Strymon

Notes: Clear Skies Ahead. Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you're elevated into a glow of lush, glorious, radiant reverbs.

To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. Strymon faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.

BigSky gives you twelve studio-class reverb machines, each with simple yet powerful controls. Feel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Defy the laws of physics with the Nonlinear reverbs. Unleash the multi-head reverberations of the Magneto machine.

With careful attention to detail, innovative analogue circuitry design, a powerful SHARC processor, and the utilization of top-shelf components, Strymon have developed a reverb pedal that fits on your pedal board yet has better audio quality than many rack reverb units. This fusion of science with art has just one goal. To provide you with the most musically inspirational reverb experiences possible.

Features

Hand crafted, studio-class reverb algorithms deliver lush, gorgeous, and musically inspiring reverb experiences

Twelve reverb machines to choose from: Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, Reflections

Seven front-panel tone shaping knobs: Decay, Pre-Delay, Mix, Tone, Mod, Param 1, Param 2 (Param knobs assignable per preset)

Additional menu parameters allow for easy customization of reverb sounds

300 easily accessible and namable presets

Press-and-hold Infinite Sustain and Freeze functions, saveable per preset

Spillover and Reverb Persist modes, saveable per preset

Selectable Speaker Cabinet emulation for direct-to-PA gigs or recording applications

Three rugged metal footswitches for preset selection and effect bypass

LED display for preset info, reverb decay time, and extended parameter control

Multi-color preset LEDs (green for active preset, amber for edited preset)

Full MIDI implementation allows extended control for those with more complex rigs

Sturdy and lightweight light blue anodized aluminum chassis, with laser-etched artwork

Durable black anodized aluminum knobs

Studio-grade audio input and output jacks

Stereo input and output

Expression pedal input with selectable control over any knob or combination of knobs, saveable per preset (also configurable as external tap input)

MIDI input and output

Included 9V center-negative power supply (300mA minimum required)

Analog dry path for a zero latency dry signal that is never converted to digital

Premium analogue front end and output section

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters

115dB typical signal to noise at 50% wet mix (120db at 100% dry mix, 109dB at 100% wet mix)

20Hz to 20kHz frequency response

+8dBu maximum input level easily handles instrument and line signals

Super high performance DSP in a compact form factor

32-bit floating point processing

366MHz SIMD SHARC processor core, capable of 2.4 Gigaflops peak performance

True Bypass (electromechanical relay switching)

High quality, tranparent Analog Buffered Bypass mode

+/- 3dB Boost/Cut, saveable per preset

Optional Kill Dry mode mutes dry signal, for use in parallel effects loops

Dimensions: 6.75" (171mm) wide, 5.1" (130mm) deep

Designed and Built in the USA

Notes: Strymon's Big Sky reverb moves to the next level with the MX evolution, featuring more versatile editing options, two simultaneous reverb machines, full MIDI control and brand new algorithms.

Supplier's Notes:
In BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.

BigSky MX features seven brand-new algorithms in addition to significant enhancements to the other classics. Dual reverbs can be routed in Series, Parallel or Split modes, and individually panned per engine. Access full IR editing functionality, as well as custom long captures of classic studio gear. Unlock massive width and presence with full stereo I/O featuring Strymon's discrete Class A JFET input preamps. Create lush pads to play over, or infinitely sustain any notes played for unique atmospheric effects. Change presets and control parameters with MIDI via USB-C, TRS, or DIN connections. Adjust controls on the fly via an expression pedal. All this and more in an elegant, easy-to-use pedal.

BigSky MX features a staggering amount of computing power - it uses a high performance tri-core 800 MHz ARM processor - all dedicated to producing truly breathtaking reverbs. Strymon's new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. This type of neural fine-tuning is based upon the same techniques that have enabled the recent AI revolution, and the result is springs that drip and splash, physical spaces you can really feel yourself in, and the sweetest possible musical response to every note you play.

BigSky MX allows you to use two reverbs at once, for powerful sound sculpting and expansive reverb sounds that evolve organically over time. You can switch between reverb engines with a single button press while editing, and easily see the Series, Parallel or Split audio routing state clearly displayed onscreen.

For a more interactive experience, you can dedicate a footswitch to control each reverb's on/off state if you desire.

BigSky MX features seven brand new reverb algorithms built from the ground up, plus new features and enhancements for the classic BigSky algorithms. Impulse and Chamber were created specifically for BigSky MX, and Spring, Plate, Hall, Room and Shimmer boast entirely new handcrafted algorithms while still giving you access to the original BigSky voices for each one.

BigSky MX gives you powerful editing tools to intuitively manipulate impulse responses in real time. Set decay envelopes, gate the reverb tail, reverse the entire IR, resample on the fly to shorten or stretch the impulse, and create infinitely sustaining granular pads at the press of the Infinite footswitch. Any compatible audio file can be loaded, allowing you to use convolution reverbs for everything from hyper-realistic spaces to wacky experimentation.

BigSky MX comes preloaded with 22 unique stereo impulse responses, including a collection of our very own meticulous captures of legendary analog studio gear that are addictively inspiring.

Notes: Instant ambient bliss coupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating pads and soundscapes that follow your playing organically - so if you change pickups or play in a different place on the neck you get different results. It's unlike anything you've ever heard or played before, all wrapped in a smaller form factor that still manages to house full stereo I/O, TRS MIDI and USB-C connectors on the back panel. Prepare to be inspired!

Cloudburst's Ensemble switch reveals a whole new world of captivating sounds never previously heard from a reverb pedal. Use it subtly to add harmonically rich and otherworldly dimensions to your ambient reverb soundscapes, or use it liberally to hear a lush synthesized string section swell under your guitar playing. Ensemble reacts to your entire guitar signal in an organic and musical way, delivering a richly responsive and uniquely inspiring playing experience.

Cloudburst gives you multiple reverb experiences, with beautifully-tuned and natural small spaces at one end of the Decay knob and vast, expansive atmospheres at the other. As you turn the Decay control numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio-quality spaces of any size at the turn of a single knob.

All of the premium components, sound quality and road-worthiness you expect from a Strymon reverb pedal are here in Cloudburst's new compact format. Featuring unbeatable ease of use and some of the finest reverb sounds we've ever created, Cloudburst could easily be the only reverb pedal you need on your pedalboard.

Notes: Your Dream Tone Starts Here.

Start your signal chain with the best possible version of your guitar tone. Treat your guitar signal to true studio quality analogue compression with two distinct voices for smooth transparency or vintage squeeze. Hit the Boost switch to add clean boost or soft-clipped dirty boost, with the EQ curve of your choice. Mix in some dry signal for natural attack even with extreme compression settings. Feel the perfectly tailored dynamic response, feeding your amp and effects just what they need to sound their best.

Your Everything Upgrade.

