Review: Globe-trotting Kompakt regular Kolsch has taken time out of his schedule to deliver a non-stop mix of previously unheard material for Fabric. The album was inspired by the German producer's hectic touring schedule, with each of the tracks named after a particular flight taken to or from a gig. Musically, it's a fluid and evocative journey, with Kolsch moving from spacious and dubbed-out electronica to more hypnotic, forthright club fare via a variety of off-kilter techno and dancefloor IDM cuts rich in tuneful motifs, sun-kissed electronic melodies, spacey sounds, soft-touch beats and heady aural textures. It's beautifully paced, with each track sounding just as good at home as it would in the club.
Review: Somewhat surprisingly, this collaborative album had its roots in a 2013 request from Michael Mantra for dub techno and ambient dub stalwart Mr. Cloudy to remix tracks from his Silent Season-released 2013 LP "Light In My Head". Six years later, and after sending parts and versions back and forth, the pair has conjured this set of lengthy, deep and mind-altering excursions. Mr. Cloudy provides versions of the collaborative "White Dub": an ultra-deep, spaced-out "Remix" that smothers a gentle, slowly shifting ambient dub rhythm in heavily processed snatches of field recordings and atmospheric aural textures around and a sparser, more spaced-out "Edit" that's closer in tone to Mantra's otherworldly, dub-influenced soundscapes. Sandwiched in between you'll find a hypnotic version by Mantra that was partly created using music concrete techniques.
A Gargantuan Melting Face Floating Effortlessly Through The Stratosphere
Review: Paul Woolford has spent a good chunk of his downtime over the last year or two making Special Request tracks in his pants. So much so, in fact, that he's created enough material to fill four albums, all of which will be released this year. "Vortex" is the first and is, in Woolford's own words, high on "bangers" and low on "conceptual guff". In practice, that means lots of gut-busting low-end frequencies, trippy analogue electronics, razor-sharp rave-style riffs and bustling rhythms that variously touch on electro, early '90s progressive house, breakbeat hardcore, slamming Joey Beltram style techno (see album highlight "Fahrenheit 451") and metallic, delightfully mangled drum and bass ("Fett", whose wonky electronic undulations hark back to early Woolford classic "Erotic Discourse").
Review: Modeselektor have never been all that keen on looking back, so it's little surprise to find that they've chosen to celebrate 10 years of their Monkeytown label with an album of brand new cuts. As you'd expect, it's rather good. As well as their own "My Friend The 201" - a rush-inducing fusion of glittering, star burst electronics and weighty bottom-end pressure - highlights include the insanely heavy warehouse flex of Shed's "Rigger", the off-kilter techno breeziness of Redshape's "Dirt Box", a skittish and jumpy workout from German veterans Mouse On Mars and a woozy chunk of experimental ambient/IDM fusion from Anstam.