Review: Robin Ball has been on a roll of late, flaunting his wares on the Memory Box label amongst others. He makes a second outing on Groovepressure with four tracks of dynamic, inventive machine jams touching on synthwave influences and a healthy dose of electro. There's atmosphere loaded into each of these forthright, roughly hewn workouts, not least on the eerie, trancey synth strings on "Mr Mumble". The B side features the steadiest material in the shape of two versions of "Satin" that tap into the housier end of Ball's output.
Review: Essential repress! Tomas Bangalter's stone cold classic Roule 12" Trax On Da Rocks makes a return. The five tracks on offer - "On Da Rocks", "Roule Boule", "What To Do", "Outrun" and "Ventura" - have acquired legendary status, standing as sublime examples of the rough, raw end of the filter-soaked French house sound. Some 17 years since they were first released, these tracks have lost none of their madcap brilliance; if this isn't already a cherished part of your record collection, here's your chance.
Review: There's a delightfully celebratory feel about this debut volume of Cititrax Tracks, a new 12" series from Minimal Wave offshoot Cititrax. As beautifully presented as we've come to expect, Tracks Volume 1 boasts a quartet of dancefloor-ready smashers from a blend of new faces and label stalwarts. Amato (aka The Hacker) kicks things off with the glistening EBM funk of "Physique" - all restless synth refrains and pounding bottom end - before LIES affiliate Tsuzing go all dark, psychedelic and twisted on the thrillingly intense, acid-flecked "King of System". An-I go all DAF (with a touch of Front 242) on the fuzzy and dystopian stomper "Mutter", before Cititrax regulars Broken English Club delivers a storming chunk of industrial-tinged analogue funk ("Glass"). Bravo!
Review: Having made a strong impression with the first two releases on BROMUR, Bogdan steps over to Not An Animal to flex his discoid pecs once again. He leads in with the understated Italo thrum of "Parovoznikov," riding a stuttering arpeggio and leaving plenty of room for the punchy drums and fluttering synth touches. Justin Van Der Volgen does a sensitive job of the remix, embellishing the core of the track with delicate chime refrains that add a tenderness to this muscular club jam. "Listopad" is a more mellow affair, but there's no shortage of fuzzy, vintage lead lines to bathe your ears in. Kito Jempere does a more drastic reinterpretation with his version of "Listopad," injecting a little acid and proto house bite into the track.
Review: The brilliantly monikered Big Strick - familial elder to Omar S and responsible for the odd killer release on his younger cousin's FXHE imprint - belatedly sates the appetite of record collectors keen to indulge in his recent album Detroit Heat with a six track selection of the choicest cuts spread across this twelve inch. Seemingly drawing influence from a myriad of Motor City influences, Detroit Heat impressively flits between murky deep house, tracky techno and hypnotic jack-tracks. Like many of his contemporaries, Strick is a sucker for 'cement mixer' production - that distinctly Detroitian sound where every beat, groove or bassline sounds like the master tapes have been marinated in grit. That trademark sound, alongside a solid selection of floor-friendly grooves, makes Detroit Heat an excellent addition to the Motor City house canon. The rubbery spinal atmospherics of "Under Tone" and the Tony Coates vocally assisted jack of "Maybe 1 Day" are particular highlights!
Review: After launching with a buttechno 12", Russia's leading exponent of leftfield techno fires up his RASSVET label under his own name with a trip into the strange middle ground between trance and coldwave. "Main Loop" is certainly obscure in its leaning, coming on like an 80s soundtrack refrain, but there's no mistaking the dazzling leads undergoing surgery in "Chording". This is deconstructed trance mangled for the post club generation, all the euphoria straining against aggressive digital processing to create a very unsettling listening experience indeed. Trance aficionados will be aghast, techno snobs will be up in arms, and the new wave of heads drawing on all genres great and small will be relishing in the post modern madness of it all.