From pickups, tubes, capacitors, to speaker cabinets-the aspects of a rig that can be upgraded or changed are nearly endless. Plug in Compadre and you may find you already have everything you need for the tone you've been seeking.

Bring out your amp's character in ways you never thought possible. Compadre's Class A JFET input circuit, studio quality analogue compression, and musically voiced analogue boost circuits all work together to make your amp sound like it was just modified by a world-class boutique amp designer.

Super Flexible, Super Easy.

Compadre gives you everything you need to shape your front end tone, and nothing to slow you down. Auto makeup gain and auto threshold mean that all you have to do is turn up the Compression knob to dial in the desired amount. Compadre's wide variety of tone shaping features are all designed to easily sound great across a wide variety of settings.

Two Distinct Analogue Compression Circuits.

Choose between two compression circuits, each with its own unique character. Studio mode gives you the smooth, beautifully transparent compression typically found in the best vintage studio rack units. For a harder compression effect typical of classic guitar pedals, Compadre's Squeeze mode is designed to deliver heavy compression with maximum sustain.

Boost the Sweet Spot, Clean or Dirty.

Compadre gives you two distinct analogue boost circuits: a clean boost, and a dirty boost that introduces soft clipping, characteristic of an overdrive pedal. The selectable boost EQ ensures the perfect compliment to any guitar and amp combination. Add sparkle and shine with a treble boost, fatten your tone with the midrange boost, or level up the full frequency range with flat mode.

Extended Control.

Connect an expression pedal to add premium VCA-based volume control. Add an optional MiniSwitch or MultiSwitch Plus to store and recall your favourite settings. Integrate Compadre into a MIDI pedalboard using the MIDI EXP Cable and access up to 300 preset locations.

Vintage Inspiration, Modern Execution.

The Compadre design project started with a study of some of the finest analogue compressors ever created, inspiring and guiding the circuit design process. Utilizing a VCA in the compression circuits allowed Strymon to carefully tune the exact response and dynamics that were desired for each voicing.

For Studio mode, the goal was to achieve the musical and transparent sound found within Strymon's favourite studio rack units and the best vintage studio console bus compression. Careful tuning of the detection circuit provided Strymon with exacting control over decay, especially important for Squeeze mode. With ample sustain on tap, Strymon paid special attention to creating a completely smooth decay, with no unwanted pumping artifacts.

Notes: Conduit is a premium, easily configurable, ultra-reliable MIDI interface that will work with just about any quarter-inch MIDI equipped effects pedals you have, and it also offers the best USB computer connection available for any TRS MIDI pedal.

Each of Conduit's four bi-directional TRS jacks are independently configurable to work with most quarter-inch MIDI equipped pedals. Built-in grounding isolation ensures the quiet operation you expect from Strymon. And for pedals that only need to receive MIDI, Dual Mode allows you to connect two pedals to a single TRS output using an optional TRS splitter cable.

Conduit is designed to be a rock solid USB MIDI interface between your computer and your pedals. Send MIDI control change messages from a sequencer for perfectly synced pedal parameter changes. Automate pedal preset changes, load and save presets, or send SYSEX messages-all from your computer.

Conduit - MIDI HubOut of the box, Conduit's 1/4" TRS MIDI jacks are configured to work with Strymon pedals-just plug and go! Other configurations are easily selectable with no DIP switches, no custom cables, and no screwdriver required. Need more TRS MIDI outputs? Just link another Conduit!

Notes: Five 36" rugged and reliable cables for connecting the majority of popular effect pedals to a Strymon Ojai or Zuma PSU.

Notes: Add warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Effortlessly create a huge range of beautiful, distinctive, and enveloping vintage sounds. From the inherent warmth and luscious tape saturation to the forgotten art of how these machines were manipulated, Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.

Deco's Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening your tone with subtle tape-driven transparent overdrive.The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.
Our second generation Deco gives you the same gorgeous reel-to-reel tape sounds from our original, while adding several significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Deco's EXP/MIDI jack or USB-C connection. Lag Deck delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

Deco now comes with an all-new cassette tape voicing that employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a compressed, fat tone. In addition, a new dedicated Tone knob lets you adjust the tone of the Tape Saturation exactly to your liking, from dark to bright.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Features

High impedance ultra low-noise discrete Class A JFET TRS stereo input.

Low impedance independent TS stereo outputs.

Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.

USB jack for controlling via MIDI from a computer or for performing firmware updates.

Dedicated tap tempo & On/Off footswitches

Premium JFET analog front end

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality

520MHz ARM Superscalar processor

32-bit floating point processing

20Hz to 20kHz frequency response

Audio Input Impedance: 1M Ohm

Audio Output Impedance: 100 Ohm

Strong and lightweight anodized dark gray aluminum chassis

9V DC power supply included

Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current

Dimensions: 4.5" deep x 4" wide x 1.75" tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall)

Designed and built in the USA

Notes: DIG unearths the true soul of digital delay and doubles it; two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential. Rack-mount digital delays of the '80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

Strymon's thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG's three digital delay voicings: the early '80s adaptive delta modulation mode, the mid-'80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode. The second generation DIG keeps the same distinctive rack-mount digital delay tones from Strymon's original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG's EXP/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

The powerful tone knob control sets the feedback filter response for tailoring the sound of your echoes. Fast and intuitive to use, it is actually two filters on one control: Turn left for high cut and right for low cut, or set at 12 o'clock for a flat response.

Notes: The legendary Strymon deliver quality goods once again with this analogue-inspired stereo delay. Single head sound gives a classic 60s vibe with modulation and subtle imperfections.

Supplier's Notes:
Experience the dreamy sound of a classic '60s tape echo complete with the harmonic richness of the accompanying tube preamp. Enjoy organic and ethereal modulation produced by countless subtle mechanical imperfections, and easily dial in anything from warm slapback to expansive echo feedback beds with a strikingly gorgeous stereo image. With beautifully-tuned low frequency response, lush tape saturation and sublime echo decay, EC-1 provides all the best of what a tube driven tape echo can deliver.

EC-1 offers impressive power and flexibility in a small and elegant form factor: Selectable tube-modeled preamp voices. Artifact-free tap tempo. Discrete stereo operation for independent processing of the left and right stereo inputs. Straightforward controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control of tempo, patch save/recall and more. Premium components, rugged construction and a USB jack for performing firmware updates or controlling the pedal from a computer.

Featuring meticulous tube modeling techniques, EC-1 offers a choice of two authentically reproduced preamp circuits that lend a subtle vintage character to your input signal. One is based on the classic EP-2 tube preamp and features an enhanced high-end shelf perfect for brightening up darker humbuckers. The other preamp option (the default setting) produces a warm, balanced response based on the modded preamp circuit in the EP-2 unit that we studied during the development of EC-1. This option adds a pleasing sense of heft, especially to single-coils. Both preamp choices offer an optional boost of up to +6dB, or the preamp can be bypassed for an unprocessed dry signal if desired.

