MERCURY REV Vinilo y CD

Review: One of the most beautifully constructed and hugely acclaimed albums that was first released in the late 1990's is reissued here and is a reminder of a magnificent selection of music by Mercury Rev that the listener can never tire of. From the sweeping orchestral opening track Holes all the way through to the bouncing Delta Sun Bottleneck Stomp this album provides songs the listener will fall in love with one by one and never turn their backs on. Following on from the brilliant shambolic early releases by the band, Deserter's Songs was made by the band as a swan song of sorts. They were a chaotic outfit at the time with a changing and insecure line-up that finally managed to settle themselves down after the release of this and to end up with a new beginning and an existence that still remains today. Hints of jazz, folk and 60s psychedelia can be found hidden modestly within these melancholic tracks that have influences that can commonly be heard in a lot of albums other bands have released since this first came to the public's attention. Sweet, sad and tender vocals provided by founder member Jonathan Donahue make this an easy listening lovable album that deserves to be in everyone's collection and it's one that once there is guaranteed remain for years to come.
Produced by original bass player and founding member Dave Fridmann this album was recorded around the same time and in the same building as The Flaming Lips legendary Soft Bulletin album (also produced by Fridmann) and albeit a slightly different sounding album to Deserters Songs marks that period of time in The Catskill Mountains (100 miles NW of New York) as one of the most musically rewarding moments of time during the 1990's.
Goddess on a Highway was first conceived by front man Jonathan Donahue almost a decade earlier whilst he was a member of The Flaming Lips and the song was resurrected from an early demo he dug up. The songs' chorus of 'I know...it ain't gonna last' was probably the only thing they got wrong with this masterpiece. This album sounds just as fresh as it did three decades ago. It's been said that Deserters Songs could be one of the best albums ever made. Who are we to argue?

Review: The sixth album from West Coast psychedelic indie warriors Mercury Rev had already been enhanced with a host of extra B-sides and other goodies on a limited edition version when it first dropped in 2005, but this new version sees it further expanding, like the brain of an innocent teenager dropping acid for the first time. The original core 13 tracks are pretty good in their own right, obviously, from the close harmonies of 'Moving On' sounding like a frazzled, baked Beach Boys and the grandiose opener 'Secret For A Song' they show they're capable of achieving multiple moods and rollercoaster dynamics. Luxuriate in that and spoil yourself further with a further 12 flip tracks and outtakes, including guest vocal appearances from Bonnie Kate Anthony on the rather Nilsson-sounding 'I Never Had It So Good' and 'Tennessee Blues' and intriguing experiments like the spaced out synth-and-voice effort 'Good Day'.

Review: On their eighth album, Mercury Rev has tapped into the long and illustrious history of 'landscape music' - works inspired by specific environments, whether natural or man-made. In the case of Born Horses, it's the former, with the band situating themselves in the wilds of upstate New York and delivering a set they describe as "glistening psych-jazz, folk, baroque-ambient". In practice, this means immersive, enveloping songscapes that make use of a vast range of acoustic and electronic instruments, both sung and spoken vocals, and a lengthy list of influences and inspirations that apparently included Vangelis, songs from Broadway musicals, movie soundtracks, Chet Baker and Miles Davis. That it sounds nothing like any of them, and is very much its own atmospheric sound world, is testament to the long-serving band's endearing quality. A genuine delight and arguably their best album for some time.

Review: Mercury Rev's ninth album, Born Horses, emerges from the mystical landscapes of upstate New York where you will find a richly swelling, spellbound sound that blends organic and electronic elements. This album, a cascade of psych-jazz-folk-baroque-ambient exploration, taps into the spiritual and literal seam between the Catskills and Hudson Valley. The music flows with guitars, keys, brass, strings, woodwind, and drums converging to create an evocative soundscape. The voice of incantations and streams of consciousness adds depth to this sonic journey. Featuring founder members Jonathan Donahue and Grasshopper, new permanent member Marion Genser, long-term ally Jesse Chandler, and guests Jeff Lipstein, Martin Keith, and Jim Burgess, Born Horses is a microcosm of their musical cosmology. Inspired by Broadway tunes, lonesome blues and the likes of Chet Baker and Miles Davis, the album feels both nostalgic and forward-looking. Dedicated to avant-garde artist Tony Conrad and Beat poet Robert Creeley, Born Horses is a vulnerable, reflective masterpiece, revealing the timeless essence within its intricate compositions.