Review: Steve O'Sullivan's Mosaic train keeps on rolling, this time via the LTDX series which reaches its second station stop with two more dubbed out dancefloor delights for the deepest divers. O'Sullivan dons his Bluetrain guise to deliver the UK steppers-indebted "Armchair Analyst," which artfully folds subtle dubwise influences into its minimal techno construction. On the flip side, Roger Gerressen spaces things out good and proper with the slow-stalking groove of "Long Overdue," fusing the best elements of contemporary minimal and classic dub to create a fine extension of the Rhythm & Sound blueprint.
Review: UK techno stalwart Steve Bicknell's Lost Recordings series must be one of the longest running in dance music; the Lost and Cosmic founder has been putting out previous unheard material from his early '90s heyday on and off since 2004. There are few surprises on this 10th edition, but plenty of slamming, no-holds-barred grooves. The hissing, spacey, cymbal-heavy "Track 3" is particularly trippy, while there's a gnarled, ragged intensity about the pulsating heaviness of "Track 1". Arguably best of all, though - ambient interlude "Track 2" aside - is "Track 4", an eerie techno shuffler built around a wonky, off-key electric piano loop and fizzing percussion.
Review: Pavel Milyakov has largely impressed since making his debut under the Buttechno alias earlier this year, delivering a pair of 12" singles that gather together short, hardware-driven experiments in a variety of dystopian styles. Here, the Russian producer debuts under his given name, once again flitting between dark and spacey dancefloor workouts, bleak broken techno, macabre electro, wonky IDM and panicky ambience. Despite the stylistic shifts, the EP hangs together impressively, thanks in no small part to Milyakov's penchant for industrial textures, tape echo and haunting melodies. If you're into the releases of L.I.E.S and Berceuse Heroique, you need this in your life.
Review: Adam Beyer teams up with Pig & Dan on the new Capsule EP and they sure aren't messing around. The Drumcode boss knew he could call upon his label stalwarts for EP packed full of main room power tools with the peak time in mind. The adrenalised, forceful stomp and grind of the title track gets things off to a good start, while the druggy and head rush inducing muscle of "In Love" is bound for some real hands in the air moments. On the flip "We Are E" leaves little to the imagination on this heady and bass driven trip through the early hours of a heaving stadium dancefloor... where things are starting to get real weird. Then those ravey church organs come in and it starts getting right crazy!
Review: Leonard "Big Strick" Strickland is perhaps best known for his family ties with Omar-S (they're cousins), though his productions are well worthy of praise in their own right. Here, he offers up a sampler 12" featuring cuts from his recent (and excellent) Reservoir Dogs LP. Perhaps the most noteworthy cut is "Family Affair", a lovingly constructed chunk of hypnotic, melodic deepness written with Omar-S. That said, Strick's solo effort "Armed & Dangerous" - a winding chunk of voodoo techno - is arguably better. The mazy techno-funk of Reckless Ron Cook's "Night Moves" is also outstanding.
Review: Fragrant Harbour once again dig out a cult gem from the seemingly endless vaults of 90s dance music, picking up on a rare and precious gem from a seminal Laurent Garnier mix and giving it the remaster and reissue it deserves. The artists responsible, Broccoli Brothers vs Righteous Men, hailed from Germany and were trying to emulate Mike Dunn. "Catch It (Calm Manoeuvre)" is a spaced out deep house track with all the gritty impact of a classic jam, while "Catch It (Jam)" gets decidedly rowdy with its hefty kick, jacked up swing and wonky bassline. On the B side "Ruhrschnellweg (Last Exit Stahlhausen Mix)" brings a little Detroit flavour into the mix with spectacular, uplifting results.
Review: Having made his name during the late '90s and early 2000s as a maker of particularly forthright techno, Oliver Ho has broadened his horizons in recent years. Nowhere is that more obvious on his Broken English Club project, which debuted last year with a pair of industrial and EBM minded releases for Jealous God and Minimal Wave offshoot Cititrax. Here he returns to the latter, laying down more fuzzy, straight-to-tape journeys into analogue, mid '80s dancefloor experimentalism. There's naturally much to enjoy, from the peak Cabaret Voltaire grittiness of "Drycutting", and the bleak EBM throb of "Ritual Killing", to the ghostly synthesizers, Jaydee bass and droning textures of "Channel 83".
