Review: REPRESS ALERT: Cisco Ferreira continues to fly the flag for rugged hardware powered techno with personality, well over 20 years since he first emerged. The Advent is rightly hailed as a mark of assured quality for good reason, and Thema make a smart move in signing up this fresh grip of tracks from the veteran producer. "Kombination 100" is a lurid, slightly unhinged acid workout from the outer limits, while "Dorian Blue" sets a more moody, aquatic tone with a dash of electro thrown in for good measure. "In Time" brings things up in tempo and attitude, sporting some surging 909 drums guaranteed to get bodies striding with purpose, and then "Rhythm" spins out into trippy electro territory for the heads-down travelers to get spiritually expanded to.
Review: Ben Sims has been busy of late, what with the Tribology compilation and its strong run of companion singles. Now the UK titan is revisiting the project once more with these additional tracks from household names and newcomers alike. Marcu Bruno leads the charge with the frankly massive "Any Given Sunday", which slams a whopping great techno chord front and centre and rides it to perfection. Cadans brings a bit more tribal pressure to "Bite", and it sounds just as mighty. Mark Broom takes things in a simmering, rolling direction on "Loop It" and Avision finishes the record off with shimmering stomper "Rebel".
Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: Veteran Swiss producer (and Character label boss) Sam Geiser aka Deetron makes his debut on Running Back, serving up yet more of his idiosyncratic hi-tech soul explorations. From the bass-driven disco muscle of "Body Electric" - all flanged rhythms and uplifting rave pianos galore, the pure euphoric energy of "T-Symmetry" and its unrepentant Motor City aesthetic, to epic B side cut "Txt" which channels the most emotive elements of Detroit's legacy. Comes complete with a "Beatless Version" - the kind of track you could imagine the likes of Derrick May or Laurent Garnier dropping in the middle of their set.
Review: DJ Central presents three new aliases on this elegantly put together 12". Conjuring up the perfect recipe for a DJ Cake, Central blends and explores the likes of pulsating atmospheric techno on the track "Balast", smoothly escalating breaks on "Ko Ko Dak Dak" and hazy crackling ambient on the finale "Daeksel". Unique, inspiring and truly excellent works from the one they call DJ Central.
Review: Resurgent Welsh techno wizard DJ Guy launches his own label with a fresh batch of deep diving jams that put the soul back in the machine. From the twinkling, starry-eyed delights of "Music Is Life" to the horizontal meditation of "Interplanetary," this is immaculately executed electronica in the fine tradition of UK trailblazers like B12 that sounds as fresh as it did in the 90s. "Warmth In Rhythm" sports a nagging house groove to suck you in with ease, while "Propulsion State" fires off a dazzling arpeggio that heads skywards with a twitchy electro backbone for company. Top shelf tackle from a seriously talented cat.
Review: With previous releases from some of the top heads of the electronic spectrum, including Leif, Steevio, Arnaldo and more, the imprint UntilMyHeartStops returns with its latest release, this time for mysterious producer Ekeko. Rich analog tape waves sit nicely beside thick 909 rhythmic elements throughout this killer three tracker. The title track "Beyond Good & Evil" starts things of with strong spirit, taking pulsations of warping synths and balancing them with hazy club driven patterns. This theme continues through "FM Joy" and "Eye Ache" but with a wider focus on the dubbier elements of the electro and house spectrum.
Review: The long-serving Psychoskunk label comes back in full force with some unflinching underground techno gear from Error Etica, otherwise known as label boss Victor Martinez. "Inductors V2" sets a serious tone for this record with its reduced soundscape and needlepoint sound design attitude. Hironori Takahashi then makes an appearance remixing "Diatonic Scale" and turning it into a deadly, minimalist bruiser. 65D Mavericks jump on "Schematic Diagram" and laden it with blown out kicks and eerie atmospherics, and then Pelacha tackles "Inductors V1" and embellishes it with creeping, modulating textures that bring the track to life in a most unsettling of ways, as was surely the intention. This is techno for darkened souls if ever we heard it.
