese musical history, and a quintessential release in the ever-essential research undertaken by Habibi Funk.

Review: Available here for the first time on vinyl, Lebanese singer Fairuz's 1991 album - previously only sold on CD and tape - has lost none of its romance or immersive qualities since the last time you heard it. Meanwhile, if this is your first outing with the eastern Mediterranean siren, prepare to dive into a mesmerising experience in which Arabic tones meets jazz-funk on an impressive scale, with unarguably rich depth.

A career spanning six decades, Fairuz is nothing short of a legend in her home region, with many citing her among the most famous vocalists from the Arab world. The Soul of Lebanon, no less, her voice is incredible but the work she aligned with, and pushed into the mainstream, is perhaps what's most impressive. Straddling genres and cultures with aplomb, the tragedy of the western music industry's homogenous attitude means many are still unaware. Thankfully, here's chance to rectify that.

Review: Maha was the vocalist with Salah Ragab's Cairo jazz band and in 1979 she recorded this somehow completely unknown album. It is a real world music gem that previously only came on cassette, and features production from Hany Shenoda of Al Massrieen. It mixes up plenty of Egyptian musical traditions with jazz, funk, soul and Latin influences. There's a string-laced serenity to 'Kabl Ma Nessallem We Nemshy' and 'Ala Shat El Nesyan' which stand out as particular highlights. Maha left music behind in the mid-1980s for a different life, which in this evidence suggests the jazz scene lost a great one.

Review: Lebanese singer Pol Seif has linked with various European instrumentalists for this Molo Sayat project , which has its base camp around the Med. The band compose their material in Arabic, Italian and Romani languages and their first release on Zephyrus Records oozes a soul soothing calmness and plenty of colourful folk sounds. The musicianship is second to none as saxophone, clarinet, double bass and trumpets are all blended into one smooth and beautiful soundscape as Serf's voice adds another layer of magic. Whether jazzy and upbeat such as 'Kai Zhas Seka' or slow and mournful like 'Adame' these are all essential sounds.