Review: Collaborations are often the fortune of timing. With Andy having moved on since closing the Dissident label to launching his Cave Paintings project to Tim's departure from Battant and striking out as Andrew Weatherall's engineer and soon to be co-member of The Asphodells, an alliance was born between the two to undertake a series of live jam sessions at each's respective studios. A love of new wave, new beat, UK Bleep and Detroit techno all feature in B-Ultras and the aptly titled, Neu Beat. Both cuts are heavily soaked in the pitch black, smoke machine funk and strob-laden fug of Andy's (and co-hort Joe Hart) infamous World Unknown dancefloor. Running at around 10 minutes the tracks are essentially an examination of acid house's ideals. Clattering hats, throbbing basslines, stabbing keys and doses of 303. Keeping it pretty simple but all about a pure groove on and on. Backing these up is a remix of B-Ultras from Jamie Paton that accentuates the groove and drags the acid deeper down to some B-boy Dub throwdown - with more to follow from all protagonists in 2014.
Review: When it comes to dub techno, you need look no further than the master of the genre, Basic Channel. It's been a good long while since there was any fresh material on wax from the immortal German outfit, but now they have looked back over their archives and realised that "Q-Loop", originally found on the BCD CD release, never made its way on to vinyl, and so here it is for all the Basic Channel completists out there. There's no need to go into detail about the music, but an extended fourteen minutes of "Q-Loop" stretched across the A side can only be a beautiful thing. On the flip you can also enjoy the aqueous strains of "Q1.2" and "Mutism"s vaporous ambience, both of which are enjoying their first outings on the black stuff.
Review: Having lurked around murky corners of the grubby industrial techno realm for the past year or so, Pavel Milyakov builds on his rapidly swelling discography with this transmission for Public System. It's the second release on the label following a strong opening salvo from DJ Spider and Greypeople, and this 12" offers up further forthright club-wreckers that balance taut functionality with production flair. Opening cut "Strainn" delivers bludgeoning electro from the netherworld, which Ekman then dutifully reworks with an added eerie tension. There are edgy arpeggios aplenty on "Trance T" and warmer tones in "Augusts 13", rounding out an essential slab of serious techno tackle.
Review: P-Balans is a new imprint in the Future Nuggets emerging constellation. A tehnodelia ramification within the Bucharest electronic scene that will host rising names like Khidja and Borusiade while introducing new characters like The Holy Fix (Camil Dumitrescu, co-member of Delusion Men) and Utopus (Ion D, producer of Steaua de Mare, Raze de Soare, Anahore?ii among others) already featured on "Sounds on the Unheard from Romania vol. 2". Keeping the same strategies of fusion and diffusion as Future Nuggets, P-Balans will explore the space traversal to techno, entering and exiting the dark halls of the club through multiple doors.
K'Alexi Shelby - "That Old Chicago" (Sims JFF edit)
Scott Franka - "Francine" (Acid mix)
Barrow Boy - "Shacid"
Review: Stealth Mission has a rugged, old skool approach to acid techno that makes it seriously potent material for those who like their parties dark and nasty. The likes of Andreas Gehm (RIP) and Mark Ambrose have appeared on the label before, and now there's a third selection of scuffed and scraped warehouse belters to feast your ears on. Naked Eye People are back once again with an understated breakbeat roll and a devilish 303 line on "Jungle Acid," while K'Alexi Shelby takes no prisoners on the brittle drum jacker "That Old Chicago." Scott Franka's "Francine" is a surprisingly emotive but no less gritty acid trip, and then Barrow Boy ramps up the intensity with squelchy techno beast "Shacid."
Review: Since announcing their debut album on UK institution Ninja Tune earlier this year, Irish duo Bicep present the first single from the album in the form of title track "Aura". Said to have been created via a series of accidents while experimenting with a new studio setup, the track finally came together through trial and error and here is the wonderful result. A dark and sexy serving of dancefloor drama featuring 'hands in the air' style vintage synth melodies, life affirming strings and immaculate drum programming. It is sure to be one of 'those' tracks you're going to be hearing a lot of in the latter part of 2017 and beyond.
