Review: Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with 'Embryo' - an immersive four-track micro-odyssey spanning across jagged ambient scopes,unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, 'Morphic Dreams'.
Review: From the minds of Direct Beat and Detroit Bass Classics, comes the first initial compilation of electro/techno heat. "Electro In The Key Of Detroit Vol 1" presents 4 proven dance floor dope and record crate staples that provide the hungry ears of masses the groove to move. A Side features two sure-fire steppers - a rare AUX 88 voyage entitled "Phantom Power" and Blak Tony's tempo-pushing "Holla Holla" finally see the light of day on this wax collectable, giving praise to Motor City footwork culture. On the flip, DJ K-1's "Erase The Time" rocked the airwaves and global clubs with its signature thumping style laced beneath alien-like melody and repetitive vocal structure while Posatronix's mutant-rhythm mantra, "Pure Techno Sound" pulls the weight of Detroit's street dance roots down to the origin of how to boogie in space. This collection of re-issued jams and new explorations is the must-have for the electro/techno & bass aficionado.
Review: Copenhagen-based producer Rune Bagge (Northern Electronics/Ectotherm) presents the third installment on Courtesy's Kulor imprint. "Ingen Tak Til Systemet" (English translation: No Gratitude Towards The System) is a four track exercise in pure unadulterated sonic ultraviolence - if we've ever heard such a thing. From the pummeling and strobe-lit warehouse onslaught of opener "Secret Solutions", to the guttural and contorted noise terror of "Repulsion" followed by the frantic peak time mentalism of "I Am The Solution" which then gives way to the hyperspeed IDM of "Coup D'Etat" - there's truly no rest for the wicked on this one!
Order From Chaos Of The Death (Samuel Kerridge remix) (5:59)
Avoidance Paranoid (Isabella remix) (8:27)
Order From Chaos Of The Death (Ryo Murakami remix) (6:10)
Hissiyat (Svreca remix) (6:35)
Review: Following the release of Tolga Baklacioglu & Dee Grinski's album "Your Secret Face", VENT presents a remix package featuring Samuel Kerridge, Svreca, Ryo Murakami, and Isabella, who are some of the artists who have most inspired and supported the duo's music. These exceptional artists' interpretations refract the industrial rhythms and harrowing vocalisations of the original tracks into caleidoscopic tunnel visions with each remixer's individualistic expression.
Review: Following his highly praised album "Word Color" from last year, Gacha Bakradze offers up this stunning EP on Fever AM. "Monument" sees the Tbilisi based art- ist taking us on a refreshing, sublime journey over 4 pieces featuring his signature melodies, broken beats and striking sound design. Gacha pulls off a very well rounded EP here that works perfectly on headphones at home or on a sound system in the club. This is also the first artist besides labelheads Mor Elian and Rhyw to appear on Fever AM, opening up a new phase for the label.
Review: Bambooman (real name Kirk Barley) is a London based producer who presents his fourth release on Matthew Herbert's Accidental imprint - which follows up last year's terrific long player, Whispers. His new offering is the trippy minimal techno kicker "Ricochet", with its sparse arrangement revolving around a stuttering bassline and nasty chord stabs awash in plate reverb. On the flip, the man himself Herbert steps up to deliver a wacky and glitched out remix in his own truly idiosyncratic style once again.
Review: Essential repress! Tomas Bangalter's stone cold classic Roule 12" Trax On Da Rocks makes a return. The five tracks on offer - "On Da Rocks", "Roule Boule", "What To Do", "Outrun" and "Ventura" - have acquired legendary status, standing as sublime examples of the rough, raw end of the filter-soaked French house sound. Some 17 years since they were first released, these tracks have lost none of their madcap brilliance; if this isn't already a cherished part of your record collection, here's your chance.
Review: Over two decades into its lifespan, Adam Beyer's Drumcode imprint keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. On Part 3 of A Sides Vol 7, Beyer brings in the scene's top guns to expertly execute some main room peak-time action. On the first side, it's an undeniably Dutch affair with Amsterdam hero Bart Skils stepping up to deliver the deeply hypnotic tunnel vision of "West Of The Moon", while veterans Secret Cinema & Reinier Zonneveld deliver the darkly druggy dancefloor drama of "Pain Thing". On the flip, Pig & Dan should need no introduction and are in fine form as always on the adrenalised "Pushing On" while ascendant Aussie Juliet Fox similarly impresses on "Wanted Me".
