Matasuna Vinilo y CD

Review: Matasuna Records, based in Berlin, kick off their 2025 with a ladling of fresh soul soma food, this time by Barca's finest one-girl band The Blaxound (Marta Roman), in collaboration with singer John Vermont. Building on irreverent, vintage 60s pop from Spain, whose sound is categorically fiendish to replicate, the two artists have nonetheless managed a close hewing here. 'No Es Por Ti' showcases Vermont's throaty singing, lyrically playing out the eternally relatable breakup trope of "it's not you, it's me." Then 'Qu Ms Te Da?' follows with an affectingly syncopal rhythm, with a tightened snare played only on the 4, heightening the erotic tensity of the scene, driven by shuffling hats alone, whilst the artists' respective cools are kept.

Review: Stone cold New Jersey funk business; Calender's seminal "Hypertension" has been a waymark in dancefloor developments since '75 and its big strings, high energy and nagging vocals still have total resonance to this day as proved by this rolling, conga fuelled twist from Mexican maestro Hotmood. Flip for more relevance as "Ritmo Latino" (from Calender's '76 album "It's A Monster") gets a cheeky breakbeat facelift from Voodoocuts. Now there's no excuse not to get funky every single day of the year.

Review: Over the last couple of years, Matasuna Records has developed a tried-and-tested formula. It revolves around finding and licensing killer cuts - think funk, Afrobeat, tropical flavours and Latin beats - and then pairing them with a fresh, floor-friendly re-edit. Their latest find is something of an overlooked gem: a gorgeously sunny 1983 number from Ghanaian musician Mawuli Decker that's piled high with infectious, EWE-language vocals, Highlife guitars, spacey Moog sounds and cute electric piano solos. The accompanying Renegades of Jazz re-edit is pleasingly faithful to its source material, deftly showcasing Decker's brilliant music while beefing up the bass, subtly tightening up the drums and layering on some complimentary hand percussion.

Review: It has now been three years since Matasuna Records unveiled a scorching Latin 45 showcasing two tracks by Venezuelan ensemble Phirpo y sus Caribes, led by Porfi Jimenez. Now, Matasuna is reissuing two more cuts from their sole album, Parrilla Caliente, this time on a 7" vinyl - a debut for these tracks in this format. The original 1972 album, a scarce collector's gem on Philips, holds official licensing from Jimenez's family. On the A-side, 'Y Esa Pava Que?' ignites with Latin funk fervour and is driven by robust drums, potent horns, and groovy, psychedelic keys and guitars. The B-side features 'Pa' Los Rumbero,' a vibrant rendition of Tito Puente's classic, showcasing Jimenez and his band's exceptional musicianship.

Review: After much work, Berlin-based reissue label Matasuna Records is finally able to fully and officially reissue these funk classics. After so many bootlegged versions of these it is great to have a high-quality vinyl pressing on nice loud 7". Both of these legendary funk tunes come from the vast vaults of Atlantic Records and have never had their own standalone releases before. On 'Getting Uptown (To Get Down)' United 8 cook up infectious sounds and mix up horns, guitars, drums and bass while on the flip 'Sexy Coffee Pot' from 'Tony Alvon & The Belairs' is an explosion of raw funk energy.