Body In The Thames - "Silver Threaded Crystal Beads" (6:02)
Peach - "Silky" (7:13)
Jay - "Balsam Drum" (6:30)
Webstarr - "The Muse" (7:02)
Review: Midland's Graded launches a new diffusion imprint: Intergraded. Featured here are four cuts from emerging producers. With Graded now focusing on the label boss's solo work and ReGraded catering to a different style altogether - the logical progression was to start a new label that could help introduce this music to a wider audience. Body In The Thames kicks things off on the A side - despite the name he's actually Swedish. His track "Silver Threaded Crystal Beads" is an emotive piece that sits somewhere between early Detroit techno and electro, in the vein of the Motor City godfather Juan Atkins. This is followed by the slinky tech house of "Silky" by London's Peach - a sturdy number supported by ethereal elements. On the flip, NTS host Jay (Siren) presents some moody, heads down techno for the late night on "Balsam Drum" while Yorkshire native Webstarr (De Grey/Mistry) goes deep into the afterhours on the darkly hypnotic "The Muse".
Review: Having debuted on Valcrond Video label last year with the Immured 12" under her familiar Xosar alias, Sheela Rahman now returns to the platform for some "shared make-believe" with founder Luke Wyatt for new project Body Tools. Taking a catalogue number as its title, this two track 12" follows a succession of Body Tools radio broadcasts on Berlin Community Radio and showcases a softer, more hypnotic side which in the case of lead track "Locusts & Lions" hits hard when the poignant piano makes its presence felt. "Brave" channels a strange, modern kosmische vibe that will really hit the spot deep in the mix.
Review: Although most readily associated with Hypercolour, Unknown To The Uknown and his own Bodytrax imprint, Chris "Bodyjack" Finke is a regular contributor to the Dext Recordings' growing catalogue. In fact, this is his third release for the imprint since 2016. Head first to A-side "Nataraja", a polyrhythmic onslaught that pits twisted electronics, raw stabs and ricocheting drum machine cowbells against a rumbling bassline and heavy, broken techno style drums. Finke flips the script entirely on the flip, delivering a gut-punching electro workout that flits between sparkling, melodic sections and periods of foreboding heaviness straight out of Drexciya's post-apocalyptic playbook.
Review: Having made a strong impression with the first two releases on BROMUR, Bogdan steps over to Not An Animal to flex his discoid pecs once again. He leads in with the understated Italo thrum of "Parovoznikov," riding a stuttering arpeggio and leaving plenty of room for the punchy drums and fluttering synth touches. Justin Van Der Volgen does a sensitive job of the remix, embellishing the core of the track with delicate chime refrains that add a tenderness to this muscular club jam. "Listopad" is a more mellow affair, but there's no shortage of fuzzy, vintage lead lines to bathe your ears in. Kito Jempere does a more drastic reinterpretation with his version of "Listopad," injecting a little acid and proto house bite into the track.
The Sixteen Steps - "Signals From The South" (6:28)
The Sixteen Steps - "Promises On The Run" (7:17)
Review: Rampant and 'up for it' as usual, the Cititrax label is back with a new set of wayward technoid experiments for the more trained ears on the dancefloors. This time it's Romania's Borusiade and newcomer The Sixteen Steps who share two sides of a wax plate and, of course, proceed to annihilate any idea of a quiet night in. The former sets off with the mechanical acid bumps of "Infatuation", guided by an eerie set of vocal blurs, and that's followed by the comparatively more beat-centric techno of the apocalyptic "Confutation". On the flip, The Sixteen Steps first lands on "Signals From The South", a house banger with noxious levels of mutant bass at its core, followed by the single-minded industrialism and sheer techno brutality of "Promises On The Run". WOWZAH!
Review: Not On Earth's first release sold out in quick time - unsurprising given the reputation of Frankfurt based founders Bodin & Jacob. Their second is a various artists affair that shows off some of the talents they have unearthed, while Bodin also reappears with "A Walk In The Park." It's a brilliantly militant cut with clipped, marching beats and rasping bass squelches, and elsewhere Philipp Boss opens the EP with the slippery electro rhythms of "Lava". Griezman's "Decheterie" is an uptempo bit of proper first wave tech house a la Terry Francis. Closing out this more than handy EP is the hard edged electro-tech of "Zoober" from Martyne.