Review: Some three years on from his last outing under the alias, Orlando Voorn dons the occasional Basic Bastard pseudonym for another giddy trip into soulful and melodious techno territory. Title track "Signals" is typical of the Dutch veteran's work, with attractive and futuristic chords, riffs and melodies dancing jauntily above a high-tempo techno groove and some seriously funky acid lines. It gets the remix treatment on the B-side, where Gallegos Yoga re-casts it as an acid fired slab of techno-funk before Unknown Detroit twists it into a ghostly, unearthly stomper. Bonus cut "Deep City", a colourful and ultra-melodious affair, is also superb.
Review: Brothers From Different Mothers stalwart Basses Terres is a producer to whom easy categorization cannot be applied. For example, on his 2016 debut, he rushed between a quartet of experimental techno, leftfield and electronica excursions, while 2017's "Counting Pulsations" cassette was a druggy trip rich in ambient, dub and "dungeon synth" flavours. So what's on offer here? More intoxicating, otherworldly concoctions, that's what. Highlights include the dark tropical ambient of "665 Moths", the dubbed-out post-dancehall weightiness of "Wilfred Doricent", the slipped and spacey electronica of "Deliae" and the fluid dreaminess of gently percussive closing cut "Sentiment Oceanique".
Review: Since signing with Ransom Note Records in 2016, Bawrut has been on a fine run of form. Remarkably, this is the Madrid-based Italian's fifth EP for the imprint and it's every bit as memorable as its four predecessors. Like much of his work, title track "Pronto Arpeggio" is rich in razor-sharp analogue electronics, with high register arpeggio synthesizer lines rising above punchy beats, manic drum fills and mind-altering acid motifs. It's successfully toughened up by KiNK before Bawrut returns with "Shooreee", another boldly percussive and constantly building exercise in analogue electronics manipulation. Ruf Dug's brilliant remix takes the track to another level entirely via even denser drums, rougher acid riffs and more glistening lead lines, while "Atchu" is a chugging chunk of late night acid sleaze.
Review: Former L.I.E.S. and Apron regular Greg Beato struck out on his own in 2017, establishing the Ni Un Pero label as an outlet for his work. He's not released all that much since, though last month's "Cum In Peace" two-tracker suggested there was more to come. At five tracks deep, the "Dade EP" is the producer's most action-packed release for some time. There's plenty to enjoy throughout, from the ricocheting percussion, jaunty electro bass and spacey electronics of opener "Tres" and the deep lo-fi techno shimmer of "Cero", to the restless percussion, alien electronics and clanking industrial drums of EP highlight "Hasta". Wonky closer "El Fin", a kind of deep space electro/lo-fi P-funk fusion cut, is also inspired.
Review: The term 'idiosyncratic' is flippantly bandied about these days, but can be used more appropriately to define legendary producers such as Ann Arbor's John Beltran. For nearly 20 years, Beltran has created some of the most seminal and timeless expressions in hi-tech soul music. It is classic Beltran on The Musical Storm EP, as heard on "Ascending" which harks back to the sounds of his treasured Ten Days Of Blue album on Peacefrog back in '96, the life affirming ambient journey "Barely Beating Within My Chest" is a fast forward to the present and is similar to his work on recent Delsin efforts like Everything At Once or Espais. Always one to surprise us at times, Beltran goes for a more lo-fi and gritty analogue approach to jackin underground house on the gritty "Confuse You" on the flip.
Review: Michigan producer John Beltran is a master of atmosphere and emotion. His ambient has been used for countless seminal TV shows, he's been cited as an inspiration to Four Tet and has put out key albums on labels like Delsin and Peacefrog. Here he is in a distinctively club-focussed mood, but the synths still very much speak to your heart. "The Lake" is pure Motor City techno soul, and the ambient reprise allows you to wallow in his pads even more. "Twilight" then bustles with shimmering metal hits while pixelated keys drift about like a million fire flies in a warm night sky. Lush.