Review: Four Flies present another masterpiece from one of the all-time greats of Italian soundtrack and library music, Piero Umiliani. His work on the 1974 film Il Corpo ranks amongst his most famous work, and now two pieces have been selected from the soundtrack and presented on this exclusive single. 'Chaser' on the A side appears in an exclusive extended form which has never been released before, while 'Hard Times' on the flip remains the archetype of Italian jazz-funk perfection. This is a limited edition so don't hang around as these are sure to fly out.
Un Dos Tres Y Fuera Vs Gaudi & Don Letts - "Relafica Negra En Tiempo De Siembra" (Gaudi & Don Letts aka The Rebel Dread) (3:49)
Cumbia Moderna De Soledad - "Busca Perro" (Greg Foat & James Thorpe remix) (3:52)
Review: Cultural icon Don Letts joins forces here with the masterful musician Greg Foat and producer James Thorpe to make a new entry into the Relatin project series. It is one where artists engaged with Latin musical roots from another era and update them for the here and now. Here they bring plenty of heavy dub vibes and great special awareness to a tune by Venezuelans Un Dos Tres. Greg Foat & James Thorpe also step up with a remix that is just as heavy and summery.
Review: If you're looking for some exotic, spiritually minded jazz to kick-start 2021, look no further than this inspired collection as "direct-to-disc" improvisation from drummer Sarathy Korwar and his regular studio partners, the UPAJ Collective. In keeping with the feel of their previous work, the five showcased improvised recordings brilliant fuse familiar spiritual jazz tropes (snaking saxophone solos, loose-limbed drums and quality keys-work) with the traditions and sounds of Indian classical music (think tablas, violins, Hindi musical motifs played on acoustic guitar etc). Throw in some real-time recording trickery, and you've got an unusual but extremely entertaining set that we firmly believe is the first great jazz album of 2021.
Review: Four Flies thrillingly reissues Piero Umiliani's soundtrack to the 1969?giallo thrille Orgasmo (curiously retitled Paranoia in English speaking countries), the firstof three erotically charged? ilms directed by Umberto Lenzi and starring cult siren (and Oscar nominee) Following the first ever release of this OST in 2020, this follow-up version hears Four Flies top up the release with a fuller restoration, after some serious detective work in the composer's archives revealed a post-hoc salvaging of the original tapes, where they where first thought to be lost or unusable. Bringing Umiliani's score back to life for all to enjoy, Orgasmo perfectly captures the stylish and sleazy vibe of Lenzi's film, its acid-drenched visuals, and its themes of sick psychological mind games (courtesy of the devious characters played by Swedish enfant terrible Lou Castel and?French beauty?Colette Descombes).
Review: Unionen is a new quartet of top-tier Norwegian and Swedish jazz musicians, namely Stale Storlokken, Per "Texas" Johansson, Petter Eldh and Gard Nilssen. Their name references the 1814-1905 union between Sweden and Norway and their sound is truly unique in the way it combines misty introspection and energetic rock-infused jazz. This album then is a deeply original musical experience with tracks like 'Stahlbad' and '6983' dull of emotional nuance. Eight originals overall blend classic and rare instruments, creating a unified, emotive sound. Early live shows have been praised, confirming their status as a standout jazz ensemble.
Review: With their name, London's four-piece jazz group Unknown To Known seem to prophesy their own rise to prominence, one that is especially more likely to unfold in a continual way now that they've released their next LP Lightship. As with their prior EP 'River Crossing', Lightship was also made on a lightship, which happened to double up as a recording studio. Staying true to their craft so far, this iteration of the project was once again born of a session. The record meanders through neo-folk, international and cinematic music , and jazz, moving from the erratic but calming bamboo flutes of 'Wide Waters' to the matte steel-string slides and gourds of 'Good Morning Moon', ending on the fervent flute and cymbal devotional 'Lightship'.
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