Review: The man behind the track that Move D proclaimed "owned the dome at freerotation" , returns with 3 new tracks of deep machine grooves, his first release since 2013's Analogue Mapping. "Frey'd" is built around a synth patch stumbled upon whilst conducting a test on one of bovill's machines with rennouned Synth engineer Frey Smith. Opening with playful ,bubbling analogue tones and nostelgic pads, before characteristic basslines, percussion and 303 lines join in, ending on a spaced out contemplative groove . " L.A.T. " is a more stripped down track, which ebbs and flows around subtle builds, tweeks, and delays, perfect for the deeper late night dancefloor. Closing the ep is Golden burn, the deepest and most dubbed out of the 3 tracks, sprinkled with emotive keys, and underpinned by distinctive bass lines.
Heidi Sabertoorh - "So You Want To Take Back Your Will" (6:37)
Synapse - "Shiny" (locked groove) (0:30)
Somatic Responses - "Strategy Of Desire" (5:22)
John Selway - "Brainchild" (5:29)
Pointsman - "Dirty Shirt" (locked groove) (0:30)
Review: Seminal New York City imprint Serotonin lives on. John Selway and Jason Szostek present It's What We Live For: Volume 2 - the second in a series of compilations sharing their vision of sounds of tomorrow. Szostek himself dons the well known BPMF alias again for some fierce breakbeat techno action on "Zu Heib Fur Uns", the equally legendary Healy brothers aka Somatic Response still going strong - as heard on the slo-mo acid trance journey "Strategy Of Desire" and relative newcomer Heidi Sabertooth of Opal Onyx delivers some sludgy electro-punk antics on "So You Want To Take Back Your Will". There's some handy locked grooves on the electro-bass tip featured too by Synapse and Pointsman, which were pretty wicked too.
Miro SundayMusiq - "From Behind The Corner" (8:39)
Review: Following an excellent EP from Memphis, Animals On Psychedelics returns with more weird and wonderful party fare from the outer reaches. This time it's a various artists release that brings together all the producers involved in the label so far, while also introducing BPMF to the fold with the woozy, rubbery synth shapes of "Liza On Clouds." Jane Fitz and Dom Ahtuam's Invisible Menders project presents the rolling, psyched out melodics of "Three On Three," while Memphis pushes further into experimental territory with the wonderfully fractured "Altered States." That leaves it to Miro SundayMusiq to complete the EP with the wave-meets-Italo tones of "From Behind The Corner," a perfectly noirish flourish to finish a sterling record.
Review: Braiden's material has been slow to come out since he first landed with a bang on Doldrums back in 2010. A turn on Rush Hour confirmed his status as a producer in command of the chops necessary to get a dancefloor shaking, but this year's X Years In London OST cassette was a chance for him to expand into more experimental pastures. Not so on this new 12" for his Off Out label, which finds Braiden turning up the heat with some fiercely modern tech house workouts. "V.O.L.A.T" has the same kind of dangerous earworm armour that made Paul Woolford's "Erotic Discourse" so potent all those years ago. "Hydroplane" meanwhile takes some of the crisp but playful tropes of Pearson Sound et al and straps them to a thrumming motorik beat.
Review: Emotional Response reach out to another fine selection of sonic voyagers to take Brain Machine's excellent Peaks LP to task, leading in with the warm discoid undulations of Rollmottle who refigures "To The Stars" as a gentle, groovy warm-up joint. Die Wilde Jagd takes on "Mercury Ripples" and fashion a bombastic breaks jam out of it, and Merrick Adams pushes "Alpha Moon" into a curious but ultimately cosmic space somewhere beyond the titular lunar body. Cass takes the prize with the bittersweet synth tones that course through the two-part remix of "Nexus Vox".