Strymon's unique dTape technology was first developed for El Capistan, and they have expanded on it to reproduce all the inspiring nuances weencountered while studying a recently-acquired tube Echoplex that was in uncommonly superb condition. Our dTape system allows precise replication of every aspect of every tape echo we've studied, and in EC1 this includes the effect of the moving head, the tape condition, the bias setting, the mechanical effects of motors, capstan slippage and all the irregularities that add up to create the unmistakable, inspiring sound of vintage tape echo repeats.

Whether you want the cleanest repeats, subtle fattening or even downright dirty echos, you can instantly dial in the desired amount of tape saturation with the flip of a switch. Providing pleasing tonal shifts from thinner to fatter, EC-1's three-way Record Level toggle switch selects the gain of the signal fed into the virtual record head. Choose the low position for unity gain with optimized bias for the cleanest repeats, medium for a 6dB input signal boost with increased bias for slightly saturated repeats, or high for a 12dB input signal boost with further increased bias for heavily saturated repeats. This control also gives you a fast and easy way to match EC-1's response to your input signal level to obtain the desired sound from any pickup type or pedalboard configuration.

For EC-1, fluctuations from motors and mechanical components were thoroughly studied to accurately capture their imperfections. At the lower end of the Mechanics control's range only slower motor-related wow and flutter are present, but at around one o'clock these fluctuations are reduced in favor of faster disturbances from crinkle, splices, and capstan slippage which accurately replicate the sound of our golden EP-2 unit.This setting can create uniquely reverberant and three-dimensionalechos that spread across the stereo spectrum. The slower fluctuations are mixed back in more prominently as you approach the maximum Mechanics setting, and the unique combination of multiple imperfections create truly gorgeous, organic stereo modulation effects unlike anything you've ever heard.

The frequency characteristics of tape echo repeats are determined in part by the bandwidth of the actual tape stock, so older tapes will have a lower bandwidth with a warmer top end. EC-1 allows you to faithfully reproduce these characteristics by turning up the Tape Age knob for warmer repeats, or turning it toward minimum for the full-bandwidth sound of fresh tape.

EC-1 is designed to allow high levels of repeats that are truly lush but that don't spiral into uncontrollable feedback. That wide sweet spot on the edge of runaway feedback can create intriguing sound beds under your lead or rhythm playing. Of course if you want to crank the Repeats control to maximum and play with the unique pitch effects that only a sliding record head tape echo can produce, those effects are all precisely replicated in sound and response.

Notes: 18"

Connects a Strymon Ojai power supply to either the provided power block (PS-124) or to another Strymon multi- power supply (Ojai + Zuma, Ojai + Ojai) for expanded flexibility.

Connector #1: EIAJ-05 straight

Connector #2: EIAJ-05 right angle.

Notes: 9"

Connects a Strymon Ojai power supply to either the provided power block (PS-124) or to another Strymon multi- power supply (Ojai + Zuma, Ojai + Ojai) for expanded flexibility.

Connector #1:EIAJ-05 straight

Connector #2: EIAJ-05 right angle.

Notes: Plug in, play a note or chord, and you feel it: All the warm, saturated, distinctive qualities and subtle nuances of vintage tape echo combine to instantly create an unmistakable atmosphere. Everything from classic slapback echoes to psychedelic space explorations have stunning richness and depth, responding to each note and knob turn in a musically inspiring way.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping. Styrmon's meticulously handcrafted dTape technology and powerful ARM DSP give you a range of tape experiences that would be unattainable with a single traditional tape machine. Plus you get sound on sound looping, all without the headaches of tape machine maintenance and repair.

The second generation El Capistan keeps the same rich magnetic tape echo tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via El Capistan's EXP/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analogue JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Some classic tape echo machines included small integrated spring reverb tanks tuned for limited bandwidth. For El Capistan, we captured this vintage vibe while creating a spring reverb algorithm with a gorgeous, gentle character that stands on its own, in addition to enhancing delayed signals.

Notes: The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances i from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. Strymon have carefully studied their favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

On the tremolo side of the pedal you can choose between the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. On the reverb side you can select the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, or the nostalgic '80s Hall Rack Reverb. With nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a premium quality analog front end and output section, and you have the history of tremolo and reverb in a pedalboard friendly format
.
The second generation Flint gives you the same gorgeous tremolo and reverb sounds from the original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint's EXP/MIDI jack or USB-C connection.Tremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Love slow tremolo? The Speed knob range has been expanded to slow the tremolo down to nearly 1Hz at its minimum setting. On the reverb side, pre-delay time is now adjustable.

Notes: Iridium

Leave Your Amp At Home.

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialling in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it's a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.

Three Iconic Amplifiers

The Matrix Modeling process captures all the subtleties and unique tonal qualities of each amplifier. Strymon have taken three iconic tube amps with distinct characters and mathematically modelled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, Strymon have hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs.

Nine Stereo IR Cabinets

Iridium's speaker cabinets offer a level of realism and responsiveness unprecedented in outboard effects. Iridium delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. Iridium's breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard.

Adjustable Room Ambience

Iridium's hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon's reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe.

Round Amp - Based on* a Fender Deluxe Reverb

The Deluxe is one of the most recorded amps in history for good reason. This amp is clean, bright, and mid-scooped, with plenty of headroom. At higher Drive settings it delivers an overdriven sound unique to its architecture. Strymon chose the Deluxe's Normal channel for its round tone that plays well with pedals. While preserving access to all the tones originally available with this channel, our model gives you something extra: a midrange control. With the midrange at noon, you get the original fixed-resistor value and standard tonal characteristics of the Deluxe. Turn down the midrange for a more scooped sound, or turn it up for tweed-era tones.

Chime Amp - Based on* the Brilliant channel of a Vox AC30

The amp that defined the guitar sound of the British Invasion. Our model of the AC30 Brilliant channel (Top Boost) is jangly, bright, and chimey, providing air for subtle passages with a light touch, and bite when you want to dig in. For this amp, the Middle knob acts a Tone Cut knob, providing high-end roll-off just before the power tubes, per the original AC30 design. In addition to the full available gain of the original amp, toward the top end of the Drive knob's range of travel, Strymon have added a frequency-shaped front end boost to tighten the low end while driving the amp further into saturation.

Punch Amp - Based on* a Marshall Plexi (Super Lead model number 1959)

This powerful amp is meatier, with higher gain than the other two amps, and has a powerful midrange response. This amp features a buttery, smooth overdrive. At higher Drive settings it will deliver all the high gain distortion and growl this amp is known for, and then some. Setting the Drive control at around 2 o'clock gets you the maximum gain the original Plexi design allowed. Beyond that, our model has some additional gain on tap, giving you access to custom hot-rodded Plexi high gain tones.

