Review: Otherwise known as one half of the Decas duo, Berlin-based Battista strikes out on his own with Records Hold Memories, an EP of thumping, raw techno tracks in the Restoration/Livejam vein, all recorded straight to tape. "From The Otherground" is all heaving kicks, a chugging angular bassline and distorted vocals buried deep in the mix; John Swing's remix meanwhile subtly flips the energy with a more rolling bassline with the kinds of loose drums that gather energy like a steam train. On the flip, "Natural Instinct" offers more unhinged 4/4, building up to a crescendo of cymbals and vocal noise; "Flowing Through Time" is even more manic, accelerating things up to 134BPM through a flurry of claps, snares and looping bass.
Review: The brilliant Chronicle has been quiet for a minute, but comes back in fine form with this keenly curated various artists 12" that re-affirms the label's vision of cerebral, deep and driving techno. Damon Wild shows his tender side on the gorgeous, immersive "Constant Search", while Ben Sims brings a tougher palette to bear on peak time percussive belter "Vicious Cycle". Steve Bicknell summons a fearsome, metallic dervish on the monolithic "Chapter Of Self", and Tadeo takes things bleepy, loopy and uplifting on "X Marks The Spot". It's a 12" of stunning modern techno from start to finish.
Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: Cong Burn continues to exercise one of the most promising instincts for future-minded music on this, their third release. It's surprising they haven't done more previously, considering the maturity of their curation, but either way the quality remains at an all time high here, leading in with some light and liquefied 4/4 sonics from Chekov before pirouetting into one of Duckett's illustrious abstractions around the techno blueprint. Label regular Lack is back on side B with the stern and punchy "Track 3," and then Haddon finishes the record off with "Anabiosis," a densely textured, slow creeping trip of a track.
Review: It's been a long time since Dadub released anything - the core of their output came via Stroboscopic Artefacts between 2011 and 2013. Now after a hiatus, they make a powerful return with this release for the label of Georgia's most infamous nightclub, Bassiani. They're not pulling any punches on this record, coming down heavy on "Rituals" with a dense, layered approach as edgy and experimental as it is propulsive. Zesknel's remix of the track goes in heavy too, although more in terms of erratic sound design rather than punishing techno rhythms. Check out "Resistance" on the flip to hear Dadub in full flight with spacious dub processing and rave samples over a stomping percussive undercarriage that begs to be played out in a smoke filled room.
Review: Saucer-eyed rave revivalists Tone Dropout can usually be relied upon to deliver the goods, especially if you're looking for sweaty, energy-packed slabs of warehouse ready techno, acid and electro. The label's latest missive is packed to the rafters with such giddy and forthright fare, to the bleeping, mind-altering insanity of Dawl & Sween's acid-fired throb-job "Laser Guided", to the "Bleep and Breaks" pressure of Samuel Padden's bustling "Quad Damage", to the stripped-back machine techno heaviness of Daif's similarly bleepy "Mysterious Freakin History". Elsewhere, the Ascot/WW track sits somewhere between early breakbeat hardcore and ambient techno, while Skywave Transmission v XOTR's "Warehouse 101" lives up to its name. Serious heat!
Review: Long-serving, jungle-loving experimentalist Christoph De Babalon is on a roll. This rock solid EP comes hot on the heels of his latest inspired album, "Exquisite Angst", which slipped out in early December 2018. The four tracks offered up here are typically bolshy and bass-heavy, with De Babalon mixing and mangling IDM and Atari Teenage Riot style "digital D&B" insanity to suit his own twisted ends. In terms of highlights, we're particularly enjoying the bass-weight, skittish breakbeats and ghostly electronics of "Harakiri" and the more loose and languid - but no less bass-heavy - flipside opener "Shakes and Shivers". That said the dark and apocalyptic "Endless Inside" is also superb.