Review: Drumcode head honcho Adam Beyer and Chicagoan legend Curtis Jones (aka Green Velvet) had discussed writing music together for a long time. Also, Beyer's protege Layton Giordani had admired the mohawked Jones' work for as long as he could remember. When he got to DJ alongside him at Belfast's Shine - the spark and subsequent friendship was immediate. The outcome of this respected trio's musical journey comes in the form of "Space Date" which will be familiar to many who've followed their sets over recent months. Featuring a relentless main room stomp with steely hats and droney synth leads, all accompanied by Green Velvet's trademark vocal delivery. The thunderous peak time energy of "Rome Future" is likewise guaranteed to rock the house - that killer Reese bassline particularly is sure to blow the doors off!
Review: Another great EP from the 3 boys from Sweden, the Blotnik Brothers. Strong percussive big room electro, thick melodies and perfectly-timed arrangements are the mark of their second EP. Kraftwerk on steroids!
Review: Blawan's new side project Bored Young Adults is up next on Will Bankhead's label The Trilogy Tapes. The Shy Dancers On Bungalowdorf Beach features some restrained and slow burning techno experiments that differ from Jamie Robert's more usual hard-hitting sounds. The seething title track treads the same path as Kassem Mosse or Vactrol Park. The Fentanyl techno of "But We Need This Bench" sounds like an old Regis record played on -8, while devoted fans of the young UK producer's sound will get something a bit more familiar on the menacing hypnotic techno grinder "Check Up From The Neck Up".
Review: After a quiet 2016 thus far Och's Autoreply label is finally back in action with a frankly fantastic selection of workouts from Mark Broom. In keeping with the style Broom has been exercising in new Perbec jams with Baby Ford, this is more restrained than the muscular techno Broom can also be known for. Instead, you get expressive, satisfying house tracks such as "18.2" and the neatly pumping "10" with its killer array of synths to satisfy the dancefloor and the mind in equal measure. Avoiding unnecessary fireworks in favour of perfectly chosen and shaped elements, this is a glittering demonstration of Broom's cool-headed approach in the studio.
Blue Vulva & The Electronic Crooner - "Vulbitch Bazaar"
Review: Minuendo keep things interesting on this latest various artists 12", primarily focusing on Owen Jay and Brian James on the A side for two tracks of adventurous experimentation on the wild frontier of minimal house music. The wobbly synth running through "Niko's Groove" is a real head turner, while "Imagery" nudges the grand tradition of dub house into a new pocket of ambience that draws you in immediately. There's a lovely, classic deep house joint from Untitled called "Seafood", and then Blue Vulva & The Electronic Crooner completely flip the script on the B2 with rowdy acid burner "Vulbitch Bazaar".
Review: The fourth sampler from Ben Sims' mammoth Tribology mix features another four of the must-have exclusives from this crucial document of contemporary techno. Function leads the way with "Introversion", a spooky and sleekly designed deep driver marked out by thin slithers of displaced vocal. Tripeo plays the opposite tact with a bright and bold synth hook front and centre of the mix on "Sequoia", and then Truncate trickles down a pattering array of drum machine rhythms and fluttering melodic chimes on the stunning "Rings." Blasha & Allatt bring the tough stuff to the B2 with the jacked up energy of "Broughton 93" - their debut appearance no less and a very strong one at that.
Review: Liverpool's Scenery Records has been making a real splash over the last 18 months, delivering the kind of top notch, analogue-heavy deep house gear that invites comparisons with the best labels from Vancouver, Washington D.C and New York. There's plenty more to cheer on this label debut from Liverpudlian producer Binny, not least the immersive melodiousness, dancing synthesizers and rhythmic hustle of "Retrospective". Chicago Skyway delivers two impeccable rubs of that track, with the second - a new-age techno stomper built around beautiful synthesizer arpeggios and drum machine cowbells - standing out. Flip for the glassy-eyed intelligent techno-meets-deep house thrills of "A Moment In Time", which is also given a pulsating acid techno makeover from Scenery veteran Circular Rhythms.
