Review: Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with 'Embryo' - an immersive four-track micro-odyssey spanning across jagged ambient scopes,unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, 'Morphic Dreams'.
Review: Copenhagen-based producer Rune Bagge (Northern Electronics/Ectotherm) presents the third installment on Courtesy's Kulor imprint. "Ingen Tak Til Systemet" (English translation: No Gratitude Towards The System) is a four track exercise in pure unadulterated sonic ultraviolence - if we've ever heard such a thing. From the pummeling and strobe-lit warehouse onslaught of opener "Secret Solutions", to the guttural and contorted noise terror of "Repulsion" followed by the frantic peak time mentalism of "I Am The Solution" which then gives way to the hyperspeed IDM of "Coup D'Etat" - there's truly no rest for the wicked on this one!
Order From Chaos Of The Death (Samuel Kerridge remix) (5:59)
Avoidance Paranoid (Isabella remix) (8:27)
Order From Chaos Of The Death (Ryo Murakami remix) (6:10)
Hissiyat (Svreca remix) (6:35)
Review: Following the release of Tolga Baklacioglu & Dee Grinski's album "Your Secret Face", VENT presents a remix package featuring Samuel Kerridge, Svreca, Ryo Murakami, and Isabella, who are some of the artists who have most inspired and supported the duo's music. These exceptional artists' interpretations refract the industrial rhythms and harrowing vocalisations of the original tracks into caleidoscopic tunnel visions with each remixer's individualistic expression.
Review: Essential repress! Tomas Bangalter's stone cold classic Roule 12" Trax On Da Rocks makes a return. The five tracks on offer - "On Da Rocks", "Roule Boule", "What To Do", "Outrun" and "Ventura" - have acquired legendary status, standing as sublime examples of the rough, raw end of the filter-soaked French house sound. Some 17 years since they were first released, these tracks have lost none of their madcap brilliance; if this isn't already a cherished part of your record collection, here's your chance.
Review: Some three years on from his last outing under the alias, Orlando Voorn dons the occasional Basic Bastard pseudonym for another giddy trip into soulful and melodious techno territory. Title track "Signals" is typical of the Dutch veteran's work, with attractive and futuristic chords, riffs and melodies dancing jauntily above a high-tempo techno groove and some seriously funky acid lines. It gets the remix treatment on the B-side, where Gallegos Yoga re-casts it as an acid fired slab of techno-funk before Unknown Detroit twists it into a ghostly, unearthly stomper. Bonus cut "Deep City", a colourful and ultra-melodious affair, is also superb.
Review: Since signing with Ransom Note Records in 2016, Bawrut has been on a fine run of form. Remarkably, this is the Madrid-based Italian's fifth EP for the imprint and it's every bit as memorable as its four predecessors. Like much of his work, title track "Pronto Arpeggio" is rich in razor-sharp analogue electronics, with high register arpeggio synthesizer lines rising above punchy beats, manic drum fills and mind-altering acid motifs. It's successfully toughened up by KiNK before Bawrut returns with "Shooreee", another boldly percussive and constantly building exercise in analogue electronics manipulation. Ruf Dug's brilliant remix takes the track to another level entirely via even denser drums, rougher acid riffs and more glistening lead lines, while "Atchu" is a chugging chunk of late night acid sleaze.
Review: Michigan producer John Beltran is a master of atmosphere and emotion. His ambient has been used for countless seminal TV shows, he's been cited as an inspiration to Four Tet and has put out key albums on labels like Delsin and Peacefrog. Here he is in a distinctively club-focussed mood, but the synths still very much speak to your heart. "The Lake" is pure Motor City techno soul, and the ambient reprise allows you to wallow in his pads even more. "Twilight" then bustles with shimmering metal hits while pixelated keys drift about like a million fire flies in a warm night sky. Lush.
Review: Grenoble-based producer Binary Digit previously plied his trade on Seven Hills offshoot Zeitnot, so it's little surprise to see him popping up on its parent label. "Never Owned A 303" is the Frenchman's most expansive EP to date, with the six included tracks varying in tempo and intensity while making extensive use of razor-sharp synth riffs and mind-altering, TB-303 style acid lines. Highlights include the metallic, Syclops-goes-techno clatter of "ZE7U II", the "Braindance" influenced dancefloor madness of "Virtual Modular 2 Tape", the sprightly acid-electro bounce of opener "Acid Racing Head" and the DJ Funk style ghetto-acid rush of "I Never Owned A 303".
Review: Since first emerging in the late 1980s, Peter Elmaloglou has been one of the mainstays of the Australian techno scene. Derrick May is a fan and has decided to offer Elmaloglou the opportunity to showcase his wares on Transmat. A-side "Set Me Free" offers up an impressive fusion of soft-touch European tech-house tropes (fluid, delay-laden synthesizer motifs, tactile beats etc.), Chicago style psychedelic acid lines and the kind of rumbling, elongated bass tones that were once a feature of Kevin Saunderson's late '80s/early '90s work as Reese. Over on side B, "Don't Stop" is undulating, hypnotic and minimalist in tone, with percussion that both hisses and clicks, while "Autumn Blues" sees him pepper a squeezable techno groove with heady ambient chords and glassy-eyed electronic lead lines.
Stojche - "The Exchange" (Gian Hydrocity Refix) (5:40)
Review: Blackhall & Bookless have been pursuing a fantastic strain of house and techno via their Jaunt label for many moons now. They're back and celebrating 10 years with a series of fantastic remixes that highlight the scope of their artistic vision, and that of those close to them. Inland leads in with an oceans deep version of the label bosses' "Spirit", which is smartly followed up by Jonas Kopp's equally submersive take on Hiver's "Itria". Jasper Wolff and Maarten Mittendorff lets the swooning "Meandering Rivers" by Kaelan burst its banks and fill out an expansive landscape, while Stojche pings Gian's "The Exchange" out into an electro-speckled cosmos.