*All product names are trademarks of their respective owners, which are in no way associated or affiliated with Strymon. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Strymon's sound design process. Fender and Deluxe Reverb are registered trademarks of Fender Musical Instruments Corporation. Vox is a registered trademark of Vox R&D Limited. Marshall is a registered trademark of Marshall Amplification Plc.

A Carefully Curated Cab Collection.

Iridium comes pre-loaded with a carefully curated collection of premium cabinet impulse responses from OwnHammer, Celestion, cabIR and ValhallaIR.

Round A - Deluxe Reverb 1×12" by OwnHammer
Impulse captures a vintage Fender Deluxe Reverb open back 1×12" combo loaded with a 1978 Fender CTS ceramic 12" speaker.

Round B - Blues Junior 1×12" by CabIR
Impulse captures a 1×12" Blues Junior cabinet, loaded with a Jensen C12N speaker.

Round C - Vibrolux 2×10" by cabIR
Impulse captures a Fender Vibrolux from 1965 with 2×10" Jensen C10NS speakers from 1965.

Chime A - AC30 2×12" Alnico by OwnHammer
Impulse captures a Vox AC30/6 open back fawn 2×12" combo with 2001 Celestion T0530 Blue AlNiCo speakers.

Chime B - 1×12" Alnico by Celestion
Impulse captures Celestion Blue Alnico speaker in a closed back 1×12" cab.

Chime C - Mesa 4×12" by ValhallaIR
Impulse captures a 4×12" Mesa Boogie "Halfback", which is loaded (open back) with two Black Shadow MC-90 speakers from CelestionTM and two Black Shadow EVM12-L from ElectroVoice.

Punch A - GNR 4×12" by OwnHammer
Impulse captures a 1971 Marshall 1960B "basketweave" 4×12" cabinet.

Punch B - 2×12" Vintage 30 by Celestion
Impulse captures a Celestion Vintage 30 in an open back 2×12" cab.

Punch C - Marshall 8×12" Alnico by cabIR
Impulse captures a re-issue of the 1965 Marshall 8×12" full stack cabinet, loaded with Celestion T652 AlNiCo speakers.

Load Your Own Impulses.

It's easy to replace the pre-installed IRs with custom IRs from your own collection by using Strymon Impulse Manager software.

Stereo Output
Operates at instrument and Line Level input sources
Discrete transistor headphone amplifier
Expression pedal input provides seamless morphing between knob positions (Expression mode), or smooth pre/post volume control with logarithmic taper (Volume mode)
USB jack for connecting to Strymon Impulse Manager software
to add and edit your own speaker cabinet IRs
Compatible with Strymon MultiSwitch Plus for remote selection of up to 4 presets
Full featured MIDI control accessible via EXP Jack for remote parameter control and access to 300 preset locations (requires Strymon MIDI EXP cable or MIDI to TRS interface)

Audio Quality

Ultra-low noise, high performance 24-bit 96kHz A/D and D/A
converters provide uncompromising audio quality
Super high performance SHARC and ARM co-processors
32-bit floating point processing

More

Transparent Analogue Buffered Bypass
Strong and lightweight anodized black aluminum chassis
9V DC power supply included
Power requirements: maximum 9 volts DC center-negative, with a minimum of 500mA of current
4.5" deep (11.43 cm) x 4" wide (10.16 cm) x 2.4" tall (6.1 cm)
Designed and built in the USA

Notes: Packed with powerful features while maintaining intuitive playability, Strymon's Magneto module is a stereo multi-head tape delay that also functions as a looper, phrase sampler, vintage spring reverb unit, phase-aligned clock multiplier, chaotic oscillator, zero latency sub-oscillator and more, with extensive CV I/O.

Turn simple monophonic signals into complex orchestrations. Create new oscillator tones using self-oscillation. Add rich stereo dimension to your sound, and enjoy the inherent warmth and sweet, subtle distortion characteristics of magnetic tape. Magneto transforms even the smallest rack into a fully expressive, immersive instrument.

To capture the full experience and complexity of a vintage tape echo machine, every last tape system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic tape when driven hard, to hands-on real-time controls for tape age, tape crinkle, and mechanical wow and flutter, Magneto delivers a rich multi-head delay experience that adds life and vibe to your sound.

Every function, control, gain stage, and signal path component in Magneto works together to respond musically and smoothly, even during the wildest live modular improvisations. All this is combined with a luxurious spring reverb to take the sound of your modular setup to a new level, and your sonic explorations into far-out territories.

Not only does Magneto deliver the warm, luscious delay signals that tape delays are known for, it is also capable of a high degree of saturation. Turn up the Record Level knob to send a hot signal to the record head for any amount of tape saturation you desire. Turn up the Tape Age control for warmer repeats. Add some truly beautiful Spring Reverb. Magneto adds organic heart and soul to the sound of your modular.

The effect of the Low Cut and Tape Age knobs are explored, followed by the mechanical 'deterioration' of the machine with the Crinkle and Wow and Flutter controls. The Speed knob is put to use for sonic enhancement.

In a typical digital effect the dry signal gets converted to digital, causing conversion noise and latency. Signals are often attenuated before combining digital dry and wet, with makeup gain amplifying the conversion noise. To avoid this scenario, Strymon have equipped Magneto with a completely analog dry path. Why go to all this trouble? Because the improvements in dynamic range and reduction in noise are so dramatic.

Strymon have outfitted Magneto with the powerful Analog Devices SHARC ADSP-21369 processor, which provides a 366 MHz core instruction rate, and an incredible 2.4 Gigaflops of peak performance. Thanks to this high-powered technology platform within Magneto, we had the freedom to craft our processor-intense tape echo algorithms without compromise.

Notes: Pedalboard-friendly TRS cable, for use with MiniSwitch, MultiSwitch, Tap Favorite, Favorite switch, and expression pedals.

Connector 1: TRS Male - Straight - 1/4"

Connector 2: TRS Male - Right Angle - 1/4" Length: 1.5'

Notes: Want to store a preset of your Favorite settings on your Brigadier, El Capistan, Lex, or Flint? Or remotely tap tempos for your TimeLine, Mobius or Flint? Add the tiny MiniSwitch and connect to your Strymon pedal with the included 1/4" TRS cable.

With the Favorite mode enabled, saving and recalling your Favorite preset is a snap. When you turn off your Favorite, it reverts back to the current knob states of your pedal. It's like having two pedals ready to choose from.

When using Tap Tempo mode, you can place your TimeLine, Mobius, or Flint anywhere on your pedalboard and tap in your tempos remotely. Perfect for large rigs or boards with pedals fighting for real estate.

Notes: Mobius gives you twelve legendary, versatile, and inspirational modulation machines, all in an easy-to-use package. Go from lush, mouthwatering, vintage chorus sounds all the way to syrupy psychedelic phasers. Get classic, pulsating tremolos all the way to warbling crushed bits. Mobius opens up the history books of music and provides new sounds and inspiration for all of your musical ideas.

Utilizing an insanely powerful SHARC DSP, every drop of power is harnessed. Top it all off with 200 presets, full MIDI implementation and a unique Pre/Post Mode and you're on your way to modulation ecstasy.

Notes: 5 x 2.1mm straight connectors, standard polarity (center negative), length between outputs: 12" (30cm), total: 48" (122cm)

Allows running of up to 4 pedals that do not need isolated supply from a single power supply

Notes: Want instant access to three presets for Sunset or Riverside? Or to unlock the full potential of Volante? Connect MultiSwitch Plus with the included 1/4" TRS cable and add a new dimension to your rig.

MultiSwitch Plus can be configured in several different ways to extend floor control of compatible Strymon pedals. Depending on the selected mode and the pedals connected, you can recall presets, change banks, operate TimeLine's looper, remotely tap tempos, and more. Featuring three outputs, MultiSwitch Plus allows you to connect up to three compatible Strymon pedals using additional TRS cables (sold separately). Now you can engage presets on Sunset, Riverside, and Volante simultaneously. Or mix and match the footswitches to set up your own custom operation - such as controlling tap tempo on your Flint, Favorite on your El Capistan, and Boost on your Riverside.

Add a MultiSwitch Plus to your Sunset, Riverside, or Volante and gain instant access to presets 1, 2, and 3. Or connect all three pedals to MultiSwitch Plus using additional TRS cables (sold separately) to access three synchronized presets on all three pedals simultaneously. Connect MultiSwitch Plus to Volante for additional footswitchable control. Use MultiSwitch Plus for remote operation of the SPEED switch, remote transport control, or for additional foot control while in Sound on Sound mode.

Use MultiSwitch Plus to remotely toggle Volante's Speed switch. Instantly alter the speed of the media, changing the fidelity and creating layered multi-octave textures. Volante provides the unique ability to reverse, pause, and infinitely repeat the delayed sounds. MultiSwitch Plus opens the door to even more immediate and expressive control of these functions. MultiSwitch Plus provides remote access to three of Volante's Sound on Sound functions. When in Sound On Sound mode, MultiSwitch Plus allows control over infinite repeats, pause, and reverse functions.

Not only does MultiSwitch Plus give you full control over TimeLine's Looper in a simple, compact format, it also unlocks three additional looping features: Reverse, Half Speed, and Undo/Redo. Use MultiSwitch Plus to control your TimeLine Looper in two different ways. MultiSwitch Plus allows instant access to TimeLine's Record/Overdub, Play, and Stop functions without holding the TAP switch to enter Looper Mode. Easily access looping features while retaining footswitch control over your delay sounds. Hold TimeLine's TAP switch to enter looper mode, and MultiSwitch Plus now gives you instant access to Reverse, Half Speed, and Undo/Redo. Gain access to a versatile, 6-button looper that is excellent for live looping and experimentation.

MultiSwitch Plus provides an alternate way to explore presets and set tempos on your TimeLine, BigSky, and Mobius.

MultiSwitch Plus gives you a new means of exploring preset banks. Use the left switch to move down a bank, right switch to move up a bank, and middle switch to cycle through your presets within the current bank. A great way to explore all of your presets. Use MultiSwitch Plus to recall the perfect preset on your TimeLine, BigSky, or Mobius. Easily scroll through saved presets using the left and right switches, and engage/bypass the preset you have selected with the middle switch. Use MultiSwitch Plus to scroll through your saved presets and control your tap tempo all at once. Perfect for TimeLine and Mobius-use the left switch to scroll down through your saved presets, the right switch to scroll up, and the middle switch to tap in the perfect delay tempo or modulation speed.

Notes: NightSky is a reverberant synthesis workstation and a powerful, hands on experimental sound design platform. Giving you real time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide.

Deep and powerful sound manipulation with instant response knob- tweaking and no menu diving set a new standard in experimental reverb sound design. NightSky achieves some of it's most mind bending sounds by using a Variable Process Rate for it's reverb core, allowing you to simultaneously change the size of the reverb as well as the pitch. This pitch change can be completely smooth, or quantized to a variety of musical scales, it can also be sequenced.

Use Shimmer to shift the harmonic structure by selectable musical intervals. Add Glimmer to dynamically enhance the harmonic spectrum. Turn up Drive to generate saturated overdriven harmonics. Then sculpt the resulting signal with NightSky's synth-like variable-resonance low pass filter.

Features

Three selectable reverb types offer a wide variety of ambient textures

MOD section with various waveforms to modulate the reverb or tone filters

TONE section to sculpt the high and low EQ of the reverb

VOICE section to enhance the aural spectrum of the reverb

Adjustable SHIMMER for adding pitch shifting of up to +/- 1 octave to the reverb

GLIMMER dynamically enhances high or low frequency harmonics for synth-like textures

Pre or Post DRIVE to add saturated overdriven harmonics to the reverb

Adjustable reverb core size to increase or decrease the space for reflections

Independent REVERB and DRY level controls

Step sequencer for programming rhythmic pitch variations of the reverb

Access to 16 presets from the front panel and 300 presets via MIDI

High impedance ultra low-noise discrete Class A JFET preamp stereo inputs

Low impedance stereo outputs

Input Level switch allows for both instrument and line level signals

On, Favorite, and Infinite footswitches

Expression pedal input allows the connection of an expression pedal, MultiSwitch Plus, or 1/4" to MIDI cable

Full featured MIDI in/out supporting MIDI CCs, program changes, MIDI clock sync and more

USB jack for controlling via MIDI from a computer or for performing firmware updates

Analog dry path for a zero latency dry signal that is never converted to digital

Premium JFET analog front end

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality

Super high performance SHARC DSP

32-bit floating point processing

20Hz to 20kHz frequency response

Audio Input Impedance: 1M Ohm

Audio Output Impedance: 100 Ohm

True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass

Strong and lightweight anodized dark blue aluminum chassis

9V DC power supply included

Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current

Dimensions:

4.5" deep x 7" wide x 1.75" tall

114.3 mm deep x 177.3 mm wide x 44.5 mm tall

Designed and built in the USA

Notes: Have an existing Strymon effects pedal power supply? Gain five additional isolated pedal outputs with an Expansion Kit. Easily build a modular power system that can grow with your pedalboard.

Expansion Kits require an existing Strymon power product which connects to an AC power outlet, either directly (Zuma, Zuma R300) or via an external power adapter (Ojai R30, Ojai). Simply link an Expansion Kit to your existing Strymon power product via the 24V jack.

Expansion Kits consist of an isolated power distributor and all of the necessary connection cables to integrate it with your existing Strymon power supply and power up to five additional effects pedals.

Use an Expansion Kit when you need to add more pedals to your Strymon powered pedalboard. Expansion Kits do not come with a power adapter, and will operate only when connected to an existing Strymon power product.

Notes: Huge horsepower, small size Power your pedals with Ojai-the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow. You get five high-current, individually isolated, ultra-low-noise outputs-each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.

Ojai's dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range. Ojai's all analog circuitry offers two stages of isolation, completely eliminating ground loop and AC line noise issues, allowing your pedals to sound like they were designed to sound.

Is your pedalboard growing? Gain more outputs by connecting additional Ojai units to the 24V Thru jack. Or use Ojai to add five more outputs to our Zuma power supply (sold separately). Ojai is part of a truly expandable, modular power distribution system that can grow with your pedalboard.

Many popular guitar pedals were originally designed to work with batteries. Since batteries are inherently very low noise and not susceptible to ground loops, these pedals often were not designed to be resistant to noise from power supplies. Strymon's ultra-low-noise design prevents power noise from bleeding into the audio signal, allowing your pedals to deliver the highest possible dynamic range.

Playing gigs all around the world? No need to purchase separate power supplies for your international tour. Ojai has automatic worldwide power compatibility built-in (when connected with the appropriate IEC cable). Whether you're on 120V, 240V, 100V, or any variation in between, Ojai will deliver clean, reliable power to your pedals, even if the venue has dirty power.

Ojai's all analog circuitry offers two stages of isolation. Each of the five output channels is individually isolated from the 24V DC, and the 24V DC is isolated from the AC input power, eliminating ground loop and AC line noise issues. Ojai also provides dual power regulation: Wide-bandwidth optically isolated feedback loops on each channel, as well as on the input, allow both the input and outputs to adjust for changes, ensuring solid output under changing load conditions.

Don't let the blue chassis fool you: Ojai is green at heart. Significantly more efficient than linear power supplies, Ojai is able to deliver substantially more current while handling a much wider range of input voltages. Ojai's high efficiency design delivers high-current power distribution in a compact unit, for a small carbon footprint and a small pedalboard footprint.

Strymon has solved the switching power supply problem. With their dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering, they have designed a switching power supply that is actually quieter than linear units.

Notes: Have an existing Strymon effects pedal power supply? Gain five additional isolated pedal outputs with an Expansion Kit. Easily build a modular power system that can grow with your pedalboard.

Expansion Kits require an existing Strymon power product which connects to an AC power outlet, either directly (Zuma, Zuma R300) or via an external power adapter (Ojai R30, Ojai). Simply link an Expansion Kit to your existing Strymon power product via the 24V jack.

Use an Expansion Kit when you need to add more pedals to your Strymon powered pedalboard. Expansion Kits do not come with a power adapter, and will operate only when connected to an existing Strymon power product.

Notes: Power your pedals with Ojai R30-the highest horsepower, most technologically advanced effects pedal power supply of its size. You get clean, rock-steady power for your 9V, 12V and 18V effects pedals in a low profile, expandable package, giving you room to grow. Ojai R30's dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering allow your pedals to achieve their highest possible dynamic range.

Ojai R30's all analog circuitry offers two stages of isolation, completely eliminating ground loop and AC line noise issues, allowing your pedals to sound like they were designed to sound. With automatic international power compatibility built-in, Ojai R30 delivers clean, reliable power to all your pedals, on any stage anywhere you play in the world.

Do you have pedals that require 12V or 18V? Ojai R30 has you covered. Two channels have selectable 9, 12, or 18V output voltages. Some analog pedals designed for 9V operation may provide higher output and/or more clean headroom when run at higher voltages such as 12V or 18V. However, others will simply start smoking and melting, so please check with the manufacturer of your pedal before operating at a higher-than-standard voltage!

Have a growing rig? Ojai R30 is part of an expandable system. Gain more outputs by connecting additional Ojai units to the 24V Thru jack. Or use Ojai R30 to add five more outputs to our Zuma power supply (sold separately).

Notes: In designing the Ola dBucket Chorus and Vibrato, Strymon started with the dBucket building blocks and used them to craft a beautiful and versatile modulation effect. Keeping in line with the same philosophy as the Brigadier delay, the high performance DSP is entirely dedicated to and focused on providing the most lush and organic chorus and vibrato sounds available. Strymon also drew influence from some of their favorite vintage chorus effects and a certain little blue box vibrato with a strong cult following. On top of that they threw in true bypass, a favorite preset, stereo input and output, and a super high quality analog front end and output section.

Features

Hand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip. Built on the dBucket building blocks developed for our Brigadier delay.

Super low noise, high performance A/D and D/A converters w/ 110dB signal to noise

High performance DSP stuffed into a compact form factor

3 modulation types (chorus, muti-mode chorus, vibrato)

3 dynamic modes (normal, ramp, envelope)

Controllable ramp speed | envelope sensitivity

Global tone control for the overall color of your modulation

Mix control for dialing in various modulation intensities

TRUE BYPASS (electromechanical relay switching)

Stereo input and output

Favorite footswitch for saving your favorite setting

Powered with a standard 9V center negative DC supply. Compatible with all major DC supply brands. Current consumption 200mA - (250mA recommended supply)

Premium analogue front end and output section

No-nonsense user interface

Strong and lightweight blue anodized aluminum chassis

Crafted with love in the USA

Notes: Connects pedals that have a power connector with reverse (center positive) polarity to the Strymon Ojai or Zuma power supply.

Connector #1: 2.1mm straight
Connector #2: 2.1mm female.
Polarity: reverse (center positive) Length: 6" (15cm).

Pedals that require this cable include Janglebox pedals, some Fulltone and some Moogerfooger pedals, and others.

Notes: Connects pedals that have a power connector with reverse (center positive) polarity to the Strymon Ojai or Zuma power supply.

Connector #1: 2.1mm straight
Connector #2: 2.5mm female.
Polarity: reverse (center positive) Length: 6" (15cm).

Pedals that require this cable include some models Line 6, Electro-Harmonix, Eventide and others.

Notes: Allows you to save and load any one of up to 300 Sunset/Riverside drive presets into your Sunset and Riverside pedals.

Gives full control of all knobs and switches via MIDI

This means you can save and recall presets in bypass state, ready to punch in the perfect drive setting when it's time for your solo.

Notes: Expand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. StarLab is a single module that will completely transform your modular rack.

The seemingly simple idea of allowing the pre-delay signal to be fed directly to the module's output led to the development of rich sounding delay, chorus, and flanger effects, all of which can be used together with or independent of the reverb.

While experimenting with short delay times using feedback and filtering, Strymon began finding very musical and expressive Karplus-Strong string synthesis sounds, and realized that StarLab could move beyond signal processing and become a truly unique voice module as well. All this ultimately resulted in the creation of a module that is equal parts reverb, delay/ modulation, and playable instrument.

From patch creation to live performance, StarLab's powerful features are easily accessible at the turn of a knob or the touch of a button. With no menus to wade through, StarLab's interface is designed for intuitive hands-on sonic exploration, while every function and control works together to respond musically and smoothly.

From perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size/pitch of the reverb process.

StarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.

In addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab's reverb capabilities.

Notes: Expand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. StarLab is a single module that will completely transform your modular rack.

The seemingly simple idea of allowing the pre-delay signal to be fed directly to the module's output led to the development of rich sounding delay, chorus, and flanger effects, all of which can be used together with or independent of the reverb.

While experimenting with short delay times using feedback and filtering, Strymon began finding very musical and expressive Karplus-Strong string synthesis sounds, and realized that StarLab could move beyond signal processing and become a truly unique voice module as well. All this ultimately resulted in the creation of a module that is equal parts reverb, delay/ modulation, and playable instrument.

From patch creation to live performance, StarLab's powerful features are easily accessible at the turn of a knob or the touch of a button. With no menus to wade through, StarLab's interface is designed for intuitive hands-on sonic exploration, while every function and control works together to respond musically and smoothly.

From perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size/pitch of the reverb process.

StarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.

In addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab's reverb capabilities.

Notes: Allows you to save and load any one of up to 300 Sunset/Riverside drive presets into your Sunset and Riverside pedals.

Gives full control of all knobs and switches via MIDI

Save and recall presets in bypass state

Notes: Works with all Strymon pedals

9v DC centre negative 667 milliamp

Notes: A warm grittiness to the warble, a rippling, wooshing, bubbling irregularity to the modulation and a dynamic response to your picking are all hallmarks of the true vibe experience. Thicker and chewier than any chorus, earthier than any phaser and uniquely magical in front of a driven amp, the perfect vibe pedal moves you to dig in and play without inhibition. This feeling has been difficult to find outside of large and expensive fully-analog boutique units, but the search for that elusive experience is now over.

UltraViolet's simple and responsive controls provide a wider range of sounds than traditional vibe pedals. In addition to the familiar Chorus (50% wet) and Vibrato (100% wet) settings, there is a new Blend setting (30% wet) for an inspiring variety of more subtle effects. A Bias switch gives you three distinct flavors of sweep shape and tone emphasis, allowing for tons of sonic variation. At slow speeds, the intensity range has been expanded beyond that of traditional vibe circuits to push even further into warmly undulating sonic territory.

For UltraViolet's new vibe algorithm, all the elements of the classic optical vibe circuit (and their interdependencies) have been meticulously recreated for a dynamic playing response. From the effects of bias, speed and LFO waveshape on the pulsing of the lamp, to the response of the light-dependent resistors that set the center frequencies of the staggered phasing filters, the entire system has been duplicated and carefully tuned to produce the very best sounds a vibe pedal can offer.

TRS stereo input and output in a dual mono configuration means you can place UltraViolet at any point in your pedal chain with no impact on your stereo image.

Full MIDI implementation with 300 available preset locations ensures that UltraViolet is ready for your MIDI rig. In addition to TRS MIDI, there is a USB-C jack for controlling the pedal via MIDI from a computer or for performing firmware updates. For hands-free control without MIDI you can connect an expression pedal for control over any combination of knobs in any direction (Expression pedal controls Speed by default.) Or attach an optional external switch for tap tempo or favorite recall.

Finally, a high-impedance, ultra-low noise discrete Class A JFET stereo input preamp provides exceptional touch sensitivity, dynamics and feeliall in a rugged and elegantly compact form factor.

Notes: Volante

Sounds From The Expanse.

Create instant retrofuture atmosphere with evocative vintage delay tones. Activate your imagination with evolving ambient echoes and warm, organic feedback with just the right amount of grit. Sculpt your soundscape in real time as Volante becomes an extension and expansion of your musical instrument. Infuse your pedalboard with stunning vintage vibes that resonate and inspire.

Overview

Delays For Days.

Three Magnetic Delay Types, Spring Reverb, Looper, and More.

Delivering truly exceptional sound quality and intuitive playability, Volante is designed to radically enhance the sonic expressiveness of your pedalboard. Featuring magnetic drum echo, tape echo, and reel-to-reel studio echo, Volante is a stereo multi-head delay that also offers a looper and vintage spring reverb, with powerful sound-sculpting controls for limitless sonic possibilities.

Vintage Vibe.

To capture the nuance and complexity of classic tape and drum echo machines, every last magnetic delay system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic media when driven hard, to hands-on real-time controls for mechanics, wear, head-spacing, and low cut, Volante instantly adds tons of vibe to your sound.

Multi-Head Maven.
Volante provides the full experience and sonic attributes of iconic multi-head echo machines. At the centre of Volante's control surface are four delay playback heads with individual feedback, panning, and level controls-delivering unlimited creative options right at your fingertips. All of this range allows the creation of complex rhythmic patterns as well as reverb-like atmospheric textures.

Drum Delay With Unprecedented Control.

Magnetic drum echoes are famous for their warmth and for their harmonically rich and saturated sounds. This is due in large part to the many tube stages present in the most sought-after units. There were tubes in the input buffer, the signal mixer, the record and playback amplifiers, the tone shaping circuit, and the output mixing circuit.

Every sonic aspect of Strymon's favourite drum echoes has been meticulously reproduced within Volante. Dial in any possible sound from the full range of the best vintage drum echo units in conditions ranging from fresh-from-factory to road-worn classic.

Classic Tape Echo Experience.

Volante gives you superbly crafted multi-head tape echoes, including the smooth tape saturation and the characteristic imperfections and nonlinearities inherent to the sound of those vintage machines.

Mechanical alignment, head wear, and tape crinkles, splices, and contaminants are all accounted for in Volante, giving you all the richness and complexity of a classic tape echo, with modern control and stability. Volante also allows you to recreate the irregular head spacing of some of the classic tape echo machines.

True Studio Tape Sound.

The professional reel-to-reel machines of the 50s and 60s were high-fidelity units built to accurately reproduce full-range audio signals. In the hands of creative engineers, these machines also doubled as some of the earliest studio effects, producing some of the fattest sounds imaginable.

Of Volante's three magnetic echo types, the Studio Echo provides the cleanest sound, able to sustain the highest number of repeats with minimal degradation. Volante gives you a pristine studio delay with the full-bodied warmth and fidelity of reel-to-reel tape.

Completely Analogue Dry Path.

In a typical digital effect the dry signal gets converted to digital, causing conversion noise and latency. Signals are often attenuated before combining digital dry and wet, with makeup gain amplifying the conversion noise. To avoid this, Strymon have equipped Volante with a completely analogue dry path, featuring all-analogue, ultra low noise, discrete, class-A stereo JFET preamps. Volante is truly a studio-quality effect.

Insanely Powerful DSP.

Strymon have outfitted Volante with the incredibly powerful Analog Devices SHARC ADSP-21375 processor, which provides a 266 MHz core instruction rate, and an incredible 1.596 Gigaflops of peak performance. Thanks to this high-powered technology platform within Volante, Strymon had the freedom to craft this processor-intense echo algorithms without compromise.

Notes: Connects 18V pedals to two 9V outputs on the Strymon Zuma or Ojai power supply.

Also connects 24V pedals to two 12V outputs on the Zuma.

Power supply connectors: 2.1mm straight (2)
Pedal connector: 2.1mm female Polarity: standard (center negative)
Length: 4"/10cm.

Compatible pedals include some pedals by Fulltone, Keeley, MXR and Dunlop (Cry Baby).

Notes: Way Back Machine

Step on Zelzah, play one chord, and you're instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe. Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before-all instantly musical with great tone all the way across every dial.

Two Effects At Once.

Zelzah is actually two different phasers, side by side in one pedal. Zelzah's 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. Zelzah may become the only modulation pedal you keep on your board.

Choose Your 4-Stage Phaser Sweep

Classic Sweep

The first Sweep mode is labelled "Classic" because this is the classic four stage phaser sweep we all know. In this Sweep mode, a single LFO with a warped triangle shape creates that familiar vintage sound.

Barber Sweep

Similar to the visual effect of a barber pole, the Barber sweep is a continuously rising or falling effect that is traditionally done with frequency shifters. In Zelzah, Strymon have used an arrangement of synchronized four stage phasers to produce the effect while maintaining the four stage sound.

Envelope Phaser

Set the Sweep switch to Env and you've got a whole new pedal under your feet. Now the phaser responds to your picking like an envelope filter/auto-wah would, with the phaser sweep being dynamically controlled by your input signal, creating harmonically complex and very funky sounds.

Six Stage Voice: Groundbreaking New Phaser Algorithm

The Voice knob on the six stage side simultaneously controls over 30 different parameters, all working in harmony for an inspiring musical experience.

Not only do you get thick, juicy, phasing with pure vintage vibe, but as you turn the Voice knob clockwise, the groundbreaking new modified all-pass structure expands the time response of the cascading all-pass filters seamlessly and continuously, adding spaciousness and airiness to the sound.

Explore a range of fresh musical tones that are not a mix of phasing and flanging, but actually something entirely new. Turn the Voice knob to the right for luxurious true flanger effects, and continue to the far end of the range for lush vintage chorus sounds. There are inspiring musical sounds at every point along the dial, and so many ways to make a sound that is truly yours.

Notes: Never worry about power again. Zuma is the highest horsepower, most technologically advanced effects pedal power supply of its kind. Zuma offers nine high-current, individually isolated, ultra-low-noise outputs-each with its own dedicated regulator and custom transformer. Designed to meet the needs of today's players, each output provides a staggering 500mA of current.

Zuma's dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.

The all analog circuitry offers two stages of isolation. Each of the nine output channels is individually isolated from the 24V DC, and the 24V DC is isolated from the AC input power, eliminating ground loop and AC line noise issues. Zuma also provides dual power regulation: Wide-bandwidth optically isolated feedback loops on each channel, as well as on the input, allow both the input and outputs to adjust for changes, ensuring solid output under changing load conditions.

With automatic international power compatibility built-in, Zuma delivers an abundance of clean, rock-steady power to all your pedals, on any stage anywhere you play in the world.

Have a growing rig? Zuma is part of an expandable system. Add more outputs by connecting a Strymon Ojai (sold separately) with the 24V Out jack.

Many popular guitar pedals were originally designed to work with batteries. Since batteries are inherently very low noise and not susceptible to ground loops, these pedals often were not designed to be resistant to noise from power supplies. Stymon's ultra-low-noise design prevents power noise from bleeding into the audio signal, allowing your pedals to deliver the highest possible dynamic range.

Playing gigs all around the world? No need to purchase separate power supplies for your international tour. Zuma has automatic worldwide power compatibility built-in (when connected with the appropriate IEC cable). Whether you're on 120V, 240V, 100V, or any variation in between, Zuma will deliver clean, reliable power to your pedals, even if the venue has dirty power.
Do you have pedals that require 12V or 18V? Zuma has you covered. Two channels have selectable 9, 12, or 18V output voltages.

Some analog pedals designed for 9V operation may provide higher output and/or more clean headroom when run at higher voltages such as 12V or 18V. However, others will simply start smoking and melting, so please check with the manufacturer of your pedal before operating at a higher-than-standard voltage!

Don't let the blue chassis fool you: Zuma is green at heart. Significantly more efficient than linear power supplies, Zuma is able to deliver substantially more current while handling a much wider range of input voltages. Zuma's high efficiency design delivers high-current power distribution in a compact unit, for a small carbon footprint and a small pedalboard footprint.

Strymon has solved the switching power supply problem. With their dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering, we have designed a switching power supply that is actually quieter than linear units.

Notes: Is your pedalboard growing? Add more outputs to your Zuma R300 by connecting a Strymon Ojai or Ojai R30 (sold separately) with the 24V Out jack. Zuma R300 is part of a truly expandable, modular power distribution system that can grow with your pedalboard.

Many popular guitar pedals were originally designed to work with batteries. Since batteries are inherently very low noise and not susceptible to ground loops, these pedals often were not designed to be resistant to noise from power supplies. Strymon's ultra-low-noise design prevents power noise from bleeding into the audio signal, allowing your pedals to deliver the highest possible dynamic range.

Do you have a pedal that requires 12V or 18V? Zuma R300 has you covered. One channel has selectable 9, 12, or 18V output voltages. Some analog pedals designed for 9V operation may provide higher output and/or more clean headroom when run at higher voltages such as 12V or 18V. However, others will simply start smoking and melting, so please check with the manufacturer of your pedal before operating at a higher-than-standard voltage!

Zuma R300's all analogue circuitry offers two stages of isolation. Each of the five output channels is individually isolated from the 24V DC, and the 24V DC is isolated from the AC input power, eliminating ground loop and AC line noise issues. Zuma R300 also provides dual power regulation: Wide-bandwidth optically isolated feedback loops on each channel, as well as on the input, allow both the input and outputs to adjust for changes, ensuring solid output under changing load conditions.

Playing gigs all around the world? No need to purchase separate power supplies for your international tour. Zuma R300 has automatic worldwide power compatibility built-in (when connected with the appropriate IEC cable). Whether you're on 120V, 240V, 100V, or any variation in between, Zuma R300 will deliver clean, reliable power to your pedals, even if the venue has dirty power.

Don't let the blue chassis fool you: Zuma R300 is green at heart. Significantly more efficient than linear power supplies, Zuma R300 is able to deliver substantially more current while handling a much wider range of input voltages. The high efficiency design delivers high-current power distribution in a compact unit, for a small carbon footprint and a small pedalboard footprint.

Zuma R300's ultra-low profile design means that it can fit under just about any pedalboard. It also features built in threaded hardware for easy mounting.