Back catalogue: All genres

Review: Pianist and composer Aaron Parks made his first Blue Note appearance as a member of Terence Blanchard's band; an outfit akin to The Jazz Messengers in its cultivation of future jazz greats. After appearing on the trumpeter's albums Bounce, Flow, and A Tale of God's Will through the early 2000s, Parks made his own Blue Note debut in 2008 with Invisible Cinema, a striking album that has only grown in its influence across the modern jazz landscape since its release. The band - a quartet featuring the pianist with Mike Moreno on guitar, Matt Penman on bass, and Eric Harland on drums - travelled across new sonic and rhythmic frontiers on this set of Parks' evocative original compositions which were imbued with a cinematic drama and drew inspiration from the likes of Wayne Shorter, Radiohead, Bjork, Meshell Ndegeocello, and more. This first-time vinyl release includes two bonus tracks previously only available in Japan.

Review: This Tone Poet Vinyl Edition presents Horace Parlan's quintessential hard bop quintet session. Known for his work with Charles Mingus, Parlan shines alongside George Tucker, Al Harewood, Grant Green, and Booker Ervin. The music swings with an effortless groove, showcasing Parlan's bluesy piano stylings and the band's tight interplay. Mastered from the original analogue master tapes by Kevin Gray, this reissue captures the warmth and vibrancy of the original recording. A must-have for any fan of hard bop and classic Blue Note sounds.

Review: Duke Pearson's 1964 gem Wahoo! is a shining showcase of his skills as a pianist, composer, and bandleader. Writing for a sextet, Pearson brought together an exceptional lineup featuring Donald Byrd on trumpet, James Spaulding on alto sax, Joe Henderson on tenor, Bob Cranshaw on bass and Mickey Roker on drums. The result is a set of evocative originals, like the tender 'Amanda', the mysterious 'Bedouin', and the hard-hitting 'ESP (Extrasensory Perception)'. This Blue Note Classic Vinyl Edition does justice to Pearson's work, offering an all-analog, stereo mix mastered by Kevin Gray from the original tapes. Pressed on 180g vinyl at Optimal, it's got everything an audiophile could hope for. Whether it's the energetic swing of 'Fly Little Bird Fly' or the deeper hues of 'Farewell Machelle', every track radiates Pearson's unmistakable touch, balancing sophistication with soul.