Review: Cong Burn made a mighty splash with its first release, clearly flaunting the kind of wares you'd expect to hear from Livity Sound alumni or other such esteemed techno renegades. The second installment is no slouch either, featuring a new cast of crooked creators offering up their wares for the modern mutant dancefloor. BFTT has a weighty low end thrum powering "Public/Private", while Lack takes things in a scuffed and nimble direction. Chekov pushes out into more experimental pastures with the broken beats and displaced sound design of "Celeste" and Howes creates a wonderful strain of mystical deep house for darkened souls. Each one of these tracks is loaded with flair and personality, yards ahead of your average generic knock offs and presenting something with real merit to the convoluted world of dance music.
Review: Hessle Audio's emergence from hibernation in 2012 really has seen the label release some of the most extraordinary music of its life, and this EP from Bandshell might top the lot. Tapping into the grainy, murky sound world of the like of STL, Shed and Actress, this record explores strange rhythms constantly on the verge of breaking out into a frenzy. The title track is comprised of little more than rattling percussion and dense, fizzy bass, while "Rise 'Em" places a jungle breakbeat atop a mucky hum. On the flip, "Metzger" takes the vibe of classic dubstep and fills it with subtle melodies and clipped snares, but "Dog Sweater" is the real killer - a homage to soundsystem culture whose threadbare rhythms are the only thing to stop you being dragged into the track's viscous centre. Make no mistake, this is a serious new talent.
Miro SundayMusiq - "From Behind The Corner" (8:39)
Review: Following an excellent EP from Memphis, Animals On Psychedelics returns with more weird and wonderful party fare from the outer reaches. This time it's a various artists release that brings together all the producers involved in the label so far, while also introducing BPMF to the fold with the woozy, rubbery synth shapes of "Liza On Clouds." Jane Fitz and Dom Ahtuam's Invisible Menders project presents the rolling, psyched out melodics of "Three On Three," while Memphis pushes further into experimental territory with the wonderfully fractured "Altered States." That leaves it to Miro SundayMusiq to complete the EP with the wave-meets-Italo tones of "From Behind The Corner," a perfectly noirish flourish to finish a sterling record.
Review: After initial outings from phile and Ptwiggs, the Deep Seeded crew welcome phile member Barking into the fold for another excursion into crooked techno from the outer realm. There's a lingering sense of industrial malaise emanating out of "Singularity" thanks to some dense signal processing, while "Clay Passage" pings off into a strange but utterly accomplished trip into Fourth World techno that packs a serious rhythm without the need for obvious drum lines. "Pathos" matches malevolent beats and tones with dominant ambience to create a proper push 'n' pull of a track, and then "Prone" rounds the EP off with some gutsy analogue demolition for the broken techno and electro crowd to get wild to.
Adam Beyer & Enrico Sangiuliano - "Preset Heaven" (8:17)
Timmo - "Muzik" (6:11)
Pig&Dan - "La Bruja" (6:37)
Julian Jeweil - "Nasa" (6:11)
Review: Some serious peak time weapons for the main room on offer here, from the ever reliable Swedish label Drumcode. Usual heroes of the label such as Luigi Madonna, Sam Paganini and Joseph Capriati step aside for some other equally reliable staples. On the A, side label boss Adam Beyer teams up with Enrico Sangiuliano on the evocative and life affirming "Preset Heaven" which takes its cues from early trance with its amazing chord progression. It is something more typical of the label next, on the pummelling warehouse stomp of "Muzik" by Bulgaria's Timmo. On the flip, there's more trance nostalgia on offer again - this time from legends Pig & Dan on the hypnotic/melodic bliss of "La Bruja" which we could imagine melting the minds of festival crowds well into the new year. Finally they save the best for last with French peak time specialist Julian Jeweil, serving up the furious, tunneling and strobe-lit ultraviolence of "Nasa" which will have your adrenaline going from the first beat. It has been a stellar year for the powerhouse label, with great releases by Moby, Dubfire and newcomer Layton Giordani.