Gus Gus - "Your Moves Are Mine" (Sanasol remix) (9:24)
Thor - "Black" (7:32)
Biogen - "Stream" (Sanasol Lost In Time remix) (6:39)
Review: Next up on the ever-excellent Oscillat is "Spellbound" by the supremely talented Matthew Dekay. This moving deep house jam uses a few key elements to make a soul-stirring confection for truly spine-tingling moments in the middle of the dance. From the slithers of vocal to the insistent key riff that bounces throughout, this is an outstanding slice of contemporary house music loaded with feeling. Mandar then take the original and inject it with a feisty peak time energy shot through with a little trancey magic and an acidic undertone. It's not a raging beast but rather an energizing workout for the brain and the body - just what you need in the midst of a marathon.
Review: Man Band mandem Toma Kami returns to Livity with more sharp tools and insanity, this time in the form of "Negative Extasy". Each cut primed with big roomy broken beats, each cut more beguiling and trippier than the last, each cut rising in intensity; "E-Ache" warms us up with soothing harmonic stabs over a cavernous beat, "Aces" spins us round the stars with housey chords and pretty percussive vapour trails while "Suomi" is nothing short of a 24th century funeral march. For most the title track will be the highlight; more upbeat and bumping, with fat layers of percussion, it's Toma in pure peaktime mode... And everyone's invited.
Review: Fresh from another killer collaboration with regular studio sparring partner E-GZR on Wania, Laura "LNS" Sparrow goes solo and offers up the second volume in her ongoing "Recons" series. It's another confident and hugely entertaining affair, with Sparrow flitting between electro-influenced space funk ("Recon Two"), deep and dubbed out breakbeat shufflers ("Ecumene"), sunrise ready analogue deep house warmth ("Prahvist"), bleep and bass influenced machine techno ("Lehkist") and spacey ambient beauty ("To Be Continued"). Old pal DJ Sotofett is also on hand to remix "37th Degree" in a typically warm and woozy dubbed-out manner.
Review: Loop LF is back on Well Street with another classy set of leftfield rhythm explorers that orbit a similar sound world to Livity Sound, Cong Burn, UntilMyHeartStops and other such adventurous contemporary techno labels. "Terra" kicks things off in a delicate fashion with shivering synth patterns skirting around gossamer thin percussion - it's subtle and incredibly effective. "Always NV" is even more stripped back, but no less engaging in its deployment of crooked rhythms and eerie atmospherics. "Natural XT" calls to mind the mellow, dubby refractions you might hear from Leif, and then Martsman steps up for a razor sharp D&B revision of "Always NV" that stays true to Loop LF's minimal aesthetic.
Review: After a lengthy studio apprenticeship alongside her father Robert in Floorplan, Lyric Hood is finally ready to make her solo production debut. As you'd expect, there are naturally some similarities between her work and that of her legendary father. "11:11", for example, is heavy, driving and claustrophobic, with slowly shifting, hard-wired electronic looks and subtle but panicked stabs buzzing around thumping techno beats and metallic percussion hits. It's the kind of thing Papa Hood may have released on M-Plant back in the day, which is no bad thing. A-side "Nineteen" is arguably even better. Its' sampled drums and loopy, warehouse-ready motifs are funky as hell and twice as hot, while the subtle vocal samples buried in the mix tip a wink to Floorplan's gospel-tinged techno.
Manuk & Oli Silva - "Nevermind The Crispies" (5:55)
Eliaz - "Verdico" (7:06)
Meta 4 - "Urnammu" (7:45)
Jorge Gamarra - "Dypac" (5:42)
Review: There's a certain air of buy-on-sight mystique around EYA Records, somewhere between the low-key presentation of the music and the cult artists they're calling on to realise their particular vision of deviant dancefloor business. This is unabashed freaky party tackle, from Manuk & Oli Silva's delirious B-movie jack track "Nevermind The Crispies" to the uneasy electro snarl of "Verdico". Meta 4 has equally nightmarish moods to share on the graveyard acid of "Urnammu" and Jorge Gamarra seals the deal with the schlocky braindance horror of "Dypac". It's the kind of record that you'll be reaching for come Halloween, trust.
Pimping People In High Places (Woodword Ave alternative mix) (6:50)
The Medusa Touch (6:52)
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!