Back catalogue: All genres

Review: You know what to expect from The Cramps - punk, rockabilly and garage rock colliding in a gloriously sleazy pile up of distorted twang and deviant attitude. The A-side is a trademark take on those late 50s/early 60s tunes dedicated to the twist dance craze, enough said. It comes backed with the garage-powered 'Confessions of a Psycho Cat' and the more pscyhobilly-slanted, thoroughly howling 'No Club Lone Wolf'. Capturing a raw energy that channels the rebellious spirit of classic rock & roll with gritty guitar riffs, infectious rhythms and an undeniable sense of fun, this is a standout late-career highlight.

Review: A key figure in Jamaican music who first gained recognition with The Uniques before branching out as a solo artist and producer. By the late 60s, he'd honed his skills in arrangement and keyboard-driven reggae, culminating in Reggae Is Tight and Reggae Charm. Reggae Is Tight bursts to life with the insistent chant of '5 to ', riding a thick organ groove. Charmers reinterprets The Uniques' 'Watch The Sound' as the flowing piano instrumental 'Follow This Sound'. He transforms classics like 'Blue Moon' into reggae gems, while 'Psychedelic Reggae' leans into dubby echo effects. The album thrives on tight, dancefloor-ready rhythms, with 'Stronger' capping off the set in style. His deal with Trojan Records led to Reggae Is Tightia stunning example of his keyboard prowess over driving, fast-paced rhythms. Blending infectious organ grooves with classic boss reggae energy, the album captures the golden era of Jamaican sounds. Now reissued as a limited edition on orange vinyl, Reggae Is Tight remains an essential listen for vintage reggae enthusiasts, highlighting Charmers' innovative touch and deep influence on the genre.

Review: This 1991 release stands as a cornerstone of West Coast gangsta rap, delivering a raw, unflinching portrayal of early 90s Los Angeles street life. With hard-hitting beats and vivid storytelling, the album builds on the group's debut, offering a more refined and confident sound. The deep basslines and funky grooves, courtesy of seasoned production, lay the groundwork for narratives steeped in urban realities. The album's heaviest tracks are a masterclass in gritty storytelling. 'Growin' Up in the Hood,' featured in the world renown movie Boyz N the Hood, pairs evocative rhymes with strings and drums sampling Funk Inc and Mountain, creating a tense, cinematic backdrop. The song captures the struggles of street life, blending hardened perspectives with a sense of inevitability. 'Raised in Compton' dives deeper, painting a stark picture of how systemic decay and gang violence perpetuate cycles of destruction. Meanwhile, 'Driveby Miss Daisy' haunting depiction of violence is another gem, layered with somber samples and a chilling piano solo that amplifies the track's nightmarish aura. Throughout, the album balances braggadocio with complex street narratives, offering a visceral and authentic glimpse into its environment. Along with NWA and Above The Law, this is West Coast rap at its most compelling and unapologetic for the time.

Review: Cyril's debut album offers a compelling fusion of house and UK garage, underscored by his distinctive Australian flair. Collaborations with artists like Kita Alexander on 'True' and Dean Lewis on 'Fall At Your Feet' infuse the tracks with emotive vocals, enhancing the rhythmic foundations. The inclusion of extended versions of 'Stumblin' In' and 'The Sound of Silence' showcases Cyril's adeptness at reimagining classics, breathing new life into them. Cyril's versatility is remarkable here, solidifying his position in the contemporary electronic music scene.