Review: The third sampler from Ben Sims' barnstorming Machine mix compilation presents another four cuts of militant, unrelenting techno from some of the finest operators in the field. Oscar Mulero heads up the A side with the spacious, ominous march of "The Calling," which contrasts sharply with the jacked up, tense energy of "Distorted Logic" by O Aka Phase. Tasha's "In The Zone" kicks of the B side in a head-spinning loop of rasping drums and disorienting layers, and then Sims himself rounds off the record with the poised and deadly "Drop Out." If you're after a potent collection of chiseled techno bombs guaranteed to do the business, then look no further.
Review: Leeds based Bleaching Agent has been making a racket over at Opal Tapes, Komisch, Overlee Assembly and more in his time, but this appearance on Reposition marks the first we've heard from him in a while. The mood on "Free Fere Fer Fe" is boisterous but dynamic, while "Albeni" is more sharply chiselled. "To Tu Ti Tl H" switches gears with a reduced weirdo disco thrust that could do some serious damage. The D-56M remix of "Free Fere Fer Fe" is a bold reimagining as a trancey industrial deviation with a workable pulse.
Review: Emergent duo Broken Arrows were previously spotted lurking around Giallo Disco back in 2015, so you should have some idea of the kind of lurid late night machine sleaze they like to get their hands dirty with. They've now slid over to the sympathetic but marginally more techno-minded Vivod imprint with a new clutch of deviant heaters for those adventurous dancefloor spaces where B-movie sounds reign supreme. "Female Predator" is a tough EBM-tinted workout with plenty of jack in its stack, while "Fear Eats The Soul" takes a more synth-wave approach with some speech samples thrown in for good measure. "Edge Of Darkness" is a more tense affair that pings arpeggios around a minor key refrain, and then "Basic Structure" whips out the hardest track on the record, a lithe industrial stomper laden with rhythmic noise and a mean synth bassline that will hit your solar plexus like a battering ram.
Review: Following an appearance last year on Cabrera, Santiago Naura is back on his own label to expound his vision of modernist techno even further. "Dust (Mix 1)" is a pumped up workout, all muscular drums and bold, chiseled synth hooks shimmering around the rhythmic core. "Dust (Mix 2)" is a more heads-down affair that locks into a cyclical groove for the late night crowd to lose themselves to. "Element" presides over the B side with a deeper approach that makes great use of interplay between different textures and tones to create energy and momentum while keeping the drums on the straight and narrow.
Junior Fairplay - "End Of Love" (Roy Of The Ravers remix 2) (4:46)
Freeform Five - "Throwing Stones" (Jamie Paton remix) (7:23)
Red Axes - "Waiting For A Surprise" (Kris Baha remix) (7:21)
Bal5000 - "Kids" (7:26)
Review: (Emotional) Especial heralds its 30th release with a killer package from an all-star cast that takes in label regulars and newcomers alike. The vibe starts heated and heavy with modern acid champ Roy Of The Ravers taking a blunt instrument or two to Junior Fairplay's "End Of Love," firing off the kind of bludgeoning b-line and fizzing drums that makes his direct approach to the dancefloor so potent. It's somewhat surprising to see Freeform Five pop up on this 12", but Jamie Paton's remix of "Throwing Stones" sounds utterly natural in the habitat - a brooding, simmering trip shot through with noirish synths. Kris Baha gets busy with Red Axes' "Waiting For A Surprise," twisting out an exotic bubbler perfect for the low tempo chugging crowd, and then Bal5000 wraps things up with the gorgeous electro-disco delights of "Kids".
Review: Emotional Response reach out to another fine selection of sonic voyagers to take Brain Machine's excellent Peaks LP to task, leading in with the warm discoid undulations of Rollmottle who refigures "To The Stars" as a gentle, groovy warm-up joint. Die Wilde Jagd takes on "Mercury Ripples" and fashion a bombastic breaks jam out of it, and Merrick Adams pushes "Alpha Moon" into a curious but ultimately cosmic space somewhere beyond the titular lunar body. Cass takes the prize with the bittersweet synth tones that course through the two-part remix of "Nexus Vox".
Review: Three years in, Blackhall & Bookless' Jaunt label is becoming a serious force for forward thinking, fractured techno exploration. On this split EP with Chad, the duo take the A-side and present two different versions of "Links". The "Battle rework" is a tense and dramatic tumble through dub techno soundscapes, while the "Bleak remix" pares the elements down to a more focused, minimalist thrum. Chad presents a wholly different vibe on the flip, using rich, warm synthesiser tones to draw you in to "Afters", and then Scenery regular ASOK takes up remix duties on the track with an immersive version that borders on breakbeat.
Review: FXHE bloodline member Big Strick continues to excel on his own 7 Days Ent. label, dropping his first 12" of 2012 which has a nice community feel to proceedings. Alpha & Omega introduces us to Generation Next, a rising 16 year old talent from the streets of Detroit who contributes alongside Mr Strickland to all three tracks here. Stylistically, the three tracks here seem equally indebted to Juan Atkins pure techno endeavours as Infiniti and the sub aqueous grooves of Drexciya, not least the restrained title track which shimmers from the murky depths into a finely crafted liquid groove imbued with bubbling elatory Utopian textures. On the flip "Origin" ripples with pressure, its rhythmic elements grappling for your attention as the space between them decreases with Strick and Gen Next expertly layering texture upon texture. A masterful 12" shaped exercise in modern day Detroit sounds is completed with the devious electrofied snap of "Bloodline".
Review: Argy's These Days label is an occasional treat in the world of stripped down tech house, and it makes its first appearance for 2016 with a selection of club-ready remixes from the label boss, tackling various productions from German techno mainstay Paul Brtschitsch. The "Floor Adaptation" of "Green" heads into subterranean pastures, albeit with a powerful beat propelling it, and "Eternal Aspects" maintains that underground mood with a warmer synth repertoire. On the more flamboyant B-side, "Squeezed" takes on a wild old-skool quality perfect for more fiery moments on the floor before "Subbass" continues the jacking theme in fine style.
Review: Always a man with his hand on the swing button, Stephen Brown knows a thing or two about funk in a techno world, but on this single for Technorama there's a distinctly house finish to the track. That's helped in no small part by the soulful vocal lick that runs through the middle of the track, even if the beats still bump with the roughness that he has made his name on. Don Williams ups the ante on his remix by slicing the remix up into fine slithers and fattening up the drums to make for a big room beast of the highest calibre.
Review: Having debuted on Valcrond Video label last year with the Immured 12" under her familiar Xosar alias, Sheela Rahman now returns to the platform for some "shared make-believe" with founder Luke Wyatt for new project Body Tools. Taking a catalogue number as its title, this two track 12" follows a succession of Body Tools radio broadcasts on Berlin Community Radio and showcases a softer, more hypnotic side which in the case of lead track "Locusts & Lions" hits hard when the poignant piano makes its presence felt. "Brave" channels a strange, modern kosmische vibe that will really hit the spot deep in the mix.
Review: From the minds of Direct Beat and Detroit Bass Classics, comes the first initial compilation of electro/techno heat. "Electro In The Key Of Detroit Vol 1" presents 4 proven dance floor dope and record crate staples that provide the hungry ears of masses the groove to move. A Side features two sure-fire steppers - a rare AUX 88 voyage entitled "Phantom Power" and Blak Tony's tempo-pushing "Holla Holla" finally see the light of day on this wax collectable, giving praise to Motor City footwork culture. On the flip, DJ K-1's "Erase The Time" rocked the airwaves and global clubs with its signature thumping style laced beneath alien-like melody and repetitive vocal structure while Posatronix's mutant-rhythm mantra, "Pure Techno Sound" pulls the weight of Detroit's street dance roots down to the origin of how to boogie in space. This collection of re-issued jams and new explorations is the must-have for the electro/techno & bass aficionado.