Back catalogue: All genres

Review: A one-off reissue on Brooklyn's Finest - whose name in turn takes after one of B.I.G.'s many nicknames - Biggie Smalls' 'Sky's The Limit' set out Christopher Wallace's verbal message in piercing tones: go big or go home. The third and final single from B.I.G.'s second album Life After Death, this is the kind of song that obsessive fans might conclude portended his sticky end: not only was it the flagship song from the album, it also contained ominous sound design and sample work, and the music video features children dressed up as and imitating B.I.G., P. Diddy, Busta Rhymes, Faith Evans, and more, in a farcical pantomime of the rap game.

Review: Nazar, the nom-de-guerre of an anonymous Manchester-based producer, presents their sophomore album Demilitarize, following his acclaimed 2020 debut Guerrilla, released amid the pandemic. Nazar's first album securely firmed the artist's name within and beyond the Hyperdub diaspora, thanks to its unique melding of Angolan kuduro music with rough textures, field recordings, and media clips, retelling the story of his family's exile from the Angolan Civil War. Nazar is the son of Jonas Savimbi, a former general of the Angolan independence movement; after Angola's emancipation from Portuguese colonial rule, Nazar relocated to suburban Brussels. More recently, he fell seriously ill with tuberculosis contracted in Angola; battling mortality, the new album reflects a mix of introspection and blossoming love, which contrasts the warring rawness of his debut. Demilitarize is dreamier, with Nazar's submerged, mantra-like vocals at the forefront, evoking artists far-removed from the crumby, unedifyingly rough kuduro that characterised his first EP 'Enclave'. Nazar explains, "I wanted to create something almost metaphysical, inspired by the cyberpunk anime Ghost In The Shell." The sound is delicate, with relatively sculpted rhythms enveloping his own recorded voice throughout.

Review: Japanese jazzist Kenichiro Nishihara drew much acclaim for his second LP Humming Jazz in 2008, which came a full five years after his debut in 2003, and heralded a stabler career thereafter. With its harmonious, benignant piano melodies and oblique drum palette - which hears the artist secure both live bossa nova performances and original hip house beats - Nishihara knew the inherent entertainment value in tender modal jazz, and sought to enmesh sophistication with pop breeziness. 'Rain Falls' is an especially round-bodied track, with glycemic vocal flavours from Kissey Asplund and richly EQ-ed drums, setting a soulful precedent for two key hip-hop gems to come: 'From Time To Time' and 'Consider My Love', featuring rappers Gregg Green and Pismo. 'Step Out' signals the record's close with bopping